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I'm embarking on a new railway adventure | 0:00:03 | 0:00:06 | |
that will take me across the heart of Europe. | 0:00:06 | 0:00:08 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:21 | |
It told travellers where to go, what to see, | 0:00:23 | 0:00:25 | |
and how to navigate the thousands of miles of tracks | 0:00:25 | 0:00:29 | |
crisscrossing the continent. | 0:00:29 | 0:00:31 | |
Now, a century later, | 0:00:31 | 0:00:32 | |
I'm using my copy to reveal an era of great optimism and energy | 0:00:32 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe | 0:00:42 | 0:00:45 | |
that in 1913 couldn't know that its way of life | 0:00:45 | 0:00:49 | |
would shortly be swept aside by the advent of war. | 0:00:49 | 0:00:52 | |
On this journey, I'm venturing deep into central Europe, | 0:01:10 | 0:01:13 | |
to a country carved up by three great empires, | 0:01:13 | 0:01:16 | |
a place where East meets West. | 0:01:16 | 0:01:19 | |
Poland has been colonised and partitioned, | 0:01:19 | 0:01:22 | |
its people repressed and even slaughtered | 0:01:22 | 0:01:26 | |
by three great empires of Russia, Austria-Hungary, | 0:01:26 | 0:01:31 | |
and Germany, | 0:01:31 | 0:01:32 | |
and then later by the Nazi Third Reich and the Soviet Union. | 0:01:32 | 0:01:36 | |
Today, it's the economic success story of the former Eastern Bloc | 0:01:37 | 0:01:41 | |
but it's had a long struggle to get here. | 0:01:41 | 0:01:44 | |
At the time of my Bradshaw's, Poland wasn't even on the map. | 0:01:45 | 0:01:48 | |
I want to study how this nation was first subjugated, | 0:01:50 | 0:01:54 | |
and then more recently reborn, as I travel Poland's historic tracks. | 0:01:54 | 0:02:00 | |
My Polish adventure begins in the capital, Warsaw, | 0:02:04 | 0:02:07 | |
which, in my 1913 Bradshaw's, | 0:02:07 | 0:02:09 | |
appears under the heading "Russia in Europe (Including Poland)". | 0:02:09 | 0:02:14 | |
I'll continue on to the city of Lodz, | 0:02:14 | 0:02:16 | |
before entering former German territory | 0:02:16 | 0:02:19 | |
to explore Poznan and Wroclaw, | 0:02:19 | 0:02:22 | |
and end on what was then Austrian soil, | 0:02:22 | 0:02:25 | |
at the southern city of Krakow. | 0:02:25 | 0:02:27 | |
On today's journey, I discover how not to do a Polonaise. | 0:02:32 | 0:02:37 | |
Don't know what happened there! | 0:02:41 | 0:02:43 | |
And land my acting debut in Poland's respected film industry. | 0:02:43 | 0:02:49 | |
-WHISPERING: -This could be my big breakthrough. | 0:02:49 | 0:02:52 | |
First stop, Warsaw. Bradshaw's comments: | 0:02:58 | 0:03:01 | |
"Once the capital of Poland, | 0:03:01 | 0:03:04 | |
"now capital of the Russian Province of Warsaw." | 0:03:04 | 0:03:08 | |
The British tourist in 1913 | 0:03:08 | 0:03:10 | |
could have no idea that Russia would shortly be humiliated, | 0:03:10 | 0:03:15 | |
its Tsar murdered and its empire overthrown. | 0:03:15 | 0:03:19 | |
Edwardian travellers to Warsaw | 0:03:29 | 0:03:30 | |
could have arrived at one of three main stations, | 0:03:30 | 0:03:34 | |
but this city's history is such that each has been destroyed. | 0:03:34 | 0:03:38 | |
Now only Warsawa Centralna remains, | 0:03:40 | 0:03:42 | |
rebuilt during the communist era in a brutalist style. | 0:03:42 | 0:03:46 | |
I'm not expecting much of the Warsaw described in my 1913 guidebook | 0:03:48 | 0:03:53 | |
to have survived the ravages of the Nazi occupation and communist era. | 0:03:53 | 0:03:57 | |
But my guidebook has led me to an avenue described as | 0:03:59 | 0:04:02 | |
"the most important and interesting thoroughfare, | 0:04:02 | 0:04:04 | |
