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I'm embarking on a new railway adventure | 0:00:03 | 0:00:06 | |
that will take me across the heart of Europe. | 0:00:06 | 0:00:09 | |
I'll be using this, my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:11 | 0:00:16 | |
which opened up an exotic world of foreign travel for the British tourist. | 0:00:16 | 0:00:21 | |
It told travellers where to go, | 0:00:21 | 0:00:24 | |
what to see and how to navigate the thousands of miles of tracks | 0:00:24 | 0:00:29 | |
crisscrossing the continent. | 0:00:29 | 0:00:31 | |
Now, a century later, I'm using my copy | 0:00:31 | 0:00:33 | |
to reveal an era of great optimism and energy, | 0:00:33 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe that, in 1913, | 0:00:42 | 0:00:46 | |
couldn't know that its way of life would shortly be swept aside | 0:00:46 | 0:00:51 | |
by the advent of war. | 0:00:51 | 0:00:52 | |
I'm following one of my guidebook's recommended journeys to Switzerland. | 0:01:06 | 0:01:11 | |
A country whose roots date back to 1291. | 0:01:12 | 0:01:15 | |
Renowned for its breathtaking scenery and invigorating air, | 0:01:17 | 0:01:22 | |
it's home to four different languages | 0:01:22 | 0:01:25 | |
united under a single flag. | 0:01:25 | 0:01:28 | |
A traveller in Switzerland a century ago using a Bradshaw's Guide | 0:01:28 | 0:01:33 | |
might be here to climb a mountain, buy a watch or open a bank account, | 0:01:33 | 0:01:38 | |
just as today. | 0:01:38 | 0:01:40 | |
But in 1913, war loomed. | 0:01:40 | 0:01:43 | |
Would this country's famous neutrality be respected | 0:01:43 | 0:01:47 | |
or would its values be used as a short cut | 0:01:47 | 0:01:51 | |
by Germany and France to attack one another? | 0:01:51 | 0:01:54 | |
These were the great political questions as Europe slithered down | 0:01:54 | 0:01:59 | |
the slippery slope to Armageddon. | 0:01:59 | 0:02:02 | |
I start my journey in the south of the country, | 0:02:13 | 0:02:15 | |
high up in the Alps in Zermatt, | 0:02:15 | 0:02:18 | |
then head into the beautiful valleys and lake shores | 0:02:18 | 0:02:22 | |
to visit the Swiss Riviera at Montreux. | 0:02:22 | 0:02:25 | |
From there, I move north-east | 0:02:25 | 0:02:28 | |
to the centre of the country | 0:02:28 | 0:02:30 | |
and the capital, Bern. | 0:02:30 | 0:02:32 | |
It's then only a short hop to Biel or Bienne - | 0:02:32 | 0:02:36 | |
the heart of watchmaking. | 0:02:36 | 0:02:38 | |
I'll end my journey | 0:02:38 | 0:02:40 | |
on the shores of Lake Geneva. | 0:02:40 | 0:02:42 | |
On this journey, I learn about the conquest of the Alps. | 0:02:44 | 0:02:48 | |
You know, the Matterhorn at that time, it was untouched | 0:02:48 | 0:02:51 | |
and most people thought it's not climbable. | 0:02:51 | 0:02:55 | |
'I put my faith in St Bernard...' | 0:02:55 | 0:02:58 | |
Michael Portillo's the name. | 0:02:58 | 0:03:00 | |
-OK. -Last seen somewhere in the Alps. | 0:03:00 | 0:03:03 | |
'..salute the bravery of a pioneering Swiss pilot...' | 0:03:03 | 0:03:07 | |
Only when you go up in a small plane like this do you realise | 0:03:07 | 0:03:11 | |
what a formidable obstacle the Alps would have been a century ago. | 0:03:11 | 0:03:16 | |
'..before entering a war zone with the Red Cross.' | 0:03:18 | 0:03:22 | |
CLAMOUR | 0:03:22 | 0:03:25 | |
A most extraordinary turn of events. | 0:03:25 | 0:03:27 | |
My first stop will be Zermatt. | 0:03:38 | 0:03:41 | |
According to Bradshaw's, "A village 5,315 feet above sea, | 0:03:41 | 0:03:47 | |
"almost surrounded by lofty peaks and glaciers, | 0:03:47 | 0:03:51 | |
"sometimes described as the very centre of the Alps." | 0:03:51 | 0:03:56 | |
In the 19th century, | 0:03:56 | 0:03:57 | |
the British were gripped by a spirit of adventure, | 0:03:57 | 0:04:01 | |
an urge to explore and to prevail. | 0:04:01 | 0:04:04 | |
And many of those lofty peaks were first conquered | 0:04:04 | 0:04:08 | |
by teams that included British climbers | 0:04:08 | 0:04:11 | |
who devoted their lives to Alpinism. | 0:04:11 | 0:04:14 | |
When I arrive at Zermatt, I shall be close to | 0:04:14 | 0:04:17 | |
the most recognisable and forbidding of the Alps, the deadly Matterhorn. | 0:04:17 | 0:04:23 | |
It's important to remember that, | 0:04:27 | 0:04:29 | |
until the second half of the 19th century, | 0:04:29 | 0:04:31 | |
this majestic mountain wilderness | 0:04:31 | 0:04:33 | |
at the heart of the world's most densely populated continent | 0:04:33 | 0:04:37 | |
remained largely inaccessible. | 0:04:37 | 0:04:39 | |
That began to change with the arrival of the railways. | 0:04:42 | 0:04:45 | |
British mountaineers, | 0:04:46 | 0:04:48 | |
who would have taken 16 days to travel from London | 0:04:48 | 0:04:51 | |
to these dangerous, unclimbed peaks, | 0:04:51 | 0:04:54 | |
could arrive in just three, | 0:04:54 | 0:04:56 | |
and the golden age of mountaineering was born. | 0:04:56 | 0:05:00 | |
The Alpine town of Zermatt, nestling in the Matter Valley, | 0:05:05 | 0:05:09 | |
is the gateway to these magnificent mountains. | 0:05:09 | 0:05:12 | |
Today, it's famous as a ski resort | 0:05:12 | 0:05:15 | |
but at the time of the early mountaineers, | 0:05:15 | 0:05:18 | |
it was a small village of only 400 people. | 0:05:18 | 0:05:21 | |
The Alps really could have been designed to teach man humility. | 0:05:22 | 0:05:26 | |
Surrounded by these mountains you feel small and insignificant. | 0:05:26 | 0:05:31 | |
These peaks created a craze | 0:05:34 | 0:05:36 | |
which led to an influx of intrepid British adventurers. | 0:05:36 | 0:05:40 | |
And in order to carry them closer to the Matterhorn, | 0:05:46 | 0:05:49 | |
the indomitable Swiss railway engineers | 0:05:49 | 0:05:52 | |
built the Gornergrat cog railway. | 0:05:52 | 0:05:54 | |
-Hello, Chris. -Hello. -Great to see you. -Nice to meet you. | 0:06:00 | 0:06:02 | |
I'm Michael. | 0:06:02 | 0:06:04 | |
'I'm meeting Chris, who works for this remarkable railway.' | 0:06:04 | 0:06:07 | |
My Bradshaw's says, "The railway up from Zermatt to Gornergrat | 0:06:08 | 0:06:12 | |
"commands the grandest view obtainable in the Alps | 0:06:12 | 0:06:15 | |
"of the world of ice and snow." | 0:06:15 | 0:06:18 | |
So this railway was already built before 1913? | 0:06:18 | 0:06:21 | |
Yes, it was 15 years before. | 0:06:21 | 0:06:24 | |
This is extraordinary because many of the Alps | 0:06:24 | 0:06:27 | |
were only climbed for the first time in the 19th century, | 0:06:27 | 0:06:30 | |
yet by the end of the 19th century, | 0:06:30 | 0:06:33 | |
the Swiss are able to build railways to the tops of mountains. | 0:06:33 | 0:06:36 | |
Yes. The cog railways were invented in 1860, about. | 0:06:36 | 0:06:39 | |
The first were in America and the Gornergrat Bahn was then 1898. | 0:06:39 | 0:06:45 | |
From the beginning, it was an electric cog wheel | 0:06:45 | 0:06:48 | |
and not with steam, and our grand-grandfathers, | 0:06:48 | 0:06:51 | |
they really were experts and pioneers. | 0:06:51 | 0:06:54 | |
The Gornergrat trains operate on gradients as steep as 20% | 0:06:56 | 0:07:01 | |
using a cog that grips a racked rail running between the tracks. | 0:07:01 | 0:07:06 | |
The traveller in 1913 would have marvelled at the engineering | 0:07:06 | 0:07:10 | |
and been treated on a clear day | 0:07:10 | 0:07:12 | |
to an awe-inspiring view across 29 peaks exceeding 4,000 metres. | 0:07:12 | 0:07:18 | |
Is that the Matterhorn appearing there? | 0:07:20 | 0:07:22 | |
That would be the Matterhorn, yes. | 0:07:22 | 0:07:24 | |
4,478 metres above sea level. | 0:07:24 | 0:07:27 | |
The queen of the mountains. | 0:07:29 | 0:07:31 | |
Although I'm a plucky sort of fellow | 0:07:34 | 0:07:37 | |
in fine physical condition with tremendous stamina, | 0:07:37 | 0:07:40 | |
