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I'm embarking on a new railway adventure | 0:00:03 | 0:00:06 | |
that will take me across the heart of Europe. | 0:00:06 | 0:00:09 | |
I'll be using this, my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:11 | 0:00:16 | |
which opened up an exotic world of foreign travel for the British tourist. | 0:00:16 | 0:00:21 | |
It told travellers where to go, | 0:00:21 | 0:00:24 | |
what to see and how to navigate the thousands of miles of tracks | 0:00:24 | 0:00:29 | |
crisscrossing the continent. | 0:00:29 | 0:00:31 | |
Now, a century later, I'm using my copy | 0:00:31 | 0:00:33 | |
to reveal an era of great optimism and energy, | 0:00:33 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe that, in 1913, | 0:00:42 | 0:00:46 | |
couldn't know that its way of life would shortly be swept aside | 0:00:46 | 0:00:51 | |
by the advent of war. | 0:00:51 | 0:00:52 | |
'I'm continuing a Swiss railway adventure, | 0:01:05 | 0:01:08 | |
'which has brought me from Zermatt, near the Italian border, | 0:01:08 | 0:01:11 | |
'to lakeside Montreux. | 0:01:11 | 0:01:13 | |
'From there, I'll travel to the capital, Bern. | 0:01:13 | 0:01:16 | |
'Then on through artisan country | 0:01:16 | 0:01:18 | |
'towards the international city of Geneva. | 0:01:18 | 0:01:21 | |
'Along the way, I'll make my cheesiest ever train journey.' | 0:01:21 | 0:01:25 | |
I like a food that requires you to drink wine. | 0:01:25 | 0:01:28 | |
So do I. | 0:01:28 | 0:01:29 | |
'..and salute the bravery of a pioneering Swiss pilot...' | 0:01:29 | 0:01:34 | |
Only when you go up in a small plane like this do you realise | 0:01:34 | 0:01:37 | |
what a formidable obstacle the Alps would have been a century ago. | 0:01:37 | 0:01:43 | |
'..before entering a war zone with the Red Cross.' | 0:01:45 | 0:01:49 | |
CLAMOUR | 0:01:49 | 0:01:52 | |
A most extraordinary turn of events. | 0:01:52 | 0:01:54 | |
For many 1913 travellers, | 0:02:01 | 0:02:03 | |
seeing Switzerland was a remarkable experience. | 0:02:03 | 0:02:07 | |
They were stimulated by its beauty, | 0:02:08 | 0:02:10 | |
mesmerised, having seen nothing like it. | 0:02:10 | 0:02:18 | |
And like them, I'm now experiencing the excitement of the unexpected... | 0:02:18 | 0:02:22 | |
..a vineyard called Chemin de Fer which is French for railway. | 0:02:24 | 0:02:29 | |
It's owned by wine grower Luc Massy. | 0:02:29 | 0:02:32 | |
I find you in a dry corner. | 0:02:32 | 0:02:33 | |
-Yes. -I was very excited when I heard about | 0:02:33 | 0:02:36 | |
a vineyard that was called Chemin de Fer | 0:02:36 | 0:02:40 | |
but I did not expect something so narrow. | 0:02:40 | 0:02:42 | |
How can you possibly produce wine from such a narrow strip? | 0:02:42 | 0:02:45 | |
Anyway, this region in Dezaley, everything is narrow. | 0:02:45 | 0:02:48 | |
We get walls, we get terraces, but every terrace is very, very narrow. | 0:02:48 | 0:02:53 | |
And we do cultivate everything by hand. | 0:02:53 | 0:02:56 | |
-And it stretches all along the line, does it? -Yes, it's going far away, | 0:02:56 | 0:02:59 | |
all along the side of the track is Dezaley Chemin de Fer. | 0:02:59 | 0:03:04 | |
I don't have to ask you why it's called Chemin de Fer | 0:03:08 | 0:03:11 | |
but when was it first called Chemin de Fer? | 0:03:11 | 0:03:14 | |
The first call is something like 100 years ago | 0:03:14 | 0:03:17 | |
because after they built the railway from Lausanne to Milano in 1860s, | 0:03:17 | 0:03:23 | |
I think it was more or less 15 years after, we get the vineyards, | 0:03:23 | 0:03:29 | |
and it was named Clos du Chemin de Fer. | 0:03:29 | 0:03:31 | |
And the railway must've taken the land away from the vineyards? | 0:03:31 | 0:03:34 | |
Yes, exactly. But all the big wall that you can see here | 0:03:34 | 0:03:38 | |
