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I'm embarking on a new railway adventure | 0:00:04 | 0:00:07 | |
that will take me across the heart of Europe. | 0:00:07 | 0:00:10 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:22 | |
It told travellers where to go, | 0:00:22 | 0:00:25 | |
what to see and how to navigate | 0:00:25 | 0:00:27 | |
the thousands of miles of tracks to cross the continent. | 0:00:27 | 0:00:30 | |
Now, a century later, I'm using my copy | 0:00:32 | 0:00:35 | |
to reveal an era of great optimism and energy, | 0:00:35 | 0:00:39 | |
but also of high tension. | 0:00:39 | 0:00:41 | |
I want to rediscover that lost Europe that in 1913 | 0:00:42 | 0:00:46 | |
couldn't have known that its way of life would shortly be swept aside | 0:00:46 | 0:00:51 | |
by the advent of war. | 0:00:51 | 0:00:53 | |
This journey takes me to the most eastern reaches of Europe. | 0:01:10 | 0:01:14 | |
Although one of its youngest nations, | 0:01:14 | 0:01:16 | |
recognised as a kingdom only in 1881, | 0:01:16 | 0:01:20 | |
Romania's situation and natural resources | 0:01:20 | 0:01:23 | |
attracted the attention of the great powers | 0:01:23 | 0:01:26 | |
in the years before the First World War. | 0:01:26 | 0:01:28 | |
"Romania is a modern kingdom, | 0:01:34 | 0:01:36 | |
"formerly a Turkish principality," says my Bradshaw's Guide. | 0:01:36 | 0:01:40 | |
That kingdom was only about 30 years old. | 0:01:40 | 0:01:44 | |
1913 brought important territorial gains for Romania | 0:01:44 | 0:01:49 | |
as the old Turkish Ottoman Empire crumbled. | 0:01:49 | 0:01:53 | |
But Romania was still the slow train of Europe. | 0:01:53 | 0:01:57 | |
It had a backward agricultural economy | 0:01:57 | 0:02:00 | |
with some astonishing touches of modernity. | 0:02:00 | 0:02:03 | |
Today, I feel as though I'm visiting a new country again | 0:02:03 | 0:02:07 | |
because, less than 30 years ago, the old communist dictator Ceausescu | 0:02:07 | 0:02:11 | |
was killed, setting Romania free. | 0:02:11 | 0:02:14 | |
And, like my equivalent traveller of a century ago, | 0:02:14 | 0:02:17 | |
I'm prepared for some surprises. | 0:02:17 | 0:02:20 | |
My route will begin in the Transylvanian town of Brasov. | 0:02:30 | 0:02:34 | |
I take in vampires and castles, | 0:02:34 | 0:02:37 | |
before visiting a fairytale palace in Sinaia. | 0:02:37 | 0:02:41 | |
I strike oil in Ploiseti | 0:02:41 | 0:02:43 | |
and uncover a moving story in the capital, Bucharest, | 0:02:43 | 0:02:47 | |
before ending my trip on the Black Sea in the port of Constanta. | 0:02:47 | 0:02:52 | |
'Along the way, I experience a rare and beautiful wilderness...' | 0:02:54 | 0:02:59 | |
Wake up. Did you sleep well? | 0:03:00 | 0:03:03 | |
I feel really very privileged to see this magnificent animal in the wild. | 0:03:03 | 0:03:08 | |
Thank you very much. | 0:03:08 | 0:03:10 | |
'..marvel at some 100-year-old technology... | 0:03:10 | 0:03:13 | |
That enormous roof just swishes aside. It's wonderful. | 0:03:13 | 0:03:18 | |
'..test my head for heights... | 0:03:20 | 0:03:23 | |
Whoa, this is scary. | 0:03:23 | 0:03:25 | |
I've got the shakes. | 0:03:25 | 0:03:26 | |
'..and find a kindred spirit in Dracula.' | 0:03:28 | 0:03:32 | |
"I found the Count lying on the sofa | 0:03:32 | 0:03:35 | |
"reading an English Bradshaw's Guide." | 0:03:35 | 0:03:38 | |
Everybody needed a Bradshaw's Guide, | 0:03:38 | 0:03:40 | |
even if you were a bloodsucking vampire. | 0:03:40 | 0:03:43 | |
My first stop will be Brasov. | 0:03:59 | 0:04:01 | |
Bradshaw's tells me, "It's a finely situated and important commercial town." | 0:04:01 | 0:04:07 | |
It's in Transylvania | 0:04:07 | 0:04:09 | |
which, a century ago, was still part of the Austro-Hungarian Empire. | 0:04:09 | 0:04:14 | |
In the Middle Ages, a bold warrior battled against the Ottoman Turks. | 0:04:14 | 0:04:20 | |
With a name like Vlad the Impaler, | 0:04:20 | 0:04:22 | |
he might find a place in any heart. | 0:04:22 | 0:04:25 | |
Brasov is the gateway to Transylvania. | 0:04:39 | 0:04:41 | |
It's surrounded by the Carpathian Mountains | 0:04:43 | 0:04:46 | |
at the meeting point of the three ancient principalities | 0:04:46 | 0:04:49 | |
of Transylvania, Wallachia and Moldavia. | 0:04:49 | 0:04:52 | |
Bradshaw's draws my attention to the enormous parish church | 0:05:01 | 0:05:05 | |
of the 14th to 16th century | 0:05:05 | 0:05:07 | |
and the town hall with its tower 190ft tall. | 0:05:07 | 0:05:13 | |
I'm in eastern Europe and it doesn't feel like it. | 0:05:13 | 0:05:16 | |
The town was colonised by Saxons, so the architecture is Germanic. | 0:05:16 | 0:05:21 | |
It was protected against the Ottoman Turks by fortifications | 0:05:21 | 0:05:26 | |
and Transylvania was never Islamic. | 0:05:26 | 0:05:29 | |
In Christian Church terms, it was Western rather than Orthodox. | 0:05:29 | 0:05:34 | |
Brasov is a sort of gateway | 0:05:34 | 0:05:36 | |
between Occidental and Oriental Europe. | 0:05:36 | 0:05:40 | |
The immaculately well-preserved old town | 0:05:49 | 0:05:52 | |
has made Brasov one of the most visited places in Romania. | 0:05:52 | 0:05:55 | |
Here's a tip. Bradshaw's says that "From the mountain, | 0:06:05 | 0:06:08 | |
"which is now called the Timpa, | 0:06:08 | 0:06:10 | |
"3,153ft high on the west side of the town, | 0:06:10 | 0:06:15 | |
"is a very fine view." | 0:06:15 | 0:06:17 | |
That's where I'm headed. | 0:06:17 | 0:06:18 | |
I'm following my guidebook up to a point. | 0:06:21 | 0:06:24 | |
In 1913, reaching the peak would have entailed | 0:06:25 | 0:06:28 | |
a one-hour hike up the slope, | 0:06:28 | 0:06:31 | |
but that's because this splendid cable car hadn't yet been built. | 0:06:31 | 0:06:34 | |
What's so striking from up here is an immense contrast. | 0:06:58 | 0:07:03 | |
In the old town, the beautiful tawny roofs. | 0:07:03 | 0:07:07 | |
On the outskirts, the hideous white tower blocks of the communist era. | 0:07:07 | 0:07:13 | |
It is a tale of two cities. | 0:07:13 | 0:07:15 | |
I'm leaving Brasov and taking a regional train | 0:07:24 | 0:07:27 | |
further into the Carpathians. | 0:07:27 | 0:07:29 | |
I'm on my way to Bran Castle. | 0:07:41 | 0:07:44 | |