it's a huge relief that the changeable weather | 0:07:40 | 0:07:43 | |
scuppers any chance of a summit bid. | 0:07:43 | 0:07:46 | |
I'm meeting Benedikt Perren, | 0:07:52 | 0:07:54 | |
who is directly descended from two of the guides | 0:07:54 | 0:07:57 | |
who made the first ascent of the Matterhorn in 1865. | 0:07:57 | 0:08:01 | |
-Hello, Benedikt. -Hi, Michael. | 0:08:02 | 0:08:04 | |
-Nice to meet you up here. -Good to see you and a great place to meet. | 0:08:04 | 0:08:08 | |
Great spot, yes. | 0:08:08 | 0:08:09 | |
Why do you think that the British were such keen mountain climbers | 0:08:09 | 0:08:13 | |
-here in the Alps? -You know, the British were used to travel | 0:08:13 | 0:08:16 | |
and the British had the money to travel | 0:08:16 | 0:08:19 | |
and they realised that there is a lot of first ascents to do | 0:08:19 | 0:08:24 | |
and they were very keen to reach that goal. | 0:08:24 | 0:08:27 | |
What was so special about the Matterhorn? | 0:08:27 | 0:08:30 | |
You know, the Matterhorn, at that time, it was untouched | 0:08:30 | 0:08:33 | |
and most people in Zermatt thought it's not climbable. | 0:08:33 | 0:08:38 | |
Tell me about the first successful conquest of the Matterhorn. | 0:08:38 | 0:08:43 | |
You know, we had four British climbers, | 0:08:43 | 0:08:46 | |
all four members of British Alpine Club. | 0:08:46 | 0:08:49 | |
This fearless group comprised Edward Whymper, | 0:08:49 | 0:08:52 | |
who, at 25, had already made seven unsuccessful attempts, | 0:08:52 | 0:08:56 | |
Lord Francis Douglas, | 0:08:56 | 0:08:58 | |
the Reverend Charles Hudson, | 0:08:58 | 0:09:00 | |
and the novice of the group, Douglas Hadow. | 0:09:00 | 0:09:04 | |
They were joined by Alpine guides, | 0:09:04 | 0:09:06 | |
Michel Croz, and Benedikt's relatives, | 0:09:06 | 0:09:08 | |
Peter Taugwalder and his son, also called Peter. | 0:09:08 | 0:09:12 | |
They set off at 5.30 on a brilliant and perfectly cloudless morning | 0:09:15 | 0:09:19 | |
and a day later, after an incident-free climb, | 0:09:19 | 0:09:23 | |
they arrived 200 feet below the summit. | 0:09:23 | 0:09:26 | |
Whymper wanted to be the first on the summit. | 0:09:26 | 0:09:30 | |
He and Michel Croz, their French guide, | 0:09:30 | 0:09:33 | |
the two of them did run up to the summit | 0:09:33 | 0:09:36 | |
and the others, they followed, probably 20 minutes later. | 0:09:36 | 0:09:39 | |
Whymper had done what everyone thought was impossible. | 0:09:39 | 0:09:43 | |
He'd conquered the Matterhorn. | 0:09:43 | 0:09:44 | |
Whymper and the two Taugwalders, they stood a bit longer on the summit. | 0:09:46 | 0:09:50 | |
Probably half an hour later, | 0:09:50 | 0:09:51 | |
the three of them did start their way down | 0:09:51 | 0:09:54 | |
and they caught up with the other four very quick. | 0:09:54 | 0:09:58 | |
On the way down, it was Hadow... | 0:10:02 | 0:10:04 | |
..who slipped and started to fall... | 0:10:06 | 0:10:09 | |
..and the rope was not strong enough | 0:10:11 | 0:10:13 | |
and then it... | 0:10:13 | 0:10:15 | |
-How do you say? -Snapped. -It snapped, yes. | 0:10:15 | 0:10:17 | |
Four climbers fell down the whole north face. | 0:10:17 | 0:10:21 | |
A momentous tragedy, a terrible loss of life. | 0:10:21 | 0:10:24 | |
Yes, that was a big tragedy. | 0:10:24 | 0:10:26 | |
Out of the party that climbed the mountain, | 0:10:26 | 0:10:28 | |
only Whymper and the two Taugwalders escaped with their lives. | 0:10:28 | 0:10:32 | |
Climbing equipment in the 1860s was rudimentary. | 0:10:34 | 0:10:37 | |
-Is this the sort of boot Hadow had? -Yes, exactly a boot like that. | 0:10:37 | 0:10:41 | |
The only hold you've got is these nails here | 0:10:41 | 0:10:44 | |
and that was basically the reason why he started to slide, you know. | 0:10:44 | 0:10:49 | |
Really, you think Hadow was killed, and the others too, | 0:10:49 | 0:10:52 | |
because of a defective boot? | 0:10:52 | 0:10:54 | |
Yeah, you know, that was one of the main reasons. | 0:10:54 | 0:10:57 | |
Hadow was basically not a very experienced climber. | 0:10:57 | 0:11:01 | |
On the other hand, he was not very well equipped. | 0:11:01 | 0:11:04 | |
Despite your family's involvement in that tragedy, | 0:11:04 | 0:11:07 | |
you have climbed the Matterhorn. How many times? | 0:11:07 | 0:11:10 | |
Right now, I've been 250 times on the summit. | 0:11:10 | 0:11:14 | |
That's extraordinary. What's it like to be at the top of the Matterhorn? | 0:11:14 | 0:11:17 | |
Great, you know. You are surrounded by | 0:11:17 | 0:11:20 | |
all the big mountains of the Alps | 0:11:20 | 0:11:23 | |
and you have a very good panoramic view | 0:11:23 | 0:11:26 | |
and very emotional moments up there. | 0:11:26 | 0:11:28 | |
Even today's climbers treat the Matterhorn with the utmost respect | 0:11:29 | 0:11:34 | |
because, despite many triumphs, about 500 lives have been lost. | 0:11:34 | 0:11:39 | |
And for Whymper, the tragedy cast a shadow over the rest of his life. | 0:11:41 | 0:11:47 | |
He wrote, "Climb if you will, but remember that courage and strength | 0:11:47 | 0:11:52 | |
"are naught without prudence and that a momentary negligence | 0:11:52 | 0:11:56 | |
"may destroy the happiness of a lifetime." | 0:11:56 | 0:12:00 | |
I'm heading to safer ground | 0:12:03 | 0:12:05 | |
and descending more than 2,500 metres to the valley below. | 0:12:05 | 0:12:10 | |
Wherever I go in Switzerland, | 0:12:13 | 0:12:14 | |
I am astonished by the quality of the railway civil engineering. | 0:12:14 | 0:12:19 | |
We are now passing through the Kipfen Gorge. | 0:12:19 | 0:12:23 | |
The Swiss really managed to tame their mountains. | 0:12:23 | 0:12:26 | |
And when you think that so much of this was done | 0:12:26 | 0:12:28 | |
during the 19th century and that many of these lines | 0:12:28 | 0:12:31 | |
have been electrified for more than a century, | 0:12:31 | 0:12:34 | |
it adds to the sense of wonder. | 0:12:34 | 0:12:36 | |
They didn't do this by steam-rolling public opinion. | 0:12:36 | 0:12:39 | |
In this extraordinary democracy, | 0:12:39 | 0:12:41 | |
many of the most important things are settled by referendum. | 0:12:41 | 0:12:44 | |
I'm arriving in the town of Visp | 0:12:46 | 0:12:48 | |
where I'll be able to admire more examples of Swiss railway building. | 0:12:48 | 0:12:53 | |
I'm catching a connection to Martigny, | 0:12:53 | 0:12:55 | |
cultural capital of the French-speaking Canton of Valais. | 0:12:55 | 0:13:00 | |
Bradshaw's tells me that, "Near Martigny | 0:13:00 | 0:13:03 | |
"is the Hospice of the Great St Bernard, | 0:13:03 | 0:13:06 | |
"whose monks assist travellers | 0:13:06 | 0:13:08 | |
"in the dangers from storm and avalanche, aided by their dogs. | 0:13:08 | 0:13:13 | |
"One, called Barry, helped to save 14 persons." | 0:13:13 | 0:13:17 | |
Martigny is at one end of the snowy, perilous, | 0:13:25 | 0:13:28 | |
49-mile Great St Bernard Pass that links Switzerland to Italy. | 0:13:28 | 0:13:33 | |
It's snow-free only for a couple of months in the summer | 0:13:34 | 0:13:38 | |
and has been a treacherous route for travellers throughout history. | 0:13:38 | 0:13:42 | |
Hello. | 0:13:47 | 0:13:49 | |
'I've come to the Barry Foundation to meet Doris Kundig | 0:13:49 | 0:13:52 | |
'and the descendants of St Bernard's famous Alpine mastiffs.' | 0:13:52 | 0:13:56 | |
Doris, what was the origin of the story of the St Bernard dogs? | 0:13:57 | 0:14:02 | |
The story of the St Bernard started at the Great St Bernard Pass | 0:14:02 | 0:14:06 | |
where, in the 12th century, St Bernard founded a hospice. | 0:14:06 | 0:14:10 | |
The canons up there started to have dogs. | 0:14:10 | 0:14:14 | |
They first were used as working dogs and then soon, | 0:14:14 | 0:14:18 | |
they found out about their ability to smell | 0:14:18 | 0:14:22 | |
and to find the orientation. | 0:14:22 | 0:14:24 | |