"Krakowskie Predmeestie". | 0:04:04 | 0:04:06 | |
Here is a painting of the same avenue nearly three centuries old | 0:04:07 | 0:04:12 | |
and, of course, it's absolutely recognisable. | 0:04:12 | 0:04:14 | |
Here is the church on the left. | 0:04:14 | 0:04:16 | |
And this is somewhat puzzling | 0:04:16 | 0:04:18 | |
because Warsaw was famously razed to the ground during World War II, | 0:04:18 | 0:04:22 | |
so I don't quite follow how it can be so beautifully preserved here. | 0:04:22 | 0:04:28 | |
To help me answer that question, | 0:04:29 | 0:04:31 | |
Karolina Paczynska has offered to take me on a tour | 0:04:31 | 0:04:35 | |
of this grand old avenue in a 1913 carriage. | 0:04:35 | 0:04:40 | |
Karolina! | 0:04:40 | 0:04:42 | |
Hello! How nice to see you in Warsaw! | 0:04:42 | 0:04:45 | |
What a delightful way to travel! | 0:04:45 | 0:04:47 | |
Yes, it is! | 0:04:47 | 0:04:48 | |
Karolina, Bradshaw's devotes a whole page | 0:04:48 | 0:04:51 | |
to the architectural wonders of Warsaw. | 0:04:51 | 0:04:55 | |
It looks wonderful today. | 0:04:55 | 0:04:57 | |
I don't understand, how was this not destroyed in World War II? | 0:04:57 | 0:05:00 | |
The city of Warsaw was almost completely devastated | 0:05:00 | 0:05:03 | |
on Hitler's orders. | 0:05:03 | 0:05:05 | |
House by house in two or three months, | 0:05:05 | 0:05:08 | |
it was transformed into a real desert, | 0:05:08 | 0:05:12 | |
but it was reconstructed by the people who came back to the city | 0:05:12 | 0:05:18 | |
after the Second World War. | 0:05:18 | 0:05:20 | |
They found nothing. | 0:05:20 | 0:05:22 | |
There were no houses, no homes, no electricity, | 0:05:22 | 0:05:26 | |
no running water, nothing, | 0:05:26 | 0:05:28 | |
and with their own hands they rebuilt it all. | 0:05:28 | 0:05:31 | |
It was a real miracle, | 0:05:33 | 0:05:36 | |
the reconstruction of the city of Warsaw. | 0:05:36 | 0:05:38 | |
-Real heroism. -Yes, it was. | 0:05:39 | 0:05:42 | |
And that's what makes us very proud. | 0:05:42 | 0:05:44 | |
I was looking at the reproduction of the painting by Bellotto. | 0:05:45 | 0:05:49 | |
Was that used as a model for the reconstruction? | 0:05:49 | 0:05:52 | |
Yes, but what is interesting, he also made some improvements. | 0:05:52 | 0:05:57 | |
It's funny because during the reconstruction of the city | 0:05:57 | 0:06:00 | |
after the Second World War, they recreated the improvements as well. | 0:06:00 | 0:06:05 | |
That's a very nice story. | 0:06:06 | 0:06:08 | |
But I'm quite surprised that the communists allowed | 0:06:08 | 0:06:10 | |
the reconstruction of this bourgeois architecture. | 0:06:10 | 0:06:13 | |
Well, they allowed it, but in very limited scale. | 0:06:13 | 0:06:19 | |
I have a huge admiration for the determination of the Polish people | 0:06:22 | 0:06:27 | |
to rebuild their city, a phoenix risen from the ashes of 1945. | 0:06:27 | 0:06:32 | |
My last visit to Warsaw was a long time ago, | 0:06:40 | 0:06:43 | |
just after the Communist era, | 0:06:43 | 0:06:44 | |
and my memories of the place were that it was very partially restored | 0:06:44 | 0:06:48 | |
and it was kind of Stalinist and grim. | 0:06:48 | 0:06:50 | |
Well, it gives a very different impression today. | 0:06:50 | 0:06:53 | |
The restoration is now very thorough | 0:06:53 | 0:06:55 | |
and the city is as full of history as it is of fun. | 0:06:55 | 0:06:59 | |
The revitalised fabric and glittering facades | 0:07:02 | 0:07:05 | |
are architectural echoes of 1913 Warsaw | 0:07:05 | 0:07:09 | |
a place that boasted a rich tapestry of different peoples and cultures. | 0:07:09 | 0:07:15 | |
