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I have crossed the Atlantic | 0:00:02 | 0:00:04 | |
to ride the railroads of North America | 0:00:04 | 0:00:07 | |
with my reliable Appleton's Guide. | 0:00:07 | 0:00:09 | |
Published in the late 19th century, | 0:00:12 | 0:00:14 | |
my Appleton's General Guide To North America | 0:00:14 | 0:00:17 | |
will direct me to all that's novel... | 0:00:17 | 0:00:20 | |
beautiful... | 0:00:20 | 0:00:21 | |
memorable... | 0:00:21 | 0:00:23 | |
and striking... | 0:00:23 | 0:00:24 | |
in the United States. | 0:00:24 | 0:00:27 | |
As I journey across this vast continent, | 0:00:27 | 0:00:30 | |
I'll discover how pioneers and cowboys conquered the West... | 0:00:30 | 0:00:34 | |
..and how the railroads tied this nation together, | 0:00:35 | 0:00:39 | |
helping to create the global super state of today. | 0:00:39 | 0:00:43 | |
As I continue my rail journey across the Midwest, | 0:01:16 | 0:01:19 | |
I am still feeling the restless energy pumped out by Chicago. | 0:01:19 | 0:01:24 | |
There's much more to explore in this towering city, | 0:01:24 | 0:01:27 | |
reaching back to its origins. | 0:01:27 | 0:01:30 | |
How the waterways were adapted, and the railways attracted. | 0:01:30 | 0:01:34 | |
My railway journey tracks the birth of the industrial Midwest. | 0:01:39 | 0:01:43 | |
I began in Minneapolis - a 19th-century powerhouse. | 0:01:43 | 0:01:46 | |
Then headed south along the trade route of the Mississippi | 0:01:46 | 0:01:50 | |
to La Crosse, in rural Wisconsin. | 0:01:50 | 0:01:52 | |
Striking out east, I beached at Lake Michigan's Milwaukee, | 0:01:52 | 0:01:56 | |
then set a course for America's railroad capital, Chicago. | 0:01:56 | 0:02:01 | |
Next, I'll travel through fertile prairies in Illinois, | 0:02:01 | 0:02:04 | |
whose agriculture fuelled the cities, | 0:02:04 | 0:02:07 | |
en route to my final destination | 0:02:07 | 0:02:09 | |
in Memphis, home of the blues. | 0:02:09 | 0:02:11 | |
On this leg I'll start by exploring Chicago's rich railroad heritage | 0:02:13 | 0:02:18 | |
in Bedford Park. | 0:02:18 | 0:02:20 | |
It's then downtown to the lavish 19th century Palmer House Hotel, | 0:02:20 | 0:02:25 | |
before I take in the city's largest civil engineering project | 0:02:25 | 0:02:28 | |
in a century. | 0:02:28 | 0:02:30 | |
'This time, I gravitate towards the ultimate marshalling yard...' | 0:02:32 | 0:02:36 | |
So I call this the economy in motion. | 0:02:38 | 0:02:40 | |
'..recreate the original brownie...' | 0:02:40 | 0:02:43 | |
That is wicked. Well done, Chef. | 0:02:43 | 0:02:45 | |
'..and discover the solution to the city's pollution.' | 0:02:45 | 0:02:49 | |
Imagine when you have 30,000 cubic feet per second | 0:02:49 | 0:02:52 | |
of sewage coming out into here. It will be beautiful. | 0:02:52 | 0:02:54 | |
MICHAEL LAUGHS A great image. | 0:02:54 | 0:02:56 | |
Appleton's tells me that Chicago has, within 40 years, | 0:03:07 | 0:03:12 | |
grown from a small Indian trading station | 0:03:12 | 0:03:15 | |
to the position of metropolis | 0:03:15 | 0:03:17 | |
and the greatest railway centre on the continent. | 0:03:17 | 0:03:21 | |
In classical times, it was almost true that all roads lead to Rome. | 0:03:21 | 0:03:26 | |
And today it's almost true that all railroads lead to Chicago. | 0:03:26 | 0:03:32 | |
Chicago's first railroad arrived in 1848, | 0:03:42 | 0:03:46 | |
when the Galena And Chicago Union line was built | 0:03:46 | 0:03:49 | |
to serve Illinois' lead mines. | 0:03:49 | 0:03:52 | |
170 years later | 0:04:00 | 0:04:02 | |
Chicago is the nerve centre of the USA's vast freight network, | 0:04:02 | 0:04:07 | |
handling roughly one third of the nation's total cargo. | 0:04:07 | 0:04:11 | |
Trains from all corners of the country converge here. | 0:04:13 | 0:04:17 | |
In huge rail yards, they are sorted and reconfigured, | 0:04:17 | 0:04:21 | |
ready for their onward journeys. | 0:04:21 | 0:04:24 | |
I'm marvelling at the Chicago Belt Railway's | 0:04:24 | 0:04:27 | |
five-and-a-half mile long facility. | 0:04:27 | 0:04:30 | |
Joe, what a pleasure and a privilege. | 0:04:32 | 0:04:34 | |
