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I'm embarking on a new railway adventure that will take me | 0:00:03 | 0:00:07 | |
beyond the edge of Europe. | 0:00:07 | 0:00:08 | |
I'll be using this, | 0:00:11 | 0:00:12 | |
my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:12 | 0:00:17 | |
which opened up an exotic world of foreign travel | 0:00:17 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:22 | |
It told travellers where to go, | 0:00:22 | 0:00:24 | |
what to see and how to navigate the thousands of miles of tracks | 0:00:24 | 0:00:29 | |
to cross the Continent. | 0:00:29 | 0:00:30 | |
Now, a century later, | 0:00:32 | 0:00:33 | |
I'm using my copy to reveal an era of great optimism and energy, | 0:00:33 | 0:00:39 | |
but also of high tension. | 0:00:39 | 0:00:41 | |
I want to rediscover that lost Europe that in 1913 couldn't know | 0:00:42 | 0:00:47 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:47 | 0:00:52 | |
I'm setting off from Tarifa in southern Spain | 0:01:09 | 0:01:12 | |
for a country just nine miles to the south. | 0:01:12 | 0:01:15 | |
SHIP'S HORN BLASTS | 0:01:15 | 0:01:17 | |
A land which at the time of my guide | 0:01:17 | 0:01:19 | |
was jealously coveted by rival European powers. | 0:01:19 | 0:01:23 | |
I'm Morocco-bound and excited to be so. | 0:01:28 | 0:01:32 | |
At the beginning of the 20th century, | 0:01:32 | 0:01:34 | |
Morocco's riches set France and Germany at each other's throats, | 0:01:34 | 0:01:39 | |
scrambling for control. | 0:01:39 | 0:01:41 | |
The Bradshaw traveller had to be intrepid indeed | 0:01:41 | 0:01:45 | |
and it was a matter of sheer chance | 0:01:45 | 0:01:47 | |
that the First World War did not break out here. | 0:01:47 | 0:01:50 | |
The tourists across this narrow stretch of water left elegant Europe | 0:01:51 | 0:01:55 | |
for edgy Africa, departed Christendom for Islam, | 0:01:55 | 0:02:00 | |
repulsed or magnetised by the exoticism. | 0:02:00 | 0:02:04 | |
My journey begins on the north-western tip of Morocco, | 0:02:15 | 0:02:19 | |
where I enter Africa through its gateway, Tangier. | 0:02:19 | 0:02:22 | |
I step back in time in the medieval city of Fez before fast forwarding | 0:02:23 | 0:02:29 | |
into the modern era in the political capital of Rabat. | 0:02:29 | 0:02:33 | |
At the port of Casablanca, | 0:02:34 | 0:02:36 | |
I'll visit one of Morocco's most impressive monuments. | 0:02:36 | 0:02:39 | |
I'll finish in exotic Marrakech. | 0:02:39 | 0:02:42 | |
Along the way, I take in the sights, the sounds... | 0:02:46 | 0:02:52 | |
RAPID DRUMMING, WHISTLES BLOW | 0:02:52 | 0:02:53 | |
..and the tastes of this rich culture. | 0:02:53 | 0:02:55 | |
So many flavours. They explode on the tongue. | 0:02:57 | 0:02:59 | |
I discover that since the time of my guidebook, | 0:03:00 | 0:03:03 | |
some parts of Moroccan life have barely changed. | 0:03:03 | 0:03:07 | |
The only transportation means is the donkey, | 0:03:07 | 0:03:10 | |
so when you hear the word "balak", step aside and let the donkeys pass. | 0:03:10 | 0:03:15 | |
MAN CALLS OUT IN ARABIC | 0:03:15 | 0:03:16 | |
I learn how the Sultan of Morocco | 0:03:18 | 0:03:20 | |
came to hand over his country to the French. | 0:03:20 | 0:03:23 | |
France had promised him many things. | 0:03:23 | 0:03:26 | |
If he signs the Treaty of Fez, he would get some autonomy, | 0:03:26 | 0:03:30 | |
which never happened. | 0:03:30 | 0:03:31 | |
They would rule over Morocco as they wished. | 0:03:31 | 0:03:34 | |
And I marvel at this ancient country's | 0:03:34 | 0:03:37 | |
remarkable modern achievements. | 0:03:37 | 0:03:39 | |
This is not only a building of worship, | 0:03:39 | 0:03:42 | |
but a celebration of what the Moroccan people can achieve. | 0:03:42 | 0:03:45 | |
TRAIN HORN HOOTS | 0:03:47 | 0:03:48 | |
It's a short hop from Spain to Morocco, | 0:04:01 | 0:04:04 | |
but for the 1913 Bradshaw traveller, | 0:04:04 | 0:04:06 | |
this journey was a leap into the unknown. | 0:04:06 | 0:04:09 | |
Between Spain and Morocco, the clocks go back one hour, | 0:04:11 | 0:04:16 | |
as I go back about a century. | 0:04:16 | 0:04:18 | |
I'm arriving in Tangier, | 0:04:24 | 0:04:26 | |
a port at the threshold between Europe and Africa. | 0:04:26 | 0:04:30 | |
Control over this highly strategic location has long been prized | 0:04:34 | 0:04:38 | |
and never more so than at the time of my guidebook. | 0:04:38 | 0:04:41 | |
The guidebook tells me that Tangier is "very picturesquely situated on | 0:04:46 | 0:04:51 | |
"rising ground at the west side of the Bay of Tangier." | 0:04:51 | 0:04:56 | |
And from its heights it looks down both on the Atlantic Ocean | 0:04:56 | 0:05:00 | |
and on that narrow stretch of the Mediterranean | 0:05:00 | 0:05:03 | |
that separates Africa from Europe. The British, | 0:05:03 | 0:05:07 | |
who had their fortress on the other side of the strait in Gibraltar, | 0:05:07 | 0:05:12 | |
were insistent that Tangier should remain international, | 0:05:12 | 0:05:16 | |
rather than falling into the hands of the French, or the Spanish, | 0:05:16 | 0:05:20 | |
or, heaven forbid, the Germans. | 0:05:20 | 0:05:22 | |
Morocco is home to a mix of indigenous Berber, | 0:05:32 | 0:05:36 | |
Arab and black African peoples. | 0:05:36 | 0:05:38 | |
The diversity of their cultures fascinates visitors today | 0:05:40 | 0:05:43 | |
as it did 100 years ago. | 0:05:43 | 0:05:45 | |
As I walk around Tangier, | 0:05:48 | 0:05:49 | |
I'm struck by how Europe has influenced its architecture. | 0:05:49 | 0:05:53 | |
Here, just outside the medina, in the so-called Grand Socco, | 0:05:58 | 0:06:02 | |
you get a really good feeling for Tangier. | 0:06:02 | 0:06:04 | |
Here is a minaret, predictably enough, | 0:06:04 | 0:06:08 | |
but less expected, to its left, | 0:06:08 | 0:06:10 | |
the tower of an English church. | 0:06:10 | 0:06:13 | |
Here is a French-built cinema, | 0:06:13 | 0:06:15 | |
presently showing a German film festival, | 0:06:15 | 0:06:18 | |
and close by is a Spanish school. | 0:06:18 | 0:06:21 | |
Inside the medina, | 0:06:29 | 0:06:30 | |
or the old town, | 0:06:30 | 0:06:31 | |
I've arranged to meet my guide Aziz Begdouri, | 0:06:31 | 0:06:35 | |
to find out more about Tangier and its people. | 0:06:35 | 0:06:37 | |
-Hello, Aziz. -Hello, Michael. | 0:06:38 | 0:06:40 | |
-Come upstairs. -Thank you. | 0:06:40 | 0:06:42 | |
Aziz, tell me, | 0:06:46 | 0:06:47 | |
why are you so enthusiastic about your city of Tangier? | 0:06:47 | 0:06:51 | |
Tangier is a melting pot, | 0:06:51 | 0:06:53 | |
Tangier is a city of multi-cultures and multi-religions. | 0:06:53 | 0:06:56 | |
We have all the nationalities here, everyone accepts everyone else. | 0:06:56 | 0:07:00 | |