But, during the Second World War the Nazis made it their mission | 0:07:15 | 0:07:19 | |
to annihilate the Jews in Warsaw. | 0:07:19 | 0:07:21 | |
I want to find out how the Jewish community fares today. | 0:07:23 | 0:07:27 | |
I'm turning to my 1913 guidebook to locate Warsaw's Jewish quarter. | 0:07:27 | 0:07:32 | |
Bradshaw's comments that "Warsaw is a busy place. | 0:07:33 | 0:07:36 | |
"But the general elegance is often marred by the untidy appearance | 0:07:36 | 0:07:41 | |
"of the Jews". | 0:07:41 | 0:07:42 | |
And then again, "North of the cathedral is the old town | 0:07:42 | 0:07:46 | |
"with the unattractive Jewish quarter a little further North". | 0:07:46 | 0:07:50 | |
We all know, alas, what was the fate of Warsaw's Jewish population | 0:07:50 | 0:07:53 | |
during World War II, but to find such casual, unselfconscious anti-Semitism | 0:07:53 | 0:07:59 | |
in a British publication of the 20th century is really a shock. | 0:07:59 | 0:08:02 | |
This quarter doesn't look unattractive today. | 0:08:06 | 0:08:09 | |
At a cosy Jewish cafe I've arranged a lunch | 0:08:09 | 0:08:12 | |
with lawyer Kryzsztof Izdebski. | 0:08:12 | 0:08:14 | |
Here we are at the Tel Aviv cafe, which serves Israeli food | 0:08:15 | 0:08:20 | |
and it seems really rather chic! | 0:08:20 | 0:08:23 | |
Yes, it's rather chic and it's quite popular. | 0:08:23 | 0:08:27 | |
The people think that to be a Jew is cool. | 0:08:27 | 0:08:29 | |
It's kind of an exotic thing. | 0:08:29 | 0:08:32 | |
My guidebook has some quite sort of casual anti-Semitic remarks. | 0:08:32 | 0:08:37 | |
What were conditions like for Jews in Warsaw | 0:08:37 | 0:08:39 | |
at the beginning of the 20th century? | 0:08:39 | 0:08:41 | |
-Were they barred from certain professions? -Yep. | 0:08:41 | 0:08:43 | |
It was very hard to get to the university, first of all, | 0:08:43 | 0:08:47 | |
then you couldn't for example be a fully-qualified lawyer. | 0:08:47 | 0:08:52 | |
The guidebook refers to the Jewish district | 0:08:52 | 0:08:54 | |
being unattractive and untidy. | 0:08:54 | 0:08:56 | |
Is that because the Jews here were very poor at the time? | 0:08:56 | 0:08:59 | |
Yes. The people were poor, but generally the people | 0:08:59 | 0:09:01 | |
wore traditional clothes with black, moustaches, hats... | 0:09:01 | 0:09:06 | |
I can imagine it looked odd. | 0:09:06 | 0:09:09 | |
From a population of around 300,000 in 1913, | 0:09:09 | 0:09:13 | |
today's Jewish community officially numbers under 1,000. | 0:09:13 | 0:09:18 | |
After the Second World War, | 0:09:18 | 0:09:19 | |
survivors of the Holocaust returned to Poland, | 0:09:19 | 0:09:23 | |
but persecution continued and hundreds of thousands of Jews fled. | 0:09:23 | 0:09:29 | |
The situation between Poles and Jews was pretty tense. | 0:09:29 | 0:09:32 | |
So a lot of people decided to assimilate, | 0:09:32 | 0:09:35 | |
and assimilate in a society meant changing names, | 0:09:35 | 0:09:40 | |
forgetting about the past. | 0:09:40 | 0:09:42 | |
Some of my friends discovered that they are Jewish when they were 25. | 0:09:42 | 0:09:49 | |
Where the grandfather or grandmother dying | 0:09:49 | 0:09:52 | |
and they wanted to say this, "I'm Jewish.". | 0:09:52 | 0:09:55 | |
Once they had to conceal their identity and were in mortal danger. | 0:09:59 | 0:10:04 | |
Their history could not be darker. | 0:10:04 | 0:10:07 | |
Today's tiny Warsaw community of Jews has no need to hide. | 0:10:07 | 0:10:12 | |
My Bradshaw's has led me | 0:10:15 | 0:10:17 | |
to this pleasant park in the south of the city where it tells me | 0:10:17 | 0:10:21 | |
