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I'm embarking on a new railway adventure that will take me | 0:00:03 | 0:00:07 | |
across the heart of Europe. | 0:00:07 | 0:00:08 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:21 | |
It told travellers where to go, what to see, | 0:00:23 | 0:00:25 | |
and how to navigate the thousands of miles of tracks | 0:00:25 | 0:00:29 | |
crisscrossing the continent. | 0:00:29 | 0:00:31 | |
Now, a century later, I'm using my copy to reveal | 0:00:31 | 0:00:34 | |
an era of great optimism and energy | 0:00:34 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:41 | |
I want to rediscover that lost Europe that in 1913 could not know | 0:00:42 | 0:00:48 | |
its way of life would shortly be swept aside by the advent of war. | 0:00:48 | 0:00:52 | |
On the second part of my journey through Germany, I'll discover how | 0:01:11 | 0:01:14 | |
Kaiser Wilhelm II's fascination with all things military was threatening | 0:01:14 | 0:01:19 | |
the fragile balance of power in Europe. | 0:01:19 | 0:01:21 | |
The Navy built two battleships a year. | 0:01:21 | 0:01:24 | |
So, that was really a tremendous fleet. | 0:01:24 | 0:01:27 | |
I'll let Bradshaw's steer me towards Germany's music and culture... | 0:01:27 | 0:01:33 | |
HE SPEAKS GERMAN MENACINGLY | 0:01:33 | 0:01:36 | |
..see model railway making on the grandest of scales... | 0:01:36 | 0:01:41 | |
This is an absolute paradise for model lovers, | 0:01:41 | 0:01:45 | |
for anybody who loves trains. | 0:01:45 | 0:01:47 | |
..and sample Germany's favourite tipple... | 0:01:47 | 0:01:50 | |
-What does your expert palate tell you? -It is perfect, isn't it? | 0:01:50 | 0:01:53 | |
It's pretty good, isn't it? | 0:01:53 | 0:01:55 | |
My journey started in Dresden, | 0:01:58 | 0:02:00 | |
close to the border with the Czech Republic, | 0:02:00 | 0:02:03 | |
then headed north on Germany's oldest long distance railway line, | 0:02:03 | 0:02:06 | |
through the eastern states, to the musical city of Leipzig. | 0:02:06 | 0:02:10 | |
Continuing north into Lower Saxony, | 0:02:10 | 0:02:13 | |
I'll head to Braunschweig in the heart of Germany | 0:02:13 | 0:02:16 | |
before arriving at the prosperous port of Hamburg. | 0:02:16 | 0:02:20 | |
My journey will end at the home of Prussia's Imperial Navy. | 0:02:20 | 0:02:25 | |
Today, I'm in Leipzig. | 0:02:27 | 0:02:29 | |
My guidebook directs me to the Thomaskirche, or St Thomas's church, | 0:02:29 | 0:02:33 | |
with its lofty roof - very distinctive - | 0:02:33 | 0:02:36 | |
and its monument to Johann Sebastian Bach. | 0:02:36 | 0:02:39 | |
Now Bach was the so-called Thomaskantor here at the church | 0:02:39 | 0:02:43 | |
and more to the point, he wrote several cantatas | 0:02:43 | 0:02:46 | |
while he was in charge of the boys' choir here. | 0:02:46 | 0:02:49 | |
And he effectively established Leipzig as the musical capital | 0:02:49 | 0:02:53 | |
of Saxony, arguably of Europe. | 0:02:53 | 0:02:56 | |
I'm heading to a remarkable music school, | 0:03:01 | 0:03:04 | |
where the creativity of Bach | 0:03:04 | 0:03:06 | |
could be sustained and nurtured, | 0:03:06 | 0:03:08 | |
and one generation of genius could inspire the next. | 0:03:08 | 0:03:12 | |
I'm meeting conservatory librarian Barbara Wierman | 0:03:12 | 0:03:16 | |
at the Hochschule. | 0:03:16 | 0:03:18 | |
My Bradshaw's tells me | 0:03:18 | 0:03:20 | |
about the famous music conservatorium of Leipzig - | 0:03:20 | 0:03:24 | |
why was it so famous? | 0:03:24 | 0:03:25 | |
Oh, actually it was the first music conservatory in Germany. | 0:03:25 | 0:03:30 | |
Especially our founder, he's really famous - | 0:03:30 | 0:03:32 | |
