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I have crossed the Atlantic, | 0:00:02 | 0:00:04 | |
to ride the railroads of North America | 0:00:04 | 0:00:07 | |
with my reliable Appleton's guide. | 0:00:07 | 0:00:09 | |
Published in the late 19th century, | 0:00:12 | 0:00:14 | |
my Appleton's general guide to North America | 0:00:14 | 0:00:17 | |
will direct me to all that is novel, beautiful, memorable | 0:00:17 | 0:00:23 | |
and striking in the United States. | 0:00:23 | 0:00:26 | |
THEY SHOUT | 0:00:26 | 0:00:28 | |
As I journey across this vast continent, | 0:00:28 | 0:00:30 | |
I'll discover how pioneers and cowboys conquered the West. | 0:00:30 | 0:00:34 | |
GUNFIRE | 0:00:34 | 0:00:36 | |
And how the railroads tied this nation together, | 0:00:36 | 0:00:39 | |
helping to create the global superstate of today. | 0:00:39 | 0:00:43 | |
My rail journey across the United States from north to south | 0:01:11 | 0:01:14 | |
has brought me to Chicago, Illinois, the industrial hub of the Midwest. | 0:01:14 | 0:01:20 | |
At the time of my guidebook, | 0:01:20 | 0:01:22 | |
amongst the smoke and steam of the late 19th century, | 0:01:22 | 0:01:26 | |
a new kind of city was forged. | 0:01:26 | 0:01:29 | |
It expressed its exuberance by reaching for the sky | 0:01:29 | 0:01:33 | |
with architecture that turned its back on Europe. | 0:01:33 | 0:01:37 | |
Here was created a distinctly American metropolis. | 0:01:37 | 0:01:41 | |
I'm halfway along a route that began in Minnesota | 0:01:57 | 0:02:00 | |
then followed the Mississippi River as far as Wisconsin. | 0:02:00 | 0:02:05 | |
Making for the Great Lakes, | 0:02:05 | 0:02:06 | |
I skirted the south-west shore of Lake Michigan | 0:02:06 | 0:02:09 | |
from Milwaukee to Chicago. | 0:02:09 | 0:02:12 | |
From where I'll cut a swathe through rural Illinois. | 0:02:12 | 0:02:15 | |
The final leg of my journey will reunite me with Old Man River | 0:02:15 | 0:02:19 | |
and the city of Memphis | 0:02:19 | 0:02:21 | |
on its banks. | 0:02:21 | 0:02:22 | |
This time, I am exploring in and around the nation's railway hub Chicago. | 0:02:22 | 0:02:27 | |
After scanning the skyline from the Chicago River, | 0:02:27 | 0:02:30 | |
I'll head to the city's fire training academy, | 0:02:30 | 0:02:33 | |
make my way to Joliet to play some baseball, | 0:02:33 | 0:02:36 | |
before returning downtown | 0:02:36 | 0:02:38 | |
to investigate Chicago's evangelical past. | 0:02:38 | 0:02:41 | |
Along the way, I make a few announcements... | 0:02:44 | 0:02:47 | |
258, your train's never late! | 0:02:47 | 0:02:50 | |
258, your train's never late! | 0:02:50 | 0:02:53 | |
Strike out in America's national game... | 0:02:53 | 0:02:57 | |
Here we go. You are looking like a natural already. | 0:02:57 | 0:03:00 | |
And I am blown away by the Windy City... | 0:03:00 | 0:03:02 | |
Chicago at sunset. | 0:03:02 | 0:03:04 | |
Surely one of the world's most stunning cities. | 0:03:05 | 0:03:08 | |
According to Appleton's, | 0:03:20 | 0:03:22 | |
"Chicago ranks next in commercial importance to New York among | 0:03:22 | 0:03:26 | |
"the cities of the United States." | 0:03:26 | 0:03:29 | |
I suspect that Chicago would resent the comparison. | 0:03:29 | 0:03:33 | |
In any case, its response is constant renewal. | 0:03:33 | 0:03:37 | |
New buildings and attractions appear at a dizzying rate, | 0:03:37 | 0:03:41 | |
and it defies any city to match its energy. | 0:03:41 | 0:03:45 | |
-MAN OVER TANNOY: -Ladies and gentlemen, | 0:03:46 | 0:03:48 | |
in just a moment our next stop will be our final stop - | 0:03:48 | 0:03:50 | |
Union Station, downtown Chicago. | 0:03:50 | 0:03:52 | |
By the time of my guidebook, | 0:03:55 | 0:03:56 | |
Chicago had emerged as the Midwest's major metropolis... | 0:03:56 | 0:04:01 | |
Thank you. | 0:04:01 | 0:04:03 | |
..and North America's greatest railroad centre. | 0:04:03 | 0:04:06 | |
