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I'm embarking on a new railway adventure that will take me | 0:00:03 | 0:00:06 | |
across the heart of Europe. | 0:00:06 | 0:00:08 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:21 | |
It told travellers where to go, what to see, | 0:00:21 | 0:00:26 | |
and how to navigate the thousands of miles of tracks | 0:00:26 | 0:00:28 | |
crisscrossing the continent. | 0:00:28 | 0:00:30 | |
Now, a century later, I'm using my copy to reveal | 0:00:30 | 0:00:34 | |
an era of great optimism and energy | 0:00:34 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe that in 1913 could not know | 0:00:42 | 0:00:46 | |
its way of life would shortly be swept aside by the advent of war. | 0:00:46 | 0:00:52 | |
I'm travelling through Germany, | 0:01:08 | 0:01:10 | |
powerhouse of today's European Union. | 0:01:10 | 0:01:13 | |
100 years ago, | 0:01:13 | 0:01:14 | |
it already looked muscular, industrially and politically. | 0:01:14 | 0:01:19 | |
If I'd been travelling on these tracks in 1913, | 0:01:19 | 0:01:22 | |
I'd be visiting quite a new country. | 0:01:22 | 0:01:26 | |
The Kingdom of Prussia had merged with or absorbed | 0:01:26 | 0:01:28 | |
various principalities and duchies | 0:01:28 | 0:01:31 | |
to form the thoroughly modern industrial state of Germany. | 0:01:31 | 0:01:35 | |
British travellers here a century ago viewed its power | 0:01:35 | 0:01:39 | |
and success with a mixture of admiration, envy and fear. | 0:01:39 | 0:01:45 | |
On this journey, I'll discover how Kaiser Wilhelm II's | 0:01:45 | 0:01:48 | |
militarism threatened Europe's fragile balance of power. | 0:01:48 | 0:01:54 | |
The Navy built two battleships a year. | 0:01:54 | 0:01:57 | |
So, that was really a tremendous fleet. | 0:01:57 | 0:02:00 | |
I'll let Bradshaw's steer me towards Germany's music and culture... | 0:02:00 | 0:02:06 | |
HE SPEAKS GERMAN MENACINGLY | 0:02:06 | 0:02:10 | |
..attempt a 1913 equivalent of a Jane Fonda workout... | 0:02:10 | 0:02:14 | |
-And up and down... Come on! -NO! | 0:02:14 | 0:02:17 | |
..see model railway making on the grandest of scales... | 0:02:17 | 0:02:21 | |
This is an absolute paradise for model lovers, | 0:02:21 | 0:02:25 | |
for anybody who loves trains. | 0:02:25 | 0:02:27 | |
..and sample Germany's favourite tipple... | 0:02:27 | 0:02:31 | |
-What does your expert palate tell you? -It is perfect, isn't it? | 0:02:31 | 0:02:34 | |
It's pretty good, isn't it? | 0:02:34 | 0:02:35 | |
My journey starts in Dresden, | 0:02:39 | 0:02:40 | |
close to the border with the Czech Republic, | 0:02:40 | 0:02:43 | |
then heads north on Germany's oldest long distance railway, | 0:02:43 | 0:02:47 | |
through the eastern states, to the musical city of Leipzig. | 0:02:47 | 0:02:51 | |
Continuing north into Lower Saxony, | 0:02:51 | 0:02:54 | |
I'll travel to Braunschweig | 0:02:54 | 0:02:56 | |
before arriving at the prosperous port of Hamburg. | 0:02:56 | 0:03:00 | |
My journey will end at the home of Germany's Imperial Navy. | 0:03:00 | 0:03:04 | |
In the years before the First World War, the British King had | 0:03:16 | 0:03:19 | |
the title Duke of Saxony. | 0:03:19 | 0:03:21 | |
My first stop is its capital, Dresden. | 0:03:21 | 0:03:24 | |
My Bradshaw's says it's always been one of the most frequented | 0:03:24 | 0:03:28 | |
cities in Germany. | 0:03:28 | 0:03:29 | |
There are English and American quarters. | 0:03:29 | 0:03:32 | |
As a city for art, music and good society, Dresden cannot be excelled. | 0:03:32 | 0:03:38 | |
If only I'd known it in those days. | 0:03:38 | 0:03:40 | |
Fortunately, thanks to the railways in 1913, | 0:03:40 | 0:03:43 | |
thousands of British tourists could enjoy this jewel of a city | 0:03:43 | 0:03:48 | |
when it sparkled at its brightest. | 0:03:48 | 0:03:51 | |
Dresden, on the river Elbe, | 0:03:55 | 0:03:57 | |
is the birthplace of Kings, Queens and Consorts. | 0:03:57 | 0:04:00 | |
Queen Victoria's mother was German and in 1840, Victoria married | 0:04:03 | 0:04:09 | |
her German first cousin, Prince Albert of Saxe-Coburg and Gotha, | 0:04:09 | 0:04:13 | |
strengthening further the dynastic bond between Britain and Germany. | 0:04:13 | 0:04:17 | |
As though to demonstrate German engineering prowess, | 0:04:26 | 0:04:29 | |
at the end of the 19th century, | 0:04:29 | 0:04:31 | |
Dresden was given a superb station on two levels - | 0:04:31 | 0:04:34 | |
one with a terminus and one for the through trains. | 0:04:34 | 0:04:37 | |
It was, of course, destroyed by bombs in World War II | 0:04:37 | 0:04:40 | |
and then for the 45 years that East Germany was a Soviet satellite state | 0:04:40 | 0:04:44 | |
the station was neglected, | 0:04:44 | 0:04:46 | |
but it was restored at the beginning of the 21st century | 0:04:46 | 0:04:49 | |
and the British architects, Foster and Partners, | 0:04:49 | 0:04:52 | |
designed a roof, which is Teflon coated | 0:04:52 | 0:04:55 | |
and covers 30,000 square metres. | 0:04:55 | 0:04:58 | |
Dresden is now home to more than half a million people. | 0:05:01 | 0:05:05 | |
At the time of my Bradshaw's the city was as important | 0:05:05 | 0:05:08 | |
a cultural destination as Prague, Paris or Berlin. | 0:05:08 | 0:05:12 | |
Dresden's golden age had been the 18th century, | 0:05:18 | 0:05:21 | |
when its beauty was captured in a painting by Canaletto | 0:05:21 | 0:05:24 | |
and it became known as Florence on the Elbe. | 0:05:24 | 0:05:27 | |
Architecture aside, | 0:05:31 | 0:05:32 | |
Dresden is a place of great cultural interest for me. | 0:05:32 | 0:05:36 | |
A favourite opera composer, Richard Wagner, | 0:05:36 | 0:05:38 | |
spent nearly 20 years here. | 0:05:38 | 0:05:41 | |
When my Bradshaw's guide was published in 1913, the world | 0:05:41 | 0:05:45 | |
was celebrating the centenary of Richard Wagner, | 0:05:45 | 0:05:47 | |
so he was born just over 200 years ago in nearby Leipzig. | 0:05:47 | 0:05:52 | |
Now, many people don't like Wagner, they find him long and loud | 0:05:52 | 0:05:56 | |
and certainly he's politically controversial, but I am a fan. | 0:05:56 | 0:06:01 | |
I think for his understanding of humanity, | 0:06:01 | 0:06:03 | |
he is one of the greatest artists of history. | 0:06:03 | 0:06:06 | |
I think his most absorbing work is his Ring Cycle of four epic operas, | 0:06:06 | 0:06:11 | |
which took him 26 years to write and which I find extraordinarily deep. | 0:06:11 | 0:06:16 | |
HE SINGS | 0:06:16 | 0:06:18 | |
But Dresden is associated with one of his very early pieces. | 0:06:30 | 0:06:34 | |
In 1842, Dresden's famous Semper Opera House invited Wagner to | 0:06:40 | 0:06:45 | |
premiere his grand tragic tale about two rival Roman families - | 0:06:45 | 0:06:50 | |
called Rienzi. | 0:06:50 | 0:06:51 | |
I'm meeting Cosima Curth to find out how it was received. | 0:07:02 | 0:07:07 | |
It was a success then, Rienzi? | 0:07:07 | 0:07:09 | |
It was a great success. | 0:07:09 | 0:07:11 | |
He didn't like it very much, said it was like crying around. | 0:07:11 | 0:07:14 | |
It made him popular. | 0:07:14 | 0:07:16 | |
Rienzi is more or less very similar to the Grand Opera | 0:07:16 | 0:07:19 | |
like they had at the time. | 0:07:19 | 0:07:22 | |
Wagner then stayed in Dresden after that? | 0:07:22 | 0:07:25 | |
Yep, first of all, he liked the town, | 0:07:25 | 0:07:27 | |
because it was the first town where he had a lot of success. | 0:07:27 | 0:07:30 | |
And he wanted to present a second opera here a few months later, | 0:07:30 | 0:07:34 | |
which was the Flying Dutchman. | 0:07:34 | 0:07:36 | |
Wagner was also a fine conductor, | 0:07:39 | 0:07:41 | |
