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'I'm embarking on a new railway adventure | 0:00:02 | 0:00:06 | |
'that will take me across the heart of Europe.' | 0:00:06 | 0:00:09 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:19 | |
for the British tourist. | 0:00:19 | 0:00:21 | |
'It told travellers where to go, what to see | 0:00:21 | 0:00:26 | |
'and how to navigate the thousands of miles of tracks | 0:00:26 | 0:00:29 | |
'crisscrossing the Continent. | 0:00:29 | 0:00:31 | |
'Now, a century later, | 0:00:31 | 0:00:32 | |
'I'm using my copy to reveal an era of great optimism and energy, | 0:00:32 | 0:00:37 | |
'where technology, industry, science and the arts were flourishing.' | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe that, in 1913, | 0:00:42 | 0:00:46 | |
couldn't know that its way of life | 0:00:46 | 0:00:49 | |
would shortly be swept aside by the advent of war. | 0:00:49 | 0:00:52 | |
I'm using my Bradshaw's to explore some of Europe's northern reaches. | 0:01:07 | 0:01:13 | |
100 years ago, the few Britons who ventured through these parts | 0:01:13 | 0:01:17 | |
found beautiful cities and natural wonders. | 0:01:17 | 0:01:21 | |
I'm beginning a rail journey through the Baltic Sea region, | 0:01:21 | 0:01:25 | |
passing through Latvia, Estonia and Finland. | 0:01:25 | 0:01:28 | |
A century ago, those countries | 0:01:28 | 0:01:31 | |
long vulnerable to domination by their larger neighbours | 0:01:31 | 0:01:34 | |
were nationally self-conscious, | 0:01:34 | 0:01:37 | |
although part of the Tsar's vast empire. | 0:01:37 | 0:01:40 | |
They chafed against attempts to make them conform to Russian ways. | 0:01:40 | 0:01:45 | |
If Russia went to war with Germany, they would fight over the Baltic, | 0:01:45 | 0:01:50 | |
but, out of the chaos, new independent states might emerge. | 0:01:50 | 0:01:55 | |
The Bradshaw traveller might have sensed hope for the future. | 0:01:55 | 0:02:00 | |
My journey starts in Riga, capital of Latvia. | 0:02:06 | 0:02:10 | |
Then I'll travel north to Estonia's southernmost city, Valga, | 0:02:10 | 0:02:14 | |
before arriving in Tartu, the nation's cultural capital. | 0:02:14 | 0:02:18 | |
Heading back to the Baltic Sea, | 0:02:18 | 0:02:21 | |
I'll explore the medieval city of Tallinn | 0:02:21 | 0:02:23 | |
and cross the Gulf of Finland | 0:02:23 | 0:02:25 | |
to visit the daughter of the Baltic, | 0:02:25 | 0:02:27 | |
Helsinki. | 0:02:27 | 0:02:29 | |
Journey's end will be Tampere, known as the Manchester of Finland. | 0:02:29 | 0:02:33 | |
This time, I'm caught up in a macabre medieval tournament. | 0:02:35 | 0:02:39 | |
They're striking at each other with their swords. | 0:02:39 | 0:02:42 | |
They're using their shields to strike each other's throats. | 0:02:42 | 0:02:45 | |
'I take an invigorating dip in the Baltic Sea...' | 0:02:48 | 0:02:51 | |
Argh! It's... | 0:02:51 | 0:02:53 | |
absolutely freezing! | 0:02:53 | 0:02:57 | |
'The bell tolls for me...' | 0:02:57 | 0:02:59 | |
Is it dangerous for the hearing? | 0:02:59 | 0:03:01 | |
No, no. It takes away, er...headache. | 0:03:01 | 0:03:05 | |
THEY LAUGH | 0:03:05 | 0:03:06 | |
LOUD RING | 0:03:06 | 0:03:08 | |
That's an enormous noise! | 0:03:08 | 0:03:10 | |
'I hone my barbecue skills...' | 0:03:10 | 0:03:13 | |
My sausage has burst a bit there. Is that all right? | 0:03:13 | 0:03:16 | |
'..and find peace on the water.' | 0:03:16 | 0:03:19 | |
Completely different and special moment. | 0:03:19 | 0:03:22 | |
My first stop will be Riga. | 0:03:30 | 0:03:32 | |
Bradshaw's tells me it's about five miles inland, up the River Dvina. | 0:03:32 | 0:03:37 | |
"Among the Russian Baltic cities, | 0:03:37 | 0:03:39 | |
"it's second only to St Petersburg in commercial importance." | 0:03:39 | 0:03:44 | |
Indeed, there had been a population explosion in Riga, | 0:03:44 | 0:03:48 | |
making it one of the Russian Empire's largest cities | 0:03:48 | 0:03:51 | |
and its busiest port. | 0:03:51 | 0:03:54 | |
I am excited to be setting foot in Latvia | 0:03:54 | 0:03:58 | |
for the first time in my life. | 0:03:58 | 0:04:00 | |
I imagine early-20th-century travellers also feeling the thrill. | 0:04:13 | 0:04:18 | |
The city's position on the estuary of the River Dvina, or Daugava, | 0:04:24 | 0:04:28 | |
helped to turn Riga into a trading centre. | 0:04:28 | 0:04:31 | |
But her fortunes and identity were defined by her powerful neighbours - | 0:04:31 | 0:04:36 | |
the rival empires of Germany and Russia. | 0:04:36 | 0:04:39 | |
An intriguing reference in my Bradshaw's | 0:04:42 | 0:04:44 | |
is that among the inhabitants are many Germans - | 0:04:44 | 0:04:48 | |
not Russians but Germans. | 0:04:48 | 0:04:50 | |
And here I am, in the Town Hall Square. | 0:04:50 | 0:04:53 | |
Bradshaw's points out the lofty tower of the Church of St Peter's | 0:04:53 | 0:04:57 | |
and the Hall of the Blackheads of Riga. | 0:04:57 | 0:05:02 | |
And now you look at it, it's as German as sauerkraut. | 0:05:02 | 0:05:06 | |
Latvia fell wholly under Russian control | 0:05:10 | 0:05:12 | |
by the end of the 18th century but, prior to that, | 0:05:12 | 0:05:15 | |
the country had been ruled by German Christian crusaders. | 0:05:15 | 0:05:19 | |
The 14th-century Brotherhood of Blackheads | 0:05:20 | 0:05:22 | |
was a Riga guild for German merchants. | 0:05:22 | 0:05:26 | |
But that German footprint soon fades away once you leave the old town. | 0:05:27 | 0:05:32 | |
'I'm keen to learn more about the history of the city | 0:05:32 | 0:05:35 | |
'with historian Juris Berze.' | 0:05:35 | 0:05:38 | |
-Hello, Juris. -Hello. -I'm Michael. -Juris. Nice to meet you. | 0:05:38 | 0:05:41 | |
-What a lovely tram! -Yes, indeed. | 0:05:41 | 0:05:43 | |
It's a lovely original vehicle | 0:05:43 | 0:05:45 | |
from one of the first Riga tramlines of 1901. | 0:05:45 | 0:05:49 | |
-Magnificent. -Yes, absolutely. | 0:05:49 | 0:05:51 | |
-Looks like I am being put to work here. -Yes. | 0:05:51 | 0:05:55 | |
We've got to change the points, I assume, like that. | 0:05:55 | 0:05:59 | |
Ah, done. Good. | 0:06:00 | 0:06:03 | |
-And now...we have to change the wire, yeah? -This and this. | 0:06:03 | 0:06:07 | |
-From this wire to that wire? -Yes. -OK, here we go. | 0:06:07 | 0:06:11 | |
-Pull the ring towards the end. -Yeah. | 0:06:11 | 0:06:14 | |
I've got to go onto this wire here. | 0:06:16 | 0:06:19 | |
-OK. -Good, thank you very much. We're ready to go. | 0:06:19 | 0:06:23 | |
