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I'm embarking on a railway adventure that will take me | 0:00:04 | 0:00:07 | |
to the cradle of European civilisation. | 0:00:07 | 0:00:10 | |
I'll be using this, | 0:00:11 | 0:00:12 | |
my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:12 | 0:00:17 | |
which opened up an exotic world of foreign travel | 0:00:17 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:22 | |
It told travellers where to go, what to see, and how to navigate | 0:00:22 | 0:00:27 | |
the thousands of miles of tracks crisscrossing the continent. | 0:00:27 | 0:00:31 | |
Now, a century later, | 0:00:31 | 0:00:32 | |
I'm using my copy to reveal an era of great optimism and energy, | 0:00:32 | 0:00:36 | |
where technology, industry, science and the arts were flourishing. | 0:00:36 | 0:00:41 | |
I want to rediscover that lost Europe that in 1913 couldn't know | 0:00:43 | 0:00:47 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:47 | 0:00:52 | |
On this journey, my guidebook takes me to Greece, | 0:01:10 | 0:01:13 | |
the Kingdom of the Hellas. | 0:01:13 | 0:01:15 | |
In 1913, modern Greece was less than a century old, | 0:01:18 | 0:01:23 | |
a fledgling sea power of strategic interest | 0:01:23 | 0:01:26 | |
to the great powers of Europe. | 0:01:26 | 0:01:27 | |
Throughout the 19th and early 20th centuries, the Ottomans, | 0:01:31 | 0:01:34 | |
Russians, Austro-Hungarians, Germans, French and British | 0:01:34 | 0:01:38 | |
vied for influence and control over this new nation. | 0:01:38 | 0:01:42 | |
About 80 years before this guidebook was published, | 0:01:46 | 0:01:49 | |
Greeks, who for centuries had been ruled from Istanbul, | 0:01:49 | 0:01:53 | |
as part of the Ottoman Empire, established an independent state. | 0:01:53 | 0:01:57 | |
They did so with military help from the British who, | 0:01:57 | 0:02:00 | |
in a Romantic age, admired the Ancient Greece | 0:02:00 | 0:02:04 | |
of Pericles and Plato. | 0:02:04 | 0:02:06 | |
Some Greeks hoped that they could have a great future | 0:02:06 | 0:02:09 | |
to match their great past. | 0:02:09 | 0:02:11 | |
But only if they could expand their tiny kingdom northwards | 0:02:11 | 0:02:15 | |
and take in the millions of Greeks | 0:02:15 | 0:02:17 | |
still stranded in the decaying Ottoman Empire. | 0:02:17 | 0:02:21 | |
Bradshaw's tells me that the population of Greece is 2.7 million | 0:02:21 | 0:02:25 | |
but by late 1913, it had almost doubled as Greek troops | 0:02:25 | 0:02:30 | |
captured territory, | 0:02:30 | 0:02:31 | |
making it one of the most auspicious 12 months in modern Greek history. | 0:02:31 | 0:02:35 | |
My journey following the expansion of Greece's northern border | 0:02:41 | 0:02:45 | |
starts at the port of Piraeus, from where it's a short ride | 0:02:45 | 0:02:48 | |
to the Greek capital, Athens, and the Acropolis. | 0:02:48 | 0:02:51 | |
I'll then head west | 0:02:52 | 0:02:54 | |
to pass through the Corinth canal, | 0:02:54 | 0:02:56 | |
a challenge of engineering that confounded man | 0:02:56 | 0:02:59 | |
for 2,500 years, | 0:02:59 | 0:03:02 | |
before I strike north to Levadia | 0:03:02 | 0:03:04 | |
for a Bradshaw's recommended excursion to Delphi, | 0:03:04 | 0:03:07 | |
home of the famous oracle. | 0:03:07 | 0:03:10 | |
I'll continue north to the port of Volos | 0:03:11 | 0:03:14 | |
and on to the mountain village of Milies. | 0:03:14 | 0:03:16 | |
I'll finish my journey in the city of Thessaloniki. | 0:03:17 | 0:03:21 | |
Along the way, I'll find out about the surprisingly ancient | 0:03:24 | 0:03:28 | |
origins of our modern railways at the spectacular Corinth Canal. | 0:03:28 | 0:03:32 | |
So this is incredible - 600 years BC, two parallel lines of stones, | 0:03:35 | 0:03:38 | |
logs running between them and on top of the logs, the ships? | 0:03:38 | 0:03:42 | |
Yes. | 0:03:42 | 0:03:44 | |
'I trade the train seat for a saddle.' | 0:03:44 | 0:03:46 | |
I'm having to hoof it through these beautiful olive groves. | 0:03:46 | 0:03:49 | |
'And show strength that would rival Hercules.' | 0:03:50 | 0:03:53 | |
HE SHOUTS | 0:03:53 | 0:03:55 | |
Done. | 0:04:00 | 0:04:01 | |
'I'm arriving in Greece | 0:04:13 | 0:04:14 | |
'as the traveller would have just over 100 years ago.' | 0:04:14 | 0:04:17 | |
In 1913, war raged to the north of here as Greece, | 0:04:20 | 0:04:25 | |
and its Balkan allies, | 0:04:25 | 0:04:26 | |
sought to evict the Muslim Ottomans from Europe | 0:04:26 | 0:04:30 | |
and to expand their own states. | 0:04:30 | 0:04:33 | |
The only half-safe way to approach was by ship, | 0:04:33 | 0:04:36 | |
to Athens' port of Piraeus. | 0:04:36 | 0:04:38 | |
In October 1863, | 0:04:42 | 0:04:45 | |
Piraeus had been the site of a very significant moment | 0:04:45 | 0:04:48 | |
in modern Greek history. | 0:04:48 | 0:04:50 | |
The newly elected George I, | 0:04:50 | 0:04:52 | |
brother-in-law of British King Edward VII, | 0:04:52 | 0:04:55 | |
and grandfather to the current Duke of Edinburgh, | 0:04:55 | 0:04:58 | |
came ashore here | 0:04:58 | 0:05:00 | |
declaring himself King of the Hellenes, | 0:05:00 | 0:05:02 | |
ruler not just of Greece but of all Greeks. | 0:05:02 | 0:05:06 | |
Today, Piraeus is the largest passenger port in Europe. | 0:05:09 | 0:05:14 | |
Up to 20 million pass through here every year. | 0:05:14 | 0:05:17 | |
What a delightful railway station! | 0:05:27 | 0:05:29 | |
It stands on the site of Greece's very first railway, | 0:05:29 | 0:05:33 | |
opened in 1869, having been built with the help of British engineers. | 0:05:33 | 0:05:38 | |
In 1904, it became the Hellenic Electric Railway Company | 0:05:38 | 0:05:43 | |
and today it's been absorbed into Athens' metro system. | 0:05:43 | 0:05:47 | |
According to Bradshaw's, "Athens, as it exists, is quite a modern city. | 0:06:12 | 0:06:17 | |
"After centuries of degradation and neglect it was, in 1834, | 0:06:17 | 0:06:22 | |
"little better than an impoverished village | 0:06:22 | 0:06:25 | |
"of about 12,000 inhabitants". | 0:06:25 | 0:06:27 | |
By 1913, that number had grown to 175,000. | 0:06:28 | 0:06:33 | |
Today, close to four million people live here, | 0:06:34 | 0:06:37 | |
around a third of the population of Greece. | 0:06:37 | 0:06:39 | |
In this lively metropolis, Bradshaw's is reassuring. | 0:06:43 | 0:06:46 | |
"The stranger has no difficulty in finding his way about, | 0:06:46 | 0:06:49 | |
"as the Acropolis is clearly seen in view all around, | 0:06:49 | 0:06:53 | |
"and serves as a landmark." | 0:06:53 | 0:06:56 | |
-Hello, Haris. -Hello Michael. Welcome to the Acropolis. | 0:06:56 | 0:07:00 | |
-The cradle of Western civilisation. -Exactly. | 0:07:00 | 0:07:02 | |
Wonderful! | 0:07:02 | 0:07:04 | |
'And it's where I'm meeting academic and poet Haris Vlavianos.' | 0:07:04 | 0:07:08 | |
I don't know whether to look at the Acropolis | 0:07:08 | 0:07:10 | |
or whether to look at Athens. | 0:07:10 | 0:07:12 | |
It's an absolutely wonderful view from here, isn't it? | 0:07:12 | 0:07:14 | |
Yeah, very impressive. | 0:07:14 | 0:07:16 | |
The Parthenon, Greece's most famous ancient monument, | 0:07:20 | 0:07:24 | |
was constructed in the fifth century BC by Pericles, | 0:07:24 | 0:07:28 | |
during Athens' Golden Age. | 0:07:28 | 0:07:30 | |
Back in 1913, it was very attractive to tourists visiting Athens | 0:07:32 | 0:07:38 | |
