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I have crossed the Atlantic to ride the railroads of North America | 0:00:02 | 0:00:07 | |
with my faithful Appleton's Guide. | 0:00:07 | 0:00:10 | |
Published in the late 19th century, | 0:00:13 | 0:00:15 | |
it will direct me to everything that's novel, beautiful, | 0:00:15 | 0:00:18 | |
memorable, and curious...in the United States. | 0:00:18 | 0:00:24 | |
Yee-ha! | 0:00:24 | 0:00:25 | |
As I travel through this vast continent, | 0:00:26 | 0:00:29 | |
I'll discover gold and silver, movies and microchips, | 0:00:29 | 0:00:34 | |
oil and oranges, | 0:00:34 | 0:00:36 | |
and learn how America's most famous railroad | 0:00:36 | 0:00:40 | |
conquered the wild landscapes of the West. | 0:00:40 | 0:00:42 | |
My journey will soon conclude at the southernmost part | 0:01:22 | 0:01:26 | |
of the Californian coast, | 0:01:26 | 0:01:28 | |
near the Mexican border, and the Mexican town of Tijuana. | 0:01:28 | 0:01:32 | |
As I travel south, the light and the coastal beauty | 0:01:32 | 0:01:36 | |
seem to get ever better. | 0:01:36 | 0:01:38 | |
And I shall indeed sample a tourist attraction. | 0:01:38 | 0:01:42 | |
But, it's not all plain sailing. | 0:01:42 | 0:01:44 | |
Water is not just for recreation. | 0:01:44 | 0:01:47 | |
It's a vital resource that cannot always be relied upon. | 0:01:47 | 0:01:51 | |
And, beyond the ocean lie perceived dangers to the United States | 0:01:51 | 0:01:56 | |
that keep its armed forces ever in a state of readiness. | 0:01:56 | 0:02:00 | |
I'm nearing the end of my exploration, | 0:02:08 | 0:02:11 | |
which began 1,000 miles back in Reno, Nevada, | 0:02:11 | 0:02:14 | |
and will end by the Mexican border in San Diego. | 0:02:14 | 0:02:18 | |
Today, I embark upon the final leg, | 0:02:19 | 0:02:22 | |
which starts in the coastal town of La Jolla. | 0:02:22 | 0:02:25 | |
I'll then travel to the green heart of San Diego City, | 0:02:25 | 0:02:28 | |
before exploring the surrounding hillsides, | 0:02:28 | 0:02:31 | |
and ending in the bay at Pacific Fleet. | 0:02:31 | 0:02:34 | |
On my travels, at the birthplace of Top Gun, | 0:02:37 | 0:02:40 | |
I get ready for action... | 0:02:40 | 0:02:42 | |
So, the theory is that there might be something in that pipe | 0:02:42 | 0:02:45 | |
-and it just spurts out when I take it off? -It could, yes. | 0:02:45 | 0:02:48 | |
..get a sense of proportion at a very big small railroad... | 0:02:48 | 0:02:52 | |
Would it be unfair to say that you people are a bit fanatical? | 0:02:52 | 0:02:54 | |
Oh, yes, yes! | 0:02:54 | 0:02:56 | |
HE LAUGHS | 0:02:56 | 0:02:57 | |
Very easily so! | 0:02:57 | 0:02:59 | |
..and find a novel way to play the organ. | 0:02:59 | 0:03:02 | |
Ha! You've got it! | 0:03:03 | 0:03:05 | |
That was such fun! | 0:03:06 | 0:03:08 | |
"Los Angeles is connected to San Diego", says Appleton's, | 0:03:12 | 0:03:16 | |
"by the Southern Pacific Railroad." | 0:03:16 | 0:03:18 | |
Now operated by Amtrak's Pacific Surfliner, | 0:03:18 | 0:03:21 | |
and you can see how it takes the name. | 0:03:21 | 0:03:24 | |
The book tells me that the points of interest include La Jolla caves. | 0:03:24 | 0:03:30 | |
Well, no journey is worth the name unless one's ready to venture deep. | 0:03:30 | 0:03:34 | |
'Ladies and gentlemen, boys and girls, | 0:03:37 | 0:03:39 | |
'we're now arriving at our next destination of Solana Beach.' | 0:03:39 | 0:03:43 | |
The La Jolla line was closed several decades ago, | 0:03:43 | 0:03:47 | |
so I'm alighting at Solana Beach. | 0:03:47 | 0:03:50 | |
The caves to which my Appleton's refers | 0:03:53 | 0:03:55 | |
are along a stretch of spectacular sandstone coastline, | 0:03:55 | 0:03:59 | |
which was becoming a popular destination | 0:03:59 | 0:04:02 | |
at the time of my guidebook. | 0:04:02 | 0:04:03 | |
I'm meeting Carol Alton of the La Jolla Historical Society. | 0:04:06 | 0:04:11 | |
