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I have crossed the Atlantic to ride the railroads of North America with | 0:00:02 | 0:00:06 | |
my faithful Appletons' guide. | 0:00:06 | 0:00:10 | |
Published in the late 19th century, | 0:00:12 | 0:00:14 | |
it will lead me to all that is magnificent, charming, | 0:00:14 | 0:00:19 | |
confusing, invigorating | 0:00:19 | 0:00:22 | |
and haunting in the United States and Canada. | 0:00:22 | 0:00:26 | |
As I journey through this vast continent, | 0:00:29 | 0:00:31 | |
I'll encounter revolutionaries and feminists, pilgrims and witches, | 0:00:31 | 0:00:37 | |
and ride some of the oldest and most breathtaking railroads in the world. | 0:00:37 | 0:00:42 | |
With my Appletons', I've set out on a new railway adventure, | 0:01:24 | 0:01:29 | |
from Atlantic ports and islands, across leafy New England, | 0:01:29 | 0:01:33 | |
over mountain ranges, to the Great Lakes. | 0:01:33 | 0:01:36 | |
I'll exploring two of the largest countries in the world. | 0:01:36 | 0:01:41 | |
In the 18th century, the British fought the French in Canada, | 0:01:41 | 0:01:45 | |
thus increasing the security of their 13 American colonies. | 0:01:45 | 0:01:51 | |
I'll discover how a revolution | 0:01:51 | 0:01:53 | |
fanning out from Boston, Massachusetts, | 0:01:53 | 0:01:56 | |
overthrew the Crown and brought in | 0:01:56 | 0:01:59 | |
an independent United States of America. | 0:01:59 | 0:02:03 | |
While in Canada, almost two and a half centuries later, | 0:02:03 | 0:02:07 | |
the head of state is still the British Monarch. | 0:02:07 | 0:02:11 | |
My journey begins in coastal communities | 0:02:18 | 0:02:21 | |
founded by British settlers. | 0:02:21 | 0:02:23 | |
I'll head up through glorious New England to the wilderness around | 0:02:23 | 0:02:26 | |
Lake Placid. Crossing the border into Canada, | 0:02:26 | 0:02:29 | |
I'll take in French-Canadian culture in the province of Quebec, | 0:02:29 | 0:02:33 | |
before making my way through the capital to the Thousand Islands, | 0:02:33 | 0:02:38 | |
and end in cosmopolitan Toronto. | 0:02:38 | 0:02:40 | |
Today, I'm exploring the great city of Boston, | 0:02:42 | 0:02:45 | |
beginning in the harbour area and the historic Park Street district. | 0:02:45 | 0:02:49 | |
I'll then travel out to the factory city of Lowell, | 0:02:49 | 0:02:52 | |
before ending with music in the town of Haverhill. | 0:02:52 | 0:02:55 | |
Along the way, I sample the Catch of the Day... | 0:02:59 | 0:03:02 | |
Has anyone ever told you, sir, that you are a great shucker? | 0:03:02 | 0:03:05 | |
I appreciate that! | 0:03:05 | 0:03:06 | |
It's all in the knife, in the attitude. | 0:03:06 | 0:03:10 | |
..discover Boston's remarkable musical treasure... | 0:03:10 | 0:03:13 | |
The organ started to be reassembled here, | 0:03:13 | 0:03:15 | |
and this entire building was built to house this specific instrument. | 0:03:15 | 0:03:20 | |
Wow! | 0:03:20 | 0:03:22 | |
..and uncover the sneaky origins of America's Industrial Revolution. | 0:03:22 | 0:03:27 | |
He memorised the plans for the power looms. | 0:03:27 | 0:03:29 | |
They wouldn't let him travel back with any schematics. | 0:03:29 | 0:03:32 | |
This was industrial espionage! | 0:03:32 | 0:03:34 | |
It was industrial espionage, absolutely! | 0:03:34 | 0:03:36 | |
I'm beginning this American adventure in Boston, | 0:03:46 | 0:03:49 | |
which Appletons' tells me is the capital of Massachusetts | 0:03:49 | 0:03:53 | |
and occupies a peninsular of some 700 acres. | 0:03:53 | 0:03:57 | |
Boston is one of the oldest cities in the United States, | 0:04:03 | 0:04:07 | |
founded in 1630 by Puritan settlers, | 0:04:07 | 0:04:11 | |
who named it after their hometown in Lincolnshire in England. | 0:04:11 | 0:04:15 | |