There's literary evidence that Bradshaw's Guide | 0:07:44 | 0:07:47 | |
was read in Transylvania a century ago. | 0:07:47 | 0:07:50 | |
After all, it is a book you can get your TEETH into | 0:07:50 | 0:07:54 | |
and the information it contains, you can COUNT on. | 0:07:54 | 0:07:56 | |
There was a storm overnight and because of that, the mountains today | 0:08:16 | 0:08:19 | |
are spectacularly clear and they just seem to come out of nowhere. | 0:08:19 | 0:08:23 | |
Set in a natural amphitheatre on a dramatic hilltop, | 0:08:46 | 0:08:50 | |
I find the magnificent Bran Castle. | 0:08:50 | 0:08:54 | |
It was built in the 14th century to defend Transylvania | 0:08:54 | 0:08:57 | |
from repeated Ottoman invasion. | 0:08:57 | 0:09:00 | |
By the time of my guidebook, it had become the inspiration | 0:09:00 | 0:09:03 | |
for one of the most popular of all Gothic novels, | 0:09:03 | 0:09:07 | |
Bram Stoker's Dracula. | 0:09:07 | 0:09:09 | |
THUNDERCLAP | 0:09:12 | 0:09:14 | |
In the shadow of this menacing fortification, | 0:09:18 | 0:09:21 | |
I'm meeting my guide, Mattei. | 0:09:21 | 0:09:23 | |
-Hello, Mattei. -Hello, Michael. | 0:09:26 | 0:09:28 | |
Do you know, all my life I've wanted to see this castle | 0:09:28 | 0:09:31 | |
and I am not disappointed. It is marvellous. | 0:09:31 | 0:09:34 | |
Had Bram Stoker ever seen it? | 0:09:34 | 0:09:36 | |
Well, Bram Stoker, as far as we know, | 0:09:36 | 0:09:39 | |
he never visited Transylvania or Romania, | 0:09:39 | 0:09:41 | |
but he had lots of information at the Royal Library in London | 0:09:41 | 0:09:45 | |
and the British Museum. | 0:09:45 | 0:09:47 | |
What were Stoker's sources for his book? | 0:09:47 | 0:09:50 | |
Well, at the very beginning, | 0:09:50 | 0:09:51 | |
he had an idea to publish a book about a monster. | 0:09:51 | 0:09:54 | |
He used the name Count Wampyr at the beginning. It was a novel. | 0:09:54 | 0:09:58 | |
He didn't have the huge success, though. | 0:09:58 | 0:10:01 | |
Then he realised that the most important ingredient about the monster, | 0:10:01 | 0:10:05 | |
it's obviously the name. | 0:10:05 | 0:10:06 | |
And he discovered the legend of Vlad the Impaler, | 0:10:06 | 0:10:10 | |
better known as Dracula. | 0:10:10 | 0:10:13 | |
When he found out what Dracula means. | 0:10:13 | 0:10:16 | |
In Romanian, it's "Dracul", the devil. | 0:10:16 | 0:10:18 | |
"Dracula", the devil's son. | 0:10:18 | 0:10:21 | |
With a name like Dracula, you don't have to be a good writer. | 0:10:21 | 0:10:23 | |
Was there a vampire myth in Transylvania | 0:10:23 | 0:10:26 | |
from which Bram Stoker drew inspiration? | 0:10:26 | 0:10:29 | |
Oh, yes, in the dark period of the 18th-century, | 0:10:29 | 0:10:33 | |
it was a vampire frenzy in Transylvania. | 0:10:33 | 0:10:38 | |
The priest will decide that the person died. | 0:10:38 | 0:10:40 | |
The priest will come with the mirror, "Oh, he's not breathing. He's dead. OK." | 0:10:40 | 0:10:43 | |
A ceremony and then they put them in a coffin. | 0:10:43 | 0:10:46 | |
Obviously, some of them were not really dead. | 0:10:46 | 0:10:49 | |
A day later the person was coming out from the grave, digging - | 0:10:49 | 0:10:53 | |
it was easy to dig and they had enough oxygen - | 0:10:53 | 0:10:56 | |
coming back knocking at the door, "I'm home." | 0:10:56 | 0:10:58 | |
Imagine the family after so many stories | 0:10:58 | 0:11:01 | |
with creatures of the night. They thought, "He's a vampire." | 0:11:01 | 0:11:05 | |
So Bram Stoker collect all these legends and stories | 0:11:05 | 0:11:09 | |
about superstition in Transylvania | 0:11:09 | 0:11:12 | |
and it come out a great book. | 0:11:12 | 0:11:14 | |
First published in 1897, the book and subsequent films | 0:11:18 | 0:11:22 | |
became hugely popular throughout the world, | 0:11:22 | 0:11:26 | |
except in Romania. | 0:11:26 | 0:11:27 | |
Under communism, the book was banned, | 0:11:29 | 0:11:32 | |
as was any reference to the supernatural. | 0:11:32 | 0:11:34 | |
Today, the fictional associations of Bran Castle | 0:11:36 | 0:11:40 | |
are an important attraction to visitors like me. | 0:11:40 | 0:11:43 | |
Well, here we are in Count Dracula's library. | 0:11:50 | 0:11:54 | |
Yes, and I have a copy of Bram Stoker's Dracula | 0:11:54 | 0:11:59 | |
and there is a line over here that I guess you will be interested in. | 0:11:59 | 0:12:04 | |
"The lamps were also lit in the study or library | 0:12:04 | 0:12:08 | |
"and I found the Count lying on the sofa reading, | 0:12:08 | 0:12:11 | |
"of all things in the world, | 0:12:11 | 0:12:14 | |
"an English Bradshaw's Guide." | 0:12:14 | 0:12:16 | |
I knew about this passage, | 0:12:18 | 0:12:19 | |
but do you know why he was consulting an English Bradshaw's Guide? | 0:12:19 | 0:12:24 | |
He had a plan to send from Whitby to London King's Cross Station | 0:12:24 | 0:12:30 | |
50 Transylvanian coffins with Transylvanian earth inside | 0:12:30 | 0:12:36 | |
for him to be able to survive | 0:12:36 | 0:12:38 | |
and he's looked inside the English Bradshaw's Guide | 0:12:38 | 0:12:42 | |
to find a schedule of the trains. | 0:12:42 | 0:12:45 | |
You see, in the 19th century, everybody needed a Bradshaw's, | 0:12:45 | 0:12:49 | |
even if you were a bloodsucking vampire. | 0:12:49 | 0:12:51 | |
Yes, I guess you are right. | 0:12:53 | 0:12:55 | |
I've escaped unscathed and journey on | 0:12:58 | 0:13:01 | |
on a form of transport which would have been familiar | 0:13:01 | 0:13:04 | |
to the 1913 traveller. | 0:13:04 | 0:13:06 | |
Still a common sight in Transylvania. | 0:13:06 | 0:13:08 | |
My guidebook says of the Carpathian Mountains, | 0:13:30 | 0:13:34 | |
"Snow-clad granite peaks, | 0:13:34 | 0:13:36 | |
"mountain gorges, | 0:13:36 | 0:13:38 | |
"ranges of forest, | 0:13:38 | 0:13:40 | |
"delightful valleys with numerous beautiful small lakes | 0:13:40 | 0:13:44 | |
"combine their charms in this romantic country." | 0:13:44 | 0:13:47 | |
In all my travels, I never saw a place less changed | 0:13:47 | 0:13:50 | |
from the Bradshaw description. | 0:13:50 | 0:13:53 | |
It is so unspoiled and achingly beautiful. | 0:13:53 | 0:13:56 | |
