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I'm embarking on a new railway adventure that will take me | 0:00:02 | 0:00:05 | |
across the heart of Europe. | 0:00:05 | 0:00:07 | |
I'll be using this - | 0:00:10 | 0:00:12 | |
my Bradshaw's Continental Railway Guide, dated 1913, which | 0:00:12 | 0:00:17 | |
opened up an exotic world of foreign travel for the British tourist. | 0:00:17 | 0:00:22 | |
'It told travellers where to go, what to see and how to navigate | 0:00:22 | 0:00:26 | |
'the thousands of miles of tracks crisscrossing the continent. | 0:00:26 | 0:00:30 | |
'Now, a century later, | 0:00:30 | 0:00:32 | |
'I'm using my copy to reveal an era of great optimism and energy, | 0:00:32 | 0:00:36 | |
'where technology, industry, science and the arts were flourishing.' | 0:00:36 | 0:00:41 | |
I want to rediscover that lost Europe that, in 1913, couldn't know | 0:00:42 | 0:00:47 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:47 | 0:00:52 | |
I'm beginning a new journey through Denmark, Sweden and Norway, | 0:01:10 | 0:01:14 | |
which, until the early 16th century, | 0:01:14 | 0:01:17 | |
were all ruled by a powerful Danish monarchy. | 0:01:17 | 0:01:20 | |
By the time of my guidebook in 1913, | 0:01:20 | 0:01:23 | |
the three were politically separate, | 0:01:23 | 0:01:26 | |
but known collectively as Scandinavia. | 0:01:26 | 0:01:29 | |
The British traveller could now visit | 0:01:29 | 0:01:31 | |
the extreme landscapes of mountains and lakes thanks to the railways. | 0:01:31 | 0:01:35 | |
'At the turn of the 20th century, | 0:01:37 | 0:01:38 | |
'British tourists would have felt a particular connection to | 0:01:38 | 0:01:41 | |
'Scandinavia, thanks to the marriage of the future King Edward VII | 0:01:41 | 0:01:46 | |
'to the Danish Princess Alexandra in 1863. | 0:01:46 | 0:01:50 | |
'Their daughter Maud would go on to become Queen of Norway, | 0:01:50 | 0:01:53 | |
'forging further strong links | 0:01:53 | 0:01:55 | |
'between Britain and these Nordic lands. | 0:01:55 | 0:01:58 | |
'My adventure begins in Denmark's capital Copenhagen, crosses | 0:02:00 | 0:02:04 | |
'the famous Oresund Bridge to Malmo in Sweden, | 0:02:04 | 0:02:07 | |
'then travels north along Sweden's west coast to Gothenburg, | 0:02:07 | 0:02:11 | |
'stopping briefly in Trollhatten | 0:02:11 | 0:02:13 | |
'before heading to Norway's capital Oslo. | 0:02:13 | 0:02:16 | |
'Along the way, I lose my inhibitions in a Swedish sauna...' | 0:02:17 | 0:02:21 | |
On the whole, | 0:02:21 | 0:02:22 | |
I don't take my clothes off with people I don't know. | 0:02:22 | 0:02:24 | |
'..ride one of the world's oldest fairground attractions...' | 0:02:24 | 0:02:28 | |
Oh! | 0:02:28 | 0:02:29 | |
'..have a Highland fling, Scandinavian style...' | 0:02:29 | 0:02:32 | |
ALL: Skol! | 0:02:32 | 0:02:34 | |
'..and brave a white-knuckle ride | 0:02:36 | 0:02:38 | |
'based on a winter sport invented by Norwegians.' | 0:02:38 | 0:02:42 | |
Whee-hoo! | 0:02:42 | 0:02:44 | |
One of the great experiences of my life. | 0:02:46 | 0:02:48 | |
My first stop is the Danish capital Copenhagen. | 0:02:55 | 0:02:58 | |
My Bradshaw's quips that, "Denmark is a little monarchy, | 0:02:58 | 0:03:02 | |
"formerly more extensive, between the North Sea and the Baltic." | 0:03:02 | 0:03:06 | |
Copenhagen is the economic, political | 0:03:10 | 0:03:12 | |
and cultural centre of Denmark. | 0:03:12 | 0:03:14 | |
It started life in the 11th century as a Viking fishing port. | 0:03:20 | 0:03:24 | |
Surrounded by water and interlaced with canals, | 0:03:24 | 0:03:27 | |
it's a veritable Venice of the North. | 0:03:27 | 0:03:31 | |
It is connected to Stockholm, Hamburg, Berlin | 0:03:33 | 0:03:36 | |
and beyond by the railways. | 0:03:36 | 0:03:38 | |
Copenhagen's main railway station was, in fact, | 0:03:44 | 0:03:46 | |
new at the time of my Bradshaw's guide | 0:03:46 | 0:03:49 | |
but, built as it is out of traditional wooden trusses, | 0:03:49 | 0:03:52 | |
it has the feeling of a Gothic banqueting hall - | 0:03:52 | 0:03:54 | |
perhaps a way of reminding us that the Danish monarchy traces its | 0:03:54 | 0:03:58 | |
origins back more than 1,000 years to the middle of the 10th century. | 0:03:58 | 0:04:02 | |
'According to my guide, Copenhagen is one of the pleasantest | 0:04:10 | 0:04:15 | |
'of the smaller capitals of Europe.' | 0:04:15 | 0:04:17 | |
And 100 years on, | 0:04:18 | 0:04:20 | |
the historic skyline is unspoiled by high-rise buildings. | 0:04:20 | 0:04:24 | |
On leaving the railway station, | 0:04:33 | 0:04:35 | |
travellers would have noticed at once one of the oldest | 0:04:35 | 0:04:38 | |
amusement parks in the world - the Tivoli Gardens. | 0:04:38 | 0:04:41 | |
'Ellen Dahl knows all about it.' | 0:04:48 | 0:04:50 | |
-Ellen, hello. -Hello. | 0:04:50 | 0:04:52 | |
What is the origin of the Tivoli Gardens at Copenhagen? | 0:04:52 | 0:04:56 | |
When Tivoli was founded in 1843, it was a big fashion all over Europe. | 0:04:56 | 0:05:00 | |
So this was the first place in Denmark you could actually | 0:05:00 | 0:05:03 | |
go into the public domain and see people and have fun | 0:05:03 | 0:05:05 | |
and have a meal and see a show and just be out. | 0:05:05 | 0:05:10 | |
Now, if I've got this right, the railway came after Tivoli Gardens. | 0:05:10 | 0:05:14 | |
-It started in 1847, didn't it, the railway? -That's true, yes. | 0:05:14 | 0:05:16 | |
And the first railway station in Copenhagen was just next to | 0:05:16 | 0:05:21 | |
Tivoli, so just a little more west. | 0:05:21 | 0:05:23 | |
And people would stand inside Tivoli to look out on the railways | 0:05:23 | 0:05:28 | |
and see the trains, because they'd never seen anything like it. | 0:05:28 | 0:05:31 | |
And, vice versa, people would stand in the train station | 0:05:31 | 0:05:34 | |
and look into Tivoli and see all the fun going on in here. | 0:05:34 | 0:05:37 | |
What does Tivoli mean to the people of Copenhagen? | 0:05:37 | 0:05:40 | |
Well, Tivoli is somewhere that everybody has been. | 0:05:40 | 0:05:44 | |
People have very fond memories of Tivoli, so they tend to get | 0:05:44 | 0:05:49 | |
very attached to things that are in Tivoli and they tend to want | 0:05:49 | 0:05:52 | |
to relive childhood memories, actually, when they are here. | 0:05:52 | 0:05:56 | |
I'd like to return to childhood myself, | 0:05:59 | 0:06:02 | |
on the most popular attraction in Tivoli. | 0:06:02 | 0:06:04 | |
Every year, up to 1.3 million thrill-seekers | 0:06:04 | 0:06:08 | |
ride this wooden roller coaster. | 0:06:08 | 0:06:10 | |
Dating from 1914, it is one of the oldest of its kind in the world. | 0:06:12 | 0:06:17 | |
How much has it changed, then, in the last century? | 0:06:20 | 0:06:23 | |
It's extremely authentic. | 0:06:23 | 0:06:25 | |
Of course, things have been maintained | 0:06:25 | 0:06:28 | |
and things have been changed, | 0:06:28 | 0:06:30 | |
in terms of actual boards and rails and things like that, | 0:06:30 | 0:06:33 | |
but the ride is as you would have seen it 100 years ago. | 0:06:33 | 0:06:38 | |
I can't wait any longer. | 0:06:39 | 0:06:41 | |
-Ellen, this will be fun. -Are you all right? | 0:06:41 | 0:06:43 | |
-Yeah. I like roller coasters. -Don't stand up. | 0:06:43 | 0:06:47 | |
-Hold your arms inside the carriage, yeah? -And keep hold of Bradshaw. | 0:06:47 | 0:06:50 | |
Hold on to your book. | 0:06:50 | 0:06:51 | |
The roller coaster is pulled up to the top of the first incline, | 0:06:55 | 0:06:58 | |
the highest point, and then gravity takes over. | 0:06:58 | 0:07:02 | |
You have to put your arms up, yeah? | 0:07:02 | 0:07:05 | |
Aaa-oh! | 0:07:05 | 0:07:06 | |
HE LAUGHS | 0:07:06 | 0:07:08 | |
Oh, my bottom was well off the seat there. | 0:07:13 | 0:07:16 | |
That's what they call air time. That's the fun of it. | 0:07:16 | 0:07:19 | |
'Tivoli is Scandinavia's most popular attraction. | 0:07:19 | 0:07:23 | |
'Over four million visitors a year enjoy the rides.' | 0:07:23 | 0:07:26 | |
