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'I'm embarking on a new railway adventure | 0:00:03 | 0:00:07 | |
'that will take me across the heart of Europe.' | 0:00:07 | 0:00:11 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:22 | |
'It told travellers where to go, | 0:00:22 | 0:00:24 | |
'what to see and how to navigate | 0:00:24 | 0:00:26 | |
'the thousands of miles of tracks to cross the Continent. | 0:00:26 | 0:00:30 | |
'Now, a century later, I'm using my copy | 0:00:32 | 0:00:35 | |
'to reveal an era of great optimism and energy, | 0:00:35 | 0:00:38 | |
'but also of high tension.' | 0:00:38 | 0:00:40 | |
I want to rediscover that lost Europe that in 1913 | 0:00:43 | 0:00:46 | |
couldn't know that its way of life would shortly be swept aside | 0:00:46 | 0:00:51 | |
by the advent of war. | 0:00:51 | 0:00:53 | |
'I'm continuing a journey through Romania. | 0:01:10 | 0:01:12 | |
'I began amidst the unspoilt beauty of Transylvania, | 0:01:14 | 0:01:17 | |
'and have travelled south as far as Ploiesti. | 0:01:17 | 0:01:20 | |
'Now I'm bound for Bucharest, the capital, | 0:01:20 | 0:01:23 | |
'before continuing to the port of Constanta, on the Black Sea coast. | 0:01:23 | 0:01:26 | |
'Along the way, a Romanian hero is brought to life by a maestro.' | 0:01:27 | 0:01:32 | |
George Enescu, a Stradivarius - it's overwhelming. | 0:01:32 | 0:01:36 | |
'I meet a defender of the nation's heritage...' | 0:01:36 | 0:01:39 | |
You are the man who saved this church and so many other buildings. | 0:01:39 | 0:01:43 | |
'..before testing my head for heights.' | 0:01:43 | 0:01:45 | |
Whoa! This is scary. | 0:01:45 | 0:01:46 | |
I've got the shakes. | 0:01:47 | 0:01:48 | |
My next stop will be Bucharest. | 0:01:59 | 0:02:00 | |
Bradshaw's tells me that it's "The capital of Romania, | 0:02:00 | 0:02:03 | |
"often swept by strong winds, a very unsettled climate. | 0:02:03 | 0:02:08 | |
"The trade of the city continually increases. | 0:02:08 | 0:02:11 | |
"Improvements have swept away most of the old, squalid, Oriental | 0:02:11 | 0:02:15 | |
"districts, and occasionally the city | 0:02:15 | 0:02:18 | |
"is mentioned as a smaller Paris." | 0:02:18 | 0:02:20 | |
I shall be very interested to see it because during the communist period, | 0:02:20 | 0:02:24 | |
President Ceaucescu also did a lot of sweeping away. | 0:02:24 | 0:02:29 | |
For early 20th-century tourists, alighting in the capital of | 0:02:46 | 0:02:50 | |
this new kingdom would have been exciting, | 0:02:50 | 0:02:52 | |
even daunting, | 0:02:52 | 0:02:54 | |
although the seasoned European traveller might be reassured | 0:02:54 | 0:02:58 | |
by some familiar touches. | 0:02:58 | 0:02:59 | |
The very first reminder of Paris is the name of this station, | 0:03:01 | 0:03:04 | |
Gara de Nord, and it's not just the name - it was built in 1872 at | 0:03:04 | 0:03:09 | |
a time when French cultural and architectural influences | 0:03:09 | 0:03:13 | |
were very strong. | 0:03:13 | 0:03:15 | |
And then, just imagine all the French people who were arriving | 0:03:15 | 0:03:19 | |
by train at the station, bringing with them all their influences. | 0:03:19 | 0:03:23 | |
'The city of Bucharest flourished during the reign of | 0:03:37 | 0:03:41 | |
'King Carol I, between 1866 and 1914.' | 0:03:41 | 0:03:46 | |
New boulevards were created in the style of Haussmann's Paris. | 0:03:46 | 0:03:50 | |
Most of its major buildings were designed by French or | 0:03:50 | 0:03:53 | |