'Joe Szabo is a fifth-generation railroad professional.' | 0:04:34 | 0:04:38 | |
Joe, I'm so impressed by Chicago | 0:04:38 | 0:04:41 | |
as the hub of America, the crossroads of America. | 0:04:41 | 0:04:45 | |
How did it become so? | 0:04:45 | 0:04:46 | |
The railroad boom in Chicago really didn't begin until | 0:04:46 | 0:04:50 | |
the building of the River Bridge over the Mississippi River | 0:04:50 | 0:04:53 | |
at Rock Island. | 0:04:53 | 0:04:54 | |
Rock Island is a good, long distance west of Chicago, | 0:04:54 | 0:04:57 | |
why so significant? | 0:04:57 | 0:04:59 | |
This was the key point in crossing the Mississippi River, | 0:04:59 | 0:05:03 | |
and whoever crossed the Mississippi River was going to be the key city | 0:05:03 | 0:05:07 | |
in the development of the railroad network, | 0:05:07 | 0:05:10 | |
because this is where you were finally going to be able | 0:05:10 | 0:05:13 | |
to connect East Coast with West Coast. | 0:05:13 | 0:05:16 | |
And so this put Chicago at the centre | 0:05:16 | 0:05:18 | |
of the transcontinental railroad, | 0:05:18 | 0:05:20 | |
and the economy grew from there. | 0:05:20 | 0:05:22 | |
The Chicago and Rock Island Railroad opened in 1854, | 0:05:23 | 0:05:27 | |
but not everyone was delighted. | 0:05:27 | 0:05:30 | |
Mississippi steamboat owners saw the growth of long-distance rail | 0:05:30 | 0:05:34 | |
as a threat to their river traffic. | 0:05:34 | 0:05:37 | |
15 days after the Rock Island bridge opened, | 0:05:37 | 0:05:40 | |
a steamer crashed into it and the owner sued, | 0:05:40 | 0:05:43 | |
claiming that it posed an impediment to navigation. | 0:05:43 | 0:05:46 | |
A little-known Illinois lawyer, Abraham Lincoln, | 0:05:46 | 0:05:50 | |
successfully defended the railroad's legal right. | 0:05:50 | 0:05:54 | |
A milestone in his career, and a victory for Chicago's railroads. | 0:05:54 | 0:05:57 | |
Once the rail network began developing, | 0:05:59 | 0:06:02 | |
Chicago began to explode. | 0:06:02 | 0:06:04 | |
By 1890, they're the second largest city in the nation. | 0:06:04 | 0:06:08 | |
Chicago finds itself at the centre of a transcontinental rail network. | 0:06:09 | 0:06:14 | |
-What is the significance of that network? -It's absolutely critical, | 0:06:14 | 0:06:17 | |
because before the construction of the transcontinental railroad, | 0:06:17 | 0:06:21 | |
there was no national economy. | 0:06:21 | 0:06:23 | |
All you had was a series of small, local economies that | 0:06:23 | 0:06:28 | |
were no bigger than the distance a horse could walk in a day. | 0:06:28 | 0:06:31 | |
And it was the transcontinental railroad that tied | 0:06:32 | 0:06:35 | |
all those local economies together, | 0:06:35 | 0:06:37 | |
and for the first time, we have a national economy, | 0:06:37 | 0:06:40 | |
and Chicago was right at the centre of all this. | 0:06:40 | 0:06:43 | |
How important are the railroads for freight in the United States today? | 0:06:43 | 0:06:46 | |
It's critically important. | 0:06:46 | 0:06:47 | |
And by most measurements, rail is the most efficient, | 0:06:47 | 0:06:51 | |
safest way to move commodities. | 0:06:51 | 0:06:54 | |
Rail's a critical part of a multimodal network. | 0:06:54 | 0:06:58 | |
And so foreign goods are coming into the ports by ship. | 0:06:58 | 0:07:01 | |
They get transferred to rail, | 0:07:01 | 0:07:03 | |
get brought, you know, 1,000 miles inland, | 0:07:03 | 0:07:06 | |
and then, ultimately, distributed by truck. | 0:07:06 | 0:07:09 | |
How significant is this place, the Belt Railway Company of Chicago, | 0:07:09 | 0:07:14 | |
this enormous facility, to the USA? | 0:07:14 | 0:07:16 | |
So I call this the economy in motion. | 0:07:16 | 0:07:19 | |
On this site of 786 acres, | 0:07:23 | 0:07:27 | |
8,400 cars a day are sorted and assembled into new configurations | 0:07:27 | 0:07:32 | |
for transcontinental transit. | 0:07:32 | 0:07:35 | |
Using a technique that's barely changed | 0:07:35 | 0:07:38 | |
since the days of my Appleton's Guide. | 0:07:38 | 0:07:41 | |
At the heart of the operation is a 30 foot high double track hump, | 0:07:41 | 0:07:46 | |
or mound, controlled by a yard tower. | 0:07:46 | 0:07:49 | |
