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I'm embarking on a new railway adventure that will take me | 0:00:02 | 0:00:05 | |
across the heart of Europe. | 0:00:05 | 0:00:07 | |
I'll be using this - | 0:00:10 | 0:00:12 | |
my Bradshaw's Continental Railway Guide, dated 1913, which | 0:00:12 | 0:00:17 | |
opened up an exotic world of foreign travel for the British tourist. | 0:00:17 | 0:00:22 | |
'It told travellers where to go, what to see and how to navigate | 0:00:22 | 0:00:26 | |
'the thousands of miles of tracks crisscrossing the continent. | 0:00:26 | 0:00:30 | |
'Now, a century later, | 0:00:30 | 0:00:32 | |
'I'm using my copy to reveal an era of great optimism and energy, | 0:00:32 | 0:00:36 | |
'where technology, industry, science and the arts were flourishing.' | 0:00:36 | 0:00:41 | |
I want to rediscover that lost Europe that, in 1913, couldn't know | 0:00:42 | 0:00:47 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:47 | 0:00:52 | |
I'm beginning a new journey through Denmark, Sweden and Norway, | 0:01:10 | 0:01:14 | |
which, until the early 16th century, | 0:01:14 | 0:01:17 | |
were all ruled by a powerful Danish monarchy. | 0:01:17 | 0:01:20 | |
By the time of my guidebook in 1913, | 0:01:20 | 0:01:23 | |
the three were politically separate, | 0:01:23 | 0:01:26 | |
but known collectively as Scandinavia. | 0:01:26 | 0:01:29 | |
The British traveller could now visit | 0:01:29 | 0:01:31 | |
the extreme landscapes of mountains and lakes thanks to the railways. | 0:01:31 | 0:01:35 | |
'At the turn of the 20th century, | 0:01:37 | 0:01:38 | |
'British tourists would have felt a particular connection to | 0:01:38 | 0:01:41 | |
'Scandinavia, thanks to the marriage of the future King Edward VII | 0:01:41 | 0:01:46 | |
'to the Danish Princess Alexandra in 1863. | 0:01:46 | 0:01:50 | |
'Their daughter Maud would go on to become Queen of Norway, | 0:01:50 | 0:01:53 | |
'forging further strong links | 0:01:53 | 0:01:55 | |
'between Britain and these Nordic lands. | 0:01:55 | 0:01:58 | |
'My adventure begins in Denmark's capital Copenhagen, crosses | 0:02:00 | 0:02:04 | |
'the famous Oresund Bridge to Malmo in Sweden, | 0:02:04 | 0:02:07 | |
'then travels north along Sweden's west coast to Gothenburg, | 0:02:07 | 0:02:11 | |
'stopping briefly in Trollhatten | 0:02:11 | 0:02:13 | |
'before heading to Norway's capital, Oslo. | 0:02:13 | 0:02:16 | |
'Along the way, I lose my inhibitions in a Swedish sauna...' | 0:02:17 | 0:02:21 | |
On the whole, | 0:02:21 | 0:02:22 | |
I don't take my clothes off with people I don't know. | 0:02:22 | 0:02:24 | |
'..ride one of the world's oldest fairground attractions...' | 0:02:24 | 0:02:28 | |
Oh! | 0:02:28 | 0:02:29 | |
'..have a Highland fling, Scandinavian style...' | 0:02:29 | 0:02:32 | |
ALL: Skol! | 0:02:32 | 0:02:34 | |
'..and brave a white-knuckle ride | 0:02:36 | 0:02:38 | |
'based on a winter sport invented by Norwegians.' | 0:02:38 | 0:02:42 | |
Whee-hoo! | 0:02:42 | 0:02:44 | |
One of the great experiences of my life. | 0:02:46 | 0:02:48 | |
My first stop is the Danish capital Copenhagen. | 0:02:55 | 0:02:58 | |
My Bradshaw's quips that, "Denmark is a little monarchy, | 0:02:58 | 0:03:02 | |
"formerly more extensive, between the North Sea and the Baltic." | 0:03:02 | 0:03:06 | |
Copenhagen is the economic, political | 0:03:10 | 0:03:12 | |
and cultural centre of Denmark. | 0:03:12 | 0:03:14 | |
It started life in the 11th century as a Viking fishing port. | 0:03:20 | 0:03:24 | |
Surrounded by water and interlaced with canals, | 0:03:24 | 0:03:27 | |
it's a veritable Venice of the North. | 0:03:27 | 0:03:31 | |
It is connected to Stockholm, Hamburg, Berlin | 0:03:33 | 0:03:36 | |
and beyond by the railways. | 0:03:36 | 0:03:38 | |
Copenhagen's main railway station was, in fact, | 0:03:44 | 0:03:46 | |
new at the time of my Bradshaw's guide | 0:03:46 | 0:03:49 | |
but, built as it is out of traditional wooden trusses, | 0:03:49 | 0:03:52 | |
it has the feeling of a Gothic banqueting hall - | 0:03:52 | 0:03:54 | |
