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I have crossed the Atlantic to ride the railroads of North America, | 0:00:02 | 0:00:07 | |
with my faithful Appleton's Guide. | 0:00:07 | 0:00:10 | |
Published in the late 19th century, | 0:00:13 | 0:00:15 | |
it will direct me to everything that's novel, beautiful, | 0:00:15 | 0:00:19 | |
memorable and curious | 0:00:19 | 0:00:22 | |
in the United States. | 0:00:22 | 0:00:24 | |
Yee-ha! | 0:00:24 | 0:00:26 | |
As I travel through this vast continent, | 0:00:26 | 0:00:29 | |
I'll discover gold and silver, | 0:00:29 | 0:00:32 | |
movies and microchips, | 0:00:32 | 0:00:34 | |
oil and oranges, | 0:00:34 | 0:00:36 | |
and learn how America's most famous railroad conquered | 0:00:36 | 0:00:40 | |
the wild landscapes of the west. | 0:00:40 | 0:00:42 | |
My journey through California now turns southwards. | 0:01:07 | 0:01:11 | |
Railway tracks and telegraph lines were technologies that transformed | 0:01:11 | 0:01:16 | |
society around the world, | 0:01:16 | 0:01:18 | |
but their impact was greatest in California | 0:01:18 | 0:01:21 | |
because it had been cut off from the rest of the United States. | 0:01:21 | 0:01:25 | |
Suddenly, news became virtually instantaneous, | 0:01:25 | 0:01:28 | |
and goods and people could arrive from the east in days | 0:01:28 | 0:01:31 | |
rather than months. | 0:01:31 | 0:01:33 | |
Today's transformative technologies include the microchip, | 0:01:33 | 0:01:37 | |
e-mail and mobile-phone-based apps, | 0:01:37 | 0:01:41 | |
and many of the breakthroughs have come from California, | 0:01:41 | 0:01:44 | |
from Silicon Valley. | 0:01:44 | 0:01:45 | |
I'm making a 1000-mile railway | 0:01:49 | 0:01:52 | |
journey from Reno, Nevada | 0:01:52 | 0:01:54 | |
to San Diego | 0:01:54 | 0:01:55 | |
in southern California. | 0:01:55 | 0:01:57 | |
This leg begins just south of San Francisco in Silicon Valley, | 0:01:57 | 0:02:01 | |
from where I'll use some of California's | 0:02:01 | 0:02:03 | |
most picturesque rail lines to return to the Pacific Coast. | 0:02:03 | 0:02:07 | |
Along the way, my head will grapple with | 0:02:09 | 0:02:11 | |
California's Japanese heritage... | 0:02:11 | 0:02:13 | |
GRUNTING | 0:02:13 | 0:02:14 | |
Oh! | 0:02:14 | 0:02:16 | |
It's a very odd feeling, being hit on the head repeatedly! | 0:02:16 | 0:02:19 | |
TRAIN WHISTLES | 0:02:19 | 0:02:20 | |
I'll marvel at the world's tallest trees... | 0:02:20 | 0:02:24 | |
People come from all over the world to enjoy these trees. | 0:02:24 | 0:02:26 | |
To see them from the train, Phil, is special. | 0:02:26 | 0:02:28 | |
..and face total wipe-out. | 0:02:31 | 0:02:33 | |
WHISTLING | 0:02:35 | 0:02:37 | |
I'm now riding Amtrak's Capitol Corridor service, | 0:02:50 | 0:02:54 | |
a railroad that runs 170 miles through northern California, | 0:02:54 | 0:02:58 | |
from Auburn down to San Jose. | 0:02:58 | 0:03:01 | |
Appleton's tells me that the Santa Clara Valley lies between | 0:03:01 | 0:03:05 | |
the coast and the Santa Cruz mountains. | 0:03:05 | 0:03:08 | |
It is watered by the Coyote and Guadalupe rivers, | 0:03:08 | 0:03:11 | |
and by artesian wells, | 0:03:11 | 0:03:13 | |
and claims to be the most fertile in the world. | 0:03:13 | 0:03:16 | |
I'm leaving the train at Santa Clara, | 0:03:21 | 0:03:23 | |
in the heart of what's now known as Silicon Valley. | 0:03:23 | 0:03:26 | |
To trace the evolution of this area from farmland to the powerhouse of | 0:03:30 | 0:03:34 | |
the digital revolution, | 0:03:34 | 0:03:36 | |
I've come to a hi-tech hotel bar beyond the wildest dreams | 0:03:36 | 0:03:40 | |