I'll find the imperial Warsaw residence of the Russian czar. | 0:10:21 | 0:10:26 | |
This is the delightful Lazienki park, home to two palaces - | 0:10:29 | 0:10:34 | |
the Lazienki palace and the Belvedere - | 0:10:34 | 0:10:36 | |
and on a spring day like this, | 0:10:36 | 0:10:38 | |
it's a pleasant place for Varsovians to take a stroll. | 0:10:38 | 0:10:42 | |
But, in the 19th century, this was the playground for the Russian | 0:10:42 | 0:10:46 | |
ruling class, the hated oppressors of Poland. | 0:10:46 | 0:10:50 | |
The people of Warsaw had lived under the Russian yoke since 1815. | 0:10:54 | 0:10:59 | |
The official language was Russian, | 0:10:59 | 0:11:01 | |
and Poles weren't allowed to hold public office. | 0:11:01 | 0:11:04 | |
Treated as second class citizens in their own land, | 0:11:04 | 0:11:07 | |
how did the Polish people maintain their cultural identity? | 0:11:07 | 0:11:11 | |
I'm meeting Varsovian born and bred Wojciech Bakowski. | 0:11:11 | 0:11:16 | |
The Lazienki park has a lot of connections with the Russian | 0:11:17 | 0:11:20 | |
occupation of the 19th century. | 0:11:20 | 0:11:23 | |
How was the Polish spirit kept alive during that period? | 0:11:23 | 0:11:28 | |
It was kept alive, notably, with the art and literature, | 0:11:28 | 0:11:31 | |
and the national movement actually used poets like Mickiewicz, and | 0:11:31 | 0:11:36 | |
composers like Chopin as prophets and vehicles for the national cause. | 0:11:36 | 0:11:40 | |
Composer and virtuoso pianist Frederic Chopin was born in 1810 | 0:11:41 | 0:11:46 | |
in a village outside Warsaw to a Polish mother and a French father. | 0:11:46 | 0:11:50 | |
He left Poland as a teenager just before the 1830 Polish uprising | 0:11:50 | 0:11:55 | |
and spent most of his life in Paris. | 0:11:55 | 0:11:57 | |
His music reflected the melancholy of his Polish motherland, | 0:11:57 | 0:12:01 | |
and, so, despite being absent, he was adopted as a Polish icon. | 0:12:01 | 0:12:05 | |
He was the most famous Polish artist that we had in the 19th century, | 0:12:06 | 0:12:10 | |
so he became an instrument for the national movement to build | 0:12:10 | 0:12:14 | |
a Polish identity around those cultural values. | 0:12:14 | 0:12:18 | |
For example, he used Polish national dances such as the Polonaise | 0:12:18 | 0:12:21 | |
and the Mazurka as piano genres. | 0:12:21 | 0:12:24 | |
MUSIC: "Polonaise" by Chopin | 0:12:24 | 0:12:27 | |
Designed in 1910, | 0:12:27 | 0:12:29 | |
this monument to Chopin commemorates his adoption to the national cause. | 0:12:29 | 0:12:33 | |
The Nazis blew up the original statue in 1940 | 0:12:33 | 0:12:37 | |
because Chopin's music had become a potent symbol of Polish nationalism. | 0:12:37 | 0:12:41 | |
To play it in Nazi-occupied Poland was considered subversion | 0:12:41 | 0:12:46 | |
punishable by death. | 0:12:46 | 0:12:47 | |
And what is that's sweeping above Chopin's head? | 0:12:48 | 0:12:52 | |
That's a willow. | 0:12:52 | 0:12:53 | |
That is the quintessential Polish tree, | 0:12:53 | 0:12:55 | |
that expresses the melancholy and nostalgia of Chopin's music. | 0:12:55 | 0:12:59 | |
The Polonaise is a traditional Polish dance | 0:13:08 | 0:13:11 | |
elevated by Chopin to an art form. | 0:13:11 | 0:13:14 | |
Wojciech is taking me to the beautiful Lazienki Palace | 0:13:19 | 0:13:22 | |
to see how the tradition continues to this day. | 0:13:22 | 0:13:26 | |
It's a stately, processional dance | 0:13:33 | 0:13:35 | |
in which couples walk, circle each other and bow. | 0:13:35 | 0:13:39 | |
THEY APPLAUD | 0:13:39 | 0:13:40 | |