I'm standing above the place where individual cars are separated off, | 0:07:57 | 0:08:02 | |
and allowed to roll into their new formation by the force of gravity - | 0:08:02 | 0:08:07 | |
one of the most compelling sights I've ever seen on a railway. | 0:08:07 | 0:08:11 | |
-Hello, I'm Michael. -Nick. | 0:08:12 | 0:08:14 | |
-Nice to meet you. -It's a great operation you have here, Nick. | 0:08:14 | 0:08:17 | |
I've never seen anything like it. | 0:08:17 | 0:08:19 | |
These cars are descending by gravity. | 0:08:19 | 0:08:21 | |
How is their destination determined? | 0:08:21 | 0:08:23 | |
Well, each car has a code when it comes in, | 0:08:23 | 0:08:26 | |
and it determines where we're going to route it. | 0:08:26 | 0:08:28 | |
For example, all these cars in 37, we coded them as 740s, | 0:08:28 | 0:08:32 | |
so as this train comes out, | 0:08:32 | 0:08:34 | |
every car that is coded as a 740 will be humped into 37. | 0:08:34 | 0:08:36 | |
You call this process humping, right, because, I mean, | 0:08:36 | 0:08:39 | |
-literally, we're on a hump. -That's correct. | 0:08:39 | 0:08:42 | |
And I'm amazed how far they travel by gravity. | 0:08:42 | 0:08:44 | |
Is that just cos the gradient of the track is perfectly calculated? | 0:08:44 | 0:08:48 | |
That's correct. The track grade make the cars roll. | 0:08:48 | 0:08:51 | |
They usually leave here about four, four-and-a-half miles per hour. | 0:08:51 | 0:08:54 | |
This Chicago yard has been marshalling rail freight since 1902, | 0:08:58 | 0:09:03 | |
and helping to keep the US economy rolling. | 0:09:03 | 0:09:07 | |
We're talking here about materials and produce from all over America. | 0:09:10 | 0:09:15 | |
Yeah. We move our wheat, grain, | 0:09:15 | 0:09:17 | |
we move frozen vegetables, lumber, | 0:09:17 | 0:09:20 | |
flour, corn, petroleum oils. | 0:09:20 | 0:09:22 | |
We have trains coming in from both the east and the west. | 0:09:22 | 0:09:25 | |
We bring them all the way from Canada, | 0:09:25 | 0:09:27 | |
and we re-route them back all over the US. | 0:09:27 | 0:09:29 | |
Is there any facility in the United States that compares to this one? | 0:09:29 | 0:09:32 | |
No, no. We're the only facility with a two-way hump. | 0:09:32 | 0:09:35 | |
-Meaning you can bring them up to this little summit? -That's correct. | 0:09:35 | 0:09:38 | |
And then they can roll that way, or they can roll that way? | 0:09:38 | 0:09:40 | |
-That is correct. -It's brilliant. | 0:09:40 | 0:09:42 | |
-I mean, gravity is man's oldest friend, isn't it? -Yes, it is. | 0:09:42 | 0:09:46 | |
I'm swapping suburban Chicago railyards | 0:10:02 | 0:10:05 | |
for the urban "L". | 0:10:05 | 0:10:07 | |
The city has a superb skyline, an unmistakable silhouette. | 0:10:16 | 0:10:21 | |
And on the L, you feel like you're advancing towards Chicago. | 0:10:21 | 0:10:25 | |
The nucleus of Chicago's L | 0:10:29 | 0:10:31 | |
is a two-mile circuit of elevated track called The Loop. | 0:10:31 | 0:10:34 | |
Between 1895 and 1897, | 0:10:36 | 0:10:38 | |
this short stretch is at the heart of the L web. | 0:10:38 | 0:10:42 | |
For the first time, workers and shoppers could travel seamlessly | 0:10:44 | 0:10:47 | |
by rail to the heart of downtown Chicago. | 0:10:47 | 0:10:51 | |
Following in their tracks, | 0:10:59 | 0:11:02 | |
I'm bound for a building described in my Appleton's Guide | 0:11:02 | 0:11:05 | |
as one of the most imposing in the city. | 0:11:05 | 0:11:08 | |
The lobby of the Palmer House Hotel is fantastic. | 0:11:19 | 0:11:25 | |
The painted ceiling with allegories of love and fantastic animals. | 0:11:25 | 0:11:30 | |
Everywhere, candelabra - | 0:11:30 | 0:11:32 | |
some borne aloft by semi-naked angels, | 0:11:32 | 0:11:34 | |
others by mythical lions. | 0:11:34 | 0:11:36 | |
The whole thing is just so over the top. | 0:11:36 | 0:11:40 | |
This is the longest continuously operating hotel in North America, | 0:11:41 | 0:11:46 | |
and Ken Price its official historian. | 0:11:46 | 0:11:49 | |
We are in a glorious room in a glorious hotel. | 0:11:49 | 0:11:52 | |
-Welcome, Michael. -Cheers. Thank you very much, indeed. | 0:11:52 | 0:11:55 | |