'The St Bernard's powerful sense of smell and resistance to cold | 0:14:24 | 0:14:29 | |
'meant that over a 150-year period, up to 2,000 people, | 0:14:29 | 0:14:33 | |
'from lost children to Napoleon's soldiers, | 0:14:33 | 0:14:36 | |
'were rescued by the heroic dogs, | 0:14:36 | 0:14:39 | |
'and one in particular excelled.' | 0:14:39 | 0:14:42 | |
Tell me about the original dog called Barry. | 0:14:42 | 0:14:46 | |
Well, this is our national hero, as to say. | 0:14:46 | 0:14:48 | |
He lived between 1800 and 1812 | 0:14:48 | 0:14:51 | |
at the hospice and he saved the lives of about 40 people. | 0:14:51 | 0:14:55 | |
-40? -40, yeah. | 0:14:55 | 0:14:57 | |
So he got very famous because of that | 0:14:57 | 0:15:00 | |
because he seemed to be the one dog | 0:15:00 | 0:15:03 | |
that really had the ability to find people, | 0:15:03 | 0:15:07 | |
to rescue people or just to keep them away from danger. | 0:15:07 | 0:15:10 | |
Although today, St Bernards are no longer used in rescues, | 0:15:10 | 0:15:14 | |
the Foundation is keeping alive the original line, | 0:15:14 | 0:15:18 | |
with its 27 bitches and eight dogs. | 0:15:18 | 0:15:20 | |
And how do you find working with St Bernards? | 0:15:20 | 0:15:23 | |
What's the character of these dogs? | 0:15:23 | 0:15:25 | |
Well, they are very lazy, they are very gentle, | 0:15:25 | 0:15:29 | |
they are stubborn | 0:15:29 | 0:15:32 | |
but they want to have a contact with people. | 0:15:32 | 0:15:35 | |
And to preserve traditions, | 0:15:37 | 0:15:38 | |
the Foundation always trains one dog in avalanche search and rescue. | 0:15:38 | 0:15:43 | |
In the spirit of adventure, I've offered to be the buried victim. | 0:15:48 | 0:15:53 | |
'Although it's spring here in the Alps, | 0:15:54 | 0:15:56 | |
'there is an annual snowfall of ten metres.' | 0:15:56 | 0:15:58 | |
Thank you. | 0:15:58 | 0:15:59 | |
'And temperatures drop to minus 30.' | 0:15:59 | 0:16:02 | |
Whoa! It's deep snow! | 0:16:03 | 0:16:05 | |
-Hello, Daniel. -Michael. | 0:16:05 | 0:16:08 | |
-You're welcome. -And who's this? | 0:16:08 | 0:16:09 | |
-Easy. -Easy? | 0:16:09 | 0:16:11 | |
Easy. A real St Bernard. | 0:16:11 | 0:16:13 | |
'It takes three years to train a dog. | 0:16:13 | 0:16:16 | |
'Here's hoping she's got something of the Barry about her.' | 0:16:16 | 0:16:19 | |
What do I need to do? Just get in there? | 0:16:19 | 0:16:21 | |
-Yes, you go inside. -Yes. -Then I give you the toy. | 0:16:21 | 0:16:25 | |
-The toy? -Yes, the toy, Easy's toy. | 0:16:25 | 0:16:28 | |
-Oh, Easy's toy. -Yes. | 0:16:28 | 0:16:30 | |
You can also play with it! | 0:16:30 | 0:16:32 | |
One second. So I give you the toy. | 0:16:32 | 0:16:34 | |
Thank you very much indeed. | 0:16:34 | 0:16:36 | |
And I give you a little bit meat | 0:16:36 | 0:16:37 | |
to say thank you to Easy that she will get you out. | 0:16:37 | 0:16:41 | |
You won't forget about me, will you? | 0:16:41 | 0:16:43 | |
-Michael Portillo's the name. -OK. | 0:16:43 | 0:16:45 | |
Last seen somewhere in the Alps. | 0:16:45 | 0:16:48 | |
'Now, I know this doesn't look very scientific, | 0:16:51 | 0:16:54 | |
'but Easy is only in the first year of her training.' | 0:16:54 | 0:16:58 | |
Vas-y, vas-y, vas-y! | 0:17:00 | 0:17:01 | |
'Time to put that nose to the test.' | 0:17:01 | 0:17:03 | |
Easy! Help! | 0:17:10 | 0:17:12 | |
Easy! | 0:17:12 | 0:17:14 | |
'Hm. Easy has some way to go before she reaches Barry's standard.' | 0:17:14 | 0:17:18 | |
Vas-y, vas-y, vas-y! | 0:17:18 | 0:17:20 | |
'That's the toy, but what about me?' | 0:17:32 | 0:17:35 | |
Peter, can you get me out of here, please? | 0:17:35 | 0:17:38 | |
Ah! | 0:17:38 | 0:17:39 | |
HE LAUGHS | 0:17:39 | 0:17:41 | |
Nowadays, St Bernards don't bring brandy with them. | 0:17:41 | 0:17:44 | |
Mm. | 0:17:45 | 0:17:47 | |
But when you've been in an avalanche for a while, | 0:17:47 | 0:17:50 | |
this is exactly what you need. | 0:17:50 | 0:17:52 | |
After all that excitement, | 0:17:59 | 0:18:01 | |
I'm heading away from the high Alps to the Switzerland of the lakes. | 0:18:01 | 0:18:06 | |
For 1913 travellers coming from industrialised countries, | 0:18:06 | 0:18:09 | |
this pure and invigorating air must have been intoxicating. | 0:18:09 | 0:18:14 | |
For the first part of my journey today, | 0:18:15 | 0:18:17 | |
I'll be travelling along what Bradshaw's calls | 0:18:17 | 0:18:20 | |
"The magnificent Rhone Valley". | 0:18:20 | 0:18:22 | |
That river flows through Switzerland, | 0:18:22 | 0:18:24 | |
entering Lac Leman near Montreux, | 0:18:24 | 0:18:26 | |
exits at Geneva and then abandons Switzerland for France. | 0:18:26 | 0:18:31 | |
Can I help you? Let me pass that up to you. | 0:18:34 | 0:18:37 | |
There we go. | 0:18:40 | 0:18:41 | |
Prochain arret, St Moritz. | 0:18:44 | 0:18:45 | |
Jusqu'a Montreux, s'il vous plait. | 0:18:46 | 0:18:48 | |
-Tres bien. Merci. Bon voyage. -Merci, monsieur. | 0:18:48 | 0:18:51 | |
Bradshaw's describes scenery of mountain, lake and meadow. | 0:18:54 | 0:18:59 | |
"In summer, the heat is cooled by the lake breezes. | 0:18:59 | 0:19:02 | |
"In winter, the sheltered situation secures a mild climate with clear air. | 0:19:02 | 0:19:07 | |
"Not often are there frost and snow." | 0:19:07 | 0:19:10 | |
And this apparently made the area suitable for the treatment of | 0:19:10 | 0:19:14 | |
"internal and nervous diseases - gout, rheumatism, heart, | 0:19:14 | 0:19:17 | |
"kidney and stomach complaints, but not mental or tuberculosis cases". | 0:19:17 | 0:19:23 | |
I had no idea that a climate could be so picky. | 0:19:23 | 0:19:27 | |
Montreux's dramatic location on the east side of Lake Geneva | 0:19:33 | 0:19:38 | |
helped it in the late 19th century to become a famous holiday resort. | 0:19:38 | 0:19:43 | |
It attracted celebrated residents and visitors | 0:19:48 | 0:19:51 | |
and became a feature of what was known as the Swiss Riviera. | 0:19:51 | 0:19:55 | |
Few of those eminent visitors could predict | 0:19:59 | 0:20:03 | |
that the world order was about to be torn apart | 0:20:03 | 0:20:06 | |
by a Great War and a revolution in Russia. | 0:20:06 | 0:20:09 | |
But in fact, well before that, developments in art - | 0:20:10 | 0:20:15 | |
think of the paintings of Pablo Picasso - | 0:20:15 | 0:20:18 | |
are already shaking the foundations of the pompous old empires. | 0:20:18 | 0:20:23 | |
And in the world of music, | 0:20:23 | 0:20:25 | |
the work of Igor Stravinsky is, | 0:20:25 | 0:20:27 | |
in its way, as revolutionary as anything by Marx or Lenin, | 0:20:27 | 0:20:33 | |
and threatened to bring the house down. | 0:20:33 | 0:20:36 | |
In 1910, Stravinsky was a young, virtually unknown composer, | 0:20:39 | 0:20:43 | |
but his music for the ballet The Firebird | 0:20:43 | 0:20:46 | |
was an overnight sensation. | 0:20:46 | 0:20:48 | |
Impresario Sergei Diaghilev swiftly commissioned him | 0:20:50 | 0:20:53 | |
to write another. | 0:20:53 | 0:20:55 | |
I'm meeting Isabel in Montreux's famous home of music. | 0:20:59 | 0:21:03 | |
Isabel, we are in the beautiful concert hall | 0:21:04 | 0:21:06 | |
named after Igor Stravinsky. | 0:21:06 | 0:21:08 | |
Why did Stravinsky come to Montreux? | 0:21:08 | 0:21:11 | |
Well, he first came here in 1910 | 0:21:11 | 0:21:13 | |
because his wife was not very healthy | 0:21:13 | 0:21:16 | |
and the temperature here in Montreux was better for her. | 0:21:16 | 0:21:20 | |
What was it that Stravinsky achieved here in Montreux? | 0:21:20 | 0:21:23 | |
Well, he wrote The Rite Of Spring. | 0:21:23 | 0:21:25 | |
During the summer of 1911, | 0:21:28 | 0:21:30 | |
Stravinsky immersed himself in the piece, | 0:21:30 | 0:21:33 | |
which appeared fundamentally at odds with the rest of the musical world. | 0:21:33 | 0:21:37 | |
He finished it on 4th November, 1912, | 0:21:38 | 0:21:41 | |