The city is regarded as the cradle of the American Revolution, | 0:04:17 | 0:04:21 | |
and its role in the fight for independence from the British | 0:04:21 | 0:04:24 | |
has shaped its identity and its architecture. | 0:04:24 | 0:04:27 | |
The lovely Massachusetts State House was finished in 1798 | 0:04:31 | 0:04:35 | |
and so looks much the same as the drawing in my Appletons' guide. | 0:04:35 | 0:04:39 | |
It has classical touches, columns, a dome. | 0:04:39 | 0:04:42 | |
There's even a fellow there in a toga. | 0:04:42 | 0:04:45 | |
I think we're meant to think about the Roman Republic. | 0:04:45 | 0:04:47 | |
The people of Massachusetts are to be proud of their representative | 0:04:47 | 0:04:51 | |
government, and happy that they are no longer the subjects of any king | 0:04:51 | 0:04:56 | |
or queen. | 0:04:56 | 0:04:57 | |
The 19th century saw a great expansion of Boston. | 0:05:00 | 0:05:03 | |
And there are now 23 separate neighbourhoods across the city, | 0:05:03 | 0:05:07 | |
each with a different character. | 0:05:07 | 0:05:09 | |
I'm really liking Boston. | 0:05:19 | 0:05:21 | |
It's so easy to walk about. | 0:05:21 | 0:05:24 | |
It feels energetic, it feels youthful. | 0:05:24 | 0:05:26 | |
And the buildings, superb. | 0:05:26 | 0:05:29 | |
The old ones tell you that this was at the heart of the foundation | 0:05:29 | 0:05:32 | |
of the United States, and the new ones, | 0:05:32 | 0:05:35 | |
that Boston is today a really important business city. | 0:05:35 | 0:05:38 | |
And the fact that they are all | 0:05:38 | 0:05:40 | |
shoved together doesn't matter at all. It works. It looks great. | 0:05:40 | 0:05:44 | |
One celebrated event in history has made Boston famous. | 0:05:53 | 0:05:56 | |
An act of rebellion against the British in 1773, | 0:05:56 | 0:06:00 | |
which to Appletons' readers | 0:06:00 | 0:06:02 | |
had recently become known as the Boston Tea Party. | 0:06:02 | 0:06:06 | |
It came about after a series of unpopular taxes were levied on the | 0:06:08 | 0:06:11 | |
colonies, to replenish British coffers after a hugely expensive war | 0:06:11 | 0:06:16 | |
against the French on the American continent. | 0:06:16 | 0:06:19 | |
To find out what prompted Bostonians to turn against the British Crown, | 0:06:21 | 0:06:25 | |
I'm meeting Evan O'Brien. | 0:06:25 | 0:06:27 | |
-Hi, Michael, welcome to the Boston Tea Party Ships Museum. -Thank you. | 0:06:28 | 0:06:31 | |
Friends, we have gathered here tonight to discuss yet another | 0:06:33 | 0:06:37 | |
-crisis, forced upon us by Parliament and King George III. -THEY BOO AND HISS | 0:06:37 | 0:06:41 | |
Now, this crisis comes in the form of three ships, | 0:06:41 | 0:06:45 | |
-together carrying 340 crates of East India Company tea. -MORE BOOING | 0:06:45 | 0:06:51 | |
Now, here to further discuss this with us | 0:06:51 | 0:06:54 | |
is that ardent patriot, Samuel Adams. | 0:06:54 | 0:06:57 | |
Thank you, Miss Scully. This is a small, meagre, 3p per £1 tax. | 0:06:57 | 0:07:01 | |
But that's what makes it so dangerous. | 0:07:01 | 0:07:03 | |
Because it is so affordable by the masses, many will pay it, | 0:07:03 | 0:07:07 | |
only showing King George and Parliament that we are willing | 0:07:07 | 0:07:10 | |
to submit to any act of unjust taxation they pass upon us. | 0:07:10 | 0:07:13 | |
Taxation without representation is tyranny. | 0:07:15 | 0:07:18 | |
-The time for compromise here is over, my friends! -THEY CHEER | 0:07:18 | 0:07:23 | |
-Shall we destroy that tea? -CHEERS | 0:07:23 | 0:07:26 | |
Grab your disguises. Onto the water! Huzzah! | 0:07:26 | 0:07:30 | |
Safe travels, my friends. Godspeed. | 0:07:33 | 0:07:37 | |
Samuel Adams raised a rabble. | 0:07:37 | 0:07:40 | |