that's Felix Mendelssohn Bartholdy, | 0:03:32 | 0:03:35 | |
and it was his idea to have a conservatory, | 0:03:35 | 0:03:38 | |
a music school in Leipzig. | 0:03:38 | 0:03:40 | |
He was a really good music politician. | 0:03:40 | 0:03:42 | |
He made politics here in Leipzig so that it became in his time, | 0:03:42 | 0:03:47 | |
the music town, Leipzig. Music city Leipzig. | 0:03:47 | 0:03:51 | |
The students of this elite music school were privileged indeed. | 0:03:51 | 0:03:55 | |
Not only did they study under a great composer, they were | 0:03:55 | 0:03:58 | |
also taught by the musicians of his Gewandhaus Orchestra. | 0:03:58 | 0:04:02 | |
I've brought you to the library to tell you about some | 0:04:02 | 0:04:05 | |
of our famous alumni and to show you some of the archival materials. | 0:04:05 | 0:04:09 | |
You must have had so many, I imagine. | 0:04:09 | 0:04:12 | |
Who are the most famous? | 0:04:12 | 0:04:13 | |
I think one of the most famous is Edward Grieg and Leos Janacek | 0:04:13 | 0:04:17 | |
and of course of interest to you is Arthur Sullivan. | 0:04:17 | 0:04:23 | |
# Three little maids from school are we | 0:04:23 | 0:04:25 | |
# Pert as a schoolgirl well can be | 0:04:25 | 0:04:27 | |
# Filled to the brim with girlish glee | 0:04:27 | 0:04:30 | |
# Three little maids from school... # | 0:04:30 | 0:04:34 | |
Arthur Sullivan, the composer half of Gilbert and Sullivan, | 0:04:34 | 0:04:37 | |
won the Royal Academy of Music's | 0:04:37 | 0:04:39 | |
first Mendelssohn Scholarship to study here. | 0:04:39 | 0:04:42 | |
Barbara wants to show me how the young Arthur fitted in. | 0:04:42 | 0:04:46 | |
If we have a look at our reports, there are two reports left. | 0:04:46 | 0:04:49 | |
He came here in 1858 and he left in 1861. | 0:04:49 | 0:04:54 | |
The reports say he was really good at composing. | 0:04:54 | 0:04:58 | |
He was a first violinist of the Gewandhaus Orchestra | 0:04:58 | 0:05:02 | |
and you must know the first violinist is also responsible for conducting. | 0:05:02 | 0:05:05 | |
He was very talented at conducting. | 0:05:05 | 0:05:09 | |
Good heavens. What's this here? | 0:05:09 | 0:05:11 | |
These are the programme notes of his final exam. | 0:05:11 | 0:05:16 | |
He played and conducted his own composition. | 0:05:16 | 0:05:21 | |
The Tempest, by Shakespeare. | 0:05:21 | 0:05:23 | |
Do you know how that was received? Was that well received? | 0:05:23 | 0:05:26 | |
It was very well received. | 0:05:26 | 0:05:29 | |
Here in Germany and when he returned to Britain. | 0:05:29 | 0:05:33 | |
I should think it was hard for the people in the conservatory | 0:05:33 | 0:05:36 | |
to imagine that Arthur Sullivan, | 0:05:36 | 0:05:37 | |
such a gifted conductor and composer, | 0:05:37 | 0:05:39 | |
would one day become famous for satirical operettas. | 0:05:39 | 0:05:43 | |
OK! | 0:05:43 | 0:05:45 | |
It was surprising, let's say! | 0:05:45 | 0:05:48 | |
In a city of so many students, | 0:06:03 | 0:06:05 | |
the 1913 traveller might not have been surprised | 0:06:05 | 0:06:08 | |
to find a jolly good pub. | 0:06:08 | 0:06:10 | |
In this most famous subterranean Leipzig haunt - | 0:06:17 | 0:06:20 | |
Auerbach's Keller - they could enjoy a hell of a good evening. | 0:06:20 | 0:06:24 | |
-Thank you very much. -This is a typical Saxony food. | 0:06:27 | 0:06:31 | |
Beef roulade with dumpling potatoes and red cabbage. | 0:06:31 | 0:06:36 | |
That does sound typically Saxon. | 0:06:36 | 0:06:39 | |
The dumpling potatoes... | 0:06:39 | 0:06:42 | |
are very solid. | 0:06:42 | 0:06:44 | |
They're chewy, but they really absorb the gravy. | 0:06:47 | 0:06:51 | |