as the home of Plato, Socrates and democracy. | 0:07:38 | 0:07:41 | |
The Parthenon is an extraordinary building, I think without any | 0:07:44 | 0:07:48 | |
parallel and would be recognisable to anyone, anywhere in the world. | 0:07:48 | 0:07:51 | |
What's your assessment of it? | 0:07:51 | 0:07:53 | |
I think that Pericles wanted to build something that would | 0:07:53 | 0:07:57 | |
symbolise the extraordinary culture | 0:07:57 | 0:07:59 | |
and power that Athens had at the time and he was extremely | 0:07:59 | 0:08:02 | |
successful because in 2,500 years, we are standing here | 0:08:02 | 0:08:05 | |
and we know that the Parthenon hasn't lost any significance, | 0:08:05 | 0:08:08 | |
any of its value, for western civilisation. | 0:08:08 | 0:08:11 | |
Wouldn't you say the same? | 0:08:11 | 0:08:12 | |
I would. It's absolutely the heart of it all. | 0:08:12 | 0:08:15 | |
But astonishingly, the ruins | 0:08:16 | 0:08:18 | |
of Greece's classical pre-Christian past | 0:08:18 | 0:08:21 | |
lay neglected and buried for centuries. | 0:08:21 | 0:08:24 | |
Greece had 400 years of Ottoman rule, which makes Greece | 0:08:26 | 0:08:29 | |
a country of the Orient. Before that, we had the Byzantine Empire, | 0:08:29 | 0:08:33 | |
which stressed the identity of the Christian Orthodox. | 0:08:33 | 0:08:37 | |
If you asked Greeks at the time of the Ottoman occupation | 0:08:37 | 0:08:40 | |
to define themselves, they would say | 0:08:40 | 0:08:42 | |
they were are Christians, Orthodox, I mean, and they are Muslims. | 0:08:42 | 0:08:45 | |
And in fact if you look at memoirs of people who fought in the Greek | 0:08:45 | 0:08:48 | |
War of Independence they talk about this war, it's a kind of Jihad, it's | 0:08:48 | 0:08:51 | |
we, the Orthodox Christians against the infidels, against the Muslims. | 0:08:51 | 0:08:56 | |
It was only at the end of the 18th century, | 0:08:56 | 0:08:58 | |
with the advent of European Romanticism, | 0:08:58 | 0:09:01 | |
that Greece's classical culture was once again revered, | 0:09:01 | 0:09:05 | |
by Philhellenes, or lovers of Greece, like the poet Lord Byron. | 0:09:05 | 0:09:09 | |
When he arrived in Athens, he fell in love with a Greek lady. | 0:09:12 | 0:09:15 | |
He wrote a few poems, the Maiden of Athens, for example. | 0:09:15 | 0:09:18 | |
But Lord Byron was interested in politics | 0:09:20 | 0:09:22 | |
as well as Athenian maidens. | 0:09:22 | 0:09:24 | |
On March 25th 1821, | 0:09:25 | 0:09:27 | |
the Greeks began their decade-long struggle for independence. | 0:09:27 | 0:09:32 | |
And Byron came to join their war. | 0:09:32 | 0:09:34 | |
Byron, the poet, was not just a dilettante, was he? | 0:09:36 | 0:09:40 | |
He was a man who actually made a difference | 0:09:40 | 0:09:42 | |
to the issue of Greek independence. | 0:09:42 | 0:09:44 | |
Absolutely - he's one of the most important | 0:09:44 | 0:09:46 | |
figures in this in this movement. His presence here was catalytic. | 0:09:46 | 0:09:50 | |
Byron was also instrumental in bringing money to Greece. | 0:09:50 | 0:09:53 | |
I mean, the first London loan was raised through his assistance. | 0:09:53 | 0:09:56 | |
In 1824, the London Greek Committee | 0:09:56 | 0:09:59 | |
loaned Greece around £350,000 for the War of Independence. | 0:09:59 | 0:10:06 | |
Similar loans were raised from Philhellenic Committees | 0:10:06 | 0:10:09 | |
across Europe. | 0:10:09 | 0:10:10 | |
Despite these efforts, | 0:10:10 | 0:10:12 | |
Byron didn't live to see the Greeks achieve independence. | 0:10:12 | 0:10:17 | |
Just months later, in April 1824, he fell ill | 0:10:17 | 0:10:20 | |
and died in the village of Missolonghi. | 0:10:20 | 0:10:23 | |
To this day, this aristocratic English poet is still | 0:10:24 | 0:10:27 | |
considered a Greek national hero. | 0:10:27 | 0:10:30 | |
The fact he actually died here, I mean, | 0:10:31 | 0:10:33 | |
it made such an impression to the whole world | 0:10:33 | 0:10:35 | |
that this man, you know, comes from England | 0:10:35 | 0:10:37 | |
and dies in this obscure village for this great cause. | 0:10:37 | 0:10:40 | |
The Greek struggle for independence | 0:10:42 | 0:10:44 | |
had become an international cause celebre, and in 1832, | 0:10:44 | 0:10:49 | |
Greece was formally recognised by Britain, France and Russia. | 0:10:49 | 0:10:53 | |
But the entire population of the new Greek state was smaller than | 0:10:54 | 0:10:58 | |
the number of ethnic Greeks who lived under Ottoman rule. | 0:10:58 | 0:11:01 | |
And so the Great Idea was born - | 0:11:03 | 0:11:06 | |
a desire to bring all Greeks into the Greek state, establish a | 0:11:06 | 0:11:11 | |
capital at Constantinople and relive the glories of the Byzantine Empire. | 0:11:11 | 0:11:16 | |
What changes? | 0:11:17 | 0:11:19 | |
Why do the Greeks take an interest in their antiquity? | 0:11:19 | 0:11:23 | |
There was a lot of interest in Greece. | 0:11:23 | 0:11:27 | |
Great classicists came to Greece, | 0:11:27 | 0:11:28 | |
people who wanted to do excavations, they actually said to the Greeks, | 0:11:28 | 0:11:32 | |
this is part of their heritage and they have to invest in it. | 0:11:32 | 0:11:35 | |
And so in 1913, there's no doubt by then that the Greek government, | 0:11:35 | 0:11:39 | |
the Greek people, value their antiquity? | 0:11:39 | 0:11:41 | |
Absolutely, I mean, we have 80 years between 1834 and 1913 | 0:11:41 | 0:11:47 | |
so there was a lot of excavation work. | 0:11:47 | 0:11:49 | |
The Parthenon had been restored. | 0:11:49 | 0:11:51 | |
People who arrived here probably saw something more spectacular | 0:11:51 | 0:11:54 | |
than we see today because you had no scaffolding and no cranes | 0:11:54 | 0:11:57 | |
and not too many tourists around so they felt a sense of awe | 0:11:57 | 0:12:00 | |
when they were standing here. | 0:12:00 | 0:12:02 | |
-I feel it today. Shall we find some shade? -Yeah. | 0:12:02 | 0:12:05 | |
Along with just a few | 0:12:10 | 0:12:12 | |
of the millions of tourists who visit the Parthenon every year, | 0:12:12 | 0:12:15 | |
I'm descending to explore the city. | 0:12:15 | 0:12:17 | |
In 1913, Athens was still a new European capital, | 0:12:28 | 0:12:33 | |
chosen after great national debate | 0:12:33 | 0:12:35 | |
and proclaimed in 1834 by the first King of Greece, Otto. | 0:12:35 | 0:12:40 | |
The 17-year-old second son of the king of Bavaria had been crowned | 0:12:41 | 0:12:45 | |
ruler of the newly formed Kingdom of Greece two years earlier. | 0:12:45 | 0:12:49 | |
He was appointed not by the Greek people, | 0:12:49 | 0:12:52 | |
nor by their government, but by Britain, France | 0:12:52 | 0:12:55 | |
and Russia in order to cement their influence over Greece. | 0:12:55 | 0:13:00 | |
And, in what was becoming a recurring theme, | 0:13:00 | 0:13:02 | |
the German king arrived with a loan | 0:13:02 | 0:13:05 | |
equivalent to over £100 million today. | 0:13:05 | 0:13:08 | |
This is Syntagma Square, | 0:13:10 | 0:13:12 | |
which Bradshaw's refers to as "Place de la Constitution". | 0:13:12 | 0:13:16 | |
Constitution Square. "This is the strangers' quarter. | 0:13:16 | 0:13:20 | |
"Here, or close by, are the principal hotels and cafes." | 0:13:20 | 0:13:24 | |
And behind me is the Palace | 0:13:24 | 0:13:26 | |
that was built for the first king of Greece, King Otto, | 0:13:26 | 0:13:29 | |
which for many years now has been the Greek parliament. | 0:13:29 | 0:13:33 | |