Carol, this is a remarkable spot, an extraordinary rock formation. | 0:04:13 | 0:04:17 | |
We're actually on top of one of the caves, are we? | 0:04:17 | 0:04:20 | |
Yes, we're on top of the cave called the Sunny Jim Cave. | 0:04:20 | 0:04:22 | |
Sunny Jim is named after a cartoon character from the early 1900s. | 0:04:22 | 0:04:28 | |
The Sunny Jim was actually developed so that people could view | 0:04:28 | 0:04:32 | |
Sunny Jim Cave from the inside, | 0:04:32 | 0:04:34 | |
and actually see the silhouette of the cartoon character. | 0:04:34 | 0:04:36 | |
How are the caves marketed to tourists? | 0:04:36 | 0:04:38 | |
They were marketed through the railroad. | 0:04:38 | 0:04:41 | |
The first railroads were built here in the 1890s. | 0:04:41 | 0:04:44 | |
They came from San Diego, | 0:04:44 | 0:04:45 | |
and the railroad would bring people up to La Jolla, | 0:04:45 | 0:04:48 | |
and they would post when the low tides would be, | 0:04:48 | 0:04:52 | |
and so people would come during the low tide and be able to walk | 0:04:52 | 0:04:55 | |
all along these beaches, and look at La Jolla. | 0:04:55 | 0:04:59 | |
Following in the footsteps of those 19th-century visitors, | 0:05:01 | 0:05:05 | |
I shall wend my way gently towards the beach. | 0:05:05 | 0:05:08 | |
-Hello! -Hey, good morning. -How are you doing? -I'm very good. | 0:05:15 | 0:05:18 | |
Get a lot of tourists coming in? | 0:05:18 | 0:05:20 | |
-We do. -What are they attracted by, do you think? | 0:05:20 | 0:05:22 | |
The beauty of the environment here. | 0:05:22 | 0:05:25 | |
You know, this has quite a migration of seals and sealions and birds, | 0:05:25 | 0:05:30 | |
and whales and dolphins that tend to just love this environment. | 0:05:30 | 0:05:34 | |
So, you think people are highly attracted by the wildlife here? | 0:05:34 | 0:05:37 | |
-Completely. -Yeah. -Completely. It's a haven. | 0:05:37 | 0:05:40 | |
Today, as in Appleton's day, | 0:05:46 | 0:05:48 | |
the best way to explore the caves and to see the wildlife | 0:05:48 | 0:05:52 | |
is from the water. | 0:05:52 | 0:05:54 | |
Then, they used rowing boats. | 0:05:54 | 0:05:56 | |
But I'm going to paddle a kayak. | 0:05:56 | 0:05:58 | |
Nick McManus is my guide. | 0:06:00 | 0:06:02 | |
-Oh, we have a little harbour seal out there. -Yeah. That's very cute. | 0:06:02 | 0:06:05 | |
-Woo! -Good thing you're wearing that jacket! | 0:06:10 | 0:06:13 | |
Getting close to the caves now. | 0:06:20 | 0:06:22 | |
We are. | 0:06:22 | 0:06:23 | |
These cliffs are almost 75 million years old. | 0:06:24 | 0:06:29 | |
And today, there are seven caves to explore. | 0:06:29 | 0:06:32 | |
One of the reasons why this is one of my favourite caves is | 0:06:32 | 0:06:35 | |
you just look at it and it looks almost like a movie set. | 0:06:35 | 0:06:37 | |
An old-time pirate cave. | 0:06:37 | 0:06:39 | |
During prohibition in the US, that's what this was used for. | 0:06:39 | 0:06:42 | |
It was used to smuggle alcohol up from Mexico. | 0:06:42 | 0:06:44 | |
Do you think, if we breathe deeply, there'll still be some fumes?! | 0:06:44 | 0:06:48 | |
Wow, look at these rocks! | 0:06:51 | 0:06:52 | |
So many different colours in here, purples and yellows and greys. | 0:06:52 | 0:06:56 | |
Vivid, vivid colours. | 0:06:56 | 0:06:58 | |
And you can see the geology piled up, can't you? | 0:06:58 | 0:07:01 | |
You can see the millions of years that this thing took to develop, | 0:07:01 | 0:07:05 | |
and then later to be hollowed out. | 0:07:05 | 0:07:07 | |
And the cave now opens out, the colour of the cave changes. | 0:07:08 | 0:07:13 | |
It's been quite dark until now. | 0:07:13 | 0:07:14 | |
And...round we go. | 0:07:16 | 0:07:19 | |
Oh, that's lovely, Nick. That is a fantastic circuit. | 0:07:19 | 0:07:23 | |
Very pretty. | 0:07:23 | 0:07:25 | |