It runs very well for such an old tram. | 0:06:32 | 0:06:34 | |
Well, because it has been well-maintained. | 0:06:34 | 0:06:37 | |
It's beautiful, absolutely beautiful. | 0:06:37 | 0:06:39 | |
What sort of city was Riga in 1913? | 0:06:39 | 0:06:42 | |
It might appear to be just one large construction site, | 0:06:42 | 0:06:45 | |
with dozens of new, modern and sophisticated, | 0:06:45 | 0:06:50 | |
mostly Art Nouveau style, apartment buildings, | 0:06:50 | 0:06:52 | |
going up just on every other street of the city centre. | 0:06:52 | 0:06:56 | |
Riga was experiencing an industrial boom. | 0:06:56 | 0:07:00 | |
According to my Bradshaw's, its population reached 300,000 in 1911. | 0:07:02 | 0:07:07 | |
By 1913, it exceeded half a million. | 0:07:07 | 0:07:11 | |
Riga was growing into one of the largest Russian imperial cities. | 0:07:13 | 0:07:17 | |
It was well connected by railways to even distant parts of Russia, | 0:07:17 | 0:07:22 | |
which greatly facilitated transportation of raw materials | 0:07:22 | 0:07:26 | |
to those dozens of newly built factories. | 0:07:26 | 0:07:29 | |
But the facade of prosperity masked a recent period of unrest, | 0:07:31 | 0:07:36 | |
sparked by deepening economic crisis in Russia. | 0:07:36 | 0:07:39 | |
On 9th January, 1905, in St Petersburg, | 0:07:42 | 0:07:45 | |
more than 100 people were killed | 0:07:45 | 0:07:48 | |
when the Imperial Guard opened fire on a peaceful demonstration. | 0:07:48 | 0:07:52 | |
Certainly, the massacre at St Petersburg had | 0:07:54 | 0:07:57 | |
a serious consequence in Riga | 0:07:57 | 0:07:59 | |
and maybe, unlike anywhere else in the region, in the eastern Baltics, | 0:07:59 | 0:08:03 | |
Riga had tens of thousands of proletarian-class people | 0:08:03 | 0:08:06 | |
who, of course, were very eager to improve their living conditions | 0:08:06 | 0:08:09 | |
as well, and they went on the streets to demonstrate | 0:08:09 | 0:08:12 | |
and to demand a better life. | 0:08:12 | 0:08:14 | |
Four days later, a large crowd of workers | 0:08:16 | 0:08:18 | |
from Riga's textile mills and docks marched | 0:08:18 | 0:08:22 | |
onto the frozen Daugava River. | 0:08:22 | 0:08:24 | |
What they did not expect, | 0:08:24 | 0:08:26 | |
that the soldiers lined up along the embankment, would open fire, | 0:08:26 | 0:08:29 | |
not to let them enter the city centre. | 0:08:29 | 0:08:32 | |
And when that happened, | 0:08:32 | 0:08:33 | |
the ice partly broke and many people got drowned. | 0:08:33 | 0:08:36 | |
It was a big tragedy. | 0:08:36 | 0:08:38 | |
It's clear that more than 70 people were killed and 200 injured, | 0:08:38 | 0:08:43 | |
but no-one knows how many drowned. | 0:08:43 | 0:08:45 | |
The uprising was an important moment | 0:08:47 | 0:08:49 | |
in Latvia's long struggle for independence. | 0:08:49 | 0:08:52 | |
Finally, following the Allied victory in the First World War, | 0:08:52 | 0:08:55 | |
Latvians got their first taste of liberty. | 0:08:55 | 0:08:58 | |
It's a very impressive monument. | 0:09:01 | 0:09:03 | |
Well, I would not exaggerate to say | 0:09:03 | 0:09:05 | |
that this monument is the symbol of Latvian freedom, | 0:09:05 | 0:09:08 | |
the symbol of the hopes and passion of the people of this country. | 0:09:08 | 0:09:12 | |
The lady on the top of the monument is named Milda by people. | 0:09:12 | 0:09:17 | |
She is an allegory to freedom, | 0:09:17 | 0:09:19 | |
while the three golden stars are the symbols | 0:09:19 | 0:09:22 | |
of the three historic provinces of Latvia. | 0:09:22 | 0:09:25 | |
The 42-metre-high monument was built to honour soldiers killed | 0:09:25 | 0:09:31 | |
during the Latvian War of Independence in 1918. | 0:09:31 | 0:09:35 | |
And although it was almost demolished in 1940, | 0:09:35 | 0:09:38 | |
following the Soviet occupation, | 0:09:38 | 0:09:40 | |
it has remained a symbol of Latvian liberty. | 0:09:40 | 0:09:44 | |
This street is called Freedom Street today, | 0:09:44 | 0:09:46 | |
but in the course of the 20th century, | 0:09:46 | 0:09:49 | |
the name of the street has been changed several times. | 0:09:49 | 0:09:52 | |
So, until the First World War, for the period of 1913, | 0:09:52 | 0:09:56 | |
it would be called, by the Tsar, Alexander Street. | 0:09:56 | 0:09:59 | |
After the establishment of the Latvian state, | 0:09:59 | 0:10:01 | |
it was then renamed Freedom Street or Brivibas Iela. | 0:10:01 | 0:10:06 | |
During the Nazi occupation, it was called Adolf Hitler Strasse, | 0:10:06 | 0:10:10 | |
while when the Soviets re-entered the country, | 0:10:10 | 0:10:14 | |
they preferred to change the name to Lenin Street. | 0:10:14 | 0:10:17 | |
But in the year 1991, as the Latvian state was re-established, | 0:10:17 | 0:10:22 | |
it was once again started to be called Freedom Street. | 0:10:22 | 0:10:24 | |
So, really, the recent history of Latvia | 0:10:24 | 0:10:27 | |
can be read in the name of this street. | 0:10:27 | 0:10:30 | |
Absolutely. You're absolutely right. It is more than symbolic. | 0:10:30 | 0:10:34 | |
'Today, independent Riga is a cultural hub.' | 0:10:40 | 0:10:44 | |
And in the middle of this proud city, in hangars | 0:10:46 | 0:10:49 | |
originally built to house zeppelin airships, is the central market. | 0:10:49 | 0:10:53 | |
Around 3,000 vendors sell delicious products, | 0:10:57 | 0:11:00 | |
from fish to fresh vegetables. | 0:11:00 | 0:11:03 | |
If I could stay, there would be many more treasures to see, | 0:11:04 | 0:11:07 | |
since Riga is a UNESCO World Heritage city. | 0:11:07 | 0:11:11 | |
But I must press on north to Estonia and its southernmost city, Valga. | 0:11:11 | 0:11:15 | |
This line was built in the 19th century | 0:11:32 | 0:11:34 | |
to connect Riga with St Petersburg, | 0:11:34 | 0:11:36 | |
at a time when all Baltic trains ran towards Russia. | 0:11:36 | 0:11:40 | |
So, even today, if you want to travel | 0:11:47 | 0:11:50 | |
between the Baltic capitals of Riga and Tallinn, | 0:11:50 | 0:11:53 | |
there are no through services. | 0:11:53 | 0:11:55 | |
-Hello. -Hello. -Hello, do you mind if I sit here? -Sure. | 0:11:59 | 0:12:03 | |
Um... | 0:12:04 | 0:12:05 | |
BOTTLES CLINK | 0:12:05 | 0:12:08 | |
-That's a promising sound, isn't it? -Empty bottles? -No, no, full bottles. | 0:12:08 | 0:12:13 | |
-And what else have I got in here? -Oh. | 0:12:13 | 0:12:17 | |
-What is this? -In Latvian, it's called "vobla". | 0:12:17 | 0:12:20 | |
-Vobla. Ah. -Yes. -And is it good? | 0:12:20 | 0:12:23 | |