likened by his contemporaries to a general in battle. | 0:07:41 | 0:07:44 | |
He was the first who conducted directly to the musicians. | 0:07:47 | 0:07:52 | |
He used to like to use the baton as well. | 0:07:52 | 0:07:56 | |
There's a nice story about it. Sometimes he forgot it. | 0:07:56 | 0:08:00 | |
So, he took a ladle that was given to him by a musician | 0:08:00 | 0:08:04 | |
and broke the handle and conducted with that. | 0:08:04 | 0:08:07 | |
But even nowadays we have fantastic conductors, | 0:08:07 | 0:08:09 | |
but they use two sticks to conduct. | 0:08:09 | 0:08:12 | |
But nobody's done it with a ladle. | 0:08:12 | 0:08:14 | |
Never again! Never again! | 0:08:14 | 0:08:16 | |
In Dresden, Wagner briefly helped to organise a military operation. | 0:08:19 | 0:08:25 | |
In a period of revolutions across the continent, | 0:08:25 | 0:08:27 | |
people in Dresden took to the streets. | 0:08:27 | 0:08:30 | |
Wagner became very actively involved in politics, didn't he, in 1849? | 0:08:30 | 0:08:35 | |
What was it that happened? | 0:08:35 | 0:08:37 | |
In the 19th century, Dresden was a really international town, | 0:08:37 | 0:08:40 | |
open to many countries, but the living conditions for the workers | 0:08:40 | 0:08:44 | |
weren't at the highest condition | 0:08:44 | 0:08:46 | |
and that's why Marx published his thesis of a new world, | 0:08:46 | 0:08:50 | |
and this caused a lot of trouble, and started a movement of a revolution, | 0:08:50 | 0:08:55 | |
which started in Dresden in 1849. | 0:08:55 | 0:08:57 | |
And Wagner was drawn in to that, wasn't he? | 0:08:57 | 0:09:00 | |
Yeah. He was a great enthusiast about these changes in living conditions. | 0:09:00 | 0:09:04 | |
He himself was especially interested in the way that musicians were paid. | 0:09:04 | 0:09:08 | |
That maybe the opera shouldn't be owned by the king, | 0:09:08 | 0:09:11 | |
but owned by the masses. | 0:09:11 | 0:09:13 | |
The authorities sought help from Prussia, which used a new invention, | 0:09:15 | 0:09:19 | |
railways, to send troops. | 0:09:19 | 0:09:21 | |
And what job was given to Wagner in this revolution? | 0:09:23 | 0:09:26 | |
He had a fantastic job. | 0:09:26 | 0:09:28 | |
He had to climb up to the tower of one of our churches, | 0:09:28 | 0:09:30 | |
and to watch where the army is coming from. | 0:09:30 | 0:09:33 | |
And to announce it to somebody else. | 0:09:33 | 0:09:35 | |
And because it was such a hard job, he asked to send | 0:09:35 | 0:09:38 | |
-a bottle of wine to him. -And that would help with his work! | 0:09:38 | 0:09:41 | |
Over 200 rebels were killed in the fighting | 0:09:43 | 0:09:46 | |
and although Wagner escaped, a warrant was issued for his arrest. | 0:09:46 | 0:09:51 | |
So, that was bye-bye, Dresden, for Richard Wagner. | 0:09:51 | 0:09:55 | |
Yeah. Not for ever. He came later on back to Dresden because | 0:09:55 | 0:09:58 | |
his wife stayed in Dresden, | 0:09:58 | 0:10:01 | |
and she herself tried to make him | 0:10:01 | 0:10:05 | |
apologise to be accepted again as another member of society. | 0:10:05 | 0:10:08 | |
She could do so and she succeeded in doing. | 0:10:08 | 0:10:11 | |
And it's not just in the opera house that Wagner gets an airing. | 0:10:19 | 0:10:23 | |
SHE SINGS | 0:10:23 | 0:10:25 | |
Hello. Excuse me. That was charming. What's the song about? | 0:10:28 | 0:10:32 | |
Actually it's a warning of not having sex before marriage. | 0:10:32 | 0:10:36 | |
It comes a little late for me, but thank you, anyway. Bye. | 0:10:36 | 0:10:40 | |
The now beautifully restored Lutheran Church of Our Lady - | 0:10:44 | 0:10:48 | |
the Frauenkirche - is symbolic of what the Germans have experienced | 0:10:48 | 0:10:52 | |
since British tourists first followed my guide here. | 0:10:52 | 0:10:55 | |
Destroyed by allied bombing in 1945, for decades its ruins constituted | 0:10:55 | 0:11:01 | |
an anti-war memorial. | 0:11:01 | 0:11:03 | |
When East and West Germany were reunified in 1990, | 0:11:03 | 0:11:08 | |
the church was painstakingly reconstructed. | 0:11:08 | 0:11:11 | |
The Frauenkirche manages to be both pretty and overpowering, | 0:11:11 | 0:11:16 | |
which is perhaps why the people of Dresden love it so much. | 0:11:16 | 0:11:19 | |
In 1843, it was the scene of an extraordinary choral work, | 0:11:19 | 0:11:24 | |
with an orchestra of 100 and a choir of 1,100. | 0:11:24 | 0:11:28 | |
The conductor was one Richard Wagner, the composer was one | 0:11:28 | 0:11:32 | |
Richard Wagner and the subject was the Last Supper of Christ. | 0:11:32 | 0:11:37 | |
CHORAL SINGING | 0:11:37 | 0:11:39 | |
Today, the Frauenkirche symbolises the rebirth of Dresden | 0:11:51 | 0:11:54 | |
following the destruction of its buildings and population. | 0:11:54 | 0:11:58 | |
DRAMATIC CHORAL MUSIC | 0:11:58 | 0:12:02 | |
Early travellers to Dresden I'm sure would have remarked | 0:12:20 | 0:12:23 | |
on the romantic look and feel of the place. | 0:12:23 | 0:12:27 | |
In 1913, the city was in the grip of a health craze - | 0:12:27 | 0:12:31 | |
a new philosophy of well-being called Naturheilkunde, | 0:12:31 | 0:12:34 | |
or naturopathy, had taken hold. | 0:12:34 | 0:12:37 | |
And its mantra was, | 0:12:37 | 0:12:38 | |
"In einem gesunden Korper wohnt ein gesunder Geist", or as we would say, | 0:12:38 | 0:12:44 | |
a healthy mind in a healthy body. | 0:12:44 | 0:12:47 | |
Like the rest of Europe, Dresden had experienced industrialisation, | 0:12:47 | 0:12:51 | |
bringing with it smoky factory chimneys | 0:12:51 | 0:12:54 | |
and polluted atmosphere and water. | 0:12:54 | 0:12:56 | |
But the fresh air of the hills around the city | 0:12:56 | 0:12:59 | |
became a magnet for international health tourists. | 0:12:59 | 0:13:03 | |
I'm headed for Weisser Hirsch. Bradshaw's tells me it's a | 0:13:03 | 0:13:06 | |
well-known health resort that's grown from a village in recent years | 0:13:06 | 0:13:10 | |
and now has villas, hotels and sanatoriums of the highest repute, | 0:13:10 | 0:13:15 | |
reached by electric car from Dresden. | 0:13:15 | 0:13:17 | |
I wondered what an electric car might be? | 0:13:17 | 0:13:20 | |
It turns out to be a thoroughly original suspended railway. | 0:13:20 | 0:13:23 | |
It's one of the oldest suspension railways in the world. | 0:13:26 | 0:13:30 | |
It climbs 84 metres and is 274 metres long. | 0:13:30 | 0:13:35 | |
In 1913, it also provided an easy escape for Europe's wealthy and | 0:13:35 | 0:13:40 | |
leisured elite, intent on improving their physical health and fitness. | 0:13:40 | 0:13:44 | |
Prussian nobility and Russian royalty rubbed shoulders with | 0:13:44 | 0:13:49 | |
well-heeled merchants and military top brass, actors, | 0:13:49 | 0:13:53 | |
singers and writers. | 0:13:53 | 0:13:55 | |
-Eckhard. -Hi, Michael! | 0:14:06 | 0:14:08 | |
I'm meeting author, Eckhard Bahr, at the once grand and famous | 0:14:08 | 0:14:12 | |
spa resort, Der Weisser Hirsch, now decidedly faded and overgrown. | 0:14:12 | 0:14:18 | |
I get the impression at the beginning of the 20th century | 0:14:18 | 0:14:20 | |
there was a new interest in health. | 0:14:20 | 0:14:22 | |
-That's true. -Coming up to the top of the hill people wanted to get | 0:14:22 | 0:14:25 | |
away from the industrial cities? | 0:14:25 | 0:14:27 | |
That's right. There was a sense of back to nature | 0:14:27 | 0:14:30 | |
and Dr Lahmann who was a physician of that time, he combined | 0:14:30 | 0:14:35 | |
this new feeling, this new style of thinking with a great new idea. | 0:14:35 | 0:14:42 | |
So, he combined health care and treatments | 0:14:42 | 0:14:48 | |
with a new sense of fresh air, | 0:14:48 | 0:14:52 | |