is very good for the vineyards | 0:03:38 | 0:03:41 | |
because we say we have first the sun, | 0:03:41 | 0:03:45 | |
the second sun is a reflection from the lake, | 0:03:45 | 0:03:47 | |
and the third sun is the heat from the wall. | 0:03:47 | 0:03:51 | |
Well, I've never seen anything like it in my life. | 0:03:51 | 0:03:53 | |
The vineyard has been in Luc's family for over 100 years. | 0:03:55 | 0:03:59 | |
His grandfather bought it in 1915 and now they are the only family | 0:03:59 | 0:04:04 | |
authorised to produce Dezaley Chemin de Fer. | 0:04:04 | 0:04:07 | |
The Chemin de Fer is made with grape Chasselas | 0:04:09 | 0:04:13 | |
and the Chasselas is native from this region. | 0:04:13 | 0:04:16 | |
But you will taste it. | 0:04:16 | 0:04:18 | |
It's a great, very delicate wine. | 0:04:18 | 0:04:21 | |
-Very good. -Are you happy with that? | 0:04:25 | 0:04:27 | |
Yeah. | 0:04:27 | 0:04:28 | |
2014, this wine is getting ripe now because if you drink it too early, | 0:04:28 | 0:04:35 | |
all the conditions are not good. | 0:04:35 | 0:04:37 | |
I'm enjoying it very much indeed. | 0:04:39 | 0:04:42 | |
I like to think that, in the early days of the railways, | 0:04:42 | 0:04:45 | |
when there were steam trains, some of the smut, some of the ashes, | 0:04:45 | 0:04:49 | |
might have fallen from the trains onto your terroir, onto your land, | 0:04:49 | 0:04:54 | |
and that might be tasted in the wine. | 0:04:54 | 0:04:56 | |
And if you don't mind me being irreverent, | 0:04:56 | 0:04:58 | |
I shall always remember this as Chateaux Choo-choo! | 0:04:58 | 0:05:02 | |
Chateaux Choo-choo, yeah. | 0:05:02 | 0:05:04 | |
'While I could happily linger on Switzerland's Riviera, | 0:05:10 | 0:05:14 | |
'Bradshaw's has more excitement in store.' | 0:05:14 | 0:05:17 | |
What a beautiful train. | 0:05:18 | 0:05:19 | |
It takes you back to a golden age. | 0:05:19 | 0:05:22 | |
'Each of its recommended itineraries offers a new adventure.' | 0:05:24 | 0:05:28 | |
Not only do the Swiss build great railways, | 0:05:36 | 0:05:39 | |
they market them brilliantly, too - | 0:05:39 | 0:05:41 | |
put glass panels in the roof, | 0:05:41 | 0:05:43 | |
give your trains names like Jungfraujoch, | 0:05:43 | 0:05:47 | |
Glacier Express or Golden Past, | 0:05:47 | 0:05:50 | |
and people will flock from all over the world, | 0:05:50 | 0:05:53 | |
possibly for the rail ride of their lifetime. | 0:05:53 | 0:05:57 | |
'I'm changing trains at Montbovon | 0:06:10 | 0:06:13 | |
'on the River Sarine in the Gruyere district. | 0:06:13 | 0:06:16 | |
'If you lived through the 1970s, | 0:06:19 | 0:06:21 | |
'you may recall that Swiss fondue was all the rage | 0:06:21 | 0:06:25 | |
'and, as a teenager, I had to have my own fondue set. | 0:06:25 | 0:06:30 | |
'So, with a real sense of bell-bottomed nostalgia, | 0:06:30 | 0:06:34 | |
'I joined the Train du Fromage | 0:06:34 | 0:06:35 | |
'to meet food historian Dominic Flammer.' | 0:06:35 | 0:06:39 | |
-Dominic, what do we have in here? -We have the wine inside. | 0:06:39 | 0:06:43 | |
We have first to heat the wine a little bit | 0:06:43 | 0:06:45 | |
so that the cheese will melt better. | 0:06:45 | 0:06:47 | |
It's called the caquelon, this thing, | 0:06:47 | 0:06:50 | |
a rechaud and a caquelon in French. | 0:06:50 | 0:06:52 | |
There isn't an English name for that, I imagine. | 0:06:52 | 0:06:55 | |
We are drinking a Chasselas, | 0:06:55 | 0:06:56 | |
because this is a wine with a high acidity | 0:06:56 | 0:06:59 | |
and this will help us to digest the whole cheese we will eat. | 0:06:59 | 0:07:03 | |
I like a food that requires you to drink wine. | 0:07:03 | 0:07:06 | |
So do I. | 0:07:06 | 0:07:07 | |
A-ha! Open my cheese. | 0:07:07 | 0:07:11 | |