The location of Tangier is spectacular. | 0:07:00 | 0:07:03 | |
We have two coastlines, we have the Med and we have the Atlantic. | 0:07:03 | 0:07:07 | |
This city, with all the virtues that you've just listed, | 0:07:07 | 0:07:09 | |
has attracted millions of foreigners over the centuries. | 0:07:09 | 0:07:13 | |
-Correct. -In 1913, what would life have been like in this city? | 0:07:13 | 0:07:17 | |
In 1913, it was already becoming an international city. | 0:07:17 | 0:07:21 | |
We had the Muslims and we had the Jews and we had the Christians. | 0:07:21 | 0:07:25 | |
Many European powers already had a presence here | 0:07:25 | 0:07:29 | |
and we see that all the buildings built in the late 19th century, | 0:07:29 | 0:07:34 | |
beginning of the 20th century, all have European influences. | 0:07:34 | 0:07:38 | |
Big windows and balconies. | 0:07:38 | 0:07:40 | |
So the medina of Tangier is the only medina in Morocco | 0:07:40 | 0:07:44 | |
that has European influence. | 0:07:44 | 0:07:47 | |
At the beginning of the 20th century, | 0:07:47 | 0:07:48 | |
Tangier becomes a flash point between the great powers. | 0:07:48 | 0:07:51 | |
The First World War could have begun here. | 0:07:51 | 0:07:54 | |
-What happened? -On 31st March 1905, | 0:07:54 | 0:07:57 | |
Kaiser Wilhelm II came to visit Tangier | 0:07:57 | 0:08:01 | |
in order to support Moroccan sovereignty. | 0:08:01 | 0:08:04 | |
What was the reaction of the local people? | 0:08:04 | 0:08:06 | |
The local people welcomed him, | 0:08:06 | 0:08:07 | |
because he's defending their right to be independent. | 0:08:07 | 0:08:10 | |
What was the reaction of the French? | 0:08:10 | 0:08:13 | |
They were very upset and very unhappy with the visit. | 0:08:13 | 0:08:16 | |
In 1904, | 0:08:17 | 0:08:19 | |
France had taken control of parts of Morocco | 0:08:19 | 0:08:21 | |
from the young and inexperienced sultan, al-Aziz, | 0:08:21 | 0:08:25 | |
much to the fury of Germany, | 0:08:25 | 0:08:27 | |
who wanted the territory for herself. | 0:08:27 | 0:08:29 | |
The clash focused the world's attention | 0:08:29 | 0:08:32 | |
on this North African nation. | 0:08:32 | 0:08:34 | |
France crucially won the backing of its allies Britain and Russia. | 0:08:34 | 0:08:39 | |
Tensions between them and Germany deepened and in 1911 boiled over | 0:08:39 | 0:08:45 | |
for a second time in Morocco. | 0:08:45 | 0:08:48 | |
When French troops were sent to quell a rebellion, | 0:08:48 | 0:08:50 | |
Germany responded by sending a gunboat to Agadir. | 0:08:50 | 0:08:55 | |
Britain, again, backed the French in Morocco | 0:08:55 | 0:08:58 | |
and the Germans were placated with other territories in Africa. | 0:08:58 | 0:09:02 | |
But these two crises further estranged Britain and France | 0:09:02 | 0:09:06 | |
from Germany in the uneasy decade before the First World War. | 0:09:06 | 0:09:10 | |
Inside the walls of the medina is a maze of alleys and backstreets. | 0:09:17 | 0:09:22 | |
I'm curious to find out what's behind | 0:09:24 | 0:09:27 | |
some of the city's secret doorways. | 0:09:27 | 0:09:29 | |
This is such a gloriously unexpected discovery. | 0:09:44 | 0:09:48 | |
A synagogue. And so beautiful, so large and wonderfully restored. | 0:09:48 | 0:09:54 | |
In fact, there were Jews in Morocco in the pre-Christian era | 0:09:54 | 0:09:58 | |
and then in 1492, when they were expelled from Spain, | 0:09:58 | 0:10:01 | |
another wave came here and in the centuries that followed, | 0:10:01 | 0:10:05 | |
when apparently they were no longer welcome | 0:10:05 | 0:10:07 | |
to live side-by-side with Catholics, | 0:10:07 | 0:10:10 | |
they existed in harmony with Muslims here in Morocco. | 0:10:10 | 0:10:14 | |
The majority of Morocco's quarter of a million Jews emigrated | 0:10:17 | 0:10:22 | |
after the Second World War, many to the newly-created state of Israel, | 0:10:22 | 0:10:27 | |
leaving about 4,000 today. | 0:10:27 | 0:10:29 | |
NORTH AFRICAN TRADITIONAL MUSIC | 0:10:32 | 0:10:35 | |
As I walk through Tangier's tangle of streets, | 0:10:40 | 0:10:43 | |
some Moroccan folky sounds draw me into a cafe. | 0:10:43 | 0:10:46 | |
THEY SING IN OWN LANGUAGE | 0:10:52 | 0:10:55 | |
Merci, messieurs! Formidable, merci! | 0:11:24 | 0:11:27 | |
Well, with the violin and very special local designs of drum | 0:11:28 | 0:11:32 | |
and lute and flute, this music, I believe, has influences of Berber, | 0:11:32 | 0:11:36 | |
of Islamic, even of Andalusia, from southern Spain. | 0:11:36 | 0:11:40 | |
The music is itself a melting pot | 0:11:40 | 0:11:43 | |
and it produces this fantastic sound. | 0:11:43 | 0:11:45 | |
-Merci. ALL: -Merci. | 0:11:45 | 0:11:48 | |
I'm leaving the city by way of Tanger Ville Station | 0:11:53 | 0:11:56 | |
to embark on the first leg of my Moroccan railway adventure. | 0:11:56 | 0:12:00 | |
At last, it's time for a train. | 0:12:05 | 0:12:08 | |
And what a lovely station! | 0:12:08 | 0:12:09 | |
Taking to the tracks, I'm aware that in 1913, | 0:12:15 | 0:12:19 | |
Morocco was just at the dawn of its railway age. | 0:12:19 | 0:12:23 | |
From his camel or donkey, | 0:12:23 | 0:12:25 | |
the Bradshaw traveller would have seen the first train lines | 0:12:25 | 0:12:28 | |
under construction as the French began to build the network | 0:12:28 | 0:12:31 | |
which today extends to 2,000 kilometres of track. | 0:12:31 | 0:12:35 | |
As I pull out of Tangier Station, | 0:12:39 | 0:12:41 | |
I notice some state-of-the-art rolling stock | 0:12:41 | 0:12:43 | |
that suggests that Morocco's railway operator, ONCF, | 0:12:43 | 0:12:47 | |
is embarking on some railway modernisation. | 0:12:47 | 0:12:50 | |
Moroccan railways have taken delivery | 0:13:02 | 0:13:06 | |
of a shiny new set of double-deck trains | 0:13:06 | 0:13:09 | |
and alongside this track, | 0:13:09 | 0:13:11 | |
they are building a new railway between Tangier and Casablanca | 0:13:11 | 0:13:16 | |
and, when it's finished, it will cut the journey time | 0:13:16 | 0:13:18 | |
from approaching five hours to not much more than two. | 0:13:18 | 0:13:22 | |
The first phase is substantially completed, and when it's open, | 0:13:22 | 0:13:26 | |
Morocco will join that elite club of high-speed rail nations. | 0:13:26 | 0:13:32 | |
I'm alighting at Asilah, | 0:13:43 | 0:13:45 | |
40km south of Tangier, to meet engineer Farouk, | 0:13:45 | 0:13:50 | |
who is overseeing construction of a vast viaduct | 0:13:50 | 0:13:53 | |
known as the El Hachef. | 0:13:53 | 0:13:55 | |
Farouk, I imagine Morocco is rather proud | 0:14:08 | 0:14:11 | |
about entering the high-speed rail age, | 0:14:11 | 0:14:13 | |
and you must be pretty proud working on the project. | 0:14:13 | 0:14:15 | |
Exactly. I'm very proud to be a part of this project. | 0:14:15 | 0:14:19 | |