The beef is stuffed with olives and other vegetables. | 0:06:51 | 0:06:55 | |
A very good meal. | 0:06:55 | 0:06:57 | |
MAN SPEAKS IN GERMAN | 0:06:57 | 0:07:00 | |
Johann Wolfgang von Goethe, the Shakespeare of Germany, | 0:07:11 | 0:07:14 | |
set a key scene of his tragedy Faust here. | 0:07:14 | 0:07:17 | |
HE SPEAKS GERMAN MENACINGLY | 0:07:20 | 0:07:22 | |
Faust sells his soul to the devil, | 0:07:23 | 0:07:25 | |
in return for knowledge and worldly pleasures. | 0:07:25 | 0:07:28 | |
Together, they visit the Keller, | 0:07:28 | 0:07:30 | |
where Goethe used to drink as a student. | 0:07:30 | 0:07:32 | |
MAN SPEAKS IN GERMAN | 0:07:32 | 0:07:36 | |
Well, I assume that those were lines from Goethe's Faust, | 0:07:40 | 0:07:43 | |
but I must say, this devil wouldn't tempt me to very much. | 0:07:43 | 0:07:46 | |
After devil and dumplings, I'm ready for heavenly sleep. | 0:07:46 | 0:07:51 | |
I'm up early, heading north from Leipzig station into Lower Saxony. | 0:08:04 | 0:08:08 | |
You can get a nice cooked breakfast on the German railways | 0:08:08 | 0:08:13 | |
but on this train, it's strictly self-service. | 0:08:13 | 0:08:15 | |
My destination today is Braunschweig or Brunswick, | 0:08:28 | 0:08:31 | |
and I'm changing at Magdeburg. | 0:08:31 | 0:08:34 | |
I'm supposed to have six minutes to make the change. | 0:08:34 | 0:08:36 | |
But this train is arriving late, so it's going to be a real chase. | 0:08:36 | 0:08:40 | |
Koln, bitte. | 0:08:47 | 0:08:49 | |
Links, danke. | 0:08:49 | 0:08:51 | |
The train for Koln, or Cologne, | 0:08:53 | 0:08:56 | |
stops at Brunswick, but it's three platforms away. | 0:08:56 | 0:08:59 | |
Ah! | 0:09:01 | 0:09:03 | |
Made it. | 0:09:09 | 0:09:11 | |
Relief. Now that I'm on the Brunswick train, | 0:09:12 | 0:09:15 | |
my journey should just take me just 45 minutes. | 0:09:15 | 0:09:18 | |
Helmstedt is an interesting station because in the old days, | 0:09:26 | 0:09:29 | |
this was the border between East Germany and West Germany. | 0:09:29 | 0:09:32 | |
Now of course there is no border and the trains go through smoothly. | 0:09:32 | 0:09:36 | |
And to the uninitiated like me, you can't tell the difference | 0:09:36 | 0:09:39 | |
between East and West Germany - it is now an entirely seamless country. | 0:09:39 | 0:09:43 | |
Brunswick is home to one of Germany's oldest breweries. | 0:09:47 | 0:09:52 | |
The Hofbrauhaus Wolters dates back to 1627 and by the 1880s, | 0:09:52 | 0:09:58 | |
they were brewers by appointment to the Duke of Brunswick. | 0:09:58 | 0:10:02 | |
Meike Bluhm is the brewmaster. | 0:10:02 | 0:10:04 | |
-Meike, hello. -Hi, Michael, nice meeting you here. | 0:10:04 | 0:10:07 | |
I notice straightaway that there are railway tracks here. | 0:10:07 | 0:10:11 | |
Historically, were the railways important for the brewery? | 0:10:11 | 0:10:13 | |
Absolutely. They were important for us to bring the raw materials | 0:10:13 | 0:10:17 | |
on to site, but also to transport the finished goods | 0:10:17 | 0:10:20 | |
to all over northern Germany. | 0:10:20 | 0:10:23 | |
Curiously, the railway also contributed | 0:10:23 | 0:10:25 | |
to the taste of the beer. | 0:10:25 | 0:10:28 | |
The steam locomotives running on this line | 0:10:28 | 0:10:30 | |
needed soft water in their boilers. | 0:10:30 | 0:10:34 | |
But Brunswick is a city of hard water, | 0:10:34 | 0:10:36 | |
so it had to be piped in from the Harz mountains, 40km away. | 0:10:36 | 0:10:41 | |
And the brewery was quick to use it, | 0:10:41 | 0:10:44 | |
giving its beer a purer, softer taste. | 0:10:44 | 0:10:47 | |
This is called the mash tun, where the malt grist | 0:10:48 | 0:10:52 | |