It's a land defined by tradition and regional customs. | 0:14:17 | 0:14:21 | |
Shepherds' villages perch on remote slopes. | 0:14:27 | 0:14:30 | |
I've come to Magura to meet wildlife guide Dan Marin, | 0:14:31 | 0:14:36 | |
whose family has lived in these mountains for generations. | 0:14:36 | 0:14:39 | |
These villages in the Carpathian Mountains, | 0:14:44 | 0:14:47 | |
they seem to be sheltered from the passage of time. | 0:14:47 | 0:14:51 | |
Yes, they are. They are quite isolated | 0:14:51 | 0:14:52 | |
and the villagers have been somehow forced | 0:14:52 | 0:14:55 | |
to stick to a certain way of life. | 0:14:55 | 0:14:58 | |
And what do they live off here? | 0:14:58 | 0:15:00 | |
Most of the families in the village own a small number of sheep, | 0:15:00 | 0:15:03 | |
one or two cows. | 0:15:03 | 0:15:04 | |
It's a sort of an annual cycle with this way of life. | 0:15:04 | 0:15:09 | |
There's no artificial fertilisers that people use here. | 0:15:09 | 0:15:13 | |
No pesticides. | 0:15:13 | 0:15:14 | |
So it's really good quality. | 0:15:14 | 0:15:17 | |
So you do have, really, a very natural environment? | 0:15:17 | 0:15:20 | |
Romania has become one of the cleanest countries in the whole of Europe. | 0:15:20 | 0:15:23 | |
One of the results of this traditional way of managing the land | 0:15:23 | 0:15:28 | |
is a huge variety of wild flowers, especially orchids. | 0:15:28 | 0:15:33 | |
We have 41 different species of orchids | 0:15:33 | 0:15:36 | |
growing in hundreds or thousands on the meadows around here. | 0:15:36 | 0:15:40 | |
Many wild flower species long since lost to the rest of Europe | 0:15:43 | 0:15:47 | |
still flourish here, thanks to small-scale farming. | 0:15:47 | 0:15:51 | |
Dan is taking me to meet a local shepherd, Ioan. | 0:15:54 | 0:15:57 | |
At 70 years old, he continues to tend his flock of sheep. | 0:15:59 | 0:16:02 | |
Ah, that's where he sleeps. | 0:16:06 | 0:16:08 | |
That is one of the typical shepherds' huts. | 0:16:08 | 0:16:10 | |
Oh, my goodness. That's tiny. | 0:16:10 | 0:16:12 | |
Do you fit in there? | 0:16:12 | 0:16:14 | |
He does fit in there. He does fit in there. | 0:16:14 | 0:16:18 | |
'In summer, the shepherds wheel these portable huts | 0:16:18 | 0:16:21 | |
'up to the high pasture and stay in them for up to five months.' | 0:16:21 | 0:16:25 | |
Wake up! Morning! | 0:16:27 | 0:16:28 | |
It's morning! | 0:16:30 | 0:16:31 | |
Hello. | 0:16:31 | 0:16:32 | |
Did you sleep well? | 0:16:34 | 0:16:36 | |
The shepherd must stand ready to protect his precious flock | 0:16:42 | 0:16:45 | |
of 20 sheep from wolves and bears. | 0:16:45 | 0:16:48 | |
Aaah! | 0:16:58 | 0:17:00 | |
Beautiful creature. | 0:17:02 | 0:17:04 | |
And in the summer how high up will you go? | 0:17:04 | 0:17:06 | |
1,300, 1,400 metres. | 0:17:11 | 0:17:13 | |
Even up to the top, that's about 1,800 metres. | 0:17:14 | 0:17:17 | |
When Ioan's not up in the high pasture, | 0:17:19 | 0:17:21 | |
he must maintain his land and, of course, | 0:17:21 | 0:17:24 | |
it is done in the traditional manner, | 0:17:24 | 0:17:27 | |
by hand | 0:17:27 | 0:17:29 | |
with a scythe. | 0:17:29 | 0:17:31 | |
-No, no, no. -Like that? | 0:17:33 | 0:17:35 | |
Is that good? | 0:17:43 | 0:17:44 | |
'I sense that Ioan's not impressed with my technique.' | 0:17:46 | 0:17:49 | |
Ah, OK. Now, that is effective. | 0:17:52 | 0:17:55 | |
OK, let me try that method. | 0:17:55 | 0:17:56 | |
-Try to keep it to the... -To the ground. -..to the ground. | 0:17:56 | 0:18:00 | |
Better? | 0:18:00 | 0:18:02 | |
No? | 0:18:02 | 0:18:03 | |
He just keeps shaking his head. | 0:18:04 | 0:18:06 | |
No? | 0:18:11 | 0:18:12 | |
I'm not sure that I'd last long out here. It's a hard life. | 0:18:16 | 0:18:20 | |
But the lack of mechanisation | 0:18:20 | 0:18:22 | |
results in a wonderfully unspoiled environment, | 0:18:22 | 0:18:26 | |
one of this continent's last wildernesses. | 0:18:26 | 0:18:29 | |
This, the most extensive tract of unbroken forest in Central Europe, | 0:18:32 | 0:18:37 | |
is the habitat of one of the world's largest carnivores. | 0:18:37 | 0:18:40 | |
Dan takes me to a forest hide, where, if I'm lucky, | 0:18:42 | 0:18:46 | |
I may see a wild brown bear. | 0:18:46 | 0:18:49 | |
In between the town that we have just left | 0:18:54 | 0:18:56 | |
and this side of the Fagaras Mountains | 0:18:56 | 0:18:58 | |
there are no human settlements. | 0:18:58 | 0:19:00 | |
There is no tourists. | 0:19:00 | 0:19:02 | |
It's a perfect place for different wild animals, | 0:19:02 | 0:19:04 | |
especially wolves and bears. | 0:19:04 | 0:19:07 | |
It's dusk, | 0:19:10 | 0:19:11 | |
when both wolves and bears approach in search of food. | 0:19:11 | 0:19:15 | |
Look. | 0:19:23 | 0:19:24 | |
What luck. | 0:19:24 | 0:19:26 | |
What a beautiful specimen. | 0:19:27 | 0:19:29 | |
Romania has the largest number of bears and wolves | 0:19:49 | 0:19:52 | |
in the whole of Europe. | 0:19:52 | 0:19:54 | |
6,000 bears and about 3,000 wolves | 0:19:54 | 0:19:58 | |
compared to, for instance, 20 bears in France. | 0:19:58 | 0:20:02 | |
I feel really very privileged | 0:20:14 | 0:20:15 | |
because, you know, at one time, Europe was covered in bears | 0:20:15 | 0:20:19 | |
but now, really, you have to come to somewhere like Romania, that | 0:20:19 | 0:20:23 | |
has maintained its wilderness, | 0:20:23 | 0:20:25 | |
to see this magnificent animal in the wild. | 0:20:25 | 0:20:28 | |
Thank you very much. | 0:20:28 | 0:20:30 | |
This morning, I'm taking one of Romania's regional trains | 0:20:57 | 0:21:00 | |
along a well-travelled route. | 0:21:00 | 0:21:02 | |
My next stop will be Sinaia, | 0:21:12 | 0:21:14 | |
which the guidebook tells me is "an attractive spot | 0:21:14 | 0:21:18 | |
"in the Carpathians with villas and hotels | 0:21:18 | 0:21:21 | |
"where the King has a palace." | 0:21:21 | 0:21:24 | |
I believe the royal residence is about 3,000ft above sea level, | 0:21:24 | 0:21:27 | |
so I'm going up in the world. | 0:21:27 | 0:21:30 | |
Built in 1883, Sinaia Station was on the route of the Orient Express. | 0:21:50 | 0:21:56 | |
Amongst the distinguished passengers who alighted here | 0:21:56 | 0:21:59 | |