French-trained architects. | 0:03:53 | 0:03:55 | |
The city has its own Arc de Triomphe. | 0:03:55 | 0:03:58 | |
At the time of my guide book, King Carol's Romania was gaining | 0:04:08 | 0:04:12 | |
in confidence and seeking greater influence. | 0:04:12 | 0:04:15 | |
Two Balkan wars gave Romania bargaining power. | 0:04:15 | 0:04:19 | |
In 1912, a group of Balkan countries took advantage of Turkey's | 0:04:24 | 0:04:29 | |
weakness to seize most of its remaining territory in Europe. | 0:04:29 | 0:04:35 | |
But Bulgaria's jealous neighbours thought that it had gained | 0:04:35 | 0:04:38 | |
too much and a second Balkan War broke out in 1913. | 0:04:38 | 0:04:44 | |
Romania contrived to host the peace conference, | 0:04:44 | 0:04:47 | |
here in Bucharest later that year, | 0:04:47 | 0:04:50 | |
and gained a city on the Black Sea and another on the Danube and | 0:04:50 | 0:04:55 | |
an increase in population of a quarter of a million. | 0:04:55 | 0:04:59 | |
But if any of the delegates came to this late-19th century | 0:04:59 | 0:05:03 | |
Gothic-themed restaurant to celebrate, | 0:05:03 | 0:05:06 | |
their rejoicing would have been very short-lived because events in | 0:05:06 | 0:05:10 | |
the Balkans precipitated World War I. | 0:05:10 | 0:05:14 | |
And that brought untold suffering to all of Europe. | 0:05:14 | 0:05:17 | |
Romania had become a significant player in the region. | 0:05:22 | 0:05:25 | |
Her allegiance would be eagerly courted by both sides during | 0:05:26 | 0:05:30 | |
the conflict to come. | 0:05:30 | 0:05:33 | |
Early 20th-century Bucharest was a cosmopolitan city, where art, | 0:05:33 | 0:05:38 | |
architecture and music flourished. | 0:05:38 | 0:05:40 | |
George Enescu, Romania's greatest musician and composer, | 0:05:43 | 0:05:47 | |
was hugely popular in his home country and across Europe. | 0:05:47 | 0:05:50 | |
The Cantacuzino Palace holds a museum dedicated to him. | 0:05:51 | 0:05:55 | |
And I feel privileged to be shown around by Romania's most | 0:05:56 | 0:06:00 | |
celebrated violinist, Alexandru Tomescu. | 0:06:00 | 0:06:03 | |
Maestro, here is George Enescu. | 0:06:09 | 0:06:12 | |
What kind of an inspiration has he been to you? | 0:06:12 | 0:06:15 | |
George Enescu is a complete artist for me. | 0:06:15 | 0:06:18 | |
He was not just a great composer, a great violinist, | 0:06:18 | 0:06:23 | |
maybe one of the greatest of the century, | 0:06:23 | 0:06:25 | |
not just a great teacher, | 0:06:25 | 0:06:27 | |
who could memorise a piece just sight-reading it for the | 0:06:27 | 0:06:30 | |
first time and then he would put it beside him and then would be | 0:06:30 | 0:06:34 | |
able to reproduce every single note. | 0:06:34 | 0:06:36 | |
But besides all of these artistical qualities, he was very | 0:06:36 | 0:06:39 | |
intensely preoccupied with the fate of the young composers of Romania. | 0:06:39 | 0:06:43 | |
He established an award for the young composers. | 0:06:43 | 0:06:47 | |
He did so much for this country. | 0:06:47 | 0:06:50 | |
Born in 1881, George Enescu was a prodigy, | 0:06:50 | 0:06:54 | |
admitted to the Vienna Conservatory at the tender age of seven. | 0:06:54 | 0:06:57 | |
In later life, he gained international acclaim for his | 0:06:59 | 0:07:03 | |
orchestral compositions, including his Romanian Rhapsodies. | 0:07:03 | 0:07:06 | |
Well, Alexandru, what violin have you brought today? | 0:07:11 | 0:07:14 | |
The very best violin, from Romania. | 0:07:14 | 0:07:18 | |