perhaps a way of reminding us that the Danish monarchy traces its | 0:03:54 | 0:03:58 | |
origins back more than 1,000 years to the middle of the 10th century. | 0:03:58 | 0:04:02 | |
'According to my guide, Copenhagen is one of the pleasantest | 0:04:10 | 0:04:15 | |
'of the smaller capitals of Europe.' | 0:04:15 | 0:04:17 | |
And 100 years on, | 0:04:18 | 0:04:20 | |
the historic skyline is unspoiled by high-rise buildings. | 0:04:20 | 0:04:24 | |
On leaving the railway station, | 0:04:33 | 0:04:35 | |
travellers would have noticed at once one of the oldest | 0:04:35 | 0:04:38 | |
amusement parks in the world - the Tivoli Gardens. | 0:04:38 | 0:04:41 | |
'Ellen Dahl knows all about it.' | 0:04:48 | 0:04:50 | |
-Ellen, hello. -Hello. | 0:04:50 | 0:04:52 | |
What is the origin of the Tivoli Gardens at Copenhagen? | 0:04:52 | 0:04:56 | |
When Tivoli was founded in 1843, it was a big fashion all over Europe. | 0:04:56 | 0:05:00 | |
So this was the first place in Denmark you could actually | 0:05:00 | 0:05:03 | |
go into the public domain and see people and have fun | 0:05:03 | 0:05:05 | |
and have a meal and see a show and just be out. | 0:05:05 | 0:05:10 | |
Now, if I've got this right, the railway came after Tivoli Gardens. | 0:05:10 | 0:05:14 | |
-It started in 1847, didn't it, the railway? -That's true, yes. | 0:05:14 | 0:05:16 | |
And the first railway station in Copenhagen was just next to | 0:05:16 | 0:05:21 | |
Tivoli, so just a little more west. | 0:05:21 | 0:05:23 | |
And people would stand inside Tivoli to look out on the railways | 0:05:23 | 0:05:28 | |
and see the trains, because they'd never seen anything like it. | 0:05:28 | 0:05:31 | |
And, vice versa, people would stand in the train station | 0:05:31 | 0:05:34 | |
and look into Tivoli and see all the fun going on in here. | 0:05:34 | 0:05:37 | |
What does Tivoli mean to the people of Copenhagen? | 0:05:37 | 0:05:40 | |
Well, Tivoli is somewhere that everybody has been. | 0:05:40 | 0:05:44 | |
People have very fond memories of Tivoli, so they tend to get | 0:05:44 | 0:05:49 | |
very attached to things that are in Tivoli and they tend to want | 0:05:49 | 0:05:52 | |
to relive childhood memories, actually, when they are here. | 0:05:52 | 0:05:56 | |
I'd like to return to childhood myself, | 0:05:59 | 0:06:02 | |
on the most popular attraction in Tivoli. | 0:06:02 | 0:06:04 | |
Every year, up to 1.3 million thrill-seekers | 0:06:04 | 0:06:08 | |
ride this wooden roller coaster. | 0:06:08 | 0:06:10 | |
Dating from 1914, it is one of the oldest of its kind in the world. | 0:06:12 | 0:06:17 | |
How much has it changed, then, in the last century? | 0:06:20 | 0:06:23 | |
It's extremely authentic. | 0:06:23 | 0:06:25 | |
Of course, things have been maintained | 0:06:25 | 0:06:28 | |
and things have been changed, | 0:06:28 | 0:06:30 | |
in terms of actual boards and rails and things like that, | 0:06:30 | 0:06:33 | |
but the ride is as you would have seen it 100 years ago. | 0:06:33 | 0:06:38 | |
I can't wait any longer. | 0:06:39 | 0:06:41 | |
-Ellen, this will be fun. -Are you all right? | 0:06:41 | 0:06:43 | |
-Yeah. I like roller coasters. -Don't stand up. | 0:06:43 | 0:06:47 | |
-Hold your arms inside the carriage, yeah? -And keep hold of Bradshaw. | 0:06:47 | 0:06:50 | |
Hold on to your book. | 0:06:50 | 0:06:51 | |
The roller coaster is pulled up to the top of the first incline, | 0:06:55 | 0:06:58 | |
the highest point, and then gravity takes over. | 0:06:58 | 0:07:02 | |
You have to put your arms up, yeah? | 0:07:02 | 0:07:04 | |
Aaa-oh! | 0:07:04 | 0:07:06 | |
HE LAUGHS | 0:07:06 | 0:07:09 | |
Oh, my bottom was well off the seat there. | 0:07:13 | 0:07:16 | |
That's what they call air time. That's the fun of it. | 0:07:16 | 0:07:19 | |
'Tivoli is Scandinavia's most popular attraction. | 0:07:19 | 0:07:23 | |
'Over four million visitors a year enjoy the rides.' | 0:07:23 | 0:07:26 | |
-Oh, Ellen, that was brilliant. -Did you enjoy it? | 0:07:28 | 0:07:31 | |
