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I'm embarking on a new railway adventure | 0:00:04 | 0:00:07 | |
that will take me beyond Europe. | 0:00:07 | 0:00:09 | |
I'll be using this, | 0:00:11 | 0:00:12 | |
my Bradshaw's Continental Railway Guide dated 1913 | 0:00:12 | 0:00:17 | |
which opened up an exotic world of foreign travel | 0:00:17 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:22 | |
It told travellers where to go, what to see, | 0:00:22 | 0:00:25 | |
and how to navigate the thousands of miles of tracks | 0:00:25 | 0:00:29 | |
crisscrossing the Continent. | 0:00:29 | 0:00:31 | |
Now, a century later, I'm using my copy to understand | 0:00:31 | 0:00:35 | |
how the great powers of Europe shaped lives and lands | 0:00:35 | 0:00:38 | |
outside their continent. | 0:00:38 | 0:00:40 | |
I want to rediscover those places and people before their way of life | 0:00:44 | 0:00:49 | |
was transformed forever by the advent of war. | 0:00:49 | 0:00:52 | |
My journey begins in modern-day Israel. | 0:01:08 | 0:01:12 | |
This, 100 years ago, | 0:01:12 | 0:01:13 | |
was known as Palestine or the Holy Land. | 0:01:13 | 0:01:17 | |
It was home to the prophet Abraham and to Jesus Christ | 0:01:17 | 0:01:21 | |
and the city of Jerusalem in particular | 0:01:21 | 0:01:23 | |
is revered by Jews and Christians and Muslims, | 0:01:23 | 0:01:27 | |
and whether you live in the Americas or Europe, | 0:01:27 | 0:01:30 | |
vast swathes of Africa, the Middle East, | 0:01:30 | 0:01:32 | |
or even Australasia, | 0:01:32 | 0:01:34 | |
here, you may find your cultural roots | 0:01:34 | 0:01:37 | |
and like the traveller of a century ago, | 0:01:37 | 0:01:40 | |
I feel the thrill of arriving at a spiritual home. | 0:01:40 | 0:01:44 | |
I'll be following my Bradshaw's to the port of Haifa, | 0:01:49 | 0:01:52 | |
before heading south to Tel Aviv and Jaffa. | 0:01:52 | 0:01:56 | |
From there, I'll travel to Jerusalem where I'll cross the barrier | 0:01:56 | 0:02:00 | |
which now separates Israel | 0:02:00 | 0:02:01 | |
from the Palestinian territory of the West Bank, | 0:02:01 | 0:02:04 | |
on my way to Bethlehem. | 0:02:04 | 0:02:06 | |
I'll then follow my guide to the Dead Sea, | 0:02:06 | 0:02:08 | |
before heading south to Be'er Sheva and the Negev Desert, | 0:02:08 | 0:02:11 | |
where my journey ends. | 0:02:11 | 0:02:13 | |
In Jerusalem, I'll visit the holy sites... | 0:02:17 | 0:02:20 | |
'..discover how the Holy Land left a mark on British royals...' | 0:02:24 | 0:02:28 | |
-You're telling me that British kings were tattooed? -Yes. | 0:02:28 | 0:02:32 | |
..and follow in the footsteps of a celebrated British hero. | 0:02:37 | 0:02:40 | |
And up we go! | 0:02:42 | 0:02:43 | |
Wow. What sort of targets does TE Lawrence select? | 0:02:44 | 0:02:47 | |
He blows up substantial sections of the Hejaz Railway. | 0:02:47 | 0:02:52 | |
Travellers following my guidebook in 1913 | 0:03:04 | 0:03:07 | |
arrived on the Western fringes of an empire | 0:03:07 | 0:03:09 | |
which once stretched from Eastern Europe | 0:03:09 | 0:03:11 | |
and the Balkans to the Middle East and North Africa. | 0:03:11 | 0:03:15 | |
But since the closing decades of the 19th century, | 0:03:15 | 0:03:18 | |
Britain, France and Russia had regarded the Ottoman Empire | 0:03:18 | 0:03:22 | |
as the sick man of Europe, | 0:03:22 | 0:03:24 | |
and it occupied a region vital to their own imperial interests. | 0:03:24 | 0:03:28 | |
My first stop will be the city of Haifa, | 0:03:30 | 0:03:33 | |
which Bradshaw's describes as "pleasantly situated | 0:03:33 | 0:03:36 | |
"at the base of Mount Carmel | 0:03:36 | 0:03:37 | |
"on the south side of the Bay of Acre. | 0:03:37 | 0:03:40 | |
"The mount is frequently mentioned in the Bible | 0:03:40 | 0:03:42 | |
"and has always been held in reverence." | 0:03:42 | 0:03:45 | |
But 100 years ago, | 0:03:45 | 0:03:47 | |
the pilgrims were being joined by modern-day tourists - | 0:03:47 | 0:03:51 | |
people drawn not so much by the Torah or the Bible or the Koran | 0:03:51 | 0:03:56 | |
as by a much more modern sort of book. | 0:03:56 | 0:03:59 | |
At the turn of the 20th century, | 0:04:07 | 0:04:09 | |
Palestine and the port of Haifa were developing rapidly. | 0:04:09 | 0:04:13 | |
As the Ottoman Empire foundered, immigrants from Russia | 0:04:13 | 0:04:16 | |
and the western European powers established new enclaves. | 0:04:16 | 0:04:20 | |
They brought with them innovations | 0:04:27 | 0:04:29 | |
such as the telegraph and the railways, | 0:04:29 | 0:04:32 | |
which made travel to the Holy Land easier and encouraged tourism. | 0:04:32 | 0:04:36 | |
I get the impression from my Bradshaw's guide | 0:04:43 | 0:04:45 | |
that travelling to the Holy Land at the beginning of the 20th century | 0:04:45 | 0:04:48 | |
was regarded as quite an adventure. | 0:04:48 | 0:04:50 | |
It's recorded that there are no direct ships from Europe, | 0:04:50 | 0:04:53 | |
you have to change in Egypt | 0:04:53 | 0:04:54 | |
and then Bradshaw's says that some of the holy sites | 0:04:54 | 0:04:57 | |
are spoilt by the tawdriness of the surroundings | 0:04:57 | 0:05:00 | |
as though the guide book expected the shrines | 0:05:00 | 0:05:03 | |
to be kept in a pristine state, | 0:05:03 | 0:05:05 | |
not appreciating that actually, they exist | 0:05:05 | 0:05:08 | |
in a country which is hot and vibrant. | 0:05:08 | 0:05:11 | |
When travellers following my 1913 guide reached Haifa, | 0:05:18 | 0:05:21 | |
they would have been intrigued by a new landmark on the slopes | 0:05:21 | 0:05:25 | |
of Mount Carmel - a new faith had been established here | 0:05:25 | 0:05:29 | |
and today, its spiritual heart attracts | 0:05:29 | 0:05:32 | |
half a million visitors a year. | 0:05:32 | 0:05:33 | |
In modern Haifa, the most spectacular religious shrine | 0:05:39 | 0:05:43 | |
belongs to the Baha'is, a sect who share | 0:05:43 | 0:05:47 | |
with Islam, Christianity and Judaism a belief in one god. | 0:05:47 | 0:05:52 | |
The shrine is a modern reconstruction of the 1909 original. | 0:06:01 | 0:06:06 | |
It houses the remains of the faith's founder, Siyyid Ali-Muhammad, | 0:06:06 | 0:06:09 | |
also known as the Bab, who died in 1850. | 0:06:09 | 0:06:13 | |
In the years before my guide was published, | 0:06:18 | 0:06:21 | |
the Baha'i faith was also spreading to Britain. | 0:06:21 | 0:06:24 | |
An artist from Bath called Ethel Rosenberg converted in 1899. | 0:06:24 | 0:06:29 | |
'The religion now has around five million followers worldwide, | 0:06:32 | 0:06:36 | |
'many of whom come here on pilgrimages and some to volunteer.' | 0:06:36 | 0:06:39 | |
-Hello. -Hi. -Hi. | 0:06:43 | 0:06:45 | |
Can I give you a hand with the dead heading? | 0:06:45 | 0:06:47 | |
-Of course you can. -Of course. -Thank you. | 0:06:47 | 0:06:49 | |
Have you any idea how many volunteers you are | 0:06:52 | 0:06:54 | |
and how many countries you come from? | 0:06:54 | 0:06:56 | |
Rose is from Kenya. I'm from the United States. | 0:06:56 | 0:06:59 | |
I have a friend here from Australia and New Zealand. | 0:06:59 | 0:07:04 | |
There's people from Canada, from the United Kingdom. | 0:07:04 | 0:07:06 | |
Think of any country, you name it, the Baha'is have a presence there. | 0:07:06 | 0:07:10 | |
This is famously a country which has been beset | 0:07:10 | 0:07:13 | |
by political problems and conflicts | 0:07:13 | 0:07:15 | |
but do you feel that in Haifa, there's quite a feeling between | 0:07:15 | 0:07:18 | |
the different religions, different faiths? | 0:07:18 | 0:07:20 | |