Quite recently, it became famous all over the world | 0:13:33 | 0:13:36 | |
during the Greek Euro crisis. | 0:13:36 | 0:13:38 | |
And between the square and the parliament building march a symbol | 0:13:41 | 0:13:44 | |
of Greece's historic struggles for independence - the Evzones. | 0:13:44 | 0:13:48 | |
The Evzones are traditionally the elite soldiers of Greece. | 0:14:01 | 0:14:05 | |
They're now used for ceremonial duties such as, here, guarding | 0:14:05 | 0:14:09 | |
the tomb of the Unknown Warrior. | 0:14:09 | 0:14:11 | |
The uniform they're wearing now in the summer | 0:14:11 | 0:14:15 | |
represents the Balkan wars of 1912 to 1913. | 0:14:15 | 0:14:19 | |
One of their other uniforms involves a kilt which has 400 pleats, | 0:14:19 | 0:14:24 | |
each representing a year of the Ottoman occupation of Greece. | 0:14:24 | 0:14:29 | |
So that Greek nationalism is literally | 0:14:29 | 0:14:32 | |
sewn into the fabric of the regiment. | 0:14:32 | 0:14:34 | |
'And over 100 years later, it seems the Balkan Wars still resonate.' | 0:14:36 | 0:14:41 | |
Hello, sir. You're a Greek, aren't you? | 0:14:41 | 0:14:44 | |
-Yes, yes. -But you still come to see the Evzones? | 0:14:44 | 0:14:46 | |
Yes. | 0:14:46 | 0:14:47 | |
I come from time to time because I feel proud about that. | 0:14:47 | 0:14:52 | |
Also because my grandfathers, they fought in the Balkan War | 0:14:52 | 0:14:56 | |
and I feel as a tribute to them, | 0:14:56 | 0:14:58 | |
and to all the people who fought for our independence. | 0:14:58 | 0:15:03 | |
It represents one of our highest moments. | 0:15:03 | 0:15:06 | |
In the shadow of the Acropolis is the oldest part of Athens - Plaka. | 0:15:12 | 0:15:17 | |
It's hard to believe that this small cluster of streets | 0:15:18 | 0:15:22 | |
was almost all that existed when Athens was declared the capital. | 0:15:22 | 0:15:26 | |
-Hello! -Hello. | 0:15:28 | 0:15:30 | |
Would you like to join us for some coffee or lunch? | 0:15:30 | 0:15:32 | |
-Lunch, please. A table for one. -For one. Here. -Thank you very much. | 0:15:32 | 0:15:36 | |
-Here you go. -Thank you. Something traditional and Greek? | 0:15:36 | 0:15:41 | |
Moussaka. It's the most famous. | 0:15:41 | 0:15:43 | |
Moussaka. The most famous. And what's in that? | 0:15:43 | 0:15:46 | |
Minced beef, aubergine, potato, bechamel. It's delicious. | 0:15:46 | 0:15:50 | |
It sounds great. I'll have moussaka. Thank you. | 0:15:50 | 0:15:53 | |
-Wow! That's huge! -Moussaka. Enjoy! | 0:15:56 | 0:15:58 | |
-I'm not going to be hungry, am I! -No. For two days! For sure! | 0:15:58 | 0:16:00 | |
Thank you! | 0:16:02 | 0:16:03 | |
Bechamel. | 0:16:07 | 0:16:08 | |
It's a French word, it's a French food. | 0:16:08 | 0:16:11 | |
So obviously at some point, | 0:16:11 | 0:16:13 | |
the traditional Eastern ingredients | 0:16:13 | 0:16:15 | |
of minced beef and aubergine and potato were married together | 0:16:15 | 0:16:20 | |
with a French product - bechamel. | 0:16:20 | 0:16:22 | |
So even in the most famous of all Greek dishes, East meets West. | 0:16:22 | 0:16:25 | |
I'm stepping back into antiquity | 0:16:34 | 0:16:37 | |
across the city at the Panathenaic Stadium. | 0:16:37 | 0:16:39 | |
Also known as Kallimarmaro, | 0:16:41 | 0:16:43 | |
meaning "the beautifully marbled", | 0:16:43 | 0:16:45 | |
it's where I'm meeting Spyros Capralos, | 0:16:45 | 0:16:47 | |
the President of the Hellenic Olympic Committee. | 0:16:47 | 0:16:50 | |
Spyros, this is the most beautiful, the most spectacular stadium. | 0:16:50 | 0:16:55 | |
What is the origin? | 0:16:55 | 0:16:57 | |
Well, this stadium was built 2,500 years ago, | 0:16:57 | 0:17:02 | |
in 338 Before Christ by Lycurgus. | 0:17:02 | 0:17:06 | |
Lycurgus was a pupil of Plato, | 0:17:06 | 0:17:08 | |
who had the idea to construct this stadium in the most beautiful | 0:17:08 | 0:17:12 | |
part of Athens in order to host the Panathenian Games. | 0:17:12 | 0:17:15 | |
Panathenian Games were games where people competed nude | 0:17:15 | 0:17:20 | |
and they were part of a bigger celebration of the city of Athens. | 0:17:20 | 0:17:23 | |
Now, the stadium was obviously rebuilt at some time. When was that? | 0:17:27 | 0:17:31 | |
The stadium was rebuilt for the first modern Olympic Games. | 0:17:31 | 0:17:36 | |
That's when Greece was awarded in 1894 the Olympic Games. | 0:17:36 | 0:17:41 | |
Greece at that time was bankrupt. | 0:17:41 | 0:17:43 | |
The government was afraid to take over and do the games. | 0:17:43 | 0:17:47 | |
However, there were lots of private people who put their own money | 0:17:47 | 0:17:52 | |
to rebuild the stadium and host the first modern Olympic Games in 1896. | 0:17:52 | 0:17:58 | |
The revival of the ancient Olympic Games was | 0:17:58 | 0:18:02 | |
brought about by Baron Pierre de Coubertin of France. | 0:18:02 | 0:18:06 | |
And the Greeks were more than happy to host, | 0:18:06 | 0:18:09 | |
keen to promote themselves on the world stage as heirs | 0:18:09 | 0:18:12 | |
to their newly rediscovered classical heritage. | 0:18:12 | 0:18:15 | |
The opening ceremony was steeped in symbolism. On March 25th, 1896, | 0:18:17 | 0:18:23 | |
the anniversary of Greek independence, | 0:18:23 | 0:18:25 | |
at the foot of the Acropolis, the reigning monarch, King George I, | 0:18:25 | 0:18:29 | |
declared: "Long live the Nation. Long live the Greek people." | 0:18:29 | 0:18:33 | |
What was the scale of the 1896 games? | 0:18:34 | 0:18:38 | |
The scale has nothing to do with today's scale of the games. | 0:18:38 | 0:18:41 | |
There were only 311 athletes participating, | 0:18:41 | 0:18:44 | |
from 13 different countries, in nine different sports. | 0:18:44 | 0:18:48 | |
So it was athletics, gymnastics, weightlifting, | 0:18:48 | 0:18:52 | |
wrestling that were all held in this stadium. | 0:18:52 | 0:18:54 | |
Was Greece successful in the games? | 0:18:54 | 0:18:57 | |
Oh, Greece was very successful | 0:18:57 | 0:18:59 | |
because obviously the majority of the athletes came from Greece. | 0:18:59 | 0:19:02 | |
The marathon, so steeped in ancient history, | 0:19:04 | 0:19:08 | |
was THE event the entire nation wanted a Greek to win. | 0:19:08 | 0:19:12 | |
A shepherd's son, Spyros Louis, came in first | 0:19:13 | 0:19:18 | |
and the whole stadium was standing | 0:19:18 | 0:19:21 | |
and was thrilled about this victory. | 0:19:21 | 0:19:24 | |
And I suspect Spyros Louis was pretty thrilled too. | 0:19:25 | 0:19:28 | |
It's said that in celebration of his victory, | 0:19:28 | 0:19:31 | |
he was offered free rail travel for life, | 0:19:31 | 0:19:33 | |
with space for his bicycle in the goods van. | 0:19:33 | 0:19:36 | |
Lucky fellow. | 0:19:36 | 0:19:37 | |
I wonder how he felt, all those years ago, | 0:19:44 | 0:19:48 | |
in this extraordinary place? | 0:19:48 | 0:19:50 | |
MUSIC: Chariots Of Fire theme by Vangelis | 0:19:51 | 0:19:55 | |
Exhausted by the extreme summer heat of Athens, | 0:20:28 | 0:20:31 | |
I feel it's time to find somewhere for the night. | 0:20:31 | 0:20:35 | |
Bradshaw's recommends a "first-class house" - | 0:20:35 | 0:20:38 | |
Hotel de la Grande Bretagne. | 0:20:38 | 0:20:39 | |
Thank you very much indeed. | 0:20:42 | 0:20:45 | |
Bradshaw's promised me a hotel in a good situation | 0:20:53 | 0:20:56 | |
and, really, my view of the Parthenon is unbeatable. | 0:20:56 | 0:21:00 | |
