Browse content similar to Tula to St Petersburg. Check below for episodes and series from the same categories and more!
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I'm embarking on a new railway adventure that will take me | 0:00:03 | 0:00:07 | |
across the heart of Europe. | 0:00:07 | 0:00:10 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:10 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:21 | |
It told travellers where to go, what to see, and how to navigate | 0:00:21 | 0:00:26 | |
the thousands of miles of tracks crisscrossing the continent. | 0:00:26 | 0:00:30 | |
Now, a century later, | 0:00:30 | 0:00:31 | |
I'm using my copy to reveal an era of great optimism and energy | 0:00:31 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe that in 1913 couldn't know | 0:00:42 | 0:00:47 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:47 | 0:00:52 | |
On this journey I follow my guidebook further than | 0:01:12 | 0:01:16 | |
it's ever taken me - to the vast country of Russia. | 0:01:16 | 0:01:19 | |
At the time of my guide, | 0:01:20 | 0:01:22 | |
Britain and Russia were linked by kinship | 0:01:22 | 0:01:24 | |
with the British king George V's cousin, | 0:01:24 | 0:01:26 | |
Tsar Nicholas II, on the imperial throne. | 0:01:26 | 0:01:29 | |
I learn from Bradshaw's that his regime is autocratic | 0:01:31 | 0:01:34 | |
and bureaucratic, | 0:01:34 | 0:01:35 | |
and there have recently been strikes, | 0:01:35 | 0:01:38 | |
mutinies and civilian massacres. | 0:01:38 | 0:01:41 | |
Yet travellers to Russia in 1913 would have visited cities | 0:01:41 | 0:01:45 | |
that were modern and vibrant, while trade and industry were growing. | 0:01:45 | 0:01:49 | |
Russia was an enigma, poised between reform and revolution. | 0:01:49 | 0:01:55 | |
I'll be covering a fraction of Russia's vast | 0:01:59 | 0:02:02 | |
six and a half million square miles, | 0:02:02 | 0:02:04 | |
starting south of Moscow | 0:02:04 | 0:02:06 | |
in the industrial city of Tula. | 0:02:06 | 0:02:08 | |
I'll then head north towards the country's capital | 0:02:08 | 0:02:11 | |
before travelling over 400 miles to St Petersburg. | 0:02:11 | 0:02:16 | |
An excursion recommended in my guide | 0:02:16 | 0:02:19 | |
will take me on to Tsarskoe Selo | 0:02:19 | 0:02:21 | |
before I return to St Petersburg. | 0:02:21 | 0:02:24 | |
Along the way, I'll learn how one of Russia's most famous writers | 0:02:28 | 0:02:32 | |
escaped royal retribution. | 0:02:32 | 0:02:34 | |
-Was he prosecuted? -He wasn't. | 0:02:34 | 0:02:38 | |
Alexander III, our emperor, used to say, "Don't touch my Tolstoy. | 0:02:38 | 0:02:43 | |
"Don't make a sufferer out of him." | 0:02:43 | 0:02:45 | |
I'll be taught to clean up my act. | 0:02:48 | 0:02:50 | |
LOUD THWACKING | 0:02:50 | 0:02:51 | |
We'll teach you British man how to wash! | 0:02:51 | 0:02:55 | |
And amongst the palaces of St Petersburg I'll hear how, | 0:02:58 | 0:03:02 | |
at the beginning of the 20th century, | 0:03:02 | 0:03:04 | |
revolution was in the air. | 0:03:04 | 0:03:06 | |
People were being executed, people were being shot, | 0:03:06 | 0:03:08 | |
and the deaths got into the hundreds, probably the thousands, | 0:03:08 | 0:03:11 | |
over the next couple of years. | 0:03:11 | 0:03:13 | |
Tourists following my guidebook found Russia in the midst of change. | 0:03:30 | 0:03:34 | |
Industrial revolution had come late | 0:03:34 | 0:03:36 | |
but its effects were by now dramatic. | 0:03:36 | 0:03:39 | |
Urban populations swelled as thousands of peasants | 0:03:39 | 0:03:42 | |
moved to the cities to work in the expanding factories. | 0:03:42 | 0:03:46 | |
According to Bradshaw's, | 0:03:46 | 0:03:48 | |
about five and three-quarter million people belong to | 0:03:48 | 0:03:51 | |
the military class and one million are hereditary and personal nobles. | 0:03:51 | 0:03:56 | |
Now, that leaves out tens of millions of people | 0:03:56 | 0:04:00 | |
who had until very recently been feudal serfs. | 0:04:00 | 0:04:03 | |
I'm now approaching the town of Tula. | 0:04:03 | 0:04:07 | |
Bradshaw's tells me it's an industrial town with an iron works, | 0:04:07 | 0:04:10 | |
which doesn't easily explain why it attracted | 0:04:10 | 0:04:14 | |
droves of tourists at the beginning of the 20th century. | 0:04:14 | 0:04:18 | |
Tourists would have been struck by the variety of domed churches | 0:04:30 | 0:04:34 | |
that make up Tula's skyline. | 0:04:34 | 0:04:36 | |
Today, many that were destroyed during the Soviet era | 0:04:46 | 0:04:49 | |
are being restored. | 0:04:49 | 0:04:51 | |
Bradshaw's tells me | 0:04:52 | 0:04:54 | |
that within the Kremlin at Tula there are two cathedrals. | 0:04:54 | 0:04:58 | |
Now, I always thought that the Kremlin was a place in Moscow, | 0:04:58 | 0:05:01 | |
but it turns out you can find them in many Russian cities. | 0:05:01 | 0:05:05 | |
And inside here there are indeed two cathedrals, | 0:05:05 | 0:05:08 | |
and of course also the centre of political power, | 0:05:08 | 0:05:12 | |
as though you could distinguish between the two, because | 0:05:12 | 0:05:15 | |
for example, the Tsar appointed the leaders of the Orthodox Church | 0:05:15 | 0:05:18 | |
and both the state and the church demanded obedience. | 0:05:18 | 0:05:24 | |
The people believed that the Tsar was anointed by God, | 0:05:32 | 0:05:37 | |
and until the revolution of 1917, church and state ruled hand in hand | 0:05:37 | 0:05:42 | |
over a vast population, | 0:05:42 | 0:05:44 | |
more than four-fifths of whom lived in abject poverty on the land. | 0:05:44 | 0:05:49 | |
I imagine how these icons would have spoken directly | 0:05:59 | 0:06:02 | |
to people even if they were illiterate peasants. | 0:06:02 | 0:06:06 | |
How powerful would have been this image of the last judgment, | 0:06:06 | 0:06:09 | |
the moment when souls are divided between those that go to heaven | 0:06:09 | 0:06:13 | |
and those that go to hell. | 0:06:13 | 0:06:15 | |
For decades after the revolution, | 0:06:15 | 0:06:17 | |
churches like this stood empty and neglected. | 0:06:17 | 0:06:20 | |
Now they're being restored. | 0:06:20 | 0:06:23 | |
Fresh paint - the icons speak again. | 0:06:23 | 0:06:28 | |
THEY CHANT IN HARMONY | 0:06:28 | 0:06:31 | |
At the turn of the 20th century, | 0:06:40 | 0:06:42 | |
it wasn't the city's numerous churches | 0:06:42 | 0:06:44 | |
that drew travellers to Tula. | 0:06:44 | 0:06:47 | |
Then there were three places in Russia that had to be visited - | 0:06:47 | 0:06:50 | |
Moscow, St Petersburg and here. | 0:06:50 | 0:06:54 | |
This is Yasnaya Polyana, | 0:06:54 | 0:06:56 | |
the estate of Lev Tolstoy, | 0:06:56 | 0:06:58 | |
a genius to rank alongside Cervantes and Dickens. | 0:06:58 | 0:07:03 | |
I was drawn to his novel Anna Karenina, | 0:07:03 | 0:07:05 | |
a story of extramarital love, | 0:07:05 | 0:07:07 | |