There is. I really feel like this is a really welcoming place | 0:07:20 | 0:07:24 | |
to anybody who comes here. | 0:07:24 | 0:07:25 | |
The major faiths are all present in Haifa, | 0:07:31 | 0:07:34 | |
which is one of the most successfully mixed cities in Israel | 0:07:34 | 0:07:38 | |
and the only one in which the buses run on the Sabbath. | 0:07:38 | 0:07:41 | |
By the early 20th century, | 0:07:44 | 0:07:45 | |
travellers were pilgrim tourists, | 0:07:45 | 0:07:47 | |
visiting the religious sites as part of a modern-style holiday. | 0:07:47 | 0:07:52 | |
Interested not just in the shrines, but also the sounds, | 0:07:52 | 0:07:55 | |
the smells, and of course, the food. | 0:07:55 | 0:07:58 | |
-Hello! -Hi, Michael. | 0:07:59 | 0:08:01 | |
I see that falafel is your speciality. | 0:08:01 | 0:08:04 | |
-Yeah. -What is falafel? Chickpeas? | 0:08:04 | 0:08:07 | |
Yeah, it's made of chickpeas and parsley and a lot of herbs | 0:08:07 | 0:08:13 | |
and lot of love as well. | 0:08:13 | 0:08:15 | |
I can't believe how skilfully he's putting them | 0:08:15 | 0:08:18 | |
into those little cups and then just dropping them into the boiling fat. | 0:08:18 | 0:08:22 | |
He's done it over, like, 40 years. | 0:08:22 | 0:08:25 | |
These spicy fritters are a typical Middle Eastern fast food | 0:08:26 | 0:08:30 | |
and recipes may be handed down through generations. | 0:08:30 | 0:08:33 | |
So, Michel, what's the technique? Let me see. | 0:08:33 | 0:08:35 | |
-Just fill that up. -Yeah, then push it out. -And then push it out. | 0:08:35 | 0:08:39 | |
Well, that looks simple enough. | 0:08:39 | 0:08:42 | |
You have to turn it around with the other hand. | 0:08:42 | 0:08:45 | |
-A little. -OK. | 0:08:45 | 0:08:47 | |
-Is that looking good? -That's good. | 0:08:47 | 0:08:50 | |
And a bit lower to the fryer. Yay! And in it goes. | 0:08:50 | 0:08:53 | |
I think you can be in our staff so we'll put you on the shift next week. | 0:08:53 | 0:08:57 | |
I think you'd get a lot of complaints. | 0:08:57 | 0:09:00 | |
The falafels should be eaten piping hot with plenty of sauce. | 0:09:06 | 0:09:10 | |
-Thank you, Michel. -Welcome. | 0:09:13 | 0:09:14 | |
So, here we are - falafel with this sesame seed sauce. | 0:09:14 | 0:09:19 | |
With the sesame sauce. It's called tahina in Arabic. Tahina. | 0:09:19 | 0:09:23 | |
The best tahina comes from the West Bank. | 0:09:23 | 0:09:26 | |
Crispy. Mm! Delicious! So spicy. Superb. | 0:09:27 | 0:09:34 | |
Thank you, Michael. | 0:09:34 | 0:09:35 | |
If the sights and smells of Haifa seem exotic to me now, | 0:09:46 | 0:09:50 | |
imagine the impact on early-20th-century Britons. | 0:09:50 | 0:09:53 | |
New railway lines were opening up the region | 0:09:54 | 0:09:57 | |
making trade and travel for Europeans | 0:09:57 | 0:10:00 | |
practical, safe and affordable. | 0:10:00 | 0:10:02 | |
I'm meeting the manager of Israel's Railway Museum, Chen Melling | 0:10:03 | 0:10:07 | |
at Haifa's original station built in 1903. | 0:10:07 | 0:10:10 | |
-Hello, Chen. -Hi, Michael. Nice to meet you. -Great to see you. | 0:10:14 | 0:10:17 | |
And what a superb setting with the original Haifa station | 0:10:17 | 0:10:21 | |
and then all this rolling stock, current and, of course, historic. | 0:10:21 | 0:10:25 | |
What line was this original Haifa station on? | 0:10:25 | 0:10:29 | |
The station was built for the Hejaz railway's branch to Haifa. | 0:10:29 | 0:10:32 | |
While the line was built as a branch, it eventually turned out | 0:10:32 | 0:10:35 | |
to be the most important part of the system, | 0:10:35 | 0:10:38 | |
both in its operations and income | 0:10:38 | 0:10:41 | |
as well in its impact on the local surroundings. | 0:10:41 | 0:10:44 | |
Begun by the Ottomans in 1903, | 0:10:46 | 0:10:49 | |
the Jezreel Valley branch line | 0:10:49 | 0:10:50 | |
gave access to the sea | 0:10:50 | 0:10:52 | |
from the Hejaz Railway | 0:10:52 | 0:10:54 | |
which ran between Damascus and the holy city of Medina | 0:10:54 | 0:10:57 | |
in present-day Saudi Arabia. | 0:10:57 | 0:10:59 | |
When the Hejaz Railway was built, | 0:11:01 | 0:11:02 | |
was it one of many lines in the Holy Land? | 0:11:02 | 0:11:04 | |
Actually, it was only the second, | 0:11:04 | 0:11:06 | |
the first one being the Jaffa-Jerusalem railway | 0:11:06 | 0:11:09 | |
which served the Jewish and Christian pilgrims | 0:11:09 | 0:11:12 | |
going to Jerusalem. | 0:11:12 | 0:11:13 | |
This is similar to the Hejaz Railway's publicised purpose | 0:11:13 | 0:11:16 | |
of serving the Muslims going on pilgrimage | 0:11:16 | 0:11:19 | |
to Mecca and Medina in the Hejaz. | 0:11:19 | 0:11:21 | |
But as the railway network grew, so too did British nervousness | 0:11:21 | 0:11:25 | |
that Turkish troops could use it | 0:11:25 | 0:11:27 | |
to threaten Egypt, India, and the Suez Canal. | 0:11:27 | 0:11:30 | |
The British were worried about the Hejaz Railway | 0:11:30 | 0:11:32 | |
even during construction. | 0:11:32 | 0:11:34 | |
They almost came to an open war between the British and the Turkish | 0:11:34 | 0:11:37 | |
around 1906 when the Turkish planned a construction | 0:11:37 | 0:11:40 | |
of a branch from the main line to Aqaba Bay. | 0:11:40 | 0:11:42 | |
This was never built due to the British opposition to it. | 0:11:42 | 0:11:46 | |
Although that extension was prevented, | 0:11:46 | 0:11:48 | |
the Jezreel Valley branch ran until the 1950s. | 0:11:48 | 0:11:51 | |
Today, there's hope that trains will travel along this section once more. | 0:11:52 | 0:11:57 | |
Now a new line is being built roughly along the same route | 0:11:58 | 0:12:01 | |
which would serve the new and old towns along the edges of the valley. | 0:12:01 | 0:12:06 | |
The railway is now a major part of economic life here. | 0:12:06 | 0:12:09 | |
And how does a railway enthusiast like you feel about that? | 0:12:09 | 0:12:11 | |
It's utter joy for me. | 0:12:11 | 0:12:13 | |
In the last 25 years, it's a complete change. | 0:12:13 | 0:12:15 | |
The railways were a source of high tension at the time of my guidebook. | 0:12:19 | 0:12:23 | |
Today, there are other reminders of the region's ongoing conflicts. | 0:12:25 | 0:12:29 | |
I'm following my guide book along the coast, bound 50 miles south. | 0:12:36 | 0:12:40 | |
My next stop, Tel Aviv, doesn't get a mention in my Bradshaw's guide | 0:12:41 | 0:12:45 | |
because it was founded only in 1909 to the north of the port of Jaffa. | 0:12:45 | 0:12:51 | |
But at the beginning of the 20th century, | 0:12:51 | 0:12:53 | |
the numbers were swelled by Jewish refugees | 0:12:53 | 0:12:56 | |
escaping persecution across Europe | 0:12:56 | 0:12:59 | |
who swelled the growing city of Tel Aviv. | 0:12:59 | 0:13:02 | |
Is it OK? Would you like my book? | 0:13:06 | 0:13:09 | |
Six railway lines bring passengers | 0:13:17 | 0:13:19 | |
to Tel Aviv from all over the country. | 0:13:19 | 0:13:22 | |
With large commercial and technological districts, | 0:13:22 | 0:13:25 | |
the city that was embryonic at the time of my guide | 0:13:25 | 0:13:28 | |
is now Israel's metropolis. | 0:13:28 | 0:13:30 | |
From reading Bradshaw's, you'd imagine | 0:13:35 | 0:13:37 | |
that the Holy Land consisted of narrow streets | 0:13:37 | 0:13:40 | |
winding between ancient synagogues and Christian churches and mosques. | 0:13:40 | 0:13:45 | |
None of that would prepare you for Tel Aviv | 0:13:45 | 0:13:49 | |
with its high-rise buildings | 0:13:49 | 0:13:51 | |
and its railways threaded down the centre of modern highways. | 0:13:51 | 0:13:56 | |
It's a kind of blueprint for the city of the future. | 0:13:56 | 0:14:00 | |