When we finish it, it will be the beginning of a new era. | 0:14:19 | 0:14:24 | |
At Tangier, I saw that you've taken delivery of high-speed trains. | 0:14:24 | 0:14:29 | |
What speed are they capable of? | 0:14:29 | 0:14:30 | |
They can reach a speed of up to 360km. | 0:14:30 | 0:14:35 | |
That's broadly comparable to the systems in Spain and France. | 0:14:35 | 0:14:39 | |
It's totally the same system. | 0:14:39 | 0:14:41 | |
The new high-speed line will cover the first 200km | 0:14:43 | 0:14:48 | |
of the 350km route between Tangier and Casablanca, | 0:14:48 | 0:14:52 | |
as far as Kenitra. | 0:14:52 | 0:14:54 | |
It is projected to cost around £3 billion | 0:14:54 | 0:14:58 | |
and is a joint venture between Morocco and France. | 0:14:58 | 0:15:01 | |
The project has thrown up some tough engineering challenges, | 0:15:03 | 0:15:06 | |
which have been met with ingenious solutions. | 0:15:06 | 0:15:10 | |
Why do you need such an enormous viaduct | 0:15:10 | 0:15:13 | |
across what is quite a shallow valley? | 0:15:13 | 0:15:15 | |
We have faced up to several technical problems here. | 0:15:15 | 0:15:19 | |
A lot of problems about settlement. | 0:15:19 | 0:15:21 | |
So the earth is sinking down? | 0:15:21 | 0:15:23 | |
-Exactly. -You don't want a wobbly high-speed line, do you? | 0:15:23 | 0:15:26 | |
Exactly. So we decided to build this bridge at 3.5km | 0:15:26 | 0:15:31 | |
to avoid these problems in the future. | 0:15:31 | 0:15:34 | |
It's the longest bridge in Africa. | 0:15:34 | 0:15:38 | |
This valley floods, | 0:15:41 | 0:15:42 | |
so huge amounts of earth are needed to fill in the waterlogged | 0:15:42 | 0:15:46 | |
and unstable land. | 0:15:46 | 0:15:48 | |
I've offered to lend a hand with some of the groundworks. | 0:15:48 | 0:15:50 | |
OK, let's open it up. | 0:15:54 | 0:15:55 | |
And let's raise it. | 0:16:00 | 0:16:03 | |
Former politician dishes the dirt! | 0:16:12 | 0:16:15 | |
Having made my contribution to Morocco's great railway future, | 0:16:25 | 0:16:30 | |
I'm making my way back to Asilah. | 0:16:30 | 0:16:33 | |
With its charmingly relaxed feel, | 0:16:39 | 0:16:41 | |
I'm confident that it will offer me a peaceful night. | 0:16:41 | 0:16:45 | |
This morning, I am returning to Asilah Station | 0:17:00 | 0:17:03 | |
to continue my journey. | 0:17:03 | 0:17:04 | |
I'm travelling four hours south-east into the interior | 0:17:17 | 0:17:21 | |
and to the city of Fez. | 0:17:21 | 0:17:22 | |
I'm passing through scenery that I had not anticipated. | 0:17:22 | 0:17:26 | |
It's springtime in Morocco and it's surprisingly green. | 0:17:30 | 0:17:34 | |
The countryside is often gentle and rolling and it could be, | 0:17:34 | 0:17:40 | |
I don't know, north Italy, or something like that. | 0:17:40 | 0:17:42 | |
But then you will see a goatherd, a hooded figure with a long coat. | 0:17:42 | 0:17:47 | |
Looks like a scene out of the Bible. | 0:17:47 | 0:17:49 | |
Then you're jolted back to the reality that you're in North Africa. | 0:17:49 | 0:17:53 | |
The years immediately preceding the publication of my guidebook | 0:18:02 | 0:18:06 | |
were pivotal in the history of Morocco. | 0:18:06 | 0:18:09 | |
Sultan al-Aziz, who'd let the French gain a foothold in his country, | 0:18:09 | 0:18:13 | |
was overthrown by his brother, Sultan al-Hafid. | 0:18:13 | 0:18:17 | |
But he too struggled to curb | 0:18:17 | 0:18:19 | |
France's growing territorial ambitions. | 0:18:19 | 0:18:22 | |
I'm meeting historian Hiyam El Khalili | 0:18:22 | 0:18:24 | |
to find out how most of Morocco | 0:18:24 | 0:18:26 | |
eventually fell to the French. | 0:18:26 | 0:18:28 | |
-Hello. -Hello! | 0:18:28 | 0:18:30 | |
I'm Michael, thanks for joining me. | 0:18:30 | 0:18:31 | |
Have a seat. | 0:18:31 | 0:18:33 | |
Hiyam, we're on this long train ride to Fez, | 0:18:34 | 0:18:38 | |
a city I think of as a beautifully preserved medieval city, | 0:18:38 | 0:18:41 | |
but around the time that my guidebook was published, | 0:18:41 | 0:18:44 | |
I believe there were important political | 0:18:44 | 0:18:47 | |
and even violent developments in Fez. | 0:18:47 | 0:18:50 | |
In 1912, there were riots and rebellions that erupted in Fez, | 0:18:50 | 0:18:55 | |
because Moroccan nationals were very angry and did not want to fall under | 0:18:55 | 0:18:59 | |
the French protectorate. | 0:18:59 | 0:19:01 | |
Morocco has not fallen under any foreign rule | 0:19:01 | 0:19:04 | |
since the Umayyad dynasty in the eighth century. | 0:19:04 | 0:19:08 | |
We've never been under the Ottoman Empire's rule. | 0:19:08 | 0:19:11 | |
So we have a very long history of self-determination, | 0:19:11 | 0:19:16 | |
for about 12 centuries. | 0:19:16 | 0:19:17 | |
So this obviously did upset most Moroccans at the time. | 0:19:17 | 0:19:20 | |
The tribes of the Middle Atlas descended on Fez, | 0:19:21 | 0:19:25 | |
laying siege to the city. | 0:19:25 | 0:19:27 | |
With disorder and violence swirling around his palace, | 0:19:27 | 0:19:30 | |
the desperate sultan turned to the French for help, | 0:19:30 | 0:19:34 | |
a request that France exploited. | 0:19:34 | 0:19:37 | |
Now, why did the sultan feel | 0:19:37 | 0:19:38 | |
that had to sign a treaty with the French? | 0:19:38 | 0:19:41 | |
There were not many options. | 0:19:41 | 0:19:42 | |
France had promised him many things. | 0:19:42 | 0:19:45 | |
If he signs the treaty of Fez, | 0:19:45 | 0:19:47 | |
he would get some autonomy under the French Protectorate, | 0:19:47 | 0:19:51 | |
which never happened. | 0:19:51 | 0:19:52 | |
Basically, the Treaty of Fez stated | 0:19:52 | 0:19:55 | |
that the sultan would remain a sultan | 0:19:55 | 0:19:58 | |
and have religious power, | 0:19:58 | 0:20:00 | |
but everything else just gave interest to France instead. | 0:20:00 | 0:20:04 | |
They would be able to deploy their army all over the nation | 0:20:04 | 0:20:07 | |
and they would put Frenchmen in the Makhzen, or the government, | 0:20:07 | 0:20:11 | |
and they would rule over Morocco as they wished. | 0:20:11 | 0:20:14 | |
Having handed his country to the French, | 0:20:17 | 0:20:20 | |
the sultan was forced into retirement. | 0:20:20 | 0:20:23 | |
Morocco was to remain a French protectorate for the next 44 years. | 0:20:23 | 0:20:27 | |
I'm alighting at Fez's central station. | 0:20:43 | 0:20:46 | |
Since I've been in Morocco, | 0:20:57 | 0:20:58 | |
I've been immensely impressed with the railway stations, | 0:20:58 | 0:21:01 | |
which are very modern, | 0:21:01 | 0:21:03 | |
but which draw on traditional architectural motifs. | 0:21:03 | 0:21:06 | |
This one at Fez has to be the greatest so far. | 0:21:06 | 0:21:09 | |
Two wonderful, huge horseshoe arches. | 0:21:09 | 0:21:11 | |
I'm passing under this fretwork chandelier and the carved ceiling. | 0:21:11 | 0:21:16 | |