And on the 16th of December 1773, | 0:07:40 | 0:07:43 | |
a group known as the Sons of Liberty came down to Boston Harbour and | 0:07:43 | 0:07:48 | |
boarded the tea-laden ships. | 0:07:48 | 0:07:50 | |
We must be cautious here on this night. | 0:07:50 | 0:07:52 | |
Even being on board may be an act of treason, | 0:07:52 | 0:07:55 | |
and that is not a fate I would like to befall any of us here tonight. | 0:07:55 | 0:07:58 | |
So, we must remain cautious. | 0:07:58 | 0:07:59 | |
2,000 or so Bostonians have joined you, | 0:07:59 | 0:08:02 | |
lining Griffin's Wharf to watch our protest. | 0:08:02 | 0:08:04 | |
Any one of them might be a Tory spy. | 0:08:04 | 0:08:06 | |
If they were to identify you committing treason tonight, | 0:08:06 | 0:08:09 | |
they'd be more than happy to report you to the authorities. | 0:08:09 | 0:08:11 | |
But of course in the days and weeks ahead, we must maintain that our own | 0:08:11 | 0:08:14 | |
identities remain a secret. | 0:08:14 | 0:08:16 | |
After all, if any of us go blabbing at the taverns, well, | 0:08:16 | 0:08:19 | |
a sure fate will be each and every one of us at the end of a hangman's rope. Well, my friends, | 0:08:19 | 0:08:22 | |
we have 112 crates on board the Brig Beaver tonight. | 0:08:22 | 0:08:25 | |
Why don't you grab a tea crate there, sir? | 0:08:25 | 0:08:27 | |
Oh, dear. You know, | 0:08:27 | 0:08:30 | |
I feel very loyal to His Majesty, | 0:08:30 | 0:08:32 | |
and I feel very recognisable in this yellow coat. | 0:08:32 | 0:08:36 | |
And I don't much fancy being hanged. | 0:08:36 | 0:08:39 | |
Well, what is your decision then, sir? | 0:08:39 | 0:08:41 | |
-Go on, then! -Ah, yes! -THEY CHEER | 0:08:41 | 0:08:44 | |
Well done, sir! | 0:08:44 | 0:08:46 | |
In this act of defiance, 342 crates were jettisoned, | 0:08:48 | 0:08:53 | |
destroying around 1.5 million worth of tea at today's prices. | 0:08:53 | 0:08:58 | |
Evan, how close are we here to the actual event? | 0:09:02 | 0:09:05 | |
It actually took place right here, where that red building stands. | 0:09:05 | 0:09:08 | |
That was where Griffin's Wharf once stood. | 0:09:08 | 0:09:10 | |
When does it first become known as the Boston Tea Party? | 0:09:10 | 0:09:14 | |
It wasn't until the 1820s that the first utterance of the Boston Tea | 0:09:14 | 0:09:18 | |
Party was made. It was made in a newspaper. | 0:09:18 | 0:09:20 | |
In 1773, it was simply referred to as the incident on Griffin's Wharf, | 0:09:20 | 0:09:25 | |
-or the destruction of the tea. -So it takes a while to enter | 0:09:25 | 0:09:28 | |
the national narrative of the revolution. | 0:09:28 | 0:09:31 | |
Do you think that's because there's a certain embarrassment about this | 0:09:31 | 0:09:34 | |
-hooliganism? -Absolutely. You couldn't be any more accurate. | 0:09:34 | 0:09:38 | |
And it's not a problem your iconic national moment was actually | 0:09:38 | 0:09:42 | |
an incident of lawless vandalism? | 0:09:42 | 0:09:44 | |
No, not at all. We're actually very proud of it! | 0:09:44 | 0:09:46 | |
With that historic act, | 0:09:51 | 0:09:53 | |
New England turned its back on old England and set its course | 0:09:53 | 0:09:58 | |
towards revolution. | 0:09:58 | 0:09:59 | |
Boston is the fourth most densely populated city in America. | 0:10:10 | 0:10:14 | |
And public transport has long been a challenge. | 0:10:14 | 0:10:17 | |
My Appletons' mentions the city's extensive horse car system. | 0:10:20 | 0:10:24 | |
But only two decades later, the city leapt forward, | 0:10:24 | 0:10:27 | |
as Boston opened America's first subway, in 1897. | 0:10:27 | 0:10:31 | |
I'm meeting Bradley Clarke, | 0:10:38 | 0:10:40 | |
the president of the Boston Street Railway Society. | 0:10:40 | 0:10:43 | |