good portion of diet | 0:14:52 | 0:14:54 | |
and also a good sense of humour. | 0:14:54 | 0:14:58 | |
Dr Heinrich Lahmann, a pioneer of food and health treatments, | 0:15:04 | 0:15:07 | |
was a man ahead of his time, | 0:15:07 | 0:15:09 | |
recommending diet and exercise instead of prescription drugs. | 0:15:09 | 0:15:13 | |
-The buildings were clearly very impressive. -That's true. | 0:15:15 | 0:15:18 | |
And la toura sanat... Latin for what? | 0:15:18 | 0:15:21 | |
Nature cures all, is that it? | 0:15:21 | 0:15:23 | |
Yes, nature cures, water cures and also fresh air, | 0:15:23 | 0:15:29 | |
baths in the sunshine. | 0:15:29 | 0:15:31 | |
This, I take it, is the bath house? | 0:15:32 | 0:15:34 | |
That's true, yes. The bath house. | 0:15:34 | 0:15:37 | |
There was a female bath for the ladies | 0:15:37 | 0:15:39 | |
and a bath for the gentlemen. | 0:15:39 | 0:15:43 | |
What sort of treatments did Dr Lahmann propose? | 0:15:43 | 0:15:46 | |
They got showers, | 0:15:46 | 0:15:49 | |
extremely pointed at different parts of the body | 0:15:49 | 0:15:54 | |
and then again different kinds of light, | 0:15:54 | 0:15:58 | |
warm and cold, so it was a strange combination of types. | 0:15:58 | 0:16:03 | |
For instance, they were sitting in a box | 0:16:03 | 0:16:06 | |
and this was full of electric lights. | 0:16:06 | 0:16:09 | |
So, they got even small electric shocks. | 0:16:09 | 0:16:14 | |
Then he sent them out to the forest nearly naked. | 0:16:14 | 0:16:19 | |
They wear very small piece of clothes and then | 0:16:19 | 0:16:23 | |
they stood still in the surroundings | 0:16:23 | 0:16:27 | |
and listened to the voices of the birds. | 0:16:27 | 0:16:30 | |
I'm sure that would be very good for you! | 0:16:30 | 0:16:32 | |
By 1913, more than 7,000 guests had visited Der Weisser Hirsch. | 0:16:35 | 0:16:40 | |
And many of them were already wedded | 0:16:40 | 0:16:43 | |
to the latest physical exercise regime. | 0:16:43 | 0:16:46 | |
The Mr Motivator of his day was famous Danish athlete JP Muller. | 0:16:47 | 0:16:53 | |
His bestselling fitness book, My System, | 0:16:53 | 0:16:56 | |
was designed to turn parlour dandies in to iron men, in just six weeks. | 0:16:56 | 0:17:02 | |
Fitness instructor, Grit Buechner, is going to put me through my paces. | 0:17:04 | 0:17:08 | |
This person here isn't wearing many clothes. | 0:17:08 | 0:17:10 | |
What was the appropriate clothing for the Muller? | 0:17:10 | 0:17:13 | |
Muller said you need not a lot of clothes. | 0:17:13 | 0:17:16 | |
You go outside and if it's cold or it's hot, | 0:17:16 | 0:17:19 | |
that's enough to make you harder if you don't have a lot clothes. | 0:17:19 | 0:17:24 | |
And so can you show me the system? | 0:17:25 | 0:17:27 | |
Yes, I can show you, but please not in this clothes, | 0:17:27 | 0:17:31 | |
sports clothes or less clothes. | 0:17:31 | 0:17:34 | |
I'll go and get less clothes, yah! | 0:17:34 | 0:17:37 | |
# Keep young and beautiful | 0:17:37 | 0:17:40 | |
# It's your duty to be beautiful... # | 0:17:40 | 0:17:42 | |
Muller's magical formula consists of 18 different exercises, | 0:17:47 | 0:17:51 | |
practised daily during a 15-minute workout. | 0:17:51 | 0:17:54 | |
Right. I think I'm ready. | 0:18:00 | 0:18:03 | |
-OK, bend, short and sharp. -Short and sharp. | 0:18:03 | 0:18:08 | |
-13 times. -What? | 0:18:08 | 0:18:10 | |
Yep. Stretch your knee. What's with your leg? | 0:18:10 | 0:18:14 | |
-Look at Ticha. She do it right. -Hello, Ticha. | 0:18:14 | 0:18:18 | |
The more you do over the six weeks, | 0:18:18 | 0:18:20 | |
the stronger and fitter you should become. | 0:18:20 | 0:18:22 | |
Last three, do as high as you can. One. | 0:18:22 | 0:18:25 | |
Oh! Oh! | 0:18:25 | 0:18:28 | |
-Are you warm? -Yep, warmed up. | 0:18:28 | 0:18:31 | |
-And you feel it in your legs? -Oh, gosh, yes. | 0:18:31 | 0:18:34 | |
-We do the next. -Wow, well, if I get a figure like that, | 0:18:34 | 0:18:37 | |
it'll be worth it. | 0:18:37 | 0:18:39 | |
-Do this. -What?! | 0:18:39 | 0:18:40 | |
What's with your legs? | 0:18:40 | 0:18:42 | |
-I can't reach my toes. -You must stretch. | 0:18:42 | 0:18:45 | |
Have we done our 15 minutes yet? | 0:18:45 | 0:18:47 | |
With sales of over 2 million, | 0:18:48 | 0:18:50 | |
My System was endorsed by doctors and kings. | 0:18:50 | 0:18:54 | |
The Czech writer, Franz Kafka, swore by it and fitness regimes today | 0:18:54 | 0:18:59 | |
owe much to his once radical ideas. | 0:18:59 | 0:19:02 | |
Right leg, left leg. | 0:19:02 | 0:19:05 | |
This is quite tiring. | 0:19:05 | 0:19:07 | |
And up and down. Come on! | 0:19:07 | 0:19:10 | |
NO! No more! | 0:19:10 | 0:19:12 | |
Good job! | 0:19:12 | 0:19:14 | |
Kafka wrote really extraordinary stories. | 0:19:14 | 0:19:18 | |
He gave a word to the | 0:19:18 | 0:19:20 | |
English language for things that were really bizarre - Kafkaesque. | 0:19:20 | 0:19:24 | |
If you're ever asked if you saw something Kafkaesque, say yes. | 0:19:24 | 0:19:27 | |
Michael Portillo doing gymnastics! | 0:19:27 | 0:19:29 | |
On this new day, | 0:19:43 | 0:19:44 | |
I'll be embarking on a highly historic railway line, | 0:19:44 | 0:19:47 | |
which first opened in 1839. | 0:19:47 | 0:19:50 | |
My next stop is Leipzig, which my Bradshaw's tells me | 0:20:08 | 0:20:11 | |
is a town of great commercial importance. | 0:20:11 | 0:20:15 | |
It's the seat of the Supreme Law Courts of the German empire and its | 0:20:15 | 0:20:18 | |
university is ancient and renowned and I'm travelling on tracks that | 0:20:18 | 0:20:23 | |
are pretty significant too, as this was the first major long distance | 0:20:23 | 0:20:28 | |
railway made in Germany and it's almost as British as my Bradshaw's! | 0:20:28 | 0:20:33 | |
In the 19th century, the main industry in Saxony was textiles - | 0:20:37 | 0:20:40 | |
linen and woollen cloth. | 0:20:40 | 0:20:43 | |
Economist Friederich List, | 0:20:43 | 0:20:45 | |
seeing the great possibilities the railway had offered British | 0:20:45 | 0:20:48 | |
industry, conceived in the 1830s | 0:20:48 | 0:20:51 | |
a railway unifying the states of Germany. | 0:20:51 | 0:20:54 | |
And who better to build it than British engineers? | 0:20:54 | 0:20:58 | |
Rail historian John Lace is an expert on the line. | 0:20:58 | 0:21:02 | |
-Hello, John. -Hello, Michael. Good morning. -Good to see you. | 0:21:02 | 0:21:06 | |
So, this railway line from Dresden to Leipzig | 0:21:06 | 0:21:10 | |
plays a very important part in German railway history. | 0:21:10 | 0:21:13 | |
How did the railway actually come to be built? | 0:21:13 | 0:21:15 | |
The Leipzig directors approached James Walker, who then was President | 0:21:15 | 0:21:20 | |
of the Institute of Civil Engineers in London | 0:21:20 | 0:21:24 | |
and he came across with his young assistant, James Hawkshaw, | 0:21:24 | 0:21:27 | |
who was 23, to survey the line between. | 0:21:27 | 0:21:30 | |
Walker took two weeks, at the end of it said, | 0:21:30 | 0:21:32 | |
I've done all I need to do, there is more work for me back in Britain | 0:21:32 | 0:21:36 | |
and he left Hawkshaw to walk the route endlessly. | 0:21:36 | 0:21:40 | |
Without modern surveying equipment and no GPS, engineers like Hawkshaw | 0:21:40 | 0:21:45 | |
faced a huge challenge, getting 116 kilometres of route just right. | 0:21:45 | 0:21:51 | |
I'd like to show you this map actually, | 0:21:51 | 0:21:53 | |
which gives a really good overview of the entire line | 0:21:53 | 0:21:57 | |
and shows what John Hawkshaw had created. | 0:21:57 | 0:22:00 | |
It's a very detailed map and it shows every bridge | 0:22:00 | 0:22:04 | |
