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I'm embarking on a new railway adventure | 0:00:04 | 0:00:06 | |
that will take me across the heart of Europe. | 0:00:06 | 0:00:09 | |
I'll be using this, my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:10 | 0:00:16 | |
which opened up an exotic world of foreign travel | 0:00:16 | 0:00:19 | |
for the British tourist. | 0:00:19 | 0:00:22 | |
It told travellers where to go, what to see | 0:00:23 | 0:00:26 | |
and how to navigate the thousands of miles of tracks | 0:00:26 | 0:00:29 | |
criss-crossing the Continent. | 0:00:29 | 0:00:31 | |
Now, a century later, I'm using my copy | 0:00:31 | 0:00:34 | |
to reveal an era of great optimism and energy | 0:00:34 | 0:00:38 | |
where technology, industry, science and the arts were flourishing. | 0:00:38 | 0:00:42 | |
I want to rediscover that lost Europe | 0:00:42 | 0:00:44 | |
that in 1913, couldn't know that its way of life | 0:00:44 | 0:00:49 | |
would shortly be swept aside by the advent of war. | 0:00:49 | 0:00:52 | |
My 1913 Bradshaw's in hand, | 0:01:07 | 0:01:11 | |
I'm making a series of journeys across Europe, | 0:01:11 | 0:01:14 | |
seeking out a lost pre-war world. | 0:01:14 | 0:01:17 | |
Today, I'm exploring the once-great empire of Austria-Hungary, | 0:01:19 | 0:01:23 | |
domain of the pre-eminent Habsburg monarchs. | 0:01:23 | 0:01:25 | |
The Habsburgs were one of the most dynamic | 0:01:25 | 0:01:28 | |
and powerful European families. | 0:01:28 | 0:01:31 | |
In the empire's elegant cities... | 0:01:31 | 0:01:33 | |
We get this magnificent view of the Chain Bridge. | 0:01:33 | 0:01:37 | |
..I'll immerse myself in pre-war decadence. | 0:01:37 | 0:01:39 | |
-What a beautiful cafe! -Isn't it! | 0:01:39 | 0:01:43 | |
And experience Edwardian tourist attractions. | 0:01:43 | 0:01:46 | |
Raar! | 0:01:46 | 0:01:48 | |
Before heading for the hills. | 0:01:48 | 0:01:50 | |
I never expected anything as grand and as magnificent as this. | 0:01:50 | 0:01:55 | |
And the emperor's summer home, from where, in 1914, | 0:01:55 | 0:01:58 | |
Europe departed along the track to disaster. | 0:01:58 | 0:02:02 | |
I think he knew even then that this was going to mean war. | 0:02:02 | 0:02:06 | |
My international itinerary begins in the Hungarian capital Budapest, | 0:02:14 | 0:02:19 | |
then takes me west to Bratislava in Slovakia. | 0:02:19 | 0:02:22 | |
Travelling along the Danube, I'll cross into Austria, | 0:02:22 | 0:02:25 | |
where I'll taste the opulent glamour of Imperial-era Vienna | 0:02:25 | 0:02:29 | |
before continuing on to Salzburg. | 0:02:29 | 0:02:32 | |
Finally, I'll explore the stunning Salzkammergut, | 0:02:32 | 0:02:35 | |
finishing at the spot where a fateful decision sparked a global war | 0:02:35 | 0:02:39 | |
and the end of this extensive European empire. | 0:02:39 | 0:02:42 | |
I'm in Hungary, which, in 1913 | 0:02:46 | 0:02:51 | |
formed one half of a vast empire alongside Austria. | 0:02:51 | 0:02:55 | |
My Bradshaw's Guide hints that the Hungarian capital | 0:02:55 | 0:02:59 | |
had historically been two distinct cities. | 0:02:59 | 0:03:02 | |
"Budapest is situated on both banks of the River Danube. | 0:03:02 | 0:03:06 | |
"The part on the left bank of the river is by far the larger, | 0:03:06 | 0:03:09 | |
"though down to the 15th century, it was inferior in size | 0:03:09 | 0:03:13 | |
"and importance to the part on the right bank." | 0:03:13 | 0:03:17 | |
It was the unification of those two parts of the city in the 1870s | 0:03:17 | 0:03:21 | |
that made Budapest the second capital of the empire | 0:03:21 | 0:03:25 | |
and one of Europe's great cities in terms of elegance and power. | 0:03:25 | 0:03:29 | |
The railways also played their part in Budapest's fin-de-siecle boom. | 0:03:41 | 0:03:47 | |
By 1900, Hungary had almost 6,000 kilometres of tracks | 0:03:47 | 0:03:51 | |
fanning out from the capital. | 0:03:51 | 0:03:53 | |
And money was poured into the grand city centre termini. | 0:03:53 | 0:03:57 | |
This is Budapest's Nyugati station, one of three major stations in the city, | 0:04:04 | 0:04:08 | |
built just after Budapest was unified. | 0:04:08 | 0:04:12 | |
And what a statement of confidence it is. | 0:04:12 | 0:04:14 | |
Built by the French engineering firm Eiffel, as in the Eiffel Tower. | 0:04:14 | 0:04:19 | |
I find it absolutely gorgeous, | 0:04:19 | 0:04:21 | |
but it is, these days, rather faded grandeur. | 0:04:21 | 0:04:26 | |
Opened in 1877, this vast, elegant railway palace | 0:04:28 | 0:04:33 | |
told visitors they'd arrived in a city of consequence. | 0:04:33 | 0:04:36 | |
So it's hard to believe that Budapest as we know it | 0:04:36 | 0:04:39 | |
was then just four years old. | 0:04:39 | 0:04:41 | |
To trace the story of its birth, | 0:04:43 | 0:04:45 | |
I'm following my 1913 guidebook | 0:04:45 | 0:04:47 | |
to the west, or Buda side of the Danube, | 0:04:47 | 0:04:50 | |
where I'm meeting historian Laszlo Muntean. | 0:04:50 | 0:04:53 | |
Lazlo. | 0:04:53 | 0:04:55 | |
-Hello. -Hello, Michael. -Very good to see you. | 0:04:55 | 0:04:58 | |
And from here, you get such a strong impression | 0:04:58 | 0:05:01 | |
that this was once two distinct cities. | 0:05:01 | 0:05:04 | |
Exactly. We are in the Buda side right now | 0:05:04 | 0:05:07 | |
and we are overlooking the Pest side, | 0:05:07 | 0:05:09 | |
which had been completely separated from the Buda side | 0:05:09 | 0:05:13 | |
by the River Danube. | 0:05:13 | 0:05:14 | |
For centuries, the only way from the west bank, | 0:05:16 | 0:05:18 | |
home to the settlements of Buda and Obuda, | 0:05:18 | 0:05:21 | |
to Pest was by ferry. | 0:05:21 | 0:05:24 | |
In the mid 19th century, the best of British engineering changed that. | 0:05:24 | 0:05:29 | |
It was in 1849 that the two sides were connected | 0:05:29 | 0:05:32 | |
by a permanent suspension bridge, the Chain Bridge. | 0:05:32 | 0:05:34 | |
That would be the one mentioned in my Bradshaw's Guide, | 0:05:34 | 0:05:37 | |
"One of the longest in Europe," it says, | 0:05:37 | 0:05:39 | |
-"and the work of British engineers Tierney and Clark." -Exactly. | 0:05:39 | 0:05:43 | |
The Chain Bridge is amongst Budapest's iconic landmarks. | 0:05:48 | 0:05:52 | |
And Lazlo's showing me one of the best ways to admire it. | 0:05:52 | 0:05:55 | |
Lazlo, you're absolutely right. As soon as the funicular set off, | 0:05:58 | 0:06:02 | |
-we get this magnificent view of the Chain Bridge. -Exactly. | 0:06:02 | 0:06:06 | |
The story of this remarkable bridge | 0:06:06 | 0:06:08 | |
began in Industrial Revolution Britain, | 0:06:08 | 0:06:10 | |
then impressing the world with its pioneering constructions | 0:06:10 | 0:06:14 | |
in iron and steel. | 0:06:14 | 0:06:16 | |
Why did the Hungarians turn to British engineers for this bridge? | 0:06:16 | 0:06:20 | |
Well, Hungarian constructors back then, | 0:06:20 | 0:06:22 | |
they didn't have the engineering expertise | 0:06:22 | 0:06:25 | |
to construct a bridge like this. | 0:06:25 | 0:06:27 | |
Just look at the metalwork and the cables and all the suspension rods. | 0:06:27 | 0:06:32 | |
It was the great Hungarian statesman Istvan Szechenyi | 0:06:39 | 0:06:43 | |
who decided to import British technological know-how. | 0:06:43 | 0:06:47 | |
He paid several visits to England. | 0:06:47 | 0:06:49 | |
First in 1815 and then in 1832. | 0:06:49 | 0:06:51 | |
And he was particularly impressed | 0:06:51 | 0:06:53 | |
by William Tierney Clark's | 0:06:53 | 0:06:55 | |
suspension bridges over the River Thames. | 0:06:55 | 0:06:57 | |
Two bridges in particular. | 0:06:57 | 0:06:59 | |
Hammersmith Bridge and Marlow Bridge. | 0:06:59 | 0:07:02 | |
Szechenyi challenged Tierney Clark | 0:07:03 | 0:07:06 | |
to apply his skill to spanning the majestic Danube. | 0:07:06 | 0:07:10 | |
The result was a 202-metre-long suspension bridge, | 0:07:10 | 0:07:13 | |
then amongst the largest in the world. | 0:07:13 | 0:07:16 | |
This was the first bridge that brought the two sides together. | 0:07:18 | 0:07:23 | |
It had, of course, a functional relevance. | 0:07:23 | 0:07:27 | |