-What is the origin of the hotel? -Well, it goes back 145 years. | 0:11:55 | 0:11:59 | |
It started with a man by the name of Potter Palmer, | 0:11:59 | 0:12:01 | |
who was neither educated or privileged, | 0:12:01 | 0:12:03 | |
who came from a very small farm town in upstate New York. | 0:12:03 | 0:12:06 | |
Most of the young men his age were essentially going west to Colorado | 0:12:06 | 0:12:10 | |
and California, where the gold was. | 0:12:10 | 0:12:12 | |
He saw the middleness of this area, and he was right on the money. | 0:12:12 | 0:12:16 | |
And it made him incredibly successful. | 0:12:16 | 0:12:19 | |
Potter Palmer made his fortune in retail and property development. | 0:12:19 | 0:12:25 | |
The Palmer Hotel was his most lavish project, | 0:12:25 | 0:12:28 | |
built as an extravagant wedding gift for his wife, Bertha. | 0:12:28 | 0:12:32 | |
The two of them were two completely opposites | 0:12:33 | 0:12:36 | |
in terms of where they came from, and their backgrounds. | 0:12:36 | 0:12:39 | |
He was not educated, she had a college degree, | 0:12:39 | 0:12:42 | |
during the Civil War, | 0:12:42 | 0:12:44 | |
when a good education for a man was simply seventh-grade. | 0:12:44 | 0:12:47 | |
But days after opening, | 0:12:51 | 0:12:53 | |
the hotel was destroyed by Chicago's Great Fire of 1871. | 0:12:53 | 0:12:58 | |
Palmer rebuilt it in iron, brick and sandstone, | 0:12:59 | 0:13:02 | |
and relaunched it as the world's first fireproof hotel, | 0:13:02 | 0:13:06 | |
while Bertha stamped her taste on the interior. | 0:13:06 | 0:13:10 | |
The hotel looks the way it does because of | 0:13:12 | 0:13:15 | |
Bertha's great love of beauty. | 0:13:15 | 0:13:17 | |
She introduced a form of painting | 0:13:17 | 0:13:19 | |
that had never been seen before in this country. | 0:13:19 | 0:13:22 | |
She loved the entire impressionistic movement so much, | 0:13:22 | 0:13:26 | |
she travelled back and forth the Atlantic throughout her lifetime | 0:13:26 | 0:13:29 | |
and acquired the 220 Monets, Manets, | 0:13:29 | 0:13:32 | |
Degas, Pissarros, Renoirs, Cassatts, Cezannes. | 0:13:32 | 0:13:35 | |
When she died, | 0:13:35 | 0:13:37 | |
she bequeathed the vast majority of those to the city of Chicago, | 0:13:37 | 0:13:40 | |
which is why the city of Chicago has | 0:13:40 | 0:13:42 | |
the largest collection of French Impressionism outside of France. | 0:13:42 | 0:13:46 | |
Extraordinary. | 0:13:46 | 0:13:47 | |
In 1893, millions descended on Chicago | 0:13:49 | 0:13:52 | |
for the world's Columbian Exposition, | 0:13:52 | 0:13:55 | |
celebrating 400 years since Columbus landed on American soil. | 0:13:55 | 0:13:59 | |
Bertha Palmer wanted to provide lady visitors to the fair | 0:13:59 | 0:14:03 | |
with a delicious portable snack, | 0:14:03 | 0:14:06 | |
and the result made culinary history. | 0:14:06 | 0:14:08 | |
-Stephen, how lovely to see you. I'm Michael. -Good to see you, Michael. | 0:14:09 | 0:14:12 | |
-How are you? -Great to see you, indeed. | 0:14:12 | 0:14:14 | |
So I think Bertha Palmer caused the creation of the brownie here. | 0:14:14 | 0:14:17 | |
-Have you refined it? -This is the actual recipe that the pastry chef | 0:14:17 | 0:14:20 | |
back in 1893 produced for Bertha at the time. | 0:14:20 | 0:14:23 | |
What I have in this bowl here is I've actually melted the chocolate | 0:14:23 | 0:14:27 | |
and the butter, and I've placed it in here. | 0:14:27 | 0:14:29 | |
What we have to do now is we have to whip this up. | 0:14:29 | 0:14:31 | |
-If you could take care of that. -Under your supervision, Sir. | 0:14:31 | 0:14:33 | |
Absolutely. It actually smells wonderful. | 0:14:33 | 0:14:36 | |
-It smells like a brownie already. -It smells brilliant. It's pretty good. | 0:14:36 | 0:14:39 | |
-Throw in our sugar. -That is an unbelievable amount of sugar. | 0:14:39 | 0:14:41 | |
-Keep going, keep going. -Yeah, all right. | 0:14:41 | 0:14:43 | |
Yeah, keep mixing. Right, right, right. | 0:14:43 | 0:14:45 | |
-Have you got them? -You're making me work quite hard here. | 0:14:45 | 0:14:48 | |
I don't think you eat many of these, do you, looking at you? | 0:14:48 | 0:14:50 | |