I can also look down here on the Greek parliament. | 0:21:00 | 0:21:04 | |
So I'm looking up to democracy classical style | 0:21:04 | 0:21:08 | |
and looking down on modern Greek democracy. | 0:21:08 | 0:21:11 | |
Today, my route takes me 50 miles west of Athens, | 0:21:33 | 0:21:36 | |
to the city of Corinth in the Peloponnese, | 0:21:36 | 0:21:39 | |
and one of the great wonders of 19th-century engineering. | 0:21:39 | 0:21:42 | |
Now, if you imagine Greece like that, | 0:21:54 | 0:21:56 | |
with the Peloponnese down here and northern Greece here, | 0:21:56 | 0:22:00 | |
the two are just joined by a little piece of land here. | 0:22:00 | 0:22:03 | |
And for many centuries man has been tantalised by the idea | 0:22:03 | 0:22:07 | |
that if you could just cut a canal through this little isthmus, | 0:22:07 | 0:22:10 | |
you could travel from the Ionian Sea to Athens | 0:22:10 | 0:22:14 | |
without having to go all the way round the bottom. | 0:22:14 | 0:22:17 | |
The Corinth Canal, Bradshaw's tells me, | 0:22:33 | 0:22:36 | |
is nearly four miles long, cutting the Isthmus where it is narrowest, | 0:22:36 | 0:22:40 | |
and it's used mainly by Greek coasting vessels. | 0:22:40 | 0:22:43 | |
'Theodora Filandra, | 0:22:47 | 0:22:49 | |
'who works for the company which operates the canal today, | 0:22:49 | 0:22:52 | |
'has kindly offered to take me through it. | 0:22:52 | 0:22:54 | |
'It's not the first time I've been here.' | 0:22:55 | 0:22:58 | |
When I was 20 years old, I was on a cruise ship | 0:22:58 | 0:23:01 | |
and we came through the Corinth Canal. | 0:23:01 | 0:23:03 | |
And it was so exciting cos, | 0:23:03 | 0:23:04 | |
of course, the ship is higher up by the cliffs, | 0:23:04 | 0:23:06 | |
you fill the entire canal from side to side, | 0:23:06 | 0:23:09 | |
it was easily most the most exciting part of the voyage. | 0:23:09 | 0:23:12 | |
It's quite exciting and I'm really happy that you enjoyed it. | 0:23:12 | 0:23:15 | |
When was there first the idea of making a canal? | 0:23:15 | 0:23:18 | |
We're talking about 2,500 years ago | 0:23:18 | 0:23:20 | |
when Periander, the tyrant of Corinth, | 0:23:20 | 0:23:23 | |
one of the Seven Sages of antiquity, | 0:23:23 | 0:23:25 | |
first perceives the idea of cutting through the isthmus of Corinth. | 0:23:25 | 0:23:28 | |
Periander failed to build the canal | 0:23:28 | 0:23:30 | |
because the engineers were unequipped to perform the task. | 0:23:30 | 0:23:33 | |
Instead he built Diolkos. | 0:23:33 | 0:23:35 | |
Diolkos is the...origin of the modern railway. | 0:23:35 | 0:23:39 | |
-The origin of the modern railway? -Yes. -600 BC? -Yes. | 0:23:39 | 0:23:43 | |
-Tell me about it. -Well, he constructed a road parallel to | 0:23:43 | 0:23:46 | |
the canal that we are transiting now | 0:23:46 | 0:23:48 | |
and it was built with big blocks of stones. | 0:23:48 | 0:23:50 | |
So the vessels, they were stopping on the one side of one bay, | 0:23:50 | 0:23:54 | |
they were unloading the cargos, | 0:23:54 | 0:23:56 | |
which was transported by carriages and slaves, | 0:23:56 | 0:23:59 | |
and the vessels were lifted on logs, tree logs, | 0:23:59 | 0:24:04 | |
and they would slide through the isthmus. | 0:24:04 | 0:24:06 | |
So this is incredible, 600 BC, | 0:24:06 | 0:24:10 | |
two parallel lines of stones, | 0:24:10 | 0:24:13 | |
-logs running between them, and on top of the logs the ships? -Yes. | 0:24:13 | 0:24:18 | |
SHE LAUGHS | 0:24:18 | 0:24:19 | |
That's even more extraordinary than the canal, I think. | 0:24:19 | 0:24:24 | |
Despite the ingenious Diolkos, | 0:24:24 | 0:24:26 | |
over the following centuries Roman Emperors, ancient Macedonian kings, | 0:24:26 | 0:24:30 | |
and Venetians would all try and fail | 0:24:30 | 0:24:33 | |
to cut a canal through the Isthmus of Corinth. | 0:24:33 | 0:24:37 | |
Just looking up at these enormous cliffs, | 0:24:42 | 0:24:45 | |
this was a huge construction task. | 0:24:45 | 0:24:47 | |
Give me an idea of the scale. | 0:24:47 | 0:24:49 | |
The excavations began in 1882 and the work completed in 1893. | 0:24:49 | 0:24:54 | |
More than 2,000 workers were employed here. | 0:24:54 | 0:24:57 | |
The most modern equipment and mechanics were used. | 0:24:57 | 0:25:01 | |
It was one of the first projects that nitroglycerine was used. | 0:25:01 | 0:25:06 | |
And imagine it was more | 0:25:06 | 0:25:08 | |
than 12 million cubic metres of earth that has been removed, | 0:25:08 | 0:25:11 | |
been excavated during the 11 years of the works. | 0:25:11 | 0:25:15 | |
'And the result was as revolutionary as it is spectacular.' | 0:25:16 | 0:25:20 | |
Well, it saves vessels approximately more than 150 nautical miles, | 0:25:21 | 0:25:26 | |
otherwise they circumnavigate the Peloponnese, | 0:25:26 | 0:25:29 | |
-saving in fuel and time. -How extraordinary. | 0:25:29 | 0:25:33 | |
I'm ready to carry on my journey north-east via Athens. | 0:25:37 | 0:25:41 | |
Road improvements have taken priority in Greece | 0:25:42 | 0:25:45 | |
and left the rail network today even smaller than it was in 1913. | 0:25:45 | 0:25:50 | |
Trains no longer service the station | 0:25:51 | 0:25:54 | |
that my guidebook recommends for my next excursion. | 0:25:54 | 0:25:57 | |
I'm making my way instead to what Bradshaw's describes | 0:25:57 | 0:26:02 | |
as the "delightfully situated town" of Livadia. | 0:26:02 | 0:26:05 | |
HORN SOUNDS | 0:26:05 | 0:26:07 | |
This train to Livadia has been climbing steadily, | 0:26:11 | 0:26:15 | |
soon it will be running through the valley alongside Parnassus, | 0:26:15 | 0:26:19 | |
the sacred mountain of Orpheus and Apollo. | 0:26:19 | 0:26:23 | |
I'm travelling into Greek mythology. | 0:26:23 | 0:26:27 | |
HORN | 0:26:27 | 0:26:28 | |
My destination was declared by the god Zeus | 0:26:35 | 0:26:38 | |
to be the centre of the world. | 0:26:38 | 0:26:41 | |
According to myth, to locate that centre | 0:26:41 | 0:26:45 | |
the Father of the Gods released two | 0:26:45 | 0:26:47 | |
eagles from opposite ends of the world, | 0:26:47 | 0:26:50 | |
and they crossed here in these very mountains at Delphi. | 0:26:50 | 0:26:55 | |
And so one of the most sacred ancient sites was built. | 0:26:55 | 0:26:59 | |
From the end of the eighth century BC, | 0:27:00 | 0:27:03 | |
people from all over the ancient world | 0:27:03 | 0:27:05 | |
would come to Delphi to consult the famous Oracle. | 0:27:05 | 0:27:09 | |
In truth, there's no railway station | 0:27:18 | 0:27:20 | |
very near to my destination of Delphi. | 0:27:20 | 0:27:24 | |
And, indeed, Bradshaw's recommends | 0:27:24 | 0:27:26 | |
taking a ferry and then continuing by carriage or on horseback. | 0:27:26 | 0:27:30 | |
In the village, I couldn't find a carriage | 0:27:30 | 0:27:33 | |
and so I'm having to hoof it | 0:27:33 | 0:27:36 | |
through these beautiful olive groves, serenaded by cicadas. | 0:27:36 | 0:27:40 | |
CICADAS CHIRRUP | 0:27:40 | 0:27:42 | |
'Today, I'm guided by Christina Stolis.' | 0:27:56 | 0:28:00 | |
Christina, my first time in Delphi and what a stunning place! | 0:28:01 | 0:28:06 | |
Very special indeed! | 0:28:06 | 0:28:08 | |
Bradshaw's says, "On the site of Delphi stood the village of Kastri, | 0:28:08 | 0:28:12 | |
"which was removed to another spot | 0:28:12 | 0:28:14 | |
"in order that the necessary excavations could be made". | 0:28:14 | 0:28:17 | |
-So a whole village was taken away? -Completely moved. | 0:28:17 | 0:28:20 | |