It's a Stradivarius, built in 1702, during his golden age. | 0:07:18 | 0:07:22 | |
It was purchased by Romanian state back in 1955 and may be the | 0:07:22 | 0:07:26 | |
best ever investment that the Romanian state made. | 0:07:26 | 0:07:30 | |
It's a true beauty. | 0:07:30 | 0:07:32 | |
It is priceless. It is one of the few remaining ones. | 0:07:32 | 0:07:36 | |
No amount of money, regardless how big, can replace it. | 0:07:36 | 0:07:41 | |
Would it be possible to hear something by Enescu on | 0:07:41 | 0:07:45 | |
-a Stradivarius? -Not only possible, it will be a great joy for me. | 0:07:45 | 0:07:50 | |
HE PLAYS | 0:07:50 | 0:07:53 | |
Alexandru Tomescu, George Enescu, a Stradivarius - it's overwhelming. | 0:08:38 | 0:08:44 | |
-Thank you so much. -A great pleasure. | 0:08:44 | 0:08:47 | |
And a further privilege - that's not all I'll hear of his music. | 0:08:54 | 0:08:59 | |
The Enescu Philharmonic is rehearsing for | 0:08:59 | 0:09:01 | |
a performance in the Athenaeum, | 0:09:01 | 0:09:04 | |
offering me an insight into their work. | 0:09:04 | 0:09:07 | |
ORCHESTRA PLAYS | 0:09:07 | 0:09:11 | |
The visitor to Bucharest a century ago | 0:09:57 | 0:09:59 | |
could have come to the Athenaeum and seen | 0:09:59 | 0:10:01 | |
Romanian history represented in the round. | 0:10:01 | 0:10:05 | |
And perhaps through Enescu's second Romanian Rhapsody, | 0:10:05 | 0:10:09 | |
I've glimpsed the Romanian soul as well. | 0:10:09 | 0:10:11 | |
MUSIC CONTINUES | 0:10:13 | 0:10:16 | |
I'm staying in the elegant Continental Hotel, | 0:11:17 | 0:11:20 | |
mentioned in my Bradshaw's Guide. | 0:11:20 | 0:11:23 | |
And, overall, I've been surprised how many | 0:11:23 | 0:11:25 | |
old buildings have survived in Bucharest. | 0:11:25 | 0:11:28 | |
I like to think of these historic structures all across Europe | 0:11:28 | 0:11:32 | |
as being like silent, outraged spectators | 0:11:32 | 0:11:35 | |
to the events of the 20th century. | 0:11:35 | 0:11:38 | |
Two world wars and the depravities of Nazism and fascism and communism, | 0:11:38 | 0:11:43 | |
waiting patiently for sanity to be restored. | 0:11:43 | 0:11:47 | |
If you choose your route carefully, Bradshaw's 1913 Bucharest | 0:11:56 | 0:12:01 | |
is much in evidence. | 0:12:01 | 0:12:02 | |
But take a turn off that route and the brutalist tower blocks | 0:12:04 | 0:12:08 | |
tell the story of Bucharest and Romania | 0:12:08 | 0:12:11 | |
in the latter half of the 20th century. | 0:12:11 | 0:12:14 | |
Bradshaw's had prepared me for | 0:12:23 | 0:12:25 | |
the cupula-shaped church towers of Bucharest. | 0:12:25 | 0:12:28 | |
But this is the architecture of tyranny, | 0:12:28 | 0:12:31 | |
the sort that flattens everything that gets in its way. | 0:12:31 | 0:12:36 | |
It was built in the 1980s on the orders of a megalomaniac - | 0:12:36 | 0:12:41 | |
President Ceausescu. | 0:12:41 | 0:12:42 | |
It was intended to be a monument that would last 500 years. | 0:12:42 | 0:12:47 | |
But he was shot before the decade had ended. | 0:12:47 | 0:12:50 | |
Backed by the Soviet Union, the communists had | 0:12:52 | 0:12:55 | |
seized power shortly after the Second World War. | 0:12:55 | 0:12:58 | |
Between 1965 and 1989, Romania endured the despotic regime of | 0:12:58 | 0:13:05 | |
Nicolae Ceausescu, which scarred the nation. | 0:13:05 | 0:13:08 | |
Despite economic mismanagement resulting in widespread poverty, | 0:13:11 | 0:13:15 | |