and premiered it in Paris in 1913. | 0:21:41 | 0:21:44 | |
The story concerns a prehistoric Russian tribe | 0:21:53 | 0:21:56 | |
that celebrates the arrival of spring with a virgin sacrifice. | 0:21:56 | 0:22:01 | |
Both Stravinsky's score and the choreography were so unexpected | 0:22:07 | 0:22:12 | |
and avant-garde that a riot broke out in the audience. | 0:22:12 | 0:22:16 | |
Some considered it an obscene subversion of all music's norms... | 0:22:19 | 0:22:23 | |
..and condemned Stravinsky as a madman. | 0:22:27 | 0:22:30 | |
HE PLAYS OPENING FROM RITE OF SPRING | 0:22:33 | 0:22:37 | |
-Luca, thank you very much indeed. -Thank you. | 0:22:56 | 0:22:58 | |
That opening passage, very, very haunting. | 0:22:59 | 0:23:03 | |
There is a funny story about this beginning. | 0:23:03 | 0:23:05 | |
During a rehearsal, | 0:23:05 | 0:23:07 | |
the bassoon player wanted to make fun of the cor anglais player, | 0:23:07 | 0:23:12 | |
so he started to play the beginning, but Stravinsky heard it and thought, | 0:23:12 | 0:23:16 | |
"Oh, maybe I should have the bassoon play this passage." | 0:23:16 | 0:23:21 | |
And, of course, now it is always played on the bassoon? | 0:23:21 | 0:23:23 | |
Yeah, now it's a very difficult orchestral passage | 0:23:23 | 0:23:26 | |
because it's very high. It's also this will from Stravinsky | 0:23:26 | 0:23:30 | |
to have a music quite extreme and quite breaking the rules. | 0:23:30 | 0:23:34 | |
ORCHESTRA PLAYS | 0:23:34 | 0:23:36 | |
Can you understand why it was so controversial? | 0:23:40 | 0:23:42 | |
Well, it has to do with the harmony, with the dissonance. | 0:23:42 | 0:23:46 | |
But also, it's very violent, | 0:23:46 | 0:23:48 | |
and Stravinsky used a lot of percussionists, | 0:23:48 | 0:23:51 | |
I think four percussionists. | 0:23:51 | 0:23:53 | |
It's really primitive music. | 0:23:53 | 0:23:56 | |
A violent piece and a violent reaction? | 0:23:56 | 0:23:59 | |
Yeah. Yeah, I think the first reactions were quite violent. | 0:23:59 | 0:24:02 | |
Stravinsky's Rite Of Spring is now recognised as an important moment | 0:24:06 | 0:24:11 | |
in the development of music in the 20th century. | 0:24:11 | 0:24:14 | |
Every year, the composer features | 0:24:14 | 0:24:16 | |
in the repertoire of Montreux's Classical Music Festival, | 0:24:16 | 0:24:20 | |
acknowledging his influence. | 0:24:20 | 0:24:23 | |
APPLAUSE | 0:24:23 | 0:24:25 | |
While Montreux attracted composers and musicians, | 0:24:27 | 0:24:30 | |
early 20th-century tourists were drawn to a lakeside medieval castle. | 0:24:30 | 0:24:35 | |
Chateau de Chillon, standing on the south-east end of the lake, | 0:24:37 | 0:24:40 | |
owes its fame not so much to history as to literature. | 0:24:40 | 0:24:44 | |
Bonjour, Monsieur. Bonjour, Mademoiselle. | 0:24:45 | 0:24:48 | |
In the early 19th century, | 0:24:50 | 0:24:52 | |
the Romantic poets Lord Byron and Percy Bysshe Shelley | 0:24:52 | 0:24:56 | |
met up in Geneva. They sailed around the lake and visited the chateau. | 0:24:56 | 0:25:01 | |
As Bradshaw's remarks, the district is well served by steamer. | 0:25:01 | 0:25:06 | |
I'm heading for the castle of Chillon, | 0:25:06 | 0:25:08 | |
which, the guidebook tells me, | 0:25:08 | 0:25:10 | |
"..is supposed to date from the ninth century | 0:25:10 | 0:25:12 | |
"but the existing building is probably of the 13th." | 0:25:12 | 0:25:15 | |
With its turrets and situated down on the water's edge, | 0:25:15 | 0:25:19 | |
it is the sort of ultimate fairy tale castle. | 0:25:19 | 0:25:23 | |
And it's appeared so often in literature | 0:25:23 | 0:25:26 | |
that it is the quintessential Romantic monument. | 0:25:26 | 0:25:29 | |
Although Byron visited in 1816, | 0:25:31 | 0:25:33 | |
almost a century before my guidebook, | 0:25:33 | 0:25:36 | |
his fame was such that everywhere he had gone, crowds followed. | 0:25:36 | 0:25:41 | |
On that trip, the castle inspired Byron to write his famous poem | 0:25:43 | 0:25:48 | |
The Prisoner Of Chillon. | 0:25:48 | 0:25:50 | |
I'm meeting guide Deborah Lockwood | 0:25:55 | 0:25:57 | |
to find out more about this glamorised castle. | 0:25:57 | 0:26:00 | |
Well, I mean, this is just the most romantic castle. | 0:26:01 | 0:26:04 | |
It could pop out of a fairy tale but it must have been built | 0:26:04 | 0:26:07 | |
-with a serious purpose. What was that? -A very serious purpose. | 0:26:07 | 0:26:11 | |
Actually, it was built to protect the road | 0:26:11 | 0:26:14 | |
that passes right in front of Chillon Castle. | 0:26:14 | 0:26:17 | |
You notice that it's very narrow between the mountain and the lake, | 0:26:17 | 0:26:20 | |
and this road is thousands and thousands of years old. | 0:26:20 | 0:26:24 | |
It was used by the Romans, in fact, | 0:26:24 | 0:26:27 | |
to come north on their way to Germany, | 0:26:27 | 0:26:30 | |
later was used as a commercial road for trade | 0:26:30 | 0:26:33 | |
and also was a pilgrimage route. | 0:26:33 | 0:26:35 | |
And so the castle is not here to defend the lake, but the road? | 0:26:35 | 0:26:39 | |
Oh, yes, absolutely, which is why, when you arrived, | 0:26:39 | 0:26:41 | |
you noticed it looked very much like a fortress with arrow slits, | 0:26:41 | 0:26:46 | |
ramparts and all the rest. | 0:26:46 | 0:26:48 | |
The castle was owned by the powerful and wealthy Savoy family, | 0:26:48 | 0:26:52 | |
rulers and landowners in the area. | 0:26:52 | 0:26:55 | |
Now, this castle has been notorious as being a prison. | 0:26:55 | 0:26:59 | |
-Why so? -The Savoys were very authoritarian, | 0:26:59 | 0:27:02 | |
there were lots of enemies, there was crime. | 0:27:02 | 0:27:05 | |
And during the Bernese period, which would have been the 16th century, | 0:27:05 | 0:27:09 | |
it was also used as a prison for witches. | 0:27:09 | 0:27:13 | |
Can we go down to the cells, to the dungeons, | 0:27:13 | 0:27:15 | |
and discuss the famous Prisoner of Chillon? | 0:27:15 | 0:27:17 | |
-Of course we can. Please follow me. -Take me below. | 0:27:17 | 0:27:20 | |
Now, careful with the steps because they're quite slippery. | 0:27:22 | 0:27:25 | |
'The dungeon that Byron made famous was built in 1256 | 0:27:28 | 0:27:32 | |
'and the prisoner who inspired his poem was locked up here in 1530.' | 0:27:32 | 0:27:37 | |
Now, who was the Prisoner of Chillon? | 0:27:40 | 0:27:42 | |
Well, his name was Francois Bonivard. | 0:27:42 | 0:27:45 | |
He was the son of a small noble family of Savoy | 0:27:45 | 0:27:47 | |
who lived near Geneva, and he was actually a prior | 0:27:47 | 0:27:51 | |
who lived and worked in a monastery in Geneva itself. | 0:27:51 | 0:27:54 | |
Like many people of the times, | 0:27:54 | 0:27:57 | |
he was in favour of autonomy and freedom from Geneva, | 0:27:57 | 0:28:01 | |
from the authoritarian rule of the Savoy family, | 0:28:01 | 0:28:06 | |
and his main problem was he talked too much. | 0:28:06 | 0:28:09 | |
Bonivard's loose tongue and opposition to the Savoys | 0:28:09 | 0:28:13 | |
caused him to be incarcerated in Chillon for six years. | 0:28:13 | 0:28:16 | |
But can you imagine anything more appalling | 0:28:17 | 0:28:20 | |
than to spend years chained to that ring | 0:28:20 | 0:28:22 | |
and to have all that beauty outside, just beyond your reach? | 0:28:22 | 0:28:26 | |
"In each pillar, there is a ring, And in each ring, there is a chain | 0:28:31 | 0:28:37 | |
"That iron is a cankering thing | 0:28:37 | 0:28:40 | |
"For in these limbs its teeth remain | 0:28:40 | 0:28:43 | |
"With marks that will not wear away | 0:28:43 | 0:28:46 | |
"Till I have done with this new day." | 0:28:46 | 0:28:49 | |
Byron's prisoner eventually regained his freedom in 1536. | 0:28:53 | 0:28:57 | |
Why was Byron captivated by this story of a prisoner of Chillon? | 0:28:59 | 0:29:04 | |
Well, I think that, of course, | 0:29:04 | 0:29:05 | |