Leaving the coast, I'm back on the rails. | 0:07:35 | 0:07:37 | |
My last stop will be San Diego, which, Appleton's tells me, | 0:07:39 | 0:07:43 | |
was founded by the Roman Catholic missionaries back in 1769. | 0:07:43 | 0:07:48 | |
It lies on the north-eastern shore of a bay | 0:07:48 | 0:07:51 | |
15 miles north of the Mexican border. | 0:07:51 | 0:07:54 | |
And the harbour is, next to that of San Francisco, | 0:07:54 | 0:07:58 | |
the best on the Californian coast. | 0:07:58 | 0:08:00 | |
I'm sure I'll find lots to grab my attention in this temperate city, | 0:08:00 | 0:08:05 | |
a place of great strategic interest to an institution founded in 1775, | 0:08:05 | 0:08:11 | |
the United States Navy. | 0:08:11 | 0:08:14 | |
As a natural deepwater harbour on the Pacific Ocean, | 0:08:27 | 0:08:30 | |
the city of San Diego has long been an important defensive location. | 0:08:30 | 0:08:35 | |
But it wasn't until the Transcontinental Railroad arrived | 0:08:37 | 0:08:41 | |
in 1885 that the city really began to expand. | 0:08:41 | 0:08:45 | |
San Diego has some beautifully preserved buildings | 0:09:07 | 0:09:10 | |
from the late 19th and early 20th century, | 0:09:10 | 0:09:12 | |
and, like Los Angeles, it's got great weather, the beach, | 0:09:12 | 0:09:15 | |
the ocean, and mountains. | 0:09:15 | 0:09:17 | |
But it's much more compact. | 0:09:17 | 0:09:19 | |
So, if you want a Los Angeles without the endless freeway journeys | 0:09:19 | 0:09:23 | |
San Diego's your place. | 0:09:23 | 0:09:25 | |
My Appleton's of 1891 notes the rapid growth of San Diego. | 0:09:30 | 0:09:36 | |
The phenomenal expansion of the city in the late 19th century | 0:09:37 | 0:09:41 | |
was in large part down to one man, | 0:09:41 | 0:09:43 | |
industrialist and property speculator John D Spreckels. | 0:09:43 | 0:09:48 | |
I've come to the city's old heart to meet Spreckels expert Ross Porter. | 0:09:48 | 0:09:54 | |
Hello, Ross, I'm Michael. | 0:09:54 | 0:09:56 | |
Hi, Michael, nice to meet you. | 0:09:56 | 0:09:57 | |
It's lovely to be in San Diego. | 0:09:57 | 0:09:59 | |
I'm impressed by the city. | 0:09:59 | 0:10:01 | |
Tell me about John Spreckels. | 0:10:01 | 0:10:03 | |
He was the eldest son of the sugar baron, Claus Spreckels, | 0:10:03 | 0:10:09 | |
the founder of the West Coast Sugar Trust. | 0:10:09 | 0:10:11 | |
John expanded his father's business, | 0:10:11 | 0:10:14 | |
and along the way he found San Diego, | 0:10:14 | 0:10:17 | |
he found his way here, and fell in love with the region. | 0:10:17 | 0:10:20 | |
What kind of things did he invest in to make the city grow? | 0:10:20 | 0:10:23 | |
Well, starting with the coal concession, | 0:10:23 | 0:10:26 | |
he then bought the daily newspaper, the Union Tribune, | 0:10:26 | 0:10:29 | |
and began to be its publisher. | 0:10:29 | 0:10:31 | |
And he created a water supply system for the city as well, | 0:10:31 | 0:10:35 | |
with a couple of dams and reservoirs. | 0:10:35 | 0:10:37 | |
I take it that railroad connections became important. | 0:10:37 | 0:10:40 | |
Very much so. The only connection was north to Los Angeles. | 0:10:40 | 0:10:44 | |
So the idea of a rail connection directly to the east | 0:10:44 | 0:10:48 | |
across these rugged mountains, | 0:10:48 | 0:10:50 | |
was what Spreckels envisioned with the San Diego and Arizona Railroad. | 0:10:50 | 0:10:54 | |
And they called it the "impossible railroad" | 0:10:54 | 0:10:57 | |
because the landscape was so rugged. | 0:10:57 | 0:10:59 | |
They finally finished it in 1919, but it almost cost him his business. | 0:10:59 | 0:11:05 | |
When the Panama Canal opened in 1914, | 0:11:08 | 0:11:11 | |
Spreckels and the city leaders were quick to promote San Diego | 0:11:11 | 0:11:15 | |
as the first port of call in the United States. | 0:11:15 | 0:11:18 | |
Balboa Park was built with Spanish colonial pavilions, | 0:11:24 | 0:11:28 | |