and water are mixed, | 0:10:52 | 0:10:55 | |
stirred and heated up to about 75 degrees. | 0:10:55 | 0:10:59 | |
-Which explains why it's so hot in here. -Absolutely. | 0:10:59 | 0:11:02 | |
And what happens when you mix the grain with the water like this? | 0:11:02 | 0:11:06 | |
What happens is that the enzymes in the grains | 0:11:06 | 0:11:08 | |
break down the starch into sugars. | 0:11:08 | 0:11:10 | |
And that sugar is later fermented into alcohol by the yeast. | 0:11:10 | 0:11:15 | |
Forgive me asking you, but is it quite unusual these days still | 0:11:15 | 0:11:18 | |
for a woman to be a master brewer? | 0:11:18 | 0:11:21 | |
It is still quite unusual, although times are changing | 0:11:21 | 0:11:24 | |
and there are a few to be found now in some breweries, | 0:11:24 | 0:11:27 | |
but I'm...a rarity. | 0:11:27 | 0:11:31 | |
A master brewer has to have a very good palate. | 0:11:31 | 0:11:34 | |
Is that true? | 0:11:34 | 0:11:35 | |
Are you born with it or are you trained to it? | 0:11:35 | 0:11:38 | |
That is true. You can be born with it. Some people are not. | 0:11:38 | 0:11:41 | |
There is a lot of training you have to undergo to develop | 0:11:41 | 0:11:45 | |
a palate for beer. | 0:11:45 | 0:11:47 | |
Tasting is still our most important quality check, | 0:11:47 | 0:11:50 | |
so we sample every batch, every day. | 0:11:50 | 0:11:53 | |
Were you born with a fine palate? | 0:11:53 | 0:11:54 | |
I do have a bit of a palate, yes. | 0:11:54 | 0:11:57 | |
And how did you discover that? | 0:11:57 | 0:11:59 | |
Don't want to answer that question! | 0:11:59 | 0:12:02 | |
I carry a guide book from 1913 and I'm wondering what would beer | 0:12:02 | 0:12:06 | |
have tasted like at the beginning of the 20th century, do you think? | 0:12:06 | 0:12:09 | |
It would have tasted more bitter than it tastes now, | 0:12:09 | 0:12:12 | |
and also a bit sweeter, that means more body. | 0:12:12 | 0:12:16 | |
I can give you a sample of beer that comes pretty close to what | 0:12:16 | 0:12:21 | |
beer would have tasted like 100 years ago. | 0:12:21 | 0:12:24 | |
It doesn't taste very bitter to me, it does taste a bit sweet. | 0:12:30 | 0:12:33 | |
Actually, it's pretty good. | 0:12:33 | 0:12:35 | |
What does your expert palate tell you? | 0:12:35 | 0:12:37 | |
-It's perfect, isn't it? -It's pretty good, isn't it? | 0:12:37 | 0:12:40 | |
Wolters produces around 270 million bottles and cans of beer a year, | 0:12:40 | 0:12:47 | |
all now transported by road. | 0:12:47 | 0:12:49 | |
But with nearly 200 kilometres between me and my hotel, | 0:12:51 | 0:12:55 | |
I'm definitely letting the train take the strain. | 0:12:55 | 0:12:58 | |
Hanover - I have to change trains here. | 0:13:06 | 0:13:08 | |
My next stop will be Hamburg. | 0:13:28 | 0:13:30 | |
According to my Bradshaw's, it's situated on the River Elbe | 0:13:30 | 0:13:33 | |
60 miles from the mouth of the river, | 0:13:33 | 0:13:36 | |
the second city of the German Empire. | 0:13:36 | 0:13:38 | |
It ranks in commercial importance | 0:13:38 | 0:13:41 | |
before any other town in continental Europe. | 0:13:41 | 0:13:44 | |
By 1913, the Great British ports of Liverpool | 0:13:44 | 0:13:47 | |
and London had to regard Hamburg as a serious rival. | 0:13:47 | 0:13:51 | |
Its huge port, that gives Hamburg this access to the world, | 0:13:55 | 0:13:59 | |
is situated in the heart of the city. | 0:13:59 | 0:14:01 | |
And as Germany's second largest city, | 0:14:02 | 0:14:05 | |
it's also one of Europe's most affluent. | 0:14:05 | 0:14:07 | |
Hamburg's main station is really awe-inspiring. | 0:14:18 | 0:14:22 | |