he was in favour of anything that was democratic, | 0:29:05 | 0:29:09 | |
a brand-new idea at the time, of course, and anyone who had suffered. | 0:29:09 | 0:29:14 | |
The poem was published in 1816 and earned Byron nearly £2,100 - | 0:29:16 | 0:29:23 | |
a princely sum in those days. | 0:29:23 | 0:29:25 | |
For many 1913 travellers, | 0:29:35 | 0:29:38 | |
seeing Switzerland was a remarkable experience. | 0:29:38 | 0:29:42 | |
They were stimulated by its beauty, | 0:29:43 | 0:29:45 | |
mesmerised, having seen nothing like it. | 0:29:45 | 0:29:50 | |
And like them, I'm now experiencing the excitement of the unexpected... | 0:29:52 | 0:29:57 | |
..a vineyard called Chemin de Fer which is French for railway. | 0:29:58 | 0:30:03 | |
It's owned by wine grower Luc Massy. | 0:30:03 | 0:30:05 | |
I find you in a dry corner. | 0:30:05 | 0:30:07 | |
-Yes. -I was very excited when I heard about | 0:30:07 | 0:30:10 | |
a vineyard that was called Chemin de Fer | 0:30:10 | 0:30:13 | |
but I did not expect something so narrow. | 0:30:13 | 0:30:16 | |
How can you possibly produce wine from such a narrow strip? | 0:30:16 | 0:30:19 | |
Anyway, this region in Dezaley, everything is narrow. | 0:30:19 | 0:30:22 | |
We get walls, we get terraces, but every terrace is very, very narrow. | 0:30:22 | 0:30:27 | |
And we do cultivate everything by hand. | 0:30:27 | 0:30:29 | |
-And it stretches all along the line, does it? -Yes, it's going far away, | 0:30:29 | 0:30:33 | |
all along the side of the track is Dezaley Chemin de Fer. | 0:30:33 | 0:30:37 | |
I don't have to ask you why it's called Chemin de Fer | 0:30:42 | 0:30:45 | |
but when was it first called Chemin de Fer? | 0:30:45 | 0:30:47 | |
The first call is something like 100 years ago | 0:30:47 | 0:30:50 | |
because after they built the railway from Lausanne to Milano in 1860s, | 0:30:50 | 0:30:56 | |
I think it was more or less 15 years after, we get the vineyards, | 0:30:56 | 0:31:02 | |
and it was named Clos du Chemin de Fer. | 0:31:02 | 0:31:05 | |
And the railway must've taken the land away from the vineyards? | 0:31:05 | 0:31:08 | |
Yes, exactly. But all the big wall that you can see here | 0:31:08 | 0:31:12 | |
is very good for the vineyards | 0:31:12 | 0:31:14 | |
because we say we have first the sun, | 0:31:14 | 0:31:18 | |
the second sun is a reflection from the lake, | 0:31:18 | 0:31:21 | |
and the third sun is the heat from the wall. | 0:31:21 | 0:31:24 | |
Well, I've never seen anything like it in my life. | 0:31:24 | 0:31:27 | |
The vineyard has been in Luc's family for over 100 years. | 0:31:29 | 0:31:32 | |
His grandfather bought it in 1915 and now they are the only family | 0:31:32 | 0:31:37 | |
authorised to produce Dezaley Chemin de Fer. | 0:31:37 | 0:31:41 | |
The Chemin de Fer is made with grape Chasselas | 0:31:42 | 0:31:46 | |
and the Chasselas is native from this region. | 0:31:46 | 0:31:50 | |
But you will taste it. | 0:31:50 | 0:31:52 | |
It's a great, very delicate wine. | 0:31:52 | 0:31:55 | |
-Very good. -Are you happy with that? | 0:31:59 | 0:32:01 | |
Yeah. | 0:32:01 | 0:32:02 | |
2014, this wine is getting ripe now because if you drink it too early, | 0:32:02 | 0:32:08 | |
all the conditions are not good. | 0:32:08 | 0:32:11 | |
I'm enjoying it very much indeed. | 0:32:13 | 0:32:15 | |
I like to think that, in the early days of the railways, | 0:32:15 | 0:32:19 | |
when there were steam trains, some of the smut, some of the ashes, | 0:32:19 | 0:32:23 | |
might have fallen from the trains onto your terroir, onto your land, | 0:32:23 | 0:32:27 | |
and that might be tasted in the wine. | 0:32:27 | 0:32:30 | |
And if you don't mind me being irreverent, | 0:32:30 | 0:32:32 | |
I shall always remember this as Chateaux Choo-choo! | 0:32:32 | 0:32:36 | |
Chateaux Choo-choo, yeah. | 0:32:36 | 0:32:38 | |
'While I could happily linger on Switzerland's Riviera, | 0:32:54 | 0:32:57 | |
'Bradshaw's has more excitement in store.' | 0:32:57 | 0:33:00 | |
What a beautiful train. | 0:33:01 | 0:33:03 | |
It takes you back to a golden age. | 0:33:03 | 0:33:05 | |
'Each of its recommended itineraries offers a new adventure.' | 0:33:07 | 0:33:12 | |
As I approach my halfway point, | 0:33:14 | 0:33:17 | |
I'll visit the capital city, | 0:33:17 | 0:33:21 | |
artisan country | 0:33:21 | 0:33:23 | |
and the international city of Geneva. | 0:33:23 | 0:33:26 | |
Not only do the Swiss build great railways, | 0:33:34 | 0:33:37 | |
they market them brilliantly, too - | 0:33:37 | 0:33:39 | |
put glass panels in the roof, | 0:33:39 | 0:33:41 | |
give your trains names like Jungfraujoch, | 0:33:41 | 0:33:45 | |
Glacier Express or Golden Past, | 0:33:45 | 0:33:48 | |
and people will flock from all over the world, | 0:33:48 | 0:33:52 | |
possibly for the rail ride of their lifetime. | 0:33:52 | 0:33:55 | |
'I'm changing trains at Montbovon | 0:34:09 | 0:34:12 | |
'on the River Sarine in the Gruyere district. | 0:34:12 | 0:34:14 | |
'If you lived through the 1970s, | 0:34:17 | 0:34:20 | |
'you may recall that Swiss fondue was all the rage | 0:34:20 | 0:34:23 | |
'and, as a teenager, I had to have my own fondue set. | 0:34:23 | 0:34:28 | |
'So, with a real sense of bell-bottomed nostalgia, | 0:34:28 | 0:34:32 | |
'I joined the Train du Fromage | 0:34:32 | 0:34:33 | |
'to meet food historian Dominic Flammer.' | 0:34:33 | 0:34:37 | |
-Dominic, what do we have in here? -We have the wine inside. | 0:34:37 | 0:34:41 | |
We have first to heat the wine a little bit | 0:34:41 | 0:34:43 | |
so that the cheese will melt better. | 0:34:43 | 0:34:45 | |
It's called the caquelon, this thing, | 0:34:45 | 0:34:48 | |
a rechaud and a caquelon in French. | 0:34:48 | 0:34:50 | |
There isn't an English name for that, I imagine. | 0:34:50 | 0:34:53 | |
We are drinking a Chasselas, | 0:34:53 | 0:34:55 | |
because this is a wine with a high acidity | 0:34:55 | 0:34:57 | |
and this will help us to digest the whole cheese we will eat. | 0:34:57 | 0:35:01 | |
I like a food that requires you to drink wine. | 0:35:01 | 0:35:04 | |
So do I. | 0:35:04 | 0:35:05 | |
A-ha! Open my cheese. | 0:35:05 | 0:35:09 | |
'Aboard the moving train, | 0:35:09 | 0:35:11 | |
'the Gruyere and Vacherin come pre-packaged.' | 0:35:11 | 0:35:13 | |
A lovely smell is arising from it now, Dominic. | 0:35:15 | 0:35:17 | |
-Indeed. -It's a lovely consistency now. | 0:35:17 | 0:35:21 | |
'Originally, in its simplest form, | 0:35:21 | 0:35:24 | |
'bread, wine and cheese was a winter food for farmers | 0:35:24 | 0:35:28 | |
'high up in the Alps. | 0:35:28 | 0:35:29 | |
'But on this fondue express, it comes with one or two extras.' | 0:35:29 | 0:35:34 | |
-Do you want a little bit? -Yes, please. -With pleasure. | 0:35:34 | 0:35:37 | |
So this is like a cherry spirit, a kirsch? | 0:35:37 | 0:35:41 | |
It is a cherry spirit. | 0:35:41 | 0:35:42 | |
-Thank you. -You're welcome. | 0:35:42 | 0:35:44 | |
Ooh! | 0:35:46 | 0:35:47 | |
Smell it. Bon appetit, monsieur. | 0:35:47 | 0:35:50 | |
Merci bien. You should not lose the piece of bread. | 0:35:50 | 0:35:53 | |
-No. -You know what happens? | 0:35:53 | 0:35:54 | |
-I've no idea. -You have to offer me a glass of cherry, | 0:35:54 | 0:35:57 | |
and you have to drink one, too. | 0:35:57 | 0:36:00 | |
Wow, that's good, Dominic. | 0:36:06 | 0:36:08 | |
-Hello. -Hello. | 0:36:16 | 0:36:19 | |
-You have finished your fondue. -Yes, already. | 0:36:19 | 0:36:22 | |
Spectacular! Do you like to make a fondue? | 0:36:22 | 0:36:25 | |
Yes, I do, but we have to be very careful with the cheese, | 0:36:25 | 0:36:29 | |
because, when it's too young, when you are preparing it, | 0:36:29 | 0:36:33 | |
there becomes a little bit of oil on the top of the fondue, | 0:36:33 | 0:36:39 | |
and that's very bad. | 0:36:39 | 0:36:40 | |