My bottom was in the air more than it was on the seat. | 0:07:31 | 0:07:34 | |
After that excitement, I'll seek a classic theme park refreshment. | 0:07:36 | 0:07:41 | |
-Hello. -Hello, Michael. Welcome. -Thank you, Kjeld. | 0:07:41 | 0:07:44 | |
This looks like a very traditional ice cream salon. | 0:07:44 | 0:07:47 | |
How long has it been going? | 0:07:47 | 0:07:49 | |
It's been going on for more than 100 years. Since 1906. | 0:07:49 | 0:07:52 | |
-Has it been in the family? -Yes. See the picture up there in the corner? | 0:07:52 | 0:07:55 | |
The small boy over there, that's my grandad, back in 1906. | 0:07:55 | 0:07:59 | |
-That's amazing. -Yeah. | 0:07:59 | 0:08:01 | |
Kjeld's family have been using the same recipe for waffle cones | 0:08:01 | 0:08:04 | |
for over a century. | 0:08:04 | 0:08:06 | |
Let's see whether I can master the age-old technique. | 0:08:06 | 0:08:10 | |
-OK, here goes. -Yeah. -Right. So, I lift the waffle. -Yeah. | 0:08:10 | 0:08:15 | |
-And that one. -I turn this around. I give it a small squirt. -Perfect. | 0:08:15 | 0:08:19 | |
Yes. So far, so good. | 0:08:19 | 0:08:21 | |
The difficult bit is still to come. | 0:08:23 | 0:08:26 | |
A small squeeze. | 0:08:26 | 0:08:28 | |
And now we just wait. | 0:08:28 | 0:08:29 | |
Now is going to be the tricky part. | 0:08:29 | 0:08:32 | |
-Lift up? -Yeah. | 0:08:32 | 0:08:34 | |
-Close that up. -Next one. | 0:08:34 | 0:08:36 | |
The difficult thing here is to get that fold working just right. | 0:08:36 | 0:08:42 | |
-Nice and easy. -Nice and easy. And put it down there. | 0:08:42 | 0:08:45 | |
-And put it down there. -Yeah. -Sort of. | 0:08:45 | 0:08:48 | |
This is almost perfect. Almost. | 0:08:48 | 0:08:50 | |
'I had no idea that waffle cone making was such a precision art.' | 0:08:50 | 0:08:55 | |
I hope that was worth it cos my fingers are burning. | 0:08:55 | 0:09:00 | |
I hope it tastes as good as it looks. | 0:09:00 | 0:09:02 | |
Mm! My visit to Tivoli has given me | 0:09:04 | 0:09:07 | |
a real flavour of an amusement garden, 1913 style. | 0:09:07 | 0:09:12 | |
'In the early 20th century, | 0:09:17 | 0:09:18 | |
'the Tivoli Gardens were a great leveller - | 0:09:18 | 0:09:21 | |
'a place where both rich and poor came to enjoy themselves.' | 0:09:21 | 0:09:24 | |
Hurrah, two! | 0:09:24 | 0:09:25 | |
But elsewhere in Copenhagen, | 0:09:34 | 0:09:36 | |
the social divide was more rigidly observed | 0:09:36 | 0:09:39 | |
and nowhere more so than at the Amalienborg. | 0:09:39 | 0:09:41 | |
These four near-identical palaces are still home | 0:09:46 | 0:09:49 | |
to the Danish royal family. | 0:09:49 | 0:09:51 | |
Around the time of my guide, the connection with | 0:09:52 | 0:09:55 | |
Buckingham Palace naturally drew many British visitors. | 0:09:55 | 0:09:58 | |
Historian Knud Jespersen knows more. | 0:10:02 | 0:10:04 | |
How did it happen, then, | 0:10:05 | 0:10:07 | |
that Princess Alexandra married the British Prince of Wales? | 0:10:07 | 0:10:10 | |
I think that the key person in this process | 0:10:10 | 0:10:13 | |
was Edward's elder sister, Vicky, | 0:10:13 | 0:10:16 | |
who was Crown Princess in Prussia and who had taken it upon herself | 0:10:16 | 0:10:22 | |
to find an appropriate spouse for her little brother. | 0:10:22 | 0:10:27 | |
They sent pictures to Edward, who rejected them one after one. | 0:10:27 | 0:10:32 | |
Then she also sent the picture of beautiful Alexandra. | 0:10:32 | 0:10:38 | |
Then he was very pleased with that so some secret meetings were arranged | 0:10:47 | 0:10:52 | |
at different places in Germany, | 0:10:52 | 0:10:55 | |
and it ended up with a wedding in 1863. | 0:10:55 | 0:10:58 | |
The marriage at Windsor took place amid great ceremonial. | 0:11:00 | 0:11:04 | |
The British welcomed Alexandra with a poem | 0:11:04 | 0:11:06 | |
written by Alfred Lord Tennyson, the Poet Laureate, | 0:11:06 | 0:11:09 | |
celebrating the ancient links between the nations. | 0:11:09 | 0:11:13 | |
"Sea-kings' daughter from over the sea, Alexandra! | 0:11:13 | 0:11:17 | |