Yeah, it's good with beer. | 0:12:23 | 0:12:26 | |
-With beer, OK. -Yeah. | 0:12:26 | 0:12:28 | |
Would you like to explain to me how you eat this thing? | 0:12:28 | 0:12:32 | |
You don't need to eat it, if you like. You need to chew it. | 0:12:32 | 0:12:37 | |
-Chew it, yes. -Yes. -I can believe that, yes. | 0:12:37 | 0:12:40 | |
You want to take off the head. | 0:12:40 | 0:12:42 | |
FISH CRUNCHES | 0:12:42 | 0:12:44 | |
-Nice crackling sound as the head comes off. -Yes. | 0:12:44 | 0:12:47 | |
-Quite smelly. -Yeah. | 0:12:48 | 0:12:51 | |
Like, um... | 0:12:51 | 0:12:52 | |
-You can take, like, one piece, like this. -Yeah. | 0:12:52 | 0:12:56 | |
-And then, like, try to chew it. -OK, let me try that. | 0:12:58 | 0:13:03 | |
-It's quite a tough old fish. -Yes, yes. | 0:13:04 | 0:13:06 | |
Argh! | 0:13:06 | 0:13:08 | |
Mmm. | 0:13:17 | 0:13:19 | |
Mmm, it's not bad. | 0:13:19 | 0:13:21 | |
-It's very tough, isn't it? -Yes, it is tough. -Very, very... | 0:13:23 | 0:13:26 | |
And it's also really salty. That's why you need beer. | 0:13:26 | 0:13:30 | |
That's why I need beer. Let's have some beer. | 0:13:30 | 0:13:33 | |
'I'm not sure I wouldn't prefer even pork scratchings.' | 0:13:33 | 0:13:36 | |
-And is it unusual to eat it on a train? -Very unusual. | 0:13:36 | 0:13:40 | |
MICHAEL LAUGHS | 0:13:40 | 0:13:42 | |
The first time in my life eating fish on a train. | 0:13:42 | 0:13:44 | |
-We're heading for Estonia, but we have to change at Valga. -Yeah. -Mmm. | 0:13:46 | 0:13:53 | |
-No through train. -No, not yet. Building. | 0:13:53 | 0:13:57 | |
Well, in the phase of development, early phase of development. | 0:13:57 | 0:14:00 | |
-Is that right? -Rail Baltica. | 0:14:00 | 0:14:03 | |
Come here 2020, then you can reach from Tallinn to Berlin directly. | 0:14:03 | 0:14:09 | |
'Exciting times, because this high-speed train project | 0:14:11 | 0:14:14 | |
'will, for the first time ever, | 0:14:14 | 0:14:16 | |
'integrate the Baltic States into the Western European rail network. | 0:14:16 | 0:14:21 | |
'While I allow the vobla to settle, there's time to enjoy the scenery.' | 0:14:25 | 0:14:30 | |
I've arrived in Valga on the border between Latvia and Estonia. | 0:14:52 | 0:14:56 | |
This is an Estonian train. Actually, I'm IN Estonia. | 0:14:56 | 0:15:00 | |
I've arrived here without any passport control or customs. | 0:15:00 | 0:15:04 | |
Nowadays, frontiers count for so little, | 0:15:04 | 0:15:07 | |
but the station is still quite grand, | 0:15:07 | 0:15:09 | |
reminiscent of a time when frontier towns mattered. | 0:15:09 | 0:15:12 | |
In the early 20th century, | 0:15:16 | 0:15:17 | |
Estonia and Latvia decided to divide their countries by nationality, | 0:15:17 | 0:15:22 | |
but where the population was mixed, as in Valga, | 0:15:22 | 0:15:26 | |
they reverted to a natural geographical feature | 0:15:26 | 0:15:28 | |
to mark the boundary. | 0:15:28 | 0:15:30 | |
'I've completed the first leg of my journey | 0:15:45 | 0:15:48 | |
'and two more countries lie ahead. | 0:15:48 | 0:15:50 | |
'To put that in perspective, the combined area of Latvia, | 0:15:50 | 0:15:53 | |
'Estonia and Finland is smaller than France. | 0:15:53 | 0:15:57 | |
'I'm heading to the cultural capital of Estonia, Tartu, | 0:15:58 | 0:16:02 | |
'about an hour away.' | 0:16:02 | 0:16:04 | |
My first stop today will be Tartu, | 0:16:19 | 0:16:20 | |
which Bradshaw's tells me is an important university city. | 0:16:20 | 0:16:25 | |
That could be a good place to investigate | 0:16:25 | 0:16:27 | |
the origins of Estonian national feeling. | 0:16:27 | 0:16:30 | |
What was it that first made Estonians | 0:16:30 | 0:16:33 | |
lift up their patriotic hearts? | 0:16:33 | 0:16:36 | |
CHOIR SINGS TRADITIONAL ESTONIAN SONG | 0:16:36 | 0:16:40 | |
Tartu is an historic university city, | 0:16:50 | 0:16:55 | |
rather like Britain's Oxford or Cambridge. | 0:16:55 | 0:16:58 | |
Which may explain why, in 1869, | 0:17:01 | 0:17:04 | |
it became home to the first-ever Estonian National Song Festival. | 0:17:04 | 0:17:09 | |
CHOIR SINGS TRADITIONAL ESTONIAN SONG | 0:17:09 | 0:17:13 | |
A celebration of the Estonian nation's language and culture, | 0:17:18 | 0:17:23 | |
in defiance of German influence and Russian rule. | 0:17:23 | 0:17:26 | |
# Ta lendab lillest | 0:17:26 | 0:17:30 | |
# Lillesse | 0:17:30 | 0:17:33 | |
# Ja lendab mesipuu poole | 0:17:33 | 0:17:40 | |
# Ja touseb... # | 0:17:40 | 0:17:42 | |
This love of singing is in the Estonian DNA | 0:17:42 | 0:17:46 | |
and visitors to Estonia at the turn of the 20th century | 0:17:46 | 0:17:50 | |
would have heard the sound of thousands of voices | 0:17:50 | 0:17:55 | |
on National Song Festival day. | 0:17:55 | 0:17:57 | |
MUSIC: Ta Lendab Mesipuu Poole | 0:17:57 | 0:18:00 | |
'I'm heading to the lower town | 0:18:00 | 0:18:02 | |
'with its dramatic 13th-century ruined cathedral | 0:18:02 | 0:18:05 | |
'to hear a choir, made up of singers from Tartu.' | 0:18:05 | 0:18:08 | |
# Nii hing, oh hing | 0:18:08 | 0:18:11 | |
# Sa raskel a'al | 0:18:11 | 0:18:15 | |
# Kuis ohkad sa isamaa poole | 0:18:15 | 0:18:22 | |
# Kas kodu sa | 0:18:22 | 0:18:26 | |
# Kas vooral maal | 0:18:26 | 0:18:29 | |
# Kuis ihkad isamaa poole | 0:18:29 | 0:18:37 | |
# Kuis ihkad isamaa | 0:18:37 | 0:18:42 | |
# Poole. # | 0:18:42 | 0:18:51 | |
APPLAUSE | 0:18:51 | 0:18:54 | |
That was absolutely marvellous. You're all singing with your hearts. | 0:18:54 | 0:18:58 | |
What were you singing about? | 0:18:58 | 0:19:00 | |
It was about, um, our fatherland, flying back to the bee house, | 0:19:00 | 0:19:07 | |
so it's like...imaginary fatherland for him or her. | 0:19:07 | 0:19:13 | |
And this is, yeah, | 0:19:13 | 0:19:15 | |
a really important song in Estonia and for Estonian singers. | 0:19:15 | 0:19:19 | |
All the singing festivals usually end with this song. | 0:19:19 | 0:19:24 | |
-How did you feel singing that song? -It was really holy-like. | 0:19:24 | 0:19:29 | |
-For us, music is what we believe in, for Estonians. -What is it? | 0:19:29 | 0:19:33 | |
What does it mean to you in your life? Is it very important? | 0:19:33 | 0:19:36 | |
Music is almost everything to me, | 0:19:36 | 0:19:38 | |
especially to sing with all my friends | 0:19:38 | 0:19:42 | |
and the crowd stands up and everyone cries and it's amazing. | 0:19:42 | 0:19:48 | |
# Kuis ihkad isamaa poole. # | 0:19:48 | 0:20:00 | |
The extraordinary power of the voice was proved again by Estonians | 0:20:00 | 0:20:04 | |