A whole village as of 1892 was relocated to round the corner, | 0:28:20 | 0:28:25 | |
a new modern village was built and the site is excavated. | 0:28:25 | 0:28:28 | |
And how did the villagers feel about it at the time? | 0:28:28 | 0:28:30 | |
-Not very happy to start with. -SHE LAUGHS | 0:28:30 | 0:28:33 | |
Can you imagine, people who essentially were goatherds, | 0:28:33 | 0:28:36 | |
who lived and died and were born in these houses, | 0:28:36 | 0:28:39 | |
not quite having the necessary education as well | 0:28:39 | 0:28:42 | |
to understand what it meant to live on top of Delphi. | 0:28:42 | 0:28:45 | |
'Once the modern village of Kastri had been moved works could begin. | 0:28:45 | 0:28:49 | |
'Train tracks were laid crisscrossing the site | 0:28:49 | 0:28:53 | |
'to take away thousands of wagonloads of earth.' | 0:28:53 | 0:28:56 | |
I'm trying to think, what would it have been like | 0:28:56 | 0:29:00 | |
for a 1913 traveller coming to Delphi, do you think? | 0:29:00 | 0:29:04 | |
Just imagine, Delphi's only been open to the public for ten years, | 0:29:04 | 0:29:08 | |
it's a brand-new site, | 0:29:08 | 0:29:09 | |
and all the scholars would be | 0:29:09 | 0:29:11 | |
willing to travel in the wilderness on mules | 0:29:11 | 0:29:14 | |
to get up here to see what they've | 0:29:14 | 0:29:16 | |
spent a lifetime, essentially, learning about. | 0:29:16 | 0:29:19 | |
'One intrepid British lady did exactly that.' | 0:29:19 | 0:29:23 | |
Agnes Conway visited Delphi in 1913, | 0:29:23 | 0:29:26 | |
which would be the same year that your book was written of course. | 0:29:26 | 0:29:28 | |
-It was indeed. -She's a British archaeologist. | 0:29:28 | 0:29:32 | |
'Agnes Conway came to study Greece's ancient sites | 0:29:33 | 0:29:37 | |
'and travelled widely throughout the Balkans, | 0:29:37 | 0:29:40 | |
'keeping an account of her experiences.' | 0:29:40 | 0:29:42 | |
She describes Delphi. | 0:29:44 | 0:29:45 | |
"At Delphi Greek history becomes intensely alive." | 0:29:45 | 0:29:49 | |
And her own description of the days in Delphi is pure bliss. | 0:29:49 | 0:29:54 | |
It is true that it makes the history come intensely alive. | 0:29:54 | 0:29:58 | |
What are the other constructions? | 0:30:06 | 0:30:07 | |
Obviously, I can see a theatre, but what were the other main buildings? | 0:30:07 | 0:30:11 | |
Well, other than the theatre and the stadium, | 0:30:11 | 0:30:13 | |
they created the oracle dedicated to Apollo, Zeus' favourite son, | 0:30:13 | 0:30:16 | |
the god of light, the god who can | 0:30:16 | 0:30:18 | |
best understand the will of his father, | 0:30:18 | 0:30:20 | |
therefore advise you on what to do. | 0:30:20 | 0:30:22 | |
I'm not sure I know what an oracle is. | 0:30:22 | 0:30:25 | |
Is it a person or a thing? | 0:30:25 | 0:30:27 | |
The Oracle of Delphi is essentially the whole site. | 0:30:27 | 0:30:30 | |
And at the centre of this site, the sanctuary, the Temple of Apollo. | 0:30:30 | 0:30:34 | |
And inside the temple once a month a local woman, the Pythia, | 0:30:34 | 0:30:37 | |
would go into the basement to inhale the spirit of the god, | 0:30:37 | 0:30:41 | |
which came out the ground in the form of vapours, | 0:30:41 | 0:30:43 | |
and in doing so she would become enthusiastic. | 0:30:43 | 0:30:46 | |
Divinely inspired, basically. | 0:30:46 | 0:30:48 | |
The Pythia possessed by a god, | 0:30:48 | 0:30:52 | |
or enthous in Greek, | 0:30:52 | 0:30:54 | |
would then answer people's questions. | 0:30:54 | 0:30:57 | |
Was there any scientific basis for this? | 0:30:59 | 0:31:04 | |
Well, nowadays geologists and geochemists will talk about | 0:31:04 | 0:31:07 | |
how fault lines intersect under the Temple of Apollo. | 0:31:07 | 0:31:10 | |
And gases seeped out the ground. Methane, ethane, | 0:31:10 | 0:31:12 | |
ethylene is what they've identified. | 0:31:12 | 0:31:15 | |
And that for the ancient Greeks would be divine manifestations | 0:31:15 | 0:31:18 | |
and so the oracle was built. | 0:31:18 | 0:31:21 | |
-And so a really very, very special place. -Very special. | 0:31:21 | 0:31:24 | |
The world, the Mediterranean came and met here in Delphi. | 0:31:24 | 0:31:27 | |
I'm making my way back to Livadia station | 0:31:40 | 0:31:43 | |
to catch my next train along the Athens-Thessaloniki line | 0:31:43 | 0:31:48 | |
bound for the port of Volos. | 0:31:48 | 0:31:50 | |
-Ah! A lovely, cool train. -Yes. -Thank goodness! | 0:32:10 | 0:32:14 | |
Joining me for the journey is Panagiotis Kakavas | 0:32:14 | 0:32:18 | |
from the Friends of the Greek Railway Association. | 0:32:18 | 0:32:22 | |
Panagiotis, the railways came quite late to Greece. | 0:32:22 | 0:32:26 | |
Tell me about the early developments in Greece. | 0:32:26 | 0:32:28 | |
We discover railway in...after 1885. | 0:32:28 | 0:32:32 | |
And from that year until 1916 | 0:32:32 | 0:32:37 | |
there was a...railway explosion, | 0:32:37 | 0:32:42 | |
a railway revolution. | 0:32:42 | 0:32:43 | |
In every single part of Greece there was a line. | 0:32:43 | 0:32:46 | |
What was driving that railway revolution? | 0:32:46 | 0:32:50 | |
Greece was...wanted to be a modern country like the West, | 0:32:50 | 0:32:54 | |
so only with railways this can be done. | 0:32:54 | 0:32:57 | |
Kharilaos Trikoupis, the Prime Minister at that time, | 0:32:57 | 0:33:01 | |
said, "We need railways." | 0:33:01 | 0:33:03 | |
Trikoupis began a far-reaching modernisation programme | 0:33:06 | 0:33:09 | |
to prepare the way for the absorption of the Greeks who | 0:33:09 | 0:33:12 | |
remained under Ottoman rule. | 0:33:12 | 0:33:14 | |
During this time, the Greek railway network | 0:33:17 | 0:33:19 | |
expanded from seven to around 700 miles of track. | 0:33:19 | 0:33:23 | |
Tell me about this railway, | 0:33:30 | 0:33:32 | |
the main railway from Athens to the north of Greece, | 0:33:32 | 0:33:34 | |
a spectacular railway, when was this built? | 0:33:34 | 0:33:37 | |
This line we're on now, 1890-1916. | 0:33:37 | 0:33:42 | |
Now that's a very important period politically speaking, | 0:33:42 | 0:33:45 | |
because, of course, the cities to the north | 0:33:45 | 0:33:48 | |
that this train is travelling to | 0:33:48 | 0:33:50 | |
-were not part of Greece until 1912, 1913. -Yes, yes. | 0:33:50 | 0:33:52 | |
Greece was getting bigger and bigger. | 0:33:52 | 0:33:56 | |
-And so the railways followed those borders. -Yes, exactly. | 0:33:56 | 0:33:59 | |
The Ottomans had always refused to | 0:33:59 | 0:34:02 | |
allow a rail connection between Athens and their empire. | 0:34:02 | 0:34:06 | |
So at the time of my Bradshaw's, | 0:34:06 | 0:34:08 | |
travelling all the way to the newly reconquered Thessaloniki by train | 0:34:08 | 0:34:12 | |
would not have been possible. | 0:34:12 | 0:34:14 | |
So when did a train first run between Thessaloniki and Athens? | 0:34:15 | 0:34:19 | |
The first train was the famous Simplon-Orient Express in 1920. | 0:34:19 | 0:34:23 | |
One and a half years after the connection. | 0:34:23 | 0:34:26 | |
The connection was completed in...1919. | 0:34:26 | 0:34:32 | |
And one year later, we had the first train. | 0:34:32 | 0:34:37 | |
In 1922, a new route for the Orient Express | 0:34:37 | 0:34:40 | |
was opened via the Simplon Tunnel | 0:34:40 | 0:34:43 | |
through the Alps between Switzerland and Italy. | 0:34:43 | 0:34:47 | |
