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I'm embarking on a new railway adventure | 0:00:03 | 0:00:06 | |
that will take me across the heart of Europe. | 0:00:06 | 0:00:08 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:21 | |
It told travellers where to go, what to see, | 0:00:23 | 0:00:25 | |
and how to navigate the thousands of miles of tracks | 0:00:25 | 0:00:29 | |
criss-crossing the continent. | 0:00:29 | 0:00:31 | |
Now, a century later, | 0:00:31 | 0:00:32 | |
I'm using my copy to reveal an era of great optimism and energy | 0:00:32 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe | 0:00:42 | 0:00:45 | |
that in 1913 couldn't know that its way of life | 0:00:45 | 0:00:49 | |
would shortly be swept aside by the advent of war. | 0:00:49 | 0:00:52 | |
I'm continuing my journey through Poland, | 0:01:05 | 0:01:08 | |
which began in the capital Warsaw | 0:01:08 | 0:01:11 | |
and continued to Lodz. | 0:01:11 | 0:01:13 | |
Today, I'll head west to Poznan, | 0:01:13 | 0:01:15 | |
then south to Wroclaw. | 0:01:15 | 0:01:17 | |
And end in the ancient capital of Krakow. | 0:01:19 | 0:01:22 | |
Following my guidebook, I'll cross the old border to Poznan | 0:01:25 | 0:01:28 | |
for my first taste of Polish lands | 0:01:28 | 0:01:30 | |
that were once ruled by the German empire. | 0:01:30 | 0:01:33 | |
Bradshaw's Guide 1913 contained a railway map of Europe | 0:01:41 | 0:01:47 | |
and a picture is worth a thousand words, as they say. Here we are. | 0:01:47 | 0:01:52 | |
This is Russian Poland and it appears as a white blank | 0:01:52 | 0:01:55 | |
on the map because the Russians had built very few railways. | 0:01:55 | 0:01:59 | |
By contrast, here in German Poland, well, it's absolutely black | 0:01:59 | 0:02:03 | |
with railway lines, running in all directions. | 0:02:03 | 0:02:06 | |
For my next destination, I have to move away from | 0:02:06 | 0:02:09 | |
the Russian section in Bradshaw's to the German section. | 0:02:09 | 0:02:13 | |
More precisely, "The German empire or Deutsches Reich, consists of | 0:02:13 | 0:02:17 | |
"the following 25 States in order of magnitude," and then Prussia | 0:02:17 | 0:02:21 | |
is listed first. In those days, | 0:02:21 | 0:02:24 | |
Prussia included Posen, or Polish Poznan. | 0:02:24 | 0:02:28 | |
"It's the oldest of Polish towns and a strong fortified place." | 0:02:28 | 0:02:33 | |
Well, of course it was. It was very strategically important. | 0:02:33 | 0:02:36 | |
It was on the eastern frontier of Germany | 0:02:36 | 0:02:39 | |
and I'm going there to find out how, to shore up German power, | 0:02:39 | 0:02:43 | |
the Polish territory was Germanified. | 0:02:43 | 0:02:46 | |
I'm travelling 130 miles northwest | 0:02:48 | 0:02:51 | |
to Poznan Glowny station, built in 1879 | 0:02:51 | 0:02:55 | |
in what was the heart of German Poland. | 0:02:55 | 0:02:57 | |
I'll leave it to the morning to tour this fortress city. | 0:02:59 | 0:03:03 | |
Poznan is a good place to start my exploration | 0:03:17 | 0:03:20 | |
of the German partition. | 0:03:20 | 0:03:22 | |
It's one of the oldest cities in Poland | 0:03:22 | 0:03:25 | |
with roots in the early Middle Ages. | 0:03:25 | 0:03:27 | |
My guidebook tells me that there's a particularly noble building here, | 0:03:27 | 0:03:31 | |
dating from the 15th century. | 0:03:31 | 0:03:33 | |
The Rathaus referred to in my Bradshaw's guide | 0:03:36 | 0:03:38 | |
turns out to be a glorious Renaissance town hall | 0:03:38 | 0:03:41 | |