and included the largest outdoor pipe organ in the world. | 0:11:28 | 0:11:32 | |
Today, it's played by Alison Luedecke. | 0:11:35 | 0:11:38 | |
ORGAN PLAYS | 0:11:38 | 0:11:41 | |
Bravo, bravo, bravo! | 0:11:55 | 0:11:57 | |
Alison, that was absolutely marvellous. I'm Michael, by the way. | 0:11:57 | 0:12:00 | |
-Thank you, Michael. -Wow, what an instrument! | 0:12:00 | 0:12:02 | |
I mean, this organ has bells and whistles. | 0:12:02 | 0:12:05 | |
It has every conceivable sound. | 0:12:05 | 0:12:07 | |
-It does. -ORGAN BLASTS | 0:12:07 | 0:12:09 | |
It certainly does! | 0:12:09 | 0:12:10 | |
And the way you play it... I mean, I don't know how you do that. | 0:12:10 | 0:12:14 | |
It's like, you know, having to do this, | 0:12:14 | 0:12:16 | |
with your arms and legs all over the place! | 0:12:16 | 0:12:18 | |
How on earth do you become accustomed to it? | 0:12:18 | 0:12:20 | |
Lots of practice! | 0:12:20 | 0:12:22 | |
I can believe it. Show me how you produce some of those things. | 0:12:22 | 0:12:25 | |
So, when we hear the crash cymbal, there are a couple of ways to do it. | 0:12:25 | 0:12:28 | |
But one, we can do it over here with just the toe stud. | 0:12:28 | 0:12:31 | |
It's what we call the toe stud under there. So, fun effects. | 0:12:31 | 0:12:35 | |
Some of them are there, | 0:12:35 | 0:12:36 | |
some are these little buttons on the side here. We have a police whistle. | 0:12:36 | 0:12:39 | |
I think you need a sense of fun to play this! | 0:12:39 | 0:12:42 | |
-And you have one, don't you? -Indeed! It is a joy. | 0:12:42 | 0:12:44 | |
Would you be able to show me some things you can do? | 0:12:44 | 0:12:47 | |
I would love to teach you how to go from the roll cymbal | 0:12:47 | 0:12:50 | |
and the crash cymbal... | 0:12:50 | 0:12:51 | |
So, the crash cymbal is right here, | 0:12:51 | 0:12:53 | |
and you're just going to try and roll into the crash. | 0:12:53 | 0:12:56 | |
I'm just going to try it now. So, I go right to left, here we go. | 0:12:56 | 0:12:59 | |
CYMBALS CLASH | 0:12:59 | 0:13:01 | |
Anything that reminds us of trains? | 0:13:01 | 0:13:04 | |
If we wanted to do some trains, | 0:13:04 | 0:13:06 | |
plant your foot over as many notes as you can get! | 0:13:06 | 0:13:08 | |
-OK, we're pulling out of San Diego... -Yes! | 0:13:08 | 0:13:11 | |
..and we're heading towards Los Angeles. Here we go. | 0:13:11 | 0:13:14 | |
CHUGGING SOUND | 0:13:14 | 0:13:16 | |
Picking up steam now! | 0:13:16 | 0:13:18 | |
You got it! | 0:13:20 | 0:13:23 | |
CHUGGING GETS FASTER | 0:13:23 | 0:13:25 | |
ALISON LAUGHS | 0:13:25 | 0:13:26 | |
-Wow! -I think you made it to LA! | 0:13:26 | 0:13:29 | |
That was such fun! | 0:13:31 | 0:13:32 | |
Before I leave the park, | 0:13:37 | 0:13:39 | |
I've learned that one of the pavilions here | 0:13:39 | 0:13:42 | |
houses the world's largest operating model railroad museum. | 0:13:42 | 0:13:46 | |
That's got to be worth a visit. | 0:13:46 | 0:13:48 | |
Based on two Californian lines of the 1950s, | 0:13:57 | 0:14:00 | |
the Cabrillo South West and the San Diego and Arizona Eastern, | 0:14:00 | 0:14:05 | |
the layout is 262 feet long, | 0:14:05 | 0:14:08 | |
and represents 28 scale miles of railroad. | 0:14:08 | 0:14:12 | |
The museum is full of different models | 0:14:18 | 0:14:20 | |
representing diverse environments and places. | 0:14:20 | 0:14:25 | |
This is Tehachapi in California. | 0:14:25 | 0:14:27 | |
The attention to detail is exquisite, almost obsessive. | 0:14:27 | 0:14:31 | |
Every tree, every detail of the track. | 0:14:31 | 0:14:34 | |
And here, an enormously long freight train | 0:14:34 | 0:14:37 | |
is making its way slowly up the steep gradient. | 0:14:37 | 0:14:40 | |
It will go over the bridges, it will go through the tunnels, | 0:14:40 | 0:14:43 | |
it will wind its way around and up into the mountains. | 0:14:43 | 0:14:47 | |