Today, Chicago's Union Station is still the hub of | 0:04:11 | 0:04:14 | |
the United States' passenger rail network. | 0:04:14 | 0:04:18 | |
I feel a special excitement when I'm coming to one of | 0:04:26 | 0:04:29 | |
the world's great conurbations, my kind of town. | 0:04:29 | 0:04:32 | |
Arriving in Chicago today, | 0:04:40 | 0:04:42 | |
it's impossible not to be awed by its forest of high-rise buildings. | 0:04:42 | 0:04:48 | |
This city has been an architectural innovator for | 0:04:48 | 0:04:51 | |
the last 130 years. | 0:04:51 | 0:04:54 | |
I'm navigating the Chicago River to admire | 0:04:59 | 0:05:03 | |
the city's most striking structures, | 0:05:03 | 0:05:05 | |
and I am boarding with architecture expert Jen Masengarb. | 0:05:05 | 0:05:10 | |
Hello. | 0:05:10 | 0:05:12 | |
Looking forward to this. After you, Jen. | 0:05:13 | 0:05:15 | |
The modern skyscraper was born here in 1885 | 0:05:24 | 0:05:28 | |
when a metal-framed, ten-storey building was completed. | 0:05:28 | 0:05:33 | |
It's no longer standing, | 0:05:33 | 0:05:35 | |
but there's plenty left for architecture buffs. | 0:05:35 | 0:05:38 | |
I suppose the best way to see Chicago's architecture is from the water. | 0:05:40 | 0:05:43 | |
It is. The Chicago River is that sort of lifeblood of the city. | 0:05:43 | 0:05:47 | |
Dominating us now seems to be a lot of glass-sided towers, | 0:05:47 | 0:05:50 | |
highly reflective. | 0:05:50 | 0:05:52 | |
This seems to be the big fashion these days. | 0:05:52 | 0:05:54 | |
Even within that though you can see different eras in different ways | 0:05:54 | 0:05:58 | |
that the glass was treated or different materials. | 0:05:58 | 0:06:00 | |
One very beautiful thing about | 0:06:00 | 0:06:02 | |
the amount of glass that has been used in the last few decades | 0:06:02 | 0:06:05 | |
is that so much of the city is then reflected in those buildings. | 0:06:05 | 0:06:09 | |
And as you pass by you get this kaleidoscope of the buildings, | 0:06:09 | 0:06:15 | |
that they are all moving as you are moving. | 0:06:15 | 0:06:17 | |
Yeah. One of the earliest buildings to do that is 333 West Wacker. | 0:06:17 | 0:06:21 | |
For many Chicagoans, it's their favourite. | 0:06:21 | 0:06:23 | |
Isn't that beautiful? | 0:06:23 | 0:06:26 | |
One of the sounds of the cities is the trains. | 0:06:26 | 0:06:29 | |
And that sound echoes all along the river. | 0:06:29 | 0:06:32 | |
Union Station is right behind these skyscrapers | 0:06:32 | 0:06:35 | |
and what you see underneath here are the train tracks | 0:06:35 | 0:06:38 | |
with skyscrapers built on top of them | 0:06:38 | 0:06:40 | |
because Chicago developed something called air rights. | 0:06:40 | 0:06:43 | |
That you can actually buy the air of your neighbour's property | 0:06:43 | 0:06:47 | |
and build something on top of them next door. | 0:06:47 | 0:06:51 | |
It seems that the city has remained a playground for architects | 0:06:51 | 0:06:55 | |
to experiment and innovate. | 0:06:55 | 0:06:57 | |
Mostly the architecture we are seeing along the river is from the 20th century | 0:06:57 | 0:07:01 | |
because the land along the river is precious and what happens often is | 0:07:01 | 0:07:06 | |
that the buildings are demolished to build something larger and something taller. | 0:07:06 | 0:07:10 | |
A skyscraper is a building designed to make the land pay. | 0:07:10 | 0:07:14 | |
In the 19th century, as today, | 0:07:14 | 0:07:17 | |
the high cost of land drove lofty ideas. | 0:07:17 | 0:07:21 | |
The first skyscrapers were built to cope with Chicago's growing labour force | 0:07:21 | 0:07:25 | |
as job-seekers piled into the city. | 0:07:25 | 0:07:28 | |
Thank you for suggesting Federal Plaza because we see here | 0:07:28 | 0:07:32 | |
-a range of Chicago architecture from different vintages. -Yes. | 0:07:32 | 0:07:36 | |
