Transylvania to the Black Sea Part 2 Great Continental Railway Journeys


Transylvania to the Black Sea Part 2

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'I'm embarking on a new railway adventure

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'that will take me across the heart of Europe.'

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I'll be using this, my Bradshaw's Continental Railway Guide,

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dated 1913, which opened up an exotic world of foreign travel

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for the British tourist.

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'It told travellers where to go,

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'what to see and how to navigate

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'the thousands of miles of tracks to cross the Continent.

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'Now, a century later, I'm using my copy

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'to reveal an era of great optimism and energy,

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'but also of high tension.'

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I want to rediscover that lost Europe that in 1913

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couldn't know that its way of life would shortly be swept aside

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by the advent of war.

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'I'm continuing a journey through Romania.

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'I began amidst the unspoilt beauty of Transylvania,

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'and have travelled south as far as Ploiesti.

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'Now I'm bound for Bucharest, the capital,

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'before continuing to the port of Constanta, on the Black Sea coast.

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'Along the way, a Romanian hero is brought to life by a maestro.'

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George Enescu, a Stradivarius - it's overwhelming.

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'I meet a defender of the nation's heritage...'

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You are the man who saved this church and so many other buildings.

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'..before testing my head for heights.'

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Whoa! This is scary.

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I've got the shakes.

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My next stop will be Bucharest.

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Bradshaw's tells me that it's "The capital of Romania,

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"often swept by strong winds, a very unsettled climate.

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"The trade of the city continually increases.

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"Improvements have swept away most of the old, squalid, Oriental

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"districts, and occasionally the city

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"is mentioned as a smaller Paris."

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I shall be very interested to see it because during the communist period,

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President Ceaucescu also did a lot of sweeping away.

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For early 20th-century tourists, alighting in the capital of

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this new kingdom would have been exciting,

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even daunting,

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although the seasoned European traveller might be reassured

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by some familiar touches.

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The very first reminder of Paris is the name of this station,

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Gara de Nord, and it's not just the name - it was built in 1872 at

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a time when French cultural and architectural influences

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were very strong.

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And then, just imagine all the French people who were arriving

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by train at the station, bringing with them all their influences.

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'The city of Bucharest flourished during the reign of

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'King Carol I, between 1866 and 1914.'

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New boulevards were created in the style of Haussmann's Paris.

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Most of its major buildings were designed by French or

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French-trained architects.

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The city has its own Arc de Triomphe.

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At the time of my guide book, King Carol's Romania was gaining

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in confidence and seeking greater influence.

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Two Balkan wars gave Romania bargaining power.

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In 1912, a group of Balkan countries took advantage of Turkey's

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weakness to seize most of its remaining territory in Europe.

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But Bulgaria's jealous neighbours thought that it had gained

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too much and a second Balkan War broke out in 1913.

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Romania contrived to host the peace conference,

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here in Bucharest later that year,

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and gained a city on the Black Sea and another on the Danube and

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an increase in population of a quarter of a million.

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But if any of the delegates came to this late-19th century

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Gothic-themed restaurant to celebrate,

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their rejoicing would have been very short-lived because events in

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the Balkans precipitated World War I.

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And that brought untold suffering to all of Europe.

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Romania had become a significant player in the region.

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Her allegiance would be eagerly courted by both sides during

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the conflict to come.

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Early 20th-century Bucharest was a cosmopolitan city, where art,

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architecture and music flourished.

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George Enescu, Romania's greatest musician and composer,

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was hugely popular in his home country and across Europe.

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The Cantacuzino Palace holds a museum dedicated to him.

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And I feel privileged to be shown around by Romania's most

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celebrated violinist, Alexandru Tomescu.

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Maestro, here is George Enescu.

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What kind of an inspiration has he been to you?

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George Enescu is a complete artist for me.

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He was not just a great composer, a great violinist,

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maybe one of the greatest of the century,

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not just a great teacher,

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who could memorise a piece just sight-reading it for the

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first time and then he would put it beside him and then would be

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able to reproduce every single note.

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But besides all of these artistical qualities, he was very

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intensely preoccupied with the fate of the young composers of Romania.

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He established an award for the young composers.

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He did so much for this country.

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Born in 1881, George Enescu was a prodigy,

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admitted to the Vienna Conservatory at the tender age of seven.

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In later life, he gained international acclaim for his

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orchestral compositions, including his Romanian Rhapsodies.

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Well, Alexandru, what violin have you brought today?

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The very best violin, from Romania.

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It's a Stradivarius, built in 1702, during his golden age.

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It was purchased by Romanian state back in 1955 and may be the

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best ever investment that the Romanian state made.

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It's a true beauty.

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It is priceless. It is one of the few remaining ones.

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No amount of money, regardless how big, can replace it.

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Would it be possible to hear something by Enescu on

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-a Stradivarius?

-Not only possible, it will be a great joy for me.

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HE PLAYS

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Alexandru Tomescu, George Enescu, a Stradivarius - it's overwhelming.

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-Thank you so much.

-A great pleasure.

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And a further privilege - that's not all I'll hear of his music.

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The Enescu Philharmonic is rehearsing for

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a performance in the Athenaeum,

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offering me an insight into their work.