It made transportation and commerce much easier, | 0:07:27 | 0:07:31 | |
but also, it had symbolic importance. | 0:07:31 | 0:07:34 | |
The Chain Bridge, the construction of the Chain Bridge | 0:07:34 | 0:07:36 | |
was basically the first step towards the unification | 0:07:36 | 0:07:40 | |
of the cities on the two sides of the river. | 0:07:40 | 0:07:44 | |
While William Tierney Clark designed this engineering triumph, | 0:07:46 | 0:07:50 | |
Scottish engineer Adam Clark was called in to supervise construction. | 0:07:50 | 0:07:55 | |
And his role in the bridge's history | 0:07:55 | 0:07:57 | |
won him a permanent place in Hungarian hearts. | 0:07:57 | 0:08:00 | |
Hungary was part of the Habsburg Empire | 0:08:01 | 0:08:04 | |
and there was a revolution against the Habsburgs in 1848. | 0:08:04 | 0:08:08 | |
Now, the construction of the bridge came to an end in 1849, | 0:08:08 | 0:08:11 | |
which was the year when the revolution was defeated. | 0:08:11 | 0:08:14 | |
During the revolution, the Austrians, not surprisingly, | 0:08:14 | 0:08:18 | |
they wanted to blow up the bridge, which was almost ready. | 0:08:18 | 0:08:22 | |
Adam Clark flooded the chain chambers | 0:08:22 | 0:08:26 | |
and prevented the bridge from being blown up. | 0:08:26 | 0:08:29 | |
All of a sudden, he became a Hungarian national hero, | 0:08:31 | 0:08:34 | |
although he was a Scotsman. | 0:08:34 | 0:08:36 | |
-A canny Scot and a Hungarian hero. -Exactly. | 0:08:36 | 0:08:40 | |
The bridge helped ignite an economic boom | 0:08:42 | 0:08:45 | |
that ushered in a golden age in Budapest's history. | 0:08:45 | 0:08:48 | |
In 1873, Buda, Obuda and Pest were formally united | 0:08:48 | 0:08:53 | |
and Budapest became the Hungarian capital. | 0:08:53 | 0:08:56 | |
Around the same time, Hungary was granted | 0:08:56 | 0:08:59 | |
a degree of autonomy within the empire, | 0:08:59 | 0:09:01 | |
winning the right to govern its own internal affairs. | 0:09:01 | 0:09:05 | |
In 1904, a new home for the national parliament was completed, | 0:09:05 | 0:09:10 | |
and was still dazzling readers of my guide in 1913. | 0:09:10 | 0:09:14 | |
"The Parliament House," says my Bradshaw's, | 0:09:14 | 0:09:17 | |
"is an immense Gothic pile by the architect Steindl, | 0:09:17 | 0:09:21 | |
"with a splendid facade to the river." | 0:09:21 | 0:09:23 | |
Steindl was greatly influenced by the parliament in London. | 0:09:23 | 0:09:26 | |
And whereas ours looks more like a palace, | 0:09:26 | 0:09:28 | |
his came out looking more like a cathedral. | 0:09:28 | 0:09:31 | |
Inside, it's much more ornate and highly decorated than ours. | 0:09:31 | 0:09:36 | |
I was once here in 1989, the year that communism was crumbling, | 0:09:36 | 0:09:41 | |
and I heard a brave young politician making a speech here, | 0:09:41 | 0:09:43 | |
and I thought to myself, | 0:09:43 | 0:09:45 | |
if ever there's a parliament that deserves a democracy, this is it. | 0:09:45 | 0:09:49 | |
I'm now leaving the west bank of the Danube | 0:09:55 | 0:09:57 | |
and crossing the river to Pest. | 0:09:57 | 0:10:00 | |
At the time of my 1913 guidebook, this part of town | 0:10:00 | 0:10:03 | |
was the beating heart of commercial Budapest. | 0:10:03 | 0:10:05 | |
And places like this vast indoor market, opened in 1897, | 0:10:05 | 0:10:11 | |
would have heaved with customers. | 0:10:11 | 0:10:13 | |
If the city owes some of its engineering and buildings to the west | 0:10:13 | 0:10:18 | |
you have to remember that nonetheless, Budapest | 0:10:18 | 0:10:20 | |
was occupied by the Ottoman Turks for nearly 150 years. | 0:10:20 | 0:10:23 | |
And therefore, as Bradshaw's says, has a semi-Oriental influence, | 0:10:23 | 0:10:28 | |
to which I would add only that that is nowhere to be seen more | 0:10:28 | 0:10:31 | |
than in the food, which is typified by cumin and paprika | 0:10:31 | 0:10:35 | |
and sweet pastries and strudels, | 0:10:35 | 0:10:37 | |
all to be found in this marvellous market, | 0:10:37 | 0:10:40 | |
which seems to owe its architectural influence to a railway station. | 0:10:40 | 0:10:45 | |
These days, Budapest's Great Market Hall | 0:10:52 | 0:10:55 | |
is a magnet for fans of traditional cuisine. | 0:10:55 | 0:10:58 | |
And there's one local speciality I have to try. | 0:10:58 | 0:11:01 | |
-This is langos? -Yes, this is the langos. -What is it? | 0:11:02 | 0:11:06 | |
It's a traditional Hungarian bread. It's deep fried. | 0:11:06 | 0:11:10 | |
We have sweet and salty, too. | 0:11:10 | 0:11:12 | |
This deep-fried snack is eaten all over Hungary, | 0:11:14 | 0:11:16 | |
and apparently grew up as a way of satisfying workers | 0:11:16 | 0:11:19 | |
during the bitterly cold winter. | 0:11:19 | 0:11:21 | |
The traditional savoury option is sour cream and cheese, | 0:11:21 | 0:11:24 | |
but these days, you can have it topped with whatever you fancy. | 0:11:24 | 0:11:27 | |
-Thank you very much. -Enjoy it. | 0:11:27 | 0:11:30 | |
It's lovely and warm, it's just come out of the fat. | 0:11:30 | 0:11:33 | |
He must have put on to it a dozen different ingredients. | 0:11:33 | 0:11:36 | |
I really don't know where to begin. It's absolutely piled high. | 0:11:36 | 0:11:40 | |
How do you like this? | 0:11:40 | 0:11:42 | |
Well, I'm just beginning it at the moment. Do you eat langos? | 0:11:42 | 0:11:45 | |
Yeah, yeah, yeah. Many times. | 0:11:45 | 0:11:47 | |
This is to satisfy many tastes from many countries of the world. | 0:11:47 | 0:11:50 | |
It's got a mixture of everything. | 0:11:50 | 0:11:52 | |
As we say in English, everything except the kitchen sink. | 0:11:52 | 0:11:56 | |
-Hello. -Hello. -Are you enjoying your langos? -Yes. | 0:11:56 | 0:12:00 | |
-Is it first time you've had it? -Yes. -Would you have it again? | 0:12:00 | 0:12:02 | |
Yes. If I will, next time in Budapest, perhaps. | 0:12:02 | 0:12:07 | |
-And you had one, too? -Yes. -Were you pleased or disappointed? | 0:12:07 | 0:12:10 | |
I liked it. It was good. | 0:12:10 | 0:12:12 | |
I'm not sure that it's exactly slimming. What do you think? | 0:12:12 | 0:12:15 | |
No, it's definitely not. | 0:12:15 | 0:12:17 | |
The langos ought really to come with a manual on how to eat it | 0:12:17 | 0:12:20 | |
because it's very, very tricky. | 0:12:20 | 0:12:22 | |
Wow! Good, though. | 0:12:25 | 0:12:28 | |
Energised by my lunch, I'm seeking out more of belle epoque Budapest. | 0:12:30 | 0:12:34 | |
One ticket, please. | 0:12:34 | 0:12:36 | |
-Thank you. -Thank you very much. | 0:12:36 | 0:12:39 | |
Edwardian railway tourists could explore the city | 0:12:39 | 0:12:42 | |
on its state-of-the-art transport system. | 0:12:42 | 0:12:44 | |
I was rather surprised by this entry in my Bradshaw's Guide. | 0:12:46 | 0:12:49 | |
"Underground electric railway between Gellert Ter, which is near the river | 0:12:49 | 0:12:54 | |
"and Varosliget, which is the city park." | 0:12:54 | 0:12:56 | |
In fact, the railway wasn't even new in 1913. | 0:12:56 | 0:12:59 | |
The first line had been built in 1896, | 0:12:59 | 0:13:02 | |
making Budapest the second European city after London | 0:13:02 | 0:13:05 | |
to have an underground railway. | 0:13:05 | 0:13:08 | |
The ambitious project was approved seven years | 0:13:10 | 0:13:13 | |
after London's first underground line opened in 1863. | 0:13:13 | 0:13:18 | |
And 2,000 workers were drafted in to build the tunnels. | 0:13:18 | 0:13:22 | |
I get the impression that the 70 years | 0:13:27 | 0:13:28 | |
before my Bradshaw's Guide was published | 0:13:28 | 0:13:31 | |
was an extraordinary period for Budapest. | 0:13:31 | 0:13:34 | |
The city acquired a new bridge, a new name. | 0:13:34 | 0:13:38 | |
It became a capital, built new railway stations, | 0:13:38 | 0:13:41 | |
a new parliament and a new underground railway. | 0:13:41 | 0:13:44 | |
After a long day marvelling at this thoroughly modern metropolis, | 0:13:47 | 0:13:51 | |
Edwardian tourists would have craved a little rest and relaxation. | 0:13:51 | 0:13:56 | |
And this magnificent complex of baroque buildings | 0:13:56 | 0:13:59 | |
was the perfect place to find it. | 0:13:59 | 0:14:01 | |