-Oh, Ellen, that was brilliant. -Did you enjoy it? | 0:07:28 | 0:07:31 | |
My bottom was in the air more than it was on the seat. | 0:07:31 | 0:07:34 | |
After that excitement, I'll seek a classic theme park refreshment. | 0:07:36 | 0:07:41 | |
-Hello. -Hello, Michael. Welcome. -Thank you, Kjeld. | 0:07:41 | 0:07:44 | |
This looks like a very traditional ice cream salon. | 0:07:44 | 0:07:47 | |
How long has it been going? | 0:07:47 | 0:07:49 | |
It's been going on for more than 100 years. Since 1906. | 0:07:49 | 0:07:52 | |
-Has it been in the family? -Yes. See the picture up there in the corner? | 0:07:52 | 0:07:55 | |
The small boy over there, that's my granddad, back in 1906. | 0:07:55 | 0:07:59 | |
-That's amazing. -Yeah. | 0:07:59 | 0:08:01 | |
Kjeld's family have been using the same recipe for waffle cones | 0:08:01 | 0:08:04 | |
for over a century. | 0:08:04 | 0:08:06 | |
Let's see whether I can master the age-old technique. | 0:08:06 | 0:08:10 | |
-OK, here goes. -Yeah. -Right. So, I lift the waffle. -Yeah. | 0:08:10 | 0:08:15 | |
-And that one. -I turn this around. I give it a small squirt. -Perfect. | 0:08:15 | 0:08:19 | |
Yes. So far, so good. | 0:08:19 | 0:08:21 | |
The difficult bit is still to come. | 0:08:23 | 0:08:26 | |
A small squeeze. | 0:08:26 | 0:08:28 | |
And now we just wait. | 0:08:28 | 0:08:29 | |
Now is going to be the tricky part. | 0:08:29 | 0:08:32 | |
-Lift up? -Yeah. | 0:08:32 | 0:08:33 | |
Give this a little lift. | 0:08:33 | 0:08:34 | |
-You squeezed too hard. -I squeezed too hard. -Yeah. | 0:08:34 | 0:08:37 | |
Ah. Hm. | 0:08:37 | 0:08:39 | |
Just give it a go. Yeah, like this. | 0:08:39 | 0:08:42 | |
-Perfect. Take it, yeah. Perfect. -Ah, OK. | 0:08:42 | 0:08:44 | |
-Take it all up. -Take it all up. | 0:08:44 | 0:08:47 | |
Put my thing in position. | 0:08:47 | 0:08:48 | |
-Perfect, yeah. -Make a little fold there. | 0:08:48 | 0:08:51 | |
-Yeah, exactly. Just roll it. -Make a little fold. Roll. -Roll it. | 0:08:51 | 0:08:55 | |
-Roll, roll, roll. -We are going to get a hole in the bottom. | 0:08:55 | 0:08:59 | |
That one is a failure. | 0:08:59 | 0:09:01 | |
Yeah, just put it over here and we'll go on to the next one. | 0:09:01 | 0:09:03 | |
-Let's see if the next one is any better. Close that up. -Next one. | 0:09:03 | 0:09:08 | |
The difficult thing here is to get that fold working just right. | 0:09:08 | 0:09:13 | |
-Nice and easy. -Nice and easy. And put it down there. | 0:09:13 | 0:09:16 | |
-And put it down there. -Yeah. -Sort of. | 0:09:16 | 0:09:18 | |
This is almost perfect. Almost. | 0:09:18 | 0:09:21 | |
'I had no idea that waffle cone making was such a precision art.' | 0:09:21 | 0:09:25 | |
I hope that was worth it cos my fingers are burning. | 0:09:25 | 0:09:29 | |
-Ah! -This one is good. This one is a nice shape. | 0:09:29 | 0:09:31 | |
You can make four nice scoops in this one | 0:09:31 | 0:09:33 | |
and there is no hole in it. It's perfect. | 0:09:33 | 0:09:35 | |
You see? No hole in the bottom. That's really important. | 0:09:35 | 0:09:38 | |
That is a beautiful piece of work. | 0:09:38 | 0:09:40 | |
Yeah, it is. It is. | 0:09:40 | 0:09:42 | |
I hope it tastes as good as it looks. | 0:09:44 | 0:09:46 | |
Mm! My visit to Tivoli has given me | 0:09:48 | 0:09:51 | |
a real flavour of an amusement garden, 1913 style. | 0:09:51 | 0:09:56 | |
'In the early 20th century, | 0:10:01 | 0:10:02 | |
'the Tivoli Gardens were a great leveller - | 0:10:02 | 0:10:05 | |
'a place where both rich and poor came to enjoy themselves.' | 0:10:05 | 0:10:08 | |
Hurrah, two! | 0:10:08 | 0:10:09 | |
But elsewhere in Copenhagen, | 0:10:18 | 0:10:20 | |
the social divide was more rigidly observed | 0:10:20 | 0:10:23 | |
and nowhere more so than at the Amalienborg. | 0:10:23 | 0:10:26 | |
These four near-identical palaces are still home | 0:10:30 | 0:10:33 | |
to the Danish royal family. | 0:10:33 | 0:10:35 | |
Around the time of my guide, the connection with | 0:10:36 | 0:10:39 | |
Buckingham Palace naturally drew many British visitors. | 0:10:39 | 0:10:43 | |
Historian Knud Jespersen knows more. | 0:10:46 | 0:10:48 | |
How did it happen, then, | 0:10:49 | 0:10:51 | |
that Princess Alexandra married the British Prince of Wales? | 0:10:51 | 0:10:54 | |
I think that the key person in this process | 0:10:54 | 0:10:57 | |
was Edward's elder sister Vicky, | 0:10:57 | 0:11:00 | |
who was Crown Princess in Prussia and who had taken it upon herself | 0:11:00 | 0:11:06 | |
to find an appropriate spouse for her little brother. | 0:11:06 | 0:11:11 | |
They sent pictures to Edward, who rejected them one after one. | 0:11:11 | 0:11:16 | |
Then she also sent the picture of beautiful Alexandra. | 0:11:16 | 0:11:22 | |
Then he was very pleased with that so some secret meetings were arranged | 0:11:31 | 0:11:36 | |
at different places in Germany, | 0:11:36 | 0:11:39 | |
and it ended up with a wedding in 1863. | 0:11:39 | 0:11:42 | |
The marriage at Windsor took place amid great ceremonial. | 0:11:44 | 0:11:48 | |
The British welcomed Alexandra with a poem | 0:11:48 | 0:11:50 | |
written by Alfred Lord Tennyson, the Poet Laureate, | 0:11:50 | 0:11:54 | |
celebrating the ancient links between the nations. | 0:11:54 | 0:11:57 | |
"Sea-kings' daughter from over the sea, Alexandra! | 0:11:57 | 0:12:01 | |
"Saxon and Norman and Dane are we | 0:12:01 | 0:12:04 | |
"But all of us Danes in our welcome of thee, Alexandra!" | 0:12:04 | 0:12:08 | |
A successful marriage between Alexandra and Edward VII? | 0:12:10 | 0:12:14 | |
I think so. I think Alexandra was a very tolerant woman, | 0:12:14 | 0:12:18 | |
who endured all Edward's affairs. | 0:12:18 | 0:12:21 | |
-Was she popular in Britain? -I think so. | 0:12:21 | 0:12:24 | |
She had a good social instinct | 0:12:24 | 0:12:28 | |
so she could communicate with | 0:12:28 | 0:12:31 | |
the upper class at court and also with the common people. | 0:12:31 | 0:12:37 | |
Alexandra was the Diana of her day, | 0:12:37 | 0:12:40 | |
and not the only member of her family to grace a European throne. | 0:12:40 | 0:12:44 | |
One brother became the King of Denmark. Another, King of Greece. | 0:12:45 | 0:12:49 | |
And her sister, Dagmar, Empress of Russia. | 0:12:49 | 0:12:53 | |
I'm interested, you know, these two women, Alexandra and Dagmar, | 0:12:53 | 0:12:57 | |
they have both become empresses. | 0:12:57 | 0:12:59 | |
That must have been quite important, politically. | 0:12:59 | 0:13:02 | |
It was because there was a direct connection between | 0:13:02 | 0:13:06 | |
the two great powers of Europe - Great Britain and Russia - | 0:13:06 | 0:13:11 | |
and it showed when the Russian Revolution broke | 0:13:11 | 0:13:15 | |
and the Tsar's family were chased and executed. | 0:13:15 | 0:13:20 | |
And so Dagmar's son, who by then was Tsar, was murdered. | 0:13:20 | 0:13:23 | |
-And other members of the family? -All of them. | 0:13:23 | 0:13:25 | |
She was the only one that survived. | 0:13:25 | 0:13:29 | |
And only thanks to her evacuation by the British man-of-war, | 0:13:29 | 0:13:33 | |
which was sent to Crimea | 0:13:33 | 0:13:35 | |
on the instigation of Queen, or Empress, Alexandra. | 0:13:35 | 0:13:41 | |
The bond between Alexandra and Dagmar was forged | 0:13:46 | 0:13:49 | |
during a happy childhood. | 0:13:49 | 0:13:51 | |
Growing up together close to the Amalienborg Palace, | 0:13:52 | 0:13:54 | |
the princesses enjoyed stories read to them | 0:13:54 | 0:13:57 | |
by a Danish writer famed across the world. | 0:13:57 | 0:14:00 | |
'Hans Christian Andersen is perhaps Denmark's best-known author. | 0:14:02 | 0:14:06 | |
'His fairy tales are known everywhere, | 0:14:06 | 0:14:09 | |
'and many, such as Thumbelina and The Princess And The Pea, | 0:14:09 | 0:14:13 | |
'have inspired ballets, plays and films.' | 0:14:13 | 0:14:16 | |
The visitor using my Bradshaw's guide | 0:14:20 | 0:14:22 | |
had a brand-new tourist attraction to see | 0:14:22 | 0:14:25 | |