of Appleton's readers. | 0:03:40 | 0:03:42 | |
-Hello, Justin. -Hey! How are you doing? | 0:03:45 | 0:03:47 | |
I'm meeting Justin Kuykendall, | 0:03:47 | 0:03:49 | |
from the Silicon Valley Historical Association, | 0:03:49 | 0:03:52 | |
with novel waiting staff in attendance. | 0:03:52 | 0:03:55 | |
Well, I never! What is this? | 0:03:55 | 0:03:56 | |
ROBOT WHIRS | 0:03:56 | 0:03:58 | |
Hello. | 0:03:58 | 0:03:59 | |
"I'm running a delivery," it says. | 0:03:59 | 0:04:02 | |
ROBOT CHIMES, MICHAEL LAUGHS | 0:04:02 | 0:04:03 | |
"Hello, Michael and Justin, please remove your items." | 0:04:03 | 0:04:06 | |
Oh! | 0:04:06 | 0:04:08 | |
There's one for you, Justin. | 0:04:08 | 0:04:09 | |
Thank you. | 0:04:09 | 0:04:11 | |
And one for me. | 0:04:11 | 0:04:12 | |
Oh! Thank you very much indeed. | 0:04:14 | 0:04:16 | |
ROBOT CHIMES | 0:04:16 | 0:04:18 | |
How far back do you trace the connection between the valley | 0:04:20 | 0:04:25 | |
and the development of technology, | 0:04:25 | 0:04:27 | |
what we now think of IT, information technology? | 0:04:27 | 0:04:30 | |
Sure, sure. Um... | 0:04:30 | 0:04:31 | |
I think it's really starts with the university - | 0:04:31 | 0:04:33 | |
you know, the starting of Stanford. | 0:04:33 | 0:04:36 | |
My Appleton's Guide, written in 1891, says, | 0:04:36 | 0:04:40 | |
"Senator Leland Stanford's great Palo Alto ranch | 0:04:40 | 0:04:44 | |
"is the site of the Leland Stanford Junior University, founded in 1885." | 0:04:44 | 0:04:50 | |
Well, it started as a ranch, | 0:04:50 | 0:04:51 | |
but then, you know, he created a university, | 0:04:51 | 0:04:54 | |
you know, after the death of his son. | 0:04:54 | 0:04:57 | |
He had a vision that, you know, | 0:04:57 | 0:04:58 | |
his son came to him and that he was supposed to have a university, | 0:04:58 | 0:05:03 | |
so that's really where the university idea came, | 0:05:03 | 0:05:05 | |
and that would be the education for this...California | 0:05:05 | 0:05:08 | |
and the students of California. | 0:05:08 | 0:05:09 | |
Railroad baron Leland Stanford had helped to build the trailblazing | 0:05:11 | 0:05:16 | |
Transcontinental Route in the 1860s. | 0:05:16 | 0:05:19 | |
By the mid-20th century, | 0:05:20 | 0:05:22 | |
the university that he had founded was helping to ferment a new | 0:05:22 | 0:05:26 | |
technological revolution. | 0:05:26 | 0:05:28 | |
Technology start-ups arrived, | 0:05:29 | 0:05:31 | |
encouraged by Stanford engineering professor Frederick Terman, | 0:05:31 | 0:05:35 | |
who established an industrial park on the campus. | 0:05:35 | 0:05:38 | |
The Santa Clara Valley became a hi-tech hub, | 0:05:40 | 0:05:43 | |
producing silicon semiconductors, which form part of the chips | 0:05:43 | 0:05:47 | |
that are the brains of our modern electronic devices. | 0:05:47 | 0:05:51 | |
Why does Silicon Valley work? | 0:05:52 | 0:05:54 | |
You have the university, you have this semi-conductor industry, | 0:05:54 | 0:05:58 | |
you have great weather, | 0:05:58 | 0:06:00 | |
and you also have, kind of, that western entrepreneurial | 0:06:00 | 0:06:03 | |
idea of, you know, pioneering. | 0:06:03 | 0:06:05 | |
Something really... We want to do something new. | 0:06:05 | 0:06:07 | |
We want to do something that's cool. We want to change the world. | 0:06:07 | 0:06:10 | |
In the 21st century, | 0:06:15 | 0:06:17 | |
Silicon Valley is synonymous with the disruptive technologies of the | 0:06:17 | 0:06:21 | |
internet age, from search engines to social networks - | 0:06:21 | 0:06:26 | |
now its innovators want to change the way we travel. | 0:06:26 | 0:06:30 | |