and there's a legend that many, many years ago, | 0:03:41 | 0:03:44 | |
a couple of goats escaped the cooking pot | 0:03:44 | 0:03:47 | |
and ran up to the top of the tower to avoid being eaten. | 0:03:47 | 0:03:51 | |
So, they've now become the symbol of the city. | 0:03:51 | 0:03:55 | |
-And, at noon every day... -CLOCK CHIMES THE HOUR | 0:03:55 | 0:03:58 | |
..a couple of goats appear above this clock. | 0:03:58 | 0:04:00 | |
A mechanism that was restored in 1913, | 0:04:00 | 0:04:04 | |
the year of my Bradshaw's guide, | 0:04:04 | 0:04:05 | |
so it turns out to be not so much a Rathaus as a "goat house". | 0:04:05 | 0:04:09 | |
I want to find out more about what life was like here | 0:04:32 | 0:04:35 | |
in the early 20th century, | 0:04:35 | 0:04:37 | |
so I'm meeting British-born historian Hubert Zawadzki | 0:04:37 | 0:04:41 | |
at the Prussian Imperial Palace, completed in 1910, | 0:04:41 | 0:04:44 | |
and referred to in my guidebook as, | 0:04:44 | 0:04:46 | |
"The Royal Palace, a new Romanesque building." | 0:04:46 | 0:04:50 | |
Though new in 1913, | 0:04:50 | 0:04:52 | |
the architectural inspiration is medieval | 0:04:52 | 0:04:55 | |
and peppered with images from German folklore. | 0:04:55 | 0:04:59 | |
This isn't a lesson in German architecture, is it? | 0:04:59 | 0:05:02 | |
This is cultural and political. | 0:05:02 | 0:05:04 | |
Very much so. A powerful symbol of Prussian-German domination | 0:05:04 | 0:05:09 | |
in this part of Prussian Poland where there was quite a struggle | 0:05:09 | 0:05:13 | |
between the Poles and the Germans. | 0:05:13 | 0:05:16 | |
Poznan was of strategic significance, as well. | 0:05:16 | 0:05:19 | |
It was important in terms of the eastern approach to Berlin. | 0:05:19 | 0:05:23 | |
So, it was essential as a defensive position. | 0:05:23 | 0:05:26 | |
Following the unification of Germany in 1871, | 0:05:26 | 0:05:29 | |
Prussia's Chancellor Otto von Bismarck | 0:05:29 | 0:05:32 | |
wanted to ensure the loyalty of its subjects. | 0:05:32 | 0:05:35 | |
One tool he used was the so-called "Kulturkampf" - | 0:05:35 | 0:05:39 | |
a campaign to curb the power of the Catholic Church. | 0:05:39 | 0:05:42 | |
What was the attitude of the German authorities, particularly | 0:05:42 | 0:05:46 | |
of the very powerful Chancellor, Otto von Bismarck, to the Poles? | 0:05:46 | 0:05:50 | |
The important thing, from his point of view, | 0:05:50 | 0:05:52 | |
was to reduce the influence of the Polish nobility, the landed class, | 0:05:52 | 0:05:57 | |
and the Polish Catholic Church, | 0:05:57 | 0:05:59 | |
which were seen as the carriers of the Polish national ideal. | 0:05:59 | 0:06:03 | |
Hand in hand with this struggle | 0:06:04 | 0:06:06 | |
went a campaign to "Germanise" this part of Poland. | 0:06:06 | 0:06:09 | |
German replaced Polish as the official language | 0:06:09 | 0:06:12 | |
of local government and in schools. | 0:06:12 | 0:06:15 | |
In 1888, a new Kaiser, Wilhelm II, came to the throne. | 0:06:15 | 0:06:20 | |
Bismarck resigned soon after | 0:06:20 | 0:06:23 | |
but German repression of Poland continued. | 0:06:23 | 0:06:26 | |
The Kaiser's balcony! | 0:06:27 | 0:06:29 | |
Indeed! What a view! | 0:06:29 | 0:06:31 | |
The building over there was the seat of the Ansiedlungskommission, | 0:06:31 | 0:06:34 | |
which was to encourage German land-ownership | 0:06:34 | 0:06:37 | |
in this part of Prussian Poland. | 0:06:37 | 0:06:40 | |
-Encourage? -Initially, government funds were provided | 0:06:40 | 0:06:44 | |
for the purchase of Polish landed estates | 0:06:44 | 0:06:46 | |
