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I'm embarking on a new railway adventure that will take me across | 0:00:03 | 0:00:06 | |
the heart of Europe. | 0:00:06 | 0:00:09 | |
I'll be using this, my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:11 | 0:00:16 | |
which opened up an exotic world of foreign travel for the British tourist. | 0:00:16 | 0:00:21 | |
It told travellers where to go, | 0:00:21 | 0:00:23 | |
what to see and how to navigate the thousands of miles of tracks | 0:00:23 | 0:00:28 | |
crisscrossing the continent. | 0:00:28 | 0:00:29 | |
Now, a century later, | 0:00:29 | 0:00:31 | |
I'm using my copy to reveal an era of great optimism and energy, | 0:00:31 | 0:00:36 | |
where technology, industry, science and the arts were flourishing. | 0:00:36 | 0:00:41 | |
I want to rediscover that lost Europe that, in 1913, | 0:00:41 | 0:00:45 | |
couldn't know that its way of life would shortly be swept aside by the | 0:00:45 | 0:00:50 | |
advent of war. | 0:00:50 | 0:00:53 | |
I'm following one of my guidebook's recommended journeys to Switzerland, | 0:01:06 | 0:01:12 | |
a country whose roots date back to 1291. | 0:01:12 | 0:01:16 | |
Renowned for its breathtaking scenery and invigorating air, | 0:01:18 | 0:01:21 | |
it's home to four different languages | 0:01:21 | 0:01:24 | |
united under a single flag. | 0:01:24 | 0:01:27 | |
A traveller in Switzerland a century ago using a Bradshaw's Guide might | 0:01:27 | 0:01:32 | |
be here to climb a mountain, buy a watch, or open a bank account, | 0:01:32 | 0:01:37 | |
just as today. | 0:01:37 | 0:01:39 | |
But in 1913, war loomed. | 0:01:39 | 0:01:42 | |
Would this country's famous neutrality be respected or would its values be | 0:01:42 | 0:01:48 | |
used as a short cut by Germany and France to attack one another? | 0:01:48 | 0:01:53 | |
These were the great political questions as Europe slithered down | 0:01:54 | 0:01:59 | |
the slippery slope to Armageddon. | 0:01:59 | 0:02:01 | |
I start my journey in the south of the country, | 0:02:13 | 0:02:15 | |
high up in the Alps in Zermatt, then | 0:02:15 | 0:02:18 | |
head into the beautiful valleys and | 0:02:18 | 0:02:21 | |
lake shores to visit the Swiss Riviera at Montreux. | 0:02:21 | 0:02:24 | |
From there, I move north-east to the centre of the country and the | 0:02:26 | 0:02:30 | |
capital, Bern. | 0:02:30 | 0:02:32 | |
It's then only a short hop to Biel or Bienne - the heart of watchmaking. | 0:02:32 | 0:02:37 | |
I'll end my journey on the shores of Lake Geneva. | 0:02:38 | 0:02:41 | |
This time, I learn about the conquest of the Alps... | 0:02:45 | 0:02:48 | |
You know, the Matterhorn at that time, it was untouched. | 0:02:48 | 0:02:51 | |
And most people thought it's not climbable. | 0:02:51 | 0:02:55 | |
..Visit the Swiss birthplace of Stravinsky's great work. | 0:02:55 | 0:02:59 | |
It's really primitive music. | 0:02:59 | 0:03:01 | |
A violent piece and a violent reaction. | 0:03:01 | 0:03:03 | |
'And put my faith in St Bernard...' | 0:03:03 | 0:03:06 | |
Michael Portillo's the name. | 0:03:06 | 0:03:07 | |
-OK. -Last seen somewhere in the Alps. | 0:03:07 | 0:03:10 | |
My first stop will be Zermatt. | 0:03:18 | 0:03:21 | |
According to Bradshaw's, "A village 5,315 feet above sea, | 0:03:21 | 0:03:27 | |
"almost surrounded by lofty peaks and glaciers, | 0:03:27 | 0:03:31 | |
"sometimes described as the very centre of the Alps." | 0:03:31 | 0:03:36 | |
In the 19th century, the British were gripped by a spirit of adventure, | 0:03:36 | 0:03:41 | |
an urge to explore and to prevail. | 0:03:41 | 0:03:44 | |
And many of those lofty peaks were first conquered by teams that included | 0:03:44 | 0:03:49 | |