We're going to take the Tremont Street subway from Park Street | 0:10:50 | 0:10:54 | |
to Boylston Street, the first two stations that opened. | 0:10:54 | 0:10:57 | |
Bradley, do you still feel excited when you're riding this original bit | 0:10:59 | 0:11:03 | |
-of track? -Absolutely. I enjoy it a lot. | 0:11:03 | 0:11:05 | |
And the funny thing is that this is not what I would | 0:11:05 | 0:11:08 | |
call a subway train. This is what I would call a tram. | 0:11:08 | 0:11:12 | |
And in America, we call it a streetcar. | 0:11:12 | 0:11:14 | |
So, how does that happen? How is the streetcar running here underground? | 0:11:14 | 0:11:17 | |
Well, it's unusual. For a time, they tried third rail trains, | 0:11:17 | 0:11:22 | |
such as are in the Tube in London. | 0:11:22 | 0:11:24 | |
They didn't work out. The subway was built to handle the dimensions | 0:11:24 | 0:11:28 | |
of a tram car, of a streetcar, which was much shorter. | 0:11:28 | 0:11:31 | |
So after about a seven-year period, | 0:11:31 | 0:11:33 | |
they took the subway trains out and put the trams back, | 0:11:33 | 0:11:37 | |
and that was 1907. And what are we now? 110 years later. | 0:11:37 | 0:11:40 | |
The original subway line was only about half a mile long. | 0:11:49 | 0:11:53 | |
Around a three-minute ride. | 0:11:53 | 0:11:54 | |
Exhibited in Boylston Street Station is a subway car from 1924. | 0:11:56 | 0:12:00 | |
So, Bradley, this is a very handsome car. | 0:12:02 | 0:12:05 | |
For the public to see, as they ride by. | 0:12:05 | 0:12:08 | |
Boston comes where, chronologically, in subways in the world? | 0:12:08 | 0:12:11 | |
Well, it's number five in absolute terms of subways. | 0:12:11 | 0:12:14 | |
Now, the Metropolitan was the first, in 1863. | 0:12:14 | 0:12:17 | |
The City in south London in 1890. | 0:12:17 | 0:12:20 | |
Budapest in May of 1896. | 0:12:20 | 0:12:23 | |
Glasgow in 1896. | 0:12:23 | 0:12:25 | |
And finally Boston in September of 1897. | 0:12:25 | 0:12:29 | |
In America, it was the very first. | 0:12:29 | 0:12:32 | |
Why did Boston feel the need to follow London, | 0:12:32 | 0:12:35 | |
Budapest and Glasgow underground? | 0:12:35 | 0:12:38 | |
The problem was that public transportation was incredibly | 0:12:38 | 0:12:43 | |
popular. Tremont Street, which this subway runs under, had three tracks, | 0:12:43 | 0:12:48 | |
which were jammed most of the day. | 0:12:48 | 0:12:51 | |
It is said that the cars were so close together that you could walk | 0:12:51 | 0:12:55 | |
on the roofs of them faster than taking the car itself. | 0:12:55 | 0:12:59 | |
The solution was to take the rails beneath the streets. | 0:13:01 | 0:13:05 | |
But many Bostonians were fearful of going underground. | 0:13:05 | 0:13:09 | |
How could they allay these fears? | 0:13:09 | 0:13:10 | |
They tried to make it as sanitary as possible. | 0:13:10 | 0:13:13 | |
The walls of the stations were panelled in white porcelain tile. | 0:13:13 | 0:13:18 | |
And the tunnels were lit by incandescent lights. | 0:13:18 | 0:13:21 | |
It was felt that it would calm the public as they rode through. | 0:13:21 | 0:13:25 | |
Now, there's an extraordinary thought to me, they lit the tunnels? | 0:13:25 | 0:13:29 | |
Boston was the first subway in the world to illuminate its tunnels. | 0:13:29 | 0:13:32 | |
The Tremont Street subway today forms part of the Green Line | 0:13:39 | 0:13:43 | |
in the Boston subway system. | 0:13:43 | 0:13:45 | |
But there are now also Red, Orange and Blue Lines, | 0:13:46 | 0:13:49 | |
transporting 750,000 passengers per day. | 0:13:49 | 0:13:53 | |
From that little tunnel back in 1897 between | 0:13:57 | 0:14:01 | |
Park Street and Boylston, | 0:14:01 | 0:14:03 | |
the Massachusetts Bay Transportation Authority Network | 0:14:03 | 0:14:07 | |