Today, Tel Aviv has a reputation as a party town | 0:14:09 | 0:14:13 | |
with a large international community and a vibrant beach-side nightlife. | 0:14:13 | 0:14:17 | |
So I head for the shore. | 0:14:19 | 0:14:20 | |
-Hello, guys. -Hello. -Are you having fun? -Yeah. | 0:14:26 | 0:14:30 | |
-Are you from Tel Aviv? -No. -Not originally. | 0:14:30 | 0:14:33 | |
-I mean, now, we are. -Now you are? What? You're immigrants? | 0:14:33 | 0:14:37 | |
Yeah. From the States, from France. | 0:14:37 | 0:14:39 | |
Tel Aviv appears to be the Israeli city where you have fun. | 0:14:39 | 0:14:42 | |
-Is that right? -Yeah. It's like an oasis. -I'd say so. | 0:14:42 | 0:14:45 | |
There's this expression that you pray in Jerusalem | 0:14:45 | 0:14:47 | |
and you work in Haifa and you have fun in Tel Aviv. Is that right? | 0:14:47 | 0:14:50 | |
-I think people... -That's a way to summarise it. | 0:14:50 | 0:14:53 | |
-People here work. -Yeah. -Did you just call us lazy? | 0:14:53 | 0:14:56 | |
Sometimes. We're actually on the job right now. | 0:14:56 | 0:14:59 | |
We are paid beach-dwellers. | 0:14:59 | 0:15:00 | |
Actually, they say that the nightlife here | 0:15:04 | 0:15:06 | |
doesn't get going really until about 1:00am | 0:15:06 | 0:15:09 | |
but I've got a busy day tomorrow | 0:15:09 | 0:15:10 | |
so for me, it's an early night, into bed with a good book. | 0:15:10 | 0:15:15 | |
In all of my travels, | 0:15:32 | 0:15:34 | |
I can't remember waking up in such a young city. | 0:15:34 | 0:15:37 | |
I want to find out how Tel Aviv grew out of the old sea port of Jaffa. | 0:15:38 | 0:15:42 | |
I'm meeting Tomer Chelouche | 0:15:44 | 0:15:45 | |
at the monument to the city's founders, his ancestors. | 0:15:45 | 0:15:49 | |
Tomer, if I understand correctly, | 0:15:51 | 0:15:53 | |
your great grandfather was one of the founders of Tel Aviv. | 0:15:53 | 0:15:56 | |
-Tell me about that. -That's right. | 0:15:56 | 0:15:58 | |
The Chelouche family was one of the first founders of Tel Aviv. | 0:15:58 | 0:16:03 | |
The story starts 170 years ago | 0:16:03 | 0:16:06 | |
when they came here from Northern Africa. | 0:16:06 | 0:16:08 | |
They took part in the construction | 0:16:08 | 0:16:09 | |
of the first Jewish city in the world - Tel Aviv. | 0:16:09 | 0:16:13 | |
Tomer's family came to the Holy Land in the 1840s. | 0:16:15 | 0:16:18 | |
40 years later, Jews fleeing anti-Semitic riots and massacres, | 0:16:18 | 0:16:22 | |
called pogroms, in Russia and Eastern Europe | 0:16:22 | 0:16:25 | |
began to arrive in a wave of immigration | 0:16:25 | 0:16:28 | |
known as the First Aliyah. | 0:16:28 | 0:16:30 | |
The ancient Biblical name for the Jewish homeland is Zion, | 0:16:31 | 0:16:35 | |
and from 1897, the idea of creating a Jewish national home in Palestine | 0:16:35 | 0:16:41 | |
spawned a political movement known as Zionism. | 0:16:41 | 0:16:44 | |
It grew strongly at the turn of the 20th century | 0:16:46 | 0:16:48 | |
as further European pogroms | 0:16:48 | 0:16:50 | |
propelled a second wave of Jewish refugees | 0:16:50 | 0:16:54 | |
towards these shores. | 0:16:54 | 0:16:55 | |
Their first new city was Tel Aviv. | 0:16:56 | 0:16:59 | |
It was founded in 1909. Tell me how it happened. | 0:17:01 | 0:17:03 | |
It's a magnificent story. | 0:17:03 | 0:17:05 | |
60 Jewish families bought a huge lot of land | 0:17:05 | 0:17:08 | |
which they parcelled out between them in a lottery. | 0:17:08 | 0:17:11 | |
They took 120 sea shells. | 0:17:11 | 0:17:15 | |
Each family drew two sea shells | 0:17:15 | 0:17:18 | |
and eventually, they parcelled out the land between them. | 0:17:18 | 0:17:22 | |
And you can see that already in 1949, when they constructed this monument, | 0:17:22 | 0:17:28 | |
they were thinking about the dream | 0:17:28 | 0:17:29 | |
that this city will become eventually | 0:17:29 | 0:17:32 | |
the city of skyscrapers here in Israel. | 0:17:32 | 0:17:34 | |
The dream has come true. | 0:17:34 | 0:17:36 | |
Successive migrations of hundreds of thousands of Jews | 0:17:39 | 0:17:42 | |
were to cause unrest and discontent among the native Arab community. | 0:17:42 | 0:17:47 | |
And as the Jewish population grew, | 0:17:49 | 0:17:51 | |
so a momentous cultural shift began to take place in the Holy Land. | 0:17:51 | 0:17:55 | |
This beautiful square is named after Hayim Nahman Bialik, | 0:17:57 | 0:18:01 | |
the national poet of Israel. | 0:18:01 | 0:18:03 | |
A century ago, he gave the Jewish people | 0:18:03 | 0:18:06 | |
both their rhyme and their reason. | 0:18:06 | 0:18:08 | |
Bialik, a Ukrainian Jew born in 1873, | 0:18:11 | 0:18:14 | |
helped to establish modern Hebrew | 0:18:14 | 0:18:16 | |
as the national language | 0:18:16 | 0:18:18 | |
and is revered today as the Israeli Shakespeare. | 0:18:18 | 0:18:22 | |
Hello, Ayelet. I'm Michael. | 0:18:22 | 0:18:23 | |
'Ayelet Shlonsky | 0:18:23 | 0:18:24 | |
'is curator of the museum at the poet's Tel Aviv home.' | 0:18:24 | 0:18:28 | |
First of all, the house - complete surprise to me. | 0:18:28 | 0:18:31 | |
I did not expect anything as colourful as this. | 0:18:31 | 0:18:34 | |
What does it tell us about Bialik? | 0:18:34 | 0:18:36 | |
Bialik was the architect of the Hebraic culture. | 0:18:36 | 0:18:41 | |
He helps to create institutions such as the Tel Aviv Museum, | 0:18:41 | 0:18:47 | |
the Hebraic University, | 0:18:47 | 0:18:49 | |
Israeli Opera. | 0:18:49 | 0:18:50 | |
Creating a new national language was seen as crucial to unite | 0:18:53 | 0:18:57 | |
the diverse European Jewish populations arriving in Palestine. | 0:18:57 | 0:19:01 | |
It also heightened awareness | 0:19:03 | 0:19:04 | |
of the pogroms taking place across Eastern Europe. | 0:19:04 | 0:19:07 | |
His big creation was actually to go | 0:19:09 | 0:19:13 | |
and write about the Kishinev pogrom, 1903. | 0:19:13 | 0:19:18 | |
Synagogues are being burnt and people are being killed | 0:19:18 | 0:19:23 | |
and he blames the Jewish people not to do anything about the pogrom. | 0:19:23 | 0:19:29 | |
We cannot just sit quiet when other people | 0:19:29 | 0:19:33 | |
create pogroms against us. | 0:19:33 | 0:19:36 | |
Bialik's work is so important to Jewish culture | 0:19:39 | 0:19:42 | |
that studying it is compulsory for children in Israeli schools. | 0:19:42 | 0:19:46 | |
Well, the house also has a very, very beautiful archive. | 0:19:48 | 0:19:51 | |
And this, then, I assume is his poetry, is it? | 0:19:52 | 0:19:55 | |
Yes, this for example, | 0:19:55 | 0:19:57 | |
is a poet about his own source of inspiration. | 0:19:57 | 0:20:03 | |
Hm. The struggle of the poet. | 0:20:03 | 0:20:05 | |
Mm-hm. And it says... | 0:20:05 | 0:20:06 | |
SHE SPEAKS IN HEBREW | 0:20:06 | 0:20:10 | |
Let me read the English translation. | 0:20:18 | 0:20:20 | |
"I didn't win light in a wind fall, | 0:20:22 | 0:20:24 | |
"nor by deed of a father's will | 0:20:24 | 0:20:27 | |
"I hewed my light from granite, I quarried my heart." | 0:20:27 | 0:20:31 | |
Wow, beautiful in Hebrew, beautiful in English. | 0:20:31 | 0:20:34 | |
Yes. Bialik was a beautiful man, you know. | 0:20:34 | 0:20:36 | |
In 1913, the newly established city of Tel Aviv | 0:20:45 | 0:20:50 | |
and cultural leaders like Bialik | 0:20:50 | 0:20:52 | |
were laying the foundations for a new Jewish state. | 0:20:52 | 0:20:55 | |
Following more than two decades of chronic unrest | 0:20:58 | 0:21:01 | |
between native Arabs and Jewish immigrants | 0:21:01 | 0:21:03 | |
and the deaths of hundreds of British military peacekeepers, | 0:21:03 | 0:21:07 | |