Now Greece was connected physically, | 0:34:47 | 0:34:50 | |
as well as culturally and politically, to Western Europe. | 0:34:50 | 0:34:54 | |
How did Greece afford all these railways? | 0:34:54 | 0:34:57 | |
Actually, we didn't afford it, | 0:34:57 | 0:34:59 | |
we had our first bankruptcy...caused by the railway. | 0:34:59 | 0:35:05 | |
-The country actually went bust? -Yes. | 0:35:05 | 0:35:07 | |
All the companies building the railway ran out of money. | 0:35:07 | 0:35:10 | |
The Greek government had no money, so bankrupt. | 0:35:10 | 0:35:13 | |
-It sounds a bit like a modern story of Greece. -Yes. | 0:35:13 | 0:35:16 | |
The history...repeats itself. | 0:35:16 | 0:35:21 | |
'It soon becomes clear why building this railway proved so costly.' | 0:35:29 | 0:35:34 | |
Ah! | 0:35:34 | 0:35:36 | |
That is extraordinary! That is extraordinary! | 0:35:36 | 0:35:39 | |
This is the Gorgopotamos Viaduct. | 0:35:42 | 0:35:45 | |
At over 100m, it's one of the highest railway bridges in Greece. | 0:35:45 | 0:35:50 | |
After a change at Larissa, | 0:36:08 | 0:36:10 | |
I continue on the branch line east to Volos. | 0:36:10 | 0:36:13 | |
I've arrived in Volos, | 0:36:37 | 0:36:39 | |
which Bradshaw's tells me is the chief seaport of Thessaly, | 0:36:39 | 0:36:43 | |
with a thriving population. | 0:36:43 | 0:36:45 | |
This is one of the loveliest railway stations I've come across in Greece. | 0:36:45 | 0:36:49 | |
After this province became part of Greece in 1881, | 0:36:49 | 0:36:52 | |
it was a playground for foreign railway builders. | 0:36:52 | 0:36:56 | |
And here the Germans laid the tracks | 0:36:56 | 0:36:58 | |
and so they constructed a Bavarian-style railway station. | 0:36:58 | 0:37:02 | |
And what I find a bit of a joke | 0:37:02 | 0:37:04 | |
is that here we have a kind of alpine chalet | 0:37:04 | 0:37:07 | |
with palm trees outside it. | 0:37:07 | 0:37:09 | |
Modern Volos is built on the site of three ancient cities, | 0:37:17 | 0:37:21 | |
including the homeland of the mythological hero Jason | 0:37:21 | 0:37:25 | |
and his band of Argonauts. | 0:37:25 | 0:37:27 | |
And, luckily for me, I've arrived at dinner time. | 0:37:29 | 0:37:32 | |
The little harbour here is full of fishing boats, | 0:37:33 | 0:37:36 | |
so I'm very willing to believe | 0:37:36 | 0:37:38 | |
that this lovely seafood is entirely fresh. | 0:37:38 | 0:37:42 | |
So...let's try a little squid. | 0:37:42 | 0:37:46 | |
Ooh! Look at that, all those little tentacles. | 0:37:46 | 0:37:49 | |
Delicious. | 0:37:52 | 0:37:54 | |
TRADITIONAL GREEK MUSIC | 0:37:54 | 0:37:57 | |
And Volos has another traditional treat in store for me. | 0:37:57 | 0:38:00 | |
-Bravo! -Thank you, guys. APPLAUSE | 0:38:42 | 0:38:46 | |
As you may have noticed, I don't find it easy to ab-Zorba the Greek. | 0:38:48 | 0:38:52 | |
Today, my journey continues 16 miles south-east of Volos | 0:39:08 | 0:39:13 | |
at the station of Lehonia. | 0:39:13 | 0:39:15 | |
I'm catching the Little Train of Pelion to the village of Milies, | 0:39:18 | 0:39:23 | |
before travelling the final 150 miles of my Greek railway journey | 0:39:23 | 0:39:29 | |
to the city of Thessaloniki. | 0:39:29 | 0:39:32 | |
I want to visit the mountain top village of Milies. | 0:39:33 | 0:39:37 | |
And according to Bradshaw's there's a train from Volos. | 0:39:37 | 0:39:40 | |
But, no, the line has been discontinued, | 0:39:40 | 0:39:43 | |
so I've come to the station of the Lehonia. | 0:39:43 | 0:39:45 | |
And in 1913 the journey time was one hour and 15 minutes. | 0:39:45 | 0:39:49 | |
But judging by the age of this wonderful vintage rolling stock, | 0:39:49 | 0:39:54 | |
I think I'll be lucky to do it in that time today. | 0:39:54 | 0:39:57 | |
This line is only one foot, 11 and 5/8 of an inch wide, | 0:40:03 | 0:40:08 | |
making it one of the narrowest gauges in the world. | 0:40:08 | 0:40:11 | |
It was extended to my destination, Milies, in 1903. | 0:40:11 | 0:40:15 | |
I don't want to say that this train is slow, but a lame dog is faster. | 0:40:19 | 0:40:23 | |
Although it looks old, this locomotive is a disguised diesel, | 0:40:26 | 0:40:31 | |
installed after the coal-fired locomotives | 0:40:31 | 0:40:34 | |
caused numerous fires along the track. | 0:40:34 | 0:40:36 | |
It's called Moudzouris, which means 'smudger' in Greek, | 0:40:38 | 0:40:41 | |
a reference to the smoky engines of the past. | 0:40:41 | 0:40:44 | |
Our little narrow-gauge train has been winding through olive groves | 0:40:55 | 0:40:59 | |
and the passengers have been leaning out and seizing the fruit. | 0:40:59 | 0:41:03 | |
We've been passing streams and valleys, over bridges and viaducts. | 0:41:03 | 0:41:07 | |
This is the wonderful Kalorema viaduct. | 0:41:07 | 0:41:10 | |
We have fantastic views of the sea | 0:41:10 | 0:41:13 | |
and now we're winding up into the mountains. | 0:41:13 | 0:41:16 | |
Our little train has climbed a long way towards Mount Pelion. | 0:41:22 | 0:41:26 | |
This was the summer residence | 0:41:26 | 0:41:28 | |
of the 12 gods of Olympus in Greek mythology. | 0:41:28 | 0:41:31 | |
This was also the playground of the centaurs, | 0:41:31 | 0:41:34 | |
those mythological beasts that were half man and half horse. | 0:41:34 | 0:41:38 | |
We've arrived at Milies station, | 0:41:47 | 0:41:49 | |
but my ride isn't quite over yet. | 0:41:49 | 0:41:52 | |
MEN SHOUT IN GREEK | 0:41:53 | 0:41:55 | |
A single track means that everyone | 0:41:55 | 0:41:58 | |
must help to turn the engine around for its descent. | 0:41:58 | 0:42:01 | |
MEN SHOUT IN GREEK | 0:42:03 | 0:42:05 | |
MAN SHOUTS IN GREEK | 0:42:07 | 0:42:09 | |
Done! | 0:42:09 | 0:42:12 | |
HORN SOUNDS | 0:42:12 | 0:42:13 | |
Hello. | 0:42:26 | 0:42:28 | |
TRADITIONAL GREEK MUSIC | 0:42:45 | 0:42:47 | |
THEY TOAST IN GREEK | 0:43:05 | 0:43:06 | |
Have you lived here all your life? | 0:43:09 | 0:43:11 | |
I live all my life here. | 0:43:11 | 0:43:14 | |
My home is behind the church | 0:43:14 | 0:43:16 | |
and I was born in this church... | 0:43:16 | 0:43:18 | |
-76 years ago. -HE LAUGHS | 0:43:18 | 0:43:22 | |
The church is a big part of your life? | 0:43:22 | 0:43:25 | |
I like this, because I forget my problems. | 0:43:25 | 0:43:31 | |
If I am in the church, I leave more happy. | 0:43:31 | 0:43:35 | |
If I go out of the church, I am very unhappy | 0:43:35 | 0:43:38 | |
because I have many problems, | 0:43:38 | 0:43:41 | |
for my family, for my economic and everything. | 0:43:41 | 0:43:45 | |
It gives me...hope. | 0:43:45 | 0:43:48 | |
And Michalis is not alone. | 0:43:51 | 0:43:54 | |
Modern Greece's national identity | 0:43:54 | 0:43:56 | |
was defined by the Orthodox Church. | 0:43:56 | 0:43:59 | |
Today, about 97% of Greece's population | 0:44:02 | 0:44:05 | |
are still practising Orthodox Christians. | 0:44:05 | 0:44:09 | |
Your church is extraordinarily beautiful. It's wonderful. | 0:44:09 | 0:44:12 | |
Beautiful and very interesting. | 0:44:12 | 0:44:14 | |
In the time of the building of the church 400 years ago, | 0:44:14 | 0:44:18 | |
the Greek state live under the Turkish state. | 0:44:18 | 0:44:21 | |
So they made the church very, very secret from outside. | 0:44:21 | 0:44:26 | |
Not look like church from outside. | 0:44:26 | 0:44:29 | |
First without windows down, no windows down, | 0:44:29 | 0:44:32 | |
only small and high, nobody can see easy inside. | 0:44:32 | 0:44:37 | |