At Intel, which pioneered the microchip back in the 1960s, | 0:06:32 | 0:06:36 | |
engineers are giving cars | 0:06:36 | 0:06:38 | |
the data processing power | 0:06:38 | 0:06:40 | |
to drive themselves. | 0:06:40 | 0:06:41 | |
I'm joining Grant Mahler on a test drive. | 0:06:46 | 0:06:48 | |
Hi, Grant. I'm Michael. | 0:06:50 | 0:06:51 | |
Nice to meet you, Michael. | 0:06:51 | 0:06:53 | |
The project is a collaboration with BMW and Mobileye, | 0:06:56 | 0:07:00 | |
a sensor and mapping company. | 0:07:00 | 0:07:03 | |
In the back is Carl, | 0:07:03 | 0:07:05 | |
whose computer is tracking what the car is seeing. | 0:07:05 | 0:07:08 | |
As we hit the freeway, we're about to go into autonomous drive. | 0:07:11 | 0:07:16 | |
Grant, I have to tell you, this is a very exciting moment for me. | 0:07:16 | 0:07:20 | |
I have never been in this situation, | 0:07:20 | 0:07:21 | |
and, for me, it is a glimpse of the future. | 0:07:21 | 0:07:24 | |
Grant, what's happening now? | 0:07:29 | 0:07:31 | |
The car is steering itself. | 0:07:31 | 0:07:32 | |
It has taken over from you? | 0:07:33 | 0:07:35 | |
Correct. | 0:07:35 | 0:07:37 | |
Right now the car is making the adjustments to speed, | 0:07:37 | 0:07:41 | |
to direction and so on? | 0:07:41 | 0:07:43 | |
Correct. | 0:07:43 | 0:07:44 | |
Amazing, for me, for the first time, to experience autonomous driving. | 0:07:47 | 0:07:53 | |
This is going to change our way of living - | 0:07:53 | 0:07:55 | |
whether you need to own a car, whether you need a driving licence, | 0:07:55 | 0:07:59 | |
how many cars we need on the roads, | 0:07:59 | 0:08:00 | |
whether people are going to live longer | 0:08:00 | 0:08:02 | |
because they don't die in motor accidents. | 0:08:02 | 0:08:04 | |
It's an absolutely transformative technology. | 0:08:04 | 0:08:07 | |
In the here and now, I'm reverting to a form of transport | 0:08:16 | 0:08:20 | |
readers of my guidebook would have recognised. | 0:08:20 | 0:08:22 | |
Appleton's tells me that one of the excursions most frequently | 0:08:35 | 0:08:39 | |
recommended to the stranger is that to San Jose. | 0:08:39 | 0:08:43 | |
Having reached this outpost of the American Far West, | 0:08:43 | 0:08:46 | |
I want to consider a community that came from across the Pacific to the | 0:08:46 | 0:08:50 | |
Far East, and which at one time had the misfortune to be regarded as | 0:08:50 | 0:08:55 | |
an enemy of the United States. | 0:08:55 | 0:08:58 | |
This is San Jose, our final stop. This is San Jose. | 0:09:01 | 0:09:04 | |
Today, San Jose is Silicon Valley's biggest city | 0:09:21 | 0:09:24 | |
and one of the most affluent places in the United States. | 0:09:24 | 0:09:27 | |
A couple of miles north of the station | 0:09:33 | 0:09:35 | |
is the Japanese quarter, or Nihonmachi. | 0:09:35 | 0:09:38 | |
At the Buddhist church founded by some of the city's | 0:09:42 | 0:09:45 | |
earliest Japanese immigrants, | 0:09:45 | 0:09:47 | |
I'm meeting Jim Nagareda of San Jose's Japanese-American Museum. | 0:09:47 | 0:09:52 | |
Jim, I'm Michael. | 0:09:53 | 0:09:55 | |
Hey, Michael. | 0:09:55 | 0:09:57 | |
Good to see you. | 0:09:57 | 0:09:59 | |
-Lovely temple. Beautiful. -Thank you. | 0:09:59 | 0:10:02 | |
What is the origin of the Japanese community in the San Jose area? | 0:10:02 | 0:10:06 | |
The Japanese started coming to this area in the late 1800s, | 0:10:06 | 0:10:09 | |
and they came here looking for jobs in agriculture, | 0:10:09 | 0:10:13 | |
and most of the Japanese intended on going back - | 0:10:13 | 0:10:18 | |