the State of Israel was proclaimed in 1948. | 0:21:07 | 0:21:10 | |
The need to provide a home for hundreds of thousands | 0:21:14 | 0:21:17 | |
of Jewish refugees after the Holocaust | 0:21:17 | 0:21:20 | |
added to the political pressures. | 0:21:20 | 0:21:22 | |
Hundreds of thousands of Arabs were displaced | 0:21:23 | 0:21:27 | |
and Palestinians today still remember that as the Catastrophe. | 0:21:27 | 0:21:31 | |
Their demand to return to their former homes | 0:21:32 | 0:21:35 | |
continues to be fiercely debated. | 0:21:35 | 0:21:37 | |
But tourists following my Bradshaw's in 1913 | 0:21:41 | 0:21:44 | |
could not have foreseen | 0:21:44 | 0:21:46 | |
the intensity and scale of the conflict that was to unfold. | 0:21:46 | 0:21:50 | |
So, from Tell Aviv, the new gateway to Israel, | 0:22:05 | 0:22:09 | |
towards Jaffa, the old gateway to the Holy Land, | 0:22:09 | 0:22:12 | |
from one hub to another, there's only one way to go - by bicycle. | 0:22:12 | 0:22:17 | |
For Edwardian tourists bound for Jerusalem, | 0:22:19 | 0:22:21 | |
Jaffa would have been the first port of call. | 0:22:21 | 0:22:24 | |
The Eastern Mediterranean is so beautiful. | 0:22:25 | 0:22:27 | |
This is the way to travel... | 0:22:27 | 0:22:29 | |
..if you can't go by train, of course. | 0:22:31 | 0:22:33 | |
So this is Jaffa. | 0:22:48 | 0:22:50 | |
Bradshaw's tells me, | 0:22:50 | 0:22:51 | |
"that travellers usually enter the country at Jaffa. | 0:22:51 | 0:22:54 | |
"The quickest routes from Europe are via Alexandria or Port Said." | 0:22:54 | 0:22:58 | |
But long before I knew Jaffa to be a city in Israel, | 0:23:00 | 0:23:04 | |
it was known for something else, famous, actually, around the globe. | 0:23:04 | 0:23:08 | |
In the late 19th century, Jaffa oranges were big business. | 0:23:12 | 0:23:16 | |
By 1870, 38 million were dispatched to Europe each year. | 0:23:16 | 0:23:21 | |
I'm meeting former exporter Yoram Weinberg. | 0:23:23 | 0:23:26 | |
Many people made a living out of this business. | 0:23:28 | 0:23:32 | |
There was the grower, the picker, the exporter. | 0:23:32 | 0:23:34 | |
Everybody was happy and this business went up and up and up. | 0:23:34 | 0:23:39 | |
How did the oranges reach the port? | 0:23:39 | 0:23:42 | |
There were the convoys of camels | 0:23:42 | 0:23:44 | |
coming toward the road with the oranges. | 0:23:44 | 0:23:47 | |
There was a train here on a special, very narrow rail. | 0:23:47 | 0:23:54 | |
Hundreds of boats coming and going loaded with oranges | 0:23:54 | 0:23:58 | |
or with people, people going and coming from the ships. | 0:23:58 | 0:24:03 | |
Exports rose steadily, particularly to Britain... | 0:24:04 | 0:24:07 | |
..and trade was boosted by the railway. | 0:24:08 | 0:24:10 | |
Would I be right to think that while the oranges | 0:24:12 | 0:24:15 | |
are leaving the port of Jaffa, immigrants are coming in? | 0:24:15 | 0:24:18 | |
This country was a country of pilgrims. | 0:24:18 | 0:24:20 | |
There was a good train network here, so many pilgrims came | 0:24:20 | 0:24:24 | |
and the immigrants always came through the port of Jaffa | 0:24:24 | 0:24:27 | |
because this is the only entrance. | 0:24:27 | 0:24:30 | |
Today, the once-Arab port is home to both Arabs and Jews. | 0:24:30 | 0:24:35 | |
Unfortunately, this port disappeared. | 0:24:37 | 0:24:40 | |
We don't see the activities of port. | 0:24:40 | 0:24:43 | |
There are some fishermen here but no more business in this port. | 0:24:43 | 0:24:49 | |
This is Old Jaffa Station, | 0:25:06 | 0:25:09 | |
built as part of the first railway line constructed in the Holy Land | 0:25:09 | 0:25:12 | |
at the end of the 19th century | 0:25:12 | 0:25:14 | |
to take pilgrims from the port of Jaffa to the holy places. | 0:25:14 | 0:25:18 | |
For the site of Solomon's temple, | 0:25:18 | 0:25:21 | |
for Calvary where Christ was crucified, | 0:25:21 | 0:25:24 | |
for the mosque of the golden Dome of the Rock, this was the gateway. | 0:25:24 | 0:25:29 | |
In Bradshaw's day, the train ran from Jaffa to Jerusalem. | 0:25:34 | 0:25:38 | |
Today, it leaves from Tel Aviv. | 0:25:39 | 0:25:41 | |
I'm travelling on the older of two lines | 0:25:54 | 0:25:57 | |
that existed at the time of my guidebook... | 0:25:57 | 0:25:59 | |
..sharing the journey with railway historian Tony Travis. | 0:26:04 | 0:26:08 | |
-Hello, Tony. -Hello, Michael. | 0:26:08 | 0:26:11 | |
I join you for a great scenic railway journey. | 0:26:11 | 0:26:14 | |
Jaffa to Jerusalem was the first railway line built in the Holy Land. | 0:26:14 | 0:26:17 | |
-Was it difficult economically and physically? -Yes, both. | 0:26:17 | 0:26:21 | |
Economically because it was necessary to get a permit | 0:26:21 | 0:26:24 | |
called a firman from the sultan in Constantinople. | 0:26:24 | 0:26:28 | |
Eventually, a young Jewish entrepreneur from Jerusalem | 0:26:28 | 0:26:32 | |
called Joseph Navon | 0:26:32 | 0:26:34 | |
managed, in 1888, to obtain a permit but he couldn't raise any money | 0:26:34 | 0:26:39 | |
so in the end, he sold the rights to the railway | 0:26:39 | 0:26:43 | |
to some Catholics in Paris. | 0:26:43 | 0:26:45 | |
Opened in 1892, the French-built line | 0:26:46 | 0:26:49 | |
was then the largest civil engineering project | 0:26:49 | 0:26:52 | |
undertaken in the Holy Land. | 0:26:52 | 0:26:53 | |
Traversing the mountains and winding through the valleys of Judaea, | 0:26:55 | 0:26:59 | |
the 54-mile line crossed iron bridges | 0:26:59 | 0:27:01 | |
designed by Gustave Eiffel in France. | 0:27:01 | 0:27:04 | |
Who was the line really built for? | 0:27:06 | 0:27:08 | |
For pilgrims and tourists. | 0:27:08 | 0:27:10 | |
In particular, they wished to visit the holy places, | 0:27:10 | 0:27:13 | |
particularly Jerusalem. | 0:27:13 | 0:27:15 | |
Tourism had grown tremendously from the mid-1850s. | 0:27:15 | 0:27:20 | |
For example, Thomas Cook & Sons | 0:27:20 | 0:27:22 | |
opened up the Holy Land to travellers from Egypt in 1869. | 0:27:22 | 0:27:27 | |
Thereafter, many thousands travelled here | 0:27:27 | 0:27:30 | |
and then by 1913, there were 40,000 trips on the railway | 0:27:30 | 0:27:35 | |
by tourists and pilgrims. | 0:27:35 | 0:27:37 | |
Europeans were keen tourists, | 0:27:38 | 0:27:40 | |
and their rulers took a political interest in the region | 0:27:40 | 0:27:43 | |
as it began to modernise, | 0:27:43 | 0:27:45 | |
at the same time as the Ottoman Empire that ruled it | 0:27:45 | 0:27:47 | |
continued to weaken. | 0:27:47 | 0:27:49 | |
During the 1890s, the Ottoman Empire was very close to the German Empire. | 0:27:52 | 0:27:57 | |
There was a great deal of trade between them | 0:27:57 | 0:28:01 | |
and I think the British, like the French and other European nations, | 0:28:01 | 0:28:06 | |
were very concerned. | 0:28:06 | 0:28:08 | |
There was a great deal of competition | 0:28:08 | 0:28:10 | |
between the European nations | 0:28:10 | 0:28:12 | |
to make their presence known here | 0:28:12 | 0:28:15 | |
and this is seen still to this day. | 0:28:15 | 0:28:17 | |
For millennia, Jerusalem has been a centre point | 0:28:31 | 0:28:34 | |
for Jews, Christians, and Muslims. | 0:28:34 | 0:28:37 | |
Since the Middle Ages, the old city has been divided | 0:28:37 | 0:28:40 | |
into the religious quarters that we find here today. | 0:28:40 | 0:28:43 | |
"Jerusalem," says Bradshaw's, "is an irregular square | 0:28:58 | 0:29:01 | |
"enclosed within walls 38.5 feet high and 2.5 miles in length." | 0:29:01 | 0:29:07 | |
And there's a sketch map to the quarters of the city. | 0:29:07 | 0:29:10 | |
I remember a map from the 13th century | 0:29:10 | 0:29:13 | |