Ceausescu and his wife, Elena, pursued grandiose projects, | 0:13:15 | 0:13:19 | |
such as the building of the Palace Of The Parliament in Bucharest. | 0:13:19 | 0:13:23 | |
At 365,000 square metres, it is the second largest | 0:13:25 | 0:13:30 | |
administrative building in the world after the Pentagon. | 0:13:30 | 0:13:34 | |
I'm meeting Adrian Iordachescu, whose father emerged a hero | 0:13:36 | 0:13:40 | |
as a result of this extravagant project. | 0:13:40 | 0:13:43 | |
-Hello, Adrian. -Glad to meet you. | 0:13:43 | 0:13:45 | |
Very good to see you. Well, here we are, | 0:13:45 | 0:13:48 | |
virtually in the shadow of the Palace Of The Parliament. | 0:13:48 | 0:13:51 | |
What was in this area before? | 0:13:51 | 0:13:53 | |
A pretty nice quarter, with old houses. | 0:13:53 | 0:13:59 | |
Very quiet. There were a lot of churches, small streets. | 0:13:59 | 0:14:04 | |
What happened to those houses and those churches in this quarter? | 0:14:04 | 0:14:08 | |
Totally demolished. | 0:14:08 | 0:14:10 | |
The property was not, uh, the major concern of the regime. | 0:14:10 | 0:14:16 | |
More than 40,000 residents were given | 0:14:19 | 0:14:21 | |
just days to vacate their homes. | 0:14:21 | 0:14:24 | |
And one fifth of Bucharest was flattened to make way | 0:14:25 | 0:14:28 | |
for Ceausescu's vanity project. | 0:14:28 | 0:14:30 | |
Did anything survive? | 0:14:35 | 0:14:38 | |
Yes, a couple of churches were saved by my father. | 0:14:38 | 0:14:44 | |
My father is a civil engineer, and he had that great idea | 0:14:44 | 0:14:49 | |
to relocate buildings. | 0:14:49 | 0:14:53 | |
What do you think is the most important thing that was saved? | 0:14:53 | 0:14:56 | |
Probably Mihai Voda church - | 0:14:56 | 0:14:58 | |
it's one of the most important buildings, which was relocated. | 0:14:58 | 0:15:03 | |
To save the 16th-century Mihai Voda church from demolition, | 0:15:08 | 0:15:11 | |
Adrian's father, Eugen, came up with an ingenious method of moving it. | 0:15:11 | 0:15:17 | |
The building was cut from its foundation at ground level, | 0:15:19 | 0:15:23 | |
raised, supported by hydraulic jacks, | 0:15:23 | 0:15:26 | |
before being transported on railway bogeys along train tracks. | 0:15:26 | 0:15:31 | |
To the amazement of crowds, | 0:15:35 | 0:15:37 | |
the church was moved in one piece, | 0:15:37 | 0:15:40 | |
289 metres away from Ceausescu's bulldozers. | 0:15:40 | 0:15:45 | |
It took two weeks for the church to reach its new location. | 0:15:54 | 0:15:58 | |
So, Adrian, it is a beautiful church, | 0:16:06 | 0:16:09 | |
and this is where it ended up after its 289-metre journey. | 0:16:09 | 0:16:13 | |
But now it's hemmed in by blocks of flats. | 0:16:13 | 0:16:16 | |
A couple of years ago, the chief architect and the mayor | 0:16:16 | 0:16:21 | |
asked my father to think of a solution | 0:16:21 | 0:16:23 | |
to relocate the building on the initial site. | 0:16:23 | 0:16:28 | |
-Can we go inside? -Sure. | 0:16:28 | 0:16:30 | |
When I see the church, I'm struck by its simple beauty. | 0:16:37 | 0:16:42 | |
And now I fully appreciate the audacity of the operation. | 0:16:44 | 0:16:48 | |
And to my delight, Eugen Iordachescu is here to meet me. | 0:16:55 | 0:17:00 | |
My father. That's the man I told you about. | 0:17:04 | 0:17:07 | |
What a great honour to meet you, sir. This is fantastic. | 0:17:07 | 0:17:10 | |
-Thank you very much. -You are the man who saved this church, | 0:17:10 | 0:17:13 | |
and so many other buildings. | 0:17:13 | 0:17:14 | |