you know, making their money and going back to Japan - | 0:10:18 | 0:10:21 | |
but a lot of them stayed and formed this great community. | 0:10:21 | 0:10:24 | |
By 1940, California was home to three quarters of | 0:10:26 | 0:10:30 | |
the Japanese population of the United States, | 0:10:30 | 0:10:35 | |
but within two years, the growth of Japantown came to a stop | 0:10:35 | 0:10:39 | |
when Japan attacked America. | 0:10:39 | 0:10:42 | |
Tell me about the impact on the community of | 0:10:44 | 0:10:47 | |
December 7, 1941, Pearl Harbor. | 0:10:47 | 0:10:49 | |
After the bombing, | 0:10:49 | 0:10:51 | |
they knew that there was going to be some type of backlash. | 0:10:51 | 0:10:55 | |
They burned all of their family photos cos they wanted to disconnect | 0:10:55 | 0:11:00 | |
themselves with anything from Japan, | 0:11:00 | 0:11:02 | |
along with a lot of their other possessions. | 0:11:02 | 0:11:04 | |
When they actually had to go to, actually, incarceration camps, | 0:11:04 | 0:11:08 | |
they could only take what they could carry. | 0:11:08 | 0:11:10 | |
In May, 1942, across the United States, | 0:11:12 | 0:11:15 | |
people of Japanese descent were interned in camps. | 0:11:15 | 0:11:20 | |
Most of San Jose's Japantown residents were sent | 0:11:20 | 0:11:24 | |
1,000 miles away to Wyoming. | 0:11:24 | 0:11:27 | |
They would not return for three years. | 0:11:27 | 0:11:30 | |
And they ceased to be US citizens. | 0:11:32 | 0:11:35 | |
Basically, their rights were taken away. | 0:11:35 | 0:11:37 | |
They said that the camps were for their protection, | 0:11:37 | 0:11:42 | |
yet the guns were pointed inward. | 0:11:42 | 0:11:45 | |
How easily could they reintegrate after 1945? | 0:11:45 | 0:11:49 | |
It was not easy for them. | 0:11:49 | 0:11:51 | |
A lot of people lost their property and lost their businesses, | 0:11:51 | 0:11:54 | |
lost their homes, | 0:11:54 | 0:11:56 | |
and so they had to rebuild. | 0:11:56 | 0:11:58 | |
GONG CHIMES | 0:11:58 | 0:12:00 | |
GONG CHIMES | 0:12:02 | 0:12:05 | |
MAN SINGS IN OWN LANGUAGE | 0:12:05 | 0:12:07 | |
SINGING CONTINUES | 0:12:16 | 0:12:18 | |
GONG CHIME | 0:12:27 | 0:12:29 | |
Today, Japantown is thriving once more, | 0:12:29 | 0:12:33 | |
and its residents are passing on their traditions | 0:12:33 | 0:12:35 | |
to the next generation. | 0:12:35 | 0:12:37 | |
DRUMMING | 0:12:41 | 0:12:44 | |
THEY YELL | 0:12:44 | 0:12:46 | |
SHOUTING | 0:12:48 | 0:12:50 | |
DRUMBEAT SPEEDS UP | 0:12:50 | 0:12:52 | |
THEY YELL | 0:12:54 | 0:12:56 | |
SHOUTING | 0:13:03 | 0:13:05 | |
THEY CONTINUE YELLING Extraordinary sight. | 0:13:08 | 0:13:10 | |
In Japantown, just next to the temple, is this gymnasium, | 0:13:10 | 0:13:14 | |
and these youngsters, male and female, | 0:13:14 | 0:13:18 | |
are learning kendo, a martial art, | 0:13:18 | 0:13:22 | |
which I suppose tells us the strength of the Japanese community. | 0:13:22 | 0:13:24 | |
THEY YELL | 0:13:24 | 0:13:26 | |
Instructor Dale Hatakeyama is initiating me | 0:13:26 | 0:13:30 | |
in the art of Japanese fencing. | 0:13:30 | 0:13:33 | |
Dale, sorry, sir, may I interrupt you a moment? | 0:13:33 | 0:13:36 | |
-I'm Michael. Hi. -Nice to meet you, Michael. | 0:13:36 | 0:13:38 | |
-And this is kendo? -This is kendo. | 0:13:38 | 0:13:41 | |
We teach the Japanese culture, as far as respect, | 0:13:41 | 0:13:43 | |
perseverance and carrying yourself with dignity. | 0:13:43 | 0:13:46 | |
So, it's not about only about fighting each other, | 0:13:46 | 0:13:48 | |
but it's also about trying to make yourself a better person. | 0:13:48 | 0:13:52 | |
Would it be crazy if I attempted to have a go? | 0:13:52 | 0:13:54 | |