because it begins with a railway accident | 0:07:07 | 0:07:09 | |
and ends with a railway suicide. | 0:07:09 | 0:07:12 | |
Such sorrow over sin, such sadness, so Russian. | 0:07:12 | 0:07:17 | |
The estate, close to Tula, | 0:07:20 | 0:07:22 | |
had been the family home since the early 1800s. | 0:07:22 | 0:07:24 | |
Tula was expanding rapidly | 0:07:24 | 0:07:27 | |
and after the arrival of the railway in 1867, | 0:07:27 | 0:07:30 | |
Tolstoy, his wife and their 13 children | 0:07:30 | 0:07:34 | |
found their rural Russian idyll had become much more accessible. | 0:07:34 | 0:07:38 | |
I'm meeting the estate's head of research, Galina Alexeeva. | 0:07:38 | 0:07:42 | |
Galina, I've come here with my Bradshaw's guide. | 0:07:45 | 0:07:47 | |
I think at the beginning of the 20th century | 0:07:47 | 0:07:48 | |
there would have been lots of British visitors. | 0:07:48 | 0:07:51 | |
Oh, yes, so many people were coming here, | 0:07:51 | 0:07:53 | |
from Europe, Asia, North America and certainly from Britain. | 0:07:53 | 0:07:58 | |
It was a kind of Mecca, cultural centre of the world, | 0:07:58 | 0:08:01 | |
and people were dreaming about coming to Yasnaya Polyana | 0:08:01 | 0:08:04 | |
and talking to Tolstoy, to the great Tolstoy. | 0:08:04 | 0:08:07 | |
Tolstoy's fame had spread around the world but he held a special place | 0:08:07 | 0:08:12 | |
in British hearts, thanks in part | 0:08:12 | 0:08:15 | |
to his declared love for the work of Charles Dickens. | 0:08:15 | 0:08:18 | |
Tourists and writers alike flocked here, | 0:08:18 | 0:08:21 | |
hoping to get close to the literary genius. | 0:08:21 | 0:08:24 | |
It is such a beautiful estate and such a wonderful house. | 0:08:27 | 0:08:30 | |
Was Tolstoy actually born here? | 0:08:30 | 0:08:32 | |
He was born here at Yasnaya Polyana but not in this house, | 0:08:32 | 0:08:35 | |
but in a huge three-storeyed house, which had been sold in 1854. | 0:08:35 | 0:08:40 | |
But he was born on this black sofa on the 28th August 1828. | 0:08:40 | 0:08:46 | |
And this desk, did he write there? | 0:08:46 | 0:08:49 | |
That writing desk belonged to his father, Count Nikolai Tolstoy, | 0:08:49 | 0:08:53 | |
and Tolstoy wrote so many works on it, | 0:08:53 | 0:08:56 | |
War and Peace and Anna Karenina in particular. | 0:08:56 | 0:08:59 | |
Those great novels were written at this very desk? | 0:08:59 | 0:09:01 | |
-Exactly. -Fantastic! | 0:09:01 | 0:09:03 | |
To the delight of some and the disquiet of others, | 0:09:05 | 0:09:08 | |
Tolstoy, though an aristocrat, | 0:09:08 | 0:09:09 | |
wrote about the evils of serfdom and poverty. | 0:09:09 | 0:09:12 | |
And living here in the country, what sort of attitudes | 0:09:12 | 0:09:16 | |
did he form to the people living around him and under him? | 0:09:16 | 0:09:20 | |
Tolstoy was greatly interested in the peasants' life | 0:09:20 | 0:09:24 | |
and he spent hours and hours in the Yasnaya Polyana village | 0:09:24 | 0:09:28 | |
and he suffered with all the pains the peasants survived and he always | 0:09:28 | 0:09:33 | |
wanted to help and he was eager to help the Yasnaya Polyana peasants. | 0:09:33 | 0:09:38 | |
At the end of the 19th century, | 0:09:38 | 0:09:40 | |
to the poverty and injustices endured by those who tilled the land | 0:09:40 | 0:09:44 | |
were added famine and disease. | 0:09:44 | 0:09:47 | |
Over 400,000 peasants died. | 0:09:47 | 0:09:50 | |
Tolstoy used his fame to publicise the horrors, writing articles | 0:09:50 | 0:09:54 | |
and pamphlets to denounce the government's inaction | 0:09:54 | 0:09:57 | |
in the face of so much suffering. | 0:09:57 | 0:10:00 | |
Now, presumably these articles about the condition | 0:10:00 | 0:10:04 | |
of the people, these would have been highly political and controversial. | 0:10:04 | 0:10:08 | |
Was he prosecuted? | 0:10:08 | 0:10:10 | |
He wasn't. He was too famous, too great, | 0:10:10 | 0:10:14 | |
and Alexander III, our emperor, | 0:10:14 | 0:10:17 | |
used to say, "Don't touch my Tolstoy. Don't make a sufferer out of him." | 0:10:17 | 0:10:22 | |
How did the peasants on whose behalf he was writing regard him? | 0:10:22 | 0:10:26 | |
With great sympathy, with great love. | 0:10:26 | 0:10:28 | |
The writing was so powerful that it was said there were | 0:10:30 | 0:10:33 | |
two Tsars in Russia, the Tsar and Tolstoy. | 0:10:33 | 0:10:37 | |
If Tolstoy was so unhappy at the way life was organised | 0:10:37 | 0:10:40 | |
here in Russia, did he have a model of a better society? | 0:10:40 | 0:10:44 | |
Since his childhood Tolstoy was greatly | 0:10:44 | 0:10:46 | |
interested in the life of the ants and the life of the bees. | 0:10:46 | 0:10:50 | |
For Tolstoy it was very symbolic. | 0:10:50 | 0:10:53 | |
And this is the quote. | 0:10:53 | 0:10:54 | |
I would like to show it to you, from Tolstoy's diary. | 0:10:54 | 0:10:58 | |
"For a human being, before reaching the level of a commune of bees | 0:10:58 | 0:11:02 | |
"and ants, it is necessary to learn how not to go to war, | 0:11:02 | 0:11:07 | |
"how not to fight for a nuisance, not to quarrel, not to overeat, | 0:11:07 | 0:11:11 | |
"not to fornicate, | 0:11:11 | 0:11:13 | |
"and after that one has to reach consciously | 0:11:13 | 0:11:16 | |
"the level of the bees and the ants." | 0:11:16 | 0:11:19 | |
Such idealism! | 0:11:19 | 0:11:22 | |
Beekeeping even features as a political analogy in War and Peace. | 0:11:25 | 0:11:30 | |
For a deeply religious man like Tolstoy, | 0:11:30 | 0:11:32 | |
the harmony and organisation found in the beehive | 0:11:32 | 0:11:36 | |
provided the ideal Christian model for society. | 0:11:36 | 0:11:39 | |
Just a little bellows with some smoke in the end. | 0:11:42 | 0:11:46 | |
Just keeps them quiet. | 0:11:46 | 0:11:48 | |
Tolstoy was an adept beekeeper, | 0:11:48 | 0:11:51 | |
but for me, this is an unfamiliar experience! | 0:11:51 | 0:11:55 | |
-Are you going to brush the bees off? -Yes, yes. | 0:11:57 | 0:11:59 | |
So now we're going to take this and get some honey. | 0:12:10 | 0:12:14 | |
So this is going to spin the honey out. | 0:12:16 | 0:12:19 | |
The honey will go down there. | 0:12:19 | 0:12:21 | |
This is the smooth, soothing production | 0:12:21 | 0:12:24 | |
from the insects' communal work. | 0:12:24 | 0:12:26 | |
So Tolstoy believed that in a society where everyone co-operated | 0:12:28 | 0:12:31 | |
with each other like bees, life would be pure sweetness. | 0:12:31 | 0:12:36 | |
Tolstoy used his novels as giant canvases | 0:12:43 | 0:12:46 | |
on which to paint Russian politics and history | 0:12:46 | 0:12:49 | |
and developed a radical Christian message. | 0:12:49 | 0:12:52 | |
Tolstoy's tragic heroine, Anna Karenina, | 0:12:52 | 0:12:55 | |
dies at a railway station, and in 1910, life imitated art. | 0:12:55 | 0:13:00 | |