This is very, very charming. Why are the young people doing the Polonaise? | 0:13:41 | 0:13:45 | |
Now, this is a traditional second high school ball that we call | 0:13:45 | 0:13:48 | |
the "studniowka" which occurs 100 days before their A-levels, | 0:13:48 | 0:13:52 | |
and the crucial part of that ball is dancing the Polonaise. | 0:13:52 | 0:13:55 | |
-Everyone has to do this? Did you do this? -I did. | 0:13:55 | 0:13:58 | |
Now, why don't you have a go? | 0:13:58 | 0:14:00 | |
I'd rather not. | 0:14:00 | 0:14:02 | |
And one, two, three. | 0:14:10 | 0:14:12 | |
One, two, three. | 0:14:12 | 0:14:14 | |
One, two, three. | 0:14:14 | 0:14:15 | |
One, two, three. One, two, three. | 0:14:15 | 0:14:19 | |
SHE GIGGLES | 0:14:25 | 0:14:28 | |
Nie porozumielismy sie. | 0:14:28 | 0:14:30 | |
I don't know what happened there, it seemed all right to me. | 0:14:33 | 0:14:36 | |
I'm sure that dancing's not my forte | 0:14:39 | 0:14:41 | |
but if at first you don't succeed... | 0:14:41 | 0:14:43 | |
MUSIC STARTS | 0:14:43 | 0:14:44 | |
SHE GIGGLES | 0:14:49 | 0:14:50 | |
Once again. | 0:14:50 | 0:14:52 | |
Once again. | 0:14:52 | 0:14:54 | |
Come on. | 0:14:56 | 0:14:58 | |
SHE GIGGLES | 0:14:59 | 0:15:01 | |
That WAS a surprise! | 0:15:19 | 0:15:20 | |
SHE GIGGLES | 0:15:23 | 0:15:25 | |
APPLAUSE | 0:15:34 | 0:15:37 | |
Very good. | 0:15:39 | 0:15:41 | |
I think I'll be sticking strictly to my Bradshaw's! | 0:15:44 | 0:15:47 | |
After prancing, I'm ready for a proper Polish supper | 0:15:56 | 0:16:00 | |
and I'm returning to the Old Town. | 0:16:00 | 0:16:02 | |
Celebrity chef Magda Gessler's Fukier restaurant would have been | 0:16:05 | 0:16:09 | |
a fashionable eatery for tourists in 1913. | 0:16:09 | 0:16:12 | |
-Good evening. -Good evening, how are you? -I'm Michael. | 0:16:17 | 0:16:20 | |
You must be the famous Magda! | 0:16:20 | 0:16:21 | |
-You remember me! -And you're Lara. -My name's Lara. -How lovely to see you. -Hello, Michael. -Good evening! | 0:16:21 | 0:16:26 | |
Originally a wine shop, this historic building now | 0:16:28 | 0:16:31 | |
prides itself on offering the best in traditional Polish fare. | 0:16:31 | 0:16:35 | |
My passion is old Polish cuisine. | 0:16:37 | 0:16:40 | |
And so you have resurrected the old Polish cuisine? | 0:16:40 | 0:16:43 | |
I am like the archaeologic in the Polish cuisine! | 0:16:43 | 0:16:47 | |
Magda, I arrived here with my old book, but I see | 0:16:47 | 0:16:49 | |
that you have an old book, too. What is that? | 0:16:49 | 0:16:52 | |
This is a very old book that me, | 0:16:52 | 0:16:54 | |
my mum, her mum have been inspirated by this. | 0:16:54 | 0:16:58 | |
That's a book by Lucyna Cwierczakiewiczowa. | 0:16:58 | 0:17:01 | |
It's like a guide book for what you should eat | 0:17:01 | 0:17:04 | |
during the year for your own family budget. | 0:17:04 | 0:17:08 | |
So would it be possible this evening to try some recipes | 0:17:08 | 0:17:11 | |
-that are recommended in your book? -Of course! | 0:17:11 | 0:17:14 | |
This looks delicious. | 0:17:14 | 0:17:16 | |
It's perfect steak tartare. It's appetiser which in Poland | 0:17:16 | 0:17:20 | |
is amazing, and this place is very special. | 0:17:20 | 0:17:22 | |
Pate venison and herring, | 0:17:22 | 0:17:26 | |
Very special herring in sherry. | 0:17:26 | 0:17:28 | |
Herring in sherry? | 0:17:28 | 0:17:30 | |
Yes. You'll like this one it's very Polish. | 0:17:30 | 0:17:33 | |
And, Magda, what should we drink with these little appetisers? | 0:17:33 | 0:17:37 | |
Bison vodka. It's very special cold vodka. | 0:17:37 | 0:17:41 | |
-Oh, it's amazing. Try this one. -Thank you very much. | 0:17:41 | 0:17:45 | |