Certainly, if you wanted. | 0:13:54 | 0:13:55 | |
First, a traditional Japanese costume and some body armour. | 0:13:58 | 0:14:03 | |
Arggh! Quite tight. | 0:14:03 | 0:14:05 | |
-I'm in. -You're in? | 0:14:05 | 0:14:07 | |
My opponent is less than a third of my age, | 0:14:07 | 0:14:10 | |
and I think has been doing this forever. | 0:14:10 | 0:14:13 | |
Not that I'm intimidated. No, no, no. | 0:14:15 | 0:14:18 | |
The way you swing this is you push it up with your left hand, | 0:14:18 | 0:14:22 | |
and over your head, straight over your head, | 0:14:22 | 0:14:24 | |
and then you swing it down and take a step forward | 0:14:24 | 0:14:26 | |
and you're going to hit him right here. | 0:14:26 | 0:14:28 | |
-Really? -Yes, yes. -And I won't hurt him? | 0:14:28 | 0:14:30 | |
I hope not. Hit the top of his head and say, "men" at the same time. | 0:14:30 | 0:14:33 | |
The sword is made of bamboo. | 0:14:33 | 0:14:35 | |
Men! Men! | 0:14:35 | 0:14:37 | |
Points are scored for striking parts of the body. | 0:14:37 | 0:14:40 | |
-Men! -Nice, nice. | 0:14:40 | 0:14:42 | |
"Men" means face. | 0:14:43 | 0:14:45 | |
Men! | 0:14:45 | 0:14:46 | |
-We'll change roles now, so... -OK. | 0:14:47 | 0:14:49 | |
Men! Men! | 0:14:49 | 0:14:51 | |
Oh! | 0:14:51 | 0:14:52 | |
Men, men, men! | 0:14:52 | 0:14:54 | |
Oh! | 0:14:54 | 0:14:55 | |
It's a fairly odd feeling, being hit on the head repeatedly. | 0:14:55 | 0:14:58 | |
"Do" is called for a cut to the chest. | 0:14:58 | 0:15:02 | |
Do! | 0:15:02 | 0:15:03 | |
It's better than being hit on the head. | 0:15:05 | 0:15:07 | |
Men, men, men! | 0:15:07 | 0:15:09 | |
He's very good. | 0:15:11 | 0:15:12 | |
MICHAEL CACKLES | 0:15:12 | 0:15:13 | |
Dale, I think I've had enough. | 0:15:13 | 0:15:15 | |
I'm sorry I haven't been a great success. | 0:15:15 | 0:15:17 | |
-Thank you, sir. -Thank you so much. | 0:15:17 | 0:15:19 | |
I'm continuing my journey from Felton | 0:15:36 | 0:15:38 | |
in the scenic Santa Cruz Mountains. | 0:15:38 | 0:15:41 | |
My guidebook promises a grove of mammoth trees in the vicinity. | 0:15:51 | 0:15:56 | |
How better to experience California's iconic redwoods | 0:15:57 | 0:16:01 | |
than from the footplate of a steam engine? | 0:16:01 | 0:16:04 | |
TRAIN WHISTLES | 0:16:04 | 0:16:06 | |
ENGINE RUMBLES | 0:16:07 | 0:16:10 | |
And with that, our magnificent locomotive is underway. | 0:16:24 | 0:16:28 | |
The three-mile Roaring Camp and Big Trees Railroad | 0:16:33 | 0:16:37 | |
was built in the 1960s. | 0:16:37 | 0:16:39 | |
Now heritage locomotives haul tourist trains | 0:16:39 | 0:16:43 | |
past some of California's oldest and most majestic trees. | 0:16:43 | 0:16:47 | |
This train affords a terrific opportunity | 0:16:50 | 0:16:53 | |
to see the redwood grove - | 0:16:53 | 0:16:55 | |
because, of course, you're going a bit faster than walking pace, | 0:16:55 | 0:16:58 | |
you're able to cover so much of the terrain. | 0:16:58 | 0:17:01 | |
A certain irony, seeing the forest from the train because, after all, | 0:17:01 | 0:17:06 | |
the demand of the railroad for timber was enormous, | 0:17:06 | 0:17:10 | |
partly to fuel the early locomotives, | 0:17:10 | 0:17:12 | |
and partly for sleepers, what the Americans call ties. | 0:17:12 | 0:17:16 | |
The bits of wood on which the track rides. | 0:17:16 | 0:17:19 | |
We're on narrow-gauge, | 0:17:21 | 0:17:23 | |
and it looks like we've got some quite steep gradients | 0:17:23 | 0:17:26 | |
and quite tight curves. | 0:17:26 | 0:17:28 | |
Yes, Roaring Camp has probably got the steepest grades and | 0:17:28 | 0:17:32 | |