This lovely building behind us. Tell me about that. | 0:07:36 | 0:07:38 | |
This is the Marquette Building. It was designed in 1894. | 0:07:38 | 0:07:41 | |
The Marquette Building is kind of the epitome, | 0:07:41 | 0:07:43 | |
a classic early Chicago skyscraper. | 0:07:43 | 0:07:46 | |
About 18 to 20 stories, is kind of the typical height. | 0:07:46 | 0:07:49 | |
And when you look at it, | 0:07:49 | 0:07:50 | |
the Marquette Building draws our eye up. | 0:07:50 | 0:07:53 | |
This is a new thought. How does the building meet the sky? | 0:07:53 | 0:07:56 | |
So this generation of architects, | 0:07:56 | 0:07:58 | |
they were really sort of thinking about that crown. | 0:07:58 | 0:08:01 | |
Some borrowing from ancient Greece and Rome, | 0:08:01 | 0:08:04 | |
some stripped of that, | 0:08:04 | 0:08:06 | |
some borrowing more of kind of medieval detail. | 0:08:06 | 0:08:09 | |
Was Chicago a suitable place to build tall buildings? | 0:08:09 | 0:08:12 | |
I think Chicago is probably the worst place to build a skyscraper | 0:08:12 | 0:08:15 | |
because Chicago has incredibly poor soil. | 0:08:15 | 0:08:18 | |
It's like a clay mixture almost. | 0:08:18 | 0:08:21 | |
The New York Times in 1891 likened it to a jelly cake. | 0:08:21 | 0:08:25 | |
And so all the attempts through the 1880s and into the 1890s | 0:08:25 | 0:08:29 | |
are to try to make the walls thinner | 0:08:29 | 0:08:31 | |
and make the building lighter so that it doesn't sink so much | 0:08:31 | 0:08:35 | |
-into our really poor soil. -That is absolutely extraordinary. | 0:08:35 | 0:08:38 | |
I mean, look at Chicago now. It's absolutely dominated by skyscrapers. | 0:08:38 | 0:08:42 | |
In the late 19th century, | 0:08:50 | 0:08:51 | |
Chicago's skyscrapers were impressive feats of engineering | 0:08:51 | 0:08:55 | |
that expressed the city's triumph over calamity. | 0:08:55 | 0:08:58 | |
Appleton's tells me that in October 1871, | 0:08:59 | 0:09:03 | |
"Chicago was the scene of one of the most destructive conflagrations in history. | 0:09:03 | 0:09:09 | |
"The flames swept with resistless fury. | 0:09:09 | 0:09:12 | |
"The total area destroyed was nearly 3.5 square miles." | 0:09:12 | 0:09:17 | |
This water tower was one of the few buildings to survive. | 0:09:17 | 0:09:21 | |
My Appleton's tells me | 0:09:21 | 0:09:23 | |
the fire originated in a small barn in DeKoven Street. | 0:09:23 | 0:09:27 | |
Today the city's fire academy, on that same site, | 0:09:29 | 0:09:32 | |
is a working memorial to the tragedy. | 0:09:32 | 0:09:35 | |
Jerry. | 0:09:35 | 0:09:37 | |
I am meeting Chicago firefighter Jerry Medina. | 0:09:37 | 0:09:41 | |
Jerry, my Appleton's guidebook gives a description of the fire of 1871 | 0:09:41 | 0:09:46 | |
of total destruction. | 0:09:46 | 0:09:47 | |
98,000 homeless, 17,000 buildings destroyed. | 0:09:47 | 0:09:50 | |
-Is that accurate? -Yes, very accurate. | 0:09:50 | 0:09:52 | |
Sadly, unfortunately, 300 people also died as a result of that fire. | 0:09:52 | 0:09:56 | |
How was it possible for a fire to do so much damage, do you think? | 0:09:56 | 0:09:59 | |
Basically the fire was out of control. | 0:09:59 | 0:10:01 | |
Back then everything was made of wood, | 0:10:01 | 0:10:03 | |
plus there was no rain for several days. | 0:10:03 | 0:10:05 | |
Everything was ready to burn. | 0:10:05 | 0:10:07 | |
Whirlwinds of flame, known as fire devils, | 0:10:12 | 0:10:15 | |
spread the blaze and the terror ever further. | 0:10:15 | 0:10:18 | |
How long did it take to put out? | 0:10:20 | 0:10:22 | |
It took about three days. | 0:10:22 | 0:10:23 | |
The fire actually had to burn itself out. | 0:10:23 | 0:10:25 | |
The flames eventually abated, | 0:10:25 | 0:10:27 | |
leaving a city smouldering with anger. | 0:10:27 | 0:10:30 | |
Rumours about how the fire began flew like cinders, | 0:10:31 | 0:10:35 | |
settling on Irish immigrant Catherine O'Leary. | 0:10:35 | 0:10:39 | |