-So, herring with sherry washed down with vodka. -First, vodka. | 0:17:45 | 0:17:51 | |
Mm. | 0:17:53 | 0:17:54 | |
So smooth, isn't it? | 0:17:56 | 0:17:58 | |
One, two. | 0:17:59 | 0:18:00 | |
Mm, that's lovely. | 0:18:09 | 0:18:11 | |
I thought it would be very, very strong and fishy, but it's not. | 0:18:12 | 0:18:16 | |
It's perfect old herring. | 0:18:16 | 0:18:18 | |
There's more to Polish cuisine than herring and dumplings. | 0:18:18 | 0:18:22 | |
This delicious tripe soup with ginger, cinnamon | 0:18:22 | 0:18:25 | |
and cardamom is a culinary blend of the empires that once ruled Poland. | 0:18:25 | 0:18:31 | |
The Polish people, who were under foreign occupation | 0:18:31 | 0:18:33 | |
more or less continuously | 0:18:33 | 0:18:34 | |
for two centuries from 1795, have recently experienced a rebirth. | 0:18:34 | 0:18:39 | |
And that is accompanied by a renaissance in Polish cuisine. | 0:18:39 | 0:18:44 | |
After my tasty supper, I'm ready to turn in for the night. | 0:18:48 | 0:18:52 | |
My guidebook recommends the Hotel Bristol | 0:18:52 | 0:18:55 | |
named after the celebrated British traveller, the 4th Earl of Bristol. | 0:18:55 | 0:19:00 | |
The name became a byword for luxury across the continent. | 0:19:00 | 0:19:03 | |
Shipshape and Bristol fashion. | 0:19:03 | 0:19:06 | |
A new day in Warsaw. I'm leaving this vibrant capital | 0:19:20 | 0:19:23 | |
of today's independent Poland to head into its industrial heartland. | 0:19:23 | 0:19:28 | |
My next destination is a city synonymous with the Industrial Revolution - | 0:19:33 | 0:19:36 | |
the Manchester of Poland. | 0:19:36 | 0:19:39 | |
-Can you help me with my Polish pronunciation? -Of course we can. | 0:19:48 | 0:19:50 | |
I'm on my way to L-O-D-Z. | 0:19:50 | 0:19:53 | |
-How do you pronounce that? -It's "woodj." -"Woodj?" -"Woodj." | 0:19:53 | 0:19:57 | |
But it begins with an L. How do you get a "w" sound? | 0:19:57 | 0:20:00 | |
It's two different letters. It's "l" and "w" in Polish alphabet. | 0:20:00 | 0:20:07 | |
"L" and "w." Right, so L with a line makes it a W. | 0:20:07 | 0:20:12 | |
-What about at the end? You said "woodj." -"Woodj." | 0:20:12 | 0:20:15 | |
Yes, because it's not D-Z, it's like Z with a line. | 0:20:15 | 0:20:22 | |
-Z with a line? -Yes. -It's Z but with the D it's pronounced "dj". | 0:20:22 | 0:20:29 | |
What else should I look out for in Polish? | 0:20:29 | 0:20:32 | |
Well, you have different kinds of "oo" as well. | 0:20:32 | 0:20:36 | |
-So, in Lodz, the L has a line... -Yes. -..the O has a line... | 0:20:36 | 0:20:40 | |
-Yes. -..and the Z has a line? | 0:20:40 | 0:20:42 | |
-Yes. -You chose a very difficult city to go to! | 0:20:42 | 0:20:47 | |
Well, my goodness your English is beautiful! | 0:20:48 | 0:20:50 | |
Where did you both learn your English? | 0:20:50 | 0:20:52 | |
-In high school. -Really? -Yes. | 0:20:52 | 0:20:54 | |
We were in the same class in high school. | 0:20:54 | 0:20:56 | |
-To that standard in high school? -Yes. | 0:20:56 | 0:20:59 | |
We are so bad at languages. I am humbled. | 0:20:59 | 0:21:01 | |
Thank you. That's nice. | 0:21:03 | 0:21:05 | |
"I'm continuing my journey across 1913 Russian Poland | 0:21:17 | 0:21:21 | |
"in a south-westerly direction towards the city of Lodz. | 0:21:21 | 0:21:25 | |
"A population of 408,000 says Bradshaw's, | 0:21:25 | 0:21:28 | |
"the chief town of the district | 0:21:28 | 0:21:29 | |
"and the most important centre of the textile industry in Poland." | 0:21:29 | 0:21:33 | |
A material fact, for whilst Britain had her dark Satanic mills | 0:21:33 | 0:21:37 | |