At the end of his life there was a catastrophic breakdown | 0:13:02 | 0:13:04 | |
in the relationship between Tolstoy and his wife | 0:13:04 | 0:13:07 | |
and he decided that he must escape her and his beloved home | 0:13:07 | 0:13:11 | |
and he embarked upon a long train journey, | 0:13:11 | 0:13:13 | |
during which he was taken ill. | 0:13:13 | 0:13:15 | |
At the station of Astapavo | 0:13:15 | 0:13:17 | |
the station master offered the man his bed, | 0:13:17 | 0:13:19 | |
and it soon became clear that it would be his deathbed. | 0:13:19 | 0:13:22 | |
The world's media gave chase | 0:13:22 | 0:13:24 | |
and also the wife, chartering a special train, | 0:13:24 | 0:13:28 | |
but she wasn't admitted to his presence | 0:13:28 | 0:13:31 | |
and newsreel records how she ranted and raved on the platform outside | 0:13:31 | 0:13:36 | |
while in the station master's bed the life of one of the great | 0:13:36 | 0:13:39 | |
geniuses drew to its close. | 0:13:39 | 0:13:42 | |
My 1913 guidebook steers me to my next stop | 0:13:46 | 0:13:50 | |
and helpfully the stations are named | 0:13:50 | 0:13:52 | |
after the main destination of the train. | 0:13:52 | 0:13:54 | |
-Zdrastvitye. -Zdrastvitye. | 0:13:54 | 0:13:56 | |
HE SPEAKS HALTING RUSSIAN | 0:13:56 | 0:13:59 | |
Your wagon number five and your place number two. | 0:14:04 | 0:14:07 | |
Thank you very much. Spasiba. | 0:14:07 | 0:14:09 | |
-Have a nice trip. -Do svidaniya! Spasiba. | 0:14:09 | 0:14:12 | |
There are just a few minutes to brush up on my Bradshaw's | 0:14:21 | 0:14:25 | |
before my Moscow-bound train is ready to leave. | 0:14:25 | 0:14:28 | |
I'll travel close to 130 miles towards the north, | 0:14:40 | 0:14:43 | |
the tiniest fragment of Russia's 52,000 miles of railway. | 0:14:43 | 0:14:48 | |
This train started in Makhachkala, | 0:14:52 | 0:14:56 | |
which is a town in Dagestan, all the way down on the Caspian Sea, | 0:14:56 | 0:15:01 | |
and it's ending up in St Petersburg. | 0:15:01 | 0:15:03 | |
That is a distance of about 3,000 kilometres | 0:15:03 | 0:15:07 | |
and so the people here in third class in all these bunks | 0:15:07 | 0:15:10 | |
are on this train for 64 hours waking and sleeping. | 0:15:10 | 0:15:15 | |
I'm not going as far as some of my fellow travellers, | 0:15:18 | 0:15:21 | |
but my journey still takes around three hours, | 0:15:21 | 0:15:23 | |
so there's plenty of time for a snack. | 0:15:23 | 0:15:25 | |
Very nicely appointed restaurant car. | 0:15:28 | 0:15:31 | |
And since this train began its journey in Dagestan, | 0:15:31 | 0:15:34 | |
I'm wondering if they have any Dagestani food. | 0:15:34 | 0:15:36 | |
THEY SPEAK RUSSIAN | 0:15:38 | 0:15:44 | |
I love the fact that all this food is cooked fresh on the train. | 0:15:55 | 0:15:58 | |
Local dishes are often a feature of the rural Russian train routes. | 0:16:00 | 0:16:04 | |
This definitely beats a packet sandwich. | 0:16:04 | 0:16:07 | |
Now it's my turn. | 0:16:19 | 0:16:21 | |
I saw her put a little flour on and roll it out like this. | 0:16:22 | 0:16:27 | |
THEY SPEAK RUSSIAN | 0:16:31 | 0:16:34 | |
Usually filled with meat, these dumplings are called pelmeni | 0:16:36 | 0:16:40 | |
and are a sort of cross between a stuffed pancake and ravioli. | 0:16:40 | 0:16:44 | |
And then onto the grill. | 0:16:51 | 0:16:53 | |
SHE SPEAKS RUSSIAN | 0:16:55 | 0:16:57 | |
I think that's five points, maybe out of ten. | 0:16:59 | 0:17:01 | |
Mine may not quite look the part, | 0:17:02 | 0:17:04 | |
but as we know, it's all in the eating. | 0:17:04 | 0:17:06 | |
SHE SPEAKS RUSSIAN | 0:17:10 | 0:17:11 | |
Thank you. | 0:17:13 | 0:17:14 | |
She's saying bon appetit. That's so nice of her. | 0:17:16 | 0:17:19 | |
I'm going to eat this little dumpling with some sour cream. | 0:17:21 | 0:17:26 | |
Mm. | 0:17:29 | 0:17:31 | |
Modesty ought to forbid me, but that is really very tasty. | 0:17:31 | 0:17:35 | |
My next stop will be Moscow, which Bradshaw's tells me in Russian is, | 0:17:45 | 0:17:50 | |
"Moskva, with a population of 1.5 million. | 0:17:50 | 0:17:53 | |
"It was the old capital of the empire | 0:17:53 | 0:17:55 | |
"before the removal to St Petersburg, | 0:17:55 | 0:17:58 | |
"and its animated streets present many more characteristic features | 0:17:58 | 0:18:03 | |
"of Russian life than the modern capital. | 0:18:03 | 0:18:06 | |
"Moscow is held in great veneration." | 0:18:06 | 0:18:10 | |
I'm arriving at Kursky Station. | 0:18:17 | 0:18:20 | |
Built in 1896, this is one of nine stations receiving trains | 0:18:20 | 0:18:23 | |
from across Russia and beyond. | 0:18:23 | 0:18:26 | |
In Tula, in the provinces, the railway station felt as though | 0:18:39 | 0:18:43 | |
it was locked in the imperial or soviet age, | 0:18:43 | 0:18:47 | |
but now I've arrived in Moscow, there's advertising, | 0:18:47 | 0:18:50 | |
there's businesses and there's neon signs and there are crowds. | 0:18:50 | 0:18:54 | |
I've arrived in the capital, and I've arrived in the 21st century. | 0:18:54 | 0:18:59 | |
Although I've reached here on a glorious midsummer's evening, | 0:19:06 | 0:19:09 | |
it's as bright as midday! | 0:19:09 | 0:19:10 | |
I'm staying at the legendary Hotel National. | 0:19:15 | 0:19:18 | |
Built in 1902, it's advertised in my Bradshaw's, | 0:19:19 | 0:19:23 | |
and the views are enough to amaze any visitor. | 0:19:23 | 0:19:25 | |
Well, the hotel is wonderfully near the Kremlin. | 0:19:28 | 0:19:32 | |
In fact, the Kremlin was badly damaged during | 0:19:32 | 0:19:35 | |
the October revolution of 1917. | 0:19:35 | 0:19:37 | |
And this hotel became home of the first Soviet government, | 0:19:37 | 0:19:41 | |
and this very room, number 107, was allocated to Lenin. | 0:19:41 | 0:19:46 | |
I'm hoping for not too many revolutions in my night's sleep. | 0:19:49 | 0:19:52 | |
Thank you. | 0:19:59 | 0:20:01 | |
Today, I'm heading to the centre where, my Bradshaw's says, | 0:20:08 | 0:20:11 | |
"On a hill at the centre of the city, associated with much | 0:20:11 | 0:20:14 | |
"that is held in deepest reverence by Russians, | 0:20:14 | 0:20:17 | |
"the Kremlin is an assembly of churches, arsenals, barracks, | 0:20:17 | 0:20:21 | |
"monuments enclosed in a brick wall about a mile and half in circuit." | 0:20:21 | 0:20:26 | |
When I was a child, I used to see television pictures of this square, | 0:20:29 | 0:20:32 | |
with all the tanks and the rocket launchers in the annual parade. | 0:20:32 | 0:20:37 | |
And in those days we had nuclear weapons on a hair trigger | 0:20:37 | 0:20:42 | |
pointed at this very place, pointed at the Kremlin. | 0:20:42 | 0:20:45 | |
I never believed that in my lifetime I would be able to come here | 0:20:45 | 0:20:49 | |
in peace as a tourist, and it's so exciting. | 0:20:49 | 0:20:53 | |
Since the collapse of the Soviet Union in 1991, | 0:20:59 | 0:21:03 | |