because in 1913 they unveiled a statue to The Little Mermaid, | 0:14:25 | 0:14:29 | |
one of the characters from a Hans Christian Andersen fairy tale. | 0:14:29 | 0:14:33 | |
And now tourists will risk life and limb | 0:14:33 | 0:14:36 | |
to get close to this pretty creature and her fishy tale of woe. | 0:14:36 | 0:14:40 | |
More than a million people visit The Little Mermaid each year. | 0:14:43 | 0:14:47 | |
Most know her from the Disney film but, unlike her cartoon counterpart, | 0:14:47 | 0:14:52 | |
this Little Mermaid's story didn't have a happy ending. | 0:14:52 | 0:14:56 | |
-Can you remember the story of The Little Mermaid? -Er...yeah. | 0:14:56 | 0:15:01 | |
It's a love story about The Little Mermaid | 0:15:01 | 0:15:05 | |
and she's condemned to stay in the water. | 0:15:05 | 0:15:08 | |
She couldn't get out. | 0:15:08 | 0:15:10 | |
Is it a happy story or a sad story? | 0:15:10 | 0:15:12 | |
A sad story. | 0:15:12 | 0:15:13 | |
What did you think of the mermaid? Did you like the statue? | 0:15:15 | 0:15:18 | |
Yes. It's beautiful. | 0:15:18 | 0:15:20 | |
Are you visiting Copenhagen? | 0:15:20 | 0:15:22 | |
Well, I'm local. I live only 3km from this place. | 0:15:22 | 0:15:26 | |
What is the genius of Hans Christian Andersen? | 0:15:26 | 0:15:28 | |
Why was he so successful? Why do we remember him? | 0:15:28 | 0:15:31 | |
I think because he expressed himself through the fairy tales. | 0:15:31 | 0:15:35 | |
He was a very sensitive person | 0:15:35 | 0:15:38 | |
and he had a special life when he was young and so on | 0:15:38 | 0:15:41 | |
and he had to fight for his life. He was born in 1805. | 0:15:41 | 0:15:45 | |
He never married and maybe he never had any relationship with a woman. | 0:15:45 | 0:15:50 | |
The Little Mermaid has a rather sad ending. | 0:15:50 | 0:15:53 | |
Maybe he was projecting his own life in this story as well. | 0:15:53 | 0:15:58 | |
To him, there was no happy ending. | 0:15:58 | 0:16:00 | |
He was happy because he became world famous when he was older | 0:16:00 | 0:16:04 | |
but his personal life was not so happy. | 0:16:04 | 0:16:07 | |
It looks as if he's making a lot of tourists happy today. | 0:16:07 | 0:16:10 | |
The Little Mermaid's appeal is enduring and universal. | 0:16:14 | 0:16:18 | |
But with a train to catch, I must return to the station. | 0:16:19 | 0:16:23 | |
A traveller using a Bradshaw's guide in 1913 would have had to do | 0:16:28 | 0:16:32 | |
the next part of my journey over to Sweden by steamer. | 0:16:32 | 0:16:35 | |
But, even at the beginning of the 20th century, the idea of a bridge | 0:16:35 | 0:16:39 | |
was already a dream, and finally the dream became reality in 1999. | 0:16:39 | 0:16:44 | |
MUSIC: "Hollow Talk" by Choir Of Young Believers | 0:16:45 | 0:16:49 | |
# Echoes start as a cross in you... # | 0:16:49 | 0:16:53 | |
'My journey is taking me across the Oresund Bridge.' | 0:16:53 | 0:16:56 | |
'It's a central feature of the Scandi-noir drama The Bridge. | 0:16:56 | 0:17:01 | |
# Spatial movement which seems to you... # | 0:17:01 | 0:17:03 | |
'In the television series, it brings together detectives from Denmark | 0:17:03 | 0:17:06 | |
'and Sweden to solve a gruesome murder. | 0:17:06 | 0:17:09 | |
'The bridge also allows people to commute | 0:17:10 | 0:17:13 | |
'between Malmo and Copenhagen.' | 0:17:13 | 0:17:14 | |
# Hollow talking and hollow girl. # | 0:17:14 | 0:17:17 | |
-Hello. -Hello. -Do you use it very much? | 0:17:17 | 0:17:20 | |
Yeah, because my mother-in-law has a small house in Sweden | 0:17:20 | 0:17:23 | |
and we live in Denmark, so sometimes we go visit the house there. | 0:17:23 | 0:17:28 | |
The bridge is for both trains and cars, is that right? | 0:17:28 | 0:17:31 | |
-That's right, yeah. -What do you normally do? Train or car? -Car. | 0:17:31 | 0:17:34 | |
I suppose you must be very proud of this bridge. | 0:17:34 | 0:17:36 | |
-It's an amazing piece of engineering. -Yes, it is. | 0:17:36 | 0:17:39 | |
Has it really altered people's lives? | 0:17:39 | 0:17:41 | |
Danes are going more to Malmo in Sweden for shopping | 0:17:41 | 0:17:45 | |
and probably also the Swedes are coming into the city of Copenhagen | 0:17:45 | 0:17:49 | |
for fun and restaurants and so on. | 0:17:49 | 0:17:51 | |
It now takes just 30 minutes, | 0:17:53 | 0:17:55 | |
crossing the ten-mile Oresund Strait, | 0:17:55 | 0:17:57 | |
to travel from Copenhagen to Malmo in Sweden. | 0:17:57 | 0:18:00 | |
We are now passing beneath Swedish soil. | 0:18:01 | 0:18:04 | |
My next stop will be Malmo. | 0:18:04 | 0:18:06 | |
My Bradshaw's tells me the railway station is on the quay | 0:18:06 | 0:18:09 | |
close to the landing place of the steamers from Copenhagen. | 0:18:09 | 0:18:13 | |
In 1917, a bald-headed gentleman might have been seen | 0:18:13 | 0:18:17 | |
passing through that station on his way to Russia. | 0:18:17 | 0:18:21 | |
His journey was to have epic consequences. | 0:18:21 | 0:18:24 | |
'The passenger travelling to his place in history was | 0:18:27 | 0:18:31 | |
'the Russian revolutionary leader Vladimir Ilyich Lenin. | 0:18:31 | 0:18:35 | |
'To find out what he was doing here in Malmo, | 0:18:42 | 0:18:45 | |
'I'm following his footsteps across the bridge | 0:18:45 | 0:18:47 | |
'from the station to the Savoy hotel. | 0:18:47 | 0:18:49 | |
'Over a drink in the bar there, | 0:18:52 | 0:18:54 | |
'guide Jacques Schultze tells me more about Lenin.' | 0:18:54 | 0:18:57 | |
-Hello, Jacques. -Hello, Michael. | 0:18:57 | 0:18:59 | |
Why have we met in the Savoy Hotel? | 0:18:59 | 0:19:02 | |
Because some people say that he actually spent the night here. | 0:19:02 | 0:19:04 | |
There is a little bit of discussion about this | 0:19:04 | 0:19:07 | |
because the old ledgers are unfortunately missing | 0:19:07 | 0:19:09 | |
so we don't have his signed autograph that he spent the night here | 0:19:09 | 0:19:12 | |
but we are quite certain at the very least | 0:19:12 | 0:19:14 | |
he had a traditional Swedish smorgasbord here. | 0:19:14 | 0:19:16 | |
'Lenin was returning from exile in Zurich to Russia. | 0:19:19 | 0:19:22 | |
'In February 1917, the hardships of the war had led to | 0:19:23 | 0:19:27 | |
'a revolution in Russia and the Tsar had abdicated. | 0:19:27 | 0:19:31 | |
'But for Lenin the revolution was incomplete. | 0:19:32 | 0:19:35 | |
'Only a takeover by his own Bolshevik faction of communists | 0:19:35 | 0:19:39 | |
'would guarantee the transformation of Russia into a people's state.' | 0:19:39 | 0:19:43 | |
Where was Lenin | 0:19:43 | 0:19:45 | |
when the first revolution occurred in Russia at the beginning of 1917? | 0:19:45 | 0:19:49 | |
He was still in Switzerland. | 0:19:49 | 0:19:50 | |
When news reached him of the revolution, | 0:19:50 | 0:19:53 | |
he saw this as his chance to say, | 0:19:53 | 0:19:55 | |
"Speed is of the essence. We have to rescue the revolution." | 0:19:55 | 0:19:58 | |
Of course, Germany was quite interested in this | 0:19:58 | 0:20:00 | |
because the Russians were still fighting | 0:20:00 | 0:20:02 | |
and they saw this as a chance to get the Russians | 0:20:02 | 0:20:05 | |
out of the war by having a proper revolution, so to speak. | 0:20:05 | 0:20:08 | |
'The Germans saw that a second Bolshevik revolution | 0:20:08 | 0:20:11 | |
'would take one enemy out of the war | 0:20:11 | 0:20:13 | |
'so they could concentrate on the Western front. | 0:20:13 | 0:20:16 | |
'They gave Lenin safe passage by train from Switzerland, | 0:20:16 | 0:20:19 | |
'through their own country to Scandinavia, | 0:20:19 | 0:20:22 | |
'from where he could reach Petrograd - now St Petersburg.' | 0:20:22 | 0:20:26 | |
So, how did he make the journey across Germany? | 0:20:26 | 0:20:29 | |
He made it in, some people call it the poisonous germ. | 0:20:29 | 0:20:33 | |
The legend is he was sealed up in a compartment | 0:20:33 | 0:20:35 | |
so he couldn't spread his revolutionary ideas along the way. | 0:20:35 | 0:20:38 | |
It was sealed and the story goes that actually | 0:20:38 | 0:20:40 | |