"Saxon and Norman and Dane are we | 0:11:17 | 0:11:20 | |
"But all of us Danes in our welcome of thee, Alexandra!" | 0:11:20 | 0:11:24 | |
A successful marriage between Alexandra and Edward VII? | 0:11:26 | 0:11:30 | |
I think so. I think Alexandra was a very tolerant woman, | 0:11:30 | 0:11:34 | |
who endured all Edward's affairs. | 0:11:34 | 0:11:37 | |
-Was she popular in Britain? -I think so. | 0:11:37 | 0:11:40 | |
She had a good social instinct | 0:11:40 | 0:11:44 | |
so she could communicate with | 0:11:44 | 0:11:47 | |
the upper class at the court and also with the common people. | 0:11:47 | 0:11:53 | |
Alexandra was the Diana of her day, | 0:11:53 | 0:11:56 | |
and not the only member of her family to grace a European throne. | 0:11:56 | 0:12:00 | |
One brother became the King of Denmark. Another, King of Greece. | 0:12:01 | 0:12:05 | |
And her sister, Dagmar, Empress of Russia. | 0:12:05 | 0:12:09 | |
I'm interested, you know, these two women, Alexandra and Dagmar, | 0:12:09 | 0:12:13 | |
they have both become empresses. | 0:12:13 | 0:12:15 | |
That must have been quite important, politically. | 0:12:15 | 0:12:18 | |
It was because there was a direct connection between | 0:12:18 | 0:12:22 | |
the two great powers of Europe - Great Britain and Russia - | 0:12:22 | 0:12:27 | |
and it showed when the Russian Revolution broke | 0:12:27 | 0:12:31 | |
and the Tsar's family were chased and executed. | 0:12:31 | 0:12:36 | |
And so Dagmar's son, who by then was Tsar, was murdered. | 0:12:36 | 0:12:39 | |
-And other members of the family? -All of them. | 0:12:39 | 0:12:41 | |
She was the only one that survived. | 0:12:41 | 0:12:45 | |
And only thanks to her evacuation by the British man-of-war, | 0:12:45 | 0:12:49 | |
which was sent to Crimea | 0:12:49 | 0:12:51 | |
on the instigation of Queen, or Empress, Alexandra. | 0:12:51 | 0:12:57 | |
The bond between Alexandra and Dagmar was forged | 0:13:02 | 0:13:05 | |
during a happy childhood. | 0:13:05 | 0:13:07 | |
Growing up together close to the Amalienborg Palace, | 0:13:08 | 0:13:10 | |
the princesses enjoyed stories read to them | 0:13:10 | 0:13:13 | |
by a Danish writer famed across the world. | 0:13:13 | 0:13:16 | |
'Hans Christian Andersen is perhaps Denmark's best-known author. | 0:13:18 | 0:13:22 | |
'His fairy tales are known everywhere, | 0:13:22 | 0:13:25 | |
'and many, such as Thumbelina and The Princess And The Pea, | 0:13:25 | 0:13:28 | |
'have inspired ballets, plays and films.' | 0:13:28 | 0:13:32 | |
The visitor using my Bradshaw's guide | 0:13:36 | 0:13:38 | |
had a brand-new tourist attraction to see, | 0:13:38 | 0:13:41 | |
because in 1913 they unveiled a statue to The Little Mermaid, | 0:13:41 | 0:13:45 | |
one of the characters from a Hans Christian Andersen fairy tale. | 0:13:45 | 0:13:49 | |
And now tourists will risk life and limb | 0:13:49 | 0:13:52 | |
to get close to this pretty creature and her fishy tale of woe. | 0:13:52 | 0:13:56 | |
More than a million people visit The Little Mermaid each year. | 0:13:59 | 0:14:03 | |
Most know her from the Disney film but, unlike her cartoon counterpart, | 0:14:03 | 0:14:08 | |
this Little Mermaid's story didn't have a happy ending. | 0:14:08 | 0:14:12 | |
-Can you remember the story of The Little Mermaid? -Er...yeah. | 0:14:12 | 0:14:17 | |
It's a love story about The Little Mermaid | 0:14:17 | 0:14:21 | |
and she's condemned to stay in the water. | 0:14:21 | 0:14:24 | |
She couldn't get out. | 0:14:24 | 0:14:26 | |
Is it a happy story or a sad story? | 0:14:26 | 0:14:28 | |
A sad story. | 0:14:28 | 0:14:30 | |
Are you visiting Copenhagen? | 0:14:30 | 0:14:32 | |
Well, I'm local. I live only 3km from this place. | 0:14:32 | 0:14:36 | |
What is the genius of Hans Christian Andersen? | 0:14:36 | 0:14:39 | |
Why was he so successful? Why do we remember him? | 0:14:39 | 0:14:41 | |
I think because he expressed himself through the fairy tales. | 0:14:41 | 0:14:46 | |
He was a very sensitive person | 0:14:46 | 0:14:48 | |