Russia's economy has benefited from a substantial tourist industry. | 0:21:03 | 0:21:07 | |
Did you ever dream that you'd be able to come to Moscow as a tourist? | 0:21:14 | 0:21:18 | |
-No. -Moscow was a different world altogether. | 0:21:18 | 0:21:21 | |
It was miles away, never dreamt we would ever be able to get there. | 0:21:21 | 0:21:25 | |
It was the Iron Curtain. | 0:21:25 | 0:21:27 | |
How does it feel now that the Iron Curtain has fallen | 0:21:27 | 0:21:29 | |
-and you're here in freedom? -Wonderful. Absolutely wonderful. | 0:21:29 | 0:21:32 | |
It excites me to linger in front of | 0:21:37 | 0:21:39 | |
some of Russia's most iconic edifices. | 0:21:39 | 0:21:42 | |
I find these buildings awe-inspiring today. | 0:21:43 | 0:21:47 | |
Imagine how Russians must have felt 100 years ago | 0:21:47 | 0:21:51 | |
as the family of Tsar Nicholas II, | 0:21:51 | 0:21:54 | |
the Romanov dynasty celebrated three centuries of untrammelled power. | 0:21:54 | 0:22:00 | |
In 1913, thousands of Russians and tourists alike journeyed to Moscow | 0:22:04 | 0:22:10 | |
to mark the royal family's tercentenary year. | 0:22:10 | 0:22:13 | |
I'm at the Belorussky Station, to meet historian | 0:22:15 | 0:22:18 | |
Professor Oleg Budnitskii. | 0:22:18 | 0:22:20 | |
What was the scene here at the Belorussky Station in Moscow, | 0:22:23 | 0:22:28 | |
May, 1913, when the royal family visited? | 0:22:28 | 0:22:31 | |
The royal family arrived to the station | 0:22:31 | 0:22:35 | |
and a huge crowd of people were here at the square. | 0:22:35 | 0:22:39 | |
Emperor Nicholas II took a horse. | 0:22:42 | 0:22:44 | |
Empress, Queen Alexandra and their children took a carriage | 0:22:44 | 0:22:49 | |
and they proceeded up Tverskaya Street to the Kremlin. | 0:22:49 | 0:22:52 | |
Everyone greeted the royal family. It was a great day for Moscow. | 0:22:52 | 0:22:56 | |
It was a great celebration. | 0:22:56 | 0:22:58 | |
-This was a very big event for Moscow. -Yeah, of course. | 0:22:58 | 0:23:01 | |
Because, you know, the Romanovs came from Moscow. | 0:23:03 | 0:23:06 | |
The two-week-long imperial progress wound through the country by river | 0:23:08 | 0:23:12 | |
and rail taking in key sites associated with the dynasty's past. | 0:23:12 | 0:23:17 | |
All over the Russia people came to watch in their thousands. | 0:23:17 | 0:23:21 | |
These large crowds, did they feel affectionate towards the Tsar? | 0:23:21 | 0:23:27 | |
Yes, of course. They really loved the royal family. | 0:23:27 | 0:23:32 | |
They admired the royal family. People were really religious. | 0:23:32 | 0:23:36 | |
I believe the great majority of Russians were monarchists. | 0:23:36 | 0:23:39 | |
They suppose that the emperor is their father | 0:23:39 | 0:23:42 | |
who is taking care of them. | 0:23:42 | 0:23:44 | |
The royal family sincerely considered... | 0:23:44 | 0:23:48 | |
themselves as some kind of... | 0:23:48 | 0:23:53 | |
parents to their people. | 0:23:53 | 0:23:56 | |
With the benefit of hindsight, it's tempting to assume that | 0:23:56 | 0:23:59 | |
the Russian royal family must have been unpopular before the Great War. | 0:23:59 | 0:24:03 | |
Apparently in a deferential and religious Russia they were not. | 0:24:03 | 0:24:07 | |
I'm now leaving the royal route and what better way to get to | 0:24:12 | 0:24:16 | |
the heart of a city than by riding on its underground. | 0:24:16 | 0:24:19 | |
The Moscow metro is built on a scale that bewilders me as a Londoner. | 0:24:22 | 0:24:26 | |
With immensely long escalators and enormous ticket halls. | 0:24:26 | 0:24:32 | |
Chandeliers and mosaics and frescoes and columns and marble upon marble. | 0:24:32 | 0:24:40 | |
Plans for an underground were first conceived in 1902 | 0:24:44 | 0:24:48 | |
and envisaged 16km of tunnels. | 0:24:48 | 0:24:51 | |
But the outbreak of the First World War delayed it, | 0:24:51 | 0:24:54 | |
and it wasn't until 1935 that | 0:24:54 | 0:24:57 | |
the first trains rumbled beneath Moscow's streets. | 0:24:57 | 0:25:00 | |
It now serves nine million people a day across 186 stations. | 0:25:10 | 0:25:15 | |
Michael Portillo. | 0:25:28 | 0:25:30 | |
I'm getting off to explore one of the capital's oldest districts, | 0:25:47 | 0:25:50 | |
old Arbat Street. | 0:25:50 | 0:25:52 | |
Edwardian tourists would have come here to soak up the atmosphere | 0:26:00 | 0:26:03 | |
and visit the famous market. | 0:26:03 | 0:26:05 | |
Well, I am a little peckish. | 0:26:06 | 0:26:08 | |
THEY SPEAK RUSSIAN | 0:26:10 | 0:26:14 | |
That was definitely shopping in the dark. | 0:26:20 | 0:26:22 | |
All I know is that it's typical and Russian, it's soft... Oh! | 0:26:22 | 0:26:26 | |
Mm, it's a ginger biscuit and it's very good. | 0:26:28 | 0:26:32 | |
For the evening ahead, I'm following my guidebook to one of the world's | 0:26:37 | 0:26:42 | |
most famous cultural landmarks. | 0:26:42 | 0:26:44 | |
As Bradshaw says, | 0:26:47 | 0:26:48 | |
"The Bolshoi Theatre is one of the largest | 0:26:48 | 0:26:51 | |
"and handsomest theatres in Europe and will hold 400 spectators." | 0:26:51 | 0:26:56 | |
And for an opera and ballet lover like me, | 0:26:56 | 0:26:59 | |
it is a thrill even to enter beneath its columned, hallowed portico. | 0:26:59 | 0:27:05 | |
A theatre has stood on this site since the 18th century, | 0:27:14 | 0:27:18 | |
established under the British director Michael Maddox. | 0:27:18 | 0:27:21 | |
Today's Bolshoi, meaning the Big Theatre, | 0:27:21 | 0:27:24 | |
was built in 1856. | 0:27:24 | 0:27:27 | |
It survived two major fires | 0:27:27 | 0:27:29 | |
and several reconstructions, and by the time of my guidebook | 0:27:29 | 0:27:32 | |
housed one of the most famous companies in the world. | 0:27:32 | 0:27:35 | |
I'm very excited as tonight, | 0:27:37 | 0:27:39 | |
I'm allowed a rare glimpse behind the scenes. | 0:27:39 | 0:27:42 | |
One of Russia's most performed operas, Boris Godunov, | 0:27:56 | 0:27:59 | |
is being staged. | 0:27:59 | 0:28:01 | |
HE SPEAKS RUSSIAN | 0:28:05 | 0:28:08 | |
But this isn't quite what I had in mind. | 0:28:08 | 0:28:10 | |
It's quite a small brush, you know. | 0:28:12 | 0:28:14 | |
I think this is the Bolshoi's version of being sent to Siberia. | 0:28:18 | 0:28:22 | |
Dispatched to clean the stage with a tiny brush. | 0:28:23 | 0:28:26 | |
And only a few minutes before the performance. | 0:28:26 | 0:28:29 | |
Happily, it seems that my work has paid off as I'm allowed into | 0:28:33 | 0:28:37 | |
the theatre's inner sanctum. | 0:28:37 | 0:28:39 | |
Here we can see the audience entering the auditorium. | 0:28:40 | 0:28:43 | |
Here we have a view of the orchestra. | 0:28:43 | 0:28:46 | |
This is the control tower. This is where everything is managed from. | 0:28:46 | 0:28:51 | |
A backstage team of 250 facilitates each performance, | 0:28:52 | 0:28:57 | |
and tonight I'm one of them. | 0:28:57 | 0:28:59 | |