and every crossing and all the cuttings there were | 0:22:04 | 0:22:08 | |
and the one tunnel that was built at Auber. | 0:22:08 | 0:22:11 | |
It's a relatively simple line. | 0:22:11 | 0:22:13 | |
It doesn't have a lot of ups and downs? | 0:22:13 | 0:22:15 | |
No. James Walker had been one of the developers of | 0:22:15 | 0:22:21 | |
the Leeds-Selby line, which is a very flat line | 0:22:21 | 0:22:23 | |
and when he proposed this line, the directors were overjoyed. | 0:22:23 | 0:22:27 | |
To complement the British construction know-how, | 0:22:30 | 0:22:33 | |
the Leipzig Dresden Railway Company ordered 16 British locomotives. | 0:22:33 | 0:22:38 | |
Its first coal-powered steam engine was called Komet. | 0:22:40 | 0:22:45 | |
John Robson, who was a driver with | 0:22:45 | 0:22:47 | |
the Liverpool-Manchester railway line, | 0:22:47 | 0:22:49 | |
accompanied the first Komet from Bolton to Liverpool docks to Hamburg, | 0:22:49 | 0:22:54 | |
down the Elbe. 15 crates. | 0:22:54 | 0:22:56 | |
Robson was skilful enough to re-assemble those 15 crates | 0:22:56 | 0:23:01 | |
into a working locomotive. | 0:23:01 | 0:23:03 | |
An extraordinary thought. How fast was Komet in those early days? | 0:23:03 | 0:23:07 | |
Oh, between four and six miles per hour, | 0:23:07 | 0:23:10 | |
it didn't travel at the speed that this train is travelling now. | 0:23:10 | 0:23:14 | |
With Friedrich List's ambition fast becoming a reality, | 0:23:16 | 0:23:20 | |
the people of Saxony flocked to experience train travel. | 0:23:20 | 0:23:24 | |
There were up to six trains per day passing up and down | 0:23:24 | 0:23:27 | |
on the Leipzig to Dresden line. | 0:23:27 | 0:23:29 | |
Commercially it was also a success, | 0:23:29 | 0:23:32 | |
finally giving businesses a quick way to move goods to the River Elbe. | 0:23:32 | 0:23:36 | |
Leipzig is a city made of music. | 0:23:38 | 0:23:41 | |
It was home to Johann Sebastian Bach and Felix Mendelssohn | 0:23:41 | 0:23:45 | |
and is famous for its Opera House and the St Thomas's Boys' Choir. | 0:23:45 | 0:23:50 | |
But as well as being a centre of culture, thanks to the | 0:23:53 | 0:23:56 | |
railway, it's also one of Germany's leading commercial cities. | 0:23:56 | 0:24:00 | |
The railway station in Leipzig according to Bradshaw's is | 0:24:04 | 0:24:07 | |
the largest in Europe, and it's still thought to be | 0:24:07 | 0:24:10 | |
the biggest on our continent by floor area. | 0:24:10 | 0:24:13 | |
With its 24 platforms and six railway sheds, | 0:24:13 | 0:24:16 | |
and now since the fall of communism, vast parts of the station | 0:24:16 | 0:24:19 | |
have been converted to a shopping complex. | 0:24:19 | 0:24:23 | |
In 1913, Leipzig was at the heart | 0:24:26 | 0:24:28 | |
of one of the most productive areas in Europe. | 0:24:28 | 0:24:32 | |
Germany's late industrial revolution | 0:24:32 | 0:24:34 | |
meant that entrepreneurs could take full advantage | 0:24:34 | 0:24:36 | |
of new technology and manufacturing methods. | 0:24:36 | 0:24:40 | |
To appreciate how productive and self-confident | 0:24:41 | 0:24:44 | |
Germany had become, | 0:24:44 | 0:24:46 | |
I'm heading by tram to the west of the city, to the suburb of Plagwitz. | 0:24:46 | 0:24:51 | |
It's home to what was one of the largest cotton spinning mills in Europe. | 0:24:51 | 0:24:56 | |
I've arranged to meet Bertram Schultze, | 0:24:56 | 0:24:59 | |
who runs the Spinnerei today. | 0:24:59 | 0:25:00 | |
-Hello, Bertram. -Hello, very welcome. | 0:25:02 | 0:25:05 | |
We're walking along tracks. | 0:25:05 | 0:25:06 | |
Were the railways very important to the development of this place? | 0:25:06 | 0:25:10 | |
Actually, it was essential. | 0:25:10 | 0:25:11 | |
They bought this property of about 100,000 square metres, | 0:25:11 | 0:25:14 | |
because the developer over 100 years ago, whose name was Dr Karl Heiner, | 0:25:14 | 0:25:19 | |
had arranged that the tracks were brought in to the big properties so that the goods | 0:25:19 | 0:25:24 | |
could come in, the raw materials, and the goods could go out again. | 0:25:24 | 0:25:28 | |
Well, they founded the place in 1884, based on this market research | 0:25:28 | 0:25:32 | |
that it would be profitable to create a big inner German | 0:25:32 | 0:25:36 | |
cotton spinning mill producing mainly the thicker threads. | 0:25:36 | 0:25:39 | |
It meant that the mill could spin the cotton itself, | 0:25:44 | 0:25:46 | |
rather than rely on foreign imports. | 0:25:46 | 0:25:49 | |
So a visitor coming here in 1913 using this guidebook | 0:25:51 | 0:25:54 | |
would have found the factory in full production? | 0:25:54 | 0:25:58 | |
Yeah, full scale, very lively, I guess. | 0:25:58 | 0:26:01 | |
Working a three-shift system, so going through all the time. | 0:26:01 | 0:26:04 | |
The Spinnerei's 1,600 workers | 0:26:06 | 0:26:09 | |
were processing 20,000 bales of cotton | 0:26:09 | 0:26:12 | |
into 5 million kilograms of thread. | 0:26:12 | 0:26:15 | |
Bertram wants to show me | 0:26:15 | 0:26:17 | |
what's left of just one of the huge spinning rooms | 0:26:17 | 0:26:20 | |
where productivity reached unassailable levels. | 0:26:20 | 0:26:23 | |
This is the old elevator. | 0:26:24 | 0:26:25 | |
We just put in very new technique into it. You should feel safe. | 0:26:25 | 0:26:30 | |
Wow, what a vast space. | 0:26:31 | 0:26:34 | |
This is where we still have the full scale 4,000 square metres | 0:26:35 | 0:26:40 | |
on one layer where you can still have the feeling of how | 0:26:40 | 0:26:44 | |
it worked with machinery in here. | 0:26:44 | 0:26:46 | |
So they had the machinery actually going in long lines like this | 0:26:46 | 0:26:49 | |
between the columns. | 0:26:49 | 0:26:51 | |
You must imagine a 20 metre machine and people working on it. | 0:26:52 | 0:26:57 | |
Now it is quite hot, | 0:26:57 | 0:26:58 | |
so with the machinery it must have been hotter, so they had | 0:26:58 | 0:27:02 | |
a very early air conditioning and air moisturing system in here | 0:27:02 | 0:27:06 | |
which was in the middle where you can see the walls back there. | 0:27:06 | 0:27:10 | |
While the air conditioning is testament to German engineering prowess, | 0:27:10 | 0:27:13 | |
the mill also illustrates what Germany regarded as a great weakness - a lack of colonies. | 0:27:13 | 0:27:19 | |
As the imperial powers of Europe | 0:27:19 | 0:27:22 | |
scrambled to carve up Africa between them, Germany was late to the table, | 0:27:22 | 0:27:26 | |
securing only a few colonies in the south and west | 0:27:26 | 0:27:29 | |
and modern-day Tanzania in the east. | 0:27:29 | 0:27:33 | |
This paucity rankled the Kaiser, | 0:27:33 | 0:27:35 | |
who wanted new markets for goods and new sources of raw materials. | 0:27:35 | 0:27:39 | |
Germany was able to use the territory in Tanzania | 0:27:39 | 0:27:43 | |
to grow its own cotton. | 0:27:43 | 0:27:45 | |
Germany, yeah, but especially the cotton spinning mill. | 0:27:45 | 0:27:48 | |
I think Tanzania was used for different reasons as well, | 0:27:48 | 0:27:53 | |
but this company had their colonies down there, about 30,000 hectares, | 0:27:53 | 0:27:58 | |
so it was really quite a big space, | 0:27:58 | 0:28:00 | |
which they turned into farmland and tried to grow their own cotton. | 0:28:00 | 0:28:03 | |
Cotton growing conditions in Tanzania were hard. Pests put paid | 0:28:05 | 0:28:09 | |
to two-thirds of the harvest in the second year and the scheme failed. | 0:28:09 | 0:28:13 | |
Today, the cotton machines are long gone and in their place is art. | 0:28:18 | 0:28:22 | |
Historically, the most renowned artists of Leipzig were musicians. | 0:28:26 | 0:28:31 | |