British climbers who devoted their lives to Alpinism. | 0:03:49 | 0:03:54 | |
When I arrive at Zermatt, | 0:03:54 | 0:03:55 | |
I shall be close to the most recognisable and forbidding of the Alps, the deadly Matterhorn. | 0:03:55 | 0:04:02 | |
It's important to remember that, | 0:04:07 | 0:04:08 | |
until the second half of the 19th century, | 0:04:08 | 0:04:11 | |
this majestic mountain wilderness at the heart of the world's most | 0:04:11 | 0:04:15 | |
densely populated continent remained largely inaccessible. | 0:04:15 | 0:04:19 | |
That began to change with the arrival of the railways. | 0:04:21 | 0:04:24 | |
British mountaineers, | 0:04:26 | 0:04:28 | |
who would have taken 16 days to travel from London to these | 0:04:28 | 0:04:32 | |
dangerous, unclimbed peaks, | 0:04:32 | 0:04:34 | |
could arrive in just three, | 0:04:34 | 0:04:35 | |
and the golden age of mountaineering was born. | 0:04:35 | 0:04:39 | |
The Alpine town of Zermatt, nestling in the Matter Valley, | 0:04:45 | 0:04:49 | |
is the gateway to these magnificent mountains. | 0:04:49 | 0:04:51 | |
Today, it's famous as a ski resort | 0:04:52 | 0:04:54 | |
but at the time of the early mountaineers, | 0:04:54 | 0:04:58 | |
it was a small village of only 400 people. | 0:04:58 | 0:05:00 | |
The Alps really could have been designed to teach man humility. | 0:05:01 | 0:05:05 | |
Surrounded by these mountains, you feel small and insignificant. | 0:05:05 | 0:05:10 | |
These peaks created a craze which | 0:05:13 | 0:05:16 | |
led to an influx of intrepid British adventurers. | 0:05:16 | 0:05:19 | |
And in order to carry them closer to the Matterhorn, | 0:05:26 | 0:05:29 | |
the indomitable Swiss railway engineers built the Gornergrat cog railway. | 0:05:29 | 0:05:34 | |
-Hello, Chris. -Hello. -Great to see you. -Nice to meet you. | 0:05:39 | 0:05:42 | |
I'm Michael. | 0:05:42 | 0:05:43 | |
'I'm meeting Chris, who works for this remarkable railway.' | 0:05:43 | 0:05:47 | |
My Bradshaw's says, | 0:05:48 | 0:05:49 | |
"The railway up from Zermatt to Gornergrat commands the grandest view obtainable | 0:05:49 | 0:05:54 | |
"in the Alps of the world of ice and snow." | 0:05:54 | 0:05:57 | |
So this railway was already built before 1913? | 0:05:57 | 0:06:01 | |
Yes, it was 15 years before. | 0:06:01 | 0:06:04 | |
This is extraordinary because many of the Alps were only climbed for | 0:06:04 | 0:06:08 | |
the first time in the 19th century, yet by the end of the 19th century | 0:06:08 | 0:06:12 | |
the Swiss are able to build railways to the tops of mountains. | 0:06:12 | 0:06:15 | |
Yes. The cog railways were invented in 1860, about. | 0:06:15 | 0:06:19 | |
The first were in America and the Gornergrat Bahn was then 1898. | 0:06:19 | 0:06:25 | |
From the beginning, it was an electric cog wheel and not with | 0:06:25 | 0:06:28 | |
steam, and our grand-grandfathers, they really were | 0:06:28 | 0:06:31 | |
experts and pioneers. | 0:06:31 | 0:06:34 | |
The Gornergrat trains operate on gradients as steep as 20% | 0:06:34 | 0:06:41 | |
using a cog that grips a racked rail running between the tracks. | 0:06:41 | 0:06:46 | |
The traveller in 1913 would have marvelled at the engineering and | 0:06:46 | 0:06:50 | |
been treated on a clear day to an awe-inspiring view across 29 peaks exceeding 4,000 metres. | 0:06:50 | 0:06:58 | |
Is that the Matterhorn appearing there? | 0:06:59 | 0:07:01 | |
That would be the Matterhorn, yes. | 0:07:01 | 0:07:03 | |
4,478 metres above sea level. | 0:07:03 | 0:07:06 | |
The queen of the mountains. | 0:07:08 | 0:07:10 | |
Although I'm a plucky sort of fellow in fine physical condition with | 0:07:14 | 0:07:18 | |