You know, I do actually eat quite a few. | 0:14:50 | 0:14:52 | |
-In fact, we make about 10,000 of these a week. -Oh, my goodness! | 0:14:52 | 0:14:55 | |
Brownies here at the Palmer House are pretty incredible. | 0:14:55 | 0:14:57 | |
I really like it. You're getting a work out. | 0:14:57 | 0:14:59 | |
You need to get the walnuts and put them on liberally, like this. | 0:14:59 | 0:15:01 | |
-Oh, right. -Pat them down lightly with your hand. | 0:15:01 | 0:15:04 | |
-Ready? -Little bit, yeah. -I'm a very happy bunny at the moment. | 0:15:04 | 0:15:08 | |
'30 minutes later and I can hardly contain myself.' | 0:15:08 | 0:15:12 | |
-Whoa, they look great. -Check that out. -Are they finished? | 0:15:12 | 0:15:15 | |
No, there's one more step we have to take, Michael. | 0:15:15 | 0:15:18 | |
We're going to brush them with some apricot glaze. | 0:15:18 | 0:15:21 | |
Was that happening in Bertha's day, too? | 0:15:21 | 0:15:23 | |
Yes, it was. Yes, it was part of the original recipe. | 0:15:23 | 0:15:25 | |
-Very inventive, weren't they? -They were. In fact, they were. | 0:15:25 | 0:15:28 | |
Absolute heaven. | 0:15:28 | 0:15:29 | |
That is wicked! | 0:15:33 | 0:15:34 | |
-Well done, Chef. Well done, Chef. -Nice job. Nice job, Michael. | 0:15:34 | 0:15:39 | |
I love it! | 0:15:39 | 0:15:40 | |
I'm sold, but what will today's guests | 0:15:42 | 0:15:45 | |
make of my authentic brownies? | 0:15:45 | 0:15:47 | |
Surprise! | 0:15:48 | 0:15:49 | |
Would you like a brownie? | 0:15:49 | 0:15:51 | |
I've been down in the dungeons of the hotel | 0:15:51 | 0:15:53 | |
making some brownies with the chef. | 0:15:53 | 0:15:55 | |
-They were invented in this hotel. -I heard that. -Yeah, you heard that? | 0:15:55 | 0:15:58 | |
-I'm not... -You don't look like a chef, so. -No, no. That's very true. | 0:16:00 | 0:16:03 | |
Those are some good brownies. | 0:16:03 | 0:16:05 | |
-It's pretty good. -It is pretty good. | 0:16:05 | 0:16:07 | |
Delicious. I'm glad I don't have a nut allergy. | 0:16:07 | 0:16:09 | |
Yeah, that's right. They're heavy on walnut. | 0:16:09 | 0:16:11 | |
Excellent. | 0:16:11 | 0:16:13 | |
-Very good. -Yeah? | 0:16:13 | 0:16:14 | |
-Do you make brownies yourselves? -Yeah, from a box! | 0:16:14 | 0:16:17 | |
THEY ALL LAUGH | 0:16:17 | 0:16:18 | |
-They won't be better than your mother's, I guess? -No. | 0:16:18 | 0:16:22 | |
Apparently, they're slimming. | 0:16:22 | 0:16:24 | |
-Amazing. -Yes, the best of all - zero calories. | 0:16:24 | 0:16:27 | |
-Enjoy Chicago. -Thank you very much. | 0:16:27 | 0:16:28 | |
And I hope you'll remember it not least for its brownies. | 0:16:28 | 0:16:31 | |
A new day, and the Windy City is rather more wet than blowy. | 0:16:53 | 0:16:58 | |
Many argue that Chicago's famous nickname | 0:17:03 | 0:17:06 | |
has nothing to do with the weather. | 0:17:06 | 0:17:08 | |
It teased the metropolis's boastful citizens, full of hot air. | 0:17:08 | 0:17:13 | |
But Chicagoans had reason to be proud. | 0:17:15 | 0:17:18 | |
Appleton's remarks that the site of the business portion of Chicago | 0:17:22 | 0:17:26 | |
is 14 foot above the lake. | 0:17:26 | 0:17:29 | |
It was originally much lower, | 0:17:29 | 0:17:31 | |
but has been built up by three to nine foot since 1856. | 0:17:31 | 0:17:36 | |
It's an inclined plane, rising towards the west, | 0:17:36 | 0:17:40 | |
to the height of 28 foot, | 0:17:40 | 0:17:42 | |
giving slow, but sufficient drainage. | 0:17:42 | 0:17:45 | |
Just imagine the challenge of draining the waste of a population | 0:17:45 | 0:17:49 | |
that was multiplying decade-by-decade. | 0:17:49 | 0:17:52 | |
Not to mention the volumes of rainwater! | 0:17:52 | 0:17:55 | |
In the shelter of the Loop's Clark Street Bridge, | 0:17:59 | 0:18:03 | |
author Libby Hill will tell me how Chicago | 0:18:03 | 0:18:06 | |
dragged itself out of the mud. | 0:18:06 | 0:18:08 | |
-Libby, hello. -Hello, Michael. It's so nice to meet you. | 0:18:08 | 0:18:11 | |
Welcome to Chicago. | 0:18:11 | 0:18:12 | |
Libby, it strikes me that Chicago did not begin with many natural | 0:18:12 | 0:18:15 | |
advantages. My guidebook tells me about the drainage problem | 0:18:15 | 0:18:19 | |