Hello, I'm Michael. | 0:14:51 | 0:14:52 | |
Michael, nice to meet you. Bob. | 0:14:52 | 0:14:54 | |
Very good to see you, Bob. This is a remarkable bit of layout, this. | 0:14:54 | 0:14:57 | |
It's from Tehachapi loop between Bakersfield and Mojave, California. | 0:14:57 | 0:15:02 | |
And when they built the railroad back in the late 1880s, | 0:15:02 | 0:15:06 | |
they came to this point, and it was too steep. | 0:15:06 | 0:15:09 | |
So the engineer figured out that if he did this helix, or spiral, | 0:15:09 | 0:15:13 | |
that they could make it work. | 0:15:13 | 0:15:15 | |
This makes the point then that everything that you do in here | 0:15:15 | 0:15:18 | |
-is actually modelled on reality. -Right. | 0:15:18 | 0:15:20 | |
These models have been under continuous construction | 0:15:24 | 0:15:28 | |
for 35 years, and are valued at nearly 3 million. | 0:15:28 | 0:15:32 | |
All the painstaking work is done by a team of enthusiasts | 0:15:35 | 0:15:40 | |
like Bill Kellan. | 0:15:40 | 0:15:42 | |
Very good to see you, Bill. | 0:15:42 | 0:15:43 | |
And what are you working on here behind the scenes? | 0:15:43 | 0:15:45 | |
Behind the scenes we're laying some turnouts here. | 0:15:45 | 0:15:48 | |
A turnout is where there are points and where the lines begin to... | 0:15:48 | 0:15:51 | |
-Separate. -Diverge and separate. | 0:15:51 | 0:15:53 | |
Wow. Are you a volunteer? | 0:15:53 | 0:15:54 | |
Oh, yeah, yeah. Been coming down here for 25 years. | 0:15:54 | 0:15:58 | |
-You're kidding. -It's a labour of love for me. | 0:15:58 | 0:16:01 | |
Would it be unfair to say that you people are a bit fanatical? | 0:16:01 | 0:16:04 | |
Oh, yes, yes. | 0:16:04 | 0:16:06 | |
Very easily so, yes. | 0:16:06 | 0:16:08 | |
Bill, I want to thank you, | 0:16:08 | 0:16:10 | |
because the railroads that you and other people have built | 0:16:10 | 0:16:12 | |
-have given such pleasure to people. -We get pleasure out of it too! | 0:16:12 | 0:16:15 | |
-I know! Thank you very much indeed. -Thank you. -Bye! | 0:16:15 | 0:16:18 | |
This morning, following a recommendation in my guidebook, | 0:16:56 | 0:17:00 | |
I'm making an excursion out of the city to a huge structure. | 0:17:00 | 0:17:05 | |
San Diegans living in the dry climate of Southern California | 0:17:05 | 0:17:09 | |
have depended on it for the last 130 years. | 0:17:09 | 0:17:13 | |
The famous Sweetwater Dam, finished in 1888, | 0:17:16 | 0:17:21 | |
built of solid granite and Portland cement. | 0:17:21 | 0:17:24 | |
A capacity of six billion gallons. | 0:17:24 | 0:17:27 | |
90 feet high, 46 feet thick, 396 feet long. | 0:17:27 | 0:17:33 | |
From this immense reservoir of 700 acres, | 0:17:33 | 0:17:36 | |
San Diego, National City and Chula Vista obtain their water. | 0:17:36 | 0:17:41 | |
Thanks to my Appleton's, | 0:17:41 | 0:17:43 | |
I've climbed this rattlesnake-infested mount | 0:17:43 | 0:17:46 | |
and been rewarded with this spectacular view. | 0:17:46 | 0:17:50 | |
I'm meeting Jim Smyth, | 0:18:00 | 0:18:02 | |
who used to be general manager of Sweetwater Authority. | 0:18:02 | 0:18:06 | |
Jim, for all its many delights, | 0:18:09 | 0:18:11 | |
San Diego has a problem with a lack of rainwater, is that right? | 0:18:11 | 0:18:14 | |
That's exactly right. We just don't have that much rainfall here, | 0:18:14 | 0:18:17 | |
so it's imperative to have a dam so you can store that rain when it does | 0:18:17 | 0:18:20 | |
come, and the region just came out of a very severe drought these last | 0:18:20 | 0:18:24 | |
five years. This past winter it rained a heck of a lot, | 0:18:24 | 0:18:27 | |
and we were able to get some water. | 0:18:27 | 0:18:29 | |
This was down to about 10% full. Now we're up to about 50%. | 0:18:29 | 0:18:32 | |
-Did 10% have you pretty worried? -Yes, absolutely. | 0:18:32 | 0:18:35 | |
And it was state-wide. | 0:18:35 | 0:18:37 | |