-That's very bad? -Yes, and it's not very good to eat also. | 0:36:40 | 0:36:44 | |
So, if I were to cook a fondue... | 0:36:44 | 0:36:47 | |
-Yes? -..and if it turned out badly, I should blame the cheese? | 0:36:47 | 0:36:52 | |
Yes, of course! | 0:36:52 | 0:36:54 | |
-You're right. -That's great. | 0:36:54 | 0:36:55 | |
SHE LAUGHS | 0:36:55 | 0:36:59 | |
Of course! | 0:36:59 | 0:37:00 | |
'I can stick around no longer amongst all this Alpine cheesiness. | 0:37:03 | 0:37:08 | |
'The Swiss capital summons me.' | 0:37:08 | 0:37:10 | |
My next stop will be Bern. | 0:37:17 | 0:37:19 | |
Bradshaw's says that it's often mentioned | 0:37:19 | 0:37:21 | |
as the most picturesque town in Europe, | 0:37:21 | 0:37:24 | |
with wonderfully preserved medieval towers and fountains. | 0:37:24 | 0:37:28 | |
It's the seat of the Swiss Government. | 0:37:28 | 0:37:30 | |
Now, there's a couple of surprises. | 0:37:30 | 0:37:32 | |
I would never have included Bern on my tourist trail | 0:37:32 | 0:37:36 | |
and I don't suppose that many people could name it confidently | 0:37:36 | 0:37:39 | |
as the capital of this highly democratic country. | 0:37:39 | 0:37:43 | |
'Back in 1912, Switzerland's famed neutrality was tested. | 0:37:51 | 0:37:56 | |
'The German Kaiser paid a visit, hoping that, if war came, | 0:37:56 | 0:38:00 | |
'Switzerland would cover Germany's southern flank against France. | 0:38:00 | 0:38:04 | |
'But despite a population whose majority was German-speaking, | 0:38:06 | 0:38:09 | |
'the Swiss resolutely refused to take sides. | 0:38:09 | 0:38:13 | |
'As the day draws to a close, | 0:38:14 | 0:38:17 | |
'I'm looking forward to exploring Bern in the morning.' | 0:38:17 | 0:38:20 | |
This ancient city, overlooking a loop of the Aare River, | 0:38:32 | 0:38:36 | |
is just over a mile wide. | 0:38:36 | 0:38:38 | |
Bears feature on the coat of arms. | 0:38:51 | 0:38:53 | |
Legend has it that in 1191, | 0:38:53 | 0:38:56 | |
Count Berthold V named the capital after killing a bear here. | 0:38:56 | 0:39:01 | |
Amazingly, there is a bear pit today in the heart of Bern, | 0:39:02 | 0:39:07 | |
providing a home to these now much-loved animals. | 0:39:07 | 0:39:11 | |
Switzerland is a federation of 26 little states, | 0:39:16 | 0:39:20 | |
and its Parliament is behind me. | 0:39:20 | 0:39:22 | |
It also has a Federal Council, a seven-man joint presidency, | 0:39:22 | 0:39:27 | |
which has never been replaced at one fell swoop | 0:39:27 | 0:39:30 | |
since it was founded in 1848. | 0:39:30 | 0:39:33 | |
Even the legislation of Parliament | 0:39:33 | 0:39:35 | |
can be vetoed by public referendums. | 0:39:35 | 0:39:38 | |
So, the Swiss democracy relies on public consultation, | 0:39:38 | 0:39:42 | |
consensus and continuity. | 0:39:42 | 0:39:45 | |
They've done pretty well out of it. | 0:39:45 | 0:39:47 | |
Whilst I admire that balance and even-handedness, | 0:39:50 | 0:39:54 | |
I wish to explore the Swiss sense of adventure. | 0:39:54 | 0:39:56 | |
I'm following in the slipstream | 0:40:00 | 0:40:02 | |
of one of Bern's greatest aviation heroes. | 0:40:02 | 0:40:04 | |
Oskar Bider was a 22-year-old maverick pilot determined to become | 0:40:07 | 0:40:13 | |
the first person to fly across the Alps in 1913. | 0:40:13 | 0:40:16 | |
-Hello, Daniel. -Hi, Michael. -Good to see you. | 0:40:16 | 0:40:20 | |
'To relive that epic flight, | 0:40:20 | 0:40:22 | |
'I'm being taken aloft in a 1937 biplane | 0:40:22 | 0:40:26 | |
'by pilot Daniel Ogg.' | 0:40:26 | 0:40:28 | |
Now we make you look like a driver. | 0:40:28 | 0:40:31 | |
'Thankfully, Daniel is experienced. | 0:40:31 | 0:40:34 | |
'Bider obtained his pilot's licence after just a month.' | 0:40:34 | 0:40:37 | |
OK, Daniel. Let's go flying. | 0:40:42 | 0:40:45 | |
Yes, let's do it. | 0:40:45 | 0:40:47 | |
Even in a plane more modern than Bider's, | 0:40:50 | 0:40:54 | |
it all feels frighteningly flimsy. | 0:40:54 | 0:40:57 | |
OK, Michael, are you ready? | 0:41:01 | 0:41:03 | |
I'm ready. | 0:41:03 | 0:41:04 | |
OK. Up we go. | 0:41:04 | 0:41:06 | |
I must have crossed the Alps dozens of times, | 0:41:32 | 0:41:35 | |
but only when you go up in a small plane like this, a little biplane, | 0:41:35 | 0:41:40 | |
feels so flimsy and so tiny, | 0:41:40 | 0:41:43 | |
do you realise what a formidable obstacle | 0:41:43 | 0:41:47 | |
the Alps would have been | 0:41:47 | 0:41:49 | |
a century ago. | 0:41:49 | 0:41:50 | |
You had to be a very brave man to fly across them. | 0:41:51 | 0:41:56 | |
Following an unsuccessful attempt, | 0:42:06 | 0:42:09 | |
Bider set off again on the 13th of July 1913, | 0:42:09 | 0:42:14 | |
only a decade after the first plane ever | 0:42:14 | 0:42:16 | |
had been flown by the Wright brothers. | 0:42:16 | 0:42:19 | |
Flying in this wonderful biplane, | 0:42:23 | 0:42:25 | |
the Alps today are crystal clear and snowy covered. | 0:42:25 | 0:42:30 | |
He piloted his monoplane, rising to 11,800 feet, | 0:42:31 | 0:42:35 | |
across this mighty range, | 0:42:35 | 0:42:38 | |
setting a new altitude record | 0:42:38 | 0:42:40 | |
before landing safely in Milan. | 0:42:40 | 0:42:43 | |
Switzerland's Alps had been conquered from the air | 0:42:43 | 0:42:47 | |
in Bider's greatest triumph. | 0:42:47 | 0:42:49 | |
Just behind me is the Jungfraujoch, | 0:42:49 | 0:42:53 | |
the shoulder of mountain over which Oskar Bider flew. | 0:42:53 | 0:42:59 | |
Taking to the air helps me to appreciate | 0:43:07 | 0:43:10 | |
what this daring young man achieved, | 0:43:10 | 0:43:13 | |
and I salute his courage. | 0:43:13 | 0:43:16 | |
By 1913, the growing railway network | 0:43:28 | 0:43:31 | |
had made Switzerland a European transport hub, | 0:43:31 | 0:43:35 | |
as every year thousands of travellers | 0:43:35 | 0:43:37 | |
passed between southern and northern Europe. | 0:43:37 | 0:43:40 | |
They were tempted by the dizzying choice of routes | 0:43:40 | 0:43:43 | |
and lyrical descriptions in my Bradshaw's Guide. | 0:43:43 | 0:43:46 | |
My next stop will be Biel, | 0:43:49 | 0:43:50 | |
which Bradshaw's tells me is, "a busy place | 0:43:50 | 0:43:53 | |
"near the northern end of the Bielersee, | 0:43:53 | 0:43:55 | |
"a seat of the watchmaking trade." | 0:43:55 | 0:43:58 | |
It's time to see what makes Switzerland tick. | 0:43:58 | 0:44:01 | |
Biel in German, or Bienne in French - | 0:44:04 | 0:44:07 | |
the city straddles the two linguistic areas - | 0:44:07 | 0:44:10 | |
dates back to Celtic and Roman times. | 0:44:10 | 0:44:13 | |
At the time of my Bradshaw's, | 0:44:15 | 0:44:17 | |
it had become a watch-manufacturing centre | 0:44:17 | 0:44:20 | |
at the heart of a revolution in railway timekeeping. | 0:44:20 | 0:44:23 | |
Key innovator in this field was watchmaking company Omega. | 0:44:23 | 0:44:27 | |
Hello, Petros. | 0:44:27 | 0:44:29 | |
Watch historian Petros Protopapas has offered to guide me | 0:44:29 | 0:44:33 | |
through this delicate craft. | 0:44:33 | 0:44:35 | |
Was there a reason why there were lots of Swiss people | 0:44:35 | 0:44:40 | |
who were so capable of doing this precision work? | 0:44:40 | 0:44:43 | |
They practically had to do it. | 0:44:43 | 0:44:44 | |
They had to learn it, they had to live by it, | 0:44:44 | 0:44:47 | |
because in the winter time, | 0:44:47 | 0:44:48 | |
a lot of Swiss people couldn't work the land, | 0:44:48 | 0:44:51 | |
so they had to learn a new trade, | 0:44:51 | 0:44:53 | |
like the trade to work machines, | 0:44:53 | 0:44:55 | |
the trade to create new pieces, to produce dials, to produce hands. | 0:44:55 | 0:44:59 | |
So it was a life-saving exercise. | 0:44:59 | 0:45:01 | |
In 1910, Omega developed the chronograph, | 0:45:02 | 0:45:05 | |
which included a stopwatch, | 0:45:05 | 0:45:07 | |
and it became a vital tool for the artillery | 0:45:07 | 0:45:10 | |
during the First World War. | 0:45:10 | 0:45:12 | |