My guidebook directs me to the Thomaskirche, or St Thomas's church, | 0:28:38 | 0:28:42 | |
with its lofty roof - | 0:28:42 | 0:28:43 | |
very distinctive - and its monument to Johann Sebastian Bach. | 0:28:43 | 0:28:49 | |
Now Bach was the so-called Thomaskantor here at the church | 0:28:49 | 0:28:53 | |
and more to the point, he wrote several cantatas | 0:28:53 | 0:28:55 | |
while he was in charge of the boys' choir here. | 0:28:55 | 0:28:59 | |
And he effectively established Leipzig as the musical capital of Saxony, | 0:28:59 | 0:29:03 | |
arguably of Europe. | 0:29:03 | 0:29:05 | |
I'm heading to a remarkable music school, | 0:29:10 | 0:29:13 | |
where the creativity of Bach | 0:29:13 | 0:29:15 | |
could be sustained and nurtured, | 0:29:15 | 0:29:17 | |
and one generation of genius could inspire the next. | 0:29:17 | 0:29:20 | |
I'm meeting conservatory librarian Barbara Wierman | 0:29:22 | 0:29:25 | |
at the Hochschule. | 0:29:25 | 0:29:26 | |
My Bradshaw's tells me | 0:29:27 | 0:29:29 | |
about the famous music conservatorium of Leipzig - | 0:29:29 | 0:29:33 | |
why was it so famous? | 0:29:33 | 0:29:34 | |
Oh, actually it was the first music conservatory in Germany. | 0:29:34 | 0:29:39 | |
Especially our founder, he's really famous - | 0:29:39 | 0:29:41 | |
that's Felix Mendelssohn Bartholdy, | 0:29:41 | 0:29:43 | |
and it was his idea to have a conservatory, | 0:29:43 | 0:29:46 | |
a music school in Leipzig. | 0:29:46 | 0:29:49 | |
He was a really good music politician. | 0:29:49 | 0:29:51 | |
He made politics here in Leipzig so that it became in his time, | 0:29:51 | 0:29:56 | |
the music town, Leipzig. Music city Leipzig. | 0:29:56 | 0:29:59 | |
The students of this elite music school were privileged indeed. | 0:30:00 | 0:30:04 | |
Not only did they study under a great composer, they were | 0:30:04 | 0:30:07 | |
also taught by the musicians of his Gewandhaus Orchestra. | 0:30:07 | 0:30:11 | |
I've brought you to the library to tell you about some | 0:30:11 | 0:30:14 | |
of our famous alumni and to show you some of the archival materials. | 0:30:14 | 0:30:18 | |
You must have had so many, I imagine. | 0:30:18 | 0:30:20 | |
Who are the most famous? | 0:30:20 | 0:30:22 | |
I think one of the most famous is Edward Grieg and Leos Janacek | 0:30:22 | 0:30:26 | |
and of course of interest to you is Arthur Sullivan. | 0:30:26 | 0:30:32 | |
# Three little maids from school are we | 0:30:32 | 0:30:34 | |
# Pert as a schoolgirl well can be | 0:30:34 | 0:30:36 | |
# Filled to the brim with girlish glee | 0:30:36 | 0:30:39 | |
# Three little maids from school... # | 0:30:39 | 0:30:42 | |
Arthur Sullivan, the composer half of Gilbert and Sullivan, | 0:30:42 | 0:30:46 | |
won the Royal Academy of Music's | 0:30:46 | 0:30:48 | |
first Mendelssohn Scholarship to study here. | 0:30:48 | 0:30:51 | |
Barbara wants to show me how the young Arthur fitted in. | 0:30:51 | 0:30:55 | |
If we have a look at our reports, there are two reports left. | 0:30:55 | 0:30:58 | |
He came here in 1858 and he left in 1861. | 0:30:58 | 0:31:03 | |
The reports say he was really good at composing. | 0:31:03 | 0:31:07 | |
He was a first violinist of the Gewandhaus Orchestra | 0:31:07 | 0:31:11 | |
and you must know the first violinist is also responsible for conducting. | 0:31:11 | 0:31:14 | |
He was very talented at conducting. | 0:31:14 | 0:31:17 | |
What's this here? | 0:31:18 | 0:31:19 | |
These are the programme notes of his final exam. | 0:31:21 | 0:31:25 | |
He played and conducted his own composition. | 0:31:25 | 0:31:30 | |
The Tempest, by Shakespeare. | 0:31:30 | 0:31:32 | |
Do you know how that was received? | 0:31:32 | 0:31:35 | |
It was very well received. | 0:31:35 | 0:31:37 | |
Here in Germany and when he returned to Britain. | 0:31:37 | 0:31:41 | |
I should think it was hard for the people in the conservatory | 0:31:41 | 0:31:44 | |
to imagine that Arthur Sullivan, such a gifted conductor and composer, | 0:31:44 | 0:31:48 | |
would one day become famous for satirical operettas. | 0:31:48 | 0:31:52 | |
It was surprising, let's say! | 0:31:52 | 0:31:57 | |
Just like Sullivan, the current crop of talented students | 0:32:04 | 0:32:08 | |
benefit from Mendelssohn's legacy. | 0:32:08 | 0:32:10 | |
You're studying here. | 0:32:28 | 0:32:29 | |
Do you have a sense of history about the place? | 0:32:29 | 0:32:32 | |
Yes, there's a sense of history. | 0:32:32 | 0:32:34 | |
I can feel the history when I go through the city and see the houses. | 0:32:34 | 0:32:39 | |
And Bach is a great inspiration? | 0:32:39 | 0:32:41 | |
Yeah, every time I'm looking for a good | 0:32:41 | 0:32:44 | |
programme for my semester, Bach has to be in it. | 0:32:44 | 0:32:49 | |
-Maybe a little more Bach? -Yes! | 0:32:49 | 0:32:52 | |
In a city of so many students, | 0:33:05 | 0:33:06 | |
the 1913 traveller might not have been surprised | 0:33:06 | 0:33:10 | |
to find a jolly good pub. | 0:33:10 | 0:33:11 | |
In this most famous subterranean Leipzig haunt - | 0:33:18 | 0:33:22 | |
Auerbach's Keller - they could enjoy a hell of a good evening. | 0:33:22 | 0:33:25 | |
-Thank you very much. -This is a typical Saxony food. | 0:33:29 | 0:33:33 | |
Beef roulade with dumpling potatoes and red cabbage. | 0:33:33 | 0:33:38 | |
That does sound typically Saxon. | 0:33:38 | 0:33:41 | |
The dumpling potatoes are very solid. | 0:33:41 | 0:33:46 | |
They're chewy, but they really absorb the gravy. | 0:33:49 | 0:33:52 | |
The beef is stuffed with olives and other vegetables. | 0:33:52 | 0:33:57 | |
A very good meal. | 0:33:57 | 0:33:59 | |
MAN SPEAKS IN GERMAN | 0:33:59 | 0:34:02 | |
Johann Wolfgang von Goethe, the Shakespeare of Germany, | 0:34:13 | 0:34:16 | |
set a key scene of his tragedy Faust here. | 0:34:16 | 0:34:19 | |
Faust sells his soul to the devil, in return for knowledge and worldly pleasures. | 0:34:25 | 0:34:30 | |
Together, they visit the Keller, | 0:34:30 | 0:34:32 | |
where Goethe used to drink as a student. | 0:34:32 | 0:34:34 | |
MAN SPEAKS IN GERMAN | 0:34:34 | 0:34:38 | |
Well, I assume that those were lines from Goethe's Faust, | 0:34:41 | 0:34:44 | |
but I must say, this devil wouldn't tempt me to very much. | 0:34:44 | 0:34:47 | |
'After devil and dumplings, I'm ready for heavenly sleep.' | 0:34:49 | 0:34:52 | |
I'm up early, heading north from Leipzig station into Lower Saxony. | 0:35:06 | 0:35:10 | |
I'm approaching the halfway point of my journey through | 0:35:14 | 0:35:17 | |
Germany from Dresden in the east to Kiel in the north. | 0:35:17 | 0:35:20 | |
You can get a nice cooked breakfast on the German railways | 0:35:24 | 0:35:27 | |
but on this train, it's strictly self-service. | 0:35:27 | 0:35:29 | |
My destination today is Braunschweig or Brunswick, | 0:35:42 | 0:35:46 | |
and I'm changing at Magdeburg. | 0:35:46 | 0:35:47 | |
I'm supposed to have six minutes to make the change. | 0:35:47 | 0:35:50 | |
But this train is arriving late, so it's going to be a real chase. | 0:35:50 | 0:35:53 | |
Koln, bitte. | 0:36:01 | 0:36:03 | |
Links, danke. | 0:36:03 | 0:36:04 | |
The train for Koln, or Cologne, | 0:36:08 | 0:36:09 | |
stops at Brunswick, but it's three platforms away. | 0:36:09 | 0:36:12 | |
Made it. | 0:36:23 | 0:36:25 | |
Relief. Now that I'm on the Brunswick train, | 0:36:26 | 0:36:29 | |
my journey should just take me just 45 minutes. | 0:36:29 | 0:36:31 | |
Helmstedt is an interesting station because in the old days, | 0:36:40 | 0:36:43 | |
this was the border between East Germany and West Germany. | 0:36:43 | 0:36:46 | |
Now of course there is no border and the trains go through smoothly. | 0:36:46 | 0:36:50 | |