'Aboard the moving train, | 0:07:11 | 0:07:13 | |
'the Gruyere and Vacherin come pre-packaged.' | 0:07:13 | 0:07:15 | |
A lovely smell is arising from it now, Dominic. | 0:07:16 | 0:07:19 | |
-Indeed. -It's a lovely consistency now. | 0:07:19 | 0:07:23 | |
'Originally, in its simplest form, | 0:07:23 | 0:07:26 | |
'bread, wine and cheese was a winter food for farmers | 0:07:26 | 0:07:29 | |
'high up in the Alps. | 0:07:29 | 0:07:31 | |
'But on this fondue express, it comes with one or two extras.' | 0:07:31 | 0:07:35 | |
-Do you want a little bit? -Yes, please. -With pleasure. | 0:07:35 | 0:07:38 | |
So this is like a cherry spirit, a kirsch? | 0:07:38 | 0:07:42 | |
It is a cherry spirit. | 0:07:42 | 0:07:44 | |
-Thank you. -You're welcome. | 0:07:44 | 0:07:46 | |
Ooh! | 0:07:48 | 0:07:49 | |
Smell it. Bon appetit, monsieur. | 0:07:49 | 0:07:51 | |
Merci bien. You should not lose the piece of bread. | 0:07:51 | 0:07:55 | |
-No. -You know what happens? | 0:07:55 | 0:07:56 | |
-I've no idea. -You have to offer me a glass of cherry, | 0:07:56 | 0:07:59 | |
and you have to drink one, too. | 0:07:59 | 0:08:01 | |
Wow, that's good, Dominic. | 0:08:08 | 0:08:10 | |
-Hello. -Hello. | 0:08:18 | 0:08:20 | |
-You have finished your fondue. -Yes, already. | 0:08:20 | 0:08:23 | |
Spectacular! Do you like to make a fondue? | 0:08:23 | 0:08:26 | |
Yes, I do, but we have to be very careful with the cheese, | 0:08:26 | 0:08:31 | |
because, when it's too young, when you are preparing it, | 0:08:31 | 0:08:35 | |
there becomes a little bit of oil on the top of the fondue, | 0:08:35 | 0:08:40 | |
and that's very bad. | 0:08:40 | 0:08:42 | |
-That's very bad? -Yes, and it's not very good to eat also. | 0:08:42 | 0:08:46 | |
So, if I were to cook a fondue... | 0:08:46 | 0:08:49 | |
-Yes? -..and if it turned out badly, I should blame the cheese? | 0:08:49 | 0:08:53 | |
Yes, of course! | 0:08:53 | 0:08:55 | |
-You're right. -That's great. | 0:08:55 | 0:08:57 | |
SHE LAUGHS | 0:08:57 | 0:09:00 | |
Of course! | 0:09:00 | 0:09:02 | |
'I can stick around no longer amongst all this Alpine cheesiness. | 0:09:05 | 0:09:09 | |
'The Swiss capital summons me.' | 0:09:09 | 0:09:11 | |
My next stop will be Bern. | 0:09:18 | 0:09:20 | |
Bradshaw's says that it's often mentioned | 0:09:20 | 0:09:23 | |
as the most picturesque town in Europe, | 0:09:23 | 0:09:25 | |
with wonderfully preserved medieval towers and fountains. | 0:09:25 | 0:09:29 | |
It's the seat of the Swiss Government. | 0:09:29 | 0:09:32 | |
Now, there's a couple of surprises. | 0:09:32 | 0:09:34 | |
I would never have included Bern on my tourist trail | 0:09:34 | 0:09:37 | |
and I don't suppose that many people could name it confidently | 0:09:37 | 0:09:41 | |
as the capital of this highly democratic country. | 0:09:41 | 0:09:45 | |
'Back in 1912, Switzerland's famed neutrality was tested. | 0:09:53 | 0:09:58 | |
'The German Kaiser paid a visit, hoping that if war came, | 0:09:58 | 0:10:02 | |
'Switzerland would cover Germany's southern flank against France. | 0:10:02 | 0:10:06 | |
'But despite a population whose majority was German-speaking, | 0:10:08 | 0:10:11 | |
'the Swiss resolutely refused to take sides. | 0:10:11 | 0:10:15 | |
'As the day draws to a close, | 0:10:16 | 0:10:19 | |
'I'm looking forward to exploring Bern in the morning.' | 0:10:19 | 0:10:22 | |
Overlooking the Aare River, Bern's picture postcard looks | 0:10:36 | 0:10:40 | |
belie its true claim to fame. | 0:10:40 | 0:10:43 | |
I'm on the hunt for Switzerland's seat of power. | 0:10:43 | 0:10:46 | |
Switzerland is a federation of 26 little states, | 0:10:54 | 0:10:58 | |
and its Parliament is behind me. | 0:10:58 | 0:11:00 | |
It also has a Federal Council, a seven-man joint presidency, | 0:11:00 | 0:11:05 | |