HE SPEAKS OWN LANGUAGE | 0:17:14 | 0:17:17 | |
Are you a religious man? Was that an important part of your motivation? | 0:17:34 | 0:17:37 | |
Congratulations. What you've done here is really almost incredible. | 0:17:57 | 0:18:02 | |
I'm leaving the capital, to continue my journey eastwards. | 0:18:15 | 0:18:19 | |
I'll soon be arriving in Constanta which, the guidebook tells me, | 0:18:40 | 0:18:43 | |
"..is on a steep tongue of land running into the Black Sea. | 0:18:43 | 0:18:47 | |
"It's acquired importance as the sea harbour of Romania, | 0:18:47 | 0:18:50 | |
"with the outer works of the harbour completed in 1903." | 0:18:50 | 0:18:54 | |
I imagine there's been a lot of development still, | 0:18:54 | 0:18:58 | |
because Constanta remains, for Romanian products, | 0:18:58 | 0:19:01 | |
the gateway to the world. | 0:19:01 | 0:19:03 | |
I'm excited to glimpse the mighty Danube, | 0:19:06 | 0:19:09 | |
which, like me, is wending its way towards the Black Sea. | 0:19:09 | 0:19:14 | |
I shall explore Constanta tomorrow. | 0:19:16 | 0:19:18 | |
The city of Constanta stands on the western coast of the Black Sea, | 0:19:38 | 0:19:43 | |
in the Dobruja region, whose control returned to Romania in 1878, | 0:19:43 | 0:19:48 | |
after war between Russia and Turkey. | 0:19:48 | 0:19:50 | |
The country thus regained a sea port, | 0:19:50 | 0:19:53 | |
and access to international trade routes. | 0:19:53 | 0:19:55 | |
Looking around, I see faded grandeur. | 0:19:57 | 0:20:00 | |
Especially evident at Constanta Casino, | 0:20:00 | 0:20:03 | |
where I'm meeting historian Cosbin Yoniza. | 0:20:03 | 0:20:06 | |
-Hello, Cosbin. -Hi, Michael. Very nice to meet you. | 0:20:08 | 0:20:12 | |
This is obviously a splendid building. A casino. | 0:20:12 | 0:20:16 | |
When was it built and why was it built? | 0:20:16 | 0:20:18 | |
It was built just before the First World War, in 1909-1910. | 0:20:18 | 0:20:22 | |
And it was a building meant to bring the elite of the city together. | 0:20:22 | 0:20:28 | |
Constanta used to be a city of fishermen, | 0:20:28 | 0:20:32 | |
but then, after this region became part of the kingdom of Romania, | 0:20:32 | 0:20:36 | |
you have a great splendour in the city. | 0:20:36 | 0:20:39 | |
I'm very interested in the origins of the First World War. | 0:20:39 | 0:20:42 | |
Does Constanta play any part in the political developments? | 0:20:42 | 0:20:45 | |
Constanta has a very important role in the build-up | 0:20:45 | 0:20:48 | |
to the First World War. | 0:20:48 | 0:20:49 | |
It's actually the place where the visit of Tsar Nicholas II, | 0:20:49 | 0:20:54 | |
with his imperial family, happened on 14th June, 1914, | 0:20:54 | 0:21:00 | |
when he visited the royal family of Romania. | 0:21:00 | 0:21:03 | |
-Are we able to go inside? -Sure. | 0:21:03 | 0:21:05 | |
In 1914, Europe sensed that war was brewing. | 0:21:10 | 0:21:14 | |
Tensions were high between opposing alliances. | 0:21:14 | 0:21:17 | |
The Russian imperial visit, which drew huge crowds, | 0:21:19 | 0:21:23 | |
and concluded with a gala in this casino, | 0:21:23 | 0:21:26 | |
was more than a courtesy call by a neighbouring monarch. | 0:21:26 | 0:21:29 | |
Cosbin, it was clearly once an extremely grand building, | 0:21:34 | 0:21:37 | |
and I dare say a suitable place to receive the Tsar of Russia. | 0:21:37 | 0:21:40 | |
What was the political purpose of the visit? | 0:21:40 | 0:21:43 | |