BELL RINGS | 0:28:59 | 0:29:02 | |
Ladies and gentlemen, performance for the first act. | 0:29:05 | 0:29:08 | |
Please be so kind as to take your places onstage. | 0:29:08 | 0:29:12 | |
MAN TRANSLATES IN RUSSIAN | 0:29:13 | 0:29:17 | |
That's what I meant to say. | 0:29:21 | 0:29:23 | |
Written around 1870, the opera deals with themes of Tsarist conflict | 0:30:01 | 0:30:06 | |
and the roles of church and state. | 0:30:06 | 0:30:09 | |
It's around four hours long and the music is certainly rousing. | 0:30:09 | 0:30:13 | |
APPLAUSE | 0:30:48 | 0:30:49 | |
A new day dawns on my Russian adventure, and after a decadent | 0:30:56 | 0:31:01 | |
traditional breakfast of caviar and champagne... | 0:31:01 | 0:31:04 | |
..there's another famous custom that I shouldn't miss. | 0:31:05 | 0:31:08 | |
The Russian bath. | 0:31:08 | 0:31:09 | |
Yuri Burtorin has worked at Moscow's famous Sanduny public baths | 0:31:14 | 0:31:18 | |
for over ten years. | 0:31:18 | 0:31:20 | |
Yuri, this is the most exquisite interior. | 0:31:23 | 0:31:26 | |
It's like a gothic banqueting hall or something. | 0:31:26 | 0:31:30 | |
Is the bath a very important part of Russian life? | 0:31:30 | 0:31:33 | |
It's not like an important part of Russian, | 0:31:33 | 0:31:36 | |
it's an integral part of Russian life because everybody goes to banya. | 0:31:36 | 0:31:40 | |
From his childhood to his becoming old man. | 0:31:40 | 0:31:45 | |
What I'm saying that, among the old world and European people, | 0:31:45 | 0:31:49 | |
-the Russians were the most clean in the world. -Really? | 0:31:49 | 0:31:52 | |
-They had that reputation? -Yes, of course. | 0:31:52 | 0:31:55 | |
You remember the plague that raged in all of Europe? Historians say | 0:31:55 | 0:32:00 | |
the plague stopped on the borders where the banyas were built. | 0:32:00 | 0:32:04 | |
The banyas have always played an important role in Russian | 0:32:05 | 0:32:09 | |
social life and are still used today to meet friends and to gossip. | 0:32:09 | 0:32:13 | |
In banya, there is no difference whether you are rich man or poor man. | 0:32:14 | 0:32:18 | |
You get undressed, | 0:32:18 | 0:32:20 | |
nobody sees that you a general or a carpenter. | 0:32:20 | 0:32:24 | |
So time to take off the clothes that distinguish us as rich or poor, | 0:32:24 | 0:32:28 | |
where do I change? | 0:32:28 | 0:32:29 | |
-Choose any cabin you like. -Thank you. | 0:32:29 | 0:32:31 | |
The Sanduny public baths opened in 1806, | 0:32:33 | 0:32:36 | |
although the building I'm in today was remodelled in 1896. | 0:32:36 | 0:32:41 | |
At Russia's oldest public baths | 0:32:41 | 0:32:43 | |
one must adhere strictly to Russian bathing tradition. | 0:32:43 | 0:32:46 | |
So, Yuri, I've got my mini skirt, like you, and I've got my toga. | 0:32:48 | 0:32:53 | |
I'm a bit worried about my hat. | 0:32:53 | 0:32:55 | |
There are several ways to wear the hat. | 0:32:55 | 0:32:58 | |
This is the most common one, it's called rookie style. | 0:33:00 | 0:33:03 | |
Another way is to turn it into the Robin Hood. | 0:33:05 | 0:33:10 | |
Why do we wear a hat? | 0:33:15 | 0:33:16 | |
The hat is used to prevent your head from overheating | 0:33:16 | 0:33:20 | |
whilst inside the steam room. | 0:33:20 | 0:33:22 | |
My head may be protected, | 0:33:24 | 0:33:25 | |
but I'm more concerned about the rest of me. | 0:33:25 | 0:33:28 | |
Ah! | 0:33:32 | 0:33:34 | |
Ah! | 0:33:38 | 0:33:40 | |
Ah! | 0:33:45 | 0:33:47 | |
The birch sticks are supposed to open my pores. | 0:33:47 | 0:33:49 | |
Which then should be closed again with a dose of cold water. | 0:33:56 | 0:34:00 | |
Next, it's time for a thorough rub down. | 0:34:07 | 0:34:09 | |
-You're going to wash me? -Yes, of course. | 0:34:11 | 0:34:13 | |
This is very friendly. | 0:34:14 | 0:34:16 | |
We'll teach you, British man, how to wash. | 0:34:16 | 0:34:19 | |
Well, I don't think there are any scaly bits of skin left now. | 0:34:23 | 0:34:28 | |
I wonder whether George Bradshaw | 0:34:28 | 0:34:30 | |
went to such lengths in his investigations? | 0:34:30 | 0:34:33 | |
You might have warned me! | 0:34:35 | 0:34:36 | |
YURI CHUCKLES | 0:34:36 | 0:34:38 | |
After being scrubbed, pummelled and beaten... | 0:34:40 | 0:34:43 | |
..one final rinse and I'm ready. | 0:34:44 | 0:34:46 | |
At last, as clean as a Russian. | 0:34:51 | 0:34:54 | |
My time in Moscow is up | 0:34:59 | 0:35:01 | |
and I'm following my vintage guidebook on to my next destination. | 0:35:01 | 0:35:05 | |
Passengers bound for North Russia have been travelling through | 0:35:11 | 0:35:14 | |
Leningradsky Station, | 0:35:14 | 0:35:16 | |
or St Petersburg Station as it was known, since 1851. | 0:35:16 | 0:35:20 | |
I'm following my Bradshaw's to St Petersburg, | 0:35:26 | 0:35:29 | |
but the vehicle is not one any Edwardian tourist would recognise. | 0:35:29 | 0:35:33 | |
Well, this train was not exactly my image of Russia. | 0:35:38 | 0:35:41 | |
A magnificent new high speed train of the sort that run in France, | 0:35:41 | 0:35:45 | |
in Italy and in Germany. This is going to be fun. | 0:35:45 | 0:35:48 | |
The sleek Sapsan trains have been running since 2009. | 0:35:56 | 0:36:01 | |
Rail tracks don't look very different today from a century ago, | 0:36:01 | 0:36:04 | |
but the trains are unrecognisable. | 0:36:04 | 0:36:07 | |
We're now cruising along at 200kph. | 0:36:09 | 0:36:12 | |
CHATTERING IN ITALIAN | 0:36:14 | 0:36:15 | |
Italian? | 0:36:15 | 0:36:17 | |
THEY SPEAK ITALIAN | 0:36:17 | 0:36:19 | |
This is the Italian carriage. Ciao. | 0:36:19 | 0:36:22 | |
THEY SPEAK ITALIAN | 0:36:22 | 0:36:27 | |
Wow. This isn't like being in Russia at all. | 0:36:27 | 0:36:30 | |
THEY SPEAK ITALIAN | 0:36:30 | 0:36:32 | |
Chance encounters with travellers are one of the joys of any journey. | 0:36:40 | 0:36:44 | |
But I've arranged a meeting to learn how the railways shaped Russia | 0:36:46 | 0:36:49 | |
in the 19th century from rail historian Sergei Dorozhkov. | 0:36:49 | 0:36:54 | |
-Hello, Sergei. -Hello. -Good to see you. -Glad to meet you. | 0:36:54 | 0:36:59 | |
I am trying to imagine what the vast Russian empire before railways. | 0:36:59 | 0:37:04 | |
How was it run? How was it governed? | 0:37:04 | 0:37:07 | |
Actually, it wasn't. The situation was catastrophic. | 0:37:07 | 0:37:11 | |
Imagine that Russia is about 6,000 miles from end to end, | 0:37:11 | 0:37:19 | |
and even for mail, for post, it was impossible to reach | 0:37:19 | 0:37:25 | |
Vladivostok from St Petersburg, so everything was very difficult | 0:37:25 | 0:37:29 | |
and everything depended on transportation. | 0:37:29 | 0:37:31 | |
Before the railways, bad roads made trade inside Russia difficult. | 0:37:33 | 0:37:37 | |
Those who worked the land did so for subsistence, | 0:37:38 | 0:37:42 | |
making them vulnerable to crop failure and drought. | 0:37:42 | 0:37:46 | |