-that the city had. -Well, Chicago was built on a marsh, | 0:18:19 | 0:18:22 | |
and so when they finally hired a sewage director, | 0:18:22 | 0:18:27 | |
he decided that the best thing to do was to get the city up | 0:18:27 | 0:18:30 | |
out of the marsh, And so he raised the city. | 0:18:30 | 0:18:33 | |
It took 20 years. He put sewers underneath the sloping streets, | 0:18:33 | 0:18:37 | |
so that all these sewage would flow down to the Chicago River. | 0:18:37 | 0:18:41 | |
Work began on that ambitious project in 1856, | 0:18:43 | 0:18:47 | |
and soon the city was in turmoil | 0:18:47 | 0:18:49 | |
as the streets were raised to accommodate the new sewers. | 0:18:49 | 0:18:53 | |
It's hard to believe, if you were a citizen living here | 0:18:53 | 0:18:57 | |
you would have seen sidewalks that were different levels. | 0:18:57 | 0:19:01 | |
So the level might be like this, | 0:19:01 | 0:19:04 | |
and then, because they were working right here, | 0:19:04 | 0:19:06 | |
and then you'd be down here, and then you'd be up there. | 0:19:06 | 0:19:09 | |
First floors had been turned into basements | 0:19:09 | 0:19:12 | |
and the streets were running along what had been their second floor. | 0:19:12 | 0:19:15 | |
It must have been a very dramatic time, | 0:19:15 | 0:19:18 | |
but the city went on about its business. | 0:19:18 | 0:19:20 | |
Addressing this muddle and restoring Chicago's ground floors | 0:19:22 | 0:19:26 | |
to street level fell to engineer George Pullman, | 0:19:26 | 0:19:29 | |
later famous for his railroad sleeping cars. | 0:19:29 | 0:19:33 | |
He recruited hundreds of men manually to jack up buildings. | 0:19:33 | 0:19:37 | |
Even as people went about their business inside. | 0:19:37 | 0:19:40 | |
But despite this ingenuity, | 0:19:40 | 0:19:42 | |
Chicago's sewage troubles weren't finished. | 0:19:42 | 0:19:45 | |
Unfortunately, the Chicago River drains out into Lake Michigan, | 0:19:46 | 0:19:50 | |
and that's where they were getting their water supply from. | 0:19:50 | 0:19:53 | |
That must have given them an enormous public health problem. | 0:19:53 | 0:19:56 | |
Sometimes fish would come out of the faucets. | 0:19:56 | 0:19:59 | |
You could tell that the water wasn't really very clean. | 0:19:59 | 0:20:01 | |
People got sick from the drinking water. | 0:20:01 | 0:20:04 | |
And so everybody was complaining that the city fathers drank water | 0:20:04 | 0:20:08 | |
that they imported, | 0:20:08 | 0:20:11 | |
but that they, the ordinary people, | 0:20:11 | 0:20:14 | |
had to drink water from Lake Michigan. | 0:20:14 | 0:20:17 | |
The city fathers finally listened to all the pleas of the people, and | 0:20:17 | 0:20:22 | |
that's when they decided that they were going to reverse the river. | 0:20:22 | 0:20:25 | |
Reversing a river, I never heard of such a thing. | 0:20:27 | 0:20:30 | |
A huge bit of engineering. How was this done? | 0:20:30 | 0:20:32 | |
So what they did was to build this enormous canal, | 0:20:32 | 0:20:36 | |
but built on the idea of gravity, | 0:20:36 | 0:20:38 | |
would just pull the water westward if they just sloped the canal. | 0:20:38 | 0:20:43 | |
However, it's one thing to understand that principle, | 0:20:43 | 0:20:47 | |
it's another thing to accomplish it. | 0:20:47 | 0:20:49 | |
Chicago's 28 mile long sanitary and ship canal remains | 0:20:49 | 0:20:54 | |
one of the towering achievements of North American engineering. | 0:20:54 | 0:20:59 | |
38 million cubic yards of soil and rock were moved | 0:20:59 | 0:21:03 | |
in order to build it. | 0:21:03 | 0:21:05 | |
As well as diverting Chicago's sewage away from Lake Michigan, | 0:21:05 | 0:21:08 | |
the canal created a direct shipping channel | 0:21:08 | 0:21:11 | |
from the Great Lakes to the Mississippi. | 0:21:11 | 0:21:14 | |
-Was it a success for Chicago? -Yes, it was a huge economic success, | 0:21:15 | 0:21:20 | |
and a huge benefit to Chicago's health. | 0:21:20 | 0:21:23 | |
What happened downstream, people didn't like it. | 0:21:23 | 0:21:26 | |
St Louis was going to sue the state of Illinois | 0:21:26 | 0:21:29 | |