one part of the compartment, they had a chalk line on the floor | 0:20:40 | 0:20:44 | |
where they had German soldiers on one side watching him | 0:20:44 | 0:20:47 | |
so he wouldn't get up to any, well, funny business. | 0:20:47 | 0:20:50 | |
And the train was sealed in the sense that, of course, | 0:20:50 | 0:20:53 | |
he wasn't allowed out in Germany | 0:20:53 | 0:20:55 | |
-and nobody in Germany was allowed onto the train either. -Exactly. | 0:20:55 | 0:20:58 | |
So, it was like a sealed diplomatic post-box that was sent up | 0:20:58 | 0:21:03 | |
through Germany and Denmark and then over here. | 0:21:03 | 0:21:07 | |
So, what were the consequences | 0:21:07 | 0:21:08 | |
of Lenin's journey from Switzerland, via at the Savoy Hotel in Malmo, | 0:21:08 | 0:21:13 | |
to St Petersburg? | 0:21:13 | 0:21:15 | |
I would say that the final consequence would be | 0:21:15 | 0:21:18 | |
the Russian Revolution, when people think of the Russian Revolution | 0:21:18 | 0:21:21 | |
as the forming of the Soviet state. | 0:21:21 | 0:21:23 | |
So, really, this German plot of sending a poison chalice, | 0:21:23 | 0:21:27 | |
this revolutionary back to Russia was successful | 0:21:27 | 0:21:30 | |
because after the revolution Russia drops out of the war. | 0:21:30 | 0:21:33 | |
Yes, of course. | 0:21:33 | 0:21:34 | |
Early morning has brought me to this beautiful place, | 0:21:51 | 0:21:54 | |
thanks to a reference in my Bradshaw's to the fine pier harbour. | 0:21:54 | 0:21:57 | |
What a place for bracing sea air and possibly something more. | 0:21:57 | 0:22:01 | |
The buildings at the end of the pier are the Kallbadhus sauna, | 0:22:04 | 0:22:08 | |
which was built in 1898. | 0:22:08 | 0:22:10 | |
The owner, Henrik Klamborn, | 0:22:10 | 0:22:12 | |
tells me about a fine Swedish custom that takes place here. | 0:22:12 | 0:22:15 | |
It's quite a tradition, almost quite a cult for the Swedish people, | 0:22:17 | 0:22:20 | |
this matter of bathing. | 0:22:20 | 0:22:22 | |
Yes, this is almost like a religion. | 0:22:22 | 0:22:24 | |
When you have a cold bath and you come from the hot sauna | 0:22:24 | 0:22:28 | |
to the cold water, you feel very good and it's like... | 0:22:28 | 0:22:33 | |
I don't know what you call it in English, but you must do it again. | 0:22:33 | 0:22:36 | |
-It's like a cigarette. -It's addictive. -Yeah. | 0:22:36 | 0:22:38 | |
-So the tradition is you go from a very hot sauna into cold water. -Yes. | 0:22:38 | 0:22:43 | |
-How hot, how cold? -Between 85 and 95 degrees. | 0:22:43 | 0:22:47 | |
And in the winter, you have -2, -3. | 0:22:47 | 0:22:50 | |
-And you go from one to the other? -Yes, directly. | 0:22:50 | 0:22:53 | |
Does that kill many people? | 0:22:53 | 0:22:55 | |
No. Not yet, I hope. | 0:22:55 | 0:22:58 | |
-Let's go and have a sauna. Do I put my swimming trunks on? -No. | 0:22:58 | 0:23:02 | |
You don't. When you're in the sauna, you don't have any clothes on at all. | 0:23:02 | 0:23:06 | |
-I'm so sorry. -OK. | 0:23:07 | 0:23:10 | |
-Let's give it a go. -You're welcome. | 0:23:10 | 0:23:12 | |
Across Scandinavia, families go to saunas together | 0:23:15 | 0:23:18 | |
and seem to have no hang-ups about being naked with the in-laws. | 0:23:18 | 0:23:21 | |
It is natural for them as taking a stroll in the park. | 0:23:23 | 0:23:26 | |
We think of Swedes as being, to put it mildly, pretty relaxed | 0:23:28 | 0:23:33 | |
about nudity, whether it's saunas or Swedish movies or whatever. | 0:23:33 | 0:23:38 | |
Is this true? Is this true? | 0:23:38 | 0:23:41 | |
I don't think Swedes are more... | 0:23:41 | 0:23:45 | |
What do you call it? The nudity and stuff, more than other countries. | 0:23:46 | 0:23:51 | |
But I think the films have been more | 0:23:51 | 0:23:53 | |
giving the wrong idea what Swedes are. | 0:23:53 | 0:23:56 | |
But on the other hand, the fact that you do like saunas - | 0:23:56 | 0:23:59 | |
you say it's a kind of a national religion - | 0:23:59 | 0:24:01 | |
that does mean a lot of people who don't know each other being naked. | 0:24:01 | 0:24:05 | |
Yes, it is. | 0:24:05 | 0:24:07 | |
I have to tell you, that would be very un-British. | 0:24:07 | 0:24:09 | |
-It is? -Oh, yeah. -OK. | 0:24:09 | 0:24:12 | |
On the whole, | 0:24:12 | 0:24:13 | |
I don't take my clothes off with people I don't know. | 0:24:13 | 0:24:16 | |
Saunas have been part of Scandinavian culture | 0:24:19 | 0:24:22 | |
for hundreds of years. | 0:24:22 | 0:24:23 | |
The heat, along with being beaten with birch twigs, | 0:24:25 | 0:24:28 | |
increases blood circulation and the whole experience climaxes | 0:24:28 | 0:24:32 | |
with a plunge into freezing cold snow or water. | 0:24:32 | 0:24:34 | |
Time for me to see how my British stiff upper lip | 0:24:36 | 0:24:39 | |
copes with the experience. | 0:24:39 | 0:24:41 | |
Now for the Scandinavian plunge. | 0:24:42 | 0:24:44 | |
You didn't really think I'd do the full Swedish Monty, did you? | 0:24:46 | 0:24:50 | |
Aargh! | 0:24:51 | 0:24:52 | |
Whoa! | 0:24:54 | 0:24:55 | |
Oh! That is invigorating. | 0:24:55 | 0:24:59 | |
It is. | 0:24:59 | 0:25:00 | |
But I'm not sure I'd describe it as addictive. | 0:25:01 | 0:25:03 | |
'Thawed out and properly dressed, I'm ready to continue my travels.' | 0:25:17 | 0:25:22 | |
I'm heading 11 miles north-east to the town of Lund. | 0:25:25 | 0:25:29 | |
It's a ten-minute journey on a line which opened in 1856. | 0:25:29 | 0:25:33 | |
Bradshaw's rather downbeat assessment of my next stop, Lund, | 0:25:41 | 0:25:45 | |
is, "A quiet town, once much more important." | 0:25:45 | 0:25:48 | |
But it does go on to say, | 0:25:48 | 0:25:50 | |
"The Romanesque cathedral, 12th century, | 0:25:50 | 0:25:52 | |
"is regarded as one of the finest in Sweden." | 0:25:52 | 0:25:55 | |
Indeed, it could have gone further and said | 0:25:55 | 0:25:58 | |
it's one of the most historic sites in northern Christendom. | 0:25:58 | 0:26:02 | |
From the 12th century onwards, pilgrims beat a path | 0:26:05 | 0:26:09 | |
to Lund Cathedral and, even today, | 0:26:09 | 0:26:12 | |
it attracts 700,000 visitors each year. | 0:26:12 | 0:26:15 | |
'I'm meeting Anita Larsson to find out more.' | 0:26:18 | 0:26:22 | |
Hello, Michael. Welcome to Lund Cathedral. | 0:26:22 | 0:26:25 | |
Thank you, Anita. It is a stunning building. | 0:26:25 | 0:26:28 | |
What is the significance of this in Christian history? | 0:26:28 | 0:26:32 | |
Well, this was actually the central Christian part of Northern Europe | 0:26:32 | 0:26:38 | |
in the Middle Ages because the Archbishop of Northern Europe | 0:26:38 | 0:26:42 | |
was placed here and therefore this church was built. | 0:26:42 | 0:26:45 | |
-Does it have any relics of saints? -There are some interesting relics. | 0:26:45 | 0:26:49 | |
For example, some drops of the breast milk of Mary, for example. | 0:26:49 | 0:26:54 | |
-How curious. -Yes. -And has it been altered very much? | 0:26:54 | 0:26:58 | |
-It looks very complete from the outside. -Yes. | 0:26:58 | 0:27:00 | |
There were big restorations in the 1800s. | 0:27:00 | 0:27:03 | |
For example, the western part here with the two towers | 0:27:03 | 0:27:06 | |
were completely new-built in the 1860s and '70s | 0:27:06 | 0:27:10 | |
because the medieval towers were in rather bad condition. | 0:27:10 | 0:27:15 | |
So this is 150 years old | 0:27:15 | 0:27:17 | |
but the eastern part is complete from the 1100s. | 0:27:17 | 0:27:21 | |
-How magnificent. -Yes. | 0:27:21 | 0:27:22 | |
One of the finest features of Lund Cathedral | 0:27:30 | 0:27:33 | |
is the Horologium Mirabile Lundense, | 0:27:33 | 0:27:36 | |
which, if my Latin serves me correctly, | 0:27:36 | 0:27:39 | |
translates as the wondrous timepiece of Lund. | 0:27:39 | 0:27:42 | |
Here in front of you, you have this wonderful clock | 0:27:43 | 0:27:46 | |
that is in two sections. | 0:27:46 | 0:27:49 | |
Originally, it was built in the 1420s | 0:27:49 | 0:27:51 | |
but it was restored in the very beginning of the 1900s. | 0:27:51 | 0:27:55 | |