were guests of Romania's king. | 0:21:59 | 0:22:01 | |
For it's here that he built a magnificent royal palace, | 0:22:05 | 0:22:09 | |
Peles Castle. | 0:22:09 | 0:22:10 | |
I'm meeting Daniela Voitescu, who will be my guide. | 0:22:14 | 0:22:18 | |
Daniela, it is a fantastic castle. | 0:22:25 | 0:22:28 | |
Who built it? | 0:22:28 | 0:22:29 | |
Well, this fairytale castle was built by the first Romanian king, | 0:22:29 | 0:22:36 | |
Carol I, a German one, | 0:22:36 | 0:22:39 | |
who came to Romania in 1866. | 0:22:39 | 0:22:43 | |
The Romanian people decided Romania needed a king | 0:22:43 | 0:22:48 | |
and he was the only one who had accepted it | 0:22:48 | 0:22:51 | |
and the country became a monarchy. | 0:22:51 | 0:22:54 | |
Why did he build this fairytale castle? | 0:22:54 | 0:22:57 | |
He has chosen this place because of the view through the mountains. | 0:22:57 | 0:23:04 | |
The royal family used to live here only in summer time | 0:23:04 | 0:23:10 | |
and it was built for many guests. | 0:23:10 | 0:23:13 | |
And almost all the crowned heads from Europe at that time | 0:23:13 | 0:23:18 | |
have been invited here on holiday. | 0:23:18 | 0:23:21 | |
King Carol wanted a palace to impress his peers and courtiers. | 0:23:28 | 0:23:32 | |
The new monarch was keen to show that under his rule, | 0:23:34 | 0:23:37 | |
newly independent Romania was a powerful, progressive | 0:23:37 | 0:23:42 | |
and modern kingdom. | 0:23:42 | 0:23:43 | |
Peles Castle was to be a showcase for the latest technology. | 0:23:45 | 0:23:49 | |
This castle was one of the first private residences in Europe | 0:23:51 | 0:23:57 | |
to have central heating. | 0:23:57 | 0:23:59 | |
This is the original boiler. | 0:23:59 | 0:24:02 | |
And then the central heating was by means of radiators, was it? | 0:24:02 | 0:24:06 | |
Yes, which are still working. | 0:24:06 | 0:24:08 | |
This is extraordinary. | 0:24:09 | 0:24:10 | |
I mean, clearly King Carol had very advanced ideas. | 0:24:10 | 0:24:14 | |
He was absolutely at the forefront of modern technology. | 0:24:14 | 0:24:17 | |
What else did he put into the palace? | 0:24:17 | 0:24:19 | |
Well, modern bathrooms. | 0:24:19 | 0:24:22 | |
I mean, running water, hot and cold. | 0:24:22 | 0:24:26 | |
An electric elevator and a central vacuum cleaner | 0:24:26 | 0:24:32 | |
which is still working. | 0:24:32 | 0:24:33 | |
That I have to see! | 0:24:33 | 0:24:35 | |
With 160 rooms, including 80 bedrooms, to service, | 0:24:38 | 0:24:42 | |
the housemaids could attach a newfangled cleaning contraption | 0:24:42 | 0:24:46 | |
to a central suction system. | 0:24:46 | 0:24:48 | |
This 100-year-old vacuum cleaner is today used with modern fittings | 0:24:55 | 0:25:00 | |
and remains surprisingly effective. | 0:25:00 | 0:25:03 | |
Look at that! | 0:25:04 | 0:25:06 | |
'But I don't want to get sucked into housework. | 0:25:06 | 0:25:10 | |
'There's more to explore in this castle of surprises.' | 0:25:10 | 0:25:13 | |
Daniela, this is really a spectacular room. | 0:25:28 | 0:25:32 | |
Tell me about this. | 0:25:32 | 0:25:33 | |
This is the main hall of the castle. | 0:25:33 | 0:25:36 | |
The skylight was the King's idea, | 0:25:36 | 0:25:40 | |
which can be opened and it slides electrically. | 0:25:40 | 0:25:44 | |
And when it was inaugurated more than 100 years ago, | 0:25:44 | 0:25:47 | |
it was already an electric roof? | 0:25:47 | 0:25:50 | |
Yes. The castle had electricity since 1884. | 0:25:50 | 0:25:55 | |
He was very proud to gather with the guests here | 0:25:55 | 0:25:59 | |
to push the button himself. | 0:25:59 | 0:26:03 | |
-Does it still work? -Yes. | 0:26:03 | 0:26:05 | |
HE LAUGHS | 0:26:07 | 0:26:09 | |
Oh, that's beautiful. | 0:26:09 | 0:26:10 | |
That enormous roof just swishes aside. | 0:26:12 | 0:26:16 | |
And allows in the daylight. | 0:26:17 | 0:26:19 | |
It's wonderful. | 0:26:19 | 0:26:21 | |
King Carol's desire to modernise | 0:26:32 | 0:26:34 | |
naturally led him to push the development of Romania's railways. | 0:26:34 | 0:26:39 | |
He undertook not to go abroad until he could do so by train. | 0:26:39 | 0:26:44 | |
So for the first three years of his reign, he was tied to home. | 0:26:45 | 0:26:49 | |
By 1869, the first line was built | 0:26:50 | 0:26:54 | |
and the network that emerged allowed the country's cheap | 0:26:54 | 0:26:57 | |
agricultural products to be exported to Western markets, | 0:26:57 | 0:27:01 | |
linking Romania to the European economy. | 0:27:01 | 0:27:04 | |
I'm approaching the halfway point of my journey, which will continue | 0:27:12 | 0:27:16 | |
with the industrial city of Ploiesti, the capital, Bucharest, | 0:27:16 | 0:27:20 | |
and finally the country's main Black Sea port. | 0:27:20 | 0:27:23 | |
Ploiesti is one of Romania's most important industrial cities. | 0:27:35 | 0:27:39 | |
And it doesn't take long to spot why. | 0:27:39 | 0:27:42 | |
Oil. | 0:27:44 | 0:27:45 | |
I'm surprised to discover that Romania | 0:27:47 | 0:27:50 | |
has been refining oil since 1857. | 0:27:50 | 0:27:53 | |
It was the first country in the world to have its crude oil output | 0:27:55 | 0:27:59 | |
officially recorded. | 0:27:59 | 0:28:01 | |
In that year, the world's first oil refinery | 0:28:01 | 0:28:05 | |
was built at Ploiesti and I'm visiting one of its successors, | 0:28:05 | 0:28:09 | |
the Vega plant, to meet the project manager. | 0:28:09 | 0:28:13 | |
So oil production goes back a long way in Romania. | 0:28:15 | 0:28:19 | |
How long has this refinery been here? | 0:28:19 | 0:28:21 | |
-This refinery was born in 1905. -That is amazing. | 0:28:21 | 0:28:25 | |
More than a century ago, and that is older than the guide book I'm using. | 0:28:25 | 0:28:29 | |
What is the main product from this refinery? | 0:28:29 | 0:28:31 | |
The main product from our refinery is bitumen. | 0:28:31 | 0:28:34 | |
Made from petroleum, bitumen is most commonly used for surfacing roads. | 0:28:36 | 0:28:41 | |
-I spend a lot of my life waiting for a train. -Yeah? | 0:28:44 | 0:28:46 | |
The raw material arrives by rail from Vega's sister refinery | 0:28:48 | 0:28:53 | |
and is unloaded here before being processed. | 0:28:53 | 0:28:55 | |