The famous Szechenyi baths, one of Budapest's many mineral spas, | 0:14:07 | 0:14:10 | |
opened in the same year my guidebook was published. | 0:14:10 | 0:14:13 | |
Bradshaw's tells me Budapest has bathing establishments | 0:14:17 | 0:14:21 | |
supplied by warm sulphur springs. | 0:14:21 | 0:14:23 | |
If you weren't sufficiently attracted by the boulevards, | 0:14:23 | 0:14:26 | |
by the cafes, by the goulash, | 0:14:26 | 0:14:28 | |
by the ballrooms or by the opera, | 0:14:28 | 0:14:31 | |
then you might come here to take the cure, | 0:14:31 | 0:14:34 | |
or to allow your body to float in the water. | 0:14:34 | 0:14:37 | |
By the late 19th century, | 0:14:40 | 0:14:42 | |
a fashion for water cures had swept the Continent. | 0:14:42 | 0:14:45 | |
And soon, Budapest's bathing culture entered its heyday. | 0:14:45 | 0:14:48 | |
City local Naomi Csondor | 0:14:51 | 0:14:54 | |
is an aficionado of the city's hot-water springs. | 0:14:54 | 0:14:57 | |
-Hello, Naomi. -Hello. Great to see you. -Great to see you. | 0:14:57 | 0:15:02 | |
What were these waters supposed to do to you? | 0:15:02 | 0:15:04 | |
This is very good for osteoporosis and for rheumatism. | 0:15:04 | 0:15:08 | |
And it's excellent as a natural multivitamin, as well. | 0:15:08 | 0:15:12 | |
What do the waters contain? | 0:15:12 | 0:15:14 | |
First of all, the sulphur, that we can smell, as well. | 0:15:14 | 0:15:18 | |
And if you taste it, you don't like it | 0:15:18 | 0:15:20 | |
because it's like a bad eggs taste. | 0:15:20 | 0:15:22 | |
We have some magnesium, some calcium, ferrum. | 0:15:22 | 0:15:26 | |
For centuries, the area's mineral springs | 0:15:26 | 0:15:28 | |
were found only on the Buda side of the river. | 0:15:28 | 0:15:31 | |
But in the late 1800s, engineers drilled down beneath Pest city park. | 0:15:31 | 0:15:35 | |
By 1913, the first permanent bath had opened its doors here, | 0:15:35 | 0:15:40 | |
allowing the growing Pest bourgeoisie | 0:15:40 | 0:15:42 | |
access to the hot, healing waters. | 0:15:42 | 0:15:45 | |
The temperature we're in is quite like a bath. | 0:15:50 | 0:15:52 | |
It's a very comfortable warm water. | 0:15:52 | 0:15:55 | |
Is that the natural temperature that it comes from the ground? | 0:15:55 | 0:15:58 | |
It's hard to believe, but the temperature is 79 degrees centigrade, how they find it. | 0:15:58 | 0:16:02 | |
This is still today. But they cool it down. | 0:16:02 | 0:16:05 | |
And so we can bath in it and swim in it and enjoy it. | 0:16:05 | 0:16:08 | |
79 degrees. That's very hot. | 0:16:08 | 0:16:09 | |
-Is that one of the hottest natural waters? -In Budapest, yes. | 0:16:09 | 0:16:13 | |
But not in the country. | 0:16:13 | 0:16:15 | |
In the 1920s, the medical spa expanded | 0:16:17 | 0:16:19 | |
to include a mixed bathing area. | 0:16:19 | 0:16:21 | |
Today, people hoping to improve their health | 0:16:21 | 0:16:24 | |
mingle with tourists and pleasure seekers | 0:16:24 | 0:16:27 | |
in this extraordinary temple to Budapest's healing springs. | 0:16:27 | 0:16:31 | |
-What are you enjoying about the baths? -It's nice and relaxing. | 0:16:33 | 0:16:37 | |
-How long have you been in the water? -Too long, probably. | 0:16:37 | 0:16:40 | |
LAUGHTER | 0:16:40 | 0:16:41 | |
-You should wallow for about three hours minimum. -No! -Yes. | 0:16:41 | 0:16:45 | |
If you're talking about taking the water, | 0:16:45 | 0:16:47 | |
it means spending time just relaxing, taking it in. | 0:16:47 | 0:16:51 | |
-So, would you do it again? -ALL: Definitely! | 0:16:51 | 0:16:54 | |
-I'm going to come back tomorrow. -Back tomorrow? -Yeah. | 0:16:54 | 0:16:57 | |
What about all the sights of Budapest? | 0:16:57 | 0:16:59 | |
What about the Parliament Building? | 0:16:59 | 0:17:00 | |
-No. -Yeah. -THEY LAUGH | 0:17:00 | 0:17:03 | |
-But the baths is the top thing for you? -ALL: Definitely! | 0:17:03 | 0:17:06 | |
I certainly understand why they'd want to come back again and again. | 0:17:08 | 0:17:11 | |
A wallow in these waters is the ideal way to end a day | 0:17:11 | 0:17:15 | |
soaking up Budapest's golden age. | 0:17:15 | 0:17:19 | |
Sadly, with the dawning of a new day, | 0:17:38 | 0:17:40 | |
it's time for me to leave this elegant city. | 0:17:40 | 0:17:43 | |
Today, my journey in the footsteps of Edwardian railway tourists | 0:17:43 | 0:17:48 | |
is taking me west. | 0:17:48 | 0:17:50 | |
Following the course of the Danube, | 0:17:52 | 0:17:54 | |
I'm pushing deeper into the heart of early 20th-century Austria-Hungary. | 0:17:54 | 0:17:59 | |
I'm on my way to Bratislava, which is the capital of Slovakia. | 0:18:05 | 0:18:09 | |
But in 1913, it was a part of Hungary | 0:18:09 | 0:18:12 | |
and an historically important city within the Austro-Hungarian Empire. | 0:18:12 | 0:18:17 | |
That realm covered many territories and many nationalities. | 0:18:17 | 0:18:20 | |
And I'm anxious to discover more | 0:18:20 | 0:18:23 | |
about the power and the decline of that empire. | 0:18:23 | 0:18:27 | |
I'm travelling along one of the empire's main railway arteries. | 0:18:28 | 0:18:31 | |
And with almost 150 miles to cover, | 0:18:31 | 0:18:34 | |
I'm whiling away the journey with historian Mark Cornwall. | 0:18:34 | 0:18:37 | |
The Austro-Hungarian Empire is often described as the Habsburg Empire. | 0:18:38 | 0:18:42 | |
Who were these Habsburgs? | 0:18:42 | 0:18:44 | |
The Habsburgs were one of the most dynamic | 0:18:44 | 0:18:47 | |
and powerful European families in European history, I suppose. | 0:18:47 | 0:18:50 | |
Um...and they started life | 0:18:50 | 0:18:53 | |
as a small aristocratic family in Switzerland, | 0:18:53 | 0:18:57 | |
but by the 14th century, they were dukes of Austria | 0:18:57 | 0:19:00 | |
and were dukes of Austria for the next 600 years. | 0:19:00 | 0:19:04 | |
By the turn of the 20th century, | 0:19:04 | 0:19:05 | |
the Habsburg lands covered almost half the Continent, | 0:19:05 | 0:19:08 | |
taking in 11 states of present-day Europe, | 0:19:08 | 0:19:11 | |
from Romania in the east | 0:19:11 | 0:19:13 | |
to Switzerland in the west. | 0:19:13 | 0:19:14 | |
The ruler of this vast territory was Emperor Franz Josef, | 0:19:16 | 0:19:19 | |
whose 68-year-reign was longer even than that of our own Queen Victoria. | 0:19:19 | 0:19:24 | |
The rapidly-expanding railway network | 0:19:24 | 0:19:27 | |
was a vital tool for controlling his multinational realm. | 0:19:27 | 0:19:32 | |
This line was opened in 1850. | 0:19:32 | 0:19:34 | |
It was the quickest way to get from Vienna to Budapest | 0:19:34 | 0:19:37 | |
or Budapest to Vienna. | 0:19:37 | 0:19:39 | |
It was also the route that the Orient Express went on. | 0:19:39 | 0:19:43 | |
So for tourists, rich tourists, this was a key line. | 0:19:43 | 0:19:48 | |
But for the Habsburg Empire, what was important, | 0:19:48 | 0:19:51 | |
I suppose for the emperor was that he needed go Budapest regularly. | 0:19:51 | 0:19:55 | |
One alternative was to go by steamer down the Danube, | 0:19:55 | 0:19:59 | |
but that took 12 hours. This took about five hours. | 0:19:59 | 0:20:02 | |
So this was by far the quickest route. | 0:20:02 | 0:20:04 | |
Within the sprawling empire, a dozen languages were spoken, | 0:20:06 | 0:20:09 | |
and a multitude of ethnic groups lived side by side. | 0:20:09 | 0:20:14 | |
But by the time my guidebook was written, growing nationalist | 0:20:14 | 0:20:17 | |
feeling was beginning to loosen the Habsburgs' grip. | 0:20:17 | 0:20:20 | |
Certain nationalities felt that others were more privileged | 0:20:20 | 0:20:23 | |
than them and that caused these tensions in the empire. | 0:20:23 | 0:20:26 | |
Many commentators at the time, in 1913, were very optimistic | 0:20:26 | 0:20:30 | |
and said these tensions are crises of growth, but there were | 0:20:30 | 0:20:33 | |
also certainly pessimistic types who thought that the empire was doomed. | 0:20:33 | 0:20:39 | |
By 1913, Franz Josef was an elderly man, and it was | 0:20:41 | 0:20:44 | |
anticipated his nephew Franz Ferdinand would soon succeed him. | 0:20:44 | 0:20:50 | |
By then, Austria-Hungary was feeling increasingly | 0:20:50 | 0:20:53 | |