which has never been replaced at one fell swoop | 0:11:05 | 0:11:08 | |
since it was founded in 1848. | 0:11:08 | 0:11:11 | |
Even the legislation of Parliament | 0:11:11 | 0:11:13 | |
can be vetoed by public referendums. | 0:11:13 | 0:11:16 | |
So, the Swiss democracy relies on public consultation, | 0:11:16 | 0:11:20 | |
consensus and continuity. | 0:11:20 | 0:11:23 | |
They've done pretty well out of it. | 0:11:23 | 0:11:24 | |
Whilst I admire that balance and even-handedness, | 0:11:28 | 0:11:31 | |
I wish to explore the Swiss sense of adventure. | 0:11:31 | 0:11:34 | |
I'm following in the slipstream | 0:11:38 | 0:11:39 | |
of one of Bern's greatest aviation heroes. | 0:11:39 | 0:11:42 | |
Oskar Bider was a 22-year-old maverick pilot determined to become | 0:11:45 | 0:11:50 | |
the first person to fly across the Alps in 1913. | 0:11:50 | 0:11:54 | |
-Hello, Daniel. -Hi, Michael. -Good to see you. | 0:11:54 | 0:11:57 | |
'To relive that epic flight, | 0:11:57 | 0:12:00 | |
'I'm being taken aloft in a 1937 biplane | 0:12:00 | 0:12:03 | |
'by pilot Daniel Ogg.' | 0:12:03 | 0:12:05 | |
Now we make you look like a driver. | 0:12:05 | 0:12:09 | |
'Thankfully, Daniel is experienced. | 0:12:09 | 0:12:11 | |
'Bider obtained his pilot's licence after just a month.' | 0:12:11 | 0:12:15 | |
OK, Daniel. Let's go flying. | 0:12:20 | 0:12:23 | |
Yes, let's do it. | 0:12:23 | 0:12:24 | |
Even in a plane more modern than Bider's, | 0:12:28 | 0:12:32 | |
it all feels frighteningly flimsy. | 0:12:32 | 0:12:35 | |
OK, Michael, are you ready? | 0:12:38 | 0:12:40 | |
I'm ready. | 0:12:40 | 0:12:42 | |
OK. Up we go. | 0:12:42 | 0:12:44 | |
I must have crossed the Alps dozens of times, | 0:13:09 | 0:13:13 | |
but only when you go up in a small plane like this, a little biplane, | 0:13:13 | 0:13:18 | |
feels so flimsy and so tiny, | 0:13:18 | 0:13:21 | |
do you realise what a formidable obstacle | 0:13:21 | 0:13:24 | |
the Alps would have been | 0:13:24 | 0:13:27 | |
a century ago. | 0:13:27 | 0:13:28 | |
You had to be a very brave man to fly across them. | 0:13:29 | 0:13:33 | |
Following an unsuccessful attempt, | 0:13:44 | 0:13:47 | |
Bider set off again on the 13th of July 1913, | 0:13:47 | 0:13:51 | |
only a decade after the first plane ever | 0:13:51 | 0:13:54 | |
had been flown by the Wright brothers. | 0:13:54 | 0:13:56 | |
Flying in this wonderful biplane, | 0:14:00 | 0:14:03 | |
the Alps today are crystal clear and snowy covered. | 0:14:03 | 0:14:07 | |
He piloted his monoplane, rising to 11,800 feet, | 0:14:08 | 0:14:13 | |
across this mighty range, | 0:14:13 | 0:14:16 | |
setting a new altitude record | 0:14:16 | 0:14:18 | |
before landing safely in Milan. | 0:14:18 | 0:14:21 | |
Switzerland's Alps had been conquered from the air | 0:14:21 | 0:14:24 | |
in Bider's greatest triumph. | 0:14:24 | 0:14:27 | |
Just behind me is the Jungfraujoch, | 0:14:27 | 0:14:31 | |
the shoulder of mountain over which Oskar Bider flew. | 0:14:31 | 0:14:36 | |
Taking to the air helps me to appreciate | 0:14:45 | 0:14:48 | |
what this daring young man achieved, | 0:14:48 | 0:14:51 | |
and I salute his courage. | 0:14:51 | 0:14:53 | |
By 1913, the growing railway network | 0:15:05 | 0:15:09 | |
had made Switzerland a European transport hub, | 0:15:09 | 0:15:12 | |
as every year thousands of travellers | 0:15:12 | 0:15:15 | |
passed between southern and northern Europe. | 0:15:15 | 0:15:18 | |
They were tempted by the dizzying choice of routes | 0:15:18 | 0:15:21 | |
and lyrical descriptions in my Bradshaw's Guide. | 0:15:21 | 0:15:24 | |
My next stop will be Biel, | 0:15:26 | 0:15:28 | |
which Bradshaw's tells me is, "a busy place | 0:15:28 | 0:15:30 | |
"near the northern end of the Bielersee, | 0:15:30 | 0:15:33 | |