It was said that as she milked her cow in the barn | 0:10:39 | 0:10:41 | |
it kicked over a lantern, | 0:10:41 | 0:10:43 | |
but historians have since suggested that her neighbour could have been to blame. | 0:10:43 | 0:10:47 | |
As recently as about 15, 20 years ago, | 0:10:47 | 0:10:50 | |
Mrs O'Leary was found to not to be the actual cause of the fire. | 0:10:50 | 0:10:53 | |
Poor Mrs O'Leary. | 0:10:53 | 0:10:55 | |
The fire was a very long time ago, but is it still, as it were, | 0:10:55 | 0:10:58 | |
part of the culture and heritage of the city? | 0:10:58 | 0:11:00 | |
You can ask a child about what happened in 1871 in Chicago? | 0:11:00 | 0:11:03 | |
Right away, the first thing they will tell you - | 0:11:03 | 0:11:06 | |
the Great Chicago Fire. | 0:11:06 | 0:11:07 | |
So it is a huge, huge part of our history. | 0:11:07 | 0:11:10 | |
Today the city is guarded by the largest fire department in the Midwest. | 0:11:12 | 0:11:17 | |
Its firefighters respond to half a million emergency calls a year. | 0:11:17 | 0:11:22 | |
Lieutenant Brett Snow is showing me what it takes | 0:11:22 | 0:11:26 | |
to become one of Chicago's finest. | 0:11:26 | 0:11:29 | |
Ready to rock and roll. | 0:11:29 | 0:11:30 | |
-OK. -All right. | 0:11:32 | 0:11:33 | |
Into the kneeling position. | 0:11:33 | 0:11:35 | |
-Into the kneeling position. There we go. -This is kind of like... | 0:11:35 | 0:11:38 | |
-using a firearm, almost, isn't it? -Yeah. -OK. | 0:11:38 | 0:11:41 | |
The hose is under enormous pressure. | 0:11:48 | 0:11:50 | |
I'm having to use great force just to keep it under control. | 0:11:50 | 0:11:52 | |
I've got to imagine what it would be like to do this in a blaze | 0:11:52 | 0:11:56 | |
or a terrible emergency, | 0:11:56 | 0:11:58 | |
and think that guys from Chicago | 0:11:58 | 0:12:00 | |
and all over do this every day of their lives. | 0:12:00 | 0:12:02 | |
Wow! Certainly feeling the pressure, Brett, | 0:12:02 | 0:12:05 | |
-it must be quite tiring, this? -Yeah, it sure is. | 0:12:05 | 0:12:07 | |
If you are not holding it correctly it can really wear you out fast. | 0:12:07 | 0:12:11 | |
I can see that. I'm getting tired just doing this. | 0:12:11 | 0:12:13 | |
Yeah, yeah. | 0:12:13 | 0:12:14 | |
And for this hose there's roughly 175 gallons in a minute coming out. | 0:12:14 | 0:12:20 | |
-Let's hope that deals with the fire. -Yeah. | 0:12:21 | 0:12:24 | |
-Very nice. -Thank you, Brett. | 0:12:25 | 0:12:27 | |
-I tell you what, I had a great time. -Thank you. -You did great. | 0:12:27 | 0:12:30 | |
No fire hose can dampen my enthusiasm for the Chicago skyline. | 0:12:36 | 0:12:41 | |
To see it at its best, I'm making my way to the Willis Tower, | 0:12:41 | 0:12:45 | |
still widely known by its former name - Sears Tower. | 0:12:45 | 0:12:48 | |
For a generation, this was the tallest building in the world. | 0:12:50 | 0:12:54 | |
-WOMAN OVER SPEAKER: -More than 24 feet per second. | 0:12:54 | 0:12:56 | |
Eiffel Tower. | 0:12:56 | 0:12:58 | |
The Bank of China Tower in Hong Kong. | 0:12:58 | 0:13:01 | |
1,250 feet and the Empire State Building of New York. | 0:13:01 | 0:13:07 | |
103 floors, 1,350 feet in one minute. | 0:13:07 | 0:13:11 | |
HE LAUGHS | 0:13:22 | 0:13:25 | |
Chicago at sunset. | 0:13:34 | 0:13:36 | |
Surely one of the world's most stunning cities. | 0:13:36 | 0:13:39 | |
One of the most iconic sights in Chicago is | 0:14:09 | 0:14:12 | |
the elevated railway or L. | 0:14:12 | 0:14:15 | |
They must have saved money, | 0:14:15 | 0:14:16 | |
instead of going underground they build | 0:14:16 | 0:14:18 | |
the railway at first-floor level. Boy, is it noisy. | 0:14:18 | 0:14:21 | |
The earliest sections of the Chicago L date back to 1892, | 0:14:27 | 0:14:32 | |
making this the second-oldest metro system in the United States. | 0:14:32 | 0:14:36 | |