And everywhere, the colourful tiles. | 0:21:17 | 0:21:20 | |
Fez, says Bradshaw's, | 0:21:28 | 0:21:30 | |
is enclosed in a double line of ruinous walls | 0:21:30 | 0:21:34 | |
with a series of outlying detached forts. | 0:21:34 | 0:21:38 | |
It swarms with dervishes, extraordinary mendicants | 0:21:38 | 0:21:41 | |
and snake charmers. | 0:21:41 | 0:21:43 | |
This ancient city was established in the eighth century | 0:21:48 | 0:21:52 | |
by an Arab descendant of the Prophet Muhammad, | 0:21:52 | 0:21:55 | |
who pursued the Islamisation of Morocco. | 0:21:55 | 0:21:58 | |
Fez is home to the world's oldest university, | 0:22:00 | 0:22:03 | |
founded in the ninth century, | 0:22:03 | 0:22:04 | |
and has become one of the great centres | 0:22:04 | 0:22:06 | |
of Arabic and Islamic learning. | 0:22:06 | 0:22:08 | |
I'm meeting Professor Moha Ennaji. | 0:22:11 | 0:22:13 | |
Moha, what does this wonderful city mean to a Moroccan | 0:22:14 | 0:22:18 | |
and to Moroccan history? | 0:22:18 | 0:22:20 | |
Well, to Moroccans, this is a very historical city. | 0:22:20 | 0:22:25 | |
This is the spiritual capital and the cultural capital of Morocco | 0:22:25 | 0:22:30 | |
and it is more than 12 centuries old. | 0:22:30 | 0:22:33 | |
Any visitor to Fez is of course enormously impressed | 0:22:33 | 0:22:36 | |
by how well preserved it is. | 0:22:36 | 0:22:38 | |
How has it kept modern forces, as it were, at bay? | 0:22:38 | 0:22:41 | |
Yeah, well, it has been kept preserved, of course, by the French, | 0:22:41 | 0:22:47 | |
especially General Lyautey, | 0:22:47 | 0:22:48 | |
who was like the governor of Morocco | 0:22:48 | 0:22:51 | |
when Morocco was under the French protectorate from 1912 to 1956. | 0:22:51 | 0:22:56 | |
Lyautey insisted that the French should not touch the monuments | 0:22:56 | 0:23:01 | |
and respect the culture and the religion | 0:23:01 | 0:23:04 | |
and the people's traditions. | 0:23:04 | 0:23:06 | |
And after the independence, | 0:23:06 | 0:23:09 | |
the government did everything they could to preserve this city | 0:23:09 | 0:23:13 | |
from decay, because it is a functioning medina. | 0:23:13 | 0:23:17 | |
I'm here for a very short while. | 0:23:17 | 0:23:18 | |
What is your tip for the visitor to Fez? | 0:23:18 | 0:23:21 | |
Well, I have two tips for you. | 0:23:21 | 0:23:23 | |
First of all, try the Fez cuisine, and also beware of the donkeys, | 0:23:23 | 0:23:28 | |
because the only transportation means is a donkey, | 0:23:28 | 0:23:32 | |
so when you hear the word "balak", step aside and let the donkeys pass! | 0:23:32 | 0:23:37 | |
This is the borderline between the 21st century and a medieval city, | 0:23:57 | 0:24:01 | |
preserved in aspic. | 0:24:01 | 0:24:03 | |
I find myself in a maze of narrow streets, | 0:24:18 | 0:24:21 | |
some little more than two feet wide. | 0:24:21 | 0:24:23 | |
Balak, balak! | 0:24:29 | 0:24:31 | |
One word I won't forget from Moroccan - | 0:24:34 | 0:24:36 | |
"Balak, balak!" | 0:24:36 | 0:24:37 | |
"Jump out the way!" | 0:24:37 | 0:24:39 | |
Until the late 19th century, | 0:24:42 | 0:24:44 | |
Fez was the only place in the world where its eponymous hat was made | 0:24:44 | 0:24:49 | |
and everywhere I look, traditional craftsmen are plying their trades. | 0:24:49 | 0:24:53 | |
What is so amazing about this place is the number of little businesses, | 0:24:56 | 0:25:02 | |
the number of little shops. | 0:25:02 | 0:25:04 | |
They are literally tiny. | 0:25:04 | 0:25:06 | |
They have minute premises and yet everything they have | 0:25:06 | 0:25:10 | |
is beautifully displayed. I mean, look at these dried fruits. | 0:25:10 | 0:25:15 | |
Isn't that just the most perfect thing? | 0:25:15 | 0:25:17 | |
-Hello, monsieur. -Hello, bonjour. -C'est tres beau. -Merci bien. | 0:25:20 | 0:25:24 | |
Est-ce que vous... | 0:25:24 | 0:25:26 | |
Have you got dried figs? | 0:25:26 | 0:25:27 | |
Could I have five, please? | 0:25:27 | 0:25:29 | |
Merci, monsieur. Ca fait combien? | 0:25:33 | 0:25:35 | |
Five dinar. | 0:25:37 | 0:25:39 | |
Merci, monsieur. C'est gentil. | 0:25:39 | 0:25:40 | |
Dried fruits are typically Moroccan, | 0:25:45 | 0:25:48 | |
as are the aromatic spices on sale throughout the souks. | 0:25:48 | 0:25:51 | |
I'm keen to learn about this country's most famous dish, tagine, | 0:25:53 | 0:25:57 | |
and I've arranged to meet Moroccan chef Souad | 0:25:57 | 0:26:00 | |
at her restaurant in the medina. | 0:26:00 | 0:26:02 | |
-Ca va? -Hi, hello. | 0:26:07 | 0:26:09 | |
-I'm Michael. -Nice to meet you, so welcome. | 0:26:09 | 0:26:11 | |
Does this sort of cuisine come from the Berbers, | 0:26:12 | 0:26:16 | |
does it come from Spain? | 0:26:16 | 0:26:17 | |
So, the using a clay pot, it's coming from south of Morocco. | 0:26:17 | 0:26:22 | |
-South of Morocco. -Yeah, very special. | 0:26:22 | 0:26:24 | |
And we call it soussi tagine. | 0:26:24 | 0:26:27 | |
It strikes me in Morocco how often you use sweet things. | 0:26:27 | 0:26:30 | |
Where does that sweet cuisine come from? | 0:26:30 | 0:26:33 | |
OK, all the sweetness is coming from Jewish culture. | 0:26:33 | 0:26:37 | |
And they are so crazy about combinations, | 0:26:37 | 0:26:40 | |
about sweet and savoury. | 0:26:40 | 0:26:41 | |
So, if that's the Jewish cuisine, | 0:26:41 | 0:26:43 | |
what would the Berber cuisine be like? | 0:26:43 | 0:26:46 | |
OK, Berber, it's such flavour, like, big cumin, big turmeric, | 0:26:46 | 0:26:52 | |
big ginger. We are so crazy about savoury things, you know? | 0:26:52 | 0:26:56 | |
OK, what are we making today? | 0:26:56 | 0:26:58 | |
Lamb tagine with prune. | 0:26:58 | 0:27:00 | |
-You start. -OK, you start! | 0:27:00 | 0:27:02 | |
Are you here for cooking? Pepper. | 0:27:02 | 0:27:06 | |
Then we go for ginger, so fragrant. | 0:27:06 | 0:27:09 | |
Lovely smell, the ginger. | 0:27:09 | 0:27:11 | |
We go for the turmeric. | 0:27:12 | 0:27:15 | |
-How much? -More, keep going. | 0:27:15 | 0:27:17 | |
Look at those lovely colours! | 0:27:17 | 0:27:18 | |
I like it. We can use now salt. | 0:27:18 | 0:27:21 | |
Garlic. | 0:27:22 | 0:27:24 | |
-Mmm. -You like garlic? -Oh, I love garlic. | 0:27:24 | 0:27:26 | |
Coriander. | 0:27:26 | 0:27:28 | |
Big handful of parsley. | 0:27:29 | 0:27:31 | |
Oh, look at those greens now. | 0:27:31 | 0:27:33 | |
-So amazing. -Our painting is taking shape. | 0:27:33 | 0:27:35 | |
So, go for olive oil, big circle. | 0:27:35 | 0:27:38 | |
-Fantastic. -Water. | 0:27:39 | 0:27:41 | |
-Stirring it up. -Yeah. | 0:27:41 | 0:27:43 | |
-Oh. -So many flavours. | 0:27:46 | 0:27:48 | |
They explode on the tongue. | 0:27:48 | 0:27:50 | |
The lamb is looking wonderful. | 0:27:50 | 0:27:52 | |