has become pretty impressive. | 0:14:07 | 0:14:09 | |
To end my day, I've alighted in Haymarket, | 0:14:13 | 0:14:17 | |
on the hunt for a typically Bostonian supper. | 0:14:17 | 0:14:20 | |
And I'm told that, for nearly 200 years, | 0:14:20 | 0:14:23 | |
this has been the place to go. | 0:14:23 | 0:14:24 | |
Well, I've come to a Boston landmark. | 0:14:27 | 0:14:31 | |
The Union Oyster Bar. The oldest restaurant in Boston, and the | 0:14:31 | 0:14:35 | |
oldest restaurant in continuous service in the United States. | 0:14:35 | 0:14:40 | |
-Did I get that right? -You did, sir. | 0:14:40 | 0:14:41 | |
I got that right, good. What oysters are you offering tonight? | 0:14:41 | 0:14:44 | |
From Cape Cod, Cotuit oysters. | 0:14:44 | 0:14:47 | |
-Connecticut, Blue Points. -Cape Cod, I believe, is in Massachusetts? | 0:14:47 | 0:14:51 | |
Yeah, south of here. | 0:14:51 | 0:14:53 | |
So, I will have Cape Cod oysters, please. | 0:14:53 | 0:14:56 | |
-Mike, how many would you like? -I'll have half a dozen, please. | 0:14:56 | 0:14:59 | |
-Sure. -Has anyone ever told you, sir, that you are a great shucker? | 0:14:59 | 0:15:03 | |
I appreciate that! | 0:15:03 | 0:15:05 | |
You do that so well. | 0:15:05 | 0:15:07 | |
What you've just done would take me ten minutes. | 0:15:07 | 0:15:10 | |
-It's all in the knife. -All in the knife. -And the attitude. | 0:15:10 | 0:15:13 | |
-Have you been here before? -Yes, two times today! | 0:15:15 | 0:15:18 | |
-Two times today! -Yeah! -You enjoyed it the first time? | 0:15:18 | 0:15:22 | |
Very much, that's why we decided, mm, let's come back here again! | 0:15:22 | 0:15:27 | |
All right. | 0:15:27 | 0:15:28 | |
-And there we are. -Look, to my new friends! | 0:15:28 | 0:15:32 | |
-Bernie... Bernie, thank you so much. -New friends, there we are. | 0:15:32 | 0:15:35 | |
Mm! | 0:15:41 | 0:15:43 | |
That's so good! | 0:15:45 | 0:15:47 | |
This morning, I'm making my way to Boston North Station. | 0:16:01 | 0:16:05 | |
My destination is a 50-minute trip out of town | 0:16:05 | 0:16:08 | |
on the Massachusetts Bay Transport Authority commuter rail. | 0:16:08 | 0:16:12 | |
My next stop will be Lowell, Massachusetts. | 0:16:25 | 0:16:28 | |
Appletons' tells me it's 26 miles from Boston. | 0:16:28 | 0:16:31 | |
One of the most noted manufacturing cities in the Union, | 0:16:31 | 0:16:35 | |
situated on the Merrimack River. | 0:16:35 | 0:16:38 | |
And the source of its prosperity are the Pawtucket Falls. | 0:16:38 | 0:16:42 | |
For Lowell, the water mills were a boon. | 0:16:42 | 0:16:45 | |
The route here was originally operated | 0:16:48 | 0:16:51 | |
as the Boston and Lowell Railroad, and was one of | 0:16:51 | 0:16:54 | |
the earliest in the United States, first chartered in 1830. | 0:16:54 | 0:16:58 | |
Lowell is renowned as the birthplace of the American Industrial | 0:17:09 | 0:17:13 | |
Revolution. It was the nation's first planned industrial town... | 0:17:13 | 0:17:16 | |
..and helped to build the economic strength | 0:17:18 | 0:17:21 | |
of the recently independent United States. | 0:17:21 | 0:17:23 | |
I'm heading to the Boott Cotton Mills | 0:17:27 | 0:17:29 | |
on one of Lowell's historic streetcars. | 0:17:29 | 0:17:32 | |
The trolley is, I think, a modern copy. | 0:17:35 | 0:17:37 | |
But the tracks are the real thing, dating back at least a century. | 0:17:37 | 0:17:40 | |
And they are leading me even deeper into history. | 0:17:40 | 0:17:43 | |
The Boott Cotton Mills opened in 1835 | 0:17:46 | 0:17:50 | |
and, for the first time, | 0:17:50 | 0:17:51 | |
brought all the stages of cloth making into one place. | 0:17:51 | 0:17:54 | |
They closed in 1955, but have been restored | 0:17:56 | 0:18:00 | |
as Lowell National Historical Park, | 0:18:00 | 0:18:02 | |