in August 1989, when Estonia was united in song | 0:20:04 | 0:20:09 | |
in what's become known as the "Singing Revolution". | 0:20:09 | 0:20:12 | |
I'm meeting Tartu University professor Marju Lauristin, | 0:20:12 | 0:20:16 | |
a former senior politician in the Estonian parliament | 0:20:16 | 0:20:19 | |
who played a pivotal part in the revolution. | 0:20:19 | 0:20:22 | |
So, Marju, what role did singing play | 0:20:22 | 0:20:25 | |
in liberating Estonia from the Soviet Union? | 0:20:25 | 0:20:27 | |
I would say that it played a very important role in two senses. | 0:20:27 | 0:20:32 | |
One is direct one, meaning singing, | 0:20:32 | 0:20:35 | |
and the first big this kind of political singing night | 0:20:35 | 0:20:41 | |
was in June '88, in Tallinn, in the big Song Festival arena, | 0:20:41 | 0:20:45 | |
when young people started to gather spontaneously, | 0:20:45 | 0:20:48 | |
singing patriotic songs, waving national flags, | 0:20:48 | 0:20:51 | |
which then were prohibited still in the Soviet Union. | 0:20:51 | 0:20:55 | |
And it was like the start of the whole Singing Revolution. | 0:20:55 | 0:20:58 | |
And then, after that, very soon, | 0:20:58 | 0:21:00 | |
we had the first political gathering at the Song Festival, | 0:21:00 | 0:21:03 | |
with speeches, already demands for independence, for democracy. | 0:21:03 | 0:21:08 | |
And during Soviet time, Soviets, in this sense, | 0:21:08 | 0:21:11 | |
they didn't understand the meaning of that. | 0:21:11 | 0:21:14 | |
And they alluded, "Oh, it's ancient tradition, 19th century, | 0:21:14 | 0:21:17 | |
"it doesn't matter." | 0:21:17 | 0:21:19 | |
But this vocal and peaceful cry for freedom | 0:21:19 | 0:21:22 | |
led to a striking demonstration of solidarity. | 0:21:22 | 0:21:26 | |
The Baltic Chain is the most spectacular event | 0:21:26 | 0:21:30 | |
of the Baltic Singing Revolution. | 0:21:30 | 0:21:33 | |
People standing on the roads through Estonia, Latvia, Lithuania, | 0:21:33 | 0:21:37 | |
holding hands, together demonstrating | 0:21:37 | 0:21:41 | |
their willingness for freedom. | 0:21:41 | 0:21:43 | |
Two million Estonian, Latvian and Lithuanian people joined hands | 0:21:45 | 0:21:50 | |
to create an unbroken human chain, stretching 360 miles, | 0:21:50 | 0:21:55 | |
from Lithuania's capital, Vilnius, to Tallinn. | 0:21:55 | 0:21:58 | |
It was a spectacular thing because people, really, | 0:22:02 | 0:22:05 | |
they came from every place in Estonia, Latvia, Lithuania, | 0:22:05 | 0:22:09 | |
with cars, with bicycles. | 0:22:09 | 0:22:11 | |
Everybody knew where is this kilometre they have to reach | 0:22:11 | 0:22:15 | |
and find other people and it has also become the symbol now | 0:22:15 | 0:22:18 | |
for the younger generation. | 0:22:18 | 0:22:19 | |
They feel that it was very special, feeling this kind of unity. | 0:22:19 | 0:22:23 | |
-And you were there. -I was there but I wasn't in the forest, | 0:22:23 | 0:22:26 | |
because I happened then to be the | 0:22:26 | 0:22:29 | |
vice speaker of the Estonian parliament | 0:22:29 | 0:22:32 | |
and I was standing on the top of Parliament House. | 0:22:32 | 0:22:36 | |
We have the big tower called Tall Hermann, | 0:22:36 | 0:22:40 | |
and I was saying, "Freedom, freedom, freedom," in three languages. | 0:22:40 | 0:22:45 | |
It was a very big moment in my life. | 0:22:45 | 0:22:48 | |
After such stirring conviviality, | 0:23:01 | 0:23:03 | |
I resume the journey alone, on a train taking me | 0:23:03 | 0:23:07 | |
to the principal city of this remarkable country. | 0:23:07 | 0:23:10 | |
My next stop will be Tallinn, which Bradshaw's tells me | 0:23:12 | 0:23:16 | |
is a naval port and capital of Estonia, | 0:23:16 | 0:23:19 | |
with a gothic cathedral from 1329. | 0:23:19 | 0:23:22 | |
It attracts many tourists looking for its medieval sites. | 0:23:22 | 0:23:27 | |
There are good views from the heights. | 0:23:27 | 0:23:29 | |
The city looks out due north over the Gulf of Finland. | 0:23:29 | 0:23:33 | |
Until the late 20th century, that view was skewed to the East, | 0:23:33 | 0:23:37 | |
but now very much to the West. | 0:23:37 | 0:23:40 | |
This brand-new high-speed Swiss-built train | 0:23:46 | 0:23:49 | |
contrasts sharply with the early Russian steam trains. | 0:23:49 | 0:23:53 | |
Tallinn is on the south coast of the Gulf of Finland. | 0:24:09 | 0:24:14 | |
First settled more than 3,000 years ago, | 0:24:14 | 0:24:16 | |
it's one of the oldest cities in Northern Europe. | 0:24:16 | 0:24:19 | |
Tallinn has a magnificent collection | 0:24:38 | 0:24:40 | |
of medieval and other historic buildings | 0:24:40 | 0:24:43 | |
and on a late spring day, when it's warm, everybody's out, | 0:24:43 | 0:24:48 | |
it feels like the whole city is at a party. | 0:24:48 | 0:24:50 | |
And it turns out that's exactly right, | 0:24:52 | 0:24:56 | |
because within these fairy-tale walls and towers, | 0:24:56 | 0:24:58 | |
Tallinn is celebrating its week-long annual festival, | 0:24:58 | 0:25:02 | |
Tallinn Old Town Days, | 0:25:02 | 0:25:05 | |
when the city is taken over by an entertaining mix of markets, | 0:25:05 | 0:25:10 | |
concerts and even medieval tournaments. | 0:25:10 | 0:25:13 | |
I've walked into a medieval joust | 0:25:16 | 0:25:20 | |
and what is clear is that these people are taking it seriously. | 0:25:20 | 0:25:23 | |
They're really fighting. | 0:25:23 | 0:25:26 | |
They're striking at each other with their swords, | 0:25:26 | 0:25:29 | |
they're using their shields to strike each other's throats. | 0:25:29 | 0:25:32 | |
They really mean to win. | 0:25:32 | 0:25:34 | |
Why are you here? What is all this about? | 0:25:41 | 0:25:44 | |
Well, it's a sport competition. | 0:25:44 | 0:25:46 | |
Knight fighting. | 0:25:46 | 0:25:48 | |
It's part of Old Tallinn Days' events and we come to fight, | 0:25:48 | 0:25:54 | |
participate, compete and take all the gold. | 0:25:54 | 0:25:57 | |
-Where have you come from? -Israel. | 0:25:57 | 0:25:59 | |
Here you can see people from Ukraine, Belarus, | 0:25:59 | 0:26:02 | |
Russia, Poland, Finland, and in other events, | 0:26:02 | 0:26:06 | |
you can see people even from America and Latin America. | 0:26:06 | 0:26:09 | |
It seems to be very brutal. | 0:26:09 | 0:26:11 | |
-You really hit each other with your swords. -Yes. | 0:26:11 | 0:26:14 | |
-You really knee each other. -It's martial arts. | 0:26:14 | 0:26:16 | |