It was built in 1906, | 0:14:22 | 0:14:23 | |
apparently replacing four different terminal stations. | 0:14:23 | 0:14:27 | |
So for the traveller with the Bradshaw's Guide in 1913, | 0:14:27 | 0:14:30 | |
it would have been new. | 0:14:30 | 0:14:32 | |
It is, they say, the busiest station in Germany, | 0:14:32 | 0:14:35 | |
the second busiest in all of Europe after Paris' Gare du Nord, | 0:14:35 | 0:14:39 | |
and this evening it really feels like it. | 0:14:39 | 0:14:42 | |
Time, I think, to find the quiet sanctuary of my hotel. | 0:14:45 | 0:14:48 | |
When I think of Hamburg, I picture a busy industrial port. | 0:15:05 | 0:15:10 | |
Its beauty is an unexpected bonus. | 0:15:10 | 0:15:13 | |
The Bradshaw's Guide loves to list major engineering feats. | 0:15:26 | 0:15:30 | |
"Under the Elbe is a double tunnel for pedestrians and vehicles, | 0:15:30 | 0:15:34 | |
"490 yards long, made at a cost of over £500,000." | 0:15:34 | 0:15:40 | |
With that tone of enthusiasm, this has to be worth seeing. | 0:15:40 | 0:15:43 | |
By the early 1900s, Hamburg's traffic problems were chronic. | 0:15:50 | 0:15:55 | |
The roads were hectic, and the river even worse. | 0:15:55 | 0:15:58 | |
The solution was to dig the Sankt Pauli Elbtunnel, | 0:15:58 | 0:16:03 | |
and this grand entrance hall is the way in. | 0:16:03 | 0:16:06 | |
Well, this is built on an extraordinary scale. | 0:16:06 | 0:16:10 | |
But it's not just the size of it, it is the architectural grandeur. | 0:16:10 | 0:16:14 | |
It's been built like the Pantheon in Rome and it's beautifully tiled | 0:16:14 | 0:16:19 | |
and here I see reliefs - I imagine these are the engineers | 0:16:19 | 0:16:23 | |
and the architects immortalised in statues, and quite rightly so. | 0:16:23 | 0:16:30 | |
Four huge lifts on either side of the river carry pedestrians, | 0:16:37 | 0:16:41 | |
cyclists and motor vehicles to the bottom... | 0:16:41 | 0:16:44 | |
..where they enter two narrow tunnels | 0:16:47 | 0:16:50 | |
taking traffic backwards and forwards. | 0:16:50 | 0:16:52 | |
Hello, Hartmut. | 0:16:55 | 0:16:57 | |
-Hello, Michael. Welcome to the Old Elbe Tunnel. -Thank you very much. | 0:16:57 | 0:17:00 | |
-I'm finding it impressive and beautiful. -Yes, it is. | 0:17:00 | 0:17:04 | |
'Hartmut Graf is the head engineer | 0:17:04 | 0:17:06 | |
'responsible for keeping the tunnel running.' | 0:17:06 | 0:17:08 | |
When was it actually built? | 0:17:08 | 0:17:10 | |
It was built up to 1911 and it was planned up to 1905. | 0:17:10 | 0:17:17 | |
And the planning was heavily influenced by the Glasgow tunnel. | 0:17:17 | 0:17:20 | |
The decision to build a tunnel, rather than a bridge? | 0:17:20 | 0:17:24 | |
The port was too active for a bridge and the ships were too big. | 0:17:24 | 0:17:30 | |
It's a pretty active tunnel, isn't it? | 0:17:30 | 0:17:32 | |
But at just over 100 years old, the tunnel is showing signs of age. | 0:17:34 | 0:17:39 | |
Ready. | 0:17:42 | 0:17:43 | |
'And major restoration work is being carried out on the second bore.' | 0:17:43 | 0:17:47 | |
This is amazing, because you have obviously taken the tunnel | 0:17:49 | 0:17:52 | |
back to its original skin. | 0:17:52 | 0:17:55 | |
What is the job you are doing now? | 0:17:55 | 0:17:58 | |
The main job we are doing here at the moment is to renew the lead. | 0:17:58 | 0:18:03 | |
How long will this job take you? | 0:18:03 | 0:18:05 | |
It's taken already nearly two years | 0:18:05 | 0:18:08 | |
and it will take us up to 2016. | 0:18:08 | 0:18:12 | |
So why is Hamburg spending the money on these tunnels, do you think? | 0:18:12 | 0:18:17 | |
Because this is a thing which is very important to all Hamburg people | 0:18:17 | 0:18:23 | |