The meat is rubbed in the spice mix and added to the tagine. | 0:27:53 | 0:27:56 | |
That's it. | 0:27:58 | 0:27:59 | |
So now we can close our pot. | 0:27:59 | 0:28:03 | |
We don't leave the steam to waste. | 0:28:03 | 0:28:06 | |
We keep in steam to cook our lamb to be tender, OK? | 0:28:06 | 0:28:10 | |
After two hours on the hob, the tagine is ready | 0:28:12 | 0:28:16 | |
and we choose to eat it on Souad's rooftop terrace | 0:28:16 | 0:28:19 | |
overlooking the city. | 0:28:19 | 0:28:20 | |
The moment we have been waiting for. | 0:28:23 | 0:28:25 | |
In a Morocco, you'd eat this with your hands? | 0:28:27 | 0:28:29 | |
Yeah, we eat by hand. | 0:28:29 | 0:28:31 | |
-Mmm. So spicy, and yet so sweet. -Sweet. | 0:28:38 | 0:28:42 | |
Mmm! Delicious. | 0:28:46 | 0:28:48 | |
Hello. | 0:28:53 | 0:28:54 | |
Back out in the medina, it's time to find my bed for the night. | 0:28:55 | 0:28:59 | |
This gorgeous sort of house in the medina is known as a riad, | 0:29:11 | 0:29:15 | |
a word that derives from an Arabic word for garden, | 0:29:15 | 0:29:18 | |
because they always have the internal patio. | 0:29:18 | 0:29:21 | |
It's all hidden from the outside. | 0:29:21 | 0:29:23 | |
There are no windows whatsoever on the ground floor | 0:29:23 | 0:29:26 | |
and just a very discreet door. | 0:29:26 | 0:29:29 | |
This is where I'm going to spend the night. | 0:29:29 | 0:29:31 | |
But first of all, after a warm day in Fez, | 0:29:31 | 0:29:34 | |
time to scrub off the dust of the day. | 0:29:34 | 0:29:37 | |
I feel I should experience a traditional Moroccan hammam, | 0:29:44 | 0:29:47 | |
which is an important part of Moroccan culture. | 0:29:47 | 0:29:49 | |
Moroccans come to these steam rooms to deep cleanse their bodies. | 0:29:52 | 0:29:56 | |
The purpose of a hammam is to remove a layer of dead skin. | 0:30:00 | 0:30:05 | |
First the body is washed with soap | 0:30:05 | 0:30:08 | |
before work begins in earnest with an exfoliating mitten. | 0:30:08 | 0:30:11 | |
The bit of stone on which I'm lying is very hot. | 0:30:12 | 0:30:16 | |
I'm effectively being griddled. | 0:30:16 | 0:30:19 | |
There's some discomfort but I'm assured it will all be worthwhile. | 0:30:20 | 0:30:24 | |
Today, I'm leaving Fez for a three-hour journey west | 0:30:47 | 0:30:50 | |
to the Atlantic coast. | 0:30:50 | 0:30:52 | |
I'll stop in Morocco's modern capital on my way to visiting | 0:30:53 | 0:30:57 | |
the extraordinary treasures of Casablanca. | 0:30:57 | 0:31:00 | |
My journey then takes me through desert | 0:31:00 | 0:31:02 | |
to seek the Berber origins of this country | 0:31:02 | 0:31:05 | |
in the former imperial capital of Marrakech. | 0:31:05 | 0:31:08 | |
GUARD BLOWS WHISTLE | 0:31:08 | 0:31:09 | |
I'd like to know more about the history of Morocco's railways, | 0:31:11 | 0:31:14 | |
which I believe were begun by the French | 0:31:14 | 0:31:16 | |
shortly before they took official power in 1912. | 0:31:16 | 0:31:20 | |
Mohamed Hatmi is Professor of History at the University of Fez, | 0:31:28 | 0:31:32 | |
and he's agreed to join me on this leg of my journey. | 0:31:32 | 0:31:36 | |
Morocco's railway history starts quite late compared with Europe. | 0:31:36 | 0:31:40 | |
When did the trains start here? | 0:31:40 | 0:31:42 | |
It began during the first decade of the 20th century. | 0:31:42 | 0:31:47 | |
It was a French company which began with a small section in Casablanca. | 0:31:47 | 0:31:53 | |
When you have a railroad, you have a place in Morocco. | 0:31:53 | 0:31:56 | |
So the first French railway was built | 0:31:58 | 0:32:00 | |
to consolidate France's territorial gain. | 0:32:00 | 0:32:03 | |
It was a modest narrow-gauge military network | 0:32:03 | 0:32:06 | |
used for the transport of weapons, fuel, cargo and soldiers. | 0:32:06 | 0:32:11 | |
It wasn't for civilians and certainly not for tourists. | 0:32:12 | 0:32:16 | |
The foreign traveller to Morocco in 1913 could not use the railway. | 0:32:17 | 0:32:23 | |
What were the roads like? | 0:32:23 | 0:32:25 | |
There was no road in Morocco, no bridge. | 0:32:25 | 0:32:28 | |
No road in the European sense of what is a road. | 0:32:28 | 0:32:33 | |
Transport in Morocco before the French presence was on animals. | 0:32:33 | 0:32:39 | |
Travel by camel or donkey was daring, arduous and uncomfortable. | 0:32:42 | 0:32:48 | |
It wasn't until the 1920s that standard-gauge railway lines | 0:32:48 | 0:32:52 | |
were constructed and the network opened to civilian passengers. | 0:32:52 | 0:32:56 | |
I'm very impressed that in Morocco | 0:32:57 | 0:32:59 | |
most of your lines are now electrified. | 0:32:59 | 0:33:01 | |
You're building the ligne grande vitesse, | 0:33:01 | 0:33:04 | |
high-speed railway. | 0:33:04 | 0:33:05 | |
Morocco has taken an enormous leap into modernity. | 0:33:05 | 0:33:08 | |
Yes, what is impressive is that people when travelling, when moving, | 0:33:08 | 0:33:14 | |
they think first to train. | 0:33:14 | 0:33:16 | |
HORN BLARES | 0:33:17 | 0:33:19 | |
I'm about to arrive in Rabat. | 0:33:26 | 0:33:29 | |
My guidebook tells me that it's a small port and a large Moorish town. | 0:33:29 | 0:33:34 | |
It's perhaps surprising that it doesn't mention | 0:33:34 | 0:33:37 | |
that in the year before publication, | 0:33:37 | 0:33:39 | |
the French had decided to move the Moroccan capital to the city. | 0:33:39 | 0:33:44 | |
As the great powers struggled with each other in the margins of Europe, | 0:33:44 | 0:33:49 | |
in the Balkans and in North Africa, for power and influence, | 0:33:49 | 0:33:53 | |
the political developments were moving too fast | 0:33:53 | 0:33:56 | |
for my Bradshaw's Guide. | 0:33:56 | 0:33:58 | |
When the French took control of Morocco in 1912, | 0:34:04 | 0:34:07 | |
they made Rabat the new capital. | 0:34:07 | 0:34:10 | |
They wanted a coastal location which was easy to reach | 0:34:10 | 0:34:14 | |
and whereas they faced violent opposition | 0:34:14 | 0:34:16 | |
in the university city of Fez, | 0:34:16 | 0:34:18 | |
in Rabat they found the local population more quiescent. | 0:34:18 | 0:34:22 | |
As I walk through the city, | 0:34:28 | 0:34:30 | |
everywhere I see the unmistakable stamp of the French. | 0:34:30 | 0:34:33 | |
What a contrast between Fez and Rabat. | 0:34:37 | 0:34:40 | |
The narrow alleyways of Fez have been replaced now | 0:34:40 | 0:34:44 | |
with these broad boulevards. | 0:34:44 | 0:34:46 | |
It's so different, you could believe that you'd come to | 0:34:46 | 0:34:49 | |
a different country, were it not for the profusion of Moroccan flags, | 0:34:49 | 0:34:54 | |
which, I suppose, is what you'd expect in the capital city. | 0:34:54 | 0:34:57 | |
The French resident general, Hubert Lyautey, trod carefully in Rabat. | 0:35:07 | 0:35:13 | |