From here, we unload the raw material, we pump through the tanks. | 0:29:01 | 0:29:04 | |
-Put this nozzle on? -Yes, yes. Yes, please. -Match these up. | 0:29:06 | 0:29:10 | |
-And turn? -Yes. | 0:29:12 | 0:29:15 | |
-You must open the valve. -Open the valve. | 0:29:15 | 0:29:18 | |
MACHINE STARTS | 0:29:18 | 0:29:20 | |
OK, done. | 0:29:24 | 0:29:27 | |
The bitumen enters the plant to begin a process of oxidation, | 0:29:27 | 0:29:31 | |
which will make it rubbery and more durable. | 0:29:31 | 0:29:34 | |
Here we have the oldest equipment under operation from the refinery. | 0:29:36 | 0:29:41 | |
It's a very old compressor, who was started in 1922. | 0:29:41 | 0:29:46 | |
We use this compressor in order to supply the air for the | 0:29:46 | 0:29:50 | |
oxidation on bitumen. | 0:29:50 | 0:29:52 | |
-Number two compressor. 1922 style! -Yeah! | 0:30:00 | 0:30:03 | |
After 12-18 hours of oxidation, | 0:30:13 | 0:30:15 | |
the bitumen is ready to be loaded into road tankers. | 0:30:15 | 0:30:18 | |
-Is the loading arm in position? -'OK.' | 0:30:22 | 0:30:25 | |
We're going to start loading, thank you. | 0:30:25 | 0:30:28 | |
-Right, how do we start? -OK. OK. | 0:30:28 | 0:30:30 | |
Michael, to push here on the red button | 0:30:30 | 0:30:33 | |
to start the loading. | 0:30:33 | 0:30:36 | |
-OK, Michael. You can see also on the truck with that smoke. -A result! | 0:30:36 | 0:30:41 | |
The result of the loading, yes, exactly. | 0:30:41 | 0:30:44 | |
Products from this refinery are destined for markets in | 0:30:47 | 0:30:50 | |
Europe, North Africa, and the Indian Subcontinent. | 0:30:50 | 0:30:53 | |
And I'm destined for my bed. | 0:30:54 | 0:30:57 | |
Today, I'm leaving the industry of Ploiesti to continue south to | 0:31:12 | 0:31:16 | |
Romania's largest city. | 0:31:16 | 0:31:18 | |
DOG BARKS | 0:31:18 | 0:31:22 | |
DOG CONTINUES BARKING | 0:31:23 | 0:31:26 | |
My next stop will be Bucharest. | 0:31:42 | 0:31:44 | |
Bradshaw's tells me that it's... "The capital of Romania, | 0:31:44 | 0:31:47 | |
"often swept by strong winds, a very unsettled climate. | 0:31:47 | 0:31:51 | |
"The trade of the city continually increases. | 0:31:51 | 0:31:54 | |
"Improvements have swept away most of the old, squalid, Oriental | 0:31:54 | 0:31:59 | |
"districts, and occasionally the city | 0:31:59 | 0:32:02 | |
"is mentioned as a smaller Paris." | 0:32:02 | 0:32:04 | |
I shall be very interested to see it because during the communist | 0:32:04 | 0:32:08 | |
period, President Ceaucescu also did a lot of sweeping away. | 0:32:08 | 0:32:12 | |
For early 20th century tourists, alighting in the capital of | 0:32:29 | 0:32:33 | |
this new kingdom would have been exciting, | 0:32:33 | 0:32:36 | |
even daunting. | 0:32:36 | 0:32:38 | |
Although the seasoned European traveller might be reassured | 0:32:38 | 0:32:41 | |
by some familiar touches. | 0:32:41 | 0:32:43 | |
The very first reminder of Paris is the name of this station, | 0:32:45 | 0:32:48 | |
Gara de Nord, and it's not just the name - it was built in 1872 at | 0:32:48 | 0:32:53 | |
a time when French cultural and architectural influences | 0:32:53 | 0:32:57 | |
were very strong. | 0:32:57 | 0:32:58 | |
And then, just imagine all the French people who were arriving | 0:32:58 | 0:33:02 | |
by train at the station, bringing with them all their influences. | 0:33:02 | 0:33:06 | |
The city of Bucharest flourished during the reign of | 0:33:21 | 0:33:24 | |
King Carol I, between 1866 and 1914. | 0:33:24 | 0:33:29 | |
New boulevards were created in the style of Haussmann's Paris. | 0:33:29 | 0:33:34 | |
Most of its major buildings were designed by French or | 0:33:34 | 0:33:37 | |
French-trained architects. | 0:33:37 | 0:33:39 | |
The city has its own Arc de Triomphe. | 0:33:39 | 0:33:42 | |
At the time of my guide book, King Carol's Romania was gaining | 0:33:51 | 0:33:55 | |
in confidence and seeking greater influence. | 0:33:55 | 0:33:59 | |
Two Balkan wars gave Romania bargaining power. | 0:33:59 | 0:34:03 | |
In 1912, a group of Balkan countries took advantage of Turkey's | 0:34:08 | 0:34:13 | |
weakness to seize most of its remaining territory in Europe. | 0:34:13 | 0:34:17 | |
But Bulgaria's jealous neighbours thought that it had gained | 0:34:18 | 0:34:22 | |
too much and a second Balkan war broke out in 1913. | 0:34:22 | 0:34:26 | |
Romania contrived to host the peace conference, | 0:34:28 | 0:34:31 | |
here in Bucharest later that year. | 0:34:31 | 0:34:34 | |
And gained a city on the Black Sea and another on the Danube and | 0:34:34 | 0:34:38 | |
an increase in population of a quarter of a million. | 0:34:38 | 0:34:42 | |
But if any of the delegates came to this late-19th century | 0:34:42 | 0:34:46 | |
Gothic-themed restaurant to celebrate, | 0:34:46 | 0:34:49 | |
their rejoicing would have been very short-lived because events in | 0:34:49 | 0:34:54 | |
the Balkans precipitated World War I. | 0:34:54 | 0:34:57 | |
And that brought untold suffering to all of Europe. | 0:34:57 | 0:35:00 | |
Romania had become a significant player in the region. | 0:35:06 | 0:35:09 | |
Her allegiance would be eagerly courted by both sides during | 0:35:10 | 0:35:14 | |
the conflict to come. | 0:35:14 | 0:35:17 | |
Early 20th century Bucharest was a cosmopolitan city, where art, | 0:35:17 | 0:35:22 | |
architecture and music flourished. | 0:35:22 | 0:35:24 | |
George Enescu, Romania's greatest musician and composer, | 0:35:26 | 0:35:30 | |
was hugely popular in his home country and across Europe. | 0:35:30 | 0:35:33 | |
The Cantacuzino Palace holds a museum dedicated to him. | 0:35:35 | 0:35:39 | |
And I feel privileged to be shown around by Romania's most | 0:35:40 | 0:35:43 | |
celebrated violinist, Alexandru Tomescu. | 0:35:43 | 0:35:46 | |
Maestro, here is George Enescu. | 0:35:53 | 0:35:55 | |
What kind of an inspiration has he been to you? | 0:35:55 | 0:35:58 | |
George Enescu is a complete artist for me. | 0:35:58 | 0:36:02 | |
He was not just a great composer, a great violinist, | 0:36:02 | 0:36:05 | |
maybe one of the greatest of the century, | 0:36:05 | 0:36:08 | |
not just a great teacher, | 0:36:08 | 0:36:10 | |