threatened by the neighbouring Kingdom of Serbia. | 0:20:53 | 0:20:56 | |
In 1913, Serbia doubled in size, due to various wars in the south east, | 0:20:57 | 0:21:03 | |
and therefore when the heir to the throne, Archduke Franz Ferdinand | 0:21:03 | 0:21:07 | |
was murdered in Sarajevo, Serbia was thought to be behind this | 0:21:07 | 0:21:11 | |
from the point of view of the Habsburgs, | 0:21:11 | 0:21:13 | |
and there was no question about it, | 0:21:13 | 0:21:15 | |
the Habsburg rulers were determined to just go in and crush Serbia. | 0:21:15 | 0:21:19 | |
-And that was the beginning of World War One. -Exactly. | 0:21:19 | 0:21:22 | |
The First World War would spell the end of the Austro-Hungarian Empire. | 0:21:28 | 0:21:32 | |
But for readers of my 1913 railway guide | 0:21:32 | 0:21:35 | |
that was all in the unimaginable future. | 0:21:35 | 0:21:38 | |
I'm leaving the train at what is today Bratislava, | 0:21:38 | 0:21:41 | |
the capital of Slovakia. | 0:21:41 | 0:21:43 | |
But in my guidebook, it appears under Hungary | 0:21:45 | 0:21:48 | |
and goes by the Hungarian name of Pozsony. | 0:21:48 | 0:21:52 | |
Bradshaw's recommends a visit to what he calls the ancient "Dom," | 0:21:53 | 0:21:57 | |
dating from 1204. | 0:21:57 | 0:21:59 | |
And here at the main altar is the fantastic history of this cathedral. | 0:22:07 | 0:22:11 | |
19 kings and queens of Hungary who were crowned here, | 0:22:11 | 0:22:15 | |
set out here in Latin, | 0:22:15 | 0:22:17 | |
from Maximilian in 1503 down to Ferdinand V in 1830. | 0:22:17 | 0:22:22 | |
And what they were crowned with... | 0:22:22 | 0:22:24 | |
Is the crown with its distinctive bent cross | 0:22:24 | 0:22:28 | |
that was set upon their heads. No wonder the Hungarians have an | 0:22:28 | 0:22:31 | |
extraordinary sense of national identity and of national destiny. | 0:22:31 | 0:22:36 | |
From the 16th century, the kings and queens of Hungary | 0:22:39 | 0:22:41 | |
were members of the House of Habsburg. | 0:22:41 | 0:22:44 | |
And even after the 1860s, when Hungary won home rule, | 0:22:44 | 0:22:48 | |
Franz Josef reigned in the western half of his realm | 0:22:48 | 0:22:51 | |
as Emperor of Austria, and the east as King of Hungary. | 0:22:51 | 0:22:56 | |
Flowing through the heart of both territories was Europe's | 0:22:56 | 0:22:59 | |
second longest river, | 0:22:59 | 0:23:00 | |
where Edwardian tourists could swap the rails for a leisurely cruise. | 0:23:00 | 0:23:03 | |
Thank you. | 0:23:03 | 0:23:05 | |
My Bradshaw's helpfully reminds me | 0:23:06 | 0:23:08 | |
that Bratislava is beautifully situated on the Danube, | 0:23:08 | 0:23:12 | |
and the river seems the best way to reach my next destination. | 0:23:12 | 0:23:15 | |
Sadly, the paddle steamers that my 1913 guide describes | 0:23:17 | 0:23:21 | |
are no longer in service, | 0:23:21 | 0:23:22 | |
but this modern catamaran is a worthy substitute. | 0:23:22 | 0:23:26 | |
-Hello. -Tickets and passports, please. -Oh, passport? | 0:23:26 | 0:23:29 | |
When you live in the United Kingdom, it's perhaps easy to forget | 0:23:37 | 0:23:39 | |
how important for communication and transport were and are | 0:23:39 | 0:23:44 | |
the great waterways of Europe, | 0:23:44 | 0:23:46 | |
the Rhine, the Rhone and the Danube, | 0:23:46 | 0:23:49 | |
and, even today, a really viable way | 0:23:49 | 0:23:51 | |
of travelling from one capital city to another. | 0:23:51 | 0:23:54 | |
It takes just 90 minutes to speed along the Danube to my next stop. | 0:24:10 | 0:24:14 | |
I'm now approaching what was in 1913 the political | 0:24:14 | 0:24:19 | |
and cultural centre of the powerful Austro-Hungarian Empire. | 0:24:19 | 0:24:23 | |
What a wonderful way to arrive in Vienna, | 0:24:24 | 0:24:26 | |
my Bradshaw says the capital of Austria lies on the Danube canal, | 0:24:26 | 0:24:31 | |
"It is regarded as one of the brightest and healthiest of | 0:24:31 | 0:24:35 | |
"the large continental cities, with cheerful and courteous inhabitants." | 0:24:35 | 0:24:40 | |
Certainly in 1913 the Viennese aristocracy knew how to enjoy | 0:24:40 | 0:24:44 | |
itself, but could have no idea that the Habsburg empire was | 0:24:44 | 0:24:49 | |
enjoying its last waltz. | 0:24:49 | 0:24:51 | |
Arriving here in 1913, the British tourist would have plunged | 0:24:58 | 0:25:02 | |
head first into an intoxicating world of ostentatious glamour. | 0:25:02 | 0:25:06 | |
And the best place to capture the flavour of imperial Vienna | 0:25:08 | 0:25:12 | |
was the famous Ringstrasse. | 0:25:12 | 0:25:14 | |
My guidebook writes, "A fine broad thoroughfare, | 0:25:14 | 0:25:18 | |
"it extends in a crescent two miles long | 0:25:18 | 0:25:20 | |
"round three sides of the Inner Town." | 0:25:20 | 0:25:22 | |
Still today, tourists flock to this iconic avenue | 0:25:26 | 0:25:29 | |
to admire the best of Viennese architecture. | 0:25:29 | 0:25:31 | |
-Hello, Diane. -Good afternoon, Michael. | 0:25:31 | 0:25:34 | |
Welcome aboard. | 0:25:34 | 0:25:35 | |
In 1913, this road would have bustled | 0:25:37 | 0:25:39 | |
with trams and horse-drawn carriages. | 0:25:39 | 0:25:42 | |
I'm taking a ride with tour guide Diane Naar. | 0:25:42 | 0:25:45 | |
Why was the Ringstrasse created in the first place? | 0:25:48 | 0:25:51 | |
The city was suffocating. Vienna, a medieval city, | 0:25:51 | 0:25:55 | |
was surrounded by huge fortifications. | 0:25:55 | 0:25:59 | |
The fortifications had served their purpose well, | 0:25:59 | 0:26:01 | |
but they were now suffocating the old city. | 0:26:01 | 0:26:04 | |
And the emperor himself decided to allow the razing of the fortifications. | 0:26:04 | 0:26:09 | |
This happened in 1858. | 0:26:09 | 0:26:11 | |
The emperor Franz Josef wanted to make Vienna a modern and beautiful | 0:26:12 | 0:26:16 | |
city to rival Paris, which had been remodelled under Napoleon III. | 0:26:16 | 0:26:20 | |
Franz Josef's vision for Vienna was to replace the old city walls | 0:26:20 | 0:26:24 | |
with a magnificent boulevard, | 0:26:24 | 0:26:27 | |
lined with monumental public buildings and grand mansions. | 0:26:27 | 0:26:30 | |
So, how long was the construction - both of the roadway | 0:26:30 | 0:26:34 | |
and of the palaces on either side? | 0:26:34 | 0:26:36 | |
The Ringstrasse was officially inaugurated | 0:26:36 | 0:26:39 | |
on the first of May, 1865. | 0:26:39 | 0:26:42 | |
-But construction work continued for at least another 40 years. -Good Lord, | 0:26:42 | 0:26:46 | |
right up to eve of the First World War. | 0:26:46 | 0:26:48 | |
Right up to 1913, in fact. | 0:26:48 | 0:26:51 | |
Vienna, after the industrial revolution, was home to | 0:26:52 | 0:26:55 | |
a moneyed class of bankers, lawyers and merchants, who queued up | 0:26:55 | 0:27:00 | |
to build grand palaces on the city's newest and most prestigious avenue. | 0:27:00 | 0:27:04 | |
Give me some idea of the palaces and the people who lived in them. | 0:27:06 | 0:27:10 | |
The richest were the ones who were able to afford the largest plots. | 0:27:11 | 0:27:16 | |
And they hired the most expensive architects | 0:27:16 | 0:27:19 | |
and the most prominent artists. | 0:27:19 | 0:27:23 | |
And these buildings were four storeys high and would cover four blocks | 0:27:23 | 0:27:28 | |
and they were filled with marble, and carved wood, | 0:27:28 | 0:27:32 | |
and it was a matter of showing off. | 0:27:32 | 0:27:34 | |
The tourists who came here following my 1913 guidebook | 0:27:37 | 0:27:40 | |
were among the last witnesses to imperial era Vienna. | 0:27:40 | 0:27:45 | |
And no pre-war visit would be complete without sampling the nightlife. | 0:27:45 | 0:27:50 | |
To rest my head for the night, and of course to change for the evening, | 0:27:50 | 0:27:53 | |
I need what Bradshaw's calls, "A modern first class hotel | 0:27:53 | 0:27:57 | |
"in a central position," and an advertisement informs me | 0:27:57 | 0:28:01 | |
that the Hotel Imperial, | 0:28:01 | 0:28:02 | |
"Since 1913 renovated and fitted with every modern comfort." | 0:28:02 | 0:28:08 | |
And since it looks like a palace, it will do very nicely. | 0:28:08 | 0:28:11 | |