It was very important because in Europe at that moment, | 0:21:43 | 0:21:47 | |
you have two main alliances. | 0:21:47 | 0:21:49 | |
You have Germany, Austria-Hungary and Italy on one side, | 0:21:49 | 0:21:51 | |
and then on the other side you have France, Russia and Great Britain. | 0:21:51 | 0:21:55 | |
Romania was part of the first bloc, | 0:21:55 | 0:21:57 | |
together with Germany, Austria-Hungary and Italy. | 0:21:57 | 0:22:01 | |
And the others were trying to pull Romania out of this alliance | 0:22:01 | 0:22:05 | |
and to bring it to their side. | 0:22:05 | 0:22:07 | |
More things happened apart from the imperial visit. | 0:22:07 | 0:22:09 | |
You have also the foreign minister of Russia visiting Romania, | 0:22:09 | 0:22:13 | |
and this has a very important political message. | 0:22:13 | 0:22:16 | |
He was here in Constanta as well during the visit, but he stayed more in Bucharest | 0:22:16 | 0:22:19 | |
and they were able to talk further on, on the political, er... | 0:22:19 | 0:22:23 | |
..ideas connecting the two countries. | 0:22:25 | 0:22:27 | |
With the ostentatious welcome for the Russian Tsar, | 0:22:30 | 0:22:33 | |
Romania was claiming her place at the top diplomatic table, | 0:22:33 | 0:22:38 | |
and was being courted because of her strategic location. | 0:22:38 | 0:22:41 | |
'In 1916, Romania eventually entered the First World War, | 0:22:42 | 0:22:47 | |
'on the side of France, Britain and Russia.' | 0:22:47 | 0:22:52 | |
To the south of the Casino lies the port of Constanta | 0:23:01 | 0:23:05 | |
which, during the 1860s, was open to international trade | 0:23:05 | 0:23:09 | |
with a railway built by a British company. | 0:23:09 | 0:23:12 | |
King Carol further modernised and improved the port | 0:23:12 | 0:23:16 | |
to accommodate large cargo ships. | 0:23:16 | 0:23:18 | |
Bradshaw's remarks that grain is Romania's chief export. | 0:23:19 | 0:23:24 | |
I want to find out whether that's still the case, | 0:23:24 | 0:23:26 | |
from Antonio Stoye, who works for a freight company here. | 0:23:26 | 0:23:30 | |
Antonio, I'm very struck by these very beautiful buildings. | 0:23:33 | 0:23:36 | |
When were they put up? | 0:23:36 | 0:23:38 | |
So they were built more than 100 years ago. | 0:23:38 | 0:23:41 | |
They started in 1904 with the first silo, | 0:23:41 | 0:23:45 | |
then the second one followed in 1911 and the third one in 1914. | 0:23:45 | 0:23:50 | |
All together, they are 100,000 tonnes capacity. | 0:23:50 | 0:23:52 | |
This is all about grain. Where was it going from and to? | 0:23:52 | 0:23:56 | |
Mainly from inland Romania, | 0:23:56 | 0:23:58 | |
the cargo was going further on the Black Sea. | 0:23:58 | 0:24:00 | |
In Turkey, North Africa and, today, it's going also to Far East. | 0:24:00 | 0:24:06 | |
The port of Constanta has undergone further expansion recently. | 0:24:13 | 0:24:18 | |
Handling nearly 20 million tonnes of cereal a year, | 0:24:18 | 0:24:22 | |
it's emerging as Europe's biggest grain transport hub, | 0:24:22 | 0:24:26 | |
and is on course to become the largest grain terminal | 0:24:26 | 0:24:29 | |
in the Black Sea region. | 0:24:29 | 0:24:31 | |
Enormous floating cranes transfer cargo | 0:24:34 | 0:24:37 | |
from river barges to seagoing ships. | 0:24:37 | 0:24:41 | |
The crane is controlled from a small operator cabin 100ft up. | 0:24:52 | 0:24:58 | |
WHISPERING: Don't look down, don't look down. | 0:25:04 | 0:25:08 | |
Ah. | 0:25:15 | 0:25:17 | |
Made it to the top, and what a view. | 0:25:17 | 0:25:20 | |