tremendous stamina, | 0:07:18 | 0:07:20 | |
it's a huge relief that the changeable weather scuppers any chance of a summit bid. | 0:07:20 | 0:07:25 | |
I'm meeting Benedikt Perren, | 0:07:32 | 0:07:34 | |
who is directly descended from two of the guides who made the first | 0:07:34 | 0:07:38 | |
ascent of the Matterhorn in 1865. | 0:07:38 | 0:07:41 | |
-Hello, Benedikt. -Hi, Michael. | 0:07:42 | 0:07:44 | |
-Nice to meet you up here. -Good to see you and a great place to meet. | 0:07:44 | 0:07:47 | |
Great spot, yes. | 0:07:47 | 0:07:48 | |
Why do you think that the British were such keen mountain climbers | 0:07:48 | 0:07:52 | |
-here in the Alps? -You know, the British were used to travel | 0:07:52 | 0:07:55 | |
and the British had the money to travel and they realised that there | 0:07:55 | 0:08:02 | |
is a lot of first ascents to do | 0:08:02 | 0:08:04 | |
and they were very keen to reach that goal. | 0:08:04 | 0:08:07 | |
What was so special about the Matterhorn? | 0:08:07 | 0:08:10 | |
You know, the Matterhorn, at that time, | 0:08:10 | 0:08:12 | |
it was untouched and most people in Zermatt thought it's not climbable. | 0:08:12 | 0:08:18 | |
Tell me about the first successful conquest of the Matterhorn. | 0:08:18 | 0:08:23 | |
You know, we had four British climbers, | 0:08:23 | 0:08:25 | |
all four members of British Alpine Club. | 0:08:25 | 0:08:28 | |
This fearless group comprised Edward Whymper who, at 25, | 0:08:28 | 0:08:33 | |
had already made seven unsuccessful attempts, Lord Francis Douglas, | 0:08:33 | 0:08:38 | |
the Reverend Charles Hudson, and the novice of the group, Douglas Hadow. | 0:08:38 | 0:08:42 | |
They were joined by Alpine guides Michel Croz, and Benedikt's relatives, | 0:08:43 | 0:08:48 | |
Peter Taugwalder and his son, also called Peter. | 0:08:48 | 0:08:51 | |
They set off at 5:30 on a brilliant and perfectly cloudless morning and | 0:08:54 | 0:09:00 | |
a day later, after an incident-free climb, | 0:09:00 | 0:09:03 | |
they arrived 200 feet below the summit. | 0:09:03 | 0:09:05 | |
Whymper wanted to be the first on the summit. | 0:09:05 | 0:09:10 | |
He and Michel Croz, their French guide, | 0:09:10 | 0:09:13 | |
the two of them did run up to the summit and the others, | 0:09:13 | 0:09:16 | |
they followed probably 20 minutes later. | 0:09:16 | 0:09:19 | |
Whymper had done what everyone thought was impossible. | 0:09:19 | 0:09:22 | |
He'd conquered the Matterhorn. | 0:09:22 | 0:09:24 | |
Whymper and the two Taugwalders, they stood a bit longer on the summit. | 0:09:25 | 0:09:30 | |
Probably half an hour later, | 0:09:30 | 0:09:31 | |
the three of them did start their way down and they caught up with the | 0:09:31 | 0:09:35 | |
other four very quick. | 0:09:35 | 0:09:37 | |
On the way down, it was Hadow... | 0:09:41 | 0:09:44 | |
..who slipped and started to fall and the rope was not strong enough | 0:09:46 | 0:09:53 | |
and then it... | 0:09:53 | 0:09:54 | |
-How do you say? -Snapped. -It snapped, yes. | 0:09:54 | 0:09:56 | |
Four climbers fell down the whole north face. | 0:09:56 | 0:10:00 | |
A momentous tragedy, a terrible loss of life. | 0:10:00 | 0:10:04 | |
Yes, that was a big tragedy. | 0:10:04 | 0:10:06 | |
Out of the party that climbed the mountain, | 0:10:06 | 0:10:08 | |
only Whymper and the two Taugwalders escaped with their lives. | 0:10:08 | 0:10:12 | |
Climbing equipment in the 1860s was rudimentary. | 0:10:13 | 0:10:17 | |
Is this the sort of boot that Hadow had? | 0:10:17 | 0:10:19 | |
Yes, exactly a boot like that. | 0:10:19 | 0:10:20 | |
The only hold you've got is these nails here and that was basically | 0:10:20 | 0:10:26 | |