and he had a special life when he was young and so on | 0:14:48 | 0:14:52 | |
and he had to fight for his life. He was born in 1805. | 0:14:52 | 0:14:56 | |
He never married and maybe he never had any relationship with a woman. | 0:14:56 | 0:15:00 | |
The Little Mermaid has a rather sad ending. | 0:15:00 | 0:15:04 | |
Maybe he was projecting his own life in this story as well. | 0:15:04 | 0:15:09 | |
To him, there was no happy ending. | 0:15:09 | 0:15:11 | |
He was happy because he became world famous when he was older, | 0:15:11 | 0:15:14 | |
but his personal life was not so happy. | 0:15:14 | 0:15:17 | |
It looks as if he's making a lot of tourists happy today. | 0:15:17 | 0:15:20 | |
The Little Mermaid's appeal is enduring and universal. | 0:15:25 | 0:15:28 | |
But, with a train to catch, I must return to the station. | 0:15:30 | 0:15:33 | |
A traveller using a Bradshaw's guide in 1913 would have had to do | 0:15:39 | 0:15:42 | |
the next part of my journey over to Sweden by steamer. | 0:15:42 | 0:15:46 | |
But, even at the beginning of the 20th century, the idea of a bridge | 0:15:46 | 0:15:49 | |
was already a dream, and finally the dream became reality in 1999. | 0:15:49 | 0:15:54 | |
MUSIC: "Hollow Talk" by Choir Of Young Believers | 0:15:56 | 0:15:59 | |
# Echoes start as a cross in you... # | 0:15:59 | 0:16:03 | |
'My journey is taking me across the Oresund Bridge.' | 0:16:03 | 0:16:06 | |
'It's a central feature of the Scandi-noir drama The Bridge. | 0:16:06 | 0:16:11 | |
# Spatial movement which seems to you... # | 0:16:11 | 0:16:13 | |
'In the television series, it brings together detectives from Denmark | 0:16:13 | 0:16:17 | |
'and Sweden to solve a gruesome murder. | 0:16:17 | 0:16:20 | |
'The bridge also allows people to commute | 0:16:21 | 0:16:23 | |
'between Malmo and Copenhagen.' | 0:16:23 | 0:16:25 | |
# Hollow talking and hollow girl. # | 0:16:25 | 0:16:27 | |
-Hello. -Hello. -Do you use it very much? | 0:16:27 | 0:16:31 | |
Yeah, because my mother-in-law has a small house in Sweden, | 0:16:31 | 0:16:34 | |
and we live in Denmark, so sometimes we go visit the house there. | 0:16:34 | 0:16:38 | |
The bridge is for both trains and cars, is that right? | 0:16:38 | 0:16:41 | |
-That's right, yeah. -What do you normally do? Train or car? -Car. | 0:16:41 | 0:16:44 | |
I suppose you must all be very proud of this bridge. | 0:16:44 | 0:16:47 | |
-It's an amazing piece of engineering. -Yes, it is. | 0:16:47 | 0:16:49 | |
Has it really altered people's lives? | 0:16:49 | 0:16:52 | |
Danes are going more to Malmo in Sweden for shopping | 0:16:52 | 0:16:55 | |
and probably also the Swedes are coming into the city of Copenhagen | 0:16:55 | 0:16:59 | |
for fun and restaurants and so on. | 0:16:59 | 0:17:02 | |
It now takes just 30 minutes, | 0:17:03 | 0:17:05 | |
crossing the ten-mile Oresund Strait, | 0:17:05 | 0:17:07 | |
to travel from Copenhagen to Malmo in Sweden. | 0:17:07 | 0:17:10 | |
We are now passing beneath Swedish soil. | 0:17:11 | 0:17:15 | |
My next stop will be Malmo. | 0:17:15 | 0:17:16 | |
My Bradshaw's tells me the railway station is on the quay | 0:17:16 | 0:17:20 | |
close to the landing place of the steamers from Copenhagen. | 0:17:20 | 0:17:24 | |
In 1917, a bald-headed gentleman might have been seen | 0:17:24 | 0:17:27 | |
passing through that station on his way to Russia. | 0:17:27 | 0:17:31 | |
His journey was to have epic consequences. | 0:17:31 | 0:17:34 | |
'The passenger travelling to his place in history was | 0:17:38 | 0:17:41 | |
'the Russian revolutionary leader, Vladimir Ilyich Lenin. | 0:17:41 | 0:17:45 | |
'To find out what he was doing here in Malmo, | 0:17:52 | 0:17:55 | |
'I'm following his footsteps across the bridge | 0:17:55 | 0:17:58 | |
'from the station to the Savoy Hotel. | 0:17:58 | 0:18:00 | |
'Over a drink in the bar there, | 0:18:03 | 0:18:05 | |
'guide Jacques Schultze tells me more about Lenin.' | 0:18:05 | 0:18:07 | |
-Hello, Jacques. -Hello, Michael. | 0:18:07 | 0:18:10 | |
Why have we met in the Savoy Hotel? | 0:18:10 | 0:18:12 | |