The control centre. | 0:25:23 | 0:25:24 | |
Yes, here we are, on top of the world. | 0:25:24 | 0:25:27 | |
I'm looking down into the grain storage area of the ship. | 0:25:27 | 0:25:31 | |
It is, er, it is a vast cavity, isn't it? | 0:25:31 | 0:25:34 | |
Yeah, indeed. | 0:25:34 | 0:25:36 | |
Wow. | 0:25:36 | 0:25:38 | |
Now the, er, the fairground ride really does begin. | 0:25:38 | 0:25:43 | |
Ah, the whole crane is spinning around, wow. | 0:25:43 | 0:25:47 | |
This is... Whoa! This is scary. | 0:25:47 | 0:25:49 | |
This is moving in every conceivable direction. | 0:25:49 | 0:25:53 | |
I'm glad he wasn't driving it when we came up the ladder. | 0:25:53 | 0:25:57 | |
I've got the shakes. | 0:25:57 | 0:25:58 | |
If you look down, you will see that | 0:25:59 | 0:26:01 | |
-now he is grabbing from the barge. -Oh, yeah. | 0:26:01 | 0:26:05 | |
Much more shaking as we grab. The wires come up, the grab is rising... | 0:26:08 | 0:26:15 | |
We're swinging round towards the ship. | 0:26:15 | 0:26:17 | |
Ahhh... We're now over the ship. | 0:26:19 | 0:26:23 | |
This vessel could hold up to 86,000 tonnes of grain, | 0:26:23 | 0:26:27 | |
and is bound for Belgium. | 0:26:27 | 0:26:29 | |
That's your first 26 tonnes, operated in Constanta. | 0:26:29 | 0:26:32 | |
Ah. | 0:26:32 | 0:26:34 | |
Oh-ho-ho! | 0:26:38 | 0:26:39 | |
If I was terrified before, I think this takes the biscuit. | 0:26:42 | 0:26:45 | |
I'm peering through an open space here, down to the enormous grab, | 0:26:45 | 0:26:49 | |
which must be 70 or 80ft beneath me. | 0:26:49 | 0:26:53 | |
When I think of the responsibility of these operators, | 0:26:53 | 0:26:56 | |
I mean, it's really terrifying! | 0:26:56 | 0:26:58 | |
This thriving venture in Constanta | 0:27:01 | 0:27:05 | |
signals Romania's ambitions for the future. | 0:27:05 | 0:27:08 | |
100 years ago, the railway traveller in Romania | 0:27:11 | 0:27:14 | |
would have noticed its poverty, | 0:27:14 | 0:27:17 | |
but I've been taken aback to discover that it was a major oil producer, | 0:27:17 | 0:27:22 | |
whose king had a castle full of the latest electrical gadgets. | 0:27:22 | 0:27:26 | |
Similarly today, I am surprised that in | 0:27:26 | 0:27:28 | |
one of Europe's least developed economies, | 0:27:28 | 0:27:32 | |
there's an enormous and growing port here at Constanta. | 0:27:32 | 0:27:36 | |
Transylvania was joined to Romania only after the First World War, | 0:27:36 | 0:27:40 | |
and so it's still a youngish country | 0:27:40 | 0:27:43 | |
that had a very unlucky 20th century. | 0:27:43 | 0:27:46 | |
Romania has now driven a stake into its communist past, | 0:27:46 | 0:27:50 | |
and I hope that this friendly nation will seize the new opportunities. | 0:27:50 | 0:27:55 | |
'Next time... | 0:27:57 | 0:27:58 | |
LOUD BANG | 0:27:58 | 0:28:00 | |
'..I enter a war zone with the Red Cross...' | 0:28:00 | 0:28:03 | |
Hurry, go! | 0:28:03 | 0:28:04 | |
A most extraordinary turn of events! | 0:28:04 | 0:28:06 | |
'..put my faith in St Bernard...' | 0:28:06 | 0:28:09 | |
Michael Portillo's the name. | 0:28:09 | 0:28:11 | |
Last seen somewhere in the Alps. | 0:28:11 | 0:28:14 | |
'..and salute the bravery of a Swiss pioneering pilot.' | 0:28:14 | 0:28:18 | |
Only when you go up in a small plane like this | 0:28:18 | 0:28:20 | |
do you realise what a formidable | 0:28:20 | 0:28:23 | |
obstacle the Alps would have been | 0:28:23 | 0:28:26 | |
a century ago. | 0:28:26 | 0:28:28 |