Russia lagged behind industrialised Europe. | 0:37:46 | 0:37:49 | |
So the route between Moscow and St Petersburg, when was that built? | 0:37:49 | 0:37:53 | |
The railways from St Petersburg to Moscow was | 0:37:53 | 0:37:56 | |
the first serious railway, | 0:37:56 | 0:37:58 | |
designed primarily for freight traffic and this became | 0:37:58 | 0:38:02 | |
the longest double track railway in the world when it was built in 1851. | 0:38:02 | 0:38:08 | |
But in extreme temperatures and over such distances, | 0:38:12 | 0:38:16 | |
railway building in Russia took decades longer | 0:38:16 | 0:38:19 | |
than other industrialised nations. | 0:38:19 | 0:38:22 | |
I think of Russia now as being covered in railways. | 0:38:22 | 0:38:24 | |
The great railway journeys of the world occur in Russia. | 0:38:24 | 0:38:27 | |
When did all that happen? | 0:38:27 | 0:38:29 | |
The full-scale boom came only in 1890s | 0:38:29 | 0:38:33 | |
when much effort was given to construction of | 0:38:33 | 0:38:36 | |
the Trans-Siberian Railway | 0:38:36 | 0:38:38 | |
and when all Russia was covered with railways. | 0:38:38 | 0:38:42 | |
The impact was great in every point, | 0:38:42 | 0:38:45 | |
it became possible to really rule the country. | 0:38:45 | 0:38:48 | |
The turning point came with new finance minister Sergei Witte. | 0:38:50 | 0:38:54 | |
Between 1892 and 1903, he orchestrated an intense period | 0:38:54 | 0:39:00 | |
of industrialisation and railway construction. | 0:39:00 | 0:39:03 | |
By 1904, the Trans-Siberian linked Moscow to Vladivostok. | 0:39:03 | 0:39:07 | |
As the political tensions in Europe grew, was there an impetus | 0:39:10 | 0:39:14 | |
in Russia to build more railways for strategic reasons? | 0:39:14 | 0:39:17 | |
Yes, in early 20th century | 0:39:17 | 0:39:20 | |
Russia began to build strategic routes towards the borders. | 0:39:20 | 0:39:26 | |
But we didn't do that in time. | 0:39:26 | 0:39:29 | |
When the Great War came to Russia, | 0:39:29 | 0:39:32 | |
Russian transport and railways were not fully prepared. | 0:39:32 | 0:39:38 | |
A lack of standard gauge and poor connections cost the army | 0:39:40 | 0:39:43 | |
crucial defeats as it failed to move troops and supplies quickly enough. | 0:39:43 | 0:39:48 | |
But today, Russia's vast railway network | 0:39:48 | 0:39:51 | |
includes some modernised lines. | 0:39:51 | 0:39:54 | |
A journey that took around 15 hours at the time of my guidebook | 0:39:54 | 0:39:57 | |
now takes less than four. | 0:39:57 | 0:39:59 | |
I'll soon be arriving in St Petersburg. | 0:40:06 | 0:40:08 | |
Bradshaw's tells me it has a population of 1.9 million, | 0:40:08 | 0:40:12 | |
considerably bigger than Moscow at the time. | 0:40:12 | 0:40:15 | |
"The splendid looking metropolis of the Russian empire is | 0:40:15 | 0:40:18 | |
"situated on the river Neva. | 0:40:18 | 0:40:21 | |
"The dead flat upon which the city stands was a morass, | 0:40:21 | 0:40:25 | |
"Occupied by a few fishermen's huts | 0:40:25 | 0:40:28 | |
"when Peter the Great began to build in 1703 a small hut for himself." | 0:40:28 | 0:40:34 | |
The traveller in 1913 could reflect that the Romanov dynasty | 0:40:34 | 0:40:38 | |
had foundations stretching back over three centuries. | 0:40:38 | 0:40:43 | |
But perhaps it was built on boggy ground. | 0:40:43 | 0:40:46 | |
At the turn of the 20th century, | 0:40:50 | 0:40:52 | |
St Petersburg was the capital of Russia, | 0:40:52 | 0:40:54 | |
but it was moved to Moscow in 1918. | 0:40:54 | 0:40:58 | |
Known by turns as Sankt Petersburg, Petrograd, Leningrad | 0:40:58 | 0:41:02 | |
and St Petersburg again, | 0:41:02 | 0:41:04 | |
in 1913, from this city the entire Russian empire was ruled. | 0:41:04 | 0:41:09 | |
British tourists following my guidebook | 0:41:15 | 0:41:17 | |
would have found a thriving and not entirely unfamiliar place, | 0:41:17 | 0:41:21 | |
this was known as Russia's most western city. | 0:41:21 | 0:41:24 | |
Bradshaw's has a beautifully illustrated advertisement | 0:41:29 | 0:41:32 | |
for the Grand Hotel d'Europe. | 0:41:32 | 0:41:34 | |
I suspect that the name would have reassured | 0:41:34 | 0:41:36 | |
travellers from the Western part of the continent that they | 0:41:36 | 0:41:39 | |
weren't after all coming to anywhere too foreign. | 0:41:39 | 0:41:41 | |
Apparently it has, "Perfect English sanitary arrangements." | 0:41:41 | 0:41:46 | |
It looks now as much as it did, | 0:41:46 | 0:41:48 | |
but I suspect that it's been restored because after all | 0:41:48 | 0:41:51 | |
Leningrad was massively destroyed during World War II. | 0:41:51 | 0:41:54 | |
But I'm hoping that the welcome will be as warm as in 1913. | 0:41:54 | 0:41:58 | |
Dmitri Shostakovich, George Bernard Shaw and Elton John | 0:42:02 | 0:42:07 | |
have all stayed here. | 0:42:07 | 0:42:10 | |
I join an illustrious company for a good night's rest | 0:42:10 | 0:42:13 | |
before exploring St Petersburg tomorrow. | 0:42:13 | 0:42:16 | |
Just a short walk from the hotel is an area attractive to | 0:42:39 | 0:42:43 | |
Edwardian tourists following my guide and to modern travellers too. | 0:42:43 | 0:42:47 | |
Bradshaw says, "From the east of the gardens in front of | 0:42:48 | 0:42:52 | |
"the Admiralty Tower the great Nevsky Prospekt runs off." | 0:42:52 | 0:42:56 | |
A magnificent thoroughfare crowded with sights and it leads us | 0:42:56 | 0:43:00 | |
towards the river Neva and the port. | 0:43:00 | 0:43:03 | |
On the way to the port is the spectacular Winter Palace, | 0:43:10 | 0:43:14 | |
which was the royal family's home for almost 200 years. | 0:43:14 | 0:43:18 | |
Bradshaw tells me, it's also home to the Hermitage Museum | 0:43:19 | 0:43:22 | |
with around 2,000 paintings. | 0:43:22 | 0:43:25 | |
Today, the collection numbers more than three million works of art. | 0:43:26 | 0:43:30 | |
But now to orientate myself, I'm bound for the river. | 0:43:32 | 0:43:36 | |
As I think the best way to explore this city is not on foot... | 0:43:36 | 0:43:40 | |
..but by boat | 0:43:41 | 0:43:42 | |
Few people more deserve the title The Great than Peter | 0:43:52 | 0:43:56 | |
who in a generation after he became Tsar at the end of the 17th century | 0:43:56 | 0:44:00 | |
changed Russia. In particular he modernised it, | 0:44:00 | 0:44:04 | |
having spent quite a long time studying abroad | 0:44:04 | 0:44:08 | |
including a period in Holland, | 0:44:08 | 0:44:11 | |
which led him to found this city St Petersburg based on Amsterdam, | 0:44:11 | 0:44:16 | |
with its lovely canals bisecting the buildings. | 0:44:16 | 0:44:23 | |
Now built on 42 islands. | 0:44:23 | 0:44:25 | |
And St Petersburg, with its magnificent port, | 0:44:25 | 0:44:29 | |
opened Russia to the world. | 0:44:29 | 0:44:31 | |
Peter was the first Tsar to expose Russia to Europe. | 0:44:38 | 0:44:42 | |