He built the new town around the medina, | 0:35:15 | 0:35:18 | |
leaving the old Moroccan city intact. | 0:35:18 | 0:35:22 | |
He introduced European architecture with a Moorish tinge. | 0:35:22 | 0:35:27 | |
He was trying to maintain through architecture | 0:35:27 | 0:35:29 | |
the fiction that there was a partnership | 0:35:29 | 0:35:32 | |
between the Sultan of Morocco and the French. | 0:35:32 | 0:35:36 | |
In reality, the poor monarch was nothing more than a figurehead | 0:35:36 | 0:35:40 | |
and a puppet of a foreign power. | 0:35:40 | 0:35:42 | |
I'm struck by how modern life and ancient culture | 0:35:49 | 0:35:52 | |
seem to rub along together so easily in Morocco. | 0:35:52 | 0:35:56 | |
I wish that I could stay a little longer in the capital, | 0:36:07 | 0:36:09 | |
but I must return to the rails for a one-hour journey south | 0:36:09 | 0:36:13 | |
to Morocco's largest city. | 0:36:13 | 0:36:15 | |
"Casablanca," says my guidebook, | 0:36:31 | 0:36:33 | |
"is 200 miles down the coast from Tangier. | 0:36:33 | 0:36:36 | |
"The port and watergate are at the middle of the seafront of the town, | 0:36:36 | 0:36:41 | |
"the mosque is set back from the sea." | 0:36:41 | 0:36:44 | |
Just as 100 years ago, | 0:36:44 | 0:36:46 | |
Casablanca remains an important centre of commerce | 0:36:46 | 0:36:50 | |
and of religion. | 0:36:50 | 0:36:52 | |
But I think I'll discover that the mosque is now on the water. | 0:36:52 | 0:36:56 | |
Casablanca is the economic and commercial centre of Morocco. | 0:37:09 | 0:37:14 | |
It's home to the country's stock exchange and a major port. | 0:37:14 | 0:37:17 | |
Travellers at the time of my guidebook docked here, | 0:37:22 | 0:37:25 | |
entering the chaos with trepidation after the trials of their voyage. | 0:37:25 | 0:37:29 | |
I'm led to believe that the seafront is now home | 0:37:34 | 0:37:37 | |
to one of Morocco's most splendid sights. | 0:37:37 | 0:37:39 | |
Bradshaw's comments that the mosques everywhere in Morocco | 0:37:42 | 0:37:46 | |
"are never allowed to be entered, | 0:37:46 | 0:37:48 | |
"scarcely even approached by any but Mussulmans." | 0:37:48 | 0:37:52 | |
But today, if I'm quick before evening prayer, | 0:37:52 | 0:37:55 | |
I have an opportunity to go inside this enormous | 0:37:55 | 0:37:59 | |
and very impressive Hassan II Mosque. | 0:37:59 | 0:38:02 | |
CALL TO PRAYER | 0:38:04 | 0:38:07 | |
Commissioned by the father of the current king, | 0:38:09 | 0:38:12 | |
this mosque was inspired by a verse in the holy Koran which states | 0:38:12 | 0:38:16 | |
that God's throne was built upon the water. | 0:38:16 | 0:38:20 | |
Completed in 1993, | 0:38:20 | 0:38:22 | |
its soaring 210-metre high minaret makes it the tallest in the world. | 0:38:22 | 0:38:28 | |
Costing over £500 million, | 0:38:39 | 0:38:42 | |
it took 10,000 specialist craftsmen 50 million man-hours | 0:38:42 | 0:38:47 | |
to create this monumental building. | 0:38:47 | 0:38:49 | |
The vast prayer spaces can accommodate | 0:38:51 | 0:38:54 | |
25,000 worshippers inside | 0:38:54 | 0:38:56 | |
and a further 80,000 on the terraces outside. | 0:38:56 | 0:39:00 | |
Having been overwhelmed by the minaret, which rises as high | 0:39:16 | 0:39:20 | |
as many a skyscraper, I now find myself inside, | 0:39:20 | 0:39:24 | |
and again the dimensions are colossal. | 0:39:24 | 0:39:27 | |
I'm not sure I've ever been in a mosque or even a cathedral | 0:39:27 | 0:39:31 | |
that compares to this one in size. | 0:39:31 | 0:39:34 | |
And then, all the crafts of Morocco are on display here. | 0:39:34 | 0:39:39 | |
The wonderful marble of the floors, the beaten metal of the doors, | 0:39:39 | 0:39:44 | |
the wonderfully carved and painted ceilings, | 0:39:44 | 0:39:48 | |
all displaying Moroccan crafts. | 0:39:48 | 0:39:50 | |
It's as though this is not only a building of worship, | 0:39:50 | 0:39:53 | |
but a celebration of what the Moroccan people can achieve. | 0:39:53 | 0:39:57 | |
MELODY OF "AS TIME GOES BY" PLAYED ON PIANO | 0:40:08 | 0:40:10 | |
Many tourists to this city today | 0:40:10 | 0:40:12 | |
will think that they know Casablanca from the iconic 1942 movie | 0:40:12 | 0:40:18 | |
starring Ingrid Bergman and Humphrey Bogart. | 0:40:18 | 0:40:21 | |
But neither of them ever set foot here. | 0:40:21 | 0:40:24 | |
Rick's Cafe was pure Hollywood invention, | 0:40:24 | 0:40:28 | |
but such is the power of the silver screen that in 2004 | 0:40:28 | 0:40:32 | |
an American former diplomat built a copy of the famous bar | 0:40:32 | 0:40:37 | |
here in Casablanca so that ardent fans like me | 0:40:37 | 0:40:40 | |
can relive those classic moments. | 0:40:40 | 0:40:43 | |
AS BOGART: Of all the gin joints in all the towns in all the world, | 0:40:44 | 0:40:48 | |
she walks into mine. | 0:40:48 | 0:40:50 | |
I've always wanted to do that. | 0:40:52 | 0:40:54 | |
Dawn, and I'm on the last of my train journeys | 0:41:19 | 0:41:23 | |
across this beguiling country. | 0:41:23 | 0:41:25 | |
I didn't relish having to arrive at the railway station in Casablanca | 0:41:57 | 0:42:01 | |
when it was still dark this morning | 0:42:01 | 0:42:03 | |
to catch this early train, but I've been rewarded | 0:42:03 | 0:42:06 | |
with a lovely sunrise over the plains of central Morocco. | 0:42:06 | 0:42:10 | |
For the Bradshaw tourist, this would have been a five-day trek. | 0:42:20 | 0:42:24 | |
My Marrakech Express will take me through | 0:42:26 | 0:42:28 | |
a wonderfully changing landscape | 0:42:28 | 0:42:30 | |
in just three-and-a-half hours. | 0:42:30 | 0:42:32 | |
We have abandoned the green plains. | 0:42:36 | 0:42:39 | |
For a couple of hours now the train has been snaking its way | 0:42:39 | 0:42:43 | |
through higher ground. | 0:42:43 | 0:42:44 | |
The map of Morocco is striped with ranges of mountains | 0:42:44 | 0:42:49 | |
running east to west. | 0:42:49 | 0:42:51 | |
Here the earth is reddish and the villages are camouflaged | 0:42:51 | 0:42:55 | |
against the dry landscape. | 0:42:55 | 0:42:58 | |
Beyond lies Marrakech and the peaks of the High Atlas. | 0:42:58 | 0:43:02 | |
Just 25 miles from the Atlas Mountains, | 0:43:17 | 0:43:20 | |
the homeland of the Berbers, | 0:43:20 | 0:43:22 | |
Marrakech was the first capital | 0:43:22 | 0:43:24 | |
of the Almoravid Empire in the 11th century, and is a Berber city. | 0:43:24 | 0:43:29 | |
Surrounded by desert, and known as the "Red City" | 0:43:39 | 0:43:43 | |
because of its vibrant sandstone buildings, | 0:43:43 | 0:43:46 | |
today it's a fusion of hip luxury and traditional Moroccan style. | 0:43:46 | 0:43:51 | |
I'm curious to visit a district of this city | 0:44:04 | 0:44:07 | |
that is steeped in tradition | 0:44:07 | 0:44:09 | |
and which provides one of the most important sources of income | 0:44:09 | 0:44:12 | |