who could memorise a piece just sight-reading it for the | 0:36:10 | 0:36:13 | |
first time and then he would put it beside him and then would be | 0:36:13 | 0:36:17 | |
able to reproduce every single note. | 0:36:17 | 0:36:19 | |
But besides all of these artistical qualities, he was very | 0:36:19 | 0:36:23 | |
intensely preoccupied with the fate of the young composers of Romania. | 0:36:23 | 0:36:27 | |
He established an award for the young composers. | 0:36:27 | 0:36:30 | |
He did so much for this country. | 0:36:30 | 0:36:32 | |
You don't happen to have a violin with you today, do you? | 0:36:32 | 0:36:36 | |
I always travel accompanied by my violin, even when I'm on holidays. | 0:36:36 | 0:36:40 | |
So it's with me, yes, indeed. | 0:36:40 | 0:36:42 | |
Born in 1881, George Enescu was a prodigy, | 0:36:46 | 0:36:49 | |
admitted to the Vienna Conservatory at the tender age of seven. | 0:36:49 | 0:36:53 | |
In later life, he gained international acclaim for his | 0:36:56 | 0:36:59 | |
orchestral compositions, including his Romanian Rhapsodies. | 0:36:59 | 0:37:03 | |
Well, Alexandru, what violin have you brought today? | 0:37:07 | 0:37:10 | |
The very best violin, from Romania. | 0:37:12 | 0:37:14 | |
It's a Stradivarius, built in 1702, during his golden age. | 0:37:14 | 0:37:19 | |
It was purchased by Romanian state back in 1955 and may be the | 0:37:19 | 0:37:23 | |
best ever investment that the Romanian state made. | 0:37:23 | 0:37:27 | |
It's a true beauty. | 0:37:27 | 0:37:29 | |
It is priceless. It is one of the few remaining ones. | 0:37:29 | 0:37:32 | |
No amount of money, regardless how big, can replace it. | 0:37:32 | 0:37:37 | |
Would it be possible to hear something by Enescu on | 0:37:37 | 0:37:41 | |
-a Stradivarius? -Not only possible, it will be a great joy for me. | 0:37:41 | 0:37:46 | |
HE PLAYS | 0:37:46 | 0:37:49 | |
Alexandru Tomescu, George Enescu, a Stradivarius - it's overwhelming. | 0:38:34 | 0:38:41 | |
-Thank you so much. -A great pleasure. | 0:38:41 | 0:38:43 | |
And a further privilege - that's not all I'll hear of his music. | 0:38:50 | 0:38:55 | |
The Enescu Philharmonic is rehearsing for | 0:38:55 | 0:38:57 | |
a performance in the Athenaeum, | 0:38:57 | 0:39:00 | |
offering me an insight into their work. | 0:39:00 | 0:39:03 | |
ORCHESTRA PLAYS | 0:39:03 | 0:39:06 | |
The visitor to Bucharest a century ago, | 0:39:53 | 0:39:55 | |
could have come to the Athenaeum and seen | 0:39:55 | 0:39:57 | |
Romanian history represented in the round. | 0:39:57 | 0:40:00 | |
And perhaps through Enescu's second Romanian Rhapsody, | 0:40:01 | 0:40:05 | |
I've glimpsed the Romanian soul as well. | 0:40:05 | 0:40:07 | |
MUSIC CONTINUES | 0:40:08 | 0:40:13 | |
I'm staying in the elegant Continental Hotel, | 0:41:12 | 0:41:16 | |
mentioned in my Bradshaw's Guide. | 0:41:16 | 0:41:18 | |
And, overall, I've been surprised how many | 0:41:18 | 0:41:21 | |
old buildings have survived in Bucharest. | 0:41:21 | 0:41:24 | |
I like to think of these historic structures all across Europe | 0:41:24 | 0:41:28 | |
as being like silent, outraged spectators | 0:41:28 | 0:41:31 | |
to the events of the 20th century. | 0:41:31 | 0:41:33 | |
Two world wars and the depravities of Nazism and fascism and communism, | 0:41:33 | 0:41:39 | |
waiting patiently for sanity to be restored. | 0:41:39 | 0:41:43 | |
If you choose your route carefully, Bradshaw's 1913 Bucharest | 0:41:52 | 0:41:57 | |
is much in evidence. | 0:41:57 | 0:41:58 | |
But take a turn off that route and the brutalist tower blocks | 0:42:00 | 0:42:04 | |
tell the story of Bucharest and Romania | 0:42:04 | 0:42:07 | |
in the latter half of the 20th century. | 0:42:07 | 0:42:09 | |
Bradshaw's had prepared me for | 0:42:19 | 0:42:21 | |
the cupular-shaped church towers of Bucharest. | 0:42:21 | 0:42:24 | |
But this is the architecture of tyranny, | 0:42:24 | 0:42:27 | |
the sort that flattens everything that gets in its way. | 0:42:27 | 0:42:32 | |
It was build in the 1980s on the orders of a megalomaniac - | 0:42:32 | 0:42:36 | |
President Ceausescu. | 0:42:36 | 0:42:38 | |
It was intended to be a monument that would last 500 years. | 0:42:38 | 0:42:42 | |
But he was shot before the decade had ended. | 0:42:42 | 0:42:46 | |
Backed by the Soviet Union, the communists had | 0:42:49 | 0:42:51 | |
seized power shortly after the Second World War. | 0:42:51 | 0:42:54 | |
Between 1965 and 1989, Romania endured the despotic regime of | 0:42:54 | 0:43:01 | |
Nicolae Ceausescu, which scarred the nation. | 0:43:01 | 0:43:04 | |
Despite economic mismanagement resulting in widespread poverty, | 0:43:07 | 0:43:10 | |
Ceausescu and his wife, Elena, pursued grandiose projects, | 0:43:10 | 0:43:15 | |
such as the building of the Palace Of The Parliament in Bucharest. | 0:43:15 | 0:43:18 | |
At 365,000 square metres, it is the second largest | 0:43:21 | 0:43:25 | |
administrative building in the world after the Pentagon. | 0:43:25 | 0:43:29 | |
I'm meeting Adrian Iordachescu, whose father emerged a hero | 0:43:31 | 0:43:36 | |
as a result of this extravagant project. | 0:43:36 | 0:43:39 | |
-Hello, Adrian. -Glad to meet you. | 0:43:39 | 0:43:41 | |
Very good to see you. Well, here we are, | 0:43:41 | 0:43:43 | |
virtually in the shadow of the Palace Of The Parliament. | 0:43:43 | 0:43:47 | |
What was in this area before? | 0:43:47 | 0:43:49 | |
A pretty nice quarter, with old houses. | 0:43:49 | 0:43:54 | |
Very quiet. There were a lot of churches, small streets. | 0:43:54 | 0:44:00 | |
What happened to those houses and those churches in this quarter? | 0:44:00 | 0:44:04 | |
Totally demolished. | 0:44:04 | 0:44:06 | |
The property was not, uh, the major concern of the regime. | 0:44:06 | 0:44:12 | |
More than 40,000 residents were given | 0:44:14 | 0:44:17 | |
just days to vacate their homes. | 0:44:17 | 0:44:19 | |
And one-fifth of Bucharest was flattened to make way | 0:44:21 | 0:44:24 | |
for Ceausescu's vanity project. | 0:44:24 | 0:44:26 | |
Did anything survive? | 0:44:31 | 0:44:34 | |
Yes, a couple of churches were saved by my father. | 0:44:34 | 0:44:40 | |
My father is a civil engineer, and he had that great idea | 0:44:40 | 0:44:45 | |