where I'm meeting park ranger Emily Anstey. | 0:18:02 | 0:18:05 | |
Emily, what an incredibly noisy environment! | 0:18:18 | 0:18:20 | |
It is! And we're only running about a dozen looms right now. | 0:18:20 | 0:18:24 | |
There are 88 in the room. | 0:18:24 | 0:18:26 | |
-Any chance we can stop them? -I think so. | 0:18:26 | 0:18:28 | |
Wow! That is quite a relief! | 0:18:32 | 0:18:35 | |
So, it must have been terrible, with the noise, | 0:18:36 | 0:18:38 | |
-and I imagine, the heat as well. -The noise was deafening. | 0:18:38 | 0:18:42 | |
And it's not just this floor of machines, | 0:18:42 | 0:18:44 | |
it's all the floors in the mill building. | 0:18:44 | 0:18:46 | |
And then the heat... It's not only hot, it's humid. | 0:18:46 | 0:18:49 | |
They're piping in steam to prevent fires, | 0:18:49 | 0:18:53 | |
and also to keep the cotton threads from breaking, | 0:18:53 | 0:18:55 | |
because they can get very brittle. | 0:18:55 | 0:18:56 | |
Back to the beginning, who was Francis Lowell? | 0:18:56 | 0:18:59 | |
Francis Cabot Lowell was a wealthy merchant who wanted to bring | 0:18:59 | 0:19:02 | |
industry to America. He saw that there was a need | 0:19:02 | 0:19:05 | |
for American-made goods, rather than British goods. | 0:19:05 | 0:19:08 | |
And so he travelled over to England in 1810, and he saw the power looms. | 0:19:08 | 0:19:14 | |
He was a very smart man. | 0:19:14 | 0:19:16 | |
They say that he memorised the plans for the power looms, | 0:19:16 | 0:19:18 | |
they wouldn't let him travel back with any schematics. | 0:19:18 | 0:19:21 | |
And he came back and worked with an engineer, Paul Moody, | 0:19:21 | 0:19:24 | |
to create some of the first power looms here. | 0:19:24 | 0:19:26 | |
This was industrial espionage! | 0:19:26 | 0:19:28 | |
-It was industrial espionage, absolutely! -Can we see some cloth | 0:19:28 | 0:19:31 | |
-being made today? -Absolutely. -Thank you. | 0:19:31 | 0:19:33 | |
-Hello! -Rick, this is Michael. | 0:19:39 | 0:19:42 | |
Hello, Rick. Can you tell me the basics of your loom, please? | 0:19:42 | 0:19:46 | |
We're doing a plain weave here. One harness goes up, one down. | 0:19:46 | 0:19:50 | |
-And the shuttle will pass between it. Just one pick. -Yeah. | 0:19:50 | 0:19:54 | |
That will go over there. And then the harness changes. | 0:19:54 | 0:19:58 | |
Each time that goes through, that's one pick. | 0:19:59 | 0:20:01 | |
Lowell's factory system brought under one roof | 0:20:12 | 0:20:15 | |
not just the processes, but also the people. | 0:20:15 | 0:20:19 | |
At their peak in the 1840s, | 0:20:19 | 0:20:21 | |
these factory complexes enclosed 8,000 women workers, | 0:20:21 | 0:20:25 | |
known as the Mill Girls. | 0:20:25 | 0:20:27 | |
-What was this house, Emily? -So, this was a boarding house. | 0:20:31 | 0:20:34 | |
This is company-provided housing for that first workforce here and all | 0:20:34 | 0:20:37 | |
-the Lowell Mill Girls. -Where were these girls drawn from? | 0:20:37 | 0:20:40 | |
So, these girls are coming from their farming communities | 0:20:40 | 0:20:43 | |
around New England. They're the Yankee farm girls. | 0:20:43 | 0:20:46 | |
And I say girls, but I really mean women between the ages of 15-25. | 0:20:46 | 0:20:49 | |
The conditions in here look quite comfortable. | 0:20:49 | 0:20:52 | |
So, it was very nice, especially compared to some of the | 0:20:52 | 0:20:54 | |
-farming communities in the area. -I mean, do you think they were happy | 0:20:54 | 0:20:57 | |
with their circumstances? | 0:20:57 | 0:20:59 | |
I think for the most part many of them were happy, originally, | 0:20:59 | 0:21:02 | |
with their circumstances. They're making a wage for the first time. | 0:21:02 | 0:21:05 | |