and the city of Chicago for reversing the river | 0:21:29 | 0:21:32 | |
and sending their sewage down to them. | 0:21:32 | 0:21:34 | |
However, word got out that they were going to do that | 0:21:34 | 0:21:37 | |
and so the canal was pretty much completed. | 0:21:37 | 0:21:39 | |
So they opened the dams that were holding back the lake water | 0:21:39 | 0:21:43 | |
and the river. They opened it surreptitiously one night, | 0:21:43 | 0:21:47 | |
and the water flowed towards St Louis, and that was it. | 0:21:47 | 0:21:51 | |
Following on from the impressive successes of 19th century engineers, | 0:21:59 | 0:22:04 | |
Chicago has continued to adapt to survive. | 0:22:04 | 0:22:08 | |
There's a modern civil engineering project | 0:22:14 | 0:22:16 | |
that rivals those of the 19th century. | 0:22:16 | 0:22:19 | |
If you take a village on a swamp, | 0:22:19 | 0:22:22 | |
and over decades you convert it into | 0:22:22 | 0:22:24 | |
a megalopolis of nine million people, | 0:22:24 | 0:22:27 | |
you're going to come across a big problem. | 0:22:27 | 0:22:30 | |
And that will need a big solution. | 0:22:30 | 0:22:33 | |
As big as this hole. | 0:22:33 | 0:22:34 | |
To understand what has been built here at the McCook Reservoir, | 0:22:38 | 0:22:42 | |
I'm heading deep underground. | 0:22:42 | 0:22:44 | |
-Thank you. -You're welcome. | 0:22:45 | 0:22:47 | |
This is one of the weirdest experiences I've ever had. | 0:22:49 | 0:22:51 | |
I've just being picked up by a crane. | 0:22:51 | 0:22:54 | |
And... Whoa! ..flown over an enormous hole. | 0:22:55 | 0:22:58 | |
And I'm going to be dropped down here like, like a sack of grain. | 0:23:01 | 0:23:05 | |
And it's a long way down. | 0:23:07 | 0:23:09 | |
'It's an exhilarating 300 foot descent into the tunnels | 0:23:10 | 0:23:15 | |
'that will eventually feed the new reservoir.' | 0:23:15 | 0:23:17 | |
Going down pretty fast. | 0:23:19 | 0:23:21 | |
So the shaft is closing in above me. | 0:23:21 | 0:23:23 | |
I can still see the sky, but it's getting smaller and smaller. | 0:23:23 | 0:23:26 | |
This is not like your average lift or elevator. | 0:23:26 | 0:23:30 | |
The Eagle has landed. | 0:23:31 | 0:23:33 | |
-Hello. -Welcome to the McCook Reservoir Main Tunnel. | 0:23:33 | 0:23:35 | |
-You're Kevin, aren't you? -I am. | 0:23:35 | 0:23:37 | |
Very good to see you indeed. | 0:23:37 | 0:23:38 | |
'My guide is managing civil engineer, Kevin Fitzpatrick.' | 0:23:38 | 0:23:43 | |
Kevin, we're entering here a huge diameter tunnel. | 0:23:43 | 0:23:46 | |
What is the total project about? | 0:23:46 | 0:23:48 | |
It's called the Deep Tunnel Project, or the Tunnel And Reservoir Plan. | 0:23:48 | 0:23:51 | |
We started it in 1972 to try to solve the pollution and flood | 0:23:51 | 0:23:55 | |
problems that have plagued Chicago for the last more than 50 years. | 0:23:55 | 0:23:58 | |
And what is the nature of that problem? | 0:23:58 | 0:24:00 | |
Well, the problem is Chicago, and several of the suburbs, | 0:24:00 | 0:24:03 | |
their sewers were built over 100 years ago, | 0:24:03 | 0:24:06 | |
and they're called combined sewers, | 0:24:06 | 0:24:08 | |
in which rainwater that hits the streets is combined | 0:24:08 | 0:24:11 | |
in the same sewer system as what's draining people's homes - | 0:24:11 | 0:24:15 | |
their sinks, their toilets. | 0:24:15 | 0:24:17 | |
So all that rainwater gets combined with the sewage, | 0:24:17 | 0:24:20 | |
and during a storm event, it can overwhelm the treatment plant, | 0:24:20 | 0:24:24 | |
and so it overflows into the waterways, | 0:24:24 | 0:24:27 | |
or it backs up into people's basements, in their own homes. | 0:24:27 | 0:24:30 | |
And so how is this the solution? | 0:24:30 | 0:24:32 | |
So, once this is complete, all that water will have a new place to go. | 0:24:32 | 0:24:37 | |
It will go out into the reservoir here, | 0:24:37 | 0:24:39 | |
and we'll be able to store it until after the storm has gone, | 0:24:39 | 0:24:42 | |
and our waste water treatment plant has a capacity to clean the water | 0:24:42 | 0:24:46 | |
before we put it back into the river. | 0:24:46 | 0:24:48 | |
So that's a charming image for me. | 0:24:48 | 0:24:50 | |