-So, it looks like your nose got a bit damaged. -A little bit. | 0:26:16 | 0:26:20 | |
-It's a small one. -What happened to your nose? | 0:26:20 | 0:26:22 | |
My mask, it touched my nose and, like, press a little bit. | 0:26:22 | 0:26:27 | |
The fight's getting very close to us here. | 0:26:27 | 0:26:30 | |
-It's really professional fight. -Ah! They're down. | 0:26:30 | 0:26:32 | |
'The tournament lasts an exhausting eight hours | 0:26:37 | 0:26:40 | |
'but unable to spend all day watching knights in shining armour, | 0:26:40 | 0:26:45 | |
'it's time for me to take refuge back in the early 20th century. | 0:26:45 | 0:26:49 | |
'At the time of my guide book, trains from nearby St Petersburg | 0:26:51 | 0:26:54 | |
'brought Russian holiday-makers into Tallinn. | 0:26:54 | 0:26:57 | |
'But while the Baltic Sea is calm, it can also be very cold. | 0:27:00 | 0:27:04 | |
'In harsh winters, swimmers contend with swathes of ice.' | 0:27:04 | 0:27:09 | |
Amongst the attractions of Tallinn, according to Bradshaw's, | 0:27:11 | 0:27:15 | |
bathing in the Baltic Sea. | 0:27:15 | 0:27:17 | |
You'd have to be a lunatic to go in before midsummer. | 0:27:17 | 0:27:20 | |
Hello! | 0:27:22 | 0:27:24 | |
'But these fine men in trunks are cold-water thrill-seekers, | 0:27:24 | 0:27:27 | |
'who belong to the Tallinn Ice Swimming Club.' | 0:27:27 | 0:27:30 | |
So, I assume that you prefer swimming in the summer | 0:27:31 | 0:27:34 | |
when it's nice and warm. | 0:27:34 | 0:27:35 | |
-No, actually, the summer is the saddest time for us. -Why? | 0:27:35 | 0:27:42 | |
It's just not cold enough | 0:27:42 | 0:27:44 | |
and we don't get this kind of cold kick from swimming | 0:27:44 | 0:27:48 | |
if it's zero or even minus one. | 0:27:48 | 0:27:50 | |
Some people compare it with narcotics, to get this ice "high". | 0:27:50 | 0:27:55 | |
On this spring day, the temperature in the Baltic Sea | 0:27:56 | 0:27:59 | |
hovers around 11 Celsius - pretty cold by British standards. | 0:27:59 | 0:28:03 | |
-Ready? -Ready. -OK. | 0:28:05 | 0:28:08 | |
Argh! | 0:28:08 | 0:28:10 | |
Argh! | 0:28:14 | 0:28:15 | |
Argh! It's...absolutely freezing! | 0:28:15 | 0:28:20 | |
Argh! | 0:28:20 | 0:28:22 | |
'Perhaps I shouldn't give myself | 0:28:22 | 0:28:24 | |
'such a hard time, because amongst these swimmers is Henri Karma, | 0:28:24 | 0:28:28 | |
'an ice-swimming champion. | 0:28:28 | 0:28:31 | |
'He's swum just over 2km in water that was only zero degrees.' | 0:28:32 | 0:28:37 | |
My new, rather mad friends, | 0:28:37 | 0:28:40 | |
have been out in the sea now for ten minutes. | 0:28:40 | 0:28:43 | |
I can tell you that the Baltic Sea delivers quite a kick | 0:28:43 | 0:28:46 | |
but, luckily, the Baltic region also supplies an antidote called balsam. | 0:28:46 | 0:28:52 | |
'A traditional spirit of herbs and vodka.' | 0:28:52 | 0:28:55 | |
Mmm. | 0:28:55 | 0:28:56 | |
Said once to have revived Catherine the Great, | 0:28:56 | 0:28:59 | |
and I don't think she'd been in the sea. | 0:28:59 | 0:29:02 | |
I'm staying at the St Petersbourg Hotel, which is mentioned | 0:29:29 | 0:29:32 | |
in this online version of my Bradshaw's guide. | 0:29:32 | 0:29:35 | |
It took a lot of communication to organise the Baltic Chain | 0:29:35 | 0:29:40 | |
and the Singing Revolution and today, | 0:29:40 | 0:29:44 | |
Estonians associate freedom of digital communication | 0:29:44 | 0:29:48 | |
with political liberty. | 0:29:48 | 0:29:50 | |
A vast proportion of the population is connected to the internet. | 0:29:50 | 0:29:55 | |
In public squares and on trains, there's properly functioning Wi-Fi. | 0:29:55 | 0:29:59 | |
Here, in my hotel room, I am supplied with a tablet. | 0:29:59 | 0:30:04 | |
Estonians vote online and register businesses online. | 0:30:04 | 0:30:09 | |
Not for nothing is this country sometimes nicknamed E-stonia. | 0:30:09 | 0:30:13 | |
In fact, we have Estonia to thank for giving the world Skype. | 0:30:16 | 0:30:20 | |
It was founded here, as was the first paperless parliament. | 0:30:20 | 0:30:24 | |
Remarkable, because just two decades ago, | 0:30:24 | 0:30:27 | |
half the population didn't have a telephone line. | 0:30:27 | 0:30:30 | |
Today, there's also a food revolution underway, | 0:30:35 | 0:30:38 | |
as a new Estonian cuisine emerges, | 0:30:38 | 0:30:41 | |
with local chefs exploiting the best ingredients from the Baltic larder. | 0:30:41 | 0:30:46 | |
-Hello, Kristjan. -Ah, Michael. -I'm Michael. Good to see you. | 0:30:48 | 0:30:53 | |
Hello, Kristo. Good to see you both. So, these are from the Baltic. | 0:30:53 | 0:30:59 | |
-Yeah. -Yeah. -Potato a big part of the Estonian culture? | 0:30:59 | 0:31:02 | |
-Absolutely. -Huge. -THEY LAUGH | 0:31:02 | 0:31:05 | |
-And this is cottage cheese. -Cottage cheese, yeah. -Cottage cheese. | 0:31:05 | 0:31:09 | |
We get it from a lovely small farm from the north of Estonia. | 0:31:09 | 0:31:12 | |
Usually it's done from the cow milk, | 0:31:12 | 0:31:13 | |
but this one here is made from the goat's milk. | 0:31:13 | 0:31:17 | |
'Kristjan and Kristo have developed a signature dish - | 0:31:18 | 0:31:21 | |
'a new take on potato rosti.' | 0:31:21 | 0:31:23 | |
-A little bit of sour cream. -Ooh. -A little bit of salted cucumbers. | 0:31:27 | 0:31:32 | |
We can add radishes. | 0:31:32 | 0:31:34 | |
And a little bit of cold-pressed grape seed oil. OK. | 0:31:37 | 0:31:41 | |
That looks beautiful. | 0:31:41 | 0:31:43 | |
'During early Soviet times in the 1920s and '30s, | 0:31:43 | 0:31:47 | |
'Estonian restaurants were nationalised | 0:31:47 | 0:31:50 | |
'and suffered from chronic ingredient shortages. | 0:31:50 | 0:31:53 | |
'One staple was meant to accompany | 0:31:53 | 0:31:55 | |
'almost every savoury food - black rye bread. | 0:31:55 | 0:31:58 | |
'Even today, instead of wishing one another "bon appetit", | 0:31:58 | 0:32:02 | |
'Estonians are prone to say "jatku leiba" - "may your bread last." ' | 0:32:02 | 0:32:07 | |
Mmm. | 0:32:11 | 0:32:13 | |
That herring is delicious. | 0:32:14 | 0:32:15 | |
-Absolutely fresh, and just grilled and, ah... Marvellous! -Just salted. | 0:32:15 | 0:32:20 | |
And congratulations on the potato cake. A really nice meal. | 0:32:20 | 0:32:25 | |
-Thank you. -Thank you, Michael. -Good health. | 0:32:25 | 0:32:28 | |
All over Tallinn, I see Estonian national identity being celebrated. | 0:32:32 | 0:32:37 | |
But the city today also displays evidence | 0:32:37 | 0:32:39 | |
of its history of subjugation by foreign powers. | 0:32:39 | 0:32:43 | |