sharpest curves on any narrow-gauge railroad in North America. | 0:17:32 | 0:17:36 | |
STEAM HISSES | 0:17:36 | 0:17:38 | |
When they designed the railroad, they didn't want to take trees out | 0:17:38 | 0:17:41 | |
so they went around them. | 0:17:41 | 0:17:42 | |
That's a lovely thought, isn't it? | 0:17:42 | 0:17:43 | |
-A railroad built around the tree trunks. -That's right. | 0:17:43 | 0:17:46 | |
People would come from all over the world to enjoy these trees. | 0:17:46 | 0:17:49 | |
I mean, to see them from the train, Phil, is special. | 0:17:49 | 0:17:51 | |
Oh, it really is. I never tire of the view. | 0:17:51 | 0:17:54 | |
TRAIN WHISTLES | 0:17:54 | 0:17:56 | |
TRAIN WHISTLES | 0:18:14 | 0:18:16 | |
Although the narrow-gauge railroad is relatively modern, | 0:18:31 | 0:18:34 | |
tourists have been coming by train to marvel at the redwoods | 0:18:34 | 0:18:38 | |
since the days of my Appleton's Guide. | 0:18:38 | 0:18:40 | |
The trees rise above me on all sides, | 0:18:57 | 0:19:00 | |
like the columns of a giant cathedral, | 0:19:00 | 0:19:02 | |
although probably taller than any cathedral I've seen, | 0:19:02 | 0:19:06 | |
and here below it is quite dark, | 0:19:06 | 0:19:08 | |
and you look up and you see the light filtered through the canopy. | 0:19:08 | 0:19:12 | |
Ranger Steven Elmore is going to tell me more about | 0:19:17 | 0:19:21 | |
the tallest trees on Earth. | 0:19:21 | 0:19:23 | |
Steven, these magnificent coastal redwoods, how tall do they grow? | 0:19:24 | 0:19:29 | |
They can actually get well over 300 feet. | 0:19:29 | 0:19:32 | |
I assume, then, the coastal redwoods are native to | 0:19:32 | 0:19:35 | |
the west coast of the United States. | 0:19:35 | 0:19:37 | |
Yes, that's the only place where they're found naturally. | 0:19:37 | 0:19:40 | |
They have to live on the coast because one of their additional | 0:19:40 | 0:19:43 | |
sources of water is actually the fog. | 0:19:43 | 0:19:45 | |
Because of the design of the needles, it will allow the water | 0:19:45 | 0:19:48 | |
to drip down onto their roots, | 0:19:48 | 0:19:49 | |
as well as actually absorb water from the fog itself. | 0:19:49 | 0:19:53 | |
The United States is infamous for its forest fires. | 0:19:53 | 0:19:56 | |
How have the redwoods survived that? | 0:19:56 | 0:19:58 | |
Well, these trees have actually adapted to live with fires. | 0:19:58 | 0:20:02 | |
There's actually tannic acid in this bark here, | 0:20:02 | 0:20:06 | |
and that actually manages to protect the tree from the fire. | 0:20:06 | 0:20:09 | |
So, even the though they'll get scorched and burned, | 0:20:09 | 0:20:11 | |
most of the time they'll actually survive. | 0:20:11 | 0:20:13 | |
Coast redwoods can live for over 1,500 years, | 0:20:16 | 0:20:20 | |
but in post-gold-rush California, | 0:20:20 | 0:20:23 | |
many were lost to the logging industry. | 0:20:23 | 0:20:25 | |
How has this grove managed to survive man, | 0:20:28 | 0:20:31 | |
and the sort of vandalism of the 19th century? | 0:20:31 | 0:20:34 | |
Well, it didn't happen by accident. | 0:20:34 | 0:20:37 | |
Joseph Welch was the man who owned this particular part of the land, | 0:20:37 | 0:20:41 | |
and he actually decided that he could make more money selling | 0:20:41 | 0:20:43 | |
pictures of these magnificent trees, rather than cutting down the wood | 0:20:43 | 0:20:47 | |
for other purposes. | 0:20:47 | 0:20:49 | |
So, he built a railway station and a hotel and a dance floor | 0:20:49 | 0:20:53 | |
and things like that, and kind of turned it into, basically, a resort. | 0:20:53 | 0:20:58 | |