in places like Manchester, Russia had hers in cities like Lodz. | 0:21:37 | 0:21:43 | |
I'm leaving the train to discover what remains | 0:21:57 | 0:22:00 | |
of that industrial heritage. | 0:22:00 | 0:22:02 | |
A century ago, | 0:22:03 | 0:22:05 | |
these immense factories supplied the vast Russian Empire. | 0:22:05 | 0:22:09 | |
The Industrial Revolution brought phenomenal population growth | 0:22:12 | 0:22:16 | |
to Lodz from about 800 people to about 400,000 in the 80 years | 0:22:16 | 0:22:20 | |
before my Bradshaw's guide. | 0:22:20 | 0:22:22 | |
Now the textile mills have been converted into a shopping centre. | 0:22:22 | 0:22:26 | |
I'm meeting my guide, Jacek Paczesny, | 0:22:33 | 0:22:36 | |
at a perfect city vantage point. | 0:22:36 | 0:22:38 | |
These buildings are magnificent. | 0:22:39 | 0:22:41 | |
Why was Lodz chosen for industrialization? | 0:22:41 | 0:22:45 | |
Generally, it was a good location for a city which made | 0:22:45 | 0:22:48 | |
the authorities grant the city the title of factory settlement. | 0:22:48 | 0:22:53 | |
It was something like a special economic zone. | 0:22:53 | 0:22:55 | |
And I suppose the railways must have made a difference, too? | 0:22:55 | 0:22:58 | |
Yes. The railways definitely were essential. | 0:22:58 | 0:23:01 | |
The first big date is 1848 when the Vienna Warsaw railway | 0:23:01 | 0:23:07 | |
was opened and it passed just 30km to the Eastern border of Lodz. | 0:23:07 | 0:23:13 | |
By the time of my 1913 guide, Lodz had been transformed. | 0:23:13 | 0:23:18 | |
It was a city of great contrast. | 0:23:19 | 0:23:22 | |
Between cultures, it was a bustling multicultural city, | 0:23:22 | 0:23:25 | |
people of four different regions, | 0:23:25 | 0:23:27 | |
Polish, Jewish, Russian, German living together. | 0:23:27 | 0:23:30 | |
Second, contrast between wealth and poverty. | 0:23:30 | 0:23:32 | |
A lot of people lived in wooden houses, | 0:23:32 | 0:23:35 | |
the sewage was flowing through the streets. | 0:23:35 | 0:23:37 | |
On the other hand, there was these marvellous palaces, | 0:23:37 | 0:23:40 | |
privately owned green spaces with a fee entrance that exceeded | 0:23:40 | 0:23:44 | |
the salary of the worker. | 0:23:44 | 0:23:46 | |
Andrej Wajda's 1975 epic film The Promised Land | 0:23:49 | 0:23:53 | |
was based on Wladyslaw Reymont's novel, | 0:23:53 | 0:23:57 | |
a mordant critique of capitalism. | 0:23:57 | 0:23:59 | |
It depicted life in Lodz as a vicious rat race. | 0:23:59 | 0:24:02 | |
In the 19th century, Lodz gave Manchester a run for its money. | 0:24:11 | 0:24:15 | |
But today the city prefers to compare itself to Los Angeles. | 0:24:17 | 0:24:23 | |
What happens to a manufacturing city in the post-industrial age? | 0:24:24 | 0:24:28 | |
In Lodz, part of the answer has been to create a film school, | 0:24:28 | 0:24:31 | |
some of whose graduates are directors of international fame. | 0:24:31 | 0:24:36 | |
And now they've created a walkway of the stars. | 0:24:36 | 0:24:41 | |
Not for nothing is this place now known as "Holly-woodj." | 0:24:41 | 0:24:44 | |
Andrej Wajda studied at a film school here in Lodz. | 0:24:48 | 0:24:51 | |
In fact, many of Poland's most celebrated directors | 0:24:51 | 0:24:55 | |
cut their teeth here. | 0:24:55 | 0:24:56 | |
I've arranged to meet Piotr Sitarski, Professor of Film Studies, | 0:24:57 | 0:25:01 | |
to ask him about the history of cinema in this old industrial town. | 0:25:01 | 0:25:06 | |
When did the cinema first come to Lodz? | 0:25:06 | 0:25:08 | |
Very early. | 0:25:08 | 0:25:10 | |
1896. You know, this was a centre of textile industry | 0:25:10 | 0:25:15 | |