And to the uninitiated like me, you can't tell the difference | 0:36:50 | 0:36:53 | |
between East and West Germany - it is now an entirely seamless country. | 0:36:53 | 0:36:57 | |
Brunswick was the birthplace of Caroline of Brunswick, | 0:36:59 | 0:37:02 | |
who became known as the Injured Queen of England. | 0:37:02 | 0:37:05 | |
In 1795, Britain's future King George IV agreed to marry her, | 0:37:05 | 0:37:10 | |
although she was described as "short, fat and ugly", | 0:37:10 | 0:37:14 | |
because Parliament agreed to pay off his gambling debts if he did. | 0:37:14 | 0:37:18 | |
Caroline duly bore him an heir and George then duly left her. | 0:37:18 | 0:37:22 | |
So it seems rather surprising that Bradshaw's specifically notes | 0:37:23 | 0:37:26 | |
that Brunswick residents are happy. | 0:37:26 | 0:37:30 | |
My book says the people from Brunswick are cheerful, happy? | 0:37:30 | 0:37:35 | |
-I heard it. -Is it true? -I would say half and half. | 0:37:35 | 0:37:41 | |
Some people are very cheerful and some people are... | 0:37:41 | 0:37:46 | |
THEY LAUGH | 0:37:47 | 0:37:49 | |
-Sie sind frohlich, ja? -Ja. -Why not be happy? | 0:37:49 | 0:37:54 | |
Braunschweigers, yes. They're smiling. | 0:37:56 | 0:38:00 | |
You have a lovely smile. | 0:38:00 | 0:38:01 | |
-Let's see that smile. -Thank you. | 0:38:01 | 0:38:03 | |
Let's see that smile. That would make everybody happy. | 0:38:03 | 0:38:08 | |
There may be another reason for the "cheery" comment. | 0:38:09 | 0:38:12 | |
Brunswick is home to one of Germany's oldest breweries. | 0:38:12 | 0:38:16 | |
The Hofbrauhaus Wolters dates back to 1627 and by the 1880s, | 0:38:17 | 0:38:22 | |
they were brewers by appointment to the Duke of Brunswick. | 0:38:22 | 0:38:26 | |
Meike Bluhm is the brewmaster. | 0:38:26 | 0:38:29 | |
Meike, hello. | 0:38:29 | 0:38:30 | |
Hi, Michael, nice meeting you here. | 0:38:30 | 0:38:31 | |
I notice straightaway that there are railway tracks here. | 0:38:31 | 0:38:34 | |
Historically, were the railways quite important for the brewery? | 0:38:34 | 0:38:37 | |
Absolutely, yes. | 0:38:37 | 0:38:38 | |
They were important for us to bring the raw materials on to site, | 0:38:38 | 0:38:41 | |
but also to transport the finished goods to all over northern Germany. | 0:38:41 | 0:38:45 | |
Curiously, the railway also contributed | 0:38:48 | 0:38:50 | |
to the taste of the beer. | 0:38:50 | 0:38:52 | |
The steam locomotives running on this line | 0:38:52 | 0:38:54 | |
needed soft water in their boilers. | 0:38:54 | 0:38:58 | |
But Brunswick is a city of hard water, | 0:38:58 | 0:39:00 | |
so it had to be piped in from the Harz mountains, 40km away. | 0:39:00 | 0:39:04 | |
And the brewery was quick to use it, | 0:39:05 | 0:39:07 | |
giving their beer a purer, softer taste. | 0:39:07 | 0:39:10 | |
This is called the mash tun, where the malt grist | 0:39:13 | 0:39:17 | |
and water are mixed, stirred and heated up to about 75 degrees. | 0:39:17 | 0:39:21 | |
-Which explains why it's so hot in here. -Absolutely. | 0:39:22 | 0:39:25 | |
And what happens when you mix the grain with the water like this? | 0:39:25 | 0:39:29 | |
What happens is that the enzymes in the grains | 0:39:29 | 0:39:32 | |
break down the starch into sugars. | 0:39:32 | 0:39:34 | |
And that sugar is later fermented into alcohol by the yeast. | 0:39:34 | 0:39:38 | |
Forgive me asking you, but is it quite unusual these days still | 0:39:38 | 0:39:41 | |
for a woman to be a master brewer? | 0:39:41 | 0:39:45 | |
It is still quite unusual, although times are changing | 0:39:45 | 0:39:47 | |
and there are a few to be found now in some breweries, | 0:39:47 | 0:39:51 | |
but I'm...a rarity. | 0:39:51 | 0:39:54 | |
A master brewer has to have a very good palate. | 0:39:54 | 0:39:57 | |
Is that true? | 0:39:57 | 0:39:58 | |
Are you born with it or are you trained to it? | 0:39:58 | 0:40:01 | |
That is true. You can be born with it. Some people are not. | 0:40:01 | 0:40:05 | |
There is a lot of training you have to undergo to develop | 0:40:05 | 0:40:08 | |
a palate for beer. | 0:40:08 | 0:40:10 | |
Tasting is still our most important quality check, | 0:40:10 | 0:40:13 | |
so we sample every batch, every day. | 0:40:13 | 0:40:16 | |
Were you born with a fine palate? | 0:40:16 | 0:40:18 | |
I do have a bit of a palate, yes. | 0:40:18 | 0:40:20 | |
And how did you discover that? | 0:40:20 | 0:40:23 | |
Don't want to answer that question! | 0:40:23 | 0:40:26 | |
I carry a guide book from 1913 and I'm wondering what would beer | 0:40:26 | 0:40:29 | |
have tasted like at the beginning of the 20th century, do you think? | 0:40:29 | 0:40:33 | |
It would have tasted more bitter than it tastes now, | 0:40:33 | 0:40:36 | |
and also a bit sweeter, that means more body. | 0:40:36 | 0:40:39 | |
I can give you a sample of beer that comes pretty close to what | 0:40:41 | 0:40:45 | |
beer would have tasted like 100 years ago. | 0:40:45 | 0:40:48 | |
It doesn't taste very bitter to me, it does taste a bit sweet. | 0:40:53 | 0:40:56 | |
Actually, it's pretty good. What does your expert palate tell you? | 0:40:56 | 0:41:00 | |
-It's perfect, isn't it? -It's pretty good, isn't it? | 0:41:00 | 0:41:03 | |
Wolters produces around 270 million bottles and cans of beer a year, | 0:41:04 | 0:41:11 | |
all now transported by road. | 0:41:11 | 0:41:12 | |
But with nearly 200 kilometres between me and my hotel, | 0:41:15 | 0:41:18 | |
I'm definitely letting the train take the strain. | 0:41:18 | 0:41:22 | |
Hanover - I have to change trains here. | 0:41:29 | 0:41:31 | |
My next stop will be Hamburg. | 0:41:52 | 0:41:54 | |
According to my Bradshaw's, it's situated on the River Elbe | 0:41:54 | 0:41:57 | |
60 miles from the mouth of the river, | 0:41:57 | 0:41:59 | |
the second city of the German Empire. | 0:41:59 | 0:42:02 | |
It ranks in commercial importance | 0:42:02 | 0:42:04 | |
before any other town in continental Europe. | 0:42:04 | 0:42:08 | |
By 1913, the Great British ports of Liverpool | 0:42:08 | 0:42:11 | |
and London had to regard Hamburg as a serious rival. | 0:42:11 | 0:42:15 | |
Its huge port, that gives Hamburg this access to the world, | 0:42:18 | 0:42:22 | |
is situated in the heart of the city. | 0:42:22 | 0:42:24 | |
And as Germany's second largest city, | 0:42:26 | 0:42:28 | |
it's also one of Europe's most affluent. | 0:42:28 | 0:42:31 | |
Hamburg's main station is really awe-inspiring. | 0:42:42 | 0:42:45 | |
It was built in 1906, | 0:42:45 | 0:42:47 | |
apparently replacing four different terminal stations. | 0:42:47 | 0:42:50 | |
So for the traveller with the Bradshaw's Guide in 1913, | 0:42:50 | 0:42:54 | |
it would have been new. | 0:42:54 | 0:42:55 | |
It is, they say, the busiest station in Germany, | 0:42:55 | 0:42:59 | |
the second busiest in all of Europe after Paris' Gare du Nord, | 0:42:59 | 0:43:03 | |
and this evening it really feels like it. | 0:43:03 | 0:43:05 | |
Time, I think, to find the quiet sanctuary of my hotel. | 0:43:08 | 0:43:12 | |
When I think of Hamburg, I picture a busy industrial port. | 0:43:29 | 0:43:34 | |
Its beauty is an unexpected bonus. | 0:43:34 | 0:43:36 | |
The Bradshaw's Guide loves to list major engineering feats. | 0:43:50 | 0:43:54 | |
"Under the Elbe is a double tunnel for pedestrians and vehicles, | 0:43:54 | 0:43:57 | |
"490 yards long, made at a cost of over £500,000." | 0:43:57 | 0:44:04 | |
With that tone of enthusiasm, this has to be worth seeing. | 0:44:04 | 0:44:07 | |
By the early 1900s, Hamburg's traffic problems were chronic. | 0:44:15 | 0:44:19 | |