Profit was his motive, | 0:20:58 | 0:21:00 | |
but when Welch bought this 40-acre grove of virgin redwoods in 1867, | 0:21:00 | 0:21:06 | |
he saved it from the loggers. | 0:21:06 | 0:21:09 | |
Just three years before, | 0:21:09 | 0:21:10 | |
President Lincoln had created the United States' first-ever | 0:21:10 | 0:21:14 | |
publicly protected area of wilderness in the Yosemite Valley. | 0:21:14 | 0:21:20 | |
19th-century Californians were beginning to realise the value of | 0:21:20 | 0:21:25 | |
their natural wonders. | 0:21:25 | 0:21:26 | |
Back on the rails, I'm taking another tourist train, | 0:21:37 | 0:21:41 | |
travelling south. | 0:21:41 | 0:21:44 | |
This line follows the route of the Santa Cruz and Felton Railroad, | 0:21:44 | 0:21:48 | |
a narrow-gauge line which opened in 1875. | 0:21:48 | 0:21:51 | |
My destination is Santa Cruz, | 0:21:58 | 0:22:00 | |
which Appleton's tells me is attractively situated | 0:22:00 | 0:22:03 | |
on the north side of Monterey Bay, | 0:22:03 | 0:22:06 | |
and is one of the principle watering places of California. | 0:22:06 | 0:22:10 | |
This train is actually going to take me down to the boardwalk. | 0:22:10 | 0:22:13 | |
-Hello! -Hello. -Hello. How are you? | 0:22:22 | 0:22:23 | |
How are you enjoying your train ride today? | 0:22:23 | 0:22:25 | |
-Loving it! -It's very nice. -Yeah? -Very good, yeah. | 0:22:25 | 0:22:27 | |
-What are you loving? -So, I've never done this before, | 0:22:27 | 0:22:30 | |
but I love being in the mountains, so I love, like, all the redwoods. | 0:22:30 | 0:22:34 | |
I'm going down to Santa Cruz now to try my hand at some surfing. | 0:22:34 | 0:22:37 | |
-Whoa! -Yeah? Oh, are you really? Wow. | 0:22:37 | 0:22:39 | |
Have you surfed? | 0:22:39 | 0:22:41 | |
-He has! -I've tried it once. Yeah. | 0:22:41 | 0:22:43 | |
I've been in Pacifica. | 0:22:43 | 0:22:45 | |
-It's cold! -Wear a wet suit! | 0:22:45 | 0:22:47 | |
Now, how come you've only done it once? | 0:22:47 | 0:22:49 | |
I thought Californians lived on surfboards! | 0:22:49 | 0:22:51 | |
Just because it's too cold. | 0:22:51 | 0:22:52 | |
-HORN HONKS -Not to scare you, but... | 0:22:52 | 0:22:56 | |
Well, actually, I think you have scared me a bit. | 0:22:56 | 0:22:58 | |
-Oh, no! -But never mind. | 0:22:58 | 0:23:00 | |
And now, as the Americans would say, | 0:23:06 | 0:23:08 | |
one of the darnedest things you will ever see, | 0:23:08 | 0:23:11 | |
the train actually goes down the middle of a street, | 0:23:11 | 0:23:14 | |
and there are houses on either side. | 0:23:14 | 0:23:16 | |
HORN HONKS, BELL CHIMES | 0:23:18 | 0:23:20 | |
In the 19th century, tourists flocked to Santa Cruz's beaches, | 0:23:27 | 0:23:32 | |
and in 1907, an amusement park opened, offering thrills and spills. | 0:23:32 | 0:23:37 | |
THEY SCREAM | 0:23:37 | 0:23:39 | |
But, these days, adrenaline junkies are just as likely to be | 0:23:52 | 0:23:56 | |
found on the waves. | 0:23:56 | 0:23:58 | |
Santa Cruz was the birthplace of surfing on the US mainland. | 0:24:02 | 0:24:07 | |
Instructor Ed Guzman is sharing the story. | 0:24:07 | 0:24:10 | |
-Hello, Ed, I'm Michael. -Hey, Michael. Nice meeting you. | 0:24:12 | 0:24:15 | |
Oh, and a lovely spot as well. | 0:24:15 | 0:24:16 | |
-And I see there are some surfers out there, right now. -Yeah. | 0:24:16 | 0:24:19 | |
Ed, how does surfing come to Northern California? | 0:24:19 | 0:24:22 | |
Well, there were three princes in 1887 from Hawaii. | 0:24:22 | 0:24:26 | |
They were going to college at Santa Clara University | 0:24:26 | 0:24:28 | |