It's evident both in the architecture | 0:32:43 | 0:32:45 | |
and in the sounds of the city. | 0:32:45 | 0:32:47 | |
BELLS RING | 0:32:47 | 0:32:50 | |
SINGING | 0:32:50 | 0:32:54 | |
Over a quarter of Estonia's 1.4 million-strong population | 0:32:56 | 0:33:00 | |
is of Russian descent | 0:33:00 | 0:33:02 | |
and the stunning Alexander Nevsky Russian Orthodox Cathedral | 0:33:02 | 0:33:06 | |
plays an active role in the city's religious life. | 0:33:06 | 0:33:10 | |
CHANTING IN OWN LANGUAGE | 0:33:10 | 0:33:14 | |
Father Juvenalis. I'm Michael. What a pleasure. | 0:33:26 | 0:33:29 | |
Great pleasure for me also to meet you in our cathedral. | 0:33:29 | 0:33:34 | |
This is a very beautiful cathedral, actually not very old. | 0:33:34 | 0:33:40 | |
It's now about 120 years. | 0:33:41 | 0:33:45 | |
It was consecrated just in the year, er...1900. | 0:33:45 | 0:33:51 | |
Like many Russian Orthodox cathedrals, | 0:33:53 | 0:33:56 | |
it's named after Alexander Nevsky, the 13th-century Russian prince | 0:33:56 | 0:34:01 | |
glorified as a saint by the Russian Orthodox Church in 1547. | 0:34:01 | 0:34:06 | |
Now, adoringly restored, | 0:34:06 | 0:34:08 | |
its interior is filled with beautiful icons, | 0:34:08 | 0:34:11 | |
dazzlingly covered with gold leaf. | 0:34:11 | 0:34:14 | |
To view one of its greatest treasures requires legwork. | 0:34:16 | 0:34:20 | |
-Oh, wow! This is one enormous bell! -Yes. -How big is this bell? | 0:34:30 | 0:34:36 | |
This weighs 1,000 pfund | 0:34:36 | 0:34:40 | |
and it will be about 16 tonnes. | 0:34:40 | 0:34:45 | |
-16 tonnes of bell! -Yes. -Do you ever ring this bell? | 0:34:45 | 0:34:49 | |
Yes, all the great feasts, we ring this bell. | 0:34:49 | 0:34:52 | |
It's called, in Church Slavonic, "Blagaya Vest". | 0:34:52 | 0:34:56 | |
-It means "Good News". -The Good News Bell. -Yes. | 0:34:56 | 0:35:00 | |
The bell was made in St Petersburg | 0:35:00 | 0:35:04 | |
and it was brought here by the railway. | 0:35:04 | 0:35:08 | |
-I shall ring. -That will be marvellous. Do you think it's...? | 0:35:08 | 0:35:13 | |
-Is it dangerous for the hearing, do you think? -No, no. | 0:35:13 | 0:35:16 | |
It takes away...headache. | 0:35:16 | 0:35:19 | |
THEY LAUGH | 0:35:19 | 0:35:21 | |
I have experienced this. It takes a little time but it's not difficult. | 0:35:21 | 0:35:27 | |
Even a little boy can do this, and sometimes he IS doing this. | 0:35:27 | 0:35:32 | |
It's an extraordinary feeling | 0:35:33 | 0:35:35 | |
to be waiting here under this enormous bell, | 0:35:35 | 0:35:38 | |
just waiting for the moment when the clapper makes contact, | 0:35:38 | 0:35:41 | |
which is going to be any moment now. | 0:35:41 | 0:35:43 | |
BELL CLANGS | 0:35:43 | 0:35:46 | |
BELL CONTINUES TO VIBRATE | 0:35:46 | 0:35:49 | |
That's an enormous noise! | 0:35:49 | 0:35:52 | |
BELL CLANGS | 0:35:54 | 0:35:57 | |
That thought provides a fitting end to my trip to Estonia | 0:36:18 | 0:36:23 | |
before I head across the Baltic to pick up my rail journey in Finland. | 0:36:23 | 0:36:26 | |
SHIP'S HORN BLARES | 0:36:26 | 0:36:28 | |
'At the time of my guidebook, | 0:36:31 | 0:36:33 | |
'Finland was something of a mystery to British travellers. | 0:36:33 | 0:36:36 | |
'It was a challenge even to procure a map of the country in London.' | 0:36:36 | 0:36:40 | |
So long, Estonia. | 0:36:40 | 0:36:42 | |
I'll always associate you with the outpouring of patriotic song | 0:36:42 | 0:36:47 | |
and the deep resonance of the Good News Bell. | 0:36:47 | 0:36:50 | |
I'm heading out into the Baltic Sea, | 0:36:54 | 0:36:56 | |
for centuries strategically important | 0:36:56 | 0:36:59 | |
to both Germany and Russia - | 0:36:59 | 0:37:01 | |
something that historian Dr Ivo Juurvee knows all about. | 0:37:01 | 0:37:05 | |
-Hello, Ivo. I'm Michael. -Nice to meet you. -Good to see you. | 0:37:05 | 0:37:10 | |
So, here we have a map of the Baltic before the First World War. | 0:37:11 | 0:37:15 | |
And Sweden, Germany, the Russian Empire, | 0:37:15 | 0:37:19 | |
including Latvia, Estonia and Finland. | 0:37:19 | 0:37:23 | |
And it's clear to me that the Baltic is of huge strategic importance | 0:37:23 | 0:37:27 | |
-to Germany and, perhaps even more so, to Russia. -Indeed. | 0:37:27 | 0:37:31 | |
It was the main gate to the sea for Russia, | 0:37:31 | 0:37:34 | |
or exit of the Russian Empire to the West. | 0:37:34 | 0:37:36 | |
The ports of St Petersburg, Tallinn and Riga had huge importance | 0:37:36 | 0:37:40 | |
in exports and also in imports. | 0:37:40 | 0:37:43 | |
Russia has relatively few ports in the West. | 0:37:43 | 0:37:46 | |
It has these and it has the Black Sea, | 0:37:46 | 0:37:48 | |
and that represents a sort of vulnerability, doesn't it? | 0:37:48 | 0:37:52 | |
Well, more or less. The ports in the far north | 0:37:52 | 0:37:54 | |
were not used much before the First World War. | 0:37:54 | 0:37:56 | |
These sensitive waters were the scene | 0:37:56 | 0:37:59 | |
of a patiently crafted diplomatic meeting in June 1908 | 0:37:59 | 0:38:03 | |
between the Tsar of Russia, Nicholas II, | 0:38:03 | 0:38:07 | |
and his uncle by marriage, British King Edward VII. | 0:38:07 | 0:38:11 | |
The King was accompanied by Queen Alexandra. | 0:38:13 | 0:38:16 | |
As a precaution against assassination, | 0:38:16 | 0:38:19 | |
they met on board the King's royal yacht, | 0:38:19 | 0:38:21 | |
the Victoria and Albert, in the Bay of Tallinn. | 0:38:21 | 0:38:25 | |
Edward's mission was to strengthen ties between Britain and Russia | 0:38:25 | 0:38:29 | |
and thereby safeguard the delicate balance of power in Europe, | 0:38:29 | 0:38:33 | |
which was increasingly under threat from Germany. | 0:38:33 | 0:38:36 | |
Ever since the fall of communism, | 0:38:36 | 0:38:39 | |
being able to travel freely through the Baltic feels special, | 0:38:39 | 0:38:43 | |
but Russia's annexation of the Crimea | 0:38:43 | 0:38:46 | |
has stirred up bad memories for many | 0:38:46 | 0:38:48 | |
and made Finland and the Baltic countries wary | 0:38:48 | 0:38:51 | |
of their neighbour's intentions. | 0:38:51 | 0:38:53 | |
The entrance to Helsinki harbour, | 0:38:59 | 0:39:01 | |
through a narrow channel, past the ancient fortifications, | 0:39:01 | 0:39:04 | |
is extremely attractive, and as Bradshaw says, | 0:39:04 | 0:39:07 | |
"Numerous small islands contribute to its picturesque appearance." | 0:39:07 | 0:39:12 | |
The guidebook also tells me that it's a Russian grand duchy, | 0:39:12 | 0:39:15 | |