When Sweetwater was built in 1888, | 0:18:37 | 0:18:40 | |
it was the tallest masonry arch dam in the United States. | 0:18:40 | 0:18:45 | |
Built to store huge volumes of water, | 0:18:45 | 0:18:48 | |
its curved design gave it extra strength | 0:18:48 | 0:18:51 | |
to withstand extreme pressure and water surges. | 0:18:51 | 0:18:54 | |
In 1916, it was put to the test with some of the worst floods | 0:18:54 | 0:18:59 | |
in Californian history. | 0:18:59 | 0:19:01 | |
Part of the land washed away, | 0:19:01 | 0:19:03 | |
but the strength of the arch allowed the dam itself to hold. | 0:19:03 | 0:19:08 | |
Jim, I had no idea from the waterside just how dramatic | 0:19:10 | 0:19:14 | |
this curve and this drop was going to be on this side of the dam. | 0:19:14 | 0:19:17 | |
Now, how was it that it was first built? | 0:19:17 | 0:19:20 | |
So Frank Kimball, he came to this area in 1868, | 0:19:20 | 0:19:24 | |
and he wanted to develop this property. | 0:19:24 | 0:19:27 | |
He bought almost 27,000 acres, and he said, | 0:19:27 | 0:19:30 | |
"If I'm going to develop all that acreage, I need water." | 0:19:30 | 0:19:34 | |
He had the National City rail built. | 0:19:34 | 0:19:36 | |
Down to Chula Vista. | 0:19:36 | 0:19:38 | |
He had a rail that came up called the Sweetwater spur line | 0:19:38 | 0:19:41 | |
that came up the valley here, as we see down below. | 0:19:41 | 0:19:44 | |
And so that train brought the materials for this dam. | 0:19:44 | 0:19:47 | |
April 7th, 1880, he finished, at a height of 90 feet. | 0:19:47 | 0:19:52 | |
Where we are today is much, much higher than that. | 0:19:52 | 0:19:54 | |
Ultimately it went to 112 feet. | 0:19:54 | 0:19:56 | |
-Do you need to make any changes in the future? -Yes. | 0:19:56 | 0:20:00 | |
The state of California has a term called "probable maximum flood". | 0:20:00 | 0:20:04 | |
If it should occur, it's going to be well above our heads here. | 0:20:04 | 0:20:08 | |
So, there's going to be about 7 million of improvements | 0:20:08 | 0:20:11 | |
that will occur on this dam | 0:20:11 | 0:20:13 | |
to prevent damage to property down below us here. | 0:20:13 | 0:20:16 | |
So, after all these years, you're still wrestling | 0:20:16 | 0:20:18 | |
with the two problems, drought and flood. | 0:20:18 | 0:20:21 | |
That's correct. And drought is far more prevalent than the floods. | 0:20:21 | 0:20:24 | |
I'd made my way back to the city. | 0:20:38 | 0:20:40 | |
And my final destination on this journey | 0:20:40 | 0:20:43 | |
is to one of the most important military bases in the United States. | 0:20:43 | 0:20:48 | |
I'm riding the San Diego trolley, what I would call a tram, | 0:20:48 | 0:20:53 | |
to the stop called Pacific Fleet. | 0:20:53 | 0:20:55 | |
Now, Top Gun was filmed at the Miramar Naval base in San Diego. | 0:20:55 | 0:21:01 | |
Takes my breath away! | 0:21:01 | 0:21:03 | |
This stretch of land has been set aside for military use since 1852, | 0:21:13 | 0:21:18 | |
and today, San Diego is the mainland home of the US Navy's Pacific Fleet, | 0:21:18 | 0:21:24 | |
the world's largest fleet command. | 0:21:24 | 0:21:27 | |
The Navy embraced aviation early in the 20th century, | 0:21:30 | 0:21:35 | |
and the elite flying academy, known as Top Gun, | 0:21:35 | 0:21:38 | |
began here during the Vietnam War. | 0:21:38 | 0:21:41 | |
I've been given special access to naval base Coronado | 0:21:44 | 0:21:48 | |
to meet Captain Timothy Slentz, its executive officer. | 0:21:48 | 0:21:51 | |
May I interrupt you a moment? | 0:21:53 | 0:21:54 | |
-Ah, Michael. -How very good to see you. | 0:21:54 | 0:21:57 | |
An amazing panoramic view of a very substantial naval base here. | 0:21:57 | 0:22:01 | |
Why did the military first choose this area? | 0:22:01 | 0:22:04 | |
As we look out the window around us, the Pacific ocean is to my right, | 0:22:04 | 0:22:09 | |