which could then be redistributed amongst German settlers. | 0:06:46 | 0:06:50 | |
Gradually from the mid-1890s, this policy hardens, and by 1908, | 0:06:51 | 0:06:57 | |
a bill is passed in the Reichstag | 0:06:57 | 0:07:00 | |
which provides for the compulsory purchase | 0:07:00 | 0:07:05 | |
of Polish landed estates. | 0:07:05 | 0:07:07 | |
These policies provoked a strong reaction both at home and abroad, | 0:07:07 | 0:07:12 | |
but Kaiser Wilhelm was impervious to criticism. | 0:07:12 | 0:07:15 | |
He visited the palace only twice, | 0:07:15 | 0:07:18 | |
but for those occasions, he insisted on a throne of suitable grandeur. | 0:07:18 | 0:07:23 | |
Well, Hubert, is this not the most extraordinary | 0:07:23 | 0:07:25 | |
-piece of megalomania you have ever seen? -Indeed. | 0:07:25 | 0:07:28 | |
It reminds you of the glories of the medieval German Empire. | 0:07:28 | 0:07:32 | |
How successful in the end, | 0:07:32 | 0:07:34 | |
from the Prussian and German point of view, | 0:07:34 | 0:07:36 | |
was this repression of the Polish people? | 0:07:36 | 0:07:38 | |
This repression would have been more successful | 0:07:38 | 0:07:42 | |
had the German rule continued. | 0:07:42 | 0:07:44 | |
But, of course, it ended with the First World War. | 0:07:44 | 0:07:47 | |
-Would you say, in the end, it was counter-productive? -Very much so. | 0:07:47 | 0:07:50 | |
It strengthens the link between the average Pole | 0:07:52 | 0:07:55 | |
and the Roman Catholic Church. | 0:07:55 | 0:07:57 | |
Well, it's quite a thought that within a few years | 0:07:57 | 0:08:01 | |
of this castle being built, of this throne being created, | 0:08:01 | 0:08:06 | |
Germany has lost the First World War, | 0:08:06 | 0:08:08 | |
the Poles become self-governing, | 0:08:08 | 0:08:10 | |
the Kaiser has escaped into exile. | 0:08:10 | 0:08:13 | |
-The glories of this world are transitory, aren't they! -Indeed. | 0:08:13 | 0:08:16 | |
And in 1919, these lands were transferred | 0:08:22 | 0:08:25 | |
to the newly restored state of Poland | 0:08:25 | 0:08:28 | |
under the terms of the Treaty of Versailles. | 0:08:28 | 0:08:31 | |
German architecture and railway lines survive here. | 0:08:39 | 0:08:43 | |
This is one of the last places where steam engines | 0:08:43 | 0:08:45 | |
haul regular train services on the main line. | 0:08:45 | 0:08:48 | |
Howard Jones is so passionate | 0:08:50 | 0:08:52 | |
about this extraordinary railway heritage | 0:08:52 | 0:08:55 | |
that 17 years ago, he left behind his life as a travel agent | 0:08:55 | 0:08:59 | |
in Britain to dedicate himself to its preservation. | 0:08:59 | 0:09:02 | |
-Hello, Howard! Good to meet you! -Nice to meet you. | 0:09:04 | 0:09:07 | |
Wonderful great locomotive! | 0:09:07 | 0:09:09 | |
How is it that so many steam locomotives survived | 0:09:09 | 0:09:11 | |
through the Communist period? | 0:09:11 | 0:09:13 | |
Well, Poland had a lot of coal, | 0:09:13 | 0:09:15 | |
so therefore, it was easier to run on non-electrified lines, | 0:09:15 | 0:09:17 | |
steam and diesel, which meant importing oil. | 0:09:17 | 0:09:20 | |
Wolsztyn as a depot, carried on till 1997, being the last working depot, | 0:09:20 | 0:09:24 | |
and I moved out here to help persuade the authorities | 0:09:24 | 0:09:27 | |
to keep it running as it's unique in the world | 0:09:27 | 0:09:30 | |
and it is now, by a long way, unique in the world. | 0:09:30 | 0:09:32 | |
Howard took over running the line in the 1990s, | 0:09:32 | 0:09:36 | |