and they don't want to miss it. | 0:18:23 | 0:18:25 | |
Well, thanks to you, they're not going to miss it. | 0:18:25 | 0:18:29 | |
This might seem like a DIY job, | 0:18:29 | 0:18:31 | |
but this is to protect future generations from lead poisoning. | 0:18:31 | 0:18:35 | |
I'm delighted that this engineering heritage | 0:18:37 | 0:18:39 | |
is being celebrated and restored. | 0:18:39 | 0:18:42 | |
My next stop isn't old at all, | 0:18:47 | 0:18:50 | |
but if Bradshaw's was to be republished today, | 0:18:50 | 0:18:52 | |
this place would secure an enthusiastic mention. | 0:18:52 | 0:18:56 | |
Hamburg is home to the greatest model railway in the world. | 0:18:56 | 0:19:01 | |
Miniatur Wunderland has 13,000 metres of track, | 0:19:11 | 0:19:16 | |
covering an area of 1,300 square metres, | 0:19:16 | 0:19:20 | |
divided up into eight huge sections representing different countries. | 0:19:20 | 0:19:25 | |
I'm meeting one of the model's founders, Sebastian Drechsler. | 0:19:28 | 0:19:32 | |
Sebastian, this is an absolute paradise for model lovers, | 0:19:35 | 0:19:40 | |
for children, for adults, for anybody who loves trains. | 0:19:40 | 0:19:43 | |
It's fantastic. | 0:19:43 | 0:19:45 | |
And you have now established the largest model railway in the world? | 0:19:45 | 0:19:48 | |
Already, since we opened up Switzerland, | 0:19:48 | 0:19:51 | |
we are the largest model railway. | 0:19:51 | 0:19:53 | |
Now, where is the United Kingdom? I thought I might go there. | 0:19:53 | 0:19:56 | |
It's only in our heads. | 0:19:56 | 0:19:59 | |
No United Kingdom? | 0:19:59 | 0:20:01 | |
Not now, because we need the perfect space for the motherland | 0:20:01 | 0:20:05 | |
of railways and we need to have such a huge space. | 0:20:05 | 0:20:09 | |
We want to build a spectacular United Kingdom. | 0:20:09 | 0:20:13 | |
This is our control room, | 0:20:14 | 0:20:16 | |
the core of everything in Miniatur Wunderland. | 0:20:16 | 0:20:19 | |
It's so impressive. | 0:20:19 | 0:20:21 | |
It looks like the control room of a real railway, just astonishing. | 0:20:21 | 0:20:24 | |
We have 265 cameras on the whole layout | 0:20:24 | 0:20:28 | |
because there are train accidents all over the layout. | 0:20:28 | 0:20:31 | |
Because someone is running and searching for the train, | 0:20:31 | 0:20:34 | |
where exactly it is, | 0:20:34 | 0:20:35 | |
we first localise the train with the cameras | 0:20:35 | 0:20:38 | |
and then go to fix the problem. | 0:20:38 | 0:20:40 | |
So the guys working here, I imagine if one day they were asked | 0:20:40 | 0:20:44 | |
to go and work for the German railways, | 0:20:44 | 0:20:47 | |
-they could do the transition. -They could. | 0:20:47 | 0:20:50 | |
The wonder of this miniature world is its attention to tiny detail. | 0:20:52 | 0:20:57 | |
Every one of the 250,000 inhabitants has a story. | 0:20:57 | 0:21:03 | |
And model maker Sonia Schroder | 0:21:03 | 0:21:05 | |
is going to show me how they come to life. | 0:21:05 | 0:21:08 | |
-Well, I hope you have your spectacles? -I do. | 0:21:08 | 0:21:11 | |
So, first you should dip your brush into the water. Just slightly. | 0:21:11 | 0:21:17 | |
And you definitely should start with the pink shirt. | 0:21:18 | 0:21:22 | |
'If you haven't worked it out yet, Sonia is coaching me | 0:21:22 | 0:21:25 | |
'to paint a mini me.' | 0:21:25 | 0:21:27 | |
Try to paint around your hand and booklet. | 0:21:27 | 0:21:31 | |
You're doing well. | 0:21:32 | 0:21:34 | |
Just do little, little paint strips. | 0:21:34 | 0:21:38 | |
'Now I begin to understand the high standards they set themselves.' | 0:21:38 | 0:21:42 | |