with a huge number of proletarian workers. | 0:25:15 | 0:25:18 | |
Most of them were Poles but you also had Jews and Germans | 0:25:18 | 0:25:22 | |
and visual entertainment was ideal for them. You know, silent movies. | 0:25:22 | 0:25:25 | |
And, of course, being silent they didn't have to understand | 0:25:25 | 0:25:28 | |
-any of the language. -Exactly! | 0:25:28 | 0:25:30 | |
After the Second World War, a film school was founded | 0:25:30 | 0:25:34 | |
in Lodz because it was a place where cinema was popular. | 0:25:34 | 0:25:38 | |
A film school in the 1950s within the Soviet empire sounds | 0:25:38 | 0:25:44 | |
is that a bit subversive, a bit liberal? | 0:25:44 | 0:25:46 | |
Yes, it is. Ironically because it was designed as a place where | 0:25:46 | 0:25:52 | |
propagandists were to be trained. | 0:25:52 | 0:25:54 | |
Instead, it turned out that it really offered a lot of freedom | 0:25:54 | 0:25:58 | |
for the students and for the teachers, | 0:25:58 | 0:26:01 | |
and a good example are the films the students could watch, | 0:26:01 | 0:26:05 | |
films from around the world. | 0:26:05 | 0:26:06 | |
So this was really a liberal place. | 0:26:06 | 0:26:09 | |
I'm no De Niro | 0:26:12 | 0:26:13 | |
but as this film school maintains a very high reputation, | 0:26:13 | 0:26:17 | |
maybe I can pick up some tips from Poland's finest fledgling movie-makers? | 0:26:17 | 0:26:24 | |
Hello. I hope I'm not interrupting. I'm Michael. | 0:26:24 | 0:26:27 | |
-Of course not. I'm Adam. -So what are you doing here? | 0:26:27 | 0:26:30 | |
I'm shooting this scene right here. I'm shooting in a hospital. | 0:26:30 | 0:26:33 | |
We have a girl who's going to be playing a schizophrenic | 0:26:33 | 0:26:36 | |
and we are going to have you play as a doctor. | 0:26:36 | 0:26:39 | |
-OK. Psychiatric doctor. -Of course. | 0:26:39 | 0:26:41 | |
-Let me just psych myself up for that one. -Sure. | 0:26:41 | 0:26:43 | |
One of the oldest film schools in the world, | 0:26:45 | 0:26:48 | |
Lodz prides itself on a hands-on approach, | 0:26:48 | 0:26:51 | |
teaching its students the practical skills needed to make a movie. | 0:26:51 | 0:26:54 | |
All right, so when you're walking in, when you move from here, | 0:26:54 | 0:26:58 | |
go here, here, here, here, | 0:26:58 | 0:27:01 | |
and then you place it down and then you look at her. | 0:27:01 | 0:27:04 | |
We're going to have this shot right here of you confronting her. | 0:27:04 | 0:27:07 | |
-WHISPERS: -This could be my big breakthrough! | 0:27:09 | 0:27:11 | |
-Kamera. Poszla. -Ton 16ty. | 0:27:14 | 0:27:18 | |
Action. | 0:27:19 | 0:27:21 | |
SHE MUMBLES IN POLISH | 0:27:23 | 0:27:26 | |
All right, perfect. | 0:27:34 | 0:27:36 | |
Super. Nie bierz tabletki! | 0:27:36 | 0:27:38 | |
LAUGHTER | 0:27:38 | 0:27:40 | |
-Jeszcze raz? -Nie, spoko. | 0:27:40 | 0:27:42 | |
-Brilliant, thank you so much. -Thanks so much. -Thank you. | 0:27:42 | 0:27:45 | |
Great. | 0:27:45 | 0:27:47 | |
On the second part of my journey through Poland, | 0:27:48 | 0:27:51 | |
I'll stoke up what is possibly the last steam-powered commuter train... | 0:27:51 | 0:27:55 | |
Done a bit of this in England. | 0:27:55 | 0:27:57 | |
I don't remember it being quite as hot as this! | 0:27:57 | 0:28:00 | |
..and rumble through the streets, Soviet-style, in a motoring icon. | 0:28:02 | 0:28:06 | |
Car is very elastic, too. Look! | 0:28:06 | 0:28:09 | |
MICHAEL LAUGHS | 0:28:09 | 0:28:10 | |
In case of the next accident | 0:28:10 | 0:28:11 | |
I hope it will just bounce back from other car. | 0:28:11 | 0:28:14 | |
-Let's hope so. -Jump in, it's open. | 0:28:14 | 0:28:16 |