The Grand Imperial hotel, right on the Ringstrasse, | 0:28:14 | 0:28:17 | |
certainly makes a striking first impression. | 0:28:17 | 0:28:20 | |
Everywhere you look there's marble, crystal and gold. | 0:28:20 | 0:28:25 | |
It's the perfect place to don my best bib and tucker | 0:28:26 | 0:28:29 | |
before heading out into the city. | 0:28:29 | 0:28:31 | |
My destination is a ballroom, | 0:28:33 | 0:28:35 | |
which once belonged to the wealthy Rothschild family. | 0:28:35 | 0:28:39 | |
Here, dance teachers Heinz Grossmann and Peter Benek are going | 0:28:41 | 0:28:45 | |
explain the intricacies of the classic Viennese waltz. | 0:28:45 | 0:28:49 | |
What is the Vienna waltz? | 0:28:50 | 0:28:52 | |
Er... The Viennese waltz is the famous dance the world... | 0:28:52 | 0:28:56 | |
But...the famous music also. | 0:28:58 | 0:29:01 | |
But the basic is very simple. The basic is we have six steps, | 0:29:01 | 0:29:06 | |
we can dance six steps and we can dance the Viennese waltz. | 0:29:06 | 0:29:09 | |
It is very, very simple. | 0:29:09 | 0:29:10 | |
Invented in the 18th century, | 0:29:12 | 0:29:14 | |
the Viennese waltz was the first dance in which couples held | 0:29:14 | 0:29:17 | |
each other close as they whirled around the floor. | 0:29:17 | 0:29:20 | |
At first it scandalized polite society, | 0:29:20 | 0:29:22 | |
but by the time my railway guide was published, tourists were | 0:29:22 | 0:29:26 | |
flocking here to waltz at the city's glamorous public balls. | 0:29:26 | 0:29:30 | |
Vienna still hosts hundreds of such events every year | 0:29:30 | 0:29:33 | |
during the glittering winter season, | 0:29:33 | 0:29:35 | |
but I'm sure that I would fail to make the grade. | 0:29:35 | 0:29:38 | |
I don't know whether you know the expression in English, | 0:29:38 | 0:29:41 | |
but I have two left feet. | 0:29:41 | 0:29:43 | |
This is no problem. Normally we have 90 per cent success. | 0:29:43 | 0:29:47 | |
You've just met the 10 per cent. | 0:29:47 | 0:29:50 | |
I don't like... I don't believe. No. | 0:29:50 | 0:29:53 | |
-OK, you are the gentleman? -Please, yes. | 0:29:53 | 0:29:55 | |
-OK, OK. I'm the lady. -Yes, please. | 0:29:55 | 0:29:58 | |
This position. | 0:29:58 | 0:30:00 | |
There opening, yes, there. | 0:30:00 | 0:30:02 | |
That is OK. One, two, three, four, five. | 0:30:02 | 0:30:06 | |
One, two... | 0:30:06 | 0:30:08 | |
Oh, lost it. OK. | 0:30:08 | 0:30:10 | |
Six simple steps they may be, but for me they're hard. | 0:30:10 | 0:30:15 | |
And look on the 11 o'clock.... | 0:30:15 | 0:30:17 | |
Yes. Good. | 0:30:17 | 0:30:19 | |
You are a very good student. | 0:30:23 | 0:30:25 | |
LAUGHTER | 0:30:25 | 0:30:26 | |
One, slide, close, back. Slide, close. Yes! | 0:30:26 | 0:30:30 | |
You're perfect. | 0:30:30 | 0:30:31 | |
I don't think so, but thank you. | 0:30:33 | 0:30:34 | |
I think it's time to step aside for the experts. | 0:30:34 | 0:30:39 | |
MUSIC: Viennese Waltz | 0:30:39 | 0:30:43 | |
Watching them glide across this belle epoque ballroom | 0:30:52 | 0:30:55 | |
perfectly ends a day that's evoked Vienna's golden age. | 0:30:55 | 0:31:00 | |
A beautiful morning, and I'm continuing my search | 0:31:21 | 0:31:24 | |
for traces of the Vienna that Edwardian railway tourists saw. | 0:31:24 | 0:31:28 | |
They would have been struck by the flowing lines | 0:31:28 | 0:31:31 | |
and natural forms of Art Nouveau - a new style of art | 0:31:31 | 0:31:34 | |
and architecture then transforming the city. | 0:31:34 | 0:31:38 | |
It first found favour in Paris, | 0:31:38 | 0:31:39 | |
but by the time my guidebook was published, | 0:31:39 | 0:31:43 | |
the railways had helped to spread its influence across the continent. | 0:31:43 | 0:31:46 | |
"The gallery of modern pictures at the Belvedere," | 0:31:48 | 0:31:50 | |
says my Bradshaw's guide, "was formerly the residence | 0:31:50 | 0:31:53 | |
"of Prince Eugene of Savoy." | 0:31:53 | 0:31:55 | |
I'm here to explore one painter in particular, | 0:31:55 | 0:31:58 | |
because behind the prim facade of the empire, | 0:31:58 | 0:32:01 | |
artists were pursuing more sensual ideas. | 0:32:01 | 0:32:04 | |
Vienna's most famous Art Nouveau painter, Gustav Klimt, | 0:32:06 | 0:32:10 | |
horrified the establishment with his interpretation of the genre. | 0:32:10 | 0:32:13 | |
And one work shows why especially well. | 0:32:13 | 0:32:16 | |
This is Gustav Klimt's the Kiss, | 0:32:16 | 0:32:19 | |
painted in 1908, and at the time it was thought very shocking. | 0:32:19 | 0:32:23 | |
The man is hungry for the woman | 0:32:23 | 0:32:26 | |
and she has gone limp in a sort of trance of passion. | 0:32:26 | 0:32:31 | |
In the years since, | 0:32:31 | 0:32:32 | |
a lot of people have regarded this painting as merely pretty. | 0:32:32 | 0:32:35 | |
But I understand completely why this picture appalled the public, | 0:32:35 | 0:32:40 | |
and why Vienna at the time was considered a very racy place. | 0:32:40 | 0:32:44 | |
The Kiss reveals an edgier | 0:32:49 | 0:32:52 | |
and subversive spirit that inhabited turn of the century Vienna. | 0:32:52 | 0:32:56 | |
And I'm bound now for its habitual haunt. | 0:32:56 | 0:33:00 | |
I'm in the old city and my Bradshaw's says, | 0:33:03 | 0:33:06 | |
"Within this district are the most interesting phases of Vienna life." | 0:33:06 | 0:33:10 | |
Which I take to be a reference to cafe society, | 0:33:10 | 0:33:13 | |
which reached its high point when my Bradshaw's guide was published. | 0:33:13 | 0:33:18 | |
Vienna's coffee houses are famous around the world, | 0:33:18 | 0:33:21 | |
and one of the most evocative of the city's heyday is | 0:33:21 | 0:33:24 | |
the Cafe Central, which opened its doors in 1876. | 0:33:24 | 0:33:29 | |
Hello, Margarete. | 0:33:29 | 0:33:30 | |
-Hello Michael, nice to meet you. -Lovely to see you. | 0:33:30 | 0:33:34 | |
What a beautiful cafe. | 0:33:34 | 0:33:37 | |
Isn't it? | 0:33:37 | 0:33:38 | |
Local, Margarete Stickler, is going to help me | 0:33:38 | 0:33:40 | |
to navigate coffee house etiquette. | 0:33:40 | 0:33:43 | |
-Um, what are you having, Margarete, what is that? -This a melange. | 0:33:43 | 0:33:46 | |
A melange. And what is that? | 0:33:46 | 0:33:48 | |
A melange is a strong coffee, black coffee, with kind of...whipped milk. | 0:33:48 | 0:33:55 | |
A melange please, thank you very much, indeed. | 0:33:55 | 0:33:58 | |
-And we never say just "coffee." -No? -"A cup of coffee." No. | 0:33:58 | 0:34:02 | |
Either melange, or cappuccino, or grosse schwartze. | 0:34:02 | 0:34:08 | |
-A big black coffee. -A big black coffee. | 0:34:09 | 0:34:11 | |
It's an unwritten rule that a single cup buys you the right to linger | 0:34:17 | 0:34:20 | |
as long as you like. | 0:34:20 | 0:34:22 | |
And around the turn of the 20th century, British visitors could | 0:34:22 | 0:34:25 | |
have rubbed shoulders with thinkers who came to exchange radical ideas. | 0:34:25 | 0:34:29 | |
Tell me about some of the well-known people that I might have | 0:34:29 | 0:34:32 | |
bumped into in the coffee houses at the beginning of the 20th Century? | 0:34:32 | 0:34:35 | |
All sorts of people, | 0:34:35 | 0:34:37 | |
but of course mainly intellectuals, artists, writers. | 0:34:37 | 0:34:43 | |
And as a former politican I would like to know, | 0:34:43 | 0:34:45 | |
were there any people of my trade here? | 0:34:45 | 0:34:48 | |
Oh, yes, very much so, but just before they became famous! LAUGHTER | 0:34:48 | 0:34:52 | |
-Who are you talking about? -Trotsky, Leo Trotsky. | 0:34:52 | 0:34:55 | |
Lenin. | 0:34:56 | 0:34:58 | |
Stalin. | 0:34:59 | 0:35:01 | |
All here in Vienna? | 0:35:01 | 0:35:02 | |
They used to meet at the Cafe Central for playing chess! | 0:35:02 | 0:35:06 | |
Not so much reds under the bed as reds in the coffee house! | 0:35:06 | 0:35:09 | |
Quite so. | 0:35:09 | 0:35:10 | |
Alongside Russian revolutionaries, Cafe Central | 0:35:10 | 0:35:13 | |
regulars included Sigmund Freud, the founding father of psychoanalysis. | 0:35:13 | 0:35:18 | |
Nowadays, no trip to Vienna is complete without visiting | 0:35:18 | 0:35:22 | |
a cafe, for a drink and of course a slice of something sweet. | 0:35:22 | 0:35:27 | |