"a seat of the watchmaking trade." | 0:15:33 | 0:15:35 | |
It's time to see what makes Switzerland tick. | 0:15:35 | 0:15:39 | |
Biel in German, or Bienne in French - | 0:15:42 | 0:15:45 | |
the city straddles the two linguistic areas - | 0:15:45 | 0:15:48 | |
dates back to Celtic and Roman times. | 0:15:48 | 0:15:51 | |
By the time of my Bradshaw's, | 0:15:53 | 0:15:55 | |
it was already producing timepieces. | 0:15:55 | 0:15:58 | |
A key innovator in this field was watchmaking company Omega. | 0:15:58 | 0:16:02 | |
Hello, Petros. | 0:16:05 | 0:16:07 | |
Watch historian Petros Protopapas has offered to guide me | 0:16:07 | 0:16:11 | |
through this delicate craft. | 0:16:11 | 0:16:13 | |
Was there a reason why there were lots of Swiss people | 0:16:13 | 0:16:17 | |
who were so capable of doing this precision work? | 0:16:17 | 0:16:20 | |
They practically had to do it. | 0:16:20 | 0:16:22 | |
They had to learn it, they had to live by it, | 0:16:22 | 0:16:24 | |
because in the winter time, | 0:16:24 | 0:16:26 | |
a lot of Swiss people couldn't work the land, | 0:16:26 | 0:16:29 | |
so they had to learn a new trade, | 0:16:29 | 0:16:31 | |
like the trade to work machines, | 0:16:31 | 0:16:33 | |
the trade to create new pieces, to produce dials, to produce hands. | 0:16:33 | 0:16:36 | |
So it was a life-saving exercise. | 0:16:36 | 0:16:39 | |
In 1910, Omega developed the chronograph, | 0:16:40 | 0:16:43 | |
which included a stopwatch, | 0:16:43 | 0:16:45 | |
and it became a vital tool for the artillery | 0:16:45 | 0:16:48 | |
during the First World War. | 0:16:48 | 0:16:50 | |
It may be obvious to you, | 0:16:50 | 0:16:52 | |
but why is an accurate watch so useful to the military? | 0:16:52 | 0:16:55 | |
It was a question of survival. | 0:16:55 | 0:16:58 | |
You imagine yourself being on a trench - | 0:16:58 | 0:17:00 | |
you would need to know how far away you are from your enemy. | 0:17:00 | 0:17:04 | |
So the only way you can do this is if you have a chronograph | 0:17:04 | 0:17:08 | |
that has a so-called telemeter scale on it. | 0:17:08 | 0:17:10 | |
So imagine, you look on the horizon, | 0:17:10 | 0:17:13 | |
and you could make out the lighting, the flash of the gun being fired. | 0:17:13 | 0:17:17 | |
You would start instantly the chronograph at the flash you see. | 0:17:17 | 0:17:21 | |
And then when you hear the corresponding sound, | 0:17:21 | 0:17:23 | |
the bang of that very gun, | 0:17:23 | 0:17:25 | |
you would stop the chronograph, | 0:17:25 | 0:17:27 | |
and off the tip of the stopped seconds hand, | 0:17:27 | 0:17:30 | |
you can literally read the distance. | 0:17:30 | 0:17:32 | |
The newly developed watch on the wrist | 0:17:34 | 0:17:37 | |
was much easier to access than fiddling around for a fob. | 0:17:37 | 0:17:41 | |
I've been given very rare access to go behind the scenes. | 0:17:46 | 0:17:50 | |
-Hello, David. -Hello, Michael. How are you? -Very well. | 0:17:52 | 0:17:54 | |
-So many doors to come through. -Yes. | 0:17:54 | 0:17:57 | |
It's like a high security place. | 0:17:57 | 0:17:58 | |
So, please, remove your shoes. | 0:17:58 | 0:18:00 | |
-Next... -Hairnet. -Hairnet, yes. | 0:18:02 | 0:18:04 | |
It may look as though I'm ready to go into space, | 0:18:08 | 0:18:11 | |
but the deadly enemy of precision is dust. | 0:18:11 | 0:18:14 | |
What do you think? | 0:18:20 | 0:18:22 | |
Absolutely...absolutely extraordinary. | 0:18:22 | 0:18:25 | |
An enormous room. Obviously, beautifully clean, | 0:18:25 | 0:18:28 | |
-but also almost entirely quiet. -Yes. | 0:18:28 | 0:18:31 | |
Watchmaking, you know, we must be some kind of calm, you know? | 0:18:31 | 0:18:34 | |
Must be quiet. | 0:18:34 | 0:18:36 | |
Here, we only deal with the assembly of mechanical movements. | 0:18:36 | 0:18:40 | |