As railroads fanned out across the United States | 0:14:40 | 0:14:42 | |
they helped to create a shared culture. | 0:14:42 | 0:14:45 | |
And one past-time soon emerged as the nation's favourite. | 0:14:45 | 0:14:49 | |
-MAN OVER SPEAKER: -Let's play ball. | 0:14:49 | 0:14:52 | |
Baseball. | 0:14:52 | 0:14:53 | |
To investigate the national game, | 0:14:58 | 0:15:00 | |
I'm going to strike out to Joliet, Illinois, base myself there, | 0:15:00 | 0:15:04 | |
although it's not exactly on my home run. | 0:15:04 | 0:15:07 | |
Today baseball is a multibillion dollar industry. | 0:15:14 | 0:15:17 | |
But around the time of my guidebook, it was in need of reform. | 0:15:17 | 0:15:21 | |
At the home of the Joliet Slammers, | 0:15:23 | 0:15:24 | |
I'm hearing how the modern game was born | 0:15:24 | 0:15:27 | |
with baseball historian David Shiner. | 0:15:27 | 0:15:30 | |
David, do you have any theory as to why in the United States | 0:15:30 | 0:15:34 | |
it's baseball that takes over rather than say a game-like cricket? | 0:15:34 | 0:15:38 | |
Well, you know, Michael, it's seen as an American home-grown game | 0:15:38 | 0:15:42 | |
and it's in the American psyche. It goes the deepest, historically. | 0:15:42 | 0:15:46 | |
Baseball was a game that you could play with any amount of people | 0:15:46 | 0:15:49 | |
at any time, on any kind of a field. | 0:15:49 | 0:15:52 | |
A sport that was easily taken onto the frontier, | 0:15:52 | 0:15:54 | |
you just needed a piece of wood and a ball, and there you go. | 0:15:54 | 0:15:57 | |
MICHAEL CHUCKLES | 0:15:57 | 0:15:59 | |
The first written rules for baseball date from the 1840s | 0:15:59 | 0:16:02 | |
and the first professional club was established in 1869. | 0:16:02 | 0:16:07 | |
Places like Chicago were no longer frontier towns, | 0:16:07 | 0:16:10 | |
but busy industrial cities. | 0:16:10 | 0:16:12 | |
As the game became professional, | 0:16:12 | 0:16:15 | |
it became more of a game for immigrants, | 0:16:15 | 0:16:17 | |
a game for people from all walks of life. | 0:16:17 | 0:16:20 | |
Frankly, there were a lot more ruffians than gentlemen when | 0:16:20 | 0:16:22 | |
the game became professional, | 0:16:22 | 0:16:24 | |
and that lasted all through the 19th century. | 0:16:24 | 0:16:26 | |
What could be done about the fact that | 0:16:26 | 0:16:29 | |
it was becoming a bit of a rough and tumble game? | 0:16:29 | 0:16:31 | |
Well, it had a lot of negative side effects. | 0:16:31 | 0:16:34 | |
People being beaten up, a lot of gambling, a lot of roughness. | 0:16:34 | 0:16:38 | |
So in 1876, | 0:16:38 | 0:16:40 | |
the first league of clubs was founded | 0:16:40 | 0:16:41 | |
and that was by a Chicago businessmen named William Hulbert. | 0:16:41 | 0:16:44 | |
He started the notion that | 0:16:44 | 0:16:46 | |
owners needed to pay for their clubs to be in the league, | 0:16:46 | 0:16:49 | |
that there would be penalties if they didn't play their games | 0:16:49 | 0:16:52 | |
in a fair way, and that the players, similarly, | 0:16:52 | 0:16:55 | |
could be fined or suspended or even expelled from the game. | 0:16:55 | 0:16:58 | |
And that was very controversial, | 0:16:58 | 0:17:00 | |
but it led to the structure the National League | 0:17:00 | 0:17:03 | |
that still exists 140 years later, | 0:17:03 | 0:17:04 | |
so I think he has to be given a lot of credit. | 0:17:04 | 0:17:07 | |
On my travels in Europe, I found that cricket and soccer, football, | 0:17:07 | 0:17:11 | |
were very much stimulated by the railways. | 0:17:11 | 0:17:13 | |
-Was that true of baseball? -Absolutely, Michael. | 0:17:13 | 0:17:15 | |
The railroads were vital to the spread of baseball. | 0:17:15 | 0:17:18 | |
When you have a team having to go from Baltimore to Chicago, | 0:17:18 | 0:17:21 | |
nearly 1,000 miles, the railroads are essential. | 0:17:21 | 0:17:23 | |
People who played amateur ball liked to watch professionals | 0:17:23 | 0:17:27 | |