the reason why he started to slide, you know. | 0:10:26 | 0:10:29 | |
Really, you think Hadow was killed, and the others too, | 0:10:29 | 0:10:32 | |
because of a defective boot? | 0:10:32 | 0:10:34 | |
Yeah, you know, that was one of the main reasons. | 0:10:34 | 0:10:36 | |
Hadow was basically not a very experienced climber. | 0:10:36 | 0:10:41 | |
On the other hand, he was not very well equipped. | 0:10:41 | 0:10:44 | |
Despite your family's involvement in that tragedy, | 0:10:44 | 0:10:47 | |
you have climbed the Matterhorn. | 0:10:47 | 0:10:48 | |
How many times? | 0:10:48 | 0:10:50 | |
Right now, I've been 250 times on the summit. | 0:10:50 | 0:10:54 | |
That's extraordinary. What's it like to be at the top of the Matterhorn? | 0:10:54 | 0:10:57 | |
Great, you know. | 0:10:57 | 0:10:58 | |
You are surrounded by all the big mountains of the Alps and you have a | 0:10:58 | 0:11:03 | |
very good panoramic view and very emotional moments up there. | 0:11:03 | 0:11:09 | |
Even today's climbers treat the Matterhorn with the utmost respect | 0:11:09 | 0:11:14 | |
because, despite many triumphs, about 500 lives have been lost. | 0:11:14 | 0:11:18 | |
And for Whymper, the tragedy cast a shadow over the rest of his life. | 0:11:21 | 0:11:26 | |
He wrote, "Climb if you will but remember that courage and strength | 0:11:26 | 0:11:32 | |
"are naught without prudence and that a momentary negligence | 0:11:32 | 0:11:36 | |
"may destroy the happiness of a lifetime". | 0:11:36 | 0:11:39 | |
I'm heading to safer ground and descending more than 2,500 metres to the valley below. | 0:11:43 | 0:11:50 | |
Wherever I go in Switzerland, | 0:11:52 | 0:11:54 | |
I am astonished by the quality of the railway civil engineering. | 0:11:54 | 0:11:59 | |
We are now passing through the Kipfen Gorge. | 0:11:59 | 0:12:02 | |
The Swiss really managed to tame their mountains. | 0:12:02 | 0:12:06 | |
And when you think that so much of this was done during the 19th century | 0:12:06 | 0:12:09 | |
and that many of these lines have been electrified for more than a | 0:12:09 | 0:12:13 | |
century, it adds to the sense of wonder. | 0:12:13 | 0:12:15 | |
They didn't do this by steam-rolling public opinion. | 0:12:15 | 0:12:18 | |
In this extraordinary democracy, | 0:12:18 | 0:12:20 | |
many of the most important things are settled by referendum. | 0:12:20 | 0:12:24 | |
I'm arriving in the town of Visp | 0:12:25 | 0:12:28 | |
where I'll be able to admire more examples of Swiss railway building. | 0:12:28 | 0:12:32 | |
I'm catching a connection to Martigny, | 0:12:32 | 0:12:35 | |
cultural capital of the French-speaking Canton of Valais. | 0:12:35 | 0:12:40 | |
Bradshaw's tells me that, "Near Martigny | 0:12:40 | 0:12:42 | |
"is the Hospice of the Great St Bernard, | 0:12:42 | 0:12:45 | |
"whose monks assist travellers in the dangers from storm and | 0:12:45 | 0:12:49 | |
"avalanche, aided by their dogs. | 0:12:49 | 0:12:53 | |
"One, called Barry, helped to save 14 persons." | 0:12:53 | 0:12:57 | |
Martigny is at one end of the snowy, perilous, | 0:13:05 | 0:13:08 | |
49-mile Great St Bernard Pass that links Switzerland to Italy. | 0:13:08 | 0:13:13 | |
It's snow-free only for a couple of months in the summer and has been a | 0:13:14 | 0:13:18 | |
treacherous route for travellers throughout history. | 0:13:18 | 0:13:21 | |
SHE SPEAKS IN OWN LANGUAGE | 0:13:25 | 0:13:27 | |
Hello. | 0:13:27 | 0:13:28 | |
'I've come to the Barry Foundation to meet Doris Kundig and the | 0:13:28 | 0:13:32 | |
'descendants of St Bernard's famous Alpine mastiffs.' | 0:13:32 | 0:13:35 | |