There is such a variety of cakes here. | 0:35:27 | 0:35:29 | |
With my Bradshaw's in one hand | 0:35:29 | 0:35:31 | |
it feels like a metaphor for the Austro-Hungarian empire in 1913. | 0:35:31 | 0:35:36 | |
You've got Albanians and Slovenes and Slovaks and Bosnians | 0:35:36 | 0:35:41 | |
Hungarians and Bohemians, all mixed together in one Empire... | 0:35:41 | 0:35:47 | |
But very crumbly. | 0:35:47 | 0:35:49 | |
Vienna was the cultural, military and political heart of the Empire. | 0:35:50 | 0:35:55 | |
But there was another side to early 20th century Austria. | 0:35:55 | 0:35:58 | |
I'm now doing as the Viennese elite did in the summer months, and taking | 0:36:00 | 0:36:03 | |
the Western mainline, completed in 1860, out to the mountains. | 0:36:03 | 0:36:07 | |
Having used my 1913 Bradshaw's to explore the Empire's two | 0:36:09 | 0:36:13 | |
biggest cities, I'm now heading over 180 miles west to Salzburg, | 0:36:13 | 0:36:18 | |
the birthplace of Mozart. | 0:36:18 | 0:36:20 | |
From there, I'll trace my guidebook's recommended route | 0:36:20 | 0:36:23 | |
through the stunning Salzkammergut mountains, | 0:36:23 | 0:36:26 | |
finishing up at Bad Ischl, home to the Emperor's summer retreat. | 0:36:26 | 0:36:30 | |
This Austrian express is whisking me | 0:36:32 | 0:36:35 | |
across the country at 120 miles per hour. | 0:36:35 | 0:36:38 | |
Edwardian tourists would have travelled at a more leisurely pace, | 0:36:39 | 0:36:43 | |
but one custom that hasn't changed | 0:36:43 | 0:36:45 | |
is the civilised tradition of the dining car. | 0:36:45 | 0:36:48 | |
-Guten Abend. -Guten abend! | 0:36:48 | 0:36:50 | |
Bitte schon, er...eine Wienerschnitzel vom schwein, bitte. | 0:36:50 | 0:36:55 | |
-Ja. -Und, um, ein Grune Veltsiner wein bitte. -Grune Veltliner. | 0:36:55 | 0:37:00 | |
Ja, kleine, kleine. | 0:37:00 | 0:37:02 | |
Sonst noch etwas? | 0:37:02 | 0:37:03 | |
-Do you have any other wishes? -Oh, you speak English! | 0:37:03 | 0:37:07 | |
-No other wishes, thank you very much. -You are welcome! -Thank you. | 0:37:07 | 0:37:10 | |
A traditional Viennese dish is a perfect way to put | 0:37:11 | 0:37:15 | |
the Austrian capital behind me, and set myself up for the stunning | 0:37:15 | 0:37:18 | |
scenery awaiting me on the next leg of my trip. | 0:37:18 | 0:37:20 | |
Ah, that looks very good! | 0:37:20 | 0:37:22 | |
-Schon, schon danke. -Enjoy it, I hope it tastes good. | 0:37:22 | 0:37:24 | |
Thank you. | 0:37:24 | 0:37:25 | |
As the sun sets, the train arrives in Salzburg | 0:37:29 | 0:37:32 | |
which my Bradshaw's tells me is "1,350 feet above sea | 0:37:32 | 0:37:37 | |
"on both banks of the river Zalzac, below some lofty hills," | 0:37:37 | 0:37:40 | |
and is "regarded as one of the most beautifully situated places of Europe." | 0:37:40 | 0:37:46 | |
What a tantalising invitation to explore this city. | 0:37:46 | 0:37:51 | |
I'm leaving the train here and going off in search of my bed. | 0:37:55 | 0:37:58 | |
My exploration of stunning Salzburg will have to wait till the morning. | 0:37:58 | 0:38:02 | |
MUSIC: "Symphony No. 40" by Mozart | 0:38:12 | 0:38:15 | |
First thing in sunny Salzburg | 0:38:17 | 0:38:20 | |
and the streets are already buzzing with tourists. | 0:38:20 | 0:38:22 | |
And none of them can have missed this city's biggest attraction. | 0:38:22 | 0:38:27 | |
Some places are best known for being the birthplace | 0:38:30 | 0:38:33 | |
of a famous person, like Stratford Upon Avon with William Shakespeare, | 0:38:33 | 0:38:37 | |
and Salzburg is celebrated for its most famous son, | 0:38:37 | 0:38:41 | |
one of the most important composers in the history of music. | 0:38:41 | 0:38:45 | |
Salzburg's homegrown musical genius is Wolfgang Amadeus Mozart. | 0:38:50 | 0:38:55 | |
And by 1913, railway tourists were flocking here to honour his memory. | 0:38:56 | 0:39:02 | |
My guidebook directs fans to | 0:39:02 | 0:39:03 | |
"Getreidegasse, where, at number seven, Mozart was born'. | 0:39:03 | 0:39:07 | |
Director of the museum, Gabriele Ramsauer is showing me round. | 0:39:10 | 0:39:14 | |
Well, this is a lovely, big room, and here I think I see Mozart | 0:39:14 | 0:39:19 | |
and these are the portraits of the family. | 0:39:19 | 0:39:23 | |
Yes. This was the living room of the Mozart family. | 0:39:23 | 0:39:25 | |
They were living here, | 0:39:25 | 0:39:27 | |
they were playing music, they were meeting friends. | 0:39:27 | 0:39:29 | |
And I think this room has a really great and wonderful atmosphere. | 0:39:29 | 0:39:33 | |
It is indeed very atmospheric. | 0:39:33 | 0:39:36 | |
MUSIC: "Rondo Alla Turca" by Mozart | 0:39:36 | 0:39:40 | |
This building is where, aged five, Mozart began his composing career. | 0:39:42 | 0:39:47 | |
And it's also the birthplace of the thriving Mozart heritage industry, | 0:39:47 | 0:39:52 | |
thanks to a pair of British fans. | 0:39:52 | 0:39:55 | |
It started in 1829, there a British couple came here to see | 0:39:55 | 0:40:01 | |
the location of Mozart and it was the couple Vincent and Mary Novello. | 0:40:01 | 0:40:08 | |
The travel diaries of Vincent and Mary Novello in the year 1829. | 0:40:08 | 0:40:12 | |
"Vin and I made a pilgrimage to the house where the divine Mozart | 0:40:12 | 0:40:17 | |
"first drew breath. I cannot describe my feelings. | 0:40:17 | 0:40:21 | |
"We are both in a complete trance." That's beautiful! | 0:40:21 | 0:40:26 | |
The Novellos' published diaries helped inspire | 0:40:28 | 0:40:30 | |
the official Mozart tourist trail. | 0:40:30 | 0:40:33 | |
And in the late 19th century, | 0:40:33 | 0:40:35 | |
special railway tours began bringing Britons to see this house | 0:40:35 | 0:40:39 | |
and to attend many music festivals held in the city. | 0:40:39 | 0:40:42 | |
"Cook's personally conducted tour." Belgium, The Rhine, Nuremburg, | 0:40:42 | 0:40:47 | |
Salzburg and the Grand Mozart Festival. | 0:40:47 | 0:40:50 | |
Departing apparently from Holborn Station in London, | 0:40:50 | 0:40:56 | |
crossing the continent and spending about four days here | 0:40:56 | 0:41:01 | |
at the Salzburg Mozart Festival. That's fantastic. | 0:41:01 | 0:41:05 | |
Thomas Cook had organised his first railway excursions in the 1840s, | 0:41:05 | 0:41:11 | |
and soon took advantage of | 0:41:11 | 0:41:12 | |
the rapidly expanding international network | 0:41:12 | 0:41:14 | |
to launch continental tours. These "Mozart trains" | 0:41:14 | 0:41:18 | |
continued to be popular into the 20th century, and by 1913, | 0:41:18 | 0:41:23 | |
rail travellers had a new way to experience their favourite composer. | 0:41:23 | 0:41:27 | |
Even on a glorious afternoon like this, I feel I should find time | 0:41:31 | 0:41:35 | |
to hear some Mozart opera, and I'm on my way | 0:41:35 | 0:41:38 | |
to a little gem of a theatre. | 0:41:38 | 0:41:40 | |
I've come to this bijou playhouse in the heart of Salzburg, | 0:41:48 | 0:41:52 | |
to see a performance of The Magic Flute with a difference. | 0:41:52 | 0:41:55 | |
OPERA SINGING IN GERMAN | 0:42:05 | 0:42:07 | |
Today, the Marionette Theatre is one of Salzburg's best-loved tourist attractions, | 0:42:15 | 0:42:21 | |
and it all began in the era of my 1913 railway guide. | 0:42:21 | 0:42:25 | |
I'm going behind the scenes with puppeteer Philippe Brunner. | 0:42:30 | 0:42:33 | |
How long has opera been performed with these marionettes? | 0:42:34 | 0:42:38 | |
Since 1913 the theatre started with a very small opera | 0:42:38 | 0:42:42 | |
by Mozart Bastien und Bastienne and since then has done many | 0:42:42 | 0:42:47 | |
of Mozart's operas and also other composers. | 0:42:47 | 0:42:50 | |
With ever more tourists visiting Salzburg by rail, | 0:42:51 | 0:42:55 | |
the puppet theatre found a ready-made audience. | 0:42:55 | 0:42:58 | |
And while these days the puppeteers perform to recorded music, | 0:42:58 | 0:43:02 | |
Edwardian readers of my guidebook would have watched the marionettes | 0:43:02 | 0:43:05 | |
miming to live singers. | 0:43:05 | 0:43:08 | |
Do any of the puppets from 1913 survive? | 0:43:08 | 0:43:11 | |
Yes, they do. We have a lot of them in a museum but we have some here | 0:43:11 | 0:43:15 | |