It may be obvious to you, | 0:45:12 | 0:45:14 | |
but why is an accurate watch so useful to the military? | 0:45:14 | 0:45:18 | |
It was a question of survival. | 0:45:18 | 0:45:20 | |
You imagine yourself being on a trench - | 0:45:20 | 0:45:22 | |
you would need to know how far away you are from your enemy. | 0:45:22 | 0:45:26 | |
So the only way you can do this is if you have a chronograph | 0:45:26 | 0:45:30 | |
that has a so-called telemeter scale on it. | 0:45:30 | 0:45:33 | |
So imagine, you look on the horizon, | 0:45:33 | 0:45:35 | |
and you could make out the lighting, the flash of the gun being fired. | 0:45:35 | 0:45:39 | |
You would start instantly the chronograph at the flash you see. | 0:45:39 | 0:45:43 | |
And then when you hear the corresponding sound, | 0:45:43 | 0:45:46 | |
the bang of that very gun, | 0:45:46 | 0:45:47 | |
you would stop the chronograph, | 0:45:47 | 0:45:49 | |
and off the tip of the stopped seconds hand, | 0:45:49 | 0:45:52 | |
you can literally read the distance. | 0:45:52 | 0:45:54 | |
The newly developed watch on the wrist | 0:45:57 | 0:45:59 | |
was much easier to access than fiddling around for a fob. | 0:45:59 | 0:46:03 | |
I've been given very rare access to go behind the scenes. | 0:46:08 | 0:46:12 | |
-Hello, David. -Hello, Michael. How are you? -Very well. | 0:46:14 | 0:46:17 | |
-So many doors to come through. -Yes. | 0:46:17 | 0:46:19 | |
It's like a high security place. | 0:46:19 | 0:46:21 | |
So, please, remove your shoes. | 0:46:21 | 0:46:22 | |
-Next... -Hairnet. -Hairnet, yes. | 0:46:24 | 0:46:27 | |
It may look as though I'm ready to go into space, | 0:46:30 | 0:46:33 | |
but the deadly enemy of precision is dust. | 0:46:33 | 0:46:36 | |
What do you think? | 0:46:43 | 0:46:44 | |
Absolutely...absolutely extraordinary. | 0:46:44 | 0:46:47 | |
An enormous room. Obviously, beautifully clean, | 0:46:47 | 0:46:50 | |
-but also almost entirely quiet. -Yes. | 0:46:50 | 0:46:53 | |
Watchmaking, you know, we must be some kind of calm, you know? | 0:46:53 | 0:46:56 | |
Must be quiet. | 0:46:56 | 0:46:58 | |
Here, we only deal with the assembly of mechanical movements. | 0:46:58 | 0:47:02 | |
This tradition of hand-built watches dates back to 1848, | 0:47:02 | 0:47:08 | |
when Omega's 23-year-old founder Louis Brandt | 0:47:08 | 0:47:11 | |
began assembling watches from parts produced by local craftsmen. | 0:47:11 | 0:47:15 | |
We still need people, | 0:47:15 | 0:47:17 | |
we still rely on the judgment of the eye of the people. | 0:47:17 | 0:47:21 | |
We just leave, I would say, all the boring things to the automation, | 0:47:21 | 0:47:25 | |
and all the tricky things, all the assembly, | 0:47:25 | 0:47:28 | |
must be done by people. | 0:47:28 | 0:47:29 | |
David wants me to assemble the movement | 0:47:29 | 0:47:32 | |
used inside some of the company's most precise watches. | 0:47:32 | 0:47:36 | |
This one has 201 parts. | 0:47:36 | 0:47:39 | |
It's just like a Lego. | 0:47:39 | 0:47:40 | |
Remember that thing. It's an easy thing, watchmaking. | 0:47:40 | 0:47:44 | |
We have a main plate, we just add some wheels, we put a bridge on top, | 0:47:44 | 0:47:47 | |
screw them down, and it's finished. | 0:47:47 | 0:47:49 | |
Quite an easy thing. | 0:47:49 | 0:47:50 | |
But the problem is, they're rather tiny, these pieces. | 0:47:50 | 0:47:53 | |
Mm... We'll look at it. | 0:47:53 | 0:47:55 | |
You take the right one. | 0:47:55 | 0:47:58 | |
The right, the left one on the left. | 0:47:58 | 0:48:02 | |
Then...on top, you have to put the ratchet. | 0:48:02 | 0:48:07 | |
It's quite an easy thing. | 0:48:07 | 0:48:09 | |
'David is the quality control manager, | 0:48:09 | 0:48:12 | |
'so nothing escapes his eye.' | 0:48:12 | 0:48:14 | |
OK. Let me give that a go. | 0:48:14 | 0:48:16 | |
No. That one first. | 0:48:16 | 0:48:18 | |
This one first, for some reason. | 0:48:18 | 0:48:20 | |
-On the right. -On the right. That's easy enough. | 0:48:20 | 0:48:22 | |
-The left. -This one from the left. | 0:48:22 | 0:48:25 | |
-You're good. -On the left. | 0:48:25 | 0:48:27 | |
-Now, this is more difficult. -Yeah. -Tricky little fellows. | 0:48:27 | 0:48:31 | |
Now, this has a square hole. | 0:48:31 | 0:48:35 | |
-It's in. -I believe, er...yes. -It's in. | 0:48:36 | 0:48:39 | |
The materials have changed across more than 100 years, | 0:48:39 | 0:48:42 | |
but the artisan skills have remained largely the same. | 0:48:42 | 0:48:46 | |
Just in between, on the jewel. It's OK. | 0:48:46 | 0:48:49 | |
-Is that OK? -Yes, excellent. Good work. | 0:48:49 | 0:48:52 | |
Excellent! | 0:48:52 | 0:48:53 | |
If that wasn't fiddly enough, | 0:48:53 | 0:48:55 | |
David is going to show me how to add five tiny drops of oil. | 0:48:55 | 0:48:59 | |
That is the tricky part, but it's also the fun part of the operation. | 0:48:59 | 0:49:04 | |
OK. We'll give this... | 0:49:04 | 0:49:06 | |
-I don't have very good eyesight, you know. -Let me show you. | 0:49:06 | 0:49:08 | |
-Each time you press the pedal... -Yes. -See? | 0:49:08 | 0:49:11 | |
-Ooh! -..you get some grease. | 0:49:11 | 0:49:14 | |
Three... | 0:49:17 | 0:49:18 | |
..four... | 0:49:20 | 0:49:21 | |
..five. | 0:49:23 | 0:49:24 | |
-What do you think, David? -Let me have a look. | 0:49:24 | 0:49:26 | |
OK. | 0:49:26 | 0:49:28 | |
-You know what? -Yes? -It's a terrible mess, you know? | 0:49:28 | 0:49:31 | |
There is way too much oil, | 0:49:31 | 0:49:32 | |
and you've put a lot of oil on top of the wheel. | 0:49:32 | 0:49:35 | |
-Yeah, I missed... -Yes, you missed. | 0:49:35 | 0:49:37 | |
-But you're not a watchmaker. -I'm not a watchmaker. | 0:49:37 | 0:49:40 | |
I congratulate the people in this room. | 0:49:40 | 0:49:42 | |
-That is so intricate. -Yeah. | 0:49:42 | 0:49:44 | |
Ah, the Swiss didn't become famous for their watches for nothing! | 0:49:44 | 0:49:47 | |
Suitably humbled, I'm heading back to the station, | 0:49:51 | 0:49:54 | |
and south once more to Lake Geneva. | 0:49:54 | 0:49:57 | |
-Bonjour, Monsieur. Ca va? -Ca va. | 0:50:02 | 0:50:05 | |
-Merci, Monsieur. -Merci. | 0:50:07 | 0:50:08 | |
In 1913, this journey would have taken over three hours by train, | 0:50:10 | 0:50:15 | |
but by Swiss InterCity today, | 0:50:15 | 0:50:17 | |
I'll arrive in just over an hour and a half. | 0:50:17 | 0:50:19 | |
I've followed my guidebook pace by pace. | 0:50:25 | 0:50:29 | |
"From the railway station, | 0:50:29 | 0:50:30 | |
"the broad rue descends to the Pont du Mont Blanc, | 0:50:30 | 0:50:34 | |
"across the end of the lake. | 0:50:34 | 0:50:36 | |
"The views from the bridge and from the neighbouring quays | 0:50:36 | 0:50:39 | |
"are very beautiful, especially on clear summer evenings." | 0:50:39 | 0:50:43 | |
I'm up early to explore my final destination, Geneva. | 0:50:53 | 0:50:58 | |
At the time of my Bradshaw's, | 0:51:00 | 0:51:02 | |
this small but already prosperous city, | 0:51:02 | 0:51:05 | |
beneath its emblem, the Jet d'Eau, | 0:51:05 | 0:51:07 | |
would have been buzzing and cosmopolitan. | 0:51:07 | 0:51:10 | |
But what truly marks this city out as world-class | 0:51:13 | 0:51:16 | |
is its involvement in international affairs. | 0:51:16 | 0:51:20 | |
The League of Nations was headquartered here, | 0:51:23 | 0:51:26 | |
where the first Geneva Conventions had been signed in 1864, | 0:51:26 | 0:51:30 | |
and it was the birthplace of | 0:51:30 | 0:51:33 | |
the International Committee of the Red Cross. | 0:51:33 | 0:51:35 | |
Just up the road from its imposing headquarters, | 0:51:39 | 0:51:42 | |
I'm extremely lucky to be getting access | 0:51:42 | 0:51:44 | |
to a Red Cross checkpoint exercise, | 0:51:44 | 0:51:47 | |
run by trainer Benjamin Varen. | 0:51:47 | 0:51:49 | |
What is the object of the exercise? | 0:51:50 | 0:51:53 | |