The roads were hectic, and the river even worse. | 0:44:19 | 0:44:23 | |
Congestion and currents made life difficult for workers | 0:44:23 | 0:44:26 | |
crossing from the city to Hamburg's bustling docks. | 0:44:26 | 0:44:30 | |
The solution was to dig the Sankt Pauli Elbtunnel, | 0:44:30 | 0:44:33 | |
and this grand entrance hall is the way in. | 0:44:33 | 0:44:36 | |
Well, this is built on an extraordinary scale. | 0:44:36 | 0:44:40 | |
But it's not just the size of it, it is the architectural grandeur. | 0:44:40 | 0:44:45 | |
It's been built like the Pantheon in Rome and it's beautifully tiled | 0:44:45 | 0:44:50 | |
and here I see reliefs - I imagine these are the engineers | 0:44:50 | 0:44:54 | |
and the architects immortalised in statues, and quite rightly so. | 0:44:54 | 0:45:00 | |
Four huge lifts on either side of the river carry pedestrians, | 0:45:09 | 0:45:13 | |
cyclists and motor vehicles to the bottom... | 0:45:13 | 0:45:16 | |
..where they enter two narrow tunnels | 0:45:18 | 0:45:20 | |
taking traffic backwards and forwards. | 0:45:20 | 0:45:23 | |
Hello, Hartmut. | 0:45:25 | 0:45:27 | |
-Hello, Michael. Welcome to the Old Elbe Tunnel. -Thank you very much. | 0:45:27 | 0:45:30 | |
-I'm finding it impressive and beautiful. -Yes, it is. | 0:45:30 | 0:45:34 | |
'Hartmut Graf is the head engineer responsible for keeping the tunnel running.' | 0:45:34 | 0:45:38 | |
When was it actually built? | 0:45:38 | 0:45:41 | |
It was built up to 1911 and it was planned up to 1905. | 0:45:41 | 0:45:47 | |
And the planning was heavily influenced by the Glasgow tunnel. | 0:45:47 | 0:45:51 | |
The decision to build a tunnel, rather than a bridge? | 0:45:51 | 0:45:54 | |
The port was too active for a bridge and the ships were too big. | 0:45:55 | 0:46:00 | |
Let's step out of the way here. | 0:46:01 | 0:46:03 | |
It's built quite narrow. | 0:46:07 | 0:46:09 | |
Was there a lot of traffic in the early days? | 0:46:09 | 0:46:12 | |
Yeah. There was quite a lot of traffic, mostly by horses. | 0:46:12 | 0:46:17 | |
And I suppose the early motorcars, in 1911. | 0:46:19 | 0:46:22 | |
Yeah, there are some pictures with very old cars here. | 0:46:22 | 0:46:25 | |
Why do you think it was built so grandly, | 0:46:25 | 0:46:27 | |
in the style of the Pantheon and with such beautiful tiles? | 0:46:27 | 0:46:31 | |
At this time, 1900, Germany still had an emperor | 0:46:31 | 0:46:36 | |
and he wanted to be proud about this. | 0:46:36 | 0:46:40 | |
So perhaps this was the reason it was built in this way. | 0:46:40 | 0:46:45 | |
I mean, everywhere we look, there are beautiful ornaments, decoration. | 0:46:45 | 0:46:50 | |
Yeah, and also Hamburg wanted to show what it was able to build. | 0:46:50 | 0:46:55 | |
It's a pretty active tunnel, isn't it? | 0:46:55 | 0:46:58 | |
But at just over 100 years old, the tunnel is showing signs of age. | 0:47:00 | 0:47:05 | |
Ready. | 0:47:08 | 0:47:09 | |
'And major restoration work is being carried out on the second bore.' | 0:47:09 | 0:47:13 | |
This is amazing, because you have obviously taken the tunnel back to its original skin. | 0:47:15 | 0:47:19 | |
What is the job you are doing now? | 0:47:19 | 0:47:23 | |
The main job we are doing here at the moment is to renew the lead. | 0:47:23 | 0:47:29 | |
How long will this job take you? | 0:47:29 | 0:47:31 | |
It's taken already nearly two years and it will take us up to 2016. | 0:47:31 | 0:47:38 | |
So why is Hamburg spending the money on these tunnels, do you think? | 0:47:38 | 0:47:43 | |
Because this is a thing which is very important to all Hamburg people | 0:47:43 | 0:47:49 | |
and they don't want to miss it. | 0:47:49 | 0:47:51 | |
Well, thanks to you, they're not going to miss it. | 0:47:51 | 0:47:54 | |
This might seem like a DIY job, | 0:47:54 | 0:47:57 | |
but this is to protect future generations from lead poisoning. | 0:47:57 | 0:48:01 | |
I'm delighted that this engineering heritage | 0:48:02 | 0:48:05 | |
is being celebrated and restored. | 0:48:05 | 0:48:08 | |
My next stop isn't old at all, | 0:48:13 | 0:48:16 | |
but if Bradshaw's was to be republished today, | 0:48:16 | 0:48:18 | |
this place would secure an enthusiastic mention. | 0:48:18 | 0:48:22 | |
Hamburg is home to the greatest model railway in the world. | 0:48:22 | 0:48:27 | |
Miniatur Wunderland has 13,000 metres of track, | 0:48:37 | 0:48:42 | |
covering an area of 1,300 square metres, | 0:48:42 | 0:48:45 | |
divided up into eight huge sections representing different countries. | 0:48:45 | 0:48:51 | |
I'm meeting one of the model's founders, Sebastian Drechsler. | 0:48:54 | 0:48:58 | |
Sebastian, this is an absolute paradise for model lovers, | 0:49:00 | 0:49:06 | |
for children, for adults, for anybody who loves trains. | 0:49:06 | 0:49:09 | |
It's fantastic. How long has it been here? | 0:49:09 | 0:49:12 | |
It's here for 12 years. My two older brothers had the idea when I was 18. | 0:49:12 | 0:49:17 | |
Back in the day, they had a club and a record label and they decided | 0:49:17 | 0:49:20 | |
that they don't want to get old at the nightclub and came home with strange idea, | 0:49:20 | 0:49:24 | |
and one was to build the largest model railway of the world. | 0:49:24 | 0:49:27 | |
It was very hard for me to imagine to change the guest list | 0:49:27 | 0:49:30 | |
of a club to the guest list of a model railway! | 0:49:30 | 0:49:33 | |
-I'm astonished you have only been doing this for 12 years. -Exactly. | 0:49:33 | 0:49:37 | |
In this 12 or so years, we spent about 560,000 working hours | 0:49:37 | 0:49:41 | |
just on the layout, to create all of that. | 0:49:41 | 0:49:45 | |
And you have now established the largest model railway in the world? | 0:49:45 | 0:49:48 | |
Already, since we opened up Switzerland, | 0:49:48 | 0:49:51 | |
we are the largest model railway. | 0:49:51 | 0:49:53 | |
Now, where is the United Kingdom? I thought I might go there. | 0:49:53 | 0:49:56 | |
It's only in our heads. | 0:49:56 | 0:49:59 | |
No United Kingdom? | 0:49:59 | 0:50:01 | |
Not now, because we need the perfect space for the motherland | 0:50:01 | 0:50:05 | |
of railways and we need to have such a huge space. | 0:50:05 | 0:50:09 | |
We want to build a spectacular United Kingdom. | 0:50:09 | 0:50:13 | |
This is our control room, | 0:50:14 | 0:50:16 | |
the core of everything in Miniatur Wunderland. | 0:50:16 | 0:50:19 | |
It's so impressive. | 0:50:19 | 0:50:21 | |
It looks like the control room of a real railway, just astonishing. | 0:50:21 | 0:50:24 | |
We have 265 cameras on the whole layout | 0:50:24 | 0:50:28 | |
because there are train accidents all over the layout. | 0:50:28 | 0:50:31 | |
Because someone is running and searching for the train, where exactly it is. | 0:50:31 | 0:50:35 | |
We first localise the train with the cameras | 0:50:35 | 0:50:38 | |
and then go to fix the problem. | 0:50:38 | 0:50:40 | |
So the guys working here, I imagine if one day they were asked | 0:50:40 | 0:50:45 | |
to go and work for the German railways, | 0:50:45 | 0:50:47 | |
-they could do the transition. -They could. | 0:50:47 | 0:50:50 | |
The wonder of this miniature world is its attention to tiny detail. | 0:50:52 | 0:50:57 | |
Every one of the 250,000 inhabitants has a story. | 0:50:57 | 0:51:01 | |
And model maker Sonia Schroder | 0:51:03 | 0:51:05 | |
is going to show me how they come to life. | 0:51:05 | 0:51:08 | |
-Well, I hope you have your spectacles? -I do. | 0:51:08 | 0:51:11 | |
So, first you should dip your brush into the water. Just slightly. | 0:51:11 | 0:51:15 | |
And you definitely should start with the pink shirt. | 0:51:18 | 0:51:22 | |