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ORCHESTRA PLAYS

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The visitor to Bucharest a century ago

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could have come to the Athenaeum and seen

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Romanian history represented in the round.

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And perhaps through Enescu's second Romanian Rhapsody,

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I've glimpsed the Romanian soul as well.

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MUSIC CONTINUES

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I'm staying in the elegant Continental Hotel,

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mentioned in my Bradshaw's Guide.

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And, overall, I've been surprised how many

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old buildings have survived in Bucharest.

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I like to think of these historic structures all across Europe

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as being like silent, outraged spectators

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to the events of the 20th century.

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Two world wars and the depravities of Nazism and fascism and communism,

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waiting patiently for sanity to be restored.

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If you choose your route carefully, Bradshaw's 1913 Bucharest

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is much in evidence.

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But take a turn off that route and the brutalist tower blocks

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tell the story of Bucharest and Romania

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in the latter half of the 20th century.

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Bradshaw's had prepared me for

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the cupula-shaped church towers of Bucharest.

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But this is the architecture of tyranny,

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the sort that flattens everything that gets in its way.

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It was built in the 1980s on the orders of a megalomaniac -

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President Ceausescu.

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It was intended to be a monument that would last 500 years.

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But he was shot before the decade had ended.

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Backed by the Soviet Union, the communists had

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seized power shortly after the Second World War.

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Between 1965 and 1989, Romania endured the despotic regime of

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Nicolae Ceausescu, which scarred the nation.

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Despite economic mismanagement resulting in widespread poverty,

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Ceausescu and his wife, Elena, pursued grandiose projects,

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such as the building of the Palace Of The Parliament in Bucharest.

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At 365,000 square metres, it is the second largest

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administrative building in the world after the Pentagon.

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I'm meeting Adrian Iordachescu, whose father emerged a hero

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as a result of this extravagant project.

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-Hello, Adrian.

-Glad to meet you.

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Very good to see you. Well, here we are,

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virtually in the shadow of the Palace Of The Parliament.

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What was in this area before?

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A pretty nice quarter, with old houses.

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Very quiet. There were a lot of churches, small streets.

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What happened to those houses and those churches in this quarter?

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Totally demolished.

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The property was not, uh, the major concern of the regime.

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More than 40,000 residents were given

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just days to vacate their homes.

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And one fifth of Bucharest was flattened to make way

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for Ceausescu's vanity project.

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Did anything survive?

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Yes, a couple of churches were saved by my father.

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My father is a civil engineer, and he had that great idea

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to relocate buildings.

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What do you think is the most important thing that was saved?

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Probably Mihai Voda church -

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it's one of the most important buildings, which was relocated.

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To save the 16th-century Mihai Voda church from demolition,

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Adrian's father, Eugen, came up with an ingenious method of moving it.

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The building was cut from its foundation at ground level,

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raised, supported by hydraulic jacks,

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before being transported on railway bogeys along train tracks.

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To the amazement of crowds,

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the church was moved in one piece,

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289 metres away from Ceausescu's bulldozers.

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It took two weeks for the church to reach its new location.

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So, Adrian, it is a beautiful church,

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and this is where it ended up after its 289-metre journey.

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But now it's hemmed in by blocks of flats.

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A couple of years ago, the chief architect and the mayor

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asked my father to think of a solution

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to relocate the building on the initial site.

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-Can we go inside?

-Sure.

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When I see the church, I'm struck by its simple beauty.

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And now I fully appreciate the audacity of the operation.

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And to my delight, Eugen Iordachescu is here to meet me.

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My father. That's the man I told you about.

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What a great honour to meet you, sir. This is fantastic.

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-Thank you very much.

-You are the man who saved this church,

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and so many other buildings.

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HE SPEAKS OWN LANGUAGE

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Are you a religious man? Was that an important part of your motivation?

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Congratulations. What you've done here is really almost incredible.

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I'm leaving the capital, to continue my journey eastwards.

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I'll soon be arriving in Constanta which, the guidebook tells me,

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"..is on a steep tongue of land running into the Black Sea.

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"It's acquired importance as the sea harbour of Romania,

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"with the outer works of the harbour completed in 1903."

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I imagine there's been a lot of development still,

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because Constanta remains, for Romanian products,

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the gateway to the world.

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I'm excited to glimpse the mighty Danube,

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which, like me, is wending its way towards the Black Sea.

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I shall explore Constanta tomorrow.

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The city of Constanta stands on the western coast of the Black Sea,

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in the Dobruja region, whose control returned to Romania in 1878,

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after war between Russia and Turkey.

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The country thus regained a sea port,

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and access to international trade routes.

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Looking around, I see faded grandeur.

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Especially evident at Constanta Casino,

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where I'm meeting historian Cosbin Yoniza.

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-Hello, Cosbin.

-Hi, Michael. Very nice to meet you.

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This is obviously a splendid building. A casino.

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When was it built and why was it built?

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It was built just before the First World War, in 1909-1910.

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And it was a building meant to bring the elite of the city together.

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Constanta used to be a city of fishermen,

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but then, after this region became part of the kingdom of Romania,

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you have a great splendour in the city.