The object of this exercise is to prepare our new colleagues, | 0:51:53 | 0:51:56 | |
who've recently joined the ICRC, | 0:51:56 | 0:51:58 | |
to go to the field and to know a little bit what they could expect | 0:51:58 | 0:52:01 | |
when there's been an outbreak of fighting, | 0:52:01 | 0:52:03 | |
people have been displaced, people have been injured. | 0:52:03 | 0:52:05 | |
-This will help to ease the pain. -OK. | 0:52:05 | 0:52:08 | |
In real life, you must have found yourself at military checkpoints | 0:52:08 | 0:52:12 | |
like the one you're simulating today. | 0:52:12 | 0:52:14 | |
Yes. I think the one that marked me the most was when I was | 0:52:14 | 0:52:17 | |
at a checkpoint and the soldiers there seemed intoxicated, | 0:52:17 | 0:52:21 | |
and it was a very, very tense situation, | 0:52:21 | 0:52:24 | |
because I had trouble connecting to them. | 0:52:24 | 0:52:26 | |
The first thing you need to do at a checkpoint is try to connect with | 0:52:26 | 0:52:29 | |
the people, and if you can't do that, it can go wrong | 0:52:29 | 0:52:32 | |
and it can be quite scary as well. | 0:52:32 | 0:52:34 | |
The shock of seeing 40,000 casualties | 0:52:36 | 0:52:38 | |
at the Battle of Solferino spurred Geneva businessmen Henri Dunant | 0:52:38 | 0:52:43 | |
to found the Red Cross. | 0:52:43 | 0:52:45 | |
Originally, it had a paid staff of only eight, | 0:52:46 | 0:52:49 | |
but that quickly grew after the First World War. | 0:52:49 | 0:52:52 | |
Today, it has over 14,000. | 0:52:52 | 0:52:54 | |
I've clearly stumbled upon a checkpoint. | 0:53:01 | 0:53:04 | |
The road is barred with a tree trunk, | 0:53:04 | 0:53:08 | |
and there are four or five heavily armed guys here, | 0:53:08 | 0:53:11 | |
who all look pretty menacing to me. | 0:53:11 | 0:53:14 | |
Not the sort of people you want to mess with. | 0:53:14 | 0:53:16 | |
Today, Dunant's abiding principles - | 0:53:18 | 0:53:20 | |
to provide a permanent relief agency for humanitarian aid in wartime - | 0:53:20 | 0:53:25 | |
are followed often in the face of great danger. | 0:53:25 | 0:53:27 | |
OK. Get out. Everybody out of the car. | 0:53:29 | 0:53:32 | |
Red Cross staff are now deployed in 80 countries, | 0:53:34 | 0:53:37 | |
and for these trainees, learning how to negotiate is key. | 0:53:37 | 0:53:41 | |
OK, on the line. Here. | 0:53:43 | 0:53:44 | |
Everyone. | 0:53:44 | 0:53:45 | |
I want to know what you are doing on this road. | 0:53:47 | 0:53:49 | |
We are heading to the hospital. | 0:53:49 | 0:53:51 | |
Here I have the notification that we received the agreement | 0:53:51 | 0:53:55 | |
with your government. | 0:53:55 | 0:53:56 | |
Give me your passports. | 0:53:56 | 0:53:58 | |
What are you exactly going to do in this hospital? | 0:53:59 | 0:54:02 | |
Um, our aim is completely humanitarian. | 0:54:02 | 0:54:05 | |
We are helping the victims of violence and armed conflict. | 0:54:05 | 0:54:10 | |
Tragically, attacks on the Red Cross have become more frequent, | 0:54:12 | 0:54:15 | |
and workers have often been targeted. | 0:54:15 | 0:54:18 | |
Excuse me, sir. | 0:54:20 | 0:54:21 | |
I think the best for the wounded person would be | 0:54:21 | 0:54:24 | |
if we would transport her to the hospital. | 0:54:24 | 0:54:27 | |
If that is OK with you. | 0:54:27 | 0:54:28 | |
-You can take her with you? -Yes, we can. | 0:54:28 | 0:54:31 | |
-You have a stretcher or anything? -Yes. | 0:54:31 | 0:54:33 | |
OK, you can already put her on the stretcher. | 0:54:33 | 0:54:35 | |
Can William come and help? | 0:54:35 | 0:54:36 | |
The team from the International Committee of the Red Cross | 0:54:36 | 0:54:40 | |
are being given a very hard time by the soldiers. | 0:54:40 | 0:54:43 | |
In my judgment, they're giving the answers right, | 0:54:43 | 0:54:46 | |
but they're being taken further and further in the interrogation, | 0:54:46 | 0:54:50 | |
and it must really be pretty shaking to go through this. | 0:54:50 | 0:54:54 | |
Is it OK for you if my colleague just check very fast | 0:54:54 | 0:54:57 | |
if you don't have any weapons, because it's about our security. | 0:54:57 | 0:55:00 | |
Come on, get it done. She's injured. | 0:55:00 | 0:55:02 | |
It seems that the situation is really deteriorating. | 0:55:02 | 0:55:05 | |
They've been here an awfully long time now. | 0:55:05 | 0:55:07 | |
Tempers are getting a little bit frayed. | 0:55:07 | 0:55:09 | |
Voices are now being raised. It's not going so well. | 0:55:09 | 0:55:12 | |
Give back the passports. | 0:55:12 | 0:55:14 | |
Thank you very much. | 0:55:16 | 0:55:17 | |
The Red Cross worker... | 0:55:17 | 0:55:19 | |
Check they're all there. | 0:55:19 | 0:55:20 | |
..is armed only with one of the most recognisable symbols in the world - | 0:55:20 | 0:55:25 | |
the Red Cross on a white background, | 0:55:25 | 0:55:27 | |
the reverse of the Swiss flag. | 0:55:27 | 0:55:29 | |
Do you have any safety and security information for us? | 0:55:30 | 0:55:33 | |
-What we have to do? -There's been shooting this morning in this area. | 0:55:33 | 0:55:36 | |
That's all I can tell you. Now, if you want to risk your life and | 0:55:36 | 0:55:39 | |
go this way, with the clearance you have received and the explanation | 0:55:39 | 0:55:42 | |
you have given me, OK, you can proceed. | 0:55:42 | 0:55:44 | |
It's at your own risk. | 0:55:44 | 0:55:46 | |
One, two, three. | 0:55:46 | 0:55:47 | |
Don't worry, don't worry. Stay calm. | 0:55:49 | 0:55:50 | |
It seems this group has successfully negotiated its way through. | 0:55:50 | 0:55:55 | |
GUNFIRE | 0:55:55 | 0:55:57 | |
Get down! Get down! | 0:55:57 | 0:55:59 | |
Move! Move down. | 0:55:59 | 0:56:01 | |
Move, move, move! Come on! | 0:56:07 | 0:56:09 | |
Move down! | 0:56:12 | 0:56:13 | |
Go to the car and move. | 0:56:13 | 0:56:15 | |
Now! | 0:56:15 | 0:56:17 | |
A most extraordinary turn of events. | 0:56:20 | 0:56:22 | |
Just as they'd negotiated their way through, we came under fire. | 0:56:22 | 0:56:26 | |
Explosions all around. | 0:56:26 | 0:56:28 | |
The soldiers have put them in the car. | 0:56:28 | 0:56:30 | |
A dramatic conclusion to events. | 0:56:34 | 0:56:37 | |
Seeing the Red Cross in action makes me realise what an impact | 0:56:39 | 0:56:44 | |
the qualities of this small nation have had. | 0:56:44 | 0:56:47 | |
A country dominated by mountains and, in winter, by snow, | 0:56:49 | 0:56:54 | |
has nonetheless possibly the world's most efficient railway system. | 0:56:54 | 0:56:59 | |
That suggests that the Swiss people are ingenious and exceptional. | 0:56:59 | 0:57:04 | |
They sell watches and banking services to the world, | 0:57:04 | 0:57:08 | |
and host several international organisations. | 0:57:08 | 0:57:12 | |
And yet, over the centuries, they've held themselves apart, | 0:57:12 | 0:57:16 | |
remaining neutral during two World Wars, | 0:57:16 | 0:57:19 | |
and staying out of Nato and the European Union. | 0:57:19 | 0:57:23 | |
Unlike most European countries, | 0:57:23 | 0:57:25 | |
neither their people nor their beautiful cities | 0:57:25 | 0:57:29 | |
have been devastated during the 20th century. | 0:57:29 | 0:57:32 | |
They have thrived on a fondue of prosperity and peace. | 0:57:32 | 0:57:38 | |
Next time, I leave Europe to take in the sights, | 0:57:40 | 0:57:43 | |
sounds and tastes of North Africa. | 0:57:43 | 0:57:48 | |
So many flavours. They explode on the tongue. | 0:57:49 | 0:57:52 | |
Learn how the Sultan of Morocco handed his country to the French. | 0:57:52 | 0:57:57 | |
France had promised him many things which never happened. | 0:57:57 | 0:58:00 | |
They would rule over Morocco as they wished. | 0:58:00 | 0:58:03 | |
And marvel at a modern masterpiece. | 0:58:03 | 0:58:06 | |
This is not only a building of worship, | 0:58:07 | 0:58:10 | |
but a celebration of what the Moroccan people can achieve. | 0:58:10 | 0:58:13 |