So, this clock from the 15th century with its signs of the Zodiac, | 0:27:55 | 0:27:59 | |
what does this tell us about the knowledge that those people had? | 0:27:59 | 0:28:02 | |
They, of course, had an opinion of the world. | 0:28:02 | 0:28:04 | |
Everyone did not think that the Earth was flat. | 0:28:04 | 0:28:08 | |
There were people knowing, the scientists, of course, that | 0:28:08 | 0:28:10 | |
the Earth was round and this is what you can see in the middle. | 0:28:10 | 0:28:14 | |
So, if you see the screw in the middle up there, | 0:28:14 | 0:28:17 | |
it is a symbol of the Earth, | 0:28:17 | 0:28:19 | |
and around the Earth you have the sun, the moon and the stars. | 0:28:19 | 0:28:23 | |
-So, they're still going round the Earth. -Yes. | 0:28:23 | 0:28:26 | |
They thought so, actually. | 0:28:26 | 0:28:28 | |
And we are still saying that the sun is rising and setting, | 0:28:28 | 0:28:32 | |
-even if we know it is not so. -Exactly. | 0:28:32 | 0:28:36 | |
Both the clock and my stomach tell me that it's time for lunch. | 0:28:37 | 0:28:41 | |
It's the perfect opportunity to taste local delicacies | 0:28:41 | 0:28:45 | |
at the Saluhallen covered market. | 0:28:45 | 0:28:48 | |
It's very traditional. | 0:28:48 | 0:28:49 | |
You have it on your bread. | 0:28:49 | 0:28:52 | |
I'm going to give you... | 0:28:52 | 0:28:53 | |
-There. -Thank you very, very much. | 0:28:55 | 0:28:57 | |
-Very soft and creamy. -Yeah. | 0:28:57 | 0:28:59 | |
Mm! | 0:29:01 | 0:29:02 | |
It's mild, but it gives a taste in the back of the mouth | 0:29:02 | 0:29:07 | |
a bit like a cheddar or something. I'll certainly have that. | 0:29:07 | 0:29:10 | |
-And some bread to go with it, please. -Yeah. | 0:29:10 | 0:29:13 | |
If you're going to have a Swedish bread, | 0:29:13 | 0:29:15 | |
I think I recommend the Mellby-kavring. | 0:29:15 | 0:29:18 | |
It's rye bread. It's very traditional in Sweden. | 0:29:18 | 0:29:21 | |
Usually have it for Christmas, put some herring on it. | 0:29:21 | 0:29:25 | |
But it is very nice for a picnic with some cheese as well. | 0:29:25 | 0:29:27 | |
-Thank you so much. -Thank you. | 0:29:27 | 0:29:29 | |
'I'm putting together a smorgasbord, | 0:29:30 | 0:29:33 | |
'and while pickled herring, or gravadlax, are typical components, | 0:29:33 | 0:29:36 | |
'I'd like to include a local Lund delicacy, | 0:29:36 | 0:29:39 | |
'and what better than Lundaknake sausage?' | 0:29:39 | 0:29:42 | |
-This is hot. -Yes, it's hot. Yes. You normally eat them hot. | 0:29:43 | 0:29:46 | |
Ooh, that's fantastic! Mm! I'll definitely take that on my picnic. | 0:29:49 | 0:29:54 | |
I'll take that one and maybe a couple of others. | 0:29:54 | 0:29:56 | |
That would be very nice. Thank you very much. | 0:29:56 | 0:29:59 | |
'With my picnic packed, I've got a lunch date, | 0:30:00 | 0:30:03 | |
'and I've been told that in the countryside, just outside Lund, | 0:30:03 | 0:30:06 | |
'there's an attraction that will appeal to a railway lover. | 0:30:06 | 0:30:10 | |
'Marina Merle's going to direct my tracks.' | 0:30:10 | 0:30:13 | |
Hi. Nice to meet you. | 0:30:13 | 0:30:14 | |
-What a very nice day for a picnic. -Yes, very nice. | 0:30:14 | 0:30:17 | |
-So, we're going to cycle on these contraptions. -Yes. | 0:30:17 | 0:30:21 | |
What is the history of this device? | 0:30:21 | 0:30:23 | |
The device itself was invented in the 1840s, | 0:30:23 | 0:30:26 | |
so the track inspectors could see | 0:30:26 | 0:30:29 | |
if there was anything wrong on the tracks. | 0:30:29 | 0:30:32 | |
And they actually stopped using them when the trains became too fast. | 0:30:32 | 0:30:37 | |
I've never seen this before as a tourist attraction. | 0:30:37 | 0:30:40 | |
Are there many places where these bikes are available? | 0:30:40 | 0:30:42 | |
-It's not that common. -Well, it's absolutely a first for me. | 0:30:42 | 0:30:46 | |
Um... Do you know a nice spot to go picnicking? | 0:30:46 | 0:30:49 | |
-Yes, three kilometres down the road. -Excellent! Um... | 0:30:49 | 0:30:53 | |
-May I cycle you? -Sure! | 0:30:53 | 0:30:56 | |
'We're riding along a stretch of disused railway | 0:30:58 | 0:31:01 | |
'between Bjornstorp and Veberod. | 0:31:01 | 0:31:03 | |
'This local line closed in the 1970s. | 0:31:03 | 0:31:06 | |
'Marina's father managed to save some of it and set up the ride | 0:31:06 | 0:31:10 | |
'so that people could enjoy the views and countryside.' | 0:31:10 | 0:31:14 | |
It's fun because this combines cycling | 0:31:14 | 0:31:16 | |
with all the sounds of the railway. | 0:31:16 | 0:31:18 | |
-Yes, exactly. -Going over the track, the duh-duh, duh-duh. | 0:31:18 | 0:31:22 | |
It's very peaceful, even though you're doing an activity. | 0:31:23 | 0:31:28 | |
# That you'll look neat upon the seat of a bicycle made for two. # | 0:31:28 | 0:31:33 | |
I'm not sure that I'm perfectly dressed | 0:31:37 | 0:31:39 | |
for cycling through Sweden on a summer's day! | 0:31:39 | 0:31:42 | |
'That vigorous peddling has worked up my appetite.' | 0:31:44 | 0:31:47 | |
So does anything tell us that this is a typical Lund smorgasbord? Yes! | 0:31:50 | 0:31:54 | |
My Lund sausage tells us that. Anything else? | 0:31:54 | 0:31:59 | |
Well, in that case, it should be this cake. That's very regional. | 0:31:59 | 0:32:02 | |
It's called Spettkaka, and it's very sweet and contains a lot of eggs. | 0:32:02 | 0:32:07 | |
-Mm! And would you care for some crayfish? -Yeah. That's... | 0:32:07 | 0:32:10 | |
We love our crayfish in Sweden. We have crayfish parties every August. | 0:32:10 | 0:32:16 | |
-It's very traditional. -Look at all that goodness in it! | 0:32:16 | 0:32:20 | |
-Don't try this at home. -Aargh! I don't even do that! | 0:32:20 | 0:32:24 | |
THEY LAUGH | 0:32:24 | 0:32:26 | |
-I'm going to try sawing into my brick here. -Oh, good luck! | 0:32:26 | 0:32:30 | |
THEY LAUGH | 0:32:30 | 0:32:32 | |
-It's very dense, that bread. -I know. | 0:32:32 | 0:32:33 | |
This is the sort of matter that Einstein used to write about. | 0:32:33 | 0:32:37 | |
Usually, it's not that thickly sliced. | 0:32:38 | 0:32:40 | |
-Mm. Everyone's a critic. Can I offer you some aquavit? -Sure. -Wow. | 0:32:43 | 0:32:49 | |
-Marina, thank you so much. -Thank you. | 0:32:49 | 0:32:52 | |
-One of the loveliest smorgasbords I've ever had. -Sure. | 0:32:52 | 0:32:55 | |
'With my spirits high, I'm ready to catch the Swedish intercity | 0:33:05 | 0:33:10 | |
'that'll take me north along the West Coast Line, or Vastkustbanan.' | 0:33:10 | 0:33:14 | |
I'm on my way now to what the Swedish call Goteborg, | 0:33:15 | 0:33:18 | |
but we call Gothenburg. | 0:33:18 | 0:33:20 | |
And it's a journey of very nearly three hours, | 0:33:20 | 0:33:23 | |
so I'm looking forward to putting my feet up and relaxing. | 0:33:23 | 0:33:26 | |
I'm travelling 163 miles on a line that runs parallel with | 0:33:29 | 0:33:34 | |
the Kattegat strait. | 0:33:34 | 0:33:35 | |
Standing on the mouth of the Gota alv river, | 0:33:49 | 0:33:51 | |
Gothenburg is Sweden's second-largest city. | 0:33:51 | 0:33:54 | |
With the largest port in Scandinavia, | 0:33:55 | 0:33:58 | |
the city was a world leader in shipbuilding. | 0:33:58 | 0:34:00 | |
But the man who founded that industry wasn't a Swede | 0:34:02 | 0:34:05 | |
but a Scot who crossed the North Sea from Dundee in 1826. | 0:34:05 | 0:34:09 | |
Alexander Keiller was one of many Scots | 0:34:11 | 0:34:13 | |
who made Gothenburg their home. | 0:34:13 | 0:34:15 | |
'Professor Klas Linderborg knows more.' | 0:34:28 | 0:34:31 | |
How was this Scotsman received in Gothenburg? | 0:34:33 | 0:34:35 | |
They had been here from the very start. | 0:34:35 | 0:34:38 | |
When the city was founded, | 0:34:38 | 0:34:41 | |
people were invited to move to boom their business to Goteborg. | 0:34:41 | 0:34:45 | |
And there were Dutch people, German and Scotsmen. | 0:34:45 | 0:34:49 | |
The Scottish connection continued for a very long time. | 0:34:49 | 0:34:52 | |