which I saw in England's Hereford Cathedral. | 0:29:13 | 0:29:16 | |
It shows Jerusalem massive in the middle | 0:29:16 | 0:29:20 | |
and the cities of London and Paris and Rome are small | 0:29:20 | 0:29:24 | |
and dotted all around because then, in 13th-century Christendom, | 0:29:24 | 0:29:28 | |
religion was at heart of everything. | 0:29:28 | 0:29:32 | |
Today, in the 21st century, religion is at the heart of everything | 0:29:32 | 0:29:36 | |
still for millions of people | 0:29:36 | 0:29:38 | |
and for them to enter through the Jaffa Gate | 0:29:38 | 0:29:41 | |
is to come to the very centre of the world. | 0:29:41 | 0:29:44 | |
Bradshaw's dedicates many paragraphs to the city's holiest sites. | 0:29:56 | 0:30:01 | |
I'm heading first to the Christian quarter. | 0:30:01 | 0:30:03 | |
What are you making of it? How are you enjoying it? | 0:30:07 | 0:30:09 | |
It's amazing. It's beautiful. We're enjoying it so far. | 0:30:09 | 0:30:13 | |
What do you make of the mix of cultures and religions in Jerusalem? | 0:30:13 | 0:30:17 | |
Well, it's a fascinating melting pot. | 0:30:18 | 0:30:21 | |
I mean, we said "shalom" and "tobah" to a guy | 0:30:21 | 0:30:23 | |
and he said, "I don't speak Hebrew" | 0:30:23 | 0:30:25 | |
and we realised we'd just wandered into the Arab quarter. | 0:30:25 | 0:30:28 | |
I mean, it's one on top of the other. | 0:30:28 | 0:30:30 | |
You don't realise how close it is together but it's amazing. | 0:30:30 | 0:30:34 | |
Do you think many people would be surprised to find out | 0:30:34 | 0:30:37 | |
how much there is in common between Islam, Judaism, and Christianity? | 0:30:37 | 0:30:42 | |
Maybe for some people, it would be. | 0:30:42 | 0:30:44 | |
Especially with the conflict that's going on at the moment, | 0:30:44 | 0:30:47 | |
you'd think they'd have completely different histories and cultures | 0:30:47 | 0:30:51 | |
but actually, it's all centred around here in Jerusalem. | 0:30:51 | 0:30:54 | |
This is the 4th-century Church of the Holy Sepulchre, | 0:31:04 | 0:31:07 | |
where Christians believe | 0:31:07 | 0:31:08 | |
that Christ was crucified, buried, and resurrected. | 0:31:08 | 0:31:12 | |
Bradshaw's is quite sceptical about the Chapel of the Sepulchre. | 0:31:22 | 0:31:26 | |
"Everything is so encased in marble and the surroundings are so bizarre | 0:31:26 | 0:31:30 | |
"that a strong mental effort is required | 0:31:30 | 0:31:32 | |
"to picture a recess in the naked rock fitted to receive a body." | 0:31:32 | 0:31:37 | |
It is not a strong mental effort that is needed, it is faith, | 0:31:37 | 0:31:40 | |
to believe that when Christ died, he left his light in the world. | 0:31:40 | 0:31:45 | |
Tourists following my guide book | 0:32:01 | 0:32:02 | |
lived in an age of scientific discovery | 0:32:02 | 0:32:05 | |
and scepticism about the literal truth of the Bible | 0:32:05 | 0:32:08 | |
was becoming more common. | 0:32:08 | 0:32:10 | |
I feel that even in that age of reason a century ago, | 0:32:11 | 0:32:14 | |
non-believers would have been moved | 0:32:14 | 0:32:16 | |
by the places mentioned in the Bible. | 0:32:16 | 0:32:19 | |
I'm meeting Haseem Razzouk, | 0:32:20 | 0:32:21 | |
whose family business has made its mark on visitors over generations. | 0:32:21 | 0:32:25 | |
-Michael. -Good to see you. -Nice to meet you. | 0:32:26 | 0:32:30 | |
Why is there a connection between pilgrims and tattoos? | 0:32:30 | 0:32:33 | |
A lot of people who used to come and do their pilgrimage | 0:32:33 | 0:32:38 | |
here in the Holy Land | 0:32:38 | 0:32:39 | |
would want to get a cross or a similar religious tattoo. | 0:32:39 | 0:32:43 | |
It goes back about 300, 400 years here in the Holy Land. | 0:32:43 | 0:32:47 | |
And what are these beautiful objects here? | 0:32:47 | 0:32:49 | |
Well, those are actually wooden blocks. | 0:32:49 | 0:32:52 | |
They are carved with different designs, stories from the Bible. | 0:32:52 | 0:32:59 | |
So obviously, these are historic. | 0:32:59 | 0:33:01 | |
So did your ancestors tattoo any distinguished, famous people? | 0:33:01 | 0:33:06 | |
We know of many. King Edward and King George, | 0:33:06 | 0:33:11 | |
also we know of them that they were tattooed in the Holy Land. | 0:33:11 | 0:33:14 | |
You're telling me that British kings were tattooed? | 0:33:14 | 0:33:18 | |
Yes, emperors, kings, even British soldiers | 0:33:18 | 0:33:23 | |
were tattooed by my grandfather as proof and as certification | 0:33:23 | 0:33:27 | |
of their visit to the Holy Land. | 0:33:27 | 0:33:29 | |
Christians would have a small cross tattooed on the inside of the wrist | 0:33:30 | 0:33:34 | |
which served as a kind of passport | 0:33:34 | 0:33:36 | |
to the holiest Christian sites. | 0:33:36 | 0:33:39 | |
This will be the place to have the tattoo. | 0:33:39 | 0:33:41 | |
This is a nice place on the arm where it doesn't really hurt much. | 0:33:41 | 0:33:45 | |
It hurts more down at the wrist. | 0:33:45 | 0:33:48 | |
'You didn't really think I'd go through with it, did you?' | 0:33:57 | 0:34:00 | |
-Beautiful. -Thanks very much. | 0:34:00 | 0:34:02 | |
From the Christian quarter, | 0:34:17 | 0:34:19 | |
it's a short walk to the Muslim quarter, | 0:34:19 | 0:34:21 | |
which contains the third holiest site in Islam. | 0:34:21 | 0:34:24 | |
Bradshaw's tells me that "the Temple Haram Al-Sharif | 0:34:27 | 0:34:29 | |
"is a large enclosed quadrangle | 0:34:29 | 0:34:33 | |
"where there are three mosques and some relics of Herod's Temple. | 0:34:33 | 0:34:37 | |
"The most considerable building is the Kubbet es Sakhra, | 0:34:37 | 0:34:41 | |
"or Dome of the Rock." | 0:34:41 | 0:34:43 | |
A century ago, to visit, | 0:34:43 | 0:34:44 | |
you had to apply to the British or American consul | 0:34:44 | 0:34:47 | |
who obtains permission from the authorities. | 0:34:47 | 0:34:50 | |
In today's political situation, | 0:34:50 | 0:34:52 | |
getting permission from the authorities | 0:34:52 | 0:34:54 | |
is even more complicated. | 0:34:54 | 0:34:56 | |
We've just about been allowed to film, | 0:34:56 | 0:34:58 | |
but inside, I'm not allowed to say a word | 0:34:58 | 0:35:00 | |
but I will say I can't tell you how excited I am | 0:35:00 | 0:35:04 | |
to see these magnificent buildings. | 0:35:04 | 0:35:06 | |
Al-Haram Al-Sharif, or Noble Sanctuary, | 0:35:16 | 0:35:19 | |
is a raised area of the old city | 0:35:19 | 0:35:22 | |
with enormous religious significance for Muslims, Jews and Christians. | 0:35:22 | 0:35:26 | |
The Kubbet es Sakhra, | 0:35:29 | 0:35:31 | |
or Dome of the Rock, was built in the 7th century. | 0:35:31 | 0:35:34 | |
It is one of Islam's most sacred monuments. | 0:35:34 | 0:35:37 | |
It's from the rock, enshrined in the dome, | 0:35:50 | 0:35:53 | |
that Muslims believe the Prophet Muhammad ascended to heaven. | 0:35:53 | 0:35:57 | |
The shrine is built on the site of the Jewish First Temple | 0:35:58 | 0:36:01 | |
where Jews believe that Abraham prepared to sacrifice Isaac. | 0:36:01 | 0:36:05 | |
I feel quite overwhelmed | 0:36:14 | 0:36:16 | |
and so few people are allowed in at any one time | 0:36:16 | 0:36:19 | |
that it's very sparsely populated | 0:36:19 | 0:36:21 | |
and so it's been the one place really in Jerusalem | 0:36:21 | 0:36:24 | |
where I've felt the full sense of dignity that these places merit, | 0:36:24 | 0:36:29 | |
a feeling of spirituality. | 0:36:29 | 0:36:31 | |
The site is also known as the Temple Mount | 0:36:44 | 0:36:47 | |
and at one corner is the Western Wall. | 0:36:47 | 0:36:49 | |