I can show you. | 0:43:15 | 0:43:17 | |
This is father Mozart. He also dates from 1913. | 0:43:18 | 0:43:23 | |
-Hello, nice to meet you. -How do you do? -Very well. | 0:43:23 | 0:43:26 | |
MICHAEL LAUGHS | 0:43:26 | 0:43:28 | |
-He's beautiful. -Yes, and you see, he is a much smaller scale | 0:43:28 | 0:43:33 | |
than the puppets we use today. | 0:43:33 | 0:43:35 | |
These must be very splendid people to work with. | 0:43:35 | 0:43:39 | |
-Oh, absolutely. They don't fuss around. -No prima donnas! | 0:43:39 | 0:43:44 | |
No, not at all. | 0:43:44 | 0:43:45 | |
It takes up to eight years to learn how to work these remarkable | 0:43:45 | 0:43:49 | |
marionettes, but Philippe's going to see what he can teach me | 0:43:49 | 0:43:51 | |
in ten minutes. | 0:43:51 | 0:43:54 | |
You move from left to right and the puppet is walking. | 0:43:54 | 0:43:56 | |
And with your other hand you use the front and then you move the head | 0:43:56 | 0:44:01 | |
from left to right. And then you push here | 0:44:01 | 0:44:06 | |
-and then he opens his mouth. -Raargh! | 0:44:06 | 0:44:08 | |
Great. You're doing very well. | 0:44:08 | 0:44:13 | |
My lion is taking a walk through the forest...when he meets a... | 0:44:13 | 0:44:21 | |
-Ooh! -Very tall person. Raargh! | 0:44:21 | 0:44:27 | |
Raargh! | 0:44:27 | 0:44:29 | |
-Raargh! -I'm not afraid of you. -You may have a long neck, | 0:44:29 | 0:44:34 | |
I have a very long tail. | 0:44:34 | 0:44:37 | |
Raargh! | 0:44:37 | 0:44:39 | |
Ah! I scared him off. | 0:44:39 | 0:44:43 | |
Well, I've pulled some political strings in my time | 0:44:43 | 0:44:46 | |
but I think I'd better leave the puppets to the pros. | 0:44:46 | 0:44:49 | |
It's time for me to swap historic Salzburg for the pure air | 0:44:49 | 0:44:54 | |
of the Austrian mountains. Now my Bradshaw's urges me | 0:44:54 | 0:44:57 | |
to head for the country to the Saltkammergut, | 0:44:57 | 0:45:01 | |
"A beautiful district of lake and mountain east of Salzburg, | 0:45:01 | 0:45:05 | |
"easily accessible by rail and steamer. | 0:45:05 | 0:45:07 | |
"Though a day may suffice for a hasty visit, | 0:45:07 | 0:45:10 | |
"the attractions of two or three favoured spots will hardly | 0:45:10 | 0:45:14 | |
"be appreciated unless a stay of a few days be made at each." | 0:45:14 | 0:45:20 | |
Oh, for the leisure of a 1913 traveller. | 0:45:20 | 0:45:23 | |
In the 1900s, only the wealthy middle and upper classes | 0:45:26 | 0:45:30 | |
could afford to explore this remarkable region, | 0:45:30 | 0:45:33 | |
but it's not hard to see why, once here, they wanted to linger. | 0:45:33 | 0:45:37 | |
With limestone mountains, glacial lakes and unspoilt villages, | 0:45:38 | 0:45:42 | |
it's a picture postcard landscape of breath-taking beauty. | 0:45:42 | 0:45:46 | |
I'm picking up my next form of transport in pretty St Gilgen, | 0:45:49 | 0:45:53 | |
to the east of Salzburg. | 0:45:53 | 0:45:55 | |
My Bradshaw's says that the steamer may be taken in preference | 0:45:56 | 0:46:00 | |
to the train, which is fortunate because some of the railway lines | 0:46:00 | 0:46:03 | |
that existed at the time of my guide have been axed. | 0:46:03 | 0:46:06 | |
So I will proceed by water. | 0:46:06 | 0:46:08 | |
My authentic paddle steamer's route hasn't changed since 1913. | 0:46:09 | 0:46:15 | |
Back then, this lovely scenery was already a firm favourite | 0:46:15 | 0:46:17 | |
with tourists. But in the 1960s, | 0:46:17 | 0:46:19 | |
the region was shot to international fame | 0:46:19 | 0:46:23 | |
as the setting for one of the most successful movies of all time... | 0:46:23 | 0:46:27 | |
The Sound Of Music. | 0:46:27 | 0:46:29 | |
# BOTH: My heart will be blessed with the sound of music | 0:46:30 | 0:46:37 | |
# And I'll sing once more. # | 0:46:37 | 0:46:44 | |
APPLAUSE | 0:46:44 | 0:46:45 | |
Wolfgang, do you find that the tourists who arrive, | 0:46:45 | 0:46:48 | |
they're coming in large numbers? | 0:46:48 | 0:46:50 | |
Yes. They join in, the sing and they dance and they clap their hands. | 0:46:50 | 0:46:54 | |
There are sometimes choruses of 50 people | 0:46:54 | 0:46:57 | |
and everybody is singing with us and that is a very high feeling. | 0:46:57 | 0:47:02 | |
Are they word perfect? | 0:47:02 | 0:47:03 | |
Yes, they know it by heart. | 0:47:03 | 0:47:06 | |
# BOTH: Doe, a deer, a female deer | 0:47:06 | 0:47:09 | |
# Ray, a drop of golden sun... | 0:47:09 | 0:47:13 | |
MICHAEL JOINS IN: # Me, a name I call myself | 0:47:13 | 0:47:16 | |
# Fa, a long, long way to run | 0:47:16 | 0:47:20 | |
# Sew, a needle pulling thread | 0:47:20 | 0:47:24 | |
# La, a note to follow so | 0:47:24 | 0:47:27 | |
# Tea, a drink with jam and bread | 0:47:27 | 0:47:30 | |
# That will bring us back to doe | 0:47:30 | 0:47:35 | |
# Doe, ray, me, fa, so, la, tea, doe | 0:47:35 | 0:47:37 | |
# So, doe... # | 0:47:37 | 0:47:39 | |
Luckily for my fellow tourists, there's no more time for singing. | 0:47:41 | 0:47:45 | |
My paddle steamer has carried me across the Wolfgansee Lake | 0:47:45 | 0:47:49 | |
to St Wolfgang Station. | 0:47:49 | 0:47:51 | |
From here, Edwardian travellers could experience the railway ride | 0:47:52 | 0:47:55 | |
of a lifetime. | 0:47:55 | 0:47:57 | |
HE SPEAKS IN GERMAN | 0:47:58 | 0:48:01 | |
My Bradshaw's is very clear about the next stage of my journey. | 0:48:08 | 0:48:11 | |
"From St Wolfgang a climbing rail ascends the Schafberg, 5,840 feet. | 0:48:11 | 0:48:17 | |
"The panorama from the top is very extensive." | 0:48:17 | 0:48:20 | |
And fortunately the climbing rail is still here. | 0:48:20 | 0:48:24 | |
I'm taking a trip on this beautiful tourist line with its director, | 0:48:24 | 0:48:28 | |
Gunther Mackinger. | 0:48:28 | 0:48:30 | |
-How very kind of you. Thank you very much. Thank you. -Take a seat. | 0:48:30 | 0:48:33 | |
WHISTLE BLARES | 0:48:34 | 0:48:35 | |
TRAIN WHISTLES | 0:48:35 | 0:48:36 | |
Built in 1893, it's one of Austria's most vertiginous stretches of track. | 0:48:38 | 0:48:43 | |
This is a lovely railway. What sort of gradient does it reach? | 0:48:44 | 0:48:48 | |
This is the steepest railway with 26%. | 0:48:48 | 0:48:53 | |
That's what we would call one in four, that's very steep indeed. | 0:48:53 | 0:48:57 | |
The line was built so that tourists could admire the stunning views. | 0:48:59 | 0:49:04 | |
To cope with the gradient, cogs were used for traction | 0:49:04 | 0:49:07 | |
and a rather unusual engine was designed. | 0:49:07 | 0:49:09 | |
Your locomotive is very distinctive | 0:49:11 | 0:49:13 | |
because it's kind of built at an angle. | 0:49:13 | 0:49:16 | |
Because the railway is so steep and the water in the boiler | 0:49:16 | 0:49:20 | |
must always fill the boiler complete, | 0:49:20 | 0:49:24 | |
otherwise there would be the danger of a boiler explosion. | 0:49:24 | 0:49:27 | |
It's absolutely obvious when you say it, but it had never occurred to me. | 0:49:27 | 0:49:31 | |
Although the railway does still run original locomotives | 0:49:36 | 0:49:39 | |
from the 1890s, this engine is a modern copy. | 0:49:39 | 0:49:42 | |
And powered by steam climbing the Shafberg is an unforgettable ascent. | 0:49:44 | 0:49:49 | |
My Bradshaw's promised me a panorama | 0:49:53 | 0:49:56 | |
but I never expected anything as grand and as magnificent as this. | 0:49:56 | 0:50:01 | |
Danke. Auf wiedersehen. | 0:50:35 | 0:50:39 | |
Fortunately for me, as I leave the train, | 0:50:39 | 0:50:41 | |
it's not the last I'll see of the vista. | 0:50:41 | 0:50:45 | |
Because amazingly, the cog train has brought me | 0:50:45 | 0:50:48 | |
to my bed for the night. | 0:50:48 | 0:50:50 | |
After one of the most remarkable train journeys in the world, | 0:50:50 | 0:50:53 | |
I am now going to be staying in an extraordinary place... | 0:50:53 | 0:50:56 | |
on top of a mountain. | 0:50:56 | 0:50:58 | |
There's been a hotel perched atop the Shafberg ever since 1862. | 0:51:05 | 0:51:09 | |
It must surely be one of the most spectacular places in Europe | 0:51:10 | 0:51:14 | |
to break a railway journey. | 0:51:14 | 0:51:16 | |