They have educational opportunities. But they are also working for | 0:21:05 | 0:21:09 | |
14 hours a day in conditions that are very monotonous, very hot, | 0:21:09 | 0:21:13 | |
very different from what they were experiencing on a farm. | 0:21:13 | 0:21:16 | |
So, do they protest in any way? | 0:21:16 | 0:21:19 | |
So, by 1836, there is the first walk-out of Mill Girls. | 0:21:19 | 0:21:23 | |
The lower wages. | 0:21:23 | 0:21:24 | |
Also, the company was going to stop subsidising some of the rent here. | 0:21:24 | 0:21:28 | |
And so in 1836, | 0:21:28 | 0:21:30 | |
about 2,000 of the Mill Girls walked out of the factory floor. | 0:21:30 | 0:21:33 | |
It wasn't successful, | 0:21:33 | 0:21:35 | |
but what it did was it allowed women to realise they could come together | 0:21:35 | 0:21:38 | |
around an issue and try to make a difference. | 0:21:38 | 0:21:40 | |
The Mill Girls' walk-out marked a turning point for women in America, | 0:21:42 | 0:21:47 | |
who thereafter began to participate more widely in social reform. | 0:21:47 | 0:21:51 | |
Before I head back to the city, | 0:22:02 | 0:22:04 | |
I'm intrigued by an entry in my Appletons' which states that the | 0:22:04 | 0:22:07 | |
second-largest organ in the world is to be found at Boston Music Hall. | 0:22:07 | 0:22:13 | |
But I gather it's since been moved, to a town north of the city. | 0:22:13 | 0:22:16 | |
So, my quest to find this historic instrument | 0:22:17 | 0:22:20 | |
is taking me to Haverhill. | 0:22:20 | 0:22:22 | |
At the Methuen Memorial Music Hall, | 0:22:25 | 0:22:28 | |
I'm meeting a member of the 200-year-old Handel and Haydn Choir, | 0:22:28 | 0:22:33 | |
Teresa Neff. | 0:22:33 | 0:22:34 | |
-Hello. -Hello! -You must be Teresa. | 0:22:34 | 0:22:37 | |
-I am, welcome. -I'm Michael. | 0:22:37 | 0:22:39 | |
# Lift thine eyes O lift thine eyes | 0:22:39 | 0:22:45 | |
# To the mountains | 0:22:45 | 0:22:50 | |
# Whence cometh, whence cometh | 0:22:50 | 0:22:56 | |
# Whence cometh help | 0:22:56 | 0:23:00 | |
# Whence cometh, whence cometh | 0:23:00 | 0:23:07 | |
# Whence cometh help. # | 0:23:07 | 0:23:15 | |
That was wonderful! | 0:23:16 | 0:23:18 | |
Thank you so much, choir. | 0:23:18 | 0:23:20 | |
Teresa, I came in search of this instrument, of this organ. | 0:23:20 | 0:23:25 | |
When did it come to this building, and how? | 0:23:25 | 0:23:27 | |
Well, the organ was built specifically | 0:23:27 | 0:23:30 | |
for the Boston Music Hall. And it was installed there in 1863. | 0:23:30 | 0:23:35 | |
But about 20 years later, | 0:23:35 | 0:23:37 | |
they decided that the organ had run its course. | 0:23:37 | 0:23:40 | |
And they dismantled it. | 0:23:40 | 0:23:41 | |
And it just sat in a shed until 1905, | 0:23:41 | 0:23:46 | |
when the organ started to be reassembled here, | 0:23:46 | 0:23:48 | |
and this entire building was built to house this specific instrument. | 0:23:48 | 0:23:53 | |
The organ was built by EF Walcker & Co of Ludwigsburg, Germany. | 0:23:54 | 0:24:00 | |
With 6,088 pipes, this enormous instrument | 0:24:00 | 0:24:04 | |
was the very first concert organ in the United States, | 0:24:04 | 0:24:08 | |
and the musical pride of Boston. | 0:24:08 | 0:24:09 | |
Having come in search of the organ, in fact, I've also come across, | 0:24:11 | 0:24:14 | |
have I not, the Handel and Haydn Society. | 0:24:14 | 0:24:18 | |
-Absolutely. -Tell me about that. | 0:24:18 | 0:24:19 | |
Handel and Haydn was formed in 1815, a very long time ago, | 0:24:19 | 0:24:24 | |
by a group of men who wanted to promote the music of Handel | 0:24:24 | 0:24:29 | |
and Haydn and other composers that they dearly loved. | 0:24:29 | 0:24:32 | |
Given the age of your country, that makes it a very old society. | 0:24:32 | 0:24:36 | |