This is the holiest of all Jewish monuments, | 0:36:53 | 0:36:56 | |
all that remains exposed of the Second Temple, | 0:36:56 | 0:36:59 | |
which was destroyed by the Romans in the 1st century AD. | 0:36:59 | 0:37:02 | |
Men cover their heads before it. | 0:37:06 | 0:37:08 | |
"The Western Wall," Bradshaw's reminds me, | 0:37:13 | 0:37:16 | |
"is the site of Solomon's temple and of a later temple erected by Herod. | 0:37:16 | 0:37:21 | |
"Here, each Friday, Jews gather in the late afternoon | 0:37:21 | 0:37:25 | |
"to pray and to chant lamentations." | 0:37:25 | 0:37:29 | |
Well, now they come every day of the week, and at the Wall, | 0:37:29 | 0:37:32 | |
I saw some lost in deep prayer and others clearly ecstatic | 0:37:32 | 0:37:39 | |
with the joy of arriving at the holiest of places for any Jew. | 0:37:39 | 0:37:43 | |
Nick Pelham writes about the Middle East, its history and its present. | 0:37:52 | 0:37:56 | |
-Hello, Nick. -Michael, good to see you. | 0:37:56 | 0:37:58 | |
Good to see you. | 0:37:58 | 0:38:00 | |
Here we are with a wonderful view of the Dome of the Rock | 0:38:00 | 0:38:02 | |
and the Western Wall. | 0:38:02 | 0:38:03 | |
We're not very far from the Church of the Holy Sepulchre. | 0:38:03 | 0:38:06 | |
The most sacred places for Muslims, Jews, and Christians. | 0:38:06 | 0:38:10 | |
What do those three religions have in common apart from Jerusalem? | 0:38:10 | 0:38:13 | |
They are all rooted in the holy text, | 0:38:13 | 0:38:15 | |
they are peoples of the book and the book in all three faiths | 0:38:15 | 0:38:19 | |
describes the centrality of Jerusalem. | 0:38:19 | 0:38:22 | |
It makes Jerusalem the centre point, | 0:38:22 | 0:38:24 | |
the geographical centre point of the three faiths, | 0:38:24 | 0:38:26 | |
so we are really at the point | 0:38:26 | 0:38:28 | |
where scripture, tradition, and geography all meet. | 0:38:28 | 0:38:31 | |
So really, although we might not realise it on a day-to-day basis, | 0:38:31 | 0:38:35 | |
a lot is held in common. | 0:38:35 | 0:38:38 | |
There's far more that they have in common than actually divides, | 0:38:38 | 0:38:41 | |
and you can see, though, the struggle here in Jerusalem | 0:38:41 | 0:38:44 | |
for elevation, for supremacy, | 0:38:44 | 0:38:46 | |
for priority, to essentially achieve the best sites in the city. | 0:38:46 | 0:38:51 | |
I'm now heading out of the Old City into modern Jerusalem. | 0:38:56 | 0:39:00 | |
Since 2011, a new light railway | 0:39:06 | 0:39:09 | |
has connected the cities old and new... | 0:39:09 | 0:39:11 | |
..but running into Israeli-occupied East Jerusalem, | 0:39:12 | 0:39:15 | |
its construction was controversial. | 0:39:15 | 0:39:17 | |
I've seen how within the Old City of Jerusalem | 0:39:21 | 0:39:25 | |
the three great monotheistic religions vied with each other | 0:39:25 | 0:39:29 | |
for access to and control over the holy places | 0:39:29 | 0:39:32 | |
but I also understand that outside the city walls, | 0:39:32 | 0:39:35 | |
the great powers were in competition, | 0:39:35 | 0:39:38 | |
establishing institutions for their nationals - | 0:39:38 | 0:39:40 | |
banks, insurance companies, post offices and hotels. | 0:39:40 | 0:39:44 | |
I'll be staying at the American Colony Hotel, | 0:39:47 | 0:39:50 | |
but before I head there, I am keen to make one more stop | 0:39:50 | 0:39:53 | |
at a place where this city's complex and rich history | 0:39:53 | 0:39:56 | |
comes together under one roof. | 0:39:56 | 0:39:58 | |
Mahane Yehuda is the city's largest food market | 0:40:04 | 0:40:08 | |
and can offer even the most secular traveller a taste of the divine. | 0:40:08 | 0:40:12 | |
-Hello. -How are you? -Very well, thank you. | 0:40:13 | 0:40:17 | |
I just love all this fresh produce. It just all looks fantastic. | 0:40:20 | 0:40:24 | |
The dates and the glorious nuts. Ooh! | 0:40:24 | 0:40:26 | |
That's really kind of you. Thank you. | 0:40:32 | 0:40:34 | |
Oh! Tastes quite different from the way it looks. | 0:40:36 | 0:40:39 | |
-I'm kind of thinking cheese. -It's sesame and chocolate chips. | 0:40:39 | 0:40:44 | |
-Sesame and chocolate chips? -Yeah. | 0:40:44 | 0:40:46 | |
With amazing sweet and savoury treats on offer, | 0:40:46 | 0:40:49 | |
this is a delight for all the senses. | 0:40:49 | 0:40:51 | |
Look at that! | 0:40:53 | 0:40:55 | |
Look at all those lovely pistachios saying hello. | 0:40:55 | 0:40:58 | |
That's fantastic. Thank you so much. | 0:41:02 | 0:41:04 | |
A day amongst the Jerusalem crowds, | 0:41:14 | 0:41:16 | |
observing intense religious devotion | 0:41:16 | 0:41:19 | |
has been exhilarating but draining too, and sleep will be welcome. | 0:41:19 | 0:41:23 | |
Bradshaw's recommends that I engage a dragoman, | 0:41:38 | 0:41:41 | |
a nice old-fashioned word for a guide. | 0:41:41 | 0:41:43 | |
"They arrange everything necessary - eating, sleeping, travelling | 0:41:43 | 0:41:47 | |
"and they speak English." | 0:41:47 | 0:41:49 | |
Mine today is called Nader | 0:41:49 | 0:41:50 | |
and I need him because now I need to go into Bethlehem, | 0:41:50 | 0:41:53 | |
which is in The West Bank, | 0:41:53 | 0:41:55 | |
in territory that was occupied by Israel in 1967 | 0:41:55 | 0:41:59 | |
and there is a barrier between Jerusalem and Bethlehem | 0:41:59 | 0:42:02 | |
and my dragoman will help me to cross it. | 0:42:02 | 0:42:04 | |
Today, tourists may make the five-mile journey | 0:42:06 | 0:42:09 | |
into the Palestinian West Bank only accompanied by a Palestinian guide. | 0:42:09 | 0:42:13 | |
-I'm Michael. -Lovely to see you. -Lovely to see you. | 0:42:15 | 0:42:17 | |
-Welcome. -You're going to take me to Bethlehem? | 0:42:17 | 0:42:19 | |
-Yes. -Let's go. -With pleasure. | 0:42:19 | 0:42:22 | |
The separation barrier is 8m high, cast in concrete, | 0:42:26 | 0:42:31 | |
capped with razor wire | 0:42:31 | 0:42:32 | |
and punctuated by watchtowers and checkpoints. | 0:42:32 | 0:42:35 | |
For Israelis, it gives protection against bombers. | 0:42:37 | 0:42:40 | |
For Palestinians, it's made daily life fraught with difficulties. | 0:42:42 | 0:42:46 | |
So quite often, you pick up people here at Jerusalem | 0:42:48 | 0:42:52 | |
-and take them into Bethlehem... -Yes, exactly. -..for sightseeing and so on. | 0:42:52 | 0:42:56 | |
Yes. | 0:42:56 | 0:42:57 | |
We're now approaching the checkpoint | 0:42:57 | 0:42:59 | |
which will take us through the barrier | 0:42:59 | 0:43:01 | |
and at this point, we will have to switch off the camera. | 0:43:01 | 0:43:04 | |
So we got through the security checkpoint | 0:43:10 | 0:43:13 | |
with no difficulty whatsoever | 0:43:13 | 0:43:15 | |
but we did go through two very grim-looking walls | 0:43:15 | 0:43:18 | |
and a kind of no-man's-land in-between. | 0:43:18 | 0:43:20 | |
Whatever the reason for it, | 0:43:21 | 0:43:23 | |
I was depressed to see two peoples separated by a wall, | 0:43:23 | 0:43:27 | |
scarcely improved by attempts to decorate it. | 0:43:27 | 0:43:30 | |
Here, the barrier has been turned into a work of art. | 0:43:33 | 0:43:36 | |
They call it the wall museum. | 0:43:36 | 0:43:38 | |
There is the famous art from your country, | 0:43:38 | 0:43:40 | |
he draw five drawing here on the wall. | 0:43:40 | 0:43:43 | |
His name is Banksy. | 0:43:43 | 0:43:45 | |
And in the front of us, there is the drawing for him. | 0:43:45 | 0:43:49 | |
The dove with the olive branch | 0:43:49 | 0:43:51 | |
'wearing a bulletproof jacket.' | 0:43:51 | 0:43:53 | |
The people you drive, | 0:43:55 | 0:43:57 | |
are they mainly tourists or would you call them pilgrims? | 0:43:57 | 0:44:01 | |