Having woken at my hotel in the clouds, it's time for me to descend | 0:51:34 | 0:51:38 | |
the mountain and continue my exploration of the Salzkammergut. | 0:51:38 | 0:51:42 | |
From medieval times, this region fuelled the wealth and power | 0:51:44 | 0:51:48 | |
of the Habsburg dynasty, who had a monopoly | 0:51:48 | 0:51:50 | |
on the valuable salt deposits hidden in the mountains. | 0:51:50 | 0:51:55 | |
But by the early 20th century, | 0:51:55 | 0:51:57 | |
the family was coming here by rail on holiday. | 0:51:57 | 0:51:59 | |
Their favourite bolt hole was Bad Ischl, | 0:52:00 | 0:52:03 | |
described in my 1913 guide as "a very fashionable resort." | 0:52:03 | 0:52:07 | |
To get there, my Bradshaw's outlines "a comparatively tame train ride | 0:52:08 | 0:52:12 | |
"of half an hour" on the Salzkammergut Local Railway. | 0:52:12 | 0:52:16 | |
But that service was closed in 1957, so I'm taking a very scenic route | 0:52:17 | 0:52:22 | |
to my final destination. | 0:52:22 | 0:52:24 | |
At Bad Ischl, my Bradshaw's tells me that the park of Imperial Villa | 0:52:30 | 0:52:35 | |
may be visited during absences of the family. | 0:52:35 | 0:52:39 | |
I'm headed for the place where, with a few strokes of the pen, | 0:52:39 | 0:52:42 | |
a Habsburg Emperor consigned his dynasty to history. | 0:52:42 | 0:52:46 | |
Just a year after my guidebook was published, the spa town of Bad Ischl | 0:52:56 | 0:53:00 | |
played a pivotal role in the events which led to the First World War. | 0:53:00 | 0:53:04 | |
But the story began half a century earlier, when this grand villa was | 0:53:07 | 0:53:11 | |
given to the Emperor Franz Josef by his mother, as a wedding present. | 0:53:11 | 0:53:15 | |
Nice to see you. | 0:53:18 | 0:53:19 | |
I'm taking a tour with historian Lothar Hobelt. | 0:53:19 | 0:53:22 | |
Now, Franz Josef was not necessarily a very happy man | 0:53:26 | 0:53:29 | |
during his life, was he happy here? | 0:53:29 | 0:53:31 | |
I think this is where, the part of the world he found easiest to relax. | 0:53:31 | 0:53:35 | |
So he came here almost every summer. | 0:53:35 | 0:53:38 | |
I mean, Franz Joseph was not a great man to relax, anyway. | 0:53:38 | 0:53:41 | |
A great pastime he enjoyed most was hunting. | 0:53:41 | 0:53:45 | |
One's of course got remember that that was the pastime for aristocrats | 0:53:45 | 0:53:49 | |
or the elite in general, just like golfing today. | 0:53:49 | 0:53:51 | |
And it was also a place where he could meet people informally, | 0:53:51 | 0:53:56 | |
you know? I mean, everything else is at a court like Franz Josef's | 0:53:56 | 0:54:00 | |
and he's a stickler for detail. Everything else is arranged | 0:54:00 | 0:54:02 | |
according to ceremonial, but with hunting | 0:54:02 | 0:54:05 | |
it gets a little more relaxed. | 0:54:05 | 0:54:07 | |
But soon after my guidebook was written, | 0:54:10 | 0:54:12 | |
events caught up with the Emperor even in his private paradise. | 0:54:12 | 0:54:16 | |
By the summer of 1914, simmering tensions with the neighbouring | 0:54:16 | 0:54:20 | |
Kingdom of Serbia had reached boiling point. | 0:54:20 | 0:54:24 | |
In June of that year, Franz Josef's nephew and heir, | 0:54:24 | 0:54:27 | |
Franz Ferdinand, was visiting the Empire's Balkan territories | 0:54:27 | 0:54:31 | |
when a Serbian nationalist took drastic action. | 0:54:31 | 0:54:35 | |
And he receives news here, does he, | 0:54:35 | 0:54:38 | |
of the assassination of the heir Franz Ferdinand in Sarajevo? | 0:54:38 | 0:54:43 | |
Yes. And I think he knew even then that this was going to mean war. | 0:54:43 | 0:54:48 | |
By 1914, Franz Josef was increasingly worried | 0:54:49 | 0:54:52 | |
about Serbia's aggressive nationalist ambitions, | 0:54:52 | 0:54:55 | |
and the assassination of the heir apparent was the final straw. | 0:54:55 | 0:54:59 | |
On 28th July, here in Bad Ischl, the Emperor declared war | 0:54:59 | 0:55:04 | |
on his troublesome neighbour. | 0:55:04 | 0:55:05 | |
Once the Emperor had signed the declaration of war at Bad Ischl, | 0:55:07 | 0:55:10 | |
does he go back to Vienna? | 0:55:10 | 0:55:11 | |
Yes, he does, and he leaves by train, of course, | 0:55:11 | 0:55:14 | |
and it seems he never came back to this house, because during wartime | 0:55:14 | 0:55:18 | |
it simply wasn't thought appropriate to take summer holidays. | 0:55:18 | 0:55:21 | |
Thanks to complex alliances, other powers were soon drawn into the conflict. | 0:55:22 | 0:55:27 | |
Germany sided with Austria-Hungary, | 0:55:27 | 0:55:30 | |
while Russia, allied to France, backed Serbia. | 0:55:30 | 0:55:33 | |
The Emperor's show of strength quickly snowballed | 0:55:34 | 0:55:36 | |
into a global war. | 0:55:36 | 0:55:38 | |
Franz Josef died in 1916. | 0:55:38 | 0:55:41 | |
And when German and Austro-Hungarian forces were defeated | 0:55:41 | 0:55:45 | |
two years later, his successor abdicated | 0:55:45 | 0:55:48 | |
as the empire crumbled around him. | 0:55:48 | 0:55:51 | |
But the Habsburg family didn't die out. | 0:55:51 | 0:55:53 | |
Amazingly, this villa is still family home to Markus Habsburg. | 0:55:53 | 0:55:58 | |
-Wilkommen. -How very nice to see you. Michael Portillo. -Come here. | 0:55:59 | 0:56:05 | |
So, I am addressing the great grandson of the Emperor Franz Josef. | 0:56:07 | 0:56:12 | |
-Ja. -What a great pleasure. | 0:56:12 | 0:56:13 | |
Having made his fateful decision, Franz Josef wrote to his peoples, | 0:56:13 | 0:56:18 | |
making the case for war. | 0:56:18 | 0:56:20 | |
And the manifesto that he produced was signed in this very room. | 0:56:20 | 0:56:24 | |
Yes, these are the four sheets of paper typewritten, | 0:56:24 | 0:56:28 | |
and it bears a signature of Franz Josef | 0:56:28 | 0:56:33 | |
and it was signed on 28 July 1914. | 0:56:33 | 0:56:37 | |
It was finally printed in all the newspapers | 0:56:37 | 0:56:42 | |
and in all the languages of the monarchy. | 0:56:42 | 0:56:45 | |
There were 13 languages in his empire. | 0:56:45 | 0:56:48 | |
The most important decision of Franz Josef's life? | 0:56:48 | 0:56:51 | |
It was heavy decision for him personally, | 0:56:51 | 0:56:56 | |
but an important decision in European history, unfortunately. | 0:56:56 | 0:57:01 | |
A very historic document and a very historic piece furniture. | 0:57:02 | 0:57:05 | |
On this journey, I've discovered the rich complexity of pre-war | 0:57:12 | 0:57:16 | |
Austria-Hungary. | 0:57:16 | 0:57:18 | |
An patchwork of nationalities, it was held together by one family | 0:57:18 | 0:57:22 | |
and its historic power. | 0:57:22 | 0:57:24 | |
But by the time my guidebook was published, | 0:57:24 | 0:57:27 | |
the seeds of its demise had already been sown. | 0:57:27 | 0:57:30 | |
When Franz Josef left here by train in 1914, he had unknowingly | 0:57:30 | 0:57:35 | |
sealed the fate of the Habsburg Empire. | 0:57:35 | 0:57:37 | |
The First World War destroyed it and Austria, Hungary | 0:57:37 | 0:57:41 | |
and the other countries went their separate ways. | 0:57:41 | 0:57:44 | |
My Bradshaw's has guided me through the Empire's twilight years | 0:57:44 | 0:57:48 | |
of extravagance and sensuality. Compared with the horrors | 0:57:48 | 0:57:53 | |
that were to befall those countries in the rest of the 20th Century, | 0:57:53 | 0:57:56 | |
it was an age of innocence. | 0:57:56 | 0:57:59 | |
Next time, I'll take to the tracks in the former German Empire, | 0:58:05 | 0:58:08 | |
Europe's industrial powerhouse... | 0:58:08 | 0:58:11 | |
I can actually see into everybody's window, | 0:58:11 | 0:58:13 | |
I can see into everybody's house. | 0:58:13 | 0:58:15 | |
..in its most scenic spots. | 0:58:15 | 0:58:17 | |
When on the Rhine, eat as Rhinelanders do. | 0:58:17 | 0:58:20 | |
I'll learn what attracted Edwardian tourists... | 0:58:20 | 0:58:23 | |
-Hello, my beauties! -Nice to meet you! | 0:58:23 | 0:58:25 | |
..and discover how its close ties with Britain were soon to be shattered. | 0:58:25 | 0:58:29 | |
So the two countries that went to war | 0:58:29 | 0:58:31 | |
-were ruled over by first cousins? -Yes, first cousins. | 0:58:31 | 0:58:34 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:38 |