your left, and then there's a channel that comes in, | 0:22:09 | 0:22:11 | |
so it's a protected channel, which is wonderful for the Navy | 0:22:11 | 0:22:15 | |
from a defensive standpoint, | 0:22:15 | 0:22:16 | |
with the high mountains of Point Loma, | 0:22:16 | 0:22:18 | |
and the low trajectory here of North Island. | 0:22:18 | 0:22:20 | |
So it's a natural fit for the Navy | 0:22:20 | 0:22:22 | |
to have those geographic features here. | 0:22:22 | 0:22:24 | |
The Wright brothers, flying for the first time in 1903, | 0:22:24 | 0:22:27 | |
but just a very few years later, | 0:22:27 | 0:22:29 | |
we're talking about using aviation for the Navy. | 0:22:29 | 0:22:32 | |
That strikes me as quite a step forward | 0:22:32 | 0:22:34 | |
in a very few number of years. | 0:22:34 | 0:22:35 | |
Correct. As he governments became interested, | 0:22:35 | 0:22:38 | |
and wanted to have aircraft used at sea to help with spotting and so on, | 0:22:38 | 0:22:42 | |
Glenn Curtiss developed the first naval aircraft. It's called the A-1. | 0:22:42 | 0:22:47 | |
And it had the capability to land on dry land, as well as a float | 0:22:47 | 0:22:51 | |
capability to land in very calm water, but could do both. | 0:22:51 | 0:22:55 | |
When did we first talk about aircraft carriers? | 0:22:55 | 0:22:58 | |
They modified existing ships with a flight deck around 1911, | 0:22:58 | 0:23:01 | |
and that first launch of an aircraft from one of those ships | 0:23:01 | 0:23:05 | |
came in 1911, which we recently celebrated in 2011, | 0:23:05 | 0:23:09 | |
the 100th anniversary of naval aviation. | 0:23:09 | 0:23:11 | |
What are your missions out here in the Pacific? | 0:23:11 | 0:23:14 | |
Our aircraft carriers support our fleet commanders. | 0:23:14 | 0:23:17 | |
They go forward and do all kinds of maritime missions | 0:23:17 | 0:23:20 | |
while they're out there, whether it is just maritime patrol, | 0:23:20 | 0:23:23 | |
freedom of navigation operations, | 0:23:23 | 0:23:25 | |
they obviously could conduct strikes if they needed to. | 0:23:25 | 0:23:28 | |
I've been to many military bases in my time. | 0:23:39 | 0:23:42 | |
The difference about the American ones is the scale. | 0:23:42 | 0:23:46 | |
They don't have one or two attack helicopters, they have dozens. | 0:23:46 | 0:23:51 | |
And out here is the Pacific Ocean. | 0:23:51 | 0:23:54 | |
It is the United States' enormous back yard, | 0:23:54 | 0:23:57 | |
and its combat zone in World War II, and the wars in Korea and Vietnam. | 0:23:57 | 0:24:03 | |
The power and might of the US military depend on the thousands | 0:24:08 | 0:24:13 | |
of dedicated service men and women who make up its ranks. | 0:24:13 | 0:24:17 | |
I've donned my overalls to meet some of them. | 0:24:22 | 0:24:25 | |
-Hello. -Hi. -I see your name is Parker, but what's your first name? | 0:24:26 | 0:24:29 | |
Sarah. I'm an avionics electrician. | 0:24:29 | 0:24:32 | |
So I work on the electrical components of the aircraft. | 0:24:32 | 0:24:35 | |
Wow. What made you join the Navy? | 0:24:35 | 0:24:37 | |
I'm from Jacksonville, Florida. It's a big military town. | 0:24:37 | 0:24:39 | |
-Has it been a good choice? -Yes. I have a different job. | 0:24:39 | 0:24:42 | |
I do different things every day. It's not boring. | 0:24:42 | 0:24:45 | |
I'm going to leave you to your avionics. | 0:24:45 | 0:24:47 | |
-Thank you so much. -Yes, sir. -Bye-bye. -Thank you. | 0:24:47 | 0:24:49 | |
-James? -Hello. Hey, how's it going? -Hi, I'm Michael. Good to see you. | 0:24:53 | 0:24:56 | |
Tell me what it is that you have to do on this part of the base. | 0:24:56 | 0:25:00 | |
This part of the base, we fly out here. | 0:25:00 | 0:25:03 | |
Our main missions here are search and rescue, logistics. | 0:25:03 | 0:25:06 | |
What kind of missions have you been on recently? | 0:25:06 | 0:25:09 | |
Recently we were out in Texas, as they currently have the hurricane. | 0:25:09 | 0:25:12 | |