Because some people say that he actually spent the night here. | 0:18:12 | 0:18:15 | |
There is a little bit of discussion about this | 0:18:15 | 0:18:17 | |
because the old ledgers are unfortunately missing | 0:18:17 | 0:18:19 | |
so we don't have his signed autograph that he spent the night here | 0:18:19 | 0:18:22 | |
but we are quite certain at the very least | 0:18:22 | 0:18:24 | |
he had a traditional Swedish smorgasbord here. | 0:18:24 | 0:18:27 | |
'Lenin was returning from exile in Zurich to Russia. | 0:18:29 | 0:18:32 | |
'In February 1917, the hardships of the war had led to | 0:18:34 | 0:18:38 | |
'a revolution in Russia and the Tsar had abdicated. | 0:18:38 | 0:18:41 | |
'But for Lenin the revolution was incomplete. | 0:18:42 | 0:18:46 | |
'Only a takeover by his own Bolshevik faction of communists | 0:18:46 | 0:18:50 | |
'would guarantee the transformation of Russia into a people's state.' | 0:18:50 | 0:18:54 | |
Where was Lenin | 0:18:54 | 0:18:55 | |
when the first revolution occurred in Russia at the beginning of 1917? | 0:18:55 | 0:18:59 | |
He was still in Switzerland. | 0:18:59 | 0:19:01 | |
When news reached him of the revolution, | 0:19:01 | 0:19:03 | |
he saw this as his chance to say, | 0:19:03 | 0:19:05 | |
"Speed is of the essence. We have to rescue the revolution." | 0:19:05 | 0:19:08 | |
Of course, Germany was quite interested in this | 0:19:08 | 0:19:10 | |
because the Russians were still fighting | 0:19:10 | 0:19:13 | |
and they saw this as a chance to get the Russians | 0:19:13 | 0:19:15 | |
out of the war by having a proper revolution, so to speak. | 0:19:15 | 0:19:18 | |
'The Germans saw that a second Bolshevik revolution | 0:19:18 | 0:19:21 | |
'would take one enemy out of the war | 0:19:21 | 0:19:24 | |
'so they could concentrate on the Western front. | 0:19:24 | 0:19:27 | |
'They gave Lenin safe passage by train from Switzerland, | 0:19:27 | 0:19:30 | |
'through their own country to Scandinavia, | 0:19:30 | 0:19:32 | |
'from where he could reach Petrograd - now St Petersburg.' | 0:19:32 | 0:19:36 | |
So, how did he make the journey across Germany? | 0:19:36 | 0:19:39 | |
He made it in, some people call it the poisonous germ. | 0:19:39 | 0:19:43 | |
The legend is he was sealed up in a compartment | 0:19:43 | 0:19:46 | |
so he couldn't spread his revolutionary ideas along the way. | 0:19:46 | 0:19:48 | |
It was sealed and the story goes that actually | 0:19:48 | 0:19:51 | |
one part of the compartment, they had a chalk line on the floor | 0:19:51 | 0:19:54 | |
where they had German soldiers on one side watching him | 0:19:54 | 0:19:57 | |
so he wouldn't get up to any, well, funny business. | 0:19:57 | 0:20:00 | |
And the train was sealed in the sense that, of course, | 0:20:00 | 0:20:03 | |
he wasn't allowed out in Germany | 0:20:03 | 0:20:05 | |
-and nobody in Germany was allowed onto the train either. -Exactly. | 0:20:05 | 0:20:08 | |
So, it was like a sealed diplomatic post-box that was sent up | 0:20:08 | 0:20:13 | |
through Germany and Denmark and then over here. | 0:20:13 | 0:20:17 | |
So, what were the consequences | 0:20:17 | 0:20:19 | |
of Lenin's journey from Switzerland, via at the Savoy Hotel in Malmo, | 0:20:19 | 0:20:23 | |
to St Petersburg? | 0:20:23 | 0:20:25 | |
I would say that the final consequence would be | 0:20:25 | 0:20:28 | |
the Russian Revolution, when people think of the Russian Revolution | 0:20:28 | 0:20:32 | |
as the forming of the Soviet state. | 0:20:32 | 0:20:33 | |
So, really, this German plot of sending a poison chalice, | 0:20:33 | 0:20:37 | |
this revolutionary back to Russia, was successful | 0:20:37 | 0:20:40 | |
because after the revolution Russia drops out of the war. | 0:20:40 | 0:20:43 | |
Yes, of course. | 0:20:43 | 0:20:44 | |
Early morning has brought me to this beautiful place, | 0:21:01 | 0:21:04 | |
thanks to a reference in my Bradshaw's to the fine pier harbour. | 0:21:04 | 0:21:08 | |
What a place for bracing sea air and possibly something more. | 0:21:08 | 0:21:12 | |