to relocate buildings. | 0:44:45 | 0:44:49 | |
What do you think was the most important thing that was saved? | 0:44:49 | 0:44:51 | |
Probably Mihai Voda church - | 0:44:51 | 0:44:54 | |
it's one of the most important buildings, which was relocated. | 0:44:54 | 0:45:00 | |
To save the 16th-century Mihai Voda church from demolition, | 0:45:04 | 0:45:08 | |
Adrian's father, Eugen, came up with an ingenious method of moving it. | 0:45:08 | 0:45:13 | |
The building was cut from its foundation at ground level, | 0:45:15 | 0:45:18 | |
raised, supported by hydraulic jacks, | 0:45:18 | 0:45:22 | |
before being transported on railway bogeys along train tracks. | 0:45:22 | 0:45:27 | |
To the amazement of crowds, | 0:45:31 | 0:45:34 | |
the church was moved in one piece, | 0:45:34 | 0:45:37 | |
289 metres away from Ceausescu's bulldozers. | 0:45:37 | 0:45:42 | |
It took two weeks for the church to reach its new location. | 0:45:50 | 0:45:54 | |
So, Aidan, it is a beautiful church, | 0:46:02 | 0:46:05 | |
and this is where it ended up after its 289-metre journey. | 0:46:05 | 0:46:09 | |
But now it's hemmed in by blocks of flats. | 0:46:09 | 0:46:12 | |
A couple of years ago, the chief architect and the mayor | 0:46:12 | 0:46:16 | |
asked my father to think of a solution | 0:46:16 | 0:46:19 | |
to relocate the building on the initial site. | 0:46:19 | 0:46:23 | |
-Can we go inside? -Sure. | 0:46:24 | 0:46:25 | |
When I see the church, I'm struck by its simple beauty. | 0:46:34 | 0:46:38 | |
And now I fully appreciate the audacity of the operation. | 0:46:40 | 0:46:44 | |
And to my delight, Eugen Iordachescu is here to meet me. | 0:46:51 | 0:46:56 | |
My father. That's the man I told you about. | 0:47:00 | 0:47:03 | |
What a great honour to meet you, sir. This is fantastic. | 0:47:03 | 0:47:06 | |
-Thank you very much. -You are the man who saved this church, | 0:47:06 | 0:47:09 | |
and so many other buildings. | 0:47:09 | 0:47:10 | |
HE SPEAKS ROMANIAN | 0:47:10 | 0:47:12 | |
Are you a religious man? Was that an important part of your motivation? | 0:47:30 | 0:47:34 | |
Congratulations. What you've done here is really almost incredible. | 0:47:53 | 0:47:58 | |
I'm leaving the capital, to continue my journey eastwards. | 0:48:11 | 0:48:15 | |
I'll soon be arriving in Constanta which, the guidebook tells me, | 0:48:36 | 0:48:39 | |
"..is on a steep tongue of land running into the Black Sea. | 0:48:39 | 0:48:43 | |
"It's acquired importance as the sea harbour of Romania, | 0:48:43 | 0:48:46 | |
"with the outer works of the harbour completed in 1903." | 0:48:46 | 0:48:50 | |
I imagine there's been a lot of development still, | 0:48:50 | 0:48:53 | |
because Constanta remains, for Romanian products, | 0:48:53 | 0:48:57 | |
the gateway to the world. | 0:48:57 | 0:48:59 | |
I'm excited to glimpse the mighty Danube, | 0:49:02 | 0:49:05 | |
which, like me, is wending its way towards the Black Sea. | 0:49:05 | 0:49:10 | |
I shall explore Constanta tomorrow. | 0:49:12 | 0:49:14 | |
The city of Constanta stands on the western coast of the Black Sea, | 0:49:34 | 0:49:38 | |
in the Dobruja region, whose control returned to Romania in 1878, | 0:49:38 | 0:49:43 | |
after war between Russia and Turkey. | 0:49:43 | 0:49:46 | |
The country thus regained a sea port, | 0:49:46 | 0:49:48 | |
and access to international trade routes. | 0:49:48 | 0:49:51 | |
Looking around, I see faded grandeur. | 0:49:53 | 0:49:56 | |
Especially evident at Constanta Casino, | 0:49:56 | 0:49:59 | |
where I'm meeting historian Cosbin Yoniza. | 0:49:59 | 0:50:02 | |
-Hello, Cosbin. -Hi, Michael. Very nice to meet you. | 0:50:04 | 0:50:08 | |
This is obviously a splendid building. A casino. | 0:50:08 | 0:50:12 | |
When was it built and why was it built? | 0:50:12 | 0:50:14 | |
It was built just before the First World War, in 1909-1910. | 0:50:14 | 0:50:17 | |
And it was a building meant to bring the elite of the city together. | 0:50:17 | 0:50:24 | |
Constanta used to be a city of fishermen, | 0:50:24 | 0:50:28 | |
but then, after this region became part of the kingdom of Romania, | 0:50:28 | 0:50:32 | |
you have a great splendour in the city. | 0:50:32 | 0:50:35 | |
I'm very interested in the origins of the First World War. | 0:50:35 | 0:50:38 | |
Does Constanta play any part in the political developments? | 0:50:38 | 0:50:41 | |
Constanta has a very important role in the build-up | 0:50:41 | 0:50:44 | |
to the First World War. | 0:50:44 | 0:50:45 | |
It's actually the place the visit of the Tsar, Nicholas II, | 0:50:45 | 0:50:49 | |
with his imperial family, happened on 14th June, 1914, | 0:50:49 | 0:50:55 | |
when he visited the royal family of Romania. | 0:50:55 | 0:50:59 | |
-Are we able to go inside? -Sure. | 0:50:59 | 0:51:01 | |
In 1914, Europe sensed that war was brewing. | 0:51:06 | 0:51:10 | |
Tensions were high between opposing alliances. | 0:51:10 | 0:51:13 | |
The Russian imperial visit, which drew huge crowds, | 0:51:15 | 0:51:19 | |
and concluded with a gala in this casino, | 0:51:19 | 0:51:21 | |
was more than a courtesy call by a neighbouring monarch. | 0:51:21 | 0:51:25 | |
Cosbin, it was clearly once a very grand building, | 0:51:30 | 0:51:33 | |
and I daresay a suitable place to receive the Tsar of Russia. | 0:51:33 | 0:51:36 | |
What was the political purpose of the visit? | 0:51:36 | 0:51:39 | |
It was very important because in Europe at that moment, | 0:51:39 | 0:51:43 | |
you have two main alliances. | 0:51:43 | 0:51:44 | |
You have Germany, Austria, Hungary and Italy on one side, | 0:51:44 | 0:51:47 | |
and then on the other side you have France, Russia and Great Britain. | 0:51:47 | 0:51:51 | |
Romania was part of the first block, | 0:51:51 | 0:51:53 | |
together with Germany, Austria, Hungary and Italy. | 0:51:53 | 0:51:57 | |
And the others were trying to pull Romania out of this alliance | 0:51:57 | 0:52:01 | |
and to bring it to their side. | 0:52:01 | 0:52:03 | |
More things happened apart from the imperial visit. | 0:52:03 | 0:52:06 | |
You have also the foreign minister of Russia visiting Romania, | 0:52:06 | 0:52:09 | |