and they came over to Santa Cruz for a little vacation, | 0:24:28 | 0:24:32 | |
and they saw these perfect waves peeling | 0:24:32 | 0:24:34 | |
at the San Lorenzo River-mouth, | 0:24:34 | 0:24:36 | |
right in front of the boardwalk, | 0:24:36 | 0:24:38 | |
and they shaped some boards out of the redwood trees, | 0:24:38 | 0:24:41 | |
and took them out into the ocean at the San Lorenzo River-mouth | 0:24:41 | 0:24:44 | |
and rode waves and made history. | 0:24:44 | 0:24:46 | |
Surfing is an important part of traditional Hawaiian culture, | 0:24:46 | 0:24:50 | |
but Californians have made it their own. | 0:24:50 | 0:24:53 | |
How quickly do you think that then caught on in California? | 0:24:53 | 0:24:56 | |
It wasn't really until the '30s that surfing started becoming | 0:24:56 | 0:25:00 | |
a little bit popular, and, by the '60s, it exploded. | 0:25:00 | 0:25:04 | |
How much experience do you need to go out there? | 0:25:04 | 0:25:07 | |
None. I can take you out on the first time, never surfed, | 0:25:07 | 0:25:11 | |
never seen the ocean, and get you up on a board. | 0:25:11 | 0:25:13 | |
Well, I am exactly in that category. ED LAUGHS | 0:25:13 | 0:25:15 | |
But when you say "get me up on a board", | 0:25:15 | 0:25:16 | |
you'll never get me to stand up on a board. | 0:25:16 | 0:25:18 | |
If... If you fight it, yes, that's true. | 0:25:18 | 0:25:21 | |
But if you go with me and you believe that you can | 0:25:21 | 0:25:23 | |
and you, kind of, open up your mind a little bit, | 0:25:23 | 0:25:25 | |
I can get you on your feet and riding. | 0:25:25 | 0:25:27 | |
-Quite a challenge. -Yeah. Well, let's go for it. | 0:25:27 | 0:25:30 | |
Hands go low, to the base of your ribs. | 0:25:40 | 0:25:42 | |
Slide up in one smooth motion if you can, | 0:25:44 | 0:25:48 | |
and drop your hands to your chest and stand up. | 0:25:48 | 0:25:50 | |
Yeah, stay low. Excellent! | 0:25:51 | 0:25:54 | |
ED WHISTLES | 0:26:12 | 0:26:14 | |
Yay! | 0:26:18 | 0:26:19 | |
ED WHISTLES | 0:26:43 | 0:26:45 | |
From sparkling Pacific waters to towering redwood trees, | 0:26:53 | 0:26:58 | |
I've discovered a state of dazzling natural resources. | 0:26:58 | 0:27:02 | |
The United States wanted gold-rich California to be joined to it | 0:27:07 | 0:27:11 | |
politically as a new state in 1850, | 0:27:11 | 0:27:15 | |
and Californians needed to be linked physically by the completion of the | 0:27:15 | 0:27:19 | |
Transcontinental Railroad. | 0:27:19 | 0:27:22 | |
Neither party could foresee what would happen. | 0:27:22 | 0:27:25 | |
The California economy is easily the biggest in the United States, | 0:27:25 | 0:27:29 | |
eclipsing Texas and New York. | 0:27:29 | 0:27:33 | |
Indeed, if it were a country, only America itself, China, | 0:27:33 | 0:27:37 | |
Japan and Germany would be significantly bigger. | 0:27:37 | 0:27:41 | |
The power of Californians' imagination and the vigour of | 0:27:41 | 0:27:46 | |
their enterprise have astonished the world, | 0:27:46 | 0:27:49 | |
and indeed shaped it. | 0:27:49 | 0:27:51 | |
Next time, I'll explore a millionaire's mansion... | 0:28:02 | 0:28:05 | |
We had the largest media empire in the United States | 0:28:05 | 0:28:09 | |
in the mid-20th century. | 0:28:09 | 0:28:10 | |
..learn the secrets of the perfect guacamole... | 0:28:10 | 0:28:13 | |
You want to... You want to just give it a little twist. | 0:28:13 | 0:28:15 | |
Ah! I never knew that. | 0:28:15 | 0:28:18 | |
..and discover a tragic American love story. | 0:28:18 | 0:28:20 | |
It's like Romeo and Juliet, | 0:28:20 | 0:28:22 | |
if they live in southern California in the 1860s. | 0:28:22 | 0:28:25 |