This tradition of hand-built watches dates back to 1848, | 0:18:40 | 0:18:45 | |
when Omega's 23-year-old founder Louis Brandt | 0:18:45 | 0:18:48 | |
began assembling watches from parts produced by local craftsmen. | 0:18:48 | 0:18:53 | |
We still need people, | 0:18:53 | 0:18:55 | |
we still rely on the judgment of the eye of the people. | 0:18:55 | 0:18:58 | |
We just leave, I would say, all the boring things to the automation, | 0:18:58 | 0:19:03 | |
and all the tricky things, all the assembly, | 0:19:03 | 0:19:05 | |
must be done by people. | 0:19:05 | 0:19:07 | |
David wants me to assemble the movement | 0:19:07 | 0:19:10 | |
used inside some of the company's most precise watches. | 0:19:10 | 0:19:13 | |
This one has 201 parts. | 0:19:13 | 0:19:16 | |
It's just like a Lego. | 0:19:16 | 0:19:18 | |
Remember that thing. It's an easy thing, watchmaking. | 0:19:18 | 0:19:21 | |
We have a main plate, we just add some wheels, we put a bridge on top, | 0:19:21 | 0:19:25 | |
screw them down, and it's finished. | 0:19:25 | 0:19:27 | |
Quite an easy thing. | 0:19:27 | 0:19:28 | |
But the problem is, they're rather tiny, these pieces. | 0:19:28 | 0:19:30 | |
Mm... We'll look at it. | 0:19:30 | 0:19:33 | |
You take the right one. | 0:19:33 | 0:19:35 | |
The right, the left one on the left. | 0:19:35 | 0:19:39 | |
Then...on top, you have to put the ratchet. | 0:19:39 | 0:19:45 | |
It's quite an easy thing. | 0:19:45 | 0:19:47 | |
'David is the quality control manager, | 0:19:47 | 0:19:49 | |
'so nothing escapes his eye.' | 0:19:49 | 0:19:52 | |
OK. Let me give that a go. | 0:19:52 | 0:19:54 | |
No. That one first. | 0:19:54 | 0:19:56 | |
This one first, for some reason. | 0:19:56 | 0:19:58 | |
-On the right. -On the right. That's easy enough. | 0:19:58 | 0:20:00 | |
-The left. -This one from the left. | 0:20:00 | 0:20:02 | |
-You're good. -On the left. | 0:20:02 | 0:20:05 | |
-Now, this is more difficult. -Yeah. -Tricky little fellows. | 0:20:05 | 0:20:09 | |
Now, this has a square hole. | 0:20:09 | 0:20:12 | |
-It's in. -I believe, er...yes. -It's in. | 0:20:14 | 0:20:17 | |
If that wasn't fiddly enough, | 0:20:17 | 0:20:19 | |
David is going to show me how to add five tiny drops of oil. | 0:20:19 | 0:20:23 | |
That is the tricky part, but it's also the fun part of the operation. | 0:20:23 | 0:20:28 | |
OK. We'll give this... | 0:20:28 | 0:20:30 | |
-I don't have very good eyesight, you know. -Let me show you. | 0:20:30 | 0:20:33 | |
-Each time you press the pedal... -Yes. -See? | 0:20:33 | 0:20:35 | |
-Ooh! -..you get some grease. | 0:20:35 | 0:20:38 | |
Three... | 0:20:42 | 0:20:43 | |
..four... | 0:20:44 | 0:20:45 | |
..five. | 0:20:47 | 0:20:48 | |
-What do you think, David? -Let me have a look. | 0:20:48 | 0:20:51 | |
OK. | 0:20:51 | 0:20:52 | |
-You know what? -Yes? -It's a terrible mess, you know? | 0:20:52 | 0:20:55 | |
There is way too much oil, | 0:20:55 | 0:20:56 | |
and you've put a lot of oil on top of the wheel. | 0:20:56 | 0:20:59 | |
-Yeah, I missed... -Yes, you missed. | 0:20:59 | 0:21:02 | |
-But you're not a watchmaker. -I'm not a watchmaker. | 0:21:02 | 0:21:04 | |
I congratulate the people in this room. | 0:21:04 | 0:21:06 | |
-That is so intricate. -Yeah. | 0:21:06 | 0:21:08 | |
Ah, the Swiss didn't become famous for their watches for nothing! | 0:21:08 | 0:21:11 | |
Suitably humbled, I'm heading back to the station, | 0:21:15 | 0:21:18 | |
and south once more to Lake Geneva. | 0:21:18 | 0:21:21 | |
-Bonjour, Monsieur. Ca va? -Ca va. | 0:21:27 | 0:21:30 | |
-Merci, Monsieur. -Merci. | 0:21:31 | 0:21:32 | |
In 1913, this journey would have taken over three hours by train, | 0:21:34 | 0:21:39 | |
but by Swiss InterCity today, | 0:21:39 | 0:21:41 | |
I'll arrive in just over an hour and a half. | 0:21:41 | 0:21:44 | |