I mean, with a fair wind, you could go to Britain in a week, | 0:34:52 | 0:34:56 | |
-but it took a month to go to Stockholm. -Really? | 0:34:56 | 0:35:00 | |
So the sea was joining countries, not separating them. | 0:35:00 | 0:35:03 | |
-And does any Scottish connection continue in Gothenburg? -Yes. | 0:35:03 | 0:35:06 | |
Actually, we have a branch here | 0:35:06 | 0:35:09 | |
from the Royal Scottish Country Dance Society. | 0:35:09 | 0:35:11 | |
-We were the third in Europe, outside the British Islands... -Really? | 0:35:11 | 0:35:16 | |
..to be fully approved by the Scottish Society. | 0:35:16 | 0:35:19 | |
And we actually have a dance tonight... | 0:35:19 | 0:35:21 | |
-..if you would like to join us? -That's delightful. | 0:35:23 | 0:35:26 | |
'About 500 miles lie between Scotland and Sweden, | 0:35:29 | 0:35:33 | |
'but some Swedes work hard to keep the bond alive. | 0:35:33 | 0:35:36 | |
'And given the maritime links between the two nations, | 0:35:39 | 0:35:42 | |
'it seems appropriate that the dance should take place aboard a ship, | 0:35:42 | 0:35:46 | |
'the Viking.' | 0:35:46 | 0:35:48 | |
-Hello, everybody. -Hello. | 0:35:48 | 0:35:49 | |
-Thank you for having me to your dance. Hello. -Hello. -Good evening. | 0:35:49 | 0:35:53 | |
-Do you know the dance that we're doing this evening? -Yes, I do. | 0:35:53 | 0:35:56 | |
-What's it called? -It's called Gothenburg's Welcome. | 0:35:56 | 0:35:59 | |
-Is it an easy dance? -No! -Oh! | 0:35:59 | 0:36:01 | |
THEY LAUGH | 0:36:01 | 0:36:03 | |
I'm going to make a complete fool of myself! | 0:36:05 | 0:36:07 | |
'I really don't want to show myself up. | 0:36:12 | 0:36:14 | |
'After all, my mother's family is Scottish.' | 0:36:14 | 0:36:16 | |
Change. | 0:36:16 | 0:36:17 | |
SCOTTISH COUNTRY DANCE MUSIC | 0:36:17 | 0:36:23 | |
-Oh, no! I missed it completely! -Very nice. | 0:36:36 | 0:36:39 | |
'I'm not sure they'll invite me back.' | 0:36:39 | 0:36:41 | |
-All the way. -Oh, sorry. | 0:36:44 | 0:36:46 | |
Take my place. | 0:36:46 | 0:36:47 | |
Stick your right hand out. | 0:36:49 | 0:36:51 | |
Ha! | 0:36:59 | 0:37:00 | |
THEY CLAP | 0:37:00 | 0:37:01 | |
Well... It goes on. | 0:37:01 | 0:37:04 | |
Well done! Well done! | 0:37:04 | 0:37:06 | |
Guys, a little peace offering. | 0:37:08 | 0:37:10 | |
I'm so sorry that I was so bad at Scottish dancing, | 0:37:10 | 0:37:12 | |
but I'm not bad at Scottish drinking. | 0:37:12 | 0:37:15 | |
-So have a whisky. -Skal! -Skal! | 0:37:15 | 0:37:19 | |
From the high seas to the high roads, | 0:37:22 | 0:37:25 | |
Gothenburg is home to perhaps the greatest Swedish icon of all. | 0:37:25 | 0:37:30 | |
Now a global brand, its origin was a technology invented here | 0:37:31 | 0:37:36 | |
for the motor industry in 1907, the self-aligning ball bearing. | 0:37:36 | 0:37:40 | |
The Gothenburg group which produced these ball bearings | 0:37:43 | 0:37:46 | |
registered a new company in 1915, | 0:37:46 | 0:37:49 | |
and when two employees decided to build the first mass-produced | 0:37:49 | 0:37:52 | |
Swedish car, they maintained the ball bearing-inspired name - | 0:37:52 | 0:37:57 | |
the Latin for "I roll", Volvo. | 0:37:57 | 0:38:01 | |
'I'm meeting Soren Nebo from the company's museum to find out more.' | 0:38:01 | 0:38:06 | |
-Magnificent! -Hello, Michael. -Soren, how lovely to see you. | 0:38:06 | 0:38:09 | |
-Nice to see you. -What a beautiful car! -Isn't it nice? | 0:38:09 | 0:38:12 | |
What would be the idea of a Swedish car? | 0:38:14 | 0:38:16 | |
Why, particularly, a Swedish car? | 0:38:16 | 0:38:18 | |
Well, we're looking at it from the sake of quality at the time | 0:38:18 | 0:38:21 | |
because most of the cars that we had were imports. | 0:38:21 | 0:38:25 | |
This was still a very, you could say, undeveloped country | 0:38:25 | 0:38:28 | |
in terms of roads and transportation. | 0:38:28 | 0:38:30 | |
So they were braking, | 0:38:30 | 0:38:31 | |
they were still quite expensive, also, because predominantly, | 0:38:31 | 0:38:35 | |
American cars that we had in, with the very soft suspension, | 0:38:35 | 0:38:39 | |
and they said, look, we need something more sturdy | 0:38:39 | 0:38:41 | |
and better suited for the market, for the country. | 0:38:41 | 0:38:44 | |
In April 1927, the first Volvo rolled off the production line. | 0:38:46 | 0:38:51 | |
Since then, they produced almost 18 million, | 0:38:52 | 0:38:55 | |
making it one of Sweden's greatest exports. | 0:38:55 | 0:38:58 | |
From the beginning, passenger safety was the priority for the company. | 0:38:59 | 0:39:04 | |
The 3-point seat belt was actually a Volvo invention in 1959. | 0:39:04 | 0:39:10 | |
It was decided to put it in as an open patent so that, you know, | 0:39:10 | 0:39:13 | |
basically, everybody could use it, | 0:39:13 | 0:39:15 | |
not just to keep it to Volvo because it was, you could say, | 0:39:15 | 0:39:18 | |
a breakthrough in terms of traffic and road safety. | 0:39:18 | 0:39:22 | |
What were the other breakthroughs, do you think, in safety? | 0:39:22 | 0:39:25 | |
Already, in 1928, we brought in, you know, bigger headlights | 0:39:25 | 0:39:29 | |
because they realised that, you know, for driving at night time, | 0:39:29 | 0:39:32 | |
we start getting brakes on all four wheels. | 0:39:32 | 0:39:36 | |
At that time, also, whereas the first model only had, you know, | 0:39:36 | 0:39:39 | |
two brakes on it...on the back. | 0:39:39 | 0:39:41 | |
From ball bearing to Volvo, from a tiny acorn grows the mighty oak. | 0:39:43 | 0:39:49 | |
Well, well, well! I've really enjoyed my trip in the car. | 0:39:49 | 0:39:52 | |
Thank you for letting me drive. Thank you so much. | 0:39:52 | 0:39:54 | |
-Thank you, Michael. -Bye-bye. -Bye-bye. | 0:39:54 | 0:39:56 | |
'I'm leaving Gothenburg to head north and inland. | 0:40:02 | 0:40:06 | |
'The train line follows the course of the Gota alv river, | 0:40:06 | 0:40:09 | |
'and specifically, the Gota Canal, | 0:40:09 | 0:40:11 | |
'which connects Gothenburg to Stockholm. | 0:40:11 | 0:40:14 | |
'The man behind the canal was the British engineer Thomas Telford.' | 0:40:17 | 0:40:21 | |
He designed a fully navigable waterway | 0:40:21 | 0:40:23 | |
which runs the entire width of Sweden. | 0:40:23 | 0:40:26 | |
My guidebook urges me to | 0:40:31 | 0:40:32 | |
"find time to visit the fine falls of Trollhattan | 0:40:32 | 0:40:36 | |
"and the splendid locks that enable the waterway to bypass the cascade. | 0:40:36 | 0:40:41 | |
"What an opportunity to see the wonders of nature | 0:40:41 | 0:40:44 | |
"and the achievements of man in one place." | 0:40:44 | 0:40:47 | |
According to Bradshaw's, there's a wide gorge, | 0:40:52 | 0:40:55 | |
and within it, a fine succession of rapids. | 0:40:55 | 0:40:58 | |
'But on arrival, I find there's little more than a trickle. | 0:41:13 | 0:41:17 | |
'To find out what happened to the falls, | 0:41:17 | 0:41:19 | |
'I'm meeting Magnus Carlsen from the Olidan Power Station.' | 0:41:19 | 0:41:23 | |
-Hello. -Hello. -I'm a bit surprised. | 0:41:23 | 0:41:26 | |
I came with my Bradshaw's guidebook, looking for the falls, | 0:41:26 | 0:41:30 | |
and I find, instead, a power station. | 0:41:30 | 0:41:32 | |
-So was this built after 1913? -No. The power station was built in 1910. | 0:41:32 | 0:41:38 | |
It was the start of the large electrification of Sweden, | 0:41:38 | 0:41:42 | |
and it was Sweden's first large hydropower plant. | 0:41:42 | 0:41:47 | |
This is an area of outstanding natural beauty. | 0:41:47 | 0:41:49 | |
Was it controversial to build the power station here? | 0:41:49 | 0:41:52 | |
I don't think so. It was a push to have the region industrial. | 0:41:52 | 0:41:58 | |
So they looked to the West - the UK and America - | 0:42:00 | 0:42:05 | |
-and wanted to have industrial things, like them. -Yeah. | 0:42:05 | 0:42:10 | |
You Swedish are as lucky as we British are in having lots of water. | 0:42:10 | 0:42:13 | |
Yeah. We have British rain falling down here! | 0:42:13 | 0:42:17 | |