so even before the First World War, | 0:39:15 | 0:39:17 | |
it enjoyed a fair degree of autonomy from the Russian Tsar. | 0:39:17 | 0:39:22 | |
I shall be interested to see | 0:39:22 | 0:39:24 | |
how the national character expressed itself in Finland. | 0:39:24 | 0:39:28 | |
MUSIC: Karelia Suite by Sibelius | 0:39:28 | 0:39:32 | |
Helsinki, which dates back to the mid-16th century, | 0:39:40 | 0:39:44 | |
became the Finnish capital in 1812, | 0:39:44 | 0:39:47 | |
after Russia wrested Finland away from Swedish control. | 0:39:47 | 0:39:51 | |
MUSIC: Karelia Suite by Sibelius | 0:39:51 | 0:39:55 | |
I'm in the heart of Helsinki, | 0:39:58 | 0:40:01 | |
but here, at the lakeside, it has the feel of the country. | 0:40:01 | 0:40:05 | |
I'm surrounded by the lapping sea, | 0:40:05 | 0:40:08 | |
with a mass of harbours and hidden bays. | 0:40:08 | 0:40:11 | |
-Hello. -Hi, you want to join? | 0:40:11 | 0:40:14 | |
-May I share your fire? -Please do so. | 0:40:14 | 0:40:17 | |
You can show me how...how to do this. | 0:40:17 | 0:40:20 | |
-Yeah, I will. Blanket is a good start. -Very good start. | 0:40:22 | 0:40:26 | |
You notice that our summers are a bit chilly every once in a while. | 0:40:26 | 0:40:31 | |
-Those look really good. -Yeah. -Is this a local custom? | 0:40:31 | 0:40:34 | |
Yeah, absolutely. People come... | 0:40:34 | 0:40:36 | |
This is kind of like a cafe, here on the coastline, so people come | 0:40:36 | 0:40:39 | |
and sit down, grill a bit of the sausages, see the sunset, you know. | 0:40:39 | 0:40:44 | |
I've just arrived, but it seems a special kind of city, | 0:40:44 | 0:40:47 | |
with a lake in the centre, and this feeling of being, I don't know, | 0:40:47 | 0:40:51 | |
out in the rural areas, when you're in the city. | 0:40:51 | 0:40:54 | |
Well, that's what they say. We are a sea-like city, | 0:40:54 | 0:40:57 | |
so there's this big bay area in the middle. | 0:40:57 | 0:41:00 | |
-It looks like a lake but it's actually the sea. -Is it? | 0:41:00 | 0:41:02 | |
So, it's a nature reserve. | 0:41:02 | 0:41:04 | |
I think, in Helsinki, nature's always very close. | 0:41:04 | 0:41:07 | |
We have lots of cultural things, cultural venues, | 0:41:07 | 0:41:11 | |
but always the green areas and everything | 0:41:11 | 0:41:13 | |
are in our hearts, I would say. | 0:41:13 | 0:41:15 | |
My sausage has burst a bit there. Is that all right? | 0:41:15 | 0:41:18 | |
Yeah, that's the thing. Just don't put it too close to the fire. | 0:41:18 | 0:41:22 | |
It's the embers over there that give the heat, | 0:41:22 | 0:41:24 | |
but if you put it here, to the fire, | 0:41:24 | 0:41:26 | |
you're going to burn them and they're going to burst as well. | 0:41:26 | 0:41:29 | |
That's looking good. | 0:41:29 | 0:41:30 | |
Yeah, I think you just put some mustard on the top | 0:41:30 | 0:41:33 | |
and you're good to go. | 0:41:33 | 0:41:34 | |
You know, some people are very sensitive with a bit of mustard, | 0:41:36 | 0:41:39 | |
but I put it all over. | 0:41:39 | 0:41:42 | |
Mmm, tastes so good, doesn't it, from the charcoal fire? | 0:41:44 | 0:41:47 | |
Yeah, I think, when you're outdoors as well. | 0:41:47 | 0:41:49 | |
You get a different appetite when you are sitting outside. | 0:41:49 | 0:41:53 | |
-It's the place as well. -Mmm. | 0:41:53 | 0:41:55 | |
And with your help, I cooked that really well. | 0:41:55 | 0:41:58 | |
Well done. | 0:41:59 | 0:42:01 | |
CHURCH BELLS TOLL | 0:42:08 | 0:42:11 | |
This beautiful morning finds me in what Bradshaw's describes | 0:42:16 | 0:42:20 | |
as, "A fine square, the Senate Square, | 0:42:20 | 0:42:22 | |
"with imposing public buildings on each side." | 0:42:22 | 0:42:25 | |
And they are the University, the Cathedral and the Senate. | 0:42:25 | 0:42:30 | |
This square is the very heart of Finnish nationalism. | 0:42:30 | 0:42:35 | |
The Finns, with their own institutions, | 0:42:35 | 0:42:37 | |
enjoyed a good deal of self-government, | 0:42:37 | 0:42:40 | |
by comparison with the Latvians and the Estonians, | 0:42:40 | 0:42:43 | |
and their independence was increased by this Russian Tsar, Alexander II. | 0:42:43 | 0:42:48 | |
When, in 1899, his grandson tightened | 0:42:48 | 0:42:51 | |
the Russian grip on Finland, | 0:42:51 | 0:42:54 | |
protesting Finns came here and laid flowers | 0:42:54 | 0:42:57 | |
at the feet of the man they called the "Good Tsar". | 0:42:57 | 0:43:01 | |
MUSIC: Symphony No 2 In D Major by Sibelius | 0:43:01 | 0:43:04 | |
And just as in Estonia, | 0:43:09 | 0:43:11 | |
music would help to propel the Finns towards independence. | 0:43:11 | 0:43:16 | |
'I'm meeting Vesa Ruotonen | 0:43:18 | 0:43:20 | |
'at the city's historic Kamp Hotel, | 0:43:20 | 0:43:23 | |
'a favourite haunt in the late 19th century of Jean Sibelius, | 0:43:23 | 0:43:28 | |
'surely Finland's greatest composer.' | 0:43:28 | 0:43:31 | |
-Skol. -Skol. | 0:43:31 | 0:43:33 | |
So, is it suitable to be drinking champagne while discussing Sibelius? | 0:43:35 | 0:43:38 | |
Oh, yes! He was here, actually, always drinking the champagne. | 0:43:38 | 0:43:42 | |
You know, he could stay here for a couple of weeks. | 0:43:42 | 0:43:45 | |
Why is it that Sibelius is so important to Finns? | 0:43:45 | 0:43:48 | |
He did put the Finnish soul into the music | 0:43:48 | 0:43:52 | |
and he was also a person | 0:43:52 | 0:43:55 | |
that his music followed the national development of the country. | 0:43:55 | 0:44:00 | |
And here, the political and the national and the arts | 0:44:00 | 0:44:04 | |
were going the same way, | 0:44:04 | 0:44:06 | |
and Sibelius was the leading person with his Finlandia, | 0:44:06 | 0:44:10 | |
which is actually kind of the idea | 0:44:10 | 0:44:13 | |
of what it is to be free and what it is to be Finn. | 0:44:13 | 0:44:17 | |
MUSIC: Finlandia Op 26 by Sibelius | 0:44:17 | 0:44:20 | |
Sibelius was born in 1865 | 0:44:23 | 0:44:26 | |
and, although his mother wanted him to study law, his passion was music. | 0:44:26 | 0:44:30 | |
He became an accomplished violinist | 0:44:30 | 0:44:33 | |
before devoting himself to composition. | 0:44:33 | 0:44:36 | |
He wrote seven symphonies and a violin concerto, | 0:44:36 | 0:44:40 | |
as well as Finlandia. | 0:44:40 | 0:44:43 | |
His music reflects the nature and also the nature of the Finns | 0:44:43 | 0:44:49 | |
and human nature displayed all over the world nowadays. | 0:44:49 | 0:44:53 | |