Hurricane Harvey passed through Texas, so our squadron was helping, | 0:25:12 | 0:25:15 | |
bringing water, food, over to people that needed aid. | 0:25:15 | 0:25:18 | |
Was it quite emotional as well? | 0:25:18 | 0:25:19 | |
Were you getting involved with the tragedies of the people you were | 0:25:19 | 0:25:22 | |
-dealing with? -Yes, it's hard not to. | 0:25:22 | 0:25:24 | |
One house had written "Help me" on it. | 0:25:24 | 0:25:27 | |
I think it was way past the point of anyone helping them at that time. | 0:25:27 | 0:25:32 | |
It's definitely not easy to keep your emotions, | 0:25:32 | 0:25:35 | |
but one of the parts of the job is to stay kind of level-headed. | 0:25:35 | 0:25:38 | |
To fly these important missions, the aircraft must be in top condition. | 0:25:41 | 0:25:46 | |
I've been invited to help Petty Officer Reed Coleman | 0:25:46 | 0:25:50 | |
change a fuel pipe on this helicopter. | 0:25:50 | 0:25:52 | |
-Hello. -Hello. -I'm Michael. -Nice to meet you. | 0:25:52 | 0:25:55 | |
Welcome. I'll give you the apron first. | 0:25:55 | 0:25:58 | |
-There's that. -Thank you very much. | 0:25:58 | 0:26:00 | |
-I'll tie you up at the back. -Wow, this is a heavy rubber apron. | 0:26:00 | 0:26:05 | |
Yes, it resists all the chemicals in the fuel. | 0:26:05 | 0:26:07 | |
And then last but not least, face shield. | 0:26:07 | 0:26:11 | |
So the fear is that there might be something in that pipe, | 0:26:11 | 0:26:13 | |
-and it just spurts out when I take it off. -It could, yes. | 0:26:13 | 0:26:16 | |
Now, we'll go in here. | 0:26:19 | 0:26:21 | |
And then here are our tools. | 0:26:21 | 0:26:24 | |
This is called a Y tube. | 0:26:24 | 0:26:25 | |
It's part of the fuel transfer system for the helicopter. | 0:26:25 | 0:26:28 | |
Right now, what we're doing is, | 0:26:28 | 0:26:29 | |
we're incorporating a technical directive to replace this part. | 0:26:29 | 0:26:32 | |
So we've got to take this one off, and put the new one back on. | 0:26:32 | 0:26:35 | |
Loosen this back one right there. | 0:26:37 | 0:26:39 | |
-I think I'm on. Is that doing it? -Yes. You see the fuel coming out? | 0:26:39 | 0:26:42 | |
Once we get that line all the way off, it should come out. | 0:26:42 | 0:26:45 | |
Ah, oh, look. Fuel is pouring out of the pipe now. | 0:26:45 | 0:26:48 | |
And the stuff is running out over my rubber gloves. | 0:26:48 | 0:26:52 | |
Do the last few turns... | 0:26:54 | 0:26:56 | |
-There it is. -There we go. | 0:27:00 | 0:27:02 | |
The part has at last come out, and appears to be pretty clean of oil. | 0:27:03 | 0:27:07 | |
-Yes. -And you are going to put a replacement part in. | 0:27:07 | 0:27:10 | |
Yeah, I got the new one right here. I'm going to replace it. | 0:27:10 | 0:27:13 | |
OK, wow. Good job, I really enjoyed that, thank you. | 0:27:13 | 0:27:16 | |
-Thank you for your help. -I'll leave it to you. -OK! -Thanks. -Thanks. | 0:27:16 | 0:27:20 | |
Appleton's guidebook of 1891 was overwhelmed by California. | 0:27:46 | 0:27:52 | |
If all the natural wonders of the old world | 0:27:52 | 0:27:55 | |
were collected in one state of the union, | 0:27:55 | 0:27:58 | |
they would fall short of the variety, majesty, | 0:27:58 | 0:28:02 | |
and charm of California. | 0:28:02 | 0:28:04 | |
In little more than a century, | 0:28:04 | 0:28:06 | |
this state went from the gold rush, through oil and oranges and movies, | 0:28:06 | 0:28:11 | |
to silicon chips. | 0:28:11 | 0:28:13 | |
The creativity in its valleys | 0:28:13 | 0:28:15 | |
gave the world a shared entertainment culture, | 0:28:15 | 0:28:19 | |
and applied to digital innovation, | 0:28:19 | 0:28:21 | |
it has shaped the way that we all live. | 0:28:21 | 0:28:24 | |
If you want to know the future, | 0:28:24 | 0:28:26 | |
abandon your crystal ball, and look instead into California. | 0:28:26 | 0:28:32 |