operating ordinary commuter services as well as heritage tours. | 0:09:36 | 0:09:41 | |
Today, he's invited me to travel on a special train. | 0:09:41 | 0:09:44 | |
This locomotive is enormous. | 0:09:44 | 0:09:46 | |
I don't think I've ever been on the footplate of anything | 0:09:46 | 0:09:49 | |
as big in Britain. Is it Polish or Russian? | 0:09:49 | 0:09:50 | |
It's a Polish design, built after the war. | 0:09:50 | 0:09:53 | |
They're more designed for comfort. | 0:09:53 | 0:09:54 | |
Particularly here, remember, you have temperatures going minus 20, | 0:09:54 | 0:09:58 | |
minus 25 in the winter, so they're enclosed cabs so they're warmer. | 0:09:58 | 0:10:01 | |
Thank you very much. | 0:10:01 | 0:10:03 | |
If you finish oiling up there, we'll be away, I think! | 0:10:03 | 0:10:05 | |
-OK, then. -Thank you. | 0:10:05 | 0:10:07 | |
What always amazes me about these locomotives | 0:10:32 | 0:10:35 | |
is the connection between man and machine. | 0:10:35 | 0:10:37 | |
Apparently, these two guys have only ever driven | 0:10:40 | 0:10:43 | |
steam locomotives throughout their careers, | 0:10:43 | 0:10:45 | |
so you can imagine how they feel every vibration | 0:10:45 | 0:10:48 | |
in the machine and respond to it. | 0:10:48 | 0:10:50 | |
I wish I could convey to you the smell! It's really pungent. | 0:10:54 | 0:11:00 | |
WHISTLE BLOWS | 0:11:00 | 0:11:02 | |
If you're used to heritage railways in Britain, | 0:11:07 | 0:11:10 | |
the great surprise is how fast this thing goes. | 0:11:10 | 0:11:13 | |
But as railway buffs say, the difference between a steam engine on a heritage line | 0:11:13 | 0:11:18 | |
and a steam engine on a main line | 0:11:18 | 0:11:20 | |
is the difference between an animal in a zoo | 0:11:20 | 0:11:23 | |
and an animal wild in Africa. | 0:11:23 | 0:11:26 | |
And this beast is uncaged! | 0:11:26 | 0:11:29 | |
I've been invited with hand signals | 0:11:31 | 0:11:34 | |
to put some coal on the fire. | 0:11:34 | 0:11:38 | |
I've done a bit of this in England. | 0:11:38 | 0:11:41 | |
I don't remember it being quite as hot as this. | 0:11:41 | 0:11:43 | |
There's no sign from the stoker | 0:11:46 | 0:11:48 | |
that he wants me to stop, so on I go! | 0:11:48 | 0:11:50 | |
A sign to stop thank God. | 0:11:53 | 0:11:56 | |
Oh, looks as if I've been sacked! | 0:12:04 | 0:12:06 | |
Bradshaw's tells me that my next stop | 0:12:16 | 0:12:19 | |
had four railway stations and was known as Breslau, | 0:12:19 | 0:12:22 | |
"one of the most important centres of industry and commerce in Germany, | 0:12:22 | 0:12:27 | |
"with engineering being especially prosperous." | 0:12:27 | 0:12:30 | |
In fact, it was driven particularly by the manufacture of locomotives, | 0:12:30 | 0:12:35 | |
part of Germany's early 20th century phenomenal industrial boom. | 0:12:35 | 0:12:40 | |
My journey is taking me south to a city now known as Wroclaw. | 0:12:40 | 0:12:44 | |
A new day on my journey through Poland, | 0:13:00 | 0:13:03 | |
and I'm in another picturesque city | 0:13:03 | 0:13:05 | |
packed with wonderful Baroque architecture. | 0:13:05 | 0:13:08 | |
Early 20th century visitor to Wroclaw | 0:13:17 | 0:13:20 | |
encountered a German industrial powerhouse. | 0:13:20 | 0:13:23 | |
I see that train manufacturing giant Bombardier continues that tradition. | 0:13:23 | 0:13:30 | |
Krzysztof Gablanowski, site manager in the transportation division, | 0:13:30 | 0:13:34 | |
has agreed to show me around. | 0:13:34 | 0:13:35 | |
A most impressive and enormous factory. | 0:13:38 | 0:13:41 | |