-Second without bang-bang. -Bell? | 0:44:37 | 0:44:40 | |
Bell and cross on the roof of the church. Nothing. | 0:44:40 | 0:44:44 | |
When constructing this clandestine church, | 0:44:44 | 0:44:48 | |
its builders were able to create another special thing, | 0:44:48 | 0:44:51 | |
a unique acoustic. | 0:44:51 | 0:44:54 | |
SOFT THUDDING | 0:44:54 | 0:44:56 | |
That's extraordinary! | 0:44:56 | 0:44:58 | |
Because there is not echo inside of the church. | 0:44:58 | 0:45:01 | |
If sing five person, hearing five different voices. | 0:45:01 | 0:45:05 | |
Oh, beautiful! | 0:45:05 | 0:45:07 | |
MICHALIS SINGS IN GREEK | 0:45:07 | 0:45:10 | |
-I am not singer. -MICHALIS LAUGHS | 0:45:40 | 0:45:43 | |
Bravo! | 0:45:43 | 0:45:45 | |
I do...I do only for the church. | 0:45:45 | 0:45:49 | |
MICHALIS LAUGHS | 0:45:49 | 0:45:50 | |
Thank you. Bye-bye. | 0:45:50 | 0:45:52 | |
I join the railway line back at Volos | 0:45:55 | 0:45:58 | |
to continue my journey north to the city of Thessaloniki. | 0:45:58 | 0:46:02 | |
I can't help noticing that I'm the only person on this train | 0:46:12 | 0:46:15 | |
over the age of 25 and not carrying a rucksack. | 0:46:15 | 0:46:19 | |
And I'm just wondering what is going on. | 0:46:19 | 0:46:22 | |
Excuse me. May I ask you, there are a lot of young people on this train, | 0:46:22 | 0:46:26 | |
a lot of young people with rucksacks. Why? | 0:46:26 | 0:46:28 | |
Where are you coming from or where are you going to? | 0:46:28 | 0:46:30 | |
We are coming from a festival | 0:46:30 | 0:46:31 | |
and we're returning back to our home city, Thessaloniki. | 0:46:31 | 0:46:34 | |
-So did you all have a good time? -Yes! -Amazing time, yes. | 0:46:34 | 0:46:38 | |
Is that a Bible? | 0:46:38 | 0:46:40 | |
No, this is not a Bible, | 0:46:40 | 0:46:42 | |
this is a 1913 guidebook. | 0:46:42 | 0:46:46 | |
-Original? -Absolutely original. Look. | 0:46:46 | 0:46:49 | |
We have all the timetables of the trains of 100 years ago. | 0:46:49 | 0:46:52 | |
And here we have all the hotels of 100 years ago. | 0:46:52 | 0:46:55 | |
And in the middle we have all the text | 0:46:55 | 0:46:58 | |
about the different countries of Europe including Greece, | 0:46:58 | 0:47:01 | |
but there's no mention of any festivals. | 0:47:01 | 0:47:04 | |
Oh. | 0:47:04 | 0:47:06 | |
-There's also a lot of dust in there. -There is. | 0:47:06 | 0:47:08 | |
MICHAEL LAUGHS | 0:47:08 | 0:47:09 | |
I don't envy the editor of Bradshaw's Guide 1913. | 0:47:25 | 0:47:30 | |
There was war in the Balkans | 0:47:30 | 0:47:32 | |
and international frontiers were changing fast. | 0:47:32 | 0:47:36 | |
Of the city of Thessaloniki, listed here under Turkey, | 0:47:36 | 0:47:41 | |
Bradshaw's says that it's been | 0:47:41 | 0:47:43 | |
captured by the Greeks since November 9th, 1912. | 0:47:43 | 0:47:46 | |
But in the year of publication, the Turks were mounting | 0:47:46 | 0:47:50 | |
an effective counterattack and seizing back territory in Europe. | 0:47:50 | 0:47:55 | |
Where would the border between Christendom | 0:47:55 | 0:47:58 | |
and the Islamic world end up? | 0:47:58 | 0:47:59 | |
'I shall find out tomorrow, after a night's rest in Thessaloniki.' | 0:48:01 | 0:48:05 | |
-Good morning! -Hello, how are you? | 0:48:20 | 0:48:22 | |
'I've reached the final stop on my railway journey | 0:48:22 | 0:48:25 | |
'across Greece, on the northern shores of the Aegean Sea.' | 0:48:25 | 0:48:28 | |
A beach-side breakfast in Thessaloniki. | 0:48:31 | 0:48:33 | |
It's said that when British 19th-century Romantics, | 0:48:33 | 0:48:37 | |
who were full of this notion that Classical Greece was | 0:48:37 | 0:48:39 | |
the cradle of Western civilisation, actually came to modern Greece, | 0:48:39 | 0:48:44 | |
they were shocked to find the local people performing dances that | 0:48:44 | 0:48:47 | |
were clearly Ottoman in origin, and smoking hookahs. | 0:48:47 | 0:48:51 | |
And here is the typical Greek breakfast - yoghurt and honey, | 0:48:51 | 0:48:56 | |
much as you might be served in Istanbul or Damascus or Beirut. | 0:48:56 | 0:49:00 | |
And here is Greek coffee... | 0:49:00 | 0:49:02 | |
Thick and grainy | 0:49:04 | 0:49:05 | |
because actually it's Turkish coffee. | 0:49:05 | 0:49:08 | |
So whilst the Greeks resented the occupation by a foreign power, | 0:49:08 | 0:49:13 | |
they actually absorbed Ottoman customs. | 0:49:13 | 0:49:16 | |
Thessaloniki, or Salonika in Bradshaw's, | 0:49:22 | 0:49:25 | |
is now Greece's second city. | 0:49:25 | 0:49:27 | |
But in 1913, fewer than a third of its inhabitants were Greek. | 0:49:28 | 0:49:33 | |
In fact, my guidebook notes - "About half the population are Jews, | 0:49:33 | 0:49:38 | |
"descendants of those driven out of Spain." | 0:49:38 | 0:49:40 | |
Bulgarians, Serbs, Albanians and Turks also lived here, | 0:49:41 | 0:49:46 | |
making turn-of-the-century Thessaloniki | 0:49:46 | 0:49:50 | |
a most extraordinarily diverse society. | 0:49:50 | 0:49:52 | |
Mr Hatzis, how nice to see you. | 0:49:53 | 0:49:56 | |
Hello. You're welcome. | 0:49:56 | 0:49:58 | |
And one clue to this fascinating past can be | 0:49:58 | 0:50:01 | |
found in Chousein Hatzis' pastry shop. | 0:50:01 | 0:50:05 | |
Wow! This is absolutely a beautiful shop. | 0:50:05 | 0:50:08 | |
-You have an astonishing variety... -Yeah! | 0:50:08 | 0:50:11 | |
..of different sweets here. | 0:50:11 | 0:50:13 | |
What are these? | 0:50:13 | 0:50:14 | |
This is typical baklava with walnuts. | 0:50:14 | 0:50:17 | |
What really is baklava? | 0:50:17 | 0:50:20 | |
Baklava is a typical Ottoman sweet. | 0:50:20 | 0:50:23 | |
We make it with pastry, with eggs, milk, sugar, butter. | 0:50:23 | 0:50:29 | |
And in Greece we eat it with walnuts, not with pistachio. | 0:50:29 | 0:50:35 | |
With almost all the peoples of the | 0:50:35 | 0:50:37 | |
Middle East, Eastern Mediterranean, Balkans, and Central Asia | 0:50:37 | 0:50:41 | |
claiming baklava as their national dessert, | 0:50:41 | 0:50:44 | |
its history is hotly contested. | 0:50:44 | 0:50:47 | |
But there is evidence that its current form was | 0:50:47 | 0:50:49 | |
developed in the kitchens of the Ottoman Sultan's palace. | 0:50:49 | 0:50:53 | |
I want to see for myself how this dish, so loved in Greece, is made. | 0:50:55 | 0:50:59 | |
Take up the rolling pin, right. | 0:51:04 | 0:51:06 | |
'First, roll out your filo pastry.' | 0:51:06 | 0:51:09 | |
No comment from the lady, so I think that may be OK. | 0:51:10 | 0:51:13 | |
SHE SPEAKS GREEK | 0:51:13 | 0:51:14 | |
Keep doing it all the way round, I've got the general idea. | 0:51:14 | 0:51:18 | |
Oh, my goodness! A bigger weapon, altogether! | 0:51:18 | 0:51:21 | |
Ah... | 0:51:22 | 0:51:25 | |
'Be sure to flour liberally between each | 0:51:25 | 0:51:28 | |
'sheet of pastry, to prevent sticking.' | 0:51:28 | 0:51:30 | |
I really think I've got the hang of this. | 0:51:32 | 0:51:34 | |
I'm on a roll! | 0:51:34 | 0:51:36 | |
The pastry is so thin, I can see my hand through it. | 0:51:38 | 0:51:42 | |
And every time they put another layer into the baking dish, | 0:51:42 | 0:51:46 | |
they put yet more butter into it. | 0:51:46 | 0:51:50 | |
Here go the walnuts. | 0:51:55 | 0:51:56 | |
Seems like pretty large quantities of walnuts, too. | 0:51:56 | 0:51:59 | |
More? | 0:51:59 | 0:52:01 | |
'And here's one I made earlier...' | 0:52:01 | 0:52:03 | |
That looks wonderful! | 0:52:03 | 0:52:04 | |