And we gather it in the Lake Vanern. | 0:42:17 | 0:42:19 | |
'British rain and this hydroelectric power station helped to transform | 0:42:22 | 0:42:26 | |
'the country from an agrarian society | 0:42:26 | 0:42:29 | |
'into a modern industrial state.' | 0:42:29 | 0:42:30 | |
Ho-ho! It's absolutely enormous, isn't it? | 0:42:32 | 0:42:36 | |
I had no idea it would be that big. | 0:42:36 | 0:42:38 | |
And that sound is the sound of the water rushing through | 0:42:38 | 0:42:41 | |
the turbines, is it? | 0:42:41 | 0:42:42 | |
It's also the sound of the machinery. They enrage us. | 0:42:42 | 0:42:46 | |
'The water from the falls, described in my Bradshaw's, has been | 0:42:47 | 0:42:51 | |
'diverted to spin these turbines and to generate electricity. | 0:42:51 | 0:42:56 | |
'But Magnus is generously going to release the torrent | 0:42:56 | 0:43:00 | |
'so that I can see the falls in all their natural splendour.' | 0:43:00 | 0:43:03 | |
That is spectacular! | 0:43:09 | 0:43:11 | |
In full flow, | 0:43:12 | 0:43:14 | |
610 cubic metres of water per second course down the falls. | 0:43:14 | 0:43:19 | |
That's more than the contents of 14 Olympic swimming pools every minute. | 0:43:19 | 0:43:24 | |
The electricity generated supplies over 250,000 households. | 0:43:25 | 0:43:30 | |
'After recharging my batteries in Trollhattan, | 0:43:38 | 0:43:41 | |
'it's time to leave Sweden | 0:43:41 | 0:43:42 | |
'and head to my third and final country on this trip, Norway. | 0:43:42 | 0:43:46 | |
'It's one of the world's wealthiest, | 0:43:51 | 0:43:53 | |
'thanks to an abundance of natural resources, | 0:43:53 | 0:43:56 | |
'such as North Sea oil and gas, along with forests and fish.' | 0:43:56 | 0:44:00 | |
I've now passed into Norway. | 0:44:02 | 0:44:05 | |
My Bradshaw's says, "Although the comforts | 0:44:05 | 0:44:07 | |
"and attractions of central Europe | 0:44:07 | 0:44:09 | |
"are not to be expected in Norway, the healthy, hearty | 0:44:09 | 0:44:13 | |
"and good-tempered tourist, the sportsman | 0:44:13 | 0:44:16 | |
"and the admirer of natural beauty, who's willing to bear | 0:44:16 | 0:44:19 | |
"and to forbear, and even occasionally to rough it, | 0:44:19 | 0:44:23 | |
"will be amply rewarded." With a recommendation like that, | 0:44:23 | 0:44:27 | |
I imagine that Norway remained pretty exclusive in 1913. | 0:44:27 | 0:44:31 | |
'Norway was then a young nation. | 0:44:36 | 0:44:38 | |
'Norwegians had voted to dissolve their union with Sweden in 1905. | 0:44:38 | 0:44:43 | |
'Instead of forming a republic, they decided, overwhelmingly, | 0:44:43 | 0:44:47 | |
'to institute their own monarchy.' | 0:44:47 | 0:44:49 | |
Britain's King, Edward VII, used his influence | 0:44:51 | 0:44:54 | |
to secure the Norwegian throne for his son-in-law, Carl, | 0:44:54 | 0:44:57 | |
husband to his daughter, Maud. | 0:44:57 | 0:44:59 | |
'Prince Carl assumed an ancient royal Norwegian name, | 0:45:02 | 0:45:05 | |
'King Harken VII.' | 0:45:05 | 0:45:07 | |
Following independence, | 0:45:12 | 0:45:14 | |
the capital of Norway reverted to the old Norwegian name of Oslo. | 0:45:14 | 0:45:18 | |
This was a country that was new. | 0:45:18 | 0:45:20 | |
This was a country that was independent. | 0:45:20 | 0:45:22 | |
And its artistic outpourings were distinctly modern. | 0:45:22 | 0:45:25 | |
Architects, artists, musicians and writers flourished in this city | 0:45:32 | 0:45:37 | |
that is home to the Nobel prizes. | 0:45:37 | 0:45:40 | |
'But Norway's most famous writer, Henrik Ibsen, | 0:45:40 | 0:45:43 | |
'controversially was rejected by the Nobel judges.' | 0:45:43 | 0:45:46 | |
A poet, playwright and theatre director, Ibsen is the world's | 0:45:47 | 0:45:51 | |
most frequently performed dramatist after Shakespeare. | 0:45:51 | 0:45:54 | |
'His house has been turned into a museum, | 0:45:56 | 0:45:59 | |
'where I'm meeting director Erik Edvardsen.' | 0:45:59 | 0:46:02 | |
Hello, Michael. Welcome in to Ibsen's home. | 0:46:02 | 0:46:04 | |
Thank you, Erik. Good to see you. | 0:46:04 | 0:46:06 | |
What situations do we find in an Ibsen play? | 0:46:06 | 0:46:09 | |
Was this new, what Ibsen was doing? | 0:46:34 | 0:46:36 | |
Ibsen is known for the realism of plays like A Doll's House | 0:46:56 | 0:47:00 | |
and Hedda Gabler. | 0:47:00 | 0:47:01 | |
'As he captured real-life situations, | 0:47:03 | 0:47:05 | |
'he commented on everyday inequalities between men and women. | 0:47:05 | 0:47:10 | |
'Society was changing. | 0:47:10 | 0:47:12 | |
'Women were starting to take control of their lives | 0:47:12 | 0:47:15 | |
'and to demand equality, | 0:47:15 | 0:47:16 | |
'as reflected in Ibsen's strong female characters.' | 0:47:16 | 0:47:20 | |
What about his relationship with his wife? | 0:47:21 | 0:47:23 | |
Well, that was very close and for a long period. | 0:47:23 | 0:47:27 | |
They were married for 50 years. | 0:47:27 | 0:47:29 | |
But she was also one that looked after him, | 0:47:29 | 0:47:32 | |
but she decided that at nine o'clock in the morning, | 0:47:32 | 0:47:35 | |
he had to be in here at the desk and start the day. | 0:47:35 | 0:47:39 | |
If not, he was not free at half past 11, | 0:47:39 | 0:47:42 | |
to walk down to Grand Cafe and take a drink, | 0:47:42 | 0:47:44 | |
which he did every day. | 0:47:44 | 0:47:45 | |
The Grand Cafe was a home from home for Oslo's writers and artists. | 0:47:50 | 0:47:55 | |
Behind me is a mural depicting some of the cultured bourgeoisie | 0:48:00 | 0:48:04 | |
who frequented the Grand Cafe at the end of the 19th century, | 0:48:04 | 0:48:07 | |
beginning of the 20th century. | 0:48:07 | 0:48:08 | |
There is Henrik Ibsen with his distinctive top hat. | 0:48:08 | 0:48:12 | |
And behind me, the somewhat emaciated face, | 0:48:12 | 0:48:14 | |
is the artist Edvard Munch. | 0:48:14 | 0:48:16 | |
Widely imitated, and not just by me, | 0:48:20 | 0:48:23 | |
The Scream is one of the most expensive paintings in the world, | 0:48:23 | 0:48:27 | |
selling recently for nearly 120 million. | 0:48:27 | 0:48:30 | |
Munch created four versions of The Scream, | 0:48:32 | 0:48:35 | |
and one is at Norway's National Museum. | 0:48:35 | 0:48:37 | |
The curator is Maibritt Gulling. | 0:48:37 | 0:48:40 | |
-Welcome... -Thank you very much. -..to the National Gallery. | 0:48:40 | 0:48:43 | |
The Scream, the first time I have ever seen it for real. | 0:48:53 | 0:48:56 | |
I've seen it reproduced so often. It's smaller than I imagined. | 0:48:56 | 0:49:01 | |
The colours are dirtier than I imagined. But, my goodness! | 0:49:01 | 0:49:05 | |
It remains very, very powerful. | 0:49:05 | 0:49:07 | |
Of course, the face and then the red streaks through the sky. | 0:49:07 | 0:49:11 | |
Why has it become so iconic? | 0:49:11 | 0:49:13 | |
Because of the strength of the central figure, | 0:49:13 | 0:49:18 | |
because it's hard to say exactly what it is. | 0:49:18 | 0:49:23 | |
Is it a male, female figure? | 0:49:23 | 0:49:27 | |
Is it a foetus? Is it a skeleton? A ghost? | 0:49:27 | 0:49:30 | |
So you really can't say for sure. | 0:49:30 | 0:49:32 | |
And that ambiguity is something that, I think, | 0:49:32 | 0:49:36 | |
opens up to so many possible interpretations. | 0:49:36 | 0:49:40 | |
But also, of course, it was very important | 0:49:40 | 0:49:44 | |
because it's a very strong painting about emotion. | 0:49:44 | 0:49:47 | |
Where does Munch stand in the history of painting? | 0:49:47 | 0:49:50 | |
He's one of the classic modernists | 0:49:50 | 0:49:52 | |
and he has achieved that position | 0:49:52 | 0:49:55 | |
because of the way he has made paintings | 0:49:55 | 0:49:57 | |
that really mean something to us because of the motives and the way | 0:49:57 | 0:50:01 | |
they are painted and the strong manner in which they are painted. | 0:50:01 | 0:50:06 | |
And he is often associated with being the first Expressionist painter. | 0:50:06 | 0:50:12 | |
For Edvard Munch, The Scream was "a study of the soul, | 0:50:15 | 0:50:19 | |
"a study of my own self." | 0:50:19 | 0:50:21 | |