The buildings at the end of the pier are the Kallbadhus sauna, | 0:21:14 | 0:21:18 | |
which was built in 1898. | 0:21:18 | 0:21:21 | |
The owner, Henrik Klamborn, | 0:21:21 | 0:21:22 | |
tells me about a fine Swedish custom that takes place here. | 0:21:22 | 0:21:26 | |
It's quite a tradition, almost quite a cult for the Swedish people, | 0:21:27 | 0:21:31 | |
this matter of bathing. | 0:21:31 | 0:21:32 | |
Yes, this is almost like a religion. | 0:21:32 | 0:21:34 | |
When you have a cold bath and you come from the hot sauna | 0:21:34 | 0:21:38 | |
to the cold water, you feel very good and it's like... | 0:21:38 | 0:21:43 | |
I don't know what you call it in English, but you must do it again. | 0:21:43 | 0:21:46 | |
-It's like a cigarette. -It's addictive. -Yeah. | 0:21:46 | 0:21:49 | |
-So the tradition is you go from a very hot sauna into cold water. -Yes. | 0:21:49 | 0:21:53 | |
-How hot, how cold? -Between 85 and 95 degrees. | 0:21:53 | 0:21:57 | |
And in the winter, you have -2, -3. | 0:21:57 | 0:22:01 | |
-And you go from one to the other? -Yes, directly. | 0:22:01 | 0:22:03 | |
Does that kill many people? | 0:22:03 | 0:22:05 | |
No. Not yet, I hope. | 0:22:05 | 0:22:08 | |
-Let's go and have a sauna. Do I put my swimming trunks on? -No, | 0:22:08 | 0:22:12 | |
you don't. When you're in the sauna, you don't have any clothes on at all. | 0:22:12 | 0:22:16 | |
-I'm so sorry. -OK. | 0:22:17 | 0:22:20 | |
-Let's give it a go. -You're welcome. | 0:22:20 | 0:22:22 | |
Across Scandinavia, families go to saunas together | 0:22:25 | 0:22:28 | |
and seem to have no hang-ups about being naked with the in-laws. | 0:22:28 | 0:22:32 | |
It's as natural for them as taking a stroll in the park. | 0:22:33 | 0:22:37 | |
We think of Swedes as being, to put it mildly, pretty relaxed | 0:22:39 | 0:22:43 | |
about nudity, whether it's saunas or Swedish movies or whatever. | 0:22:43 | 0:22:48 | |
Is this true? Is this true? | 0:22:48 | 0:22:52 | |
I don't think Swedes are more... | 0:22:52 | 0:22:55 | |
What do you call it? The nudity and stuff, more than other countries. | 0:22:56 | 0:23:01 | |
But I think the films have been more | 0:23:01 | 0:23:04 | |
giving the wrong idea what Swedes are. | 0:23:04 | 0:23:06 | |
But, on the other hand, the fact that you do like saunas - | 0:23:06 | 0:23:09 | |
you say it's a kind of a national religion - | 0:23:09 | 0:23:12 | |
that does mean a lot of people who don't know each other being naked. | 0:23:12 | 0:23:15 | |
Yes, it is. | 0:23:15 | 0:23:17 | |
I have to tell you, that would be very un-British. | 0:23:17 | 0:23:19 | |
-It is? -Oh, yeah. -OK. | 0:23:19 | 0:23:22 | |
On the whole, | 0:23:22 | 0:23:23 | |
I don't take my clothes off with people I don't know. | 0:23:23 | 0:23:26 | |
Saunas have been part of Scandinavian culture | 0:23:30 | 0:23:32 | |
for hundreds of years. | 0:23:32 | 0:23:34 | |
The heat, along with being beaten with birch twigs, | 0:23:35 | 0:23:38 | |
increases blood circulation and the whole experience climaxes | 0:23:38 | 0:23:42 | |
with a plunge into freezing cold snow or water. | 0:23:42 | 0:23:45 | |
Time for me to see how my British stiff upper lip | 0:23:46 | 0:23:49 | |
copes with the experience. | 0:23:49 | 0:23:51 | |
Now for the Scandinavian plunge. | 0:23:53 | 0:23:55 | |
You didn't really think I'd do the full Swedish monty, did you? | 0:23:57 | 0:24:00 | |
Aargh! | 0:24:02 | 0:24:03 | |
Whoa! | 0:24:04 | 0:24:06 | |
Oh! That is invigorating. | 0:24:06 | 0:24:09 | |
It is. | 0:24:09 | 0:24:10 | |
But I'm not sure I'd describe it as addictive. | 0:24:11 | 0:24:14 | |
'Thawed out and properly dressed, I'm ready to continue my travels.' | 0:24:27 | 0:24:32 | |
I'm heading 11 miles north-east to the town of Lund. | 0:24:36 | 0:24:39 | |
It's a ten-minute journey on a line which opened in 1856. | 0:24:39 | 0:24:43 | |
Bradshaw's rather downbeat assessment of my next stop, Lund, | 0:24:51 | 0:24:55 | |
is, "A quiet town, once much more important." | 0:24:55 | 0:24:59 | |