'Now, while it's warm, add the all-important sugar syrup.' | 0:52:04 | 0:52:09 | |
This much? | 0:52:09 | 0:52:10 | |
Oh, my goodness! All this on top?! | 0:52:10 | 0:52:13 | |
'To give our baklava its distinctive sticky texture.' | 0:52:13 | 0:52:16 | |
Huge quantities of syrup going on top now. | 0:52:16 | 0:52:19 | |
I've got to cover each one as I go. | 0:52:19 | 0:52:21 | |
More? More?! | 0:52:21 | 0:52:23 | |
More! | 0:52:23 | 0:52:24 | |
I always knew baklava was sweet, | 0:52:24 | 0:52:27 | |
but I had no idea it had this quantity of syrup in it. | 0:52:27 | 0:52:29 | |
Here we go. More! | 0:52:29 | 0:52:31 | |
And now to see whether my efforts would be fit for an Ottoman emperor. | 0:52:33 | 0:52:38 | |
I'm about to ingest an insane amount of sugar... | 0:52:41 | 0:52:44 | |
which will provide me | 0:52:46 | 0:52:47 | |
with a very sweet reminder of a happy day spent in Thessaloniki. | 0:52:47 | 0:52:53 | |
Wow! | 0:52:56 | 0:52:57 | |
But back in 1913, things weren't so agreeable. | 0:53:07 | 0:53:11 | |
I'm meeting local historian Anastasia Gaitanou, | 0:53:11 | 0:53:14 | |
better to understand the city's history. | 0:53:14 | 0:53:18 | |
Anastasia, at the time of my guidebook there are wars going on. | 0:53:18 | 0:53:21 | |
What are they about? | 0:53:21 | 0:53:23 | |
Well, this war, er, wars, are the so-called Balkan Wars. | 0:53:23 | 0:53:27 | |
They took place on the Balkan Peninsula. | 0:53:27 | 0:53:29 | |
This is where we are. | 0:53:29 | 0:53:30 | |
We are the south tip of the Balkan Peninsula. | 0:53:30 | 0:53:33 | |
And they were wars led mainly by the new countries that were being | 0:53:33 | 0:53:36 | |
established and formed on the Balkan Peninsula, | 0:53:36 | 0:53:39 | |
trying to get as much as they could from the decaying Ottoman Empire... | 0:53:39 | 0:53:43 | |
that was referred to as the "sick man of Europe". | 0:53:43 | 0:53:47 | |
Of course, they were trying to get access to the Aegean Sea, | 0:53:47 | 0:53:50 | |
trying to get as many of the ports as they could, | 0:53:50 | 0:53:53 | |
as much territory as they could, but also establish national states. | 0:53:53 | 0:53:58 | |
And was Thessaloniki an important strategic objective? | 0:53:58 | 0:54:02 | |
Absolutely. | 0:54:02 | 0:54:04 | |
It was considered, already in the Ottoman Empire, | 0:54:04 | 0:54:06 | |
the third most | 0:54:06 | 0:54:07 | |
important port after Constantinople, Istanbul today, and Izmir. | 0:54:07 | 0:54:11 | |
It is in the south tip of the Balkan Peninsula, | 0:54:11 | 0:54:15 | |
connecting, practically, Europe to Asia, to Africa. | 0:54:15 | 0:54:19 | |
At the outbreak of the First Balkan War, Greece pushed north. | 0:54:20 | 0:54:24 | |
In an unexpectedly rapid campaign, on the 26th October, 1912, | 0:54:26 | 0:54:31 | |
under the heir to the throne, Prince Constantine, the Greek army | 0:54:31 | 0:54:35 | |
rode into Thessaloniki claiming this all-important city for Greece. | 0:54:35 | 0:54:40 | |
Did the king manage to visit the city after it was liberated? | 0:54:41 | 0:54:44 | |
He came to Thessaloniki three days after it was liberated, | 0:54:44 | 0:54:48 | |
to show royal presence and to make it clear to everybody that this is | 0:54:48 | 0:54:52 | |
a Greek city now, because everybody wanted to have it and it was a huge | 0:54:52 | 0:54:57 | |
competition with the Bulgarians, who arrived only a few hours later. | 0:54:57 | 0:55:01 | |
He loved the city. | 0:55:01 | 0:55:02 | |
He loved the promenade of Thessaloniki and the seafront, | 0:55:02 | 0:55:06 | |
and he would walk many times along this promenade. | 0:55:06 | 0:55:09 | |
And usually he would walk without really that many escorts, | 0:55:09 | 0:55:12 | |
or bodyguards, just one or two which, of course, | 0:55:12 | 0:55:15 | |
at the end proved to be quite fatal. | 0:55:15 | 0:55:18 | |
Less than six months after the annexation of this city, | 0:55:19 | 0:55:23 | |
a horrific event would unexpectedly throw Greece into turmoil. | 0:55:23 | 0:55:27 | |
On these streets, | 0:55:29 | 0:55:31 | |
the reign of the beloved King George I of the Hellas | 0:55:31 | 0:55:35 | |
came to a tragic end. | 0:55:35 | 0:55:37 | |
Well, this is the very spot where he was assassinated in March of 1913. | 0:55:43 | 0:55:47 | |
He was shot through the heart by a teacher who was | 0:55:47 | 0:55:51 | |
jobless at the time, who was called a socialist and an anarchist, | 0:55:51 | 0:55:55 | |
and it was not a good thing to be called that in 1913. | 0:55:55 | 0:55:58 | |
And it was said that he had asked for financial support | 0:55:58 | 0:56:01 | |
by the king. It was not given to him, so he wanted revenge. | 0:56:01 | 0:56:04 | |
What were the political consequences of the assassination? | 0:56:04 | 0:56:07 | |
Well, the worst thing that happened afterwards | 0:56:07 | 0:56:09 | |
was the so-called National Schism. | 0:56:09 | 0:56:12 | |
Greece divided. Half of the population were supporting the ideas | 0:56:12 | 0:56:16 | |
of George I, who was a supporter of Russia, England and France. | 0:56:16 | 0:56:21 | |
He had ties to the British royal house, | 0:56:21 | 0:56:24 | |
his sister, Alexandra, was the wife of King Edward VII. | 0:56:24 | 0:56:28 | |
While his son and successor, King Constantine I, | 0:56:28 | 0:56:32 | |
was a supporter of Austria-Hungary and Germany. | 0:56:32 | 0:56:36 | |
His wife was the sister of Kaiser Wilhelm at the time. | 0:56:36 | 0:56:38 | |
So, two completely different approaches | 0:56:38 | 0:56:41 | |
and two completely different ideas that really tore Greece in two. | 0:56:41 | 0:56:46 | |
After nearly of century of nation-building under | 0:56:59 | 0:57:02 | |
the influence of the European powers, it was the breakdown | 0:57:02 | 0:57:05 | |
in their relationships that would ultimately divide Greek society. | 0:57:05 | 0:57:10 | |
A division that would have repercussions for Greek politics | 0:57:10 | 0:57:13 | |
up to the Second World War and beyond. | 0:57:13 | 0:57:16 | |
Greek history is steeped in blood. | 0:57:20 | 0:57:22 | |
Assassinations and numerous battles to gain | 0:57:22 | 0:57:25 | |
independence from the Ottoman Empire. | 0:57:25 | 0:57:28 | |
And after my Bradshaw's Guide, two world wars and civil war. | 0:57:28 | 0:57:33 | |
Modern Greece has suffered from inflated expectations. | 0:57:33 | 0:57:37 | |
For example, some British Romantics hoped for a reincarnation | 0:57:37 | 0:57:41 | |
of Classical Greek virtues and perfection. | 0:57:41 | 0:57:44 | |
No nation could live up to such an inflated ideal. | 0:57:44 | 0:57:49 | |
On my next journey, I'll hear how Black Forest fairytales | 0:57:51 | 0:57:55 | |
unified the Germans. | 0:57:55 | 0:57:57 | |
The forests came to stand for German-ness, | 0:57:57 | 0:58:00 | |
so they were really, really important in building up | 0:58:00 | 0:58:03 | |
this common heritage. | 0:58:03 | 0:58:06 | |
CLOCK CUCKOOS | 0:58:07 | 0:58:08 | |
'I'll try for a place amongst Germany's master carvers. | 0:58:08 | 0:58:13 | |
Not quite as clean as yours, but...' | 0:58:13 | 0:58:14 | |
But not too bad for the first one. | 0:58:14 | 0:58:17 | |
'And I'll get wind of an early-20th-century innovation | 0:58:17 | 0:58:20 | |
'still shaping German transport today.' | 0:58:20 | 0:58:23 | |
HE GROANS | 0:58:23 | 0:58:25 | |
Oh, blow me down! | 0:58:25 | 0:58:27 | |
Three, two, one... | 0:58:27 | 0:58:29 |