for Marrakech - leather. | 0:44:12 | 0:44:15 | |
Bonjour. | 0:44:15 | 0:44:16 | |
-Bonjour, monsieur. -Bonjour. | 0:44:27 | 0:44:29 | |
What an amazing sight. | 0:44:30 | 0:44:33 | |
As I came into the tannery, my nose was assaulted by the smell. | 0:44:33 | 0:44:39 | |
Here these pits are presumably all part of the curing process | 0:44:39 | 0:44:44 | |
of the skins. What a sight. | 0:44:44 | 0:44:46 | |
Little has changed here since the tanneries were founded | 0:44:51 | 0:44:54 | |
a thousand years ago, | 0:44:54 | 0:44:56 | |
and no doubt the Bradshaw traveller would have seen a similar spectacle. | 0:44:56 | 0:45:00 | |
It's a foul-smelling business, | 0:45:02 | 0:45:05 | |
but that's hardly surprising when you discover | 0:45:05 | 0:45:08 | |
that in order to remove the hairs and soften the hides, | 0:45:08 | 0:45:11 | |
they're soaked in solutions of lime and fermented pigeon droppings | 0:45:11 | 0:45:15 | |
for a week. | 0:45:15 | 0:45:17 | |
The skins are hand-dyed in an array of natural vegetable dyes | 0:45:19 | 0:45:24 | |
such as saffron, poppy, mint, and indigo. | 0:45:24 | 0:45:28 | |
So, what do you think of this place? | 0:45:32 | 0:45:33 | |
-I think it's horrible. -Why? | 0:45:33 | 0:45:35 | |
I am vegetarian, and I like animals better | 0:45:35 | 0:45:39 | |
with their skin on themselves. | 0:45:39 | 0:45:40 | |
-It doesn't smell well here. -Yeah, it stinks. | 0:45:40 | 0:45:43 | |
We need to use the mint to cover the smell. | 0:45:43 | 0:45:46 | |
Dad, so why did you bring them here? | 0:45:46 | 0:45:49 | |
Because I think they need to see everything that exists in Marrakech. | 0:45:49 | 0:45:52 | |
It's one of the cultural heritages Marrakech has, | 0:45:52 | 0:45:55 | |
how they make the leather, and how they do it in daily life, | 0:45:55 | 0:45:59 | |
and of course they need to see that. | 0:45:59 | 0:46:00 | |
The tanning process takes about 20 days. | 0:46:12 | 0:46:15 | |
The leather is sold to craftspeople | 0:46:17 | 0:46:19 | |
who work it into the distinctive bags, | 0:46:19 | 0:46:21 | |
belts and babouches, or slippers, | 0:46:21 | 0:46:24 | |
sold everywhere in the city's famous souks. | 0:46:24 | 0:46:27 | |
And, like most tourists here, I love a good market. | 0:46:28 | 0:46:32 | |
Moroccan metalwork is very lovely. | 0:46:32 | 0:46:35 | |
Its lamps are beautiful with their diffused light. | 0:46:35 | 0:46:39 | |
I often think of buying these things, | 0:46:39 | 0:46:41 | |
but then you get them home and you think, | 0:46:41 | 0:46:44 | |
"Where exactly do I put that?" | 0:46:44 | 0:46:46 | |
Because at home it's so out of character. | 0:46:46 | 0:46:48 | |
Hello, ladies. Where are you from? | 0:46:52 | 0:46:54 | |
-Switzerland. -From Geneva. | 0:46:54 | 0:46:56 | |
This is quite different from Geneva. | 0:46:56 | 0:46:58 | |
-It is! -It's a little bit different. | 0:46:58 | 0:47:00 | |
It's like the opposite! | 0:47:00 | 0:47:01 | |
I mean, Switzerland is such an orderly country, | 0:47:02 | 0:47:06 | |
such a clean country. | 0:47:06 | 0:47:08 | |
Here is pretty chaotic, do you like that, or do you find it dangerous? | 0:47:08 | 0:47:12 | |
I think it's a lovely chaos. | 0:47:12 | 0:47:14 | |
I don't think it's dangerous at all. | 0:47:14 | 0:47:15 | |
I think it's full of surprises. | 0:47:15 | 0:47:17 | |
Even in the souk, you meet so many people. | 0:47:17 | 0:47:19 | |
It's just amazing. | 0:47:19 | 0:47:21 | |
Such a different culture from where we are from. | 0:47:21 | 0:47:23 | |
Everything is a surprise. | 0:47:23 | 0:47:25 | |
On this trip, I'm not tempted to purchase a tagine or a lamp, | 0:47:26 | 0:47:30 | |
but I am rather taken with the traditional robe worn here, | 0:47:30 | 0:47:33 | |
known as a djellaba. | 0:47:33 | 0:47:35 | |
It's an important garment | 0:47:35 | 0:47:36 | |
that's considered a symbol of Moroccan identity. | 0:47:36 | 0:47:40 | |
Bonjour, monsieur. | 0:47:41 | 0:47:43 | |
Bonjour. | 0:47:43 | 0:47:44 | |
-Est-ce que vous avez des djellabas? -Oui. | 0:47:44 | 0:47:47 | |
-Merci. -Pas de quoi. | 0:48:24 | 0:48:27 | |
Traditionally made from wool... | 0:48:27 | 0:48:29 | |
..in Fez the fashion is to wear the hood to the back, | 0:48:30 | 0:48:33 | |
but in Marrakech it's worn to the side. | 0:48:33 | 0:48:36 | |
Across all of Morocco, hoods are used like pockets | 0:48:36 | 0:48:40 | |
to carry small bits of shopping. | 0:48:40 | 0:48:42 | |
Actually, in the few moments I've had this on, | 0:48:43 | 0:48:46 | |
I realise what a very smart garment it is, and how very practical. | 0:48:46 | 0:48:50 | |
Because, well, it's a beautiful colour and it's nicely shaped, | 0:48:50 | 0:48:55 | |
and it gets quite cold in Morocco, and this covers the ears, | 0:48:55 | 0:48:59 | |
and then you just take it down. | 0:48:59 | 0:49:00 | |
Really very, very nice. | 0:49:00 | 0:49:02 | |
-Au revoir. -Merci, monsieur. -Merci, monsieur. | 0:49:05 | 0:49:08 | |
As the day draws to a close, | 0:49:18 | 0:49:20 | |
I'm lured to the city's main square, Jemaa el-Fnaa. | 0:49:20 | 0:49:24 | |
Once the meeting point for the trans-Saharan caravans | 0:49:24 | 0:49:28 | |
trading spices, slaves and gold, | 0:49:28 | 0:49:30 | |
it has been at the heart of life in Marrakech for a thousand years | 0:49:30 | 0:49:35 | |
and comes alive at sunset. | 0:49:35 | 0:49:37 | |
One of the things I love about the countries of the Mediterranean, | 0:49:42 | 0:49:46 | |
with their warm climate, | 0:49:46 | 0:49:47 | |
is that life is lived on the street, outside. | 0:49:47 | 0:49:50 | |
You might say Moroccans take this to the extreme. | 0:49:50 | 0:49:54 | |
How would you describe this, this commotion, this consternation, | 0:49:54 | 0:49:57 | |
this bedlam? | 0:49:57 | 0:49:59 | |
What you can't deny is that these people are living life to the full. | 0:49:59 | 0:50:04 | |
RAPID DRUMMING, WHISTLES BLOW | 0:50:04 | 0:50:07 | |
Similar scenes of storytellers, | 0:50:07 | 0:50:10 | |
snake charmers and entertainers | 0:50:10 | 0:50:12 | |
would have greeted the Bradshaw traveller of 1913. | 0:50:12 | 0:50:15 | |
But there are signs that the intervening century | 0:50:29 | 0:50:32 | |
has changed Moroccan life. | 0:50:32 | 0:50:34 | |
Hello, ladies, excuse me. | 0:50:36 | 0:50:37 | |
-Hello. -May I join you a second? | 0:50:37 | 0:50:39 | |
-Are you Moroccans? -Yes. | 0:50:40 | 0:50:42 | |
So you're Moroccan tourists? | 0:50:42 | 0:50:44 | |
-Yes. -You both look like very modern Moroccan girls. | 0:50:44 | 0:50:48 | |
Is it easy for a woman to be modern in Morocco? | 0:50:48 | 0:50:52 | |
Finally Morocco is open, | 0:50:53 | 0:50:56 | |
a lot of people are modern and open-minded. | 0:50:56 | 0:51:00 | |
Now, for instance, do you drink alcohol? | 0:51:00 | 0:51:03 | |