When did any sort of production begin here? | 0:13:41 | 0:13:45 | |
What is sure is the year - 1838, | 0:13:45 | 0:13:47 | |
but we are not sure whether it started with the wheelbarrows | 0:13:47 | 0:13:50 | |
or with the wagons! | 0:13:50 | 0:13:53 | |
But we are sure about the year. | 0:13:53 | 0:13:55 | |
'By 1913, this factory had grown | 0:13:55 | 0:13:57 | |
'into one of the largest manufacturers of rolling stock | 0:13:57 | 0:14:01 | |
'in Europe, producing its thousandth locomotive that year.' | 0:14:01 | 0:14:06 | |
After that, it grow even faster, because in 1920, | 0:14:06 | 0:14:09 | |
-it was 2,000 locomotives produced. -Heavens. | 0:14:09 | 0:14:13 | |
-So, the rate of production had become enormous! -Right. | 0:14:13 | 0:14:17 | |
'Soon after, the factory was also Europe's largest manufacturer | 0:14:17 | 0:14:21 | |
'of railway carriages.' | 0:14:21 | 0:14:22 | |
What do you do today? | 0:14:22 | 0:14:24 | |
We keep continuing over 100 years' tradition. | 0:14:24 | 0:14:27 | |
So, we produce car bodies for all the types of Bombardier locomotives. | 0:14:27 | 0:14:32 | |
-Would I see any of your products in Britain? -Yes, indeed. | 0:14:32 | 0:14:36 | |
We have produced, in the past, a big batch of bogie frames | 0:14:36 | 0:14:39 | |
for a London Underground project. | 0:14:39 | 0:14:43 | |
And today, we are producing bogie frames for Manchester trams. | 0:14:43 | 0:14:46 | |
-Wroclaw to Manchester! -Right. | 0:14:46 | 0:14:49 | |
'Krzysztof is taking me to see how these chassis frames, | 0:14:49 | 0:14:53 | |
'known as "bogies", are produced.' | 0:14:53 | 0:14:54 | |
Here, we can see the welding process. | 0:14:56 | 0:14:58 | |
By using this kind of jig, | 0:14:58 | 0:15:00 | |
we ensure the quality and ergonomy of the process as much as we can. | 0:15:00 | 0:15:05 | |
When do you think that will be running | 0:15:05 | 0:15:08 | |
on the streets of Manchester? | 0:15:08 | 0:15:10 | |
In one year from now, there should be some delivered to the city. | 0:15:10 | 0:15:15 | |
'And for my final stop on the tour, some on-the-job training.' | 0:15:15 | 0:15:18 | |
I feel like something out of Star Wars! | 0:15:29 | 0:15:33 | |
WELDING TORCH BUZZES | 0:15:34 | 0:15:36 | |
'Under heat, the metal pieces melt | 0:15:42 | 0:15:44 | |
'and fuse together to form a strong, clean joint.' | 0:15:44 | 0:15:48 | |
That's very beautiful! | 0:15:50 | 0:15:52 | |
So, how did you hold it? | 0:15:52 | 0:15:53 | |
Like that? You happy? | 0:16:01 | 0:16:04 | |
WELDING TORCH BUZZES | 0:16:06 | 0:16:08 | |
BUZZING AND CRACKLING | 0:16:12 | 0:16:15 | |
Hmmm. | 0:16:25 | 0:16:27 | |
-A little bit messy! -Wow! | 0:16:27 | 0:16:31 | |
'Well, I hope that doesn't end up under a Manchester tram!' | 0:16:31 | 0:16:34 | |
As I leave this city with its impressive industry, | 0:16:40 | 0:16:43 | |
whimsical architecture, and quirky protest movement, | 0:16:43 | 0:16:47 | |
I'm pleased to see that its station | 0:16:47 | 0:16:49 | |
expresses the city's defiance of convention. | 0:16:49 | 0:16:52 | |
Wroclaw Station must rank | 0:16:53 | 0:16:55 | |
as one of the most delightfully over-the-top that I have ever seen. | 0:16:55 | 0:16:58 | |
There have been lines and platforms here since the 1850s, | 0:16:58 | 0:17:02 | |
but this extraordinary castellated facade | 0:17:02 | 0:17:05 | |
was added between 1899 and 1907. | 0:17:05 | 0:17:08 | |
So, it was new at the time of my Bradshaw's guide | 0:17:08 | 0:17:10 | |
and fully restored in 2012. | 0:17:10 | 0:17:12 | |