I've followed my guidebook pace by pace. | 0:21:50 | 0:21:53 | |
"From the railway station, | 0:21:53 | 0:21:54 | |
"the broad rue descends to the Pont du Mont Blanc, | 0:21:54 | 0:21:58 | |
"across the end of the lake. | 0:21:58 | 0:22:00 | |
"The views from the bridge and from the neighbouring quays | 0:22:00 | 0:22:03 | |
"are very beautiful, especially on clear summer evenings." | 0:22:03 | 0:22:07 | |
I'm up early to explore my final destination, Geneva. | 0:22:17 | 0:22:22 | |
At the time of my Bradshaw's, | 0:22:24 | 0:22:26 | |
this small but already prosperous city, | 0:22:26 | 0:22:29 | |
beneath its emblem, the Jet d'Eau, | 0:22:29 | 0:22:31 | |
would have been buzzing and cosmopolitan. | 0:22:31 | 0:22:34 | |
But what truly marks this city out as world-class | 0:22:37 | 0:22:41 | |
is its involvement in international affairs. | 0:22:41 | 0:22:44 | |
The League of Nations was headquartered here, | 0:22:48 | 0:22:50 | |
where the first Geneva Conventions had been signed in 1864, | 0:22:50 | 0:22:55 | |
and it was the birthplace of | 0:22:55 | 0:22:57 | |
the International Committee of the Red Cross. | 0:22:57 | 0:22:59 | |
Just up the road from its imposing headquarters, | 0:23:03 | 0:23:06 | |
I'm extremely lucky to be getting access | 0:23:06 | 0:23:09 | |
to a Red Cross checkpoint exercise, | 0:23:09 | 0:23:11 | |
run by trainer Benjamin Varen. | 0:23:11 | 0:23:14 | |
In real life, you must have found yourself at military checkpoints | 0:23:14 | 0:23:17 | |
like the one you're simulating today. | 0:23:17 | 0:23:20 | |
Yes. I think the one that marked me the most was when I was | 0:23:20 | 0:23:22 | |
at a checkpoint and the soldiers there seemed intoxicated, | 0:23:22 | 0:23:27 | |
and it was a very, very tense situation, | 0:23:27 | 0:23:30 | |
because I had trouble connecting to them. | 0:23:30 | 0:23:32 | |
The first thing you need to do at a checkpoint is try to connect with | 0:23:32 | 0:23:35 | |
the people, and if you can't do that, it can go wrong | 0:23:35 | 0:23:38 | |
and it can be quite scary as well. | 0:23:38 | 0:23:40 | |
The shock of seeing 40,000 casualties | 0:23:42 | 0:23:44 | |
at the Battle of Solferino spurred Geneva businessmen Henri Dunant | 0:23:44 | 0:23:49 | |
to found the Red Cross. | 0:23:49 | 0:23:50 | |
Originally, it had a paid staff of only eight, | 0:23:52 | 0:23:55 | |
but that quickly grew after the First World War. | 0:23:55 | 0:23:58 | |
Today, it has over 14,000. | 0:23:58 | 0:24:00 | |
I've clearly stumbled upon a checkpoint. | 0:24:07 | 0:24:10 | |
The road is barred with a tree trunk, | 0:24:10 | 0:24:14 | |
and there are four or five heavily armed guys here, | 0:24:14 | 0:24:17 | |
who all look pretty menacing to me. | 0:24:17 | 0:24:20 | |
Not the sort of people you want to mess with. | 0:24:20 | 0:24:22 | |
Today, Dunant's abiding principles - | 0:24:24 | 0:24:26 | |
to provide a permanent relief agency for humanitarian aid in wartime - | 0:24:26 | 0:24:30 | |
are followed often in the face of great danger. | 0:24:30 | 0:24:33 | |
OK. Get out. Everybody out of the car. | 0:24:35 | 0:24:38 | |
Red Cross staff are now deployed in 80 countries, | 0:24:39 | 0:24:43 | |
and for these trainees, learning how to negotiate is key. | 0:24:43 | 0:24:47 | |
OK, on the line. Here. | 0:24:48 | 0:24:50 | |
Everyone. | 0:24:50 | 0:24:51 | |
I want to know what you are doing on this road. | 0:24:52 | 0:24:55 | |
We are heading to the hospital. | 0:24:55 | 0:24:57 | |
Here I have the notification that we received the agreement | 0:24:57 | 0:25:00 | |
with your government. | 0:25:00 | 0:25:02 | |
Give me your passports. | 0:25:02 | 0:25:03 | |
Tragically, attacks on the Red Cross have become more frequent, | 0:25:07 | 0:25:10 | |
and workers have often been targeted. | 0:25:10 | 0:25:13 | |