Doris, what was the origin of the story of the St Bernard dogs? | 0:13:37 | 0:13:41 | |
The story of the St Bernard started at the Great St Bernard Pass | 0:13:41 | 0:13:45 | |
where, in the 12th century, St Bernard founded a hospice. | 0:13:45 | 0:13:50 | |
The canons up there started to have dogs. | 0:13:50 | 0:13:54 | |
They first were used as working dogs and then soon, | 0:13:54 | 0:13:58 | |
they found out about their ability to smell and to find the orientation. | 0:13:58 | 0:14:04 | |
'The St Bernard's powerful sense of smell and resistance to cold | 0:14:04 | 0:14:08 | |
'meant that over a 150-year period up to 2,000 people, | 0:14:08 | 0:14:13 | |
'from lost children to Napoleon's soldiers, | 0:14:13 | 0:14:15 | |
'were rescued by the heroic dogs, | 0:14:15 | 0:14:18 | |
'and one in particular excelled.' | 0:14:18 | 0:14:21 | |
Tell me about the original dog called Barry. | 0:14:21 | 0:14:25 | |
Well, this is our national hero, as to say. | 0:14:25 | 0:14:28 | |
He lived between 1800 and 1812 at the hospice | 0:14:28 | 0:14:32 | |
and he saved the lives of about 40 people. | 0:14:32 | 0:14:35 | |
-40? -40, yeah. | 0:14:35 | 0:14:37 | |
So he got very famous because of that because he seemed to be | 0:14:37 | 0:14:42 | |
the one dog that really had the ability to find people, | 0:14:42 | 0:14:46 | |
to rescue people or just to keep them away from danger. | 0:14:46 | 0:14:49 | |
Although today, St Bernards are no longer used in rescues, | 0:14:50 | 0:14:54 | |
the Foundation is keeping alive the original line with its 27 bitches | 0:14:54 | 0:14:59 | |
and eight dogs. | 0:14:59 | 0:15:00 | |
And how do you find working with St Bernards? | 0:15:00 | 0:15:03 | |
What's the character of these dogs? | 0:15:03 | 0:15:04 | |
Well, they are very lazy, they are very gentle, | 0:15:04 | 0:15:09 | |
they are stubborn | 0:15:09 | 0:15:12 | |
but they want to have a contact with people. | 0:15:12 | 0:15:15 | |
And to preserve traditions, | 0:15:16 | 0:15:18 | |
the Foundation always trains one dog in avalanche search and rescue. | 0:15:18 | 0:15:22 | |
In the spirit of adventure, I've offered to be the buried victim. | 0:15:28 | 0:15:32 | |
'Although it's spring here in the Alps, | 0:15:33 | 0:15:35 | |
'there is an annual snowfall of ten metres.' | 0:15:35 | 0:15:38 | |
Thank you. | 0:15:38 | 0:15:39 | |
'And temperatures drop to minus 30.' | 0:15:39 | 0:15:41 | |
Whoa! It's deep snow! | 0:15:43 | 0:15:45 | |
-Hello, Daniel. -Michael. | 0:15:45 | 0:15:47 | |
-You are welcome. -And who's this? | 0:15:47 | 0:15:49 | |
-Easy. -Easy? | 0:15:49 | 0:15:51 | |
Easy. A real St Bernard. | 0:15:51 | 0:15:53 | |
'It takes three years to train a dog. | 0:15:53 | 0:15:55 | |
'Here's hoping she's got something of the Barry about her.' | 0:15:55 | 0:15:59 | |
What do I need to do? Just get in there? | 0:15:59 | 0:16:01 | |
Yes, you go inside. | 0:16:01 | 0:16:02 | |
-Yes. -Then I give you the toy. | 0:16:02 | 0:16:05 | |
-The toy? -Yes, the toy, Easy's toy. | 0:16:05 | 0:16:08 | |
-Oh, Easy's toy. -Yes. | 0:16:08 | 0:16:09 | |
You can also play with it. | 0:16:09 | 0:16:11 | |
One second. So I give you the toy. | 0:16:12 | 0:16:14 | |
Thank you very much indeed. | 0:16:14 | 0:16:15 | |
And I give you a little bit meat | 0:16:15 | 0:16:17 | |
to say thank you to Easy that she will get you out. | 0:16:17 | 0:16:21 | |
You won't forget about me, will you? | 0:16:21 | 0:16:23 | |
Michael Portillo's the name. | 0:16:23 | 0:16:24 | |
-OK. -Last seen somewhere in the Alps. | 0:16:24 | 0:16:27 | |
'Now, I know this doesn't look very scientific, | 0:16:31 | 0:16:34 | |
'but Easy is only in the first year of her training.' | 0:16:34 | 0:16:38 | |