St Petersburg's position on the Baltic | 0:44:42 | 0:44:44 | |
provided the perfect gateway. | 0:44:44 | 0:44:47 | |
Fittingly, I'm here on Navy Day, | 0:45:00 | 0:45:02 | |
which marks St Petersburg's long maritime history. | 0:45:02 | 0:45:05 | |
St Petersburg may have been known as the country's European city, | 0:45:24 | 0:45:28 | |
but I want to experience something truly Russian. | 0:45:28 | 0:45:31 | |
I'm heading to the 19th century Nikolaevsky Palace. | 0:45:33 | 0:45:37 | |
Please, sir. Please, sir. This way. | 0:45:41 | 0:45:45 | |
Good start. | 0:45:52 | 0:45:54 | |
LIVELY MUSIC PLAYS | 0:45:57 | 0:45:59 | |
Traditional Russian folk music was popular with tourists 100 years ago, | 0:46:02 | 0:46:07 | |
and still delights the crowds today. | 0:46:07 | 0:46:09 | |
The dances feature Russian characters, | 0:46:17 | 0:46:20 | |
from Cossacks to peasant women. | 0:46:20 | 0:46:22 | |
The music and steps date back to the 18th century. | 0:46:23 | 0:46:26 | |
It seems that audience participation is a must. | 0:46:34 | 0:46:38 | |
The Kadril is a very courteous couples' dance | 0:46:43 | 0:46:46 | |
and, luckily for me, | 0:46:46 | 0:46:48 | |
it's also supposed to be funny! | 0:46:48 | 0:46:51 | |
LAUGHTER | 0:46:57 | 0:46:59 | |
Oop! | 0:47:01 | 0:47:03 | |
CHEERING | 0:47:13 | 0:47:16 | |
It's my final day in Russia | 0:47:31 | 0:47:33 | |
and I'm following my guidebook out of the city. | 0:47:33 | 0:47:36 | |
I'm on my way now to the number one excursion from St Petersburg, | 0:47:41 | 0:47:45 | |
recommend in my Bradshaw's Guide, | 0:47:45 | 0:47:48 | |
towards a pleasant town | 0:47:48 | 0:47:50 | |
where there are two palaces, several churches, hospitals, | 0:47:50 | 0:47:53 | |
benevolent institutions, barracks | 0:47:53 | 0:47:55 | |
and, in the wide streets, many villas. | 0:47:55 | 0:47:58 | |
I'm going towards the so called Tsar's Village - Tsarskoye Selo. | 0:47:58 | 0:48:03 | |
I'm meeting guide Tatyana Alexeyeva. | 0:48:10 | 0:48:13 | |
It was from here that Russia's first ever train departed in 1837, | 0:48:14 | 0:48:18 | |
carrying day-trippers and sightseers to the royal summer destination | 0:48:18 | 0:48:23 | |
of Tsarskoye Selo. | 0:48:23 | 0:48:25 | |
This is the most superb railway station. | 0:48:30 | 0:48:32 | |
But why music in a railway station? | 0:48:32 | 0:48:35 | |
Because when the first railway was built in 1837, | 0:48:35 | 0:48:39 | |
people were afraid to take the train - they thought it was too fast. | 0:48:39 | 0:48:42 | |
So the concerts were organised first to attract people | 0:48:42 | 0:48:46 | |
and to entertain people and then they were invited to take the train. | 0:48:46 | 0:48:50 | |
Many famous musicians performed there, and Johann Strauss | 0:48:50 | 0:48:54 | |
performed for five seasons in the concert hall of Pavlovsk. | 0:48:54 | 0:48:58 | |
This station was remodelled in 1902, | 0:49:03 | 0:49:06 | |
and by the turn of the 20th century, | 0:49:06 | 0:49:09 | |
the railways had become a part of everyday life for many. | 0:49:09 | 0:49:13 | |
Around 1913, would Tsar Nicholas II and his family | 0:49:32 | 0:49:36 | |
-have been going backwards and forwards by train? -Yes, that's true. | 0:49:36 | 0:49:40 | |
In the 19th century, the tracks were used by everybody | 0:49:40 | 0:49:44 | |
but at the end of the 19th century, | 0:49:44 | 0:49:46 | |
a special third track was built for Nicholas II and his family, | 0:49:46 | 0:49:51 | |
and they had their own train to go from Saint Petersburg | 0:49:51 | 0:49:54 | |
to the summer residence, to Tsarskoye Selo. | 0:49:54 | 0:49:57 | |
By 1913 the royal family was regularly using the railway | 0:50:09 | 0:50:12 | |
to escape to the calm welcome retreat of the Tsar's Village. | 0:50:12 | 0:50:17 | |
And tourists would take the train to admire their palaces. | 0:50:17 | 0:50:21 | |
Did Tsar Nicholas II and his family make a lot of use of this palace? | 0:50:28 | 0:50:32 | |
Yes. Originally this was just a summer residence, | 0:50:32 | 0:50:36 | |
but in 1904, Nicholas II and the family moved to Alexander Palace | 0:50:36 | 0:50:41 | |
and it became their home residence for 12 years. | 0:50:41 | 0:50:44 | |
Why did they like it so much? | 0:50:44 | 0:50:47 | |
You know, the family, they had four girls | 0:50:47 | 0:50:49 | |
and they were waiting for the boy, and finally the boy was born | 0:50:49 | 0:50:54 | |
but it turned out that the boy had haemophilia. | 0:50:54 | 0:50:57 | |
Which was kept in secret. | 0:50:57 | 0:50:59 | |
So the family decided to move away from the city. | 0:50:59 | 0:51:03 | |
The family's move was highly controversial, | 0:51:06 | 0:51:09 | |
not just because they sought the seclusion of their Alexander Palace, | 0:51:09 | 0:51:13 | |
but because there was a new addition to their inner circle - | 0:51:13 | 0:51:16 | |
Grigori Rasputin. | 0:51:16 | 0:51:19 | |
He had a talent of hypnosis, so he had a talent to stop bleeding. | 0:51:19 | 0:51:24 | |
That's why Rasputin was invited to the Russian court, | 0:51:24 | 0:51:28 | |
to the royal family, | 0:51:28 | 0:51:31 | |
as he was kind of the only person who could save the heir of the throne. | 0:51:31 | 0:51:36 | |
Despite his healing abilities, Rasputin, a Siberian holy man, | 0:51:36 | 0:51:41 | |
was known as a hard-drinking womaniser. | 0:51:41 | 0:51:45 | |
His less-than-holy reputation did the Romanovs no favours. | 0:51:45 | 0:51:48 | |
The royal family was always like a sacred family in Russia. | 0:51:50 | 0:51:54 | |
On the other hand, most people couldn't understand why | 0:51:54 | 0:51:57 | |
Rasputin had such strong influence on the royal family. | 0:51:57 | 0:52:00 | |
But there were people in the court who really praised him | 0:52:00 | 0:52:03 | |
because he was kind of a magic person. | 0:52:03 | 0:52:06 | |
He was a healer, he had talent over influencing people. | 0:52:06 | 0:52:11 | |
While the Tsar and Tsarina tried to protect their family here, | 0:52:17 | 0:52:21 | |
St Petersburg was seething with grievances. | 0:52:21 | 0:52:24 | |
Just months after the Tsar left the city, | 0:52:24 | 0:52:27 | |
tensions in the capital produced an explosion. | 0:52:27 | 0:52:30 | |
Back in St Petersburg, I'm meeting former BBC Moscow Correspondent, | 0:52:53 | 0:52:57 | |
Martin Sixsmith, at the Winter Palace. | 0:52:57 | 0:53:00 | |
I want to understand more about events that were so recent | 0:53:00 | 0:53:03 | |
for tourists following my guidebook. | 0:53:03 | 0:53:05 | |
Martin, people talk about a revolution in 1905, what happened? | 0:53:10 | 0:53:13 | |
Well, it wasn't a revolution in the classical sense that it resulted in | 0:53:13 | 0:53:17 | |
a change in the people in power, cos the Tsar stayed in power, | 0:53:17 | 0:53:21 | |
but it was are a wake up call for Tsar Nicholas II | 0:53:21 | 0:53:24 | |