Is it OK for you if my colleague just check very fast | 0:25:15 | 0:25:18 | |
if you don't have any weapons, because it's about our security. | 0:25:18 | 0:25:20 | |
Come on, get it done. She's injured. | 0:25:20 | 0:25:23 | |
It seems that the situation is really deteriorating. | 0:25:23 | 0:25:26 | |
They've been here an awfully long time now. | 0:25:26 | 0:25:28 | |
Tempers are getting a little bit frayed. | 0:25:28 | 0:25:30 | |
Voices are now being raised. It's not going so well. | 0:25:30 | 0:25:33 | |
Give back the passports. | 0:25:33 | 0:25:34 | |
Thank you very much. | 0:25:37 | 0:25:38 | |
The Red Cross worker... | 0:25:38 | 0:25:39 | |
Check they're all there. | 0:25:39 | 0:25:40 | |
..is armed only with one of the most recognisable symbols in the world - | 0:25:40 | 0:25:45 | |
the Red Cross on a white background, | 0:25:45 | 0:25:48 | |
the reverse of the Swiss flag. | 0:25:48 | 0:25:49 | |
Do you have any safety and security information for us? | 0:25:50 | 0:25:54 | |
-What we have to do? -There's been shooting this morning in this area. | 0:25:54 | 0:25:57 | |
That's all I can tell you. Now, if you want to risk your life and | 0:25:57 | 0:25:59 | |
go this way, with the clearance you have received and the explanation | 0:25:59 | 0:26:03 | |
you have given me, OK, you can proceed. | 0:26:03 | 0:26:05 | |
It's at your own risk. | 0:26:05 | 0:26:06 | |
One, two, three. | 0:26:06 | 0:26:08 | |
Don't worry, don't worry. Stay calm. | 0:26:09 | 0:26:11 | |
It seems this group has successfully negotiated its way through. | 0:26:11 | 0:26:15 | |
GUNFIRE | 0:26:15 | 0:26:17 | |
Get down! Get down! | 0:26:17 | 0:26:20 | |
Move! Move down. | 0:26:20 | 0:26:21 | |
Move, move, move! Come on! | 0:26:27 | 0:26:29 | |
Move down! | 0:26:32 | 0:26:33 | |
Go to the car and move. | 0:26:33 | 0:26:36 | |
Now! | 0:26:36 | 0:26:37 | |
A most extraordinary turn of events. | 0:26:40 | 0:26:43 | |
Just as they'd negotiated their way through, we came under fire. | 0:26:43 | 0:26:47 | |
Explosions all around. | 0:26:47 | 0:26:48 | |
The soldiers have put them in the car. | 0:26:48 | 0:26:50 | |
A dramatic conclusion to events. | 0:26:55 | 0:26:58 | |
Seeing the Red Cross in action makes me realise what an impact | 0:27:00 | 0:27:05 | |
the qualities of this small nation have had. | 0:27:05 | 0:27:07 | |
A country dominated by mountains and, in winter, by snow, | 0:27:10 | 0:27:15 | |
has nonetheless possibly the world's most efficient railway system. | 0:27:15 | 0:27:20 | |
That suggests that the Swiss people are ingenious and exceptional. | 0:27:20 | 0:27:25 | |
They sell watches and banking services to the world, | 0:27:25 | 0:27:29 | |
and host several international organisations. | 0:27:29 | 0:27:32 | |
And yet, over the centuries, they've held themselves apart, | 0:27:32 | 0:27:37 | |
remaining neutral during two World Wars, | 0:27:37 | 0:27:40 | |
and staying out of Nato and the European Union. | 0:27:40 | 0:27:44 | |
Unlike most European countries, | 0:27:44 | 0:27:46 | |
neither their people nor their beautiful cities | 0:27:46 | 0:27:50 | |
have been devastated during the 20th century. | 0:27:50 | 0:27:53 | |
They have thrived on a fondue of prosperity and peace. | 0:27:53 | 0:27:59 | |
'Next time, I set my sights on the Italian Riviera...' | 0:28:00 | 0:28:04 | |
What do you say in Italian for "take that"? | 0:28:04 | 0:28:07 | |
Prendi la mira. | 0:28:07 | 0:28:09 | |
'..as I take off on a new Bradshaw's railway tour...' | 0:28:09 | 0:28:13 | |
My country's future depends on this. | 0:28:13 | 0:28:16 | |
'..for a taste of La Dolce Vita.' | 0:28:18 | 0:28:21 | |
-The secret of good pesto is... -Muscle! | 0:28:21 | 0:28:24 | |
Buono, buono, buono! I'm so excited! | 0:28:24 | 0:28:27 |