Vas-y, vas-y, vas-y. | 0:16:38 | 0:16:40 | |
'Time to put that nose to the test.' | 0:16:40 | 0:16:43 | |
Easy! Help! Easy! | 0:16:49 | 0:16:53 | |
'Hm. Easy has some way to go before she reaches Barry's standard.' | 0:16:53 | 0:16:57 | |
Vas-y, vas-y, vas-y. | 0:16:57 | 0:16:59 | |
'That's the toy, but what about me?' | 0:17:12 | 0:17:15 | |
Peter, can you get me out of here, please? | 0:17:15 | 0:17:18 | |
Ah! | 0:17:18 | 0:17:19 | |
HE LAUGHS | 0:17:19 | 0:17:21 | |
Nowadays, St Bernards don't bring brandy with them. | 0:17:21 | 0:17:23 | |
Mm. | 0:17:25 | 0:17:27 | |
But when you've been in an avalanche for a while, | 0:17:27 | 0:17:29 | |
this is exactly what you need. | 0:17:29 | 0:17:31 | |
After all that excitement, | 0:17:39 | 0:17:41 | |
I'm heading away from the high Alps to the Switzerland of the lakes. | 0:17:41 | 0:17:45 | |
For 1913 travellers coming from industrialised countries, | 0:17:45 | 0:17:49 | |
this pure and invigorating air must have been intoxicating. | 0:17:49 | 0:17:53 | |
For the first part of my journey today, | 0:17:55 | 0:17:57 | |
I'll be travelling along what Bradshaw's calls "The magnificent Rhone Valley". | 0:17:57 | 0:18:02 | |
That river flows through Switzerland, entering Lac Leman near Montreux, | 0:18:02 | 0:18:06 | |
exits at Geneva and then abandons Switzerland for France. | 0:18:06 | 0:18:11 | |
Can I help you? Let me pass that up to you. | 0:18:14 | 0:18:16 | |
There we go. | 0:18:19 | 0:18:20 | |
Prochain arret St Mauritz. | 0:18:23 | 0:18:25 | |
Jusqu'a Montreux. | 0:18:26 | 0:18:28 | |
-Tres bien. Merci. Bon voyage. -Merci, monsieur. | 0:18:28 | 0:18:31 | |
Montreux's dramatic location on the east side of Lake Geneva | 0:18:43 | 0:18:48 | |
helped it in the late 19th century to become a famous holiday resort. | 0:18:48 | 0:18:52 | |
It attracted celebrated residents and visitors, and became a feature | 0:18:57 | 0:19:02 | |
of what was known as the Swiss Riviera. | 0:19:02 | 0:19:04 | |
Few of those eminent visitors could predict that the world order was | 0:19:09 | 0:19:14 | |
about to be torn apart by a Great War and a revolution in Russia. | 0:19:14 | 0:19:18 | |
But in fact, well before that, developments in art - | 0:19:20 | 0:19:24 | |
think of the paintings of Pablo Picasso - | 0:19:24 | 0:19:27 | |
are already shaking the foundations of the pompous old empires. | 0:19:27 | 0:19:32 | |
And in the world of music, | 0:19:32 | 0:19:34 | |
the work of Igor Stravinsky is, in its way, as revolutionary as anything by | 0:19:34 | 0:19:40 | |
Marx or Lenin, and threatened to bring the house down. | 0:19:40 | 0:19:44 | |
In 1910, Stravinsky was a young, | 0:19:48 | 0:19:51 | |
virtually unknown composer but his music for the ballet The Firebird | 0:19:51 | 0:19:56 | |
was an overnight sensation. | 0:19:56 | 0:19:57 | |
Impresario Sergei Diaghilev swiftly commissioned him to write another. | 0:19:59 | 0:20:03 | |
I'm meeting Isabel in Montreux's famous home of music. | 0:20:08 | 0:20:12 | |
Isabel, we are in the beautiful concert hall named after Igor Stravinsky. | 0:20:13 | 0:20:18 | |
Why did Stravinsky come to Montreux? | 0:20:18 | 0:20:20 | |
Well, he first came here in 1910 because his wife was not very healthy and | 0:20:20 | 0:20:26 | |
the temperature here in Montreux was better for her. | 0:20:26 | 0:20:29 | |
What was it that Stravinsky achieved here in Montreux? | 0:20:29 | 0:20:32 | |
Well, he wrote The Rite Of Spring. | 0:20:32 | 0:20:33 | |
During the summer of 1911, | 0:20:38 | 0:20:40 | |
Stravinsky immersed himself in the piece, which appeared fundamentally | 0:20:40 | 0:20:44 | |
at odds with the rest of the musical world. | 0:20:44 | 0:20:47 | |