so it became a spectator sport as well as a participant sport. | 0:17:27 | 0:17:30 | |
In fact, by the time of the National League, often teams would | 0:17:30 | 0:17:33 | |
schedule their games around when the trains arrived. | 0:17:33 | 0:17:36 | |
I'm better suited to being a spectator than a participant, | 0:17:38 | 0:17:41 | |
but I'm stepping up to the plate with coach Ryan Clevenger. | 0:17:41 | 0:17:45 | |
So how do I hold the bat? | 0:17:48 | 0:17:50 | |
Well, you are a right-handed batter, | 0:17:50 | 0:17:52 | |
so you're going to want to put your left-hand at the bottom of the bat | 0:17:52 | 0:17:54 | |
and your right-hand on top of there. You want to get them close together. | 0:17:54 | 0:17:57 | |
If there is any separation it is harder to swing the bat. | 0:17:57 | 0:17:59 | |
You want to start with the bat on your right shoulder. | 0:17:59 | 0:18:02 | |
-On my right shoulder. -And then as he's throwing the ball, | 0:18:02 | 0:18:04 | |
-then you are going to start swinging. -OK. | 0:18:04 | 0:18:06 | |
Oh! | 0:18:12 | 0:18:14 | |
Oh! There we go. | 0:18:16 | 0:18:18 | |
You're looking like a natural already. | 0:18:18 | 0:18:20 | |
Enough humiliation. I'm out of here. | 0:18:28 | 0:18:31 | |
After that mediocre performance, | 0:18:41 | 0:18:43 | |
I was hardly expecting to see my name in lights. | 0:18:43 | 0:18:46 | |
Number 99, it's time to dine. Number 98. Thank you, ma'am. | 0:18:52 | 0:18:57 | |
99. 106. 108, there's no more wait, the food tastes great! | 0:18:57 | 0:19:02 | |
Hello, sir. Welcome to Portillo's. | 0:19:02 | 0:19:04 | |
Thank you very much. I'm on a pilgrimage. | 0:19:04 | 0:19:07 | |
Portillo is my name. | 0:19:07 | 0:19:08 | |
-Oh, congratulations. -Yeah, I feel I've come to my spiritual home. | 0:19:08 | 0:19:12 | |
OK, good. Well, welcome. We're glad to have you. | 0:19:12 | 0:19:14 | |
Tell me, what should I eat? | 0:19:14 | 0:19:17 | |
-Italian beef sandwich. -That sounds good. | 0:19:17 | 0:19:19 | |
-Yes, OK. -You can do that with peppers. | 0:19:19 | 0:19:21 | |
So we have hot peppers or sweet peppers. | 0:19:21 | 0:19:22 | |
-Hot peppers. -Hot peppers, OK. | 0:19:22 | 0:19:24 | |
Would you like any cheese on that? Mozzarella or cheddar? | 0:19:24 | 0:19:26 | |
-Mozzarella. -Mozzarella, OK. | 0:19:26 | 0:19:28 | |
-Thank you. -Any French fries with that? | 0:19:28 | 0:19:30 | |
-We have got fries with cheese. -No, I think that will be quite enough. | 0:19:30 | 0:19:32 | |
-Thank you. Thank you very much. -OK. | 0:19:32 | 0:19:34 | |
So, the founder was called Portillo? | 0:19:34 | 0:19:36 | |
Yes, Dick Portillo. | 0:19:36 | 0:19:38 | |
Wow! And how did he start out? | 0:19:38 | 0:19:40 | |
In 1963 in a trailer with no running water. | 0:19:40 | 0:19:44 | |
How amazing. | 0:19:44 | 0:19:45 | |
221, your order it out, done! 221. | 0:19:45 | 0:19:49 | |
I see that when they're calling the orders, the girls are making rhymes, | 0:19:49 | 0:19:53 | |
like you do in bingo in Britain. | 0:19:53 | 0:19:55 | |
That's exactly what we do. Do you want to give it a shot? | 0:19:55 | 0:19:58 | |
I'd love to. Thank you very much indeed. | 0:19:58 | 0:20:00 | |
You are a Portillo, no problem. We'll give it a go. | 0:20:00 | 0:20:03 | |
Can I get a short steak and a chocolate shake? | 0:20:05 | 0:20:07 | |
258, your train's never late. | 0:20:07 | 0:20:10 | |
258, your train's never late! | 0:20:10 | 0:20:12 | |
256, the train to the sticks! | 0:20:12 | 0:20:15 | |
Hi, how are you? | 0:20:15 | 0:20:18 | |
You enjoy that now. | 0:20:18 | 0:20:20 | |
247, train to heaven. | 0:20:20 | 0:20:24 | |
283, in the land of the free. | 0:20:24 | 0:20:26 | |
283. | 0:20:28 | 0:20:30 | |
HE CHUCKLES | 0:20:37 | 0:20:38 | |
Look at this understated little number. | 0:20:38 | 0:20:41 | |
It's good. Italian beef in a restaurant with a Spanish name. | 0:20:46 | 0:20:52 | |