-No. -No, you don't drink alcohol. | 0:51:03 | 0:51:06 | |
-Never. I never tried. -Do you go to the mosque? | 0:51:06 | 0:51:10 | |
-Yes. -Yes. | 0:51:11 | 0:51:13 | |
But you don't cover your head? | 0:51:13 | 0:51:14 | |
No. | 0:51:14 | 0:51:16 | |
In 2004, the current monarch, Mohammed VI, | 0:51:16 | 0:51:19 | |
brought in sweeping reforms granting women equal rights with men, | 0:51:19 | 0:51:23 | |
thereby making Moroccan women among the most liberated | 0:51:23 | 0:51:27 | |
in the Arab world. | 0:51:27 | 0:51:29 | |
I'm going to dine at one of the many food stalls here, | 0:51:31 | 0:51:35 | |
so that I can try a Moroccan speciality. | 0:51:35 | 0:51:37 | |
Merci, monsieur. | 0:51:37 | 0:51:39 | |
Seems suitably exotic. | 0:51:42 | 0:51:44 | |
Let's see how good I am at getting these little fellows out. | 0:51:46 | 0:51:48 | |
There we are, out it pops. | 0:51:48 | 0:51:49 | |
If you like snails, it's good. | 0:51:56 | 0:51:57 | |
C'est bon, monsieur, c'est bon. Oui? | 0:51:57 | 0:52:00 | |
-C'est aphrodisiaque. -Ah. | 0:52:00 | 0:52:02 | |
Naturally, he claims it's an aphrodisiac, | 0:52:04 | 0:52:06 | |
I think nearly everything that's sold here is. | 0:52:06 | 0:52:08 | |
Yeah, it's nice. | 0:52:11 | 0:52:13 | |
It's the morning of my final day, and before I leave Morocco, | 0:52:40 | 0:52:43 | |
I want to find out more about the country's indigenous people, | 0:52:43 | 0:52:47 | |
the Berbers. | 0:52:47 | 0:52:48 | |
My quest takes me out of the city to the foothills | 0:52:50 | 0:52:54 | |
of the Atlas Mountains. | 0:52:54 | 0:52:56 | |
From the 11th to the 13th centuries, | 0:52:56 | 0:52:59 | |
Berber dynasties from the Sahara and the High Atlas ruled a vast empire | 0:52:59 | 0:53:04 | |
that stretched into Europe. | 0:53:04 | 0:53:05 | |
The name "Berber" originally came from the Latin "barbarian", | 0:53:08 | 0:53:12 | |
but it was the Arabs rather than the Romans who gave these tribal peoples | 0:53:12 | 0:53:17 | |
a single name, Barbar. | 0:53:17 | 0:53:19 | |
They call themselves Amazigh. | 0:53:19 | 0:53:22 | |
I've been invited for breakfast at the home of a Berber family. | 0:53:23 | 0:53:28 | |
-Bonjour. -Bonjour. | 0:53:30 | 0:53:33 | |
Bonjour. Bonjour. | 0:53:33 | 0:53:37 | |
-Bonjour, ma petite. Bonjour, monsieur. -Bonjour. Ca va? | 0:53:37 | 0:53:40 | |
-Ca va, merci. -Bienvenue chez nous. | 0:53:40 | 0:53:42 | |
Merci, monsieur. Vous-etes Abdullah? | 0:53:42 | 0:53:44 | |
-Oui, monsieur. -Je suis Michael. | 0:53:44 | 0:53:46 | |
Enchante, Monsieur Michael. | 0:53:46 | 0:53:48 | |
C'est ma famille. | 0:53:48 | 0:53:49 | |
Abdullah moved down from the mountains | 0:53:53 | 0:53:56 | |
to earn a better living and to send the children to school, | 0:53:56 | 0:53:58 | |
but he's keen to hold on to the Berber way of life, | 0:53:58 | 0:54:02 | |
so begins each day with a traditional breakfast. | 0:54:02 | 0:54:05 | |
So we're straining the impurities out of the milk. | 0:54:06 | 0:54:09 | |
The milk is going to be used in a harira, | 0:54:09 | 0:54:11 | |
which is a kind of soup for breakfast. | 0:54:11 | 0:54:14 | |
-Yes. -I'm being invited, as guests are, | 0:54:14 | 0:54:17 | |
to do a little bit of adding of milk. | 0:54:17 | 0:54:20 | |
-Comme ca? -Oui, monsieur. | 0:54:22 | 0:54:23 | |
This rich, calorie-filled soup | 0:54:25 | 0:54:27 | |
sets the family up for the day and is served with dates. | 0:54:27 | 0:54:31 | |
The soup is made, as I understand, | 0:54:36 | 0:54:38 | |
of milk and wheat and it's kind of like a rice pudding, | 0:54:38 | 0:54:44 | |
it's very, very creamy. | 0:54:44 | 0:54:46 | |
The harira is just the first course. | 0:54:52 | 0:54:54 | |
Freshly-made bread comes next and is served with hot tea. | 0:54:55 | 0:54:59 | |
I always wondered why they poured the tea | 0:55:11 | 0:55:13 | |
from such a great height. It is to create a foam at the top. | 0:55:13 | 0:55:16 | |
This is an amazing spread, | 0:55:16 | 0:55:18 | |
so we've obviously got Abdullah's mother-in-law's bread, | 0:55:18 | 0:55:21 | |
we've got eggs, we've got olives, | 0:55:21 | 0:55:24 | |
we've got fresh olive oil and then we've got these lovely sweet things. | 0:55:24 | 0:55:28 | |
Delicious breakfast. | 0:55:28 | 0:55:30 | |
The Berber civilisation can be traced back 4,000 years, | 0:55:31 | 0:55:35 | |
but its oral tradition has been all but overwhelmed by Arabic, | 0:55:35 | 0:55:40 | |
leaving the Berber language and culture | 0:55:40 | 0:55:42 | |
confined to rural and mountainous enclaves. | 0:55:42 | 0:55:45 | |
But in 2011, | 0:55:45 | 0:55:47 | |
the new Moroccan constitution | 0:55:47 | 0:55:49 | |
recognised this ancient culture and made Berber an official language | 0:55:49 | 0:55:53 | |
of equal status with Arabic. | 0:55:53 | 0:55:55 | |
Abdullah is Berber. | 0:55:57 | 0:55:59 | |
Raja is mixed Berber and Arab. | 0:55:59 | 0:56:02 | |
Abdullah obviously speaks Berber, Arabic and French. | 0:56:02 | 0:56:07 | |
The children at the moment only speak Arabic, | 0:56:07 | 0:56:10 | |
but from the age of seven they will be able to take Berber at school. | 0:56:10 | 0:56:14 | |
-Inshallah. -Inshallah. | 0:56:56 | 0:56:57 | |
Moroccans enjoyed more than 1,000 years of independence. | 0:57:11 | 0:57:16 | |
They created a university at Fez and glorious mosques. | 0:57:16 | 0:57:20 | |
Based here in Marrakech, a Berber empire engulfed Spain. | 0:57:20 | 0:57:24 | |
But much later, Morocco failed to build roads and railways, | 0:57:25 | 0:57:29 | |
making it an adventurous destination for tourists a century ago. | 0:57:29 | 0:57:34 | |
That lack of economic progress made the country, humiliatingly, | 0:57:34 | 0:57:39 | |
prey to domination by European superpowers, | 0:57:39 | 0:57:42 | |
which squabbled over its territory | 0:57:42 | 0:57:45 | |
in the years before the First World War. | 0:57:45 | 0:57:48 | |
Now Morocco balances a traditional way of life, | 0:57:48 | 0:57:52 | |
represented by the medina at Fez, with modernity, | 0:57:52 | 0:57:57 | |
represented by the high-speed rail network. | 0:57:57 | 0:58:00 | |
I feel that Moroccans look back on their past with pride | 0:58:00 | 0:58:04 | |
and to their future with aspiration. | 0:58:04 | 0:58:07 | |
Next time, I set my sights on the Italian Riviera... | 0:58:09 | 0:58:13 | |
What do you say in Italian for "take that"? | 0:58:13 | 0:58:15 | |
Prendi la mira. | 0:58:15 | 0:58:16 | |
..as I take off on a new Bradshaw's railway tour... | 0:58:17 | 0:58:21 | |
My country's future depends on this. | 0:58:22 | 0:58:24 | |
..for a taste of la dolce vita. | 0:58:26 | 0:58:28 | |
-The secret of good pesto is... -Muscle. | 0:58:28 | 0:58:32 | |
Buono, buono, buono. | 0:58:32 | 0:58:34 | |
I'm so excited. | 0:58:34 | 0:58:36 |