He finished it on 4th November, 1912, | 0:20:47 | 0:20:50 | |
and premiered it in Paris in 1913. | 0:20:50 | 0:20:53 | |
The story concerns a prehistoric Russian tribe that celebrates | 0:21:02 | 0:21:07 | |
the arrival of spring with a virgin sacrifice. | 0:21:07 | 0:21:10 | |
Both Stravinsky's score and the choreography were so unexpected and | 0:21:17 | 0:21:22 | |
avant-garde that a riot broke out in the audience. | 0:21:22 | 0:21:25 | |
Some considered it an obscene subversion of all music's norms. | 0:21:28 | 0:21:33 | |
It begins with a haunting refrain, played for me by Luca. | 0:21:36 | 0:21:40 | |
HE PLAYS OPENING FROM RITE OF SPRING | 0:21:42 | 0:21:46 | |
-Luca, thank you very much indeed. -Thank you. | 0:22:05 | 0:22:08 | |
Can you understand why it was so controversial? | 0:22:08 | 0:22:10 | |
Well, it has to do with the harmony, with the dissonance. | 0:22:10 | 0:22:15 | |
But also, it's very violent, | 0:22:15 | 0:22:17 | |
and Stravinsky used a lot of percussionists, | 0:22:17 | 0:22:20 | |
I think four percussionists. | 0:22:20 | 0:22:22 | |
It's really primitive music. | 0:22:22 | 0:22:25 | |
A violent piece and a violent reaction? | 0:22:25 | 0:22:27 | |
Yeah. Yeah, I think the first reactions were quite violent. | 0:22:27 | 0:22:30 | |
Stravinsky's Rite of Spring is now recognised as an important moment in | 0:22:35 | 0:22:39 | |
the development of music in the 20th century. | 0:22:39 | 0:22:43 | |
Every year, the composer features in the repertoire of Montreux's Classical Music Festival, | 0:22:43 | 0:22:48 | |
acknowledging his influence. | 0:22:48 | 0:22:51 | |
APPLAUSE | 0:22:51 | 0:22:53 | |
While Montreux attracted composers and musicians, | 0:22:55 | 0:22:59 | |
early 20th-century tourists were drawn to a lakeside medieval castle. | 0:22:59 | 0:23:03 | |
Chateau de Chillon, standing on the south-east end of the lake, | 0:23:05 | 0:23:09 | |
owes its fame not so much to history as to literature. | 0:23:09 | 0:23:12 | |
Bonjour, Monsieur. Bonjour, Mademoiselle. | 0:23:14 | 0:23:17 | |
In the early 19th century, | 0:23:18 | 0:23:21 | |
the Romantic poets Lord Byron and Percy Bysshe Shelley met up in Geneva. | 0:23:21 | 0:23:26 | |
They sailed around the lake and visited the chateau. | 0:23:26 | 0:23:30 | |
As Bradshaw's remarks, the district is well served by steamer. | 0:23:30 | 0:23:34 | |
I'm heading for the castle of Chillon, which, the guidebook | 0:23:34 | 0:23:38 | |
tells me, "..is supposed to date from the ninth century | 0:23:38 | 0:23:41 | |
"but the existing building is probably of the 13th." | 0:23:41 | 0:23:44 | |
With its turrets and situated down on the water's edge, | 0:23:44 | 0:23:47 | |
it is the sort of ultimate fairy tale castle. | 0:23:47 | 0:23:51 | |
And it's appeared so often in literature | 0:23:51 | 0:23:54 | |
that it is the quintessential Romantic monument. | 0:23:54 | 0:23:57 | |
Although Byron visited in 1816, | 0:23:59 | 0:24:01 | |
almost a century before my guidebook, | 0:24:01 | 0:24:04 | |
his fame was such that everywhere he had gone, crowds followed. | 0:24:04 | 0:24:09 | |
On that trip, the castle inspired Byron to write his famous poem | 0:24:12 | 0:24:16 | |
The Prisoner Of Chillon. | 0:24:16 | 0:24:18 | |
I'm meeting guide Deborah Lockwood to find out more about this glamorised castle. | 0:24:23 | 0:24:30 | |
Well, I mean, this is just the most romantic castle. | 0:24:30 | 0:24:33 | |
It could pop out of a fairy tale but it must have been built with a | 0:24:33 | 0:24:36 | |
-serious purpose. What was that? -A very serious purpose. | 0:24:36 | 0:24:39 | |