But it does go on to say, | 0:24:59 | 0:25:00 | |
"The Romanesque cathedral, 12th century, | 0:25:00 | 0:25:03 | |
"is regarded as one of the finest in Sweden." | 0:25:03 | 0:25:06 | |
Indeed, it could have gone further and said | 0:25:06 | 0:25:09 | |
it's one of the most historic sites in northern Christendom. | 0:25:09 | 0:25:12 | |
From the 12th century onwards, pilgrims beat a path | 0:25:16 | 0:25:19 | |
to Lund Cathedral and, even today, | 0:25:19 | 0:25:22 | |
it attracts 700,000 visitors each year. | 0:25:22 | 0:25:25 | |
'I'm meeting Anita Larsson to find out more.' | 0:25:28 | 0:25:32 | |
Hello, Michael. Welcome to Lund Cathedral. | 0:25:32 | 0:25:35 | |
Thank you, Anita. It is a stunning building. | 0:25:35 | 0:25:38 | |
What is the significance of this in Christian history? | 0:25:38 | 0:25:42 | |
Well, this was actually the central Christian part of Northern Europe | 0:25:42 | 0:25:48 | |
in the Middle Ages because the Archbishop of Northern Europe | 0:25:48 | 0:25:52 | |
was placed here and therefore this church was built. | 0:25:52 | 0:25:56 | |
-Does it have any relics of saints? -There are some interesting relics. | 0:25:56 | 0:25:59 | |
For example, some drops of the breast milk of Mary, for example. | 0:25:59 | 0:26:04 | |
-How curious. -Yes. -And has it been altered very much? | 0:26:04 | 0:26:08 | |
-It looks very complete from the outside. -Yes. | 0:26:08 | 0:26:10 | |
There were big restorations in the 1800s. | 0:26:10 | 0:26:14 | |
For example, the western part here with the two towers | 0:26:14 | 0:26:17 | |
were completely new-built in the 1860s and '70s | 0:26:17 | 0:26:21 | |
because the medieval towers were in rather bad condition. | 0:26:21 | 0:26:25 | |
So this is 150 years old | 0:26:25 | 0:26:27 | |
but the eastern part is complete from the 1100s. | 0:26:27 | 0:26:31 | |
-How magnificent. -Yes. | 0:26:31 | 0:26:32 | |
One of the finest features of Lund Cathedral | 0:26:41 | 0:26:44 | |
is the Horologium Mirabile Lundense, | 0:26:44 | 0:26:47 | |
which, if my Latin serves me correctly, | 0:26:47 | 0:26:49 | |
translates as the wondrous timepiece of Lund. | 0:26:49 | 0:26:52 | |
Here in front of you, you have this wonderful clock | 0:26:54 | 0:26:57 | |
that is in two sections. | 0:26:57 | 0:26:59 | |
Originally, it was built in the 1420s | 0:26:59 | 0:27:02 | |
but it was restored in the very beginning of the 1900s. | 0:27:02 | 0:27:05 | |
So, this clock from the 15th century with its signs of the Zodiac, | 0:27:05 | 0:27:09 | |
what does this tell us about the knowledge that those people had? | 0:27:09 | 0:27:12 | |
They, of course, had an opinion of the world. | 0:27:12 | 0:27:15 | |
Everyone did not think that the Earth was flat. | 0:27:15 | 0:27:18 | |
There were people knowing, the scientists, of course, that | 0:27:18 | 0:27:21 | |
the Earth was round and this is what you can see in the middle. | 0:27:21 | 0:27:24 | |
So, if you see the screw in the middle up there, | 0:27:24 | 0:27:27 | |
it is a symbol of the Earth, | 0:27:27 | 0:27:29 | |
and around the Earth you have the sun, the moon and the stars. | 0:27:29 | 0:27:33 | |
-So, they're still going round the Earth. -Yes. | 0:27:33 | 0:27:37 | |
They thought so, actually. | 0:27:37 | 0:27:39 | |
And we are still saying that the sun is rising and setting, | 0:27:39 | 0:27:43 | |
-even if we know it is not so. -Exactly. | 0:27:43 | 0:27:46 | |
On the second part of my journey through Scandinavia, | 0:27:52 | 0:27:55 | |
I discover the tiny origins of one of Sweden's greatest icons... | 0:27:55 | 0:27:59 | |
..rediscover a powerful waterfall... | 0:28:05 | 0:28:07 | |
That is spectacular! | 0:28:09 | 0:28:11 | |
..hear how the British were beaten in the race for the South Pole. | 0:28:11 | 0:28:14 | |
These skis, which I have taken out from the showcase, | 0:28:14 | 0:28:18 | |
from the exhibition itself, is Scott's skis. | 0:28:18 | 0:28:23 | |
-That is extraordinary. -Yeah. | 0:28:23 | 0:28:25 | |
..and pay homage to the man who brought me here. | 0:28:25 | 0:28:27 |