Are they religious people? | 0:44:01 | 0:44:03 | |
Some, they are religious people and some, they are tourists. | 0:44:03 | 0:44:08 | |
If he start to pray or he start to cry, | 0:44:08 | 0:44:11 | |
means he's religious | 0:44:11 | 0:44:13 | |
and people just want to take picture quickly and leave, | 0:44:13 | 0:44:20 | |
-you can tell from that, yes? -Of course, of course. | 0:44:20 | 0:44:23 | |
So this is the old entrance of Bethlehem. | 0:44:23 | 0:44:26 | |
You've been an excellent guide and dragoman. Thank you. | 0:44:26 | 0:44:29 | |
-You are most welcome. -Bye-bye. | 0:44:29 | 0:44:31 | |
Tourists following my guidebook were drawn to Bethlehem, | 0:44:32 | 0:44:36 | |
and it's clear that many millions have since followed in their wake. | 0:44:36 | 0:44:40 | |
As my guidebook puts it plainly, | 0:44:43 | 0:44:45 | |
"The Church of St Mary is built over the birthplace of Christ," | 0:44:45 | 0:44:48 | |
and it wasn't just a baby that was born to the virgin, | 0:44:48 | 0:44:52 | |
it was the second Abrahamic religion, | 0:44:52 | 0:44:55 | |
one with hundreds of millions of followers across the world. | 0:44:55 | 0:44:58 | |
Even at the time of my guide book, places like Bethlehem | 0:45:13 | 0:45:17 | |
were beset with tourists, | 0:45:17 | 0:45:18 | |
who were offered trinkets and religious artefacts. | 0:45:18 | 0:45:21 | |
My Bradshaw's remarks, "There's a small industry | 0:45:22 | 0:45:25 | |
"in crosses, rosaries and mementos." | 0:45:25 | 0:45:28 | |
Another attractive souvenir in those days was the local embroidery, | 0:45:30 | 0:45:34 | |
a tradition which is being revived by local Arab women today. | 0:45:34 | 0:45:39 | |
I'm meeting Helen Saman at the Arab Women's Union. | 0:45:41 | 0:45:45 | |
Hello, Helen. | 0:45:45 | 0:45:46 | |
-Hello. -I'm Michael. -Hello. -Very good to see you. | 0:45:47 | 0:45:49 | |
You're welcome. Very good to see you, too. | 0:45:49 | 0:45:52 | |
How old is the tradition amongst Palestinian women of embroidery? | 0:45:52 | 0:45:56 | |
Embroidery has been made in Palestine for ages, | 0:45:56 | 0:46:00 | |
for a very long time, perhaps several centuries. | 0:46:00 | 0:46:04 | |
What is it that you're doing in the centre today? | 0:46:04 | 0:46:07 | |
In the centre, we are trying to revive the tradition. | 0:46:07 | 0:46:10 | |
For a period of time, it was very slow, | 0:46:10 | 0:46:14 | |
very few people could do it | 0:46:14 | 0:46:16 | |
but now it is back into fashion. | 0:46:16 | 0:46:20 | |
Today, the centre sells the work of local Palestinian women. | 0:46:20 | 0:46:24 | |
But in such a fragmented and restricted economy, | 0:46:24 | 0:46:27 | |
selling to a population which depends on international aid | 0:46:27 | 0:46:30 | |
to feed itself is a challenge. | 0:46:30 | 0:46:32 | |
Is this a table mat? No this is bigger. | 0:46:33 | 0:46:35 | |
Let me see what this is, please. | 0:46:35 | 0:46:37 | |
-It's going to be a runner. -It's going to be a runner. | 0:46:37 | 0:46:39 | |
How long will it take you to do this? | 0:46:39 | 0:46:43 | |
-Two weeks. -Two weeks. Wow, it's beautiful work. | 0:46:43 | 0:46:45 | |
Let me see how you do it. | 0:46:47 | 0:46:48 | |
Amazingly quick, so fast. | 0:46:51 | 0:46:54 | |
Well, it must make you very happy, Helen, | 0:46:54 | 0:46:56 | |
to see a tradition being revived. | 0:46:56 | 0:46:59 | |
Of course, yes, very much so. | 0:46:59 | 0:47:01 | |
It's time to leave Bethlehem | 0:47:17 | 0:47:19 | |
but for this stretch of my journey, there's no railway, | 0:47:19 | 0:47:22 | |
nor do I see a donkey, | 0:47:22 | 0:47:24 | |
which Bradshaw's recommends for this excursion. | 0:47:24 | 0:47:27 | |
I'm bound for the lowest point on earth, the Dead Sea. | 0:47:29 | 0:47:32 | |
A sight I've always wanted to behold, the Dead Sea. | 0:47:47 | 0:47:50 | |
According to Bradshaw's, 47 miles long, | 0:47:50 | 0:47:52 | |
9.5 miles wide at the broadest. | 0:47:52 | 0:47:56 | |
"No living creature other than microbes | 0:47:56 | 0:47:58 | |
"has been found in the sea nor have shells been found | 0:47:58 | 0:48:02 | |
"but the desolation of the scene has been much exaggerated. | 0:48:02 | 0:48:05 | |
"There's generally a slight haze over the sea | 0:48:05 | 0:48:08 | |
"and when this clears away, the view is beautiful." | 0:48:08 | 0:48:11 | |
In that, I'm fortunate indeed. This evening, it looks stunning. | 0:48:11 | 0:48:16 | |
The absence of life in the sea is due to its extreme saltiness. | 0:48:21 | 0:48:26 | |
1,300 feet below sea level, the mud here is rich in minerals, | 0:48:26 | 0:48:30 | |
which are said to be revitalising | 0:48:30 | 0:48:33 | |
and the area is surrounded by spas catering to a healthy tourist trade. | 0:48:33 | 0:48:38 | |
Apparently, if you want soft skin like a baby's, | 0:48:39 | 0:48:43 | |
there's nothing compares to Dead Sea mud. | 0:48:43 | 0:48:46 | |
Because I know I'm worth it. | 0:48:55 | 0:48:57 | |
The Dead Sea is actually a lake | 0:48:58 | 0:49:00 | |
but when its water evaporates, | 0:49:00 | 0:49:02 | |
dissolved salts are left behind and the sea becomes naturally buoyant. | 0:49:02 | 0:49:07 | |
For reading in the Dead Sea, I tried to find some scrolls | 0:49:11 | 0:49:14 | |
but Bradshaw's will do very nicely. | 0:49:14 | 0:49:16 | |
My final day in the Holy Land begins at Lod Station | 0:49:32 | 0:49:35 | |
from where I will head south, bound for the Negev Desert. | 0:49:35 | 0:49:39 | |
It seems that in 1913, a journey to the desert was arduous. | 0:49:47 | 0:49:51 | |
"The country is naked and sterile, | 0:49:51 | 0:49:54 | |
"the roads are mere stone-strewn ways practicable only on horseback." | 0:49:54 | 0:49:59 | |
But after that date, a railway was built to the south | 0:49:59 | 0:50:03 | |
and today, the train will take me from Lod to Be'er Sheva - | 0:50:03 | 0:50:07 | |
Hebrew for 'Seven Wells'. | 0:50:07 | 0:50:10 | |
Early in 1915, the Ottomans began | 0:50:24 | 0:50:27 | |
to extend the Jaffa to Jerusalem railway | 0:50:27 | 0:50:30 | |
south from Lod to Be'er Sheva in the direction of the Suez Canal. | 0:50:30 | 0:50:34 | |
I'm meeting historian and archaeologist Shimon Gibson. | 0:50:38 | 0:50:42 | |
Hello. It's a pleasure. | 0:50:43 | 0:50:46 | |
I imagine that the British | 0:50:46 | 0:50:47 | |
were highly suspicious of all these railway developments. | 0:50:47 | 0:50:51 | |
The British were suspicious and the Ottoman Turks were suspicious. | 0:50:52 | 0:50:55 | |
There was suspicion on both sides. | 0:50:55 | 0:50:57 | |
And the suspicions actually started out | 0:50:57 | 0:50:59 | |
because of mapping operations | 0:50:59 | 0:51:01 | |
which were being undertaken by the British | 0:51:01 | 0:51:04 | |
in the southern deserts of Palestine towards the Sinai Desert. | 0:51:04 | 0:51:09 | |
This was in 1912, 1913, | 0:51:09 | 0:51:13 | |
and this was all done under the guise of exploration | 0:51:13 | 0:51:17 | |
but the reality is that they were spying, | 0:51:17 | 0:51:20 | |
they were amassing a lot of information | 0:51:20 | 0:51:22 | |
which could then be used by troops. | 0:51:22 | 0:51:25 | |
The Palestine Exploration Fund, or PEF, | 0:51:27 | 0:51:30 | |
was a London-based organisation which had undertaken | 0:51:30 | 0:51:34 | |
extensive mapping expeditions in Western Palestine | 0:51:34 | 0:51:37 | |
in the late 19th century. | 0:51:37 | 0:51:39 | |
In 1908, the Fund had begun to work | 0:51:39 | 0:51:42 | |
with the British War Office on the advice of Lord Kitchener, | 0:51:42 | 0:51:45 | |
to collect information | 0:51:45 | 0:51:47 | |
about the less well-known south of the country. | 0:51:47 | 0:51:49 | |