He later described the personal anguish behind the painting | 0:50:21 | 0:50:25 | |
and said that "Nature was screaming in my blood." | 0:50:25 | 0:50:28 | |
'But while nature seemed to scream at Munch, for most Norwegians, | 0:50:30 | 0:50:34 | |
'nature means peace and tranquillity. | 0:50:34 | 0:50:37 | |
'Love of the great outdoors | 0:50:37 | 0:50:39 | |
'is ingrained in the national consciousness, | 0:50:39 | 0:50:42 | |
'and Norwegians have a deep affinity with their fjords and mountains.' | 0:50:42 | 0:50:45 | |
This is interesting, in a guidebook written in 1913. | 0:50:47 | 0:50:50 | |
"It's only recently that English people have begun to discover | 0:50:50 | 0:50:53 | |
"that the best of everything in a winter holiday | 0:50:53 | 0:50:56 | |
"is to be found in Norway, | 0:50:56 | 0:50:58 | |
"where winter sports may be enjoyed in a crisp, exhilarating air | 0:50:58 | 0:51:03 | |
"that makes one feel glad to be alive." | 0:51:03 | 0:51:06 | |
And it suggests that I make a visit | 0:51:06 | 0:51:08 | |
to the skiing competition of Holmenkollen, | 0:51:08 | 0:51:10 | |
and so I've jumped to it. | 0:51:10 | 0:51:12 | |
Ski jumping as a sport originated here in Norway. | 0:51:17 | 0:51:21 | |
We think of it as a modern sport, | 0:51:21 | 0:51:23 | |
but in a show of bravado in 1809, | 0:51:23 | 0:51:26 | |
a Norwegian army officer launched himself 9.5m into the air. | 0:51:26 | 0:51:31 | |
Today, the world record stands at 246m, | 0:51:35 | 0:51:38 | |
the equivalent of the length of two and a half football pitches. | 0:51:38 | 0:51:42 | |
And the most striking and modern ski jump in the world | 0:51:42 | 0:51:46 | |
is here at Holmenkollen. | 0:51:46 | 0:51:48 | |
But underneath the ski jump, in the Ski Museum, | 0:51:49 | 0:51:52 | |
there is a piece of British history | 0:51:52 | 0:51:54 | |
which curator Karin Berg wants to show me. | 0:51:54 | 0:51:56 | |
So, Michael, I have something very special for you. | 0:51:58 | 0:52:02 | |
It's, um, a treasure | 0:52:02 | 0:52:05 | |
because these skis, which I have taken out from the showcase, | 0:52:05 | 0:52:10 | |
from the exhibition itself, | 0:52:10 | 0:52:12 | |
is Scott's skis itself. | 0:52:12 | 0:52:16 | |
-That is extraordinary. -Ja. | 0:52:16 | 0:52:17 | |
-Scott was beaten to the South Pole by a Norwegian. -Yes. | 0:52:17 | 0:52:21 | |
Ja. It was Roald Amundsen, | 0:52:21 | 0:52:23 | |
and the members of his exposition. | 0:52:23 | 0:52:26 | |
They were the first to plant the Norwegian flag at the South Pole. | 0:52:26 | 0:52:30 | |
What did it mean to Norway to have the first man at the South Pole? | 0:52:30 | 0:52:34 | |
Oh, this question is enormous, | 0:52:35 | 0:52:37 | |
but you must remember that we were a young, new nation | 0:52:37 | 0:52:42 | |
and Roald Amundsen enthused this as gathering the nation together | 0:52:42 | 0:52:49 | |
and spreading out the message | 0:52:49 | 0:52:51 | |
what you really could do with these brown planks, | 0:52:51 | 0:52:54 | |
this means of survival, and he writes about this spreading to the world. | 0:52:54 | 0:53:01 | |
This has to do, Michael, with roots and identity | 0:53:01 | 0:53:05 | |
going back to the Viking period again. | 0:53:05 | 0:53:08 | |
Amundsen said, "Victory awaits him who has everything in order. | 0:53:12 | 0:53:17 | |
"Luck, people call it. Defeat is certain for him | 0:53:17 | 0:53:21 | |
"who has neglected to take the necessary precautions in time. | 0:53:21 | 0:53:26 | |
"This is called bad luck." | 0:53:26 | 0:53:28 | |
In that sense, Britain's Robert Falcon Scott was unlucky. | 0:53:29 | 0:53:33 | |
His party made it to the South Pole 33 days after Amundsen, | 0:53:33 | 0:53:37 | |
on 17th January, 1912. | 0:53:37 | 0:53:40 | |
Dejected, Scott's party turned back | 0:53:40 | 0:53:43 | |
but were blighted by blizzards, hypothermia and starvation, | 0:53:43 | 0:53:47 | |
and never made it back to base. | 0:53:47 | 0:53:49 | |
The rescue party was led by the Norwegian | 0:53:50 | 0:53:53 | |
who had taught Scott to ski, Trygve Gran. | 0:53:53 | 0:53:57 | |
They found, then, the tent with the three bodies - | 0:53:57 | 0:54:02 | |
Scott, Bowers, Wilson. The two others had died before. | 0:54:02 | 0:54:07 | |
And Trygve Gran and the others made a grave about this. | 0:54:10 | 0:54:14 | |
They took snow masses around the tent | 0:54:14 | 0:54:18 | |
and Trygve Gran, he pointed out, | 0:54:18 | 0:54:22 | |
he put his own skis at the top of the tent | 0:54:22 | 0:54:25 | |
and then he took Scott's skis on his own feet, | 0:54:25 | 0:54:30 | |
so these skis, used by Scott, | 0:54:30 | 0:54:33 | |
has been from Cape Evans to the South Pole and back again. | 0:54:33 | 0:54:38 | |
Tales of such fortitude cannot fail to inspire. | 0:54:50 | 0:54:54 | |
Time to show some true grit of my own. | 0:54:55 | 0:54:58 | |
It's a lovely view and a long way down, and I have a feeling | 0:55:01 | 0:55:04 | |
I'm going to cover the distance between here and there very fast. | 0:55:04 | 0:55:09 | |
At the top of the ski jump, around 60m above the ground, | 0:55:11 | 0:55:15 | |
there is a new white-knuckle experience. | 0:55:15 | 0:55:18 | |
Do many people pull out at this stage? | 0:55:18 | 0:55:20 | |
Actually, we had a five-year-old. | 0:55:20 | 0:55:22 | |
-Oh. -That's the only one. -Only a five-year-old. OK. | 0:55:22 | 0:55:24 | |
Ohhh! | 0:55:24 | 0:55:26 | |
'If I'm going to keep the British end up, I can't pull out now.' | 0:55:26 | 0:55:30 | |
After all those stories of courage, | 0:55:30 | 0:55:32 | |
I'm afraid this is the nearest I get to heroism. | 0:55:32 | 0:55:36 | |
Hey, Michael, do you have a long tradition for ski jumping in England? | 0:55:36 | 0:55:40 | |
MICHAEL LAUGHS | 0:55:40 | 0:55:41 | |
If we do, it's not one that's ever affected me before. | 0:55:41 | 0:55:44 | |
Three! | 0:55:44 | 0:55:45 | |
ALL: Two! One! | 0:55:45 | 0:55:47 | |
Go! | 0:55:47 | 0:55:49 | |
Whee-hoo! | 0:55:49 | 0:55:50 | |
That was fantastic! | 0:56:10 | 0:56:12 | |
One of the great experiences of my life. | 0:56:13 | 0:56:15 | |
-That was brilliant. -Welcome down. | 0:56:16 | 0:56:19 | |
Yeah, I'm glad to be back. What a great experience. | 0:56:19 | 0:56:23 | |
My journey through Scandinavia is nearly at an end, | 0:56:39 | 0:56:42 | |
but I can't leave Norway | 0:56:42 | 0:56:44 | |
without paying homage to the man who brought me here, George Bradshaw. | 0:56:44 | 0:56:49 | |
His vision inspired generations of travellers | 0:56:50 | 0:56:53 | |
to venture into the unknown. | 0:56:53 | 0:56:55 | |
Bradshaw's final destination was Oslo. | 0:56:55 | 0:56:58 | |
While on a tour of Norway, he contracted cholera. | 0:56:58 | 0:57:02 | |
Here lies Mr George Bradshaw, | 0:57:03 | 0:57:06 | |
who died here, September 6th, 1853. | 0:57:06 | 0:57:10 | |
He mapped the railways, he compiled the timetables, | 0:57:10 | 0:57:13 | |
and he published the guidebooks. | 0:57:13 | 0:57:15 | |
They opened Victorians' eyes to the new freedoms that trains gave them. | 0:57:15 | 0:57:20 | |
Edwardians used them to fan out across the continent of Europe. | 0:57:20 | 0:57:25 | |
I want to thank him on behalf of the thousands | 0:57:26 | 0:57:29 | |
who in three different centuries | 0:57:29 | 0:57:31 | |
have enjoyed so much and learned so much by following in his tracks. | 0:57:31 | 0:57:36 | |
Next time, I marvel at Prague's stunning Art Nouveau architecture... | 0:58:03 | 0:58:07 | |
..hear of Britain's influence on German railway history... | 0:58:10 | 0:58:14 | |
Where did the original locomotive come from? | 0:58:14 | 0:58:16 | |
Stephenson Locomotive Works, Newcastle upon Tyne. | 0:58:16 | 0:58:19 | |
-So it was Mr George Stephenson? -It was George Stephenson's. | 0:58:19 | 0:58:22 | |
..and take on the toughest opponent of my career. | 0:58:22 | 0:58:25 | |
If you're having trouble with a dragon, call a dragon slayer. | 0:58:25 | 0:58:28 | |
ROARS | 0:58:28 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:51 |