'If you haven't worked it out yet, Sonia is coaching me | 0:51:22 | 0:51:25 | |
'to paint a mini me.' | 0:51:25 | 0:51:27 | |
Try to paint around your hand and booklet. | 0:51:27 | 0:51:31 | |
You're doing well. | 0:51:32 | 0:51:34 | |
Just do little, little paint strips. | 0:51:34 | 0:51:38 | |
'Now I begin to understand the high standards they set themselves.' | 0:51:38 | 0:51:42 | |
My Bradshaw is about 2% of the size of me. | 0:51:44 | 0:51:49 | |
So this is quite a small target. | 0:51:49 | 0:51:51 | |
Not bad. You know what, Michael? | 0:51:54 | 0:51:57 | |
I can tell you did neither party last night | 0:51:57 | 0:52:00 | |
or drink coffee this morning. | 0:52:00 | 0:52:02 | |
Is that right? Does my Bradshaw look big in this? | 0:52:02 | 0:52:05 | |
Eagle-eyed tourists in Wunderland can now spot | 0:52:06 | 0:52:09 | |
a brightly-coloured fellow clutching a red book. | 0:52:09 | 0:52:12 | |
He's marooned in perpetuity in the middle of Hamburg Station. | 0:52:12 | 0:52:16 | |
There are uglier places to spend eternity. | 0:52:16 | 0:52:19 | |
Although I could quite happily linger with my alter-ego, | 0:52:30 | 0:52:33 | |
the tracks are calling, and the scent of the Baltic Sea. | 0:52:33 | 0:52:37 | |
At the time of my Bradshaw's, | 0:52:39 | 0:52:41 | |
Kaiser Wilhelm's Germany sought colonial and naval power. | 0:52:41 | 0:52:45 | |
Locked in a naval race with Britain, | 0:52:47 | 0:52:49 | |
he'd already built a fleet of 39 warships based at Kiel. | 0:52:49 | 0:52:53 | |
And as tensions grew, the Kaiser's navy needed a quick and safe route | 0:52:54 | 0:52:58 | |
from the Baltic to face the British in the North Sea. | 0:52:58 | 0:53:02 | |
To sail north round Denmark's Jutland Peninsula | 0:53:02 | 0:53:05 | |
was dangerous and a diversion of 250 nautical miles. | 0:53:05 | 0:53:10 | |
But the Kiel canal was too narrow for warships. | 0:53:10 | 0:53:14 | |
So the Kaiser undertook a massive widening, | 0:53:14 | 0:53:17 | |
all along the canal's 100km. | 0:53:17 | 0:53:20 | |
And today, that feat of German engineering is still in use, | 0:53:21 | 0:53:24 | |
with close to 35,000 ships a year passing through. | 0:53:24 | 0:53:30 | |
Now to test my sea legs. | 0:53:31 | 0:53:34 | |
-Ahoy, skipper. Happy to receive boarders? -Yes, please. | 0:53:35 | 0:53:39 | |
What a wonderful vessel! | 0:53:41 | 0:53:42 | |
Yes, a racing yacht from the turn of the last century. | 0:53:42 | 0:53:46 | |
It's absolutely beautiful, thank you so much for having me on board. | 0:53:46 | 0:53:50 | |
With Andreas Neubau, president of the Kiel Sailing Association, | 0:53:52 | 0:53:56 | |
I can experience why the Kaiser was so captivated by yachting. | 0:53:56 | 0:54:00 | |
So, Andreas, we've left the British Kiel Yacht Club behind us. | 0:54:03 | 0:54:06 | |
-Where are we now? -We are right in the middle of the Kiel Fjord. | 0:54:06 | 0:54:10 | |
And, of course, it's one of the most important sailing areas in the whole world. | 0:54:10 | 0:54:15 | |
So this is very much the equivalent of Cowes. | 0:54:15 | 0:54:18 | |
You have a Kiel Week as we have a Cowes Week. | 0:54:18 | 0:54:21 | |
Yes, and the Kaiser had a special interest in Cowes Week | 0:54:21 | 0:54:25 | |
and so he really copied it. | 0:54:25 | 0:54:27 | |
This international racing attracted some impressive competition. | 0:54:29 | 0:54:32 | |
The Kaiser's biggest rival was his uncle, British King Edward VII. | 0:54:32 | 0:54:37 | |
But the yachtsmen couldn't have failed to notice | 0:54:37 | 0:54:40 | |
the significance of the growing presence of warships. | 0:54:40 | 0:54:44 | |
The navy built two battleships a year, | 0:54:45 | 0:54:48 | |
so in the end they had 39 battleships. | 0:54:48 | 0:54:51 | |
So it really was a tremendous fleet. | 0:54:51 | 0:54:54 | |
Now declassified documents show that by 1913, | 0:54:54 | 0:54:58 | |
British intelligence was already monitoring the growing threat, | 0:54:58 | 0:55:02 | |
using British yachtsmen to do the surveillance. | 0:55:02 | 0:55:06 | |
I feel a little bit like Carruthers in that novel, | 0:55:06 | 0:55:10 | |
you know that novel The Riddle Of The Sands, | 0:55:10 | 0:55:13 | |
which is about a couple of guys who go spying on the German navy. | 0:55:13 | 0:55:17 | |
Oh, there were many spies. | 0:55:17 | 0:55:20 | |
For instance, the Sunbeam from Lord Brassey came here one year. | 0:55:21 | 0:55:25 | |
And the old lord let himself row into a submarine pen. | 0:55:25 | 0:55:31 | |
Of course, they didn't make much of it but this was, of course, a little spy tour. | 0:55:31 | 0:55:37 | |
The intelligence conveyed the stark news that by 1913, | 0:55:38 | 0:55:41 | |
Britain faced an ambitious rival with a formidable navy. | 0:55:41 | 0:55:45 | |
And as the yachts gathered for Kiel Week a year later, | 0:55:47 | 0:55:51 | |
Europe was slipping towards war. | 0:55:51 | 0:55:53 | |
The spark was the assassination by a Serb in Sarajevo | 0:55:54 | 0:55:58 | |
of Archduke Franz Ferdinand, | 0:55:58 | 0:56:00 | |
the heir to the throne of the Austro-Hungarian empire. | 0:56:00 | 0:56:03 | |
And the Kaiser heard the news aboard his yacht. | 0:56:06 | 0:56:09 | |
Over the fjord came the little boat of Admiral von Muller. | 0:56:11 | 0:56:16 | |
He said, "I have an urgent message here." | 0:56:16 | 0:56:21 | |
He put it into his cigarette box and threw it on board. | 0:56:21 | 0:56:27 | |
And there, the Kaiser had it. | 0:56:28 | 0:56:30 | |
That was the last weekend in June | 0:56:30 | 0:56:32 | |
and by the beginning of August, Europe was at war. | 0:56:32 | 0:56:36 | |
Events in the Balkans set off a chain reaction. | 0:56:38 | 0:56:41 | |
Germany encouraged its Austro-Hungarian ally | 0:56:41 | 0:56:44 | |
to strike back against Serbia. | 0:56:44 | 0:56:47 | |
The alliance of Russia and France prepared for war, | 0:56:47 | 0:56:49 | |
as armies mobilised across Europe. | 0:56:49 | 0:56:51 | |
Germany marched through Belgium to strike at France | 0:56:54 | 0:56:57 | |
and Britain was obliged to act in her defence. | 0:56:57 | 0:56:59 | |
British Foreign Secretary, Lord Grey, lamented, | 0:57:01 | 0:57:05 | |
"The lamps are going out all over Europe. | 0:57:05 | 0:57:09 | |
"We shall not see them lit again in our lifetime." | 0:57:09 | 0:57:12 | |
Over the next four years, | 0:57:18 | 0:57:20 | |
Europe squandered the benefits of peace and progress | 0:57:20 | 0:57:24 | |
in a savage, mechanised war. | 0:57:24 | 0:57:26 | |
During the 19th century, the railways helped to bring together | 0:57:27 | 0:57:31 | |
the culture of Dresden, the musicality of Leipzig, | 0:57:31 | 0:57:35 | |
the trading power of Hamburg, and the economic might of Berlin. | 0:57:35 | 0:57:39 | |
The new Germany was an industrial, scientific and artistic giant, | 0:57:39 | 0:57:44 | |
elbowing Britain aside in the European league tables. | 0:57:44 | 0:57:48 | |
Sadly, statesmen did not appreciate | 0:57:48 | 0:57:51 | |
that the enviable prosperity and civilisation of Germany | 0:57:51 | 0:57:55 | |
depended on the absence of war. | 0:57:55 | 0:57:57 | |
Next time, I lose my inhibitions in a Swedish sauna... | 0:57:59 | 0:58:03 | |
On the whole, I don't take my clothes off with people I don't know. | 0:58:03 | 0:58:07 | |
..ride one of the world's oldest fairground attractions... | 0:58:07 | 0:58:10 | |
Ohhhh! | 0:58:10 | 0:58:12 | |
..have a Highland fling, Scandinavian style, | 0:58:12 | 0:58:15 | |
and brave a white knuckle ride | 0:58:15 | 0:58:18 | |
based on a winter sport invented by Norwegians. | 0:58:18 | 0:58:21 | |
One of the great experiences of my life! | 0:58:25 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:52 | 0:58:56 |