I'm embarking on the final leg of my journey to the city of Krakow | 0:17:29 | 0:17:33 | |
which my guidebook tells me was the ancient capital of Poland. | 0:17:33 | 0:17:37 | |
In doing so, I will be crossing the last of the old imperial | 0:17:37 | 0:17:41 | |
boundaries into Austria-Hungary. | 0:17:41 | 0:17:43 | |
Austria and Hungary says Bradshaw's are "independent states | 0:18:02 | 0:18:05 | |
"ruled by Francis Joseph I, | 0:18:05 | 0:18:07 | |
Emperor of Austria and King of Hungary. Heir Presumptive, | 0:18:07 | 0:18:12 | |
"it's Archduke Franz Ferdinand, nephew of the Emperor and King." | 0:18:12 | 0:18:17 | |
Within a year of my guide book being published, | 0:18:17 | 0:18:19 | |
he had been assassinated at Sarajevo plunging Europe into war | 0:18:19 | 0:18:24 | |
and bringing about the dissolution | 0:18:24 | 0:18:26 | |
of the three empires that occupied Poland. | 0:18:26 | 0:18:29 | |
My journey takes me 160 miles south east, | 0:18:47 | 0:18:51 | |
running close to the border with the Czech Republic | 0:18:51 | 0:18:53 | |
towards my final destination. | 0:18:53 | 0:18:55 | |
For Krakow, which is the grand finale of my Polish journey, | 0:19:20 | 0:19:24 | |
Bradshaw's mentions the Grand Hotel! | 0:19:24 | 0:19:26 | |
I discover that the Polish-born writer Joseph Conrad | 0:19:44 | 0:19:47 | |
frequented the Grand Hotel. | 0:19:47 | 0:19:49 | |
At school, I studied his novel about a journey | 0:19:49 | 0:19:53 | |
into the African interior | 0:19:53 | 0:19:55 | |
to discover a white man enjoying absolute power | 0:19:55 | 0:19:59 | |
and seduced into total depravity. | 0:19:59 | 0:20:02 | |
The Heart Of Darkness | 0:20:02 | 0:20:03 | |
was then made into a horrifying Hollywood movie | 0:20:03 | 0:20:07 | |
starring Marlon Brando - the 1979 epic, Apocalypse Now. | 0:20:07 | 0:20:12 | |
Conrad stayed here just a few weeks before the outbreak of the First World War | 0:20:13 | 0:20:17 | |
and was determined to show his young family the city he loved so much. | 0:20:17 | 0:20:23 | |
As the Austro-Hungarian Empire crumbled, | 0:20:23 | 0:20:26 | |
its grip loosened and this area began to enjoy | 0:20:26 | 0:20:29 | |
greater political and religious freedom. | 0:20:29 | 0:20:31 | |
It became known as the cultural capital of Poland. | 0:20:31 | 0:20:35 | |
I'm heading into the old town to see whether I can find any trace | 0:20:36 | 0:20:40 | |
of the third empire, which dominated this part of Poland in 1913. | 0:20:40 | 0:20:45 | |
Once again, the architecture changes markedly. | 0:20:57 | 0:21:01 | |
Russian and German influences are behind me. | 0:21:01 | 0:21:04 | |
This is so very Austrian! | 0:21:04 | 0:21:06 | |
That's particularly evident in this glorious square. | 0:21:17 | 0:21:20 | |
Four of the cities on this Polish journey | 0:21:29 | 0:21:31 | |
have been characterised by magnificent public squares. | 0:21:31 | 0:21:36 | |
Maybe this one in Krakow is the best of all. | 0:21:36 | 0:21:38 | |
One of the things I love about them is the chaotic juxtaposition | 0:21:38 | 0:21:42 | |
of different architectural styles. | 0:21:42 | 0:21:44 | |
The buildings are higgledy-piggledy and yet, somehow, it works. | 0:21:44 | 0:21:48 | |
And within them, a vast space for people to be boisterous and free. | 0:21:48 | 0:21:53 | |
In this Austro-Hungarian partition of Poland, | 0:22:00 | 0:22:03 | |
that sense of freedom extended to the Polish religion, Catholicism. | 0:22:03 | 0:22:07 | |
Krakow's most famous cleric, the recently sainted | 0:22:10 | 0:22:13 | |