When does TE Lawrence first appear on the scene? | 0:51:51 | 0:51:55 | |
TE Lawrence actually was an archaeologist, | 0:51:55 | 0:51:58 | |
and he is brought down by the British Museum | 0:51:58 | 0:52:00 | |
and the Palestine Exploration Fund | 0:52:00 | 0:52:01 | |
to conduct an archaeological survey in the area of Be'er Sheva | 0:52:01 | 0:52:05 | |
and he sent out to look at archaeological sites | 0:52:05 | 0:52:09 | |
which have already been surveyed. | 0:52:09 | 0:52:11 | |
Now, I'm an archaeologist, | 0:52:11 | 0:52:13 | |
I can tell you that there is no point in exploring sites | 0:52:13 | 0:52:16 | |
that have already been explored. | 0:52:16 | 0:52:18 | |
Lawrence's archaeological work was a smokescreen | 0:52:19 | 0:52:22 | |
for mapping the area and cultivating local Bedouin tribes | 0:52:22 | 0:52:26 | |
who might aid Britain in the event of hostilities. | 0:52:26 | 0:52:29 | |
Once the Great War broke out, | 0:52:33 | 0:52:35 | |
the Ottoman troops and supplies moved south along the new railway, | 0:52:35 | 0:52:39 | |
some of whose original structures still exist today. | 0:52:39 | 0:52:42 | |
What sort of targets does TE Lawrence select? | 0:52:47 | 0:52:50 | |
He needs, really, to cut off their supplies, | 0:52:50 | 0:52:53 | |
their ability to move at ease, | 0:52:53 | 0:52:55 | |
and so he targets the railway lines | 0:52:55 | 0:52:58 | |
and he blows up substantial sections of the Hejaz Railway. | 0:52:58 | 0:53:03 | |
Lawrence's guerrilla war tied down thousands of Turkish troops, | 0:53:05 | 0:53:09 | |
enabling British forces under General Edmund Allenby | 0:53:09 | 0:53:12 | |
to seize Gaza and Be'er Sheva. | 0:53:12 | 0:53:14 | |
Be'er Shiva has been taken over, then they move on to Ramla | 0:53:16 | 0:53:21 | |
and Lod, Lida as it was known then. | 0:53:21 | 0:53:23 | |
They've captured those two towns. They then head off to Jerusalem. | 0:53:23 | 0:53:27 | |
And in December of 1917, Allenby arrives in Jerusalem. | 0:53:27 | 0:53:31 | |
Months before this decisive victory, | 0:53:33 | 0:53:35 | |
Britain had made conflicting promises - | 0:53:35 | 0:53:38 | |
to support both Arab self-rule | 0:53:38 | 0:53:40 | |
and the creation of a Jewish homeland in Palestine. | 0:53:40 | 0:53:43 | |
That sets in motion a chain of events | 0:53:46 | 0:53:48 | |
which still exists to this present day with this conflict | 0:53:48 | 0:53:53 | |
which exists today between Israel and the Palestinians | 0:53:53 | 0:53:57 | |
and in the past with its neighbours, | 0:53:57 | 0:54:00 | |
Egypt, Syria and Lebanon, and Jordan, of course. | 0:54:00 | 0:54:04 | |
Lawrence famously lived as a Bedouin, | 0:54:07 | 0:54:10 | |
becoming embedded in the Arabic nomad culture. | 0:54:10 | 0:54:13 | |
For the Edwardian traveller, | 0:54:14 | 0:54:16 | |
the desert must have been a sight unlike any other. | 0:54:16 | 0:54:19 | |
Desert makes up half the region | 0:54:31 | 0:54:32 | |
and no visit to the Holy Land is complete without seeing it. | 0:54:32 | 0:54:36 | |
-I'm Michael. -Nice to meet you. | 0:54:38 | 0:54:41 | |
I'm meeting Bedouin leader Salman Sadan. | 0:54:41 | 0:54:43 | |
We like to invite guests in the desert. | 0:54:45 | 0:54:47 | |
70 years ago, 80 years ago, it was nothing here, | 0:54:47 | 0:54:50 | |
just mountain, and wells, and springs. | 0:54:50 | 0:54:52 | |
We live in a desert, so we help each other in a desert. | 0:54:52 | 0:54:56 | |
No supermarket, no shop, no nothing. | 0:54:56 | 0:54:58 | |
-You're famous for your hospitality. -Yes, Bedouin, yeah. | 0:54:58 | 0:55:02 | |
What does your life in the desert consist of? You have animals? | 0:55:02 | 0:55:05 | |
We have two kinds of animals in the desert - black goats and camels. | 0:55:05 | 0:55:08 | |
The skin from the goats, we use it for to carry the water inside, | 0:55:08 | 0:55:12 | |
and the meat, we eat it. | 0:55:12 | 0:55:14 | |
We make a lot of kinds of cheese from the milk. | 0:55:14 | 0:55:16 | |
The camels, we ride on the camels, we drink the camel milk. | 0:55:16 | 0:55:20 | |
-You still lead quite a traditional Bedouin life, do you? -Yes. | 0:55:20 | 0:55:23 | |
Look, we live in Israel now | 0:55:23 | 0:55:25 | |
and Israel became the life of the peasants different | 0:55:25 | 0:55:28 | |
because we're not allowed anymore to be nomads in the desert | 0:55:28 | 0:55:31 | |
so we stay in one place. | 0:55:31 | 0:55:33 | |
It's a bit different? | 0:55:33 | 0:55:34 | |
Yeah, it became different. | 0:55:34 | 0:55:36 | |
Then you stuck between modern life and old life. | 0:55:36 | 0:55:38 | |
Do you love the desert? | 0:55:38 | 0:55:39 | |
Of course. It's part of my heart. | 0:55:39 | 0:55:41 | |
Bedouin may not be permitted to roam any longer | 0:55:42 | 0:55:45 | |
but they maintain the traditions that they can. | 0:55:45 | 0:55:49 | |
-You don't need an oven? -No. -You don't need a pan? | 0:55:49 | 0:55:52 | |
You don't need a baking tin? | 0:55:52 | 0:55:54 | |
Nothing, very easy. | 0:55:54 | 0:55:55 | |
Put the bread inside the fire, and that's it. | 0:55:55 | 0:55:58 | |
The flat bread is cooked in a fire pit and covered in charcoal, | 0:55:58 | 0:56:02 | |
giving it a crisp crust. | 0:56:02 | 0:56:04 | |
You know when you buy watermelon? How you know it's good or not good? | 0:56:04 | 0:56:08 | |
-You touch the outside. -Tck, tck, tck, also the bread. | 0:56:08 | 0:56:11 | |
-You hear whether it's crisp. -Yeah. | 0:56:11 | 0:56:14 | |
-You hear the noise? -Yes. Hollow sound. -Yeah. | 0:56:14 | 0:56:16 | |
I never saw anything like that. | 0:56:21 | 0:56:23 | |
The crust is completely crunchy | 0:56:23 | 0:56:25 | |
and the crumb is... | 0:56:25 | 0:56:27 | |
..sort of sour and delicious. | 0:56:29 | 0:56:31 | |
-That's great bread. -Thank you. | 0:56:31 | 0:56:33 | |
There's one last experience before I leave the Holy Land. | 0:56:33 | 0:56:37 | |
And this is kafir. | 0:56:37 | 0:56:38 | |
After the camel, he'll see you | 0:56:40 | 0:56:41 | |
and he'll say you are a Bedouin. | 0:56:41 | 0:56:43 | |
It's a Bedouin in a pink shirt. | 0:56:44 | 0:56:46 | |
-OK. -How do I look? | 0:56:47 | 0:56:49 | |
And up we go. | 0:56:51 | 0:56:53 | |
Wow. I feel a Lawrence of Arabia complex coming on. | 0:56:54 | 0:56:58 | |
No railway will be safe. | 0:56:58 | 0:57:00 | |
In just 100 years since the collapse of the Ottoman Empire, | 0:57:27 | 0:57:31 | |
this region has been as turbulent and war-torn as any in the world. | 0:57:31 | 0:57:36 | |
Immigration and the creation of a Jewish state | 0:57:36 | 0:57:39 | |
has produced a map unrecognisable from my Bradshaw's. | 0:57:39 | 0:57:43 | |
And as I toured the holy places | 0:57:43 | 0:57:46 | |
whose significance for Jews, Christians, and Muslims | 0:57:46 | 0:57:50 | |
is traced back over millennia, | 0:57:50 | 0:57:52 | |
it struck me that a century in human history | 0:57:52 | 0:57:55 | |
is but the blinking of an eye. | 0:57:55 | 0:57:57 | |
Next time, I'm following in the tracks | 0:58:02 | 0:58:04 | |
of Edwardian railway travellers | 0:58:04 | 0:58:05 | |
to experience the thrills of early 20th-century France... | 0:58:05 | 0:58:09 | |
Wow, off we go. | 0:58:11 | 0:58:13 | |
..tracing the origins of the modern nation | 0:58:13 | 0:58:15 | |
from its most famous sporting event... | 0:58:15 | 0:58:18 | |
This would have been used in the first Tour de France in 1903. | 0:58:18 | 0:58:20 | |
My goodness! | 0:58:20 | 0:58:21 | |
..to its stirring national anthem. | 0:58:21 | 0:58:23 | |
HE SINGS IN FRENCH | 0:58:23 | 0:58:28 | |
Bravo, monsieur! | 0:58:28 | 0:58:30 |