My Bradshaw is about 2% of the size of me. | 0:21:44 | 0:21:49 | |
So this is quite a small target. | 0:21:49 | 0:21:51 | |
Not bad. You know what, Michael? | 0:21:54 | 0:21:57 | |
I can tell you did neither party last night | 0:21:57 | 0:22:00 | |
or drink coffee this morning. | 0:22:00 | 0:22:02 | |
Is that right? Does my Bradshaw look big in this? | 0:22:02 | 0:22:04 | |
Eagle-eyed tourists in Wunderland can now spot | 0:22:06 | 0:22:09 | |
a brightly-coloured fellow clutching a red book. | 0:22:09 | 0:22:12 | |
He's marooned in perpetuity in the middle of Hamburg Station. | 0:22:12 | 0:22:16 | |
There are uglier places to spend eternity. | 0:22:16 | 0:22:19 | |
Although I could quite happily linger with my alter-ego, | 0:22:30 | 0:22:33 | |
the tracks are calling, and the scent of the Baltic Sea. | 0:22:33 | 0:22:37 | |
At the time of my Bradshaw's, | 0:22:39 | 0:22:41 | |
Kaiser Wilhelm's Germany sought colonial and naval power. | 0:22:41 | 0:22:46 | |
Locked in a naval race with Britain, | 0:22:46 | 0:22:49 | |
he'd already built a fleet of 39 warships based at Kiel. | 0:22:49 | 0:22:54 | |
As tensions grew, the Kaiser's navy needed a quick and safe route | 0:22:54 | 0:22:58 | |
from the Baltic to face the British in the North Sea. | 0:22:58 | 0:23:02 | |
To sail north round Denmark's Jutland Peninsula | 0:23:02 | 0:23:05 | |
was dangerous and a diversion of 250 nautical miles. | 0:23:05 | 0:23:10 | |
But the Kiel canal was too narrow for warships. | 0:23:10 | 0:23:14 | |
So the Kaiser undertook a massive widening, | 0:23:14 | 0:23:16 | |
all along the canal's 100km. | 0:23:16 | 0:23:20 | |
And today, that feat of German engineering is still in use, | 0:23:20 | 0:23:25 | |
with close to 35,000 ships a year passing through. | 0:23:25 | 0:23:29 | |
Now to test my sea legs. | 0:23:31 | 0:23:34 | |
-Ahoy, skipper. Happy to receive boarders? -Yes, please. | 0:23:35 | 0:23:39 | |
What a wonderful vessel! | 0:23:41 | 0:23:42 | |
Yes, a racing yacht from the turn of the last century. | 0:23:42 | 0:23:46 | |
It's absolutely beautiful, thank you so much for having me on board. | 0:23:46 | 0:23:50 | |
With Andreas Neubau, President of the Kiel Sailing Association, | 0:23:52 | 0:23:56 | |
I can experience why the Kaiser was so captivated by yachting. | 0:23:56 | 0:24:00 | |
So, Andreas, we've left the British Kiel Yacht Club behind us. | 0:24:03 | 0:24:06 | |
-Where are we now? -We are right in the middle of the Kiel Fjord. | 0:24:06 | 0:24:10 | |
And, of course, it's one of the | 0:24:10 | 0:24:12 | |
most important sailing areas in the whole world. | 0:24:12 | 0:24:15 | |
So this is very much the equivalent of Cowes. | 0:24:15 | 0:24:18 | |
You have a Kiel Week as we have a Cowes Week. | 0:24:18 | 0:24:21 | |
Yes, and the Kaiser had a special interest in Cowes Week | 0:24:21 | 0:24:25 | |
and so he really copied it. | 0:24:25 | 0:24:27 | |
This international racing attracted some impressive competition. | 0:24:28 | 0:24:32 | |
The Kaiser's biggest rival was his uncle, British King Edward VII. | 0:24:32 | 0:24:37 | |
But the yachtsmen couldn't have failed to notice | 0:24:37 | 0:24:40 | |
the significance of the growing presence of warships. | 0:24:40 | 0:24:44 | |
The navy built two battleships a year, | 0:24:45 | 0:24:48 | |
so in the end they had 39 battleships. | 0:24:48 | 0:24:51 | |
So this was really a tremendous fleet. | 0:24:51 | 0:24:54 | |
Now declassified documents show that by 1913, | 0:24:54 | 0:24:58 | |
British intelligence was already monitoring the growing threat, | 0:24:58 | 0:25:02 | |
using British yachtsmen to do the surveillance. | 0:25:02 | 0:25:06 | |