that things were not well in his empire. | 0:53:24 | 0:53:27 | |
What were the events? | 0:53:27 | 0:53:29 | |
Russia had industrialised over the previous couple of decades, | 0:53:29 | 0:53:32 | |
the railways had spread industry across the Russian empire, | 0:53:32 | 0:53:35 | |
and the result of that was that there was a build-up of proletarian workers | 0:53:35 | 0:53:39 | |
in the big cities like St Petersburg. | 0:53:39 | 0:53:42 | |
On the 9th January 1905, hundreds of unarmed workers, | 0:53:42 | 0:53:46 | |
protesting for better conditions, were shot by Tsarist troops. | 0:53:46 | 0:53:50 | |
The event, recreated for cinema in the Soviet Era, | 0:53:50 | 0:53:54 | |
became known as Bloody Sunday, | 0:53:54 | 0:53:56 | |
sparking months of strikes and civil unrest. | 0:53:56 | 0:53:58 | |
That was a real turning point | 0:54:00 | 0:54:02 | |
because most Russians had supported the Tsar. | 0:54:02 | 0:54:05 | |
But then they started to think, | 0:54:05 | 0:54:07 | |
"If he's actually meeting us with bullets and with troops, | 0:54:07 | 0:54:10 | |
"then perhaps he's not the right person to be ruling this country." | 0:54:10 | 0:54:13 | |
-So 1905 puts some writing on the wall. -It undoubtedly did. | 0:54:13 | 0:54:17 | |
Over the next 12 years, Nicholas failed to implement change. | 0:54:19 | 0:54:24 | |
After 1914, Russia was locked into a costly war with Germany. | 0:54:24 | 0:54:29 | |
By 1917, reformers sought the Tsar's abdication. | 0:54:29 | 0:54:33 | |
He's away at the Front. | 0:54:33 | 0:54:35 | |
He's commanding the Russian forces in the First World War | 0:54:35 | 0:54:37 | |
and he's getting all these terrible messages about things falling apart, | 0:54:37 | 0:54:41 | |
violence on the streets, people protesting, demanding his abdication. | 0:54:41 | 0:54:45 | |
And he seems incredibly calm about this. | 0:54:45 | 0:54:48 | |
And he just doesn't grasp the seriousness of the situation. | 0:54:48 | 0:54:52 | |
But eventually he has to face it? | 0:54:52 | 0:54:54 | |
He does, because a delegation from parliament comes out to meet him. | 0:54:54 | 0:54:57 | |
He is convinced to get a train back from the Front back to Petrograd. | 0:54:57 | 0:55:02 | |
And the Tsar argues and he argues and eventually they convince him | 0:55:02 | 0:55:05 | |
that he has to go. | 0:55:05 | 0:55:07 | |
And on the 3rd March he signs the abdication announcement | 0:55:07 | 0:55:10 | |
and that's the end of 300 years of the Romanov dynasty, | 0:55:10 | 0:55:15 | |
300 years coming to the end in a provincial railway siding. | 0:55:15 | 0:55:18 | |
Germany allowed Lenin to cross its territory in a sealed train, | 0:55:18 | 0:55:23 | |
like a Revolutionary virus, from Switzerland to St Petersburg. | 0:55:23 | 0:55:28 | |
In October, his Bolshevik revolutionaries | 0:55:28 | 0:55:31 | |
entered the Winter Palace in order to depose the provisional government | 0:55:31 | 0:55:36 | |
led by Alexander Kerensky. | 0:55:36 | 0:55:38 | |
This plaque is presumably commemorating that event? | 0:55:39 | 0:55:42 | |
Well, yes, it's a Soviet Era plaque and it says, | 0:55:42 | 0:55:44 | |
"In memory of the storming of the Winter Palace | 0:55:44 | 0:55:47 | |
"by the Revolutionary workers, soldiers and sailors, | 0:55:47 | 0:55:51 | |
"this staircase which opened their way into the palace | 0:55:51 | 0:55:55 | |
"is now called the October Staircase." | 0:55:55 | 0:55:59 | |
This is the Tsar's small dining room and eventually, | 0:56:04 | 0:56:07 | |
around two o'clock in the morning, | 0:56:07 | 0:56:10 | |
the Russians who had wandered into the Winter Palace ended up in here, | 0:56:10 | 0:56:14 | |
and around this table - much to their surprise - | 0:56:14 | 0:56:17 | |
they found about a dozen ministers of the provisional government | 0:56:17 | 0:56:21 | |
sitting here, scribbling notes on the table, looking at each other, | 0:56:21 | 0:56:24 | |
looking rather dejected. | 0:56:24 | 0:56:26 | |
What happened to those ministers? | 0:56:28 | 0:56:30 | |
Well, a sorry fate, as they were all - barring one - | 0:56:30 | 0:56:34 | |
either executed or died in prison. | 0:56:34 | 0:56:37 | |
But their leader, Alexander Kerensky, | 0:56:37 | 0:56:39 | |
managed to escape. He went first to Paris and then to America | 0:56:39 | 0:56:43 | |
and he lived to the ripe old age of 89, | 0:56:43 | 0:56:45 | |
and he died in New York city in 1970. | 0:56:45 | 0:56:48 | |
A very different fate for him. | 0:56:48 | 0:56:50 | |
As the Revolutionaries took over the country, | 0:56:56 | 0:56:58 | |
Nicholas appealed to his cousin, British King George V, | 0:56:58 | 0:57:02 | |
for his family's asylum. | 0:57:02 | 0:57:05 | |
Fearing that revolution might spread to Britain, George refused. | 0:57:05 | 0:57:09 | |
In July 1918, the entire imperial family was murdered | 0:57:09 | 0:57:14 | |
by its Bolshevik guards while under house arrest in Yekaterinburg. | 0:57:14 | 0:57:20 | |
The royal dynasty was snuffed out | 0:57:20 | 0:57:22 | |
and the long Communist chapter in Russia's history had begun. | 0:57:22 | 0:57:26 | |
This excursion has taken me from Tolstoy, | 0:57:27 | 0:57:30 | |
who died in a railway station, | 0:57:30 | 0:57:32 | |
to Tsar Nicholas II, who abdicated in a railway siding. | 0:57:32 | 0:57:37 | |
In 1913, nothing in Bradshaw's | 0:57:37 | 0:57:40 | |
suggested the imminent First World War | 0:57:40 | 0:57:43 | |
nor the murder of the Romanov royal family. | 0:57:43 | 0:57:47 | |
Russia was then plunged into civil war, purges and liquidations. | 0:57:47 | 0:57:52 | |
No train journey in history has had deeper consequences than that | 0:57:52 | 0:57:56 | |
that brought Lenin to St Petersburg in 1917. | 0:57:56 | 0:58:01 | |
I feel I have explored a new Russia. | 0:58:01 | 0:58:05 | |
I've had many surprises, | 0:58:05 | 0:58:07 | |
received a warm welcome, | 0:58:07 | 0:58:09 | |
and had fun. | 0:58:09 | 0:58:11 | |
'Next time, I'm exploring Italy's deep south. | 0:58:17 | 0:58:20 | |
'I'll venture into the mighty Vesuvius...' | 0:58:20 | 0:58:23 | |
I don't want to be nervous | 0:58:23 | 0:58:24 | |
but I can't help noticing that there's a lot of vapour. | 0:58:24 | 0:58:27 | |
'..learn about the true art of pizza...' | 0:58:27 | 0:58:29 | |
-Do you know Picasso? -I do know Picasso. | 0:58:29 | 0:58:32 | |
You make Picasso, please. | 0:58:32 | 0:58:34 | |
'..confront death and destruction in Messina...' | 0:58:34 | 0:58:37 | |
Modern estimates reckon that perhaps 60,000 or 80,000 were killed. | 0:58:37 | 0:58:41 | |
'..and be all at sea on my train...' | 0:58:41 | 0:58:44 | |
Quite alarming that we're actually sailing | 0:58:44 | 0:58:46 | |
while the bow door is still coming down. | 0:58:46 | 0:58:48 | |
'..before taking my own Roman holiday.' | 0:58:48 | 0:58:51 | |
HE SPEAKS ITALIAN | 0:58:51 | 0:58:53 |