It's fundamentally American. | 0:20:52 | 0:20:53 | |
At the time of my Appleton's guidebook, Chicago's architects | 0:21:19 | 0:21:23 | |
were not the only ones with celestial aspirations. | 0:21:23 | 0:21:26 | |
Religious fervour swept mid-19th century North America. | 0:21:30 | 0:21:33 | |
In the fast-growing cities, | 0:21:33 | 0:21:35 | |
there were mass conversions and congregations in the thousands. | 0:21:35 | 0:21:39 | |
Here in Chicago, | 0:21:41 | 0:21:42 | |
this Christian evangelism was led by two men | 0:21:42 | 0:21:45 | |
who played a starring role in the heavenly revival. | 0:21:45 | 0:21:50 | |
The guidebook tells me that, | 0:21:50 | 0:21:51 | |
"The Great Tabernacle on Munro Street, | 0:21:51 | 0:21:54 | |
"where Messrs Moody and Sankey held their meetings, | 0:21:54 | 0:21:57 | |
"will see 10,000 persons and is used for sacred concerts | 0:21:57 | 0:22:02 | |
"and other religious gatherings." | 0:22:02 | 0:22:04 | |
This more modern church, even today, bears the name of Dwight Moody. | 0:22:04 | 0:22:09 | |
And in the words of the psalm, | 0:22:09 | 0:22:11 | |
I will "enter into his gates with thanksgiving." | 0:22:11 | 0:22:14 | |
The tradition of sacred concerts is clearly alive | 0:22:30 | 0:22:34 | |
and stomping at the Moody Church. | 0:22:34 | 0:22:37 | |
CHOIR SINGS | 0:22:41 | 0:22:43 | |
To discover how music helped to make Moody and Sankey household names, | 0:22:45 | 0:22:49 | |
I'm meeting church member Daniel Favero. | 0:22:49 | 0:22:52 | |
Choir, that was really beautiful. | 0:23:16 | 0:23:18 | |
May I say an enormous thank you to you? | 0:23:18 | 0:23:21 | |
That was magnificent. | 0:23:21 | 0:23:23 | |
Daniel, I have come here in pursuit of Messrs Moody and Sankey. | 0:23:23 | 0:23:29 | |
Who were these gentlemen? | 0:23:29 | 0:23:31 | |
On the vernacular of the day, 1880, | 0:23:31 | 0:23:33 | |
they were called workers in souls. | 0:23:33 | 0:23:36 | |
They were polar opposites in personality and background. | 0:23:36 | 0:23:39 | |
DL Moody was uneducated, he grew up in rural western Massachusetts. | 0:23:39 | 0:23:44 | |
Ira Sankey was the son of a bank president in Philadelphia. | 0:23:44 | 0:23:47 | |
How did two such diverse people meet? | 0:23:47 | 0:23:50 | |
They were both delegates to a YMCA meeting in Indianapolis, Indiana | 0:23:50 | 0:23:54 | |
in 1870 and there was a lull in the meeting, | 0:23:54 | 0:23:57 | |
DL Moody was sort of unconventional - | 0:23:57 | 0:23:59 | |
he hated it when it got boring, | 0:23:59 | 0:24:01 | |
and he said that suddenly a man stood up | 0:24:01 | 0:24:02 | |
and started singing and that was Ira Sankey. | 0:24:02 | 0:24:05 | |
So DL Moody ran up to him afterwards and he said, | 0:24:05 | 0:24:07 | |
"Come join my ministry in Chicago." | 0:24:07 | 0:24:10 | |
What sort of ministry had Moody had until then, then? | 0:24:10 | 0:24:14 | |
Well, he actually started as a Sunday school teacher | 0:24:14 | 0:24:16 | |
in the neighbourhood of Chicago called Little Hell. | 0:24:16 | 0:24:20 | |
It was a very rough neighbourhood. They called it Little Hell, | 0:24:20 | 0:24:22 | |
they said, because there is nothing there but bad men and worse women. | 0:24:22 | 0:24:26 | |
Moody hoped that Sankey's music | 0:24:27 | 0:24:30 | |
could help him to reach into Chicago's slums. | 0:24:30 | 0:24:33 | |
He believed that to save the inner-city poor | 0:24:35 | 0:24:37 | |
the message must be accessible. | 0:24:37 | 0:24:39 | |
DL Moody would speak extemporaneously, | 0:24:42 | 0:24:44 | |
he would relate to the audience, but he was very unorthodox. | 0:24:44 | 0:24:47 | |
He would not even preach with notes. | 0:24:47 | 0:24:49 | |
He said, "If I can't keep it in my head, | 0:24:49 | 0:24:51 | |
"I can't expect them to keep it in their head." | 0:24:51 | 0:24:53 | |
Is it fair to think of this as being the start of that | 0:24:53 | 0:24:56 | |