Karol Jozef Wojtyla, was elected Pope John Paul II in 1978. | 0:22:13 | 0:22:18 | |
A year later, he visited his native Poland | 0:22:19 | 0:22:23 | |
still embedded in the Soviet Empire. | 0:22:23 | 0:22:26 | |
Millions flocked to see him. | 0:22:26 | 0:22:28 | |
His election as Pope and return to Poland helped to fire up | 0:22:29 | 0:22:33 | |
the workers' protest movement called Solidarity. | 0:22:33 | 0:22:37 | |
Apparently, when you're in Krakow you must eat a pretzel. | 0:22:45 | 0:22:48 | |
Thank you. | 0:22:48 | 0:22:51 | |
Thank you. | 0:22:51 | 0:22:53 | |
It seems that they are a left-over from the Austro-Hungarian Empire. | 0:22:53 | 0:22:57 | |
Personally, I can't stand them. | 0:22:59 | 0:23:01 | |
But I take my duties as a tourist seriously! | 0:23:01 | 0:23:04 | |
Hmm. | 0:23:04 | 0:23:06 | |
At the time of my Bradshaw's, | 0:23:09 | 0:23:10 | |
Poland was partitioned between three empires. | 0:23:10 | 0:23:14 | |
Travellers could hardly have guessed that all three would collapse, | 0:23:14 | 0:23:18 | |
but the empires returned - first Nazi then Soviet. | 0:23:18 | 0:23:23 | |
I'm off to visit Nowa Huta, a gift to Krakow | 0:23:24 | 0:23:28 | |
from the grimmest Soviet dictator, Joseph Stalin. | 0:23:28 | 0:23:32 | |
My guide is Maciek Nyzio, and my ride, a Soviet-era Trabant. | 0:23:32 | 0:23:38 | |
-Hello, Maciek! How are you? -Good to see you. How are you? | 0:23:38 | 0:23:42 | |
-I hope your Trabant hasn't broken down! -Everything is fine. | 0:23:42 | 0:23:46 | |
I was just checking it. | 0:23:46 | 0:23:47 | |
There's not much to check, because this is the whole engine. | 0:23:47 | 0:23:51 | |
It's engine more like for a motorbike or a chain saw. | 0:23:51 | 0:23:55 | |
26 horsepower engine! | 0:23:55 | 0:23:57 | |
Battery next to fuel tank! | 0:23:57 | 0:23:59 | |
The car is very elastic, too. Look! | 0:23:59 | 0:24:03 | |
In case of an accident, | 0:24:03 | 0:24:04 | |
I hope it will just bounce back from other car. | 0:24:04 | 0:24:07 | |
-Let's hope so! -Jump in, it's open! | 0:24:07 | 0:24:09 | |
Made in East Germany, | 0:24:23 | 0:24:24 | |
the Trabant was the iconic car of the Communist era. | 0:24:24 | 0:24:28 | |
Painfully backward by comparison with vehicles | 0:24:28 | 0:24:32 | |
beyond the Iron Curtain. | 0:24:32 | 0:24:33 | |
I think this car is a good example of what real Communism was. | 0:24:33 | 0:24:37 | |
It's supposed to be very cheap car for the whole family, easy to get. | 0:24:37 | 0:24:41 | |
Finally, tiny car was designed and they were extremely expensive! | 0:24:41 | 0:24:45 | |
Maciek, which part of the city are we in, now? | 0:24:45 | 0:24:47 | |
We're in the oldest part of Nowa Huta, this perfect Communistic city. | 0:24:47 | 0:24:52 | |
Nowadays, it's one of the districts of Krakow. | 0:24:52 | 0:24:55 | |
It was built after Second World War as a separated city. | 0:24:55 | 0:24:59 | |
A gift from Joseph Stalin. | 0:24:59 | 0:25:01 | |
Construction of Nowa Huta began in 1949. | 0:25:06 | 0:25:10 | |
Stalin's aim was to showcase the industrial might of Communism | 0:25:10 | 0:25:14 | |
and to crush the middle classes by creating a uniform, | 0:25:14 | 0:25:18 | |
working-class centre, populated by industrial workers. | 0:25:18 | 0:25:22 | |
It was supposed to be a city to show the power of this new system | 0:25:22 | 0:25:26 | |
to convince people to this new ideology, | 0:25:26 | 0:25:29 | |
a symbol of Polish Soviet friendship. | 0:25:29 | 0:25:31 | |
They wanted to provide as many apartments as possible, | 0:25:31 | 0:25:34 | |