It is the oldest continuously performing arts organisation | 0:24:36 | 0:24:40 | |
-in the United States. -And clearly still in fine voice. | 0:24:40 | 0:24:43 | |
Is there anything else you would like to sing today? | 0:24:43 | 0:24:46 | |
-ALL: -The Battle Hymn Of The Republic. | 0:24:46 | 0:24:48 | |
Now, Teresa, why would the choir | 0:24:48 | 0:24:51 | |
sing The Battle Hymn Of The Republic? | 0:24:51 | 0:24:53 | |
Well, the person who wrote the words to The Battle Hymn Of The Republic, | 0:24:53 | 0:24:57 | |
Julia Ward Howe, sang with the Handel and Haydn Society | 0:24:57 | 0:25:00 | |
in the middle part of the 19th century. She wrote these words | 0:25:00 | 0:25:04 | |
after she had visited a Union camp in Washington, DC. | 0:25:04 | 0:25:08 | |
And that text that she put to an old hymn became part of the Union | 0:25:08 | 0:25:15 | |
cause during the Civil War. | 0:25:15 | 0:25:17 | |
Today, the Battle Hymn is now a rallying cry for the United States | 0:25:17 | 0:25:22 | |
-as a whole. -Now, the one thing that would make my day is if we could | 0:25:22 | 0:25:27 | |
-also hear the organ. -Oh, I think we can arrange that! -Wow! | 0:25:27 | 0:25:31 | |
# Mine eyes have seen the glory of the coming of the Lord | 0:25:43 | 0:25:49 | |
# He is trampling out the vintage | 0:25:49 | 0:25:52 | |
# Where the grapes of wrath are stored | 0:25:52 | 0:25:55 | |
# He hath loosed the fateful lightning | 0:25:55 | 0:25:58 | |
# Of His terrible swift sword | 0:25:58 | 0:26:01 | |
# His truth is marching on | 0:26:01 | 0:26:07 | |
# He has sounded forth the trumpet that shall never call retreat | 0:26:08 | 0:26:14 | |
# He is sifting out the hearts of men | 0:26:14 | 0:26:17 | |
# Before His judgment seat | 0:26:17 | 0:26:20 | |
# Oh, be swift, my soul, to answer Him! | 0:26:20 | 0:26:24 | |
# Be jubilant, my feet! | 0:26:24 | 0:26:26 | |
# Our God is marching on | 0:26:26 | 0:26:32 | |
# Glory, glory, hallelujah! | 0:26:33 | 0:26:39 | |
# Glory, glory, hallelujah! | 0:26:40 | 0:26:47 | |
# Glory, glory, hallelujah... # | 0:26:47 | 0:26:52 | |
I'm heading back into Boston, | 0:26:53 | 0:26:56 | |
to end today's journey with a bird's eye view of this waterfront city | 0:26:56 | 0:27:00 | |
at the Skywalk Observatory. | 0:27:00 | 0:27:02 | |
In the 1630s, Puritans, | 0:27:05 | 0:27:08 | |
who had survived the Atlantic crossing to start a new life, | 0:27:08 | 0:27:13 | |
free from religious persecution, founded Boston. | 0:27:13 | 0:27:16 | |
And more than a century later, the American Revolution was brewed | 0:27:16 | 0:27:21 | |
here by a hotchpotch of intellectuals | 0:27:21 | 0:27:23 | |
and hotheads and street fighters. | 0:27:23 | 0:27:26 | |
Here, of course, is the origin of the United States. | 0:27:26 | 0:27:29 | |
But also of modern Europe, | 0:27:29 | 0:27:31 | |
since Americans inspired the French Revolution. | 0:27:31 | 0:27:36 | |
Indeed, has it not comforted revolutionaries since in their | 0:27:36 | 0:27:39 | |
moments of despair that what was started here in little Boston | 0:27:39 | 0:27:45 | |
would defeat the British Empire? | 0:27:45 | 0:27:46 | |
Next time, I learn the principles of American cuisine... | 0:27:50 | 0:27:55 | |
We want to make sure that we have more cream than cake! | 0:27:55 | 0:27:58 | |
This, I do not believe! | 0:27:58 | 0:28:00 | |
..discover the horrors of 19th-century surgery... | 0:28:00 | 0:28:03 | |
You have to hold the artery so it wouldn't bleed, | 0:28:03 | 0:28:06 | |
and then you had 60 seconds to take off a limb. | 0:28:06 | 0:28:09 | |
..and find out what students do at the world's top university. | 0:28:09 | 0:28:13 | |
An undergraduate can work on the Mars programme? | 0:28:13 | 0:28:16 | |
Absolutely, absolutely. That's what they come to MIT to do. | 0:28:16 | 0:28:19 |