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I'm very interested in the origins of the First World War.

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Does Constanta play any part in the political developments?

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Constanta has a very important role in the build-up

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to the First World War.

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It's actually the place where the visit of Tsar Nicholas II,

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with his imperial family, happened on 14th June, 1914,

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when he visited the royal family of Romania.

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-Are we able to go inside?

-Sure.

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In 1914, Europe sensed that war was brewing.

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Tensions were high between opposing alliances.

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The Russian imperial visit, which drew huge crowds,

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and concluded with a gala in this casino,

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was more than a courtesy call by a neighbouring monarch.

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Cosbin, it was clearly once an extremely grand building,

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and I dare say a suitable place to receive the Tsar of Russia.

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What was the political purpose of the visit?

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It was very important because in Europe at that moment,

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you have two main alliances.

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You have Germany, Austria-Hungary and Italy on one side,

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and then on the other side you have France, Russia and Great Britain.

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Romania was part of the first bloc,

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together with Germany, Austria-Hungary and Italy.

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And the others were trying to pull Romania out of this alliance

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and to bring it to their side.

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More things happened apart from the imperial visit.

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You have also the foreign minister of Russia visiting Romania,

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and this has a very important political message.

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He was here in Constanta as well during the visit, but he stayed more in Bucharest

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and they were able to talk further on, on the political, er...

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..ideas connecting the two countries.

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With the ostentatious welcome for the Russian Tsar,

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Romania was claiming her place at the top diplomatic table,

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and was being courted because of her strategic location.

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'In 1916, Romania eventually entered the First World War,

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'on the side of France, Britain and Russia.'

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To the south of the Casino lies the port of Constanta

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which, during the 1860s, was open to international trade

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with a railway built by a British company.

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King Carol further modernised and improved the port

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to accommodate large cargo ships.

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Bradshaw's remarks that grain is Romania's chief export.

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I want to find out whether that's still the case,

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from Antonio Stoye, who works for a freight company here.

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Antonio, I'm very struck by these very beautiful buildings.

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When were they put up?

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So they were built more than 100 years ago.

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They started in 1904 with the first silo,

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then the second one followed in 1911 and the third one in 1914.

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All together, they are 100,000 tonnes capacity.

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This is all about grain. Where was it going from and to?

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Mainly from inland Romania,

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the cargo was going further on the Black Sea.

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In Turkey, North Africa and, today, it's going also to Far East.

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The port of Constanta has undergone further expansion recently.

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Handling nearly 20 million tonnes of cereal a year,

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it's emerging as Europe's biggest grain transport hub,

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and is on course to become the largest grain terminal

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in the Black Sea region.

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Enormous floating cranes transfer cargo

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from river barges to seagoing ships.

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The crane is controlled from a small operator cabin 100ft up.

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WHISPERING: Don't look down, don't look down.

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Ah.

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Made it to the top, and what a view.

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The control centre.

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Yes, here we are, on top of the world.

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I'm looking down into the grain storage area of the ship.

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It is, er, it is a vast cavity, isn't it?

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Yeah, indeed.

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Wow.

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Now the, er, the fairground ride really does begin.

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Ah, the whole crane is spinning around, wow.

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This is... Whoa! This is scary.

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This is moving in every conceivable direction.

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I'm glad he wasn't driving it when we came up the ladder.

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I've got the shakes.

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If you look down, you will see that

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-now he is grabbing from the barge.

-Oh, yeah.

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Much more shaking as we grab. The wires come up, the grab is rising...

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We're swinging round towards the ship.

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Ahhh... We're now over the ship.

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This vessel could hold up to 86,000 tonnes of grain,

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and is bound for Belgium.

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That's your first 26 tonnes, operated in Constanta.

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Ah.

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Oh-ho-ho!

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If I was terrified before, I think this takes the biscuit.

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I'm peering through an open space here, down to the enormous grab,

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which must be 70 or 80ft beneath me.

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When I think of the responsibility of these operators,

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I mean, it's really terrifying!

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This thriving venture in Constanta

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signals Romania's ambitions for the future.

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100 years ago, the railway traveller in Romania

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would have noticed its poverty,

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but I've been taken aback to discover that it was a major oil producer,

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whose king had a castle full of the latest electrical gadgets.

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Similarly today, I am surprised that in

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one of Europe's least developed economies,

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there's an enormous and growing port here at Constanta.

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Transylvania was joined to Romania only after the First World War,

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and so it's still a youngish country

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that had a very unlucky 20th century.

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Romania has now driven a stake into its communist past,

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and I hope that this friendly nation will seize the new opportunities.

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'Next time...

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LOUD BANG

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'..I enter a war zone with the Red Cross...'

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Hurry, go!

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A most extraordinary turn of events!

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'..put my faith in St Bernard...'

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Michael Portillo's the name.

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Last seen somewhere in the Alps.

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'..and salute the bravery of a Swiss pioneering pilot.'

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Only when you go up in a small plane like this

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do you realise what a formidable

0:28:200:28:23

obstacle the Alps would have been

0:28:230:28:26

a century ago.

0:28:260:28:28

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