particular brand of American evangelism | 0:24:56 | 0:24:58 | |
-that's known across the world? -I think so. | 0:24:58 | 0:25:01 | |
In the past, there had been large groups of evangelistic meetings, if you will, | 0:25:01 | 0:25:06 | |
but it was never planned the way these were. | 0:25:06 | 0:25:09 | |
You know, with a large auditorium, | 0:25:09 | 0:25:10 | |
have trained people to pray with people and they walk the aisle, | 0:25:10 | 0:25:14 | |
have contemporary worship music. | 0:25:14 | 0:25:16 | |
All these things were innovations of DL Moody. | 0:25:16 | 0:25:19 | |
A British traveller following my guidebook | 0:25:21 | 0:25:24 | |
might well have already experienced Moody and Sankey's evangelism. | 0:25:24 | 0:25:28 | |
In 1873, | 0:25:29 | 0:25:30 | |
the pair crossed the Atlantic on an international mission. | 0:25:30 | 0:25:34 | |
They were travelling from church to church throughout England, Wales, | 0:25:34 | 0:25:37 | |
-Scotland and Ireland. -By train, I hope? | 0:25:37 | 0:25:39 | |
By train. They passed out flyers, saying, | 0:25:39 | 0:25:42 | |
"Come hear DL Moody preach the gospel, | 0:25:42 | 0:25:44 | |
"and come hear Ira Sankey sing the gospel." | 0:25:44 | 0:25:46 | |
It started very small, but it grew very quickly. | 0:25:46 | 0:25:49 | |
And by the time they got back to London after their two-year circuit, | 0:25:49 | 0:25:53 | |
in the last seven months, | 0:25:53 | 0:25:55 | |
over two million people came to hear him preach. | 0:25:55 | 0:25:58 | |
Extraordinary. | 0:25:58 | 0:25:59 | |
Moody and Sankey's British tour offered them both celebrity | 0:25:59 | 0:26:03 | |
and inspiration. | 0:26:03 | 0:26:05 | |
On a railway journey from Glasgow to Edinburgh, | 0:26:05 | 0:26:08 | |
Sankey spotted a poem in the newspaper | 0:26:08 | 0:26:11 | |
which sparked perhaps his best loved hymn. | 0:26:11 | 0:26:14 | |
The Ninety and Nine. | 0:26:14 | 0:26:16 | |
# There were ninety and nine that safely lay | 0:26:16 | 0:26:20 | |
# In the shelter of the fold | 0:26:20 | 0:26:25 | |
# But one was out on the hills away | 0:26:25 | 0:26:29 | |
# Far off from the gates of gold | 0:26:29 | 0:26:35 | |
# Away on the mountains wild and bare | 0:26:35 | 0:26:39 | |
# Away from the tender Shepherd's care | 0:26:39 | 0:26:46 | |
# But all through the mountains, thunder-riven | 0:26:50 | 0:26:54 | |
# And up from the rocky steep | 0:26:54 | 0:26:58 | |
# There arose a glad cry to the gate of heaven, | 0:26:58 | 0:27:03 | |
# "Rejoice! I have found My sheep!" | 0:27:03 | 0:27:07 | |
# And the angels echoed around the throne | 0:27:07 | 0:27:12 | |
# "Rejoice, for the Lord brings back His own!" | 0:27:12 | 0:27:17 | |
"Rejoice, for the Lord brings back His own!" # | 0:27:17 | 0:27:25 | |
The moment I stepped off the train at Union Station in Chicago, | 0:27:29 | 0:27:33 | |
I was aware of entering a throbbing metropolis. | 0:27:33 | 0:27:36 | |
This city shrugged off a devastating fire | 0:27:36 | 0:27:39 | |
and architecturally reached for the sky. | 0:27:39 | 0:27:43 | |
Its expansion upwards and outwards continues apace. | 0:27:43 | 0:27:48 | |
Its opulence shimmers from its glass-sided buildings, | 0:27:48 | 0:27:52 | |
reflected in Lake Michigan. | 0:27:52 | 0:27:54 | |
It stands proud and tall at the crossroads of America. | 0:27:54 | 0:27:59 | |
Next time, I gravitate to the ultimate marshalling yard... | 0:28:01 | 0:28:07 | |
So I call this the economy of motion. | 0:28:07 | 0:28:10 | |
Recreate the original brownie... | 0:28:10 | 0:28:12 | |
That is wicked! | 0:28:12 | 0:28:13 | |
Well done, Chef. | 0:28:13 | 0:28:15 | |
And discover the solution to the city's pollution... | 0:28:15 | 0:28:19 | |
Imagine when you have 30,000 cubic feet per second | 0:28:19 | 0:28:21 | |
of sewage coming out here. It will be beautiful. | 0:28:21 | 0:28:24 | |
A great image. | 0:28:24 | 0:28:26 |