Actually, it was built to protect the road that passes right in front of Chillon Castle. | 0:24:39 | 0:24:45 | |
You notice that it's very narrow between the mountain and the lake, | 0:24:45 | 0:24:48 | |
and this road is thousands and thousands of years old. | 0:24:48 | 0:24:52 | |
The castle was owned by the powerful and wealthy Savoy family, | 0:24:55 | 0:24:59 | |
rulers and landowners in the area. | 0:24:59 | 0:25:02 | |
Now, this castle has been notorious as being a prison. | 0:25:02 | 0:25:06 | |
-Why so? -The Savoys were very authoritarian, | 0:25:06 | 0:25:09 | |
there were lots of enemies, there was crime. | 0:25:09 | 0:25:12 | |
And during the Bernese period, which would have been the 16th century, | 0:25:12 | 0:25:16 | |
it was also used as a prison for witches. | 0:25:16 | 0:25:20 | |
Can we go down to the cells, to the dungeons, | 0:25:20 | 0:25:22 | |
and discuss the famous Prisoner of Chillon? | 0:25:22 | 0:25:24 | |
-Of course we can. Please follow me. -Take me below. | 0:25:24 | 0:25:27 | |
Now, careful with the steps because they are quite slippery. | 0:25:29 | 0:25:32 | |
'The dungeon that Byron made famous was built in 1256 and the prisoner | 0:25:35 | 0:25:40 | |
'who inspired his poem was locked up here in 1530.' | 0:25:40 | 0:25:44 | |
Now, who was the Prisoner of Chillon? | 0:25:47 | 0:25:49 | |
Well, his name was Francois Bonivard. | 0:25:49 | 0:25:51 | |
He was the son of a small noble family of Savoy who lived near Geneva, | 0:25:51 | 0:25:55 | |
and he was actually a prior who lived and worked in a monastery in Geneva itself. | 0:25:55 | 0:26:01 | |
Like many people of the times, | 0:26:01 | 0:26:03 | |
he was in favour of autonomy and freedom from Geneva, | 0:26:03 | 0:26:08 | |
from the authoritarian rule of the Savoy family, | 0:26:08 | 0:26:12 | |
and his main problem was he talked too much. | 0:26:12 | 0:26:16 | |
Angered by his loose tongue and opposition to their rule, | 0:26:16 | 0:26:20 | |
the Savoy family imprisoned Bonivard in Chillon. | 0:26:20 | 0:26:24 | |
Why was Byron captivated by this story of the Prisoner of Chillon? | 0:26:24 | 0:26:28 | |
Well, I think that, of course, | 0:26:28 | 0:26:29 | |
he was in favour of anything that was democratic, | 0:26:29 | 0:26:33 | |
a brand-new idea at the time, of course, and anyone who had suffered. | 0:26:33 | 0:26:38 | |
Can you imagine anything more appalling than to spend years chained to | 0:26:39 | 0:26:43 | |
that ring and to have all that beauty outside, just beyond your reach? | 0:26:43 | 0:26:47 | |
"In each pillar, there is a ring, And in each ring, there is a chain | 0:26:52 | 0:26:58 | |
"That iron is a cankering thing, | 0:26:58 | 0:27:01 | |
"For in these limbs its teeth remain | 0:27:01 | 0:27:04 | |
"With marks that will not wear away, | 0:27:04 | 0:27:07 | |
"Till I have done with this new day." | 0:27:07 | 0:27:10 | |
Byron's prisoner endured six years of incarceration here, | 0:27:13 | 0:27:17 | |
but in 1536 was finally freed. | 0:27:17 | 0:27:20 | |
'Next time, I will continue my journey through Switzerland, | 0:27:37 | 0:27:40 | |
'when I make my cheesiest ever train journey...' | 0:27:40 | 0:27:43 | |
-I like a food that requires you to drink wine. -So do I! | 0:27:43 | 0:27:46 | |
'..and salute the bravery of a pioneering Swiss pilot.' | 0:27:46 | 0:27:51 | |
Only when you go up in a small plane like this | 0:27:51 | 0:27:53 | |
do you realise what a formidable obstacle | 0:27:53 | 0:27:57 | |
the Alps would've been a century ago. | 0:27:57 | 0:28:01 | |
GUNSHOT | 0:28:01 | 0:28:03 | |
'Before entering a warzone with the Red Cross.' | 0:28:03 | 0:28:07 | |
A most extraordinary turn of events! | 0:28:09 | 0:28:12 |