and to give people jobs, work at the factory. | 0:25:34 | 0:25:38 | |
That's the main entrance to the factory in front of us. | 0:25:38 | 0:25:41 | |
-What was it called? -Up until 1990,it was Lenin Steelworks. | 0:25:41 | 0:25:44 | |
A vast, labyrinthine plant | 0:25:46 | 0:25:48 | |
with nearly 300km of railway tracks inside it, | 0:25:48 | 0:25:51 | |
the Lenin Works provided employment for the proletariat. | 0:25:51 | 0:25:55 | |
But by the 1980s, it had become a hotbed | 0:25:55 | 0:25:58 | |
of the anti-Soviet Solidarity movement. | 0:25:58 | 0:26:01 | |
This is Central Square. | 0:26:02 | 0:26:04 | |
Some time ago, our authorities added a name. | 0:26:04 | 0:26:07 | |
So, it's the Central Square of Ronald Reagan! | 0:26:07 | 0:26:10 | |
-Ronald Reagan? -Yes, we like famous actors in Poland. | 0:26:10 | 0:26:13 | |
Ronald Reagan helped to donate a lot of money | 0:26:13 | 0:26:17 | |
to our opposition, to Solidarity. | 0:26:17 | 0:26:20 | |
He was friend of Lech Walesa, | 0:26:20 | 0:26:21 | |
our first democratically elected president after the war. | 0:26:21 | 0:26:26 | |
Under the leadership of Lech Walesa, | 0:26:26 | 0:26:28 | |
the Solidarity movement won the fight | 0:26:28 | 0:26:31 | |
for the first partially independent elections in 1989. | 0:26:31 | 0:26:35 | |
Poland became the first country in the Soviet Empire | 0:26:35 | 0:26:39 | |
to abandon Communism. | 0:26:39 | 0:26:41 | |
Leaving Ronald Reagan Square behind us, | 0:26:42 | 0:26:44 | |
Maciek and I are reconvening in a Communist-era bar. | 0:26:44 | 0:26:48 | |
Welcome to stylish restaurant! | 0:26:49 | 0:26:52 | |
Mmm, it has quite an old-fashioned feel to it! | 0:26:52 | 0:26:54 | |
It's one of the few places left in Communistic style here in Nowa Huta. | 0:26:54 | 0:26:58 | |
GLASSES TINKLE | 0:26:58 | 0:26:59 | |
I really enjoyed our ride in the Trabant. | 0:27:00 | 0:27:02 | |
Our ride through recent Polish history! | 0:27:02 | 0:27:05 | |
-Na zdrowie! To Poland! -To Poland, of course! | 0:27:05 | 0:27:08 | |
A visitor to Krakow in 1913 might have guessed | 0:27:11 | 0:27:14 | |
that the Austro-Hungarian Empire was crumbling, | 0:27:14 | 0:27:18 | |
but not that it would shortly be joined in the dustbin of history | 0:27:18 | 0:27:22 | |
by the German and Russian Empires, too. | 0:27:22 | 0:27:25 | |
When Nazi Germany invaded Poland in 1939, | 0:27:25 | 0:27:28 | |
that was the start of the Second World War, | 0:27:28 | 0:27:31 | |
and after its end, there followed 45 years of Soviet domination. | 0:27:31 | 0:27:37 | |
Polish nationalism revived when Karol Jozef Wojtyla became Pope. | 0:27:37 | 0:27:43 | |
Poland became free in 1989. | 0:27:43 | 0:27:45 | |
During the course of this journey, | 0:27:45 | 0:27:47 | |
I've discovered that the Poles have often been oppressed, | 0:27:47 | 0:27:51 | |
but their spirit is irrepressible. | 0:27:51 | 0:27:54 | |
'Next time, I find my sea legs off Spain's Atlantic coast.' | 0:27:58 | 0:28:02 | |
Isn't that a beautiful beast? Isn't that fantastic? | 0:28:02 | 0:28:05 | |
'Sample a favourite British tipple in Oporto.' | 0:28:05 | 0:28:08 | |
It's a Martinez 1953, a very rare wine. | 0:28:08 | 0:28:11 | |
It's glorious! | 0:28:13 | 0:28:14 | |
'And in Lisbon, investigate an assassination.' | 0:28:14 | 0:28:18 | |
They're a group of armed Republicans, in five minutes, | 0:28:18 | 0:28:22 | |
they almost wiped out the entire royal family. | 0:28:22 | 0:28:25 | |
So, this square was the scene of appalling horror. | 0:28:25 | 0:28:29 |