and this has a very important political message. | 0:52:09 | 0:52:12 | |
He was here in Constanta as well during the visit, but he stayed more in Bucharest | 0:52:12 | 0:52:15 | |
and they were able to talk further on, on the political, er... | 0:52:15 | 0:52:20 | |
..ideas connecting the two countries. | 0:52:20 | 0:52:23 | |
With the ostentatious welcome for the Russian Tsar, | 0:52:25 | 0:52:29 | |
Romania was claiming her place at the top diplomatic table, | 0:52:29 | 0:52:34 | |
and was being courted because of her strategic location. | 0:52:34 | 0:52:37 | |
In 1916, Romania eventually entered the First World War, | 0:52:38 | 0:52:43 | |
on the side of France, Britain and Russia. | 0:52:43 | 0:52:48 | |
To the south of the Casino lies the port of Constanta | 0:52:57 | 0:53:01 | |
which, during the 1860s, was open to international trade | 0:53:01 | 0:53:05 | |
with a railway built by a British company. | 0:53:05 | 0:53:08 | |
King Carol further modernised and improved the port | 0:53:08 | 0:53:11 | |
to accommodate large cargo ships. | 0:53:11 | 0:53:14 | |
Bradshaw's remarks that grain is Romania's chief export. | 0:53:15 | 0:53:19 | |
I want to find out whether that's still the case, | 0:53:19 | 0:53:22 | |
from Antonio Stoye, who works for a freight company here. | 0:53:22 | 0:53:26 | |
Antonio, I'm very struck by these very beautiful buildings. | 0:53:29 | 0:53:32 | |
When were they put up? | 0:53:32 | 0:53:33 | |
So they were build more than 100 years ago. | 0:53:33 | 0:53:37 | |
They started in 1904 with the first silo, | 0:53:37 | 0:53:41 | |
then the second one followed in 1911 and the third one in 1914. | 0:53:41 | 0:53:46 | |
All together, they are 100,000 tonnes capacity. | 0:53:46 | 0:53:48 | |
This is all about grain. Where is it going from and to? | 0:53:48 | 0:53:52 | |
Mainly from inland Romania, | 0:53:52 | 0:53:54 | |
the cargo is going further on the Black Sea. | 0:53:54 | 0:53:56 | |
In Turkey, North Africa and, today, it's going also to Far East. | 0:53:56 | 0:54:02 | |
The port of Constanta has undergone further expansion recently. | 0:54:09 | 0:54:14 | |
Handling nearly 20 million tonnes of cereal a year, | 0:54:14 | 0:54:18 | |
it's emerging as Europe's biggest grain transport hub, | 0:54:18 | 0:54:22 | |
and is on course to become the largest grain terminal | 0:54:22 | 0:54:25 | |
in the Black Sea region. | 0:54:25 | 0:54:26 | |
Enormous floating cranes transfer cargo | 0:54:30 | 0:54:33 | |
from river barges to seagoing ships. | 0:54:33 | 0:54:36 | |
The crane is controlled from a small operator cabin 100ft up. | 0:54:48 | 0:54:54 | |
(Don't look down, don't look down.) | 0:55:00 | 0:55:03 | |
Ah. | 0:55:11 | 0:55:13 | |
Made it to the top, and what a view. | 0:55:13 | 0:55:16 | |
The control centre. | 0:55:19 | 0:55:20 | |
Yes, here we are, on top of the world. | 0:55:20 | 0:55:23 | |
I'm looking down into the grain storage area of the ship. | 0:55:23 | 0:55:26 | |
It is, er, it is a vast cavity, isn't it? | 0:55:26 | 0:55:30 | |
Yeah, indeed. | 0:55:30 | 0:55:32 | |
Wow. | 0:55:32 | 0:55:33 | |
Now the, er, the fairground ride really does begin. | 0:55:34 | 0:55:38 | |
Ah, the whole crane is spinning around, wow. | 0:55:39 | 0:55:43 | |
This is... Whoa! This is scary. | 0:55:43 | 0:55:45 | |
This is moving in every conceivable direction. | 0:55:45 | 0:55:49 | |
I'm glad he wasn't driving it when we came up the ladder. | 0:55:49 | 0:55:53 | |
I've got the shakes. | 0:55:53 | 0:55:54 | |
If you look down, you will see that | 0:55:55 | 0:55:58 | |
-now he is grabbing from the barge. -Oh, yeah. | 0:55:58 | 0:56:01 | |
Much more shaking as we grab. The wires come up, the grab is rising... | 0:56:04 | 0:56:10 | |
We're swinging round towards the ship. | 0:56:11 | 0:56:13 | |
Ahhh... We're now over the ship. | 0:56:15 | 0:56:19 | |
This vessel could hold up to 86,000 tonnes of grain, | 0:56:19 | 0:56:23 | |
and is bound for Belgium. | 0:56:23 | 0:56:25 | |
That's your first 26 tonnes, operated in Constanta. | 0:56:25 | 0:56:29 | |
Ah. | 0:56:29 | 0:56:30 | |
Oh-ho-ho! | 0:56:34 | 0:56:35 | |
If I was terrified before, I think this takes the biscuit. | 0:56:37 | 0:56:40 | |
I'm peering through an open space here, down to the enormous grab, | 0:56:40 | 0:56:45 | |
which must be 70 or 80ft beneath me. | 0:56:45 | 0:56:48 | |
When I think of the responsibility of these operators, | 0:56:49 | 0:56:52 | |
I mean, it's really terrifying! | 0:56:52 | 0:56:54 | |
This thriving venture in Constanta | 0:56:58 | 0:57:01 | |
signals Romania's ambitions for the future. | 0:57:01 | 0:57:05 | |
100 years ago, the railway traveller in Romania | 0:57:07 | 0:57:10 | |
would have noticed its poverty. | 0:57:10 | 0:57:13 | |
I've been taken aback to discover that it was a major oil producer, | 0:57:13 | 0:57:17 | |
whose king had a castle full of the latest electrical gadgets. | 0:57:17 | 0:57:22 | |
Similarly today, I am surprised that in | 0:57:22 | 0:57:24 | |
one of Europe's least developed economies, | 0:57:24 | 0:57:27 | |
there's an enormous and growing port here at Constanta. | 0:57:27 | 0:57:32 | |
Transylvania was joined to Romania only after the First World War, | 0:57:32 | 0:57:36 | |
and so it's still a young-ish country | 0:57:36 | 0:57:39 | |
that had a very unlucky 20th century. | 0:57:39 | 0:57:42 | |
Romania has now driven a stake into its communist past, | 0:57:42 | 0:57:46 | |
and I hope that this friendly nation will seize the new opportunities. | 0:57:46 | 0:57:52 | |
'Next time... | 0:57:52 | 0:57:54 | |
LOUD BANG | 0:57:54 | 0:57:55 | |
'..I enter a war zone with the Red Cross...' | 0:57:56 | 0:57:59 | |
Hurry, go! | 0:57:59 | 0:58:00 | |
A most extraordinary turn of events! | 0:58:00 | 0:58:02 | |
'..put my faith in St Bernard...' | 0:58:02 | 0:58:04 | |
Michael Portillo's the name. | 0:58:04 | 0:58:07 | |
Last seen somewhere in the Alps. | 0:58:07 | 0:58:10 | |
'..and salute the bravery of a Swiss pioneering pilot.' | 0:58:10 | 0:58:13 | |
Only when you go up in a small plane like this | 0:58:14 | 0:58:16 | |
do you realise what a formidable obstacle the Alps would have been | 0:58:16 | 0:58:22 | |
a century ago. | 0:58:22 | 0:58:24 |