One day, this tunnel may be full of mildly diluted sewage. | 0:24:50 | 0:24:54 | |
Yes, it's been called the largest toilet in the world, sometimes! | 0:24:54 | 0:24:58 | |
Costing some 3.5 billion, | 0:24:59 | 0:25:01 | |
the system's capacity will be over 20 billion gallons | 0:25:01 | 0:25:06 | |
when complete in 2029. | 0:25:06 | 0:25:08 | |
109 miles of tunnels and two reservoirs | 0:25:12 | 0:25:15 | |
are already up and running, | 0:25:15 | 0:25:17 | |
and have reduced city flooding by half. | 0:25:17 | 0:25:19 | |
It's the largest project we've had in Chicago since | 0:25:20 | 0:25:23 | |
the reversal of the Chicago River over a century ago. | 0:25:23 | 0:25:25 | |
And is there a connection between this and the reversal a century ago? | 0:25:25 | 0:25:30 | |
They're completely connected. | 0:25:30 | 0:25:31 | |
When they solved the problem of the polluted water supply | 0:25:31 | 0:25:33 | |
in Lake Michigan by reversing the Chicago River, | 0:25:33 | 0:25:36 | |
they created another problem of a polluted waterway | 0:25:36 | 0:25:39 | |
heading downstream. Over the years | 0:25:39 | 0:25:42 | |
all the sewage and rainwater was diverted to that waterway, | 0:25:42 | 0:25:45 | |
causing pollution and decreasing the amount of biodiversity in the river. | 0:25:45 | 0:25:49 | |
So we're trying to clean up those waterways and capture | 0:25:49 | 0:25:52 | |
all that pollution here in the Deep Tunnel, and in the reservoir, | 0:25:52 | 0:25:54 | |
preventing it from polluting communities downstream. | 0:25:54 | 0:25:57 | |
So this project is really about restoring the waterways. | 0:25:57 | 0:26:00 | |
Are you going to live to see it finished? | 0:26:00 | 0:26:02 | |
-I sure hope so. They won't let me retire until it's done. -Ha! | 0:26:02 | 0:26:05 | |
Ah, it's just vast. | 0:26:05 | 0:26:08 | |
It's just enormous. | 0:26:08 | 0:26:10 | |
Imagine when you have 30,000 cubic feet per second | 0:26:10 | 0:26:13 | |
of sewage coming out into here. It'll be beautiful. | 0:26:13 | 0:26:15 | |
MICHAEL LAUGHS A great image. | 0:26:15 | 0:26:17 | |
The McCook Reservoir will give the Chicago system the capacity | 0:26:18 | 0:26:23 | |
to cope with an extra ten billion gallons of storm water and sewage. | 0:26:23 | 0:26:29 | |
I was stunned when I heard about what was done in the 19th century. | 0:26:29 | 0:26:32 | |
I mean, reversing the river. That is an extraordinary thing to do. | 0:26:32 | 0:26:35 | |
And now I see what you're doing today. | 0:26:35 | 0:26:37 | |
Which of the two do you think is the more remarkable achievement? | 0:26:37 | 0:26:40 | |
Wow, it's difficult to say. | 0:26:40 | 0:26:42 | |
They're both historic engineering feats. | 0:26:42 | 0:26:46 | |
Er, they're both generations apart. | 0:26:46 | 0:26:49 | |
Very difficult to compare. But I'm a little biased, | 0:26:49 | 0:26:52 | |
so I'm going to say this one's much more impressive. | 0:26:52 | 0:26:54 | |
And I'm going to say it takes a city like Chicago to think on this scale. | 0:26:54 | 0:26:58 | |
Appleton's remarks that Chicago went from being an Indian trading station | 0:27:10 | 0:27:14 | |
to a metropolis in about 40 years. | 0:27:14 | 0:27:18 | |
Whatever you think of the United States, | 0:27:18 | 0:27:20 | |
the building of the railways, the cultivation of the prairies, | 0:27:20 | 0:27:24 | |
the construction of the cities, | 0:27:24 | 0:27:26 | |
is one of the greatest achievements in human history. | 0:27:26 | 0:27:30 | |
And the rise of Chicago is the prime example of the speed of change | 0:27:30 | 0:27:35 | |
in a capitalist society. | 0:27:35 | 0:27:38 | |
And what's more - it's visually spectacular. | 0:27:38 | 0:27:42 | |
'Next time... I get my hands on the hooter.' | 0:27:47 | 0:27:50 | |
People often talk about the smell of steam locomotives. | 0:27:50 | 0:27:54 | |
What about the sound of them? | 0:27:54 | 0:27:56 | |
'I'm in full swing on the fairway.' | 0:27:57 | 0:28:00 | |
Taking the club back... | 0:28:00 | 0:28:01 | |
'And I party on the platform.' | 0:28:04 | 0:28:06 | |
# I'll be gone 500 miles when the day is done. # | 0:28:06 | 0:28:12 | |
CHEERING | 0:28:12 | 0:28:14 |