I feel a little bit like Carruthers in that novel, | 0:25:06 | 0:25:10 | |
you know that novel The Riddle Of The Sands, | 0:25:10 | 0:25:13 | |
about a couple of British guys who go spying on the German navy. | 0:25:13 | 0:25:17 | |
Oh, there were many spies. | 0:25:17 | 0:25:21 | |
For instance, the Sunbeam from Lord Brassey came here one year. | 0:25:21 | 0:25:25 | |
And the old lord let himself row into a submarine pen. | 0:25:25 | 0:25:31 | |
Of course, they didn't make much of it | 0:25:31 | 0:25:33 | |
but this was, of course, a little spy tour. | 0:25:33 | 0:25:36 | |
The intelligence conveyed the stark news that by 1913, | 0:25:38 | 0:25:41 | |
Britain faced an ambitious rival with a formidable navy. | 0:25:41 | 0:25:45 | |
And as the yachts gathered for Kiel Week a year later, | 0:25:47 | 0:25:51 | |
Europe was slipping towards war. | 0:25:51 | 0:25:53 | |
The spark was the assassination by a Serb in Sarajevo | 0:25:54 | 0:25:57 | |
of Archduke Franz Ferdinand, | 0:25:57 | 0:26:00 | |
the heir to the throne of the Austro-Hungarian empire. | 0:26:00 | 0:26:03 | |
And the Kaiser heard the news aboard his yacht. | 0:26:06 | 0:26:09 | |
Over the fjord came the little boat of Admiral von Muller. | 0:26:11 | 0:26:16 | |
He said, "I have an urgent message here." | 0:26:16 | 0:26:21 | |
He put it into his cigarette box | 0:26:21 | 0:26:25 | |
and threw it on board. | 0:26:25 | 0:26:26 | |
And there, the Kaiser had it. | 0:26:28 | 0:26:30 | |
That was the last weekend in June | 0:26:30 | 0:26:33 | |
and by the beginning of August, Europe was at war. | 0:26:33 | 0:26:36 | |
Events in the Balkans set off a chain reaction. | 0:26:38 | 0:26:41 | |
Germany encouraged its Austro-Hungarian ally | 0:26:41 | 0:26:44 | |
to strike back against Serbia. | 0:26:44 | 0:26:47 | |
The alliance of Russia and France prepared for war, | 0:26:47 | 0:26:49 | |
as armies mobilised across Europe. | 0:26:49 | 0:26:52 | |
Germany marched through Belgium to strike at France | 0:26:53 | 0:26:57 | |
and Britain was obliged to act in her defence. | 0:26:57 | 0:27:00 | |
British Foreign Secretary, Lord Grey, lamented, | 0:27:01 | 0:27:05 | |
"The lamps are going out all over Europe. | 0:27:05 | 0:27:09 | |
"We shall not see them lit again in our lifetime." | 0:27:09 | 0:27:12 | |
Over the next four years, | 0:27:18 | 0:27:20 | |
Europe squandered the benefits of peace and progress | 0:27:20 | 0:27:24 | |
in a savage, mechanised war. | 0:27:24 | 0:27:26 | |
During the 19th century, the railways helped to bring together | 0:27:28 | 0:27:31 | |
the culture of Dresden, the musicality of Leipzig, | 0:27:31 | 0:27:35 | |
the trading power of Hamburg, and the economic might of Berlin. | 0:27:35 | 0:27:39 | |
The new Germany was an industrial, scientific and artistic giant, | 0:27:39 | 0:27:44 | |
elbowing Britain aside in the European league tables. | 0:27:44 | 0:27:48 | |
Sadly, statesmen did not appreciate | 0:27:48 | 0:27:51 | |
that the enviable prosperity and civilisation of Germany | 0:27:51 | 0:27:55 | |
depended on the absence of war. | 0:27:55 | 0:27:57 | |
'Next time, I lose my inhibitions in a Swedish sauna... | 0:27:59 | 0:28:03 | |
On the whole, I don't take my clothes off | 0:28:03 | 0:28:05 | |
with people I don't know. | 0:28:05 | 0:28:07 | |
'..ride one of the world's oldest fairground attractions...' | 0:28:07 | 0:28:10 | |
Ohhhh! | 0:28:10 | 0:28:12 | |
'..have a Highland fling, Scandinavian style, | 0:28:12 | 0:28:15 | |
'and brave a white knuckle ride | 0:28:15 | 0:28:18 | |
'based on a winter sport invented by Norwegians.' | 0:28:18 | 0:28:21 | |
One of the great experiences of my life! | 0:28:25 | 0:28:28 |