Sibelius also composed lyrical pieces, like this beautiful romance. | 0:44:54 | 0:44:59 | |
MUSIC PLAYS | 0:44:59 | 0:45:04 | |
But in 1899, he turned his hand to music | 0:45:11 | 0:45:15 | |
about the struggle of the Finns to rid themselves of Russian rule. | 0:45:15 | 0:45:19 | |
Very lovely. Hello, I'm Michael. | 0:45:43 | 0:45:45 | |
-Hello, I'm Emilia. -Emilia. -Hello. -Very good to see you. | 0:45:45 | 0:45:50 | |
Vesa, Finlandia comes at a really key moment. | 0:45:50 | 0:45:54 | |
Yeah, when it came out, people immediately understood the message. | 0:45:54 | 0:45:58 | |
It's beautiful music but it's also a sign for the Finns | 0:45:58 | 0:46:03 | |
that we have to be united now, to get free. | 0:46:03 | 0:46:05 | |
HE PLAYS EXTRACT FROM FINLANDIA BY SIBELIUS | 0:46:05 | 0:46:09 | |
-That's the Russians. -Right. | 0:46:21 | 0:46:24 | |
We've got a few bars and then comes the sad choral. | 0:46:24 | 0:46:28 | |
This is what the Finns are singing - "God, do something. Help us." | 0:46:28 | 0:46:34 | |
"Why you did not help? Now we Finns have to fight for the freedom." | 0:46:37 | 0:46:42 | |
After the victorious battle, | 0:47:03 | 0:47:05 | |
now we are finally free to sing the anthem Finlandia. | 0:47:05 | 0:47:11 | |
THEY PLAY EXTRACT FROM FINLANDIA by SIBELIUS | 0:47:11 | 0:47:15 | |
Resistance against the Russians gathered strength | 0:47:48 | 0:47:51 | |
until, as Russia was taken over by the Bolsheviks in 1917, | 0:47:51 | 0:47:55 | |
the Finnish parliament declared the nation's independence. | 0:47:55 | 0:48:00 | |
It was as if, with Finlandia, | 0:48:00 | 0:48:02 | |
Sibelius had supplied his country with a national hymn. | 0:48:02 | 0:48:06 | |
Even at the railway station, | 0:48:12 | 0:48:14 | |
I find a celebration of what it is to be Finnish. | 0:48:14 | 0:48:18 | |
Helsinki's magnificent railway station was designed | 0:48:18 | 0:48:22 | |
by a friend of Jean Sibelius, called Eliel Saarinen. | 0:48:22 | 0:48:26 | |
His original idea was a kind of romantic | 0:48:26 | 0:48:29 | |
19th-century-style building, | 0:48:29 | 0:48:31 | |
but in the political turmoil of the early 20th century, | 0:48:31 | 0:48:35 | |
when Finland was wrestling with its Russian oppressor, | 0:48:35 | 0:48:39 | |
he came up with a different design - something very 20th century, | 0:48:39 | 0:48:42 | |
something very modern, uniquely Finnish, | 0:48:42 | 0:48:46 | |
and so, in a way, this building is also highly political. | 0:48:46 | 0:48:49 | |
I'm back on track, heading north to the city of Tampere, | 0:48:52 | 0:48:56 | |
just over one-and-a-half hours away by train. | 0:48:56 | 0:48:59 | |
'These new high-speed Italian tilting trains | 0:49:00 | 0:49:04 | |
'are fast and comfortable, and I particularly love that the interior | 0:49:04 | 0:49:08 | |
'has been designed to blend with my jacket.' | 0:49:08 | 0:49:11 | |
-TANNOY: -'Ladies and gentlemen, | 0:49:11 | 0:49:14 | |
'this is a Pendolino train via Tampere and Jyvaskyla to Kuopio.' | 0:49:14 | 0:49:19 | |
In the middle of the 19th century, | 0:49:29 | 0:49:31 | |
Finns had to decide where to build their first railway line. | 0:49:31 | 0:49:34 | |
Russophiles favoured one from Helsinki to St Petersburg, | 0:49:34 | 0:49:38 | |
while nationalists thought one should be built | 0:49:38 | 0:49:40 | |
to promote domestic economic activity. | 0:49:40 | 0:49:43 | |
In the end, the first one opened on this line in 1862, | 0:49:43 | 0:49:48 | |
between Helsinki and the Finnish town of Hameenlinna, | 0:49:48 | 0:49:52 | |
and the one to Russia had to wait another eight years. | 0:49:52 | 0:49:56 | |
-TANNOY: -'The next stop, Tampere.' | 0:50:05 | 0:50:07 | |
Tampere is a city built on the power of water. | 0:50:21 | 0:50:24 | |
The rushing rapids of the Tammerkoski River | 0:50:24 | 0:50:28 | |
drive the city's imposing 19th-century mills. | 0:50:28 | 0:50:32 | |
It's retained many of its factories | 0:50:32 | 0:50:35 | |
and its paper mills still supply much of Finland's paper. | 0:50:35 | 0:50:38 | |
But surrounding what's become known as the Manchester of Finland | 0:50:38 | 0:50:43 | |
are 200 beautiful lakes... | 0:50:43 | 0:50:45 | |
..perfect to allow me to feel what it's like to be free and Finnish. | 0:50:53 | 0:50:58 | |
When the days get longer, the Finns take to their country houses | 0:51:09 | 0:51:12 | |
and to the lakeside, in order to commune with nature | 0:51:12 | 0:51:16 | |
and, although I'm a city boy, I thought I'd give it a go. | 0:51:16 | 0:51:20 | |
First, heat your hot tub with freshly chopped wood. | 0:51:23 | 0:51:29 | |
Then remove tarpaulin from hot tub. | 0:51:37 | 0:51:41 | |
Ha-ha! | 0:51:41 | 0:51:43 | |
Stir the water, | 0:51:47 | 0:51:49 | |
in order to mix the hot at the top with the cold at the bottom. | 0:51:49 | 0:51:55 | |
Now all is ready. | 0:51:58 | 0:52:00 | |
'It's 11 o'clock at night and sunset, | 0:52:02 | 0:52:05 | |
'and I begin to experience an iconic Finnish natural phenomenon - | 0:52:05 | 0:52:09 | |
'the white nights, when there is light throughout the 24 hours. | 0:52:09 | 0:52:14 | |
'With long, cold, dark winters, | 0:52:14 | 0:52:16 | |
'summer in Finland is about being outside.' | 0:52:16 | 0:52:20 | |
What better thing to do... Argh! | 0:52:20 | 0:52:23 | |
..than to get into a hot tub | 0:52:23 | 0:52:26 | |
and enjoy a cloudberry liqueur known as a lakka? | 0:52:26 | 0:52:31 | |
Why... | 0:52:33 | 0:52:35 | |
..would the people of this country, in the middle of the night, | 0:52:38 | 0:52:42 | |
get into hot water and drink alcohol? | 0:52:42 | 0:52:44 | |
Because this is the way that a day must finish. | 0:52:44 | 0:52:49 | |
I don't find it easy to sleep when it's daylight all night, | 0:53:07 | 0:53:10 | |
but breakfast with this beautiful view and the fresh air | 0:53:10 | 0:53:15 | |
and the stiff breeze coming off the lake, that really wakes me up. | 0:53:15 | 0:53:19 | |
-Hello, canoeists! -Hello, Michael. -Good morning. -Good morning. | 0:53:35 | 0:53:40 | |
-Nice to see you, Michael. -Oh, it's lovely to see YOU. Come alongside. | 0:53:40 | 0:53:46 | |
'I'm being met by canoe guides Liisa and Pekka Tyllila.' | 0:53:48 | 0:53:51 | |
Isn't it beautiful? | 0:53:51 | 0:53:53 | |
-It's nice weather today for canoeing. -It looks perfect. | 0:53:53 | 0:53:57 | |
Seeing the world from the bow of a silent canoe is truly special. | 0:54:13 | 0:54:18 | |
This is an extraordinary moment for me | 0:54:34 | 0:54:37 | |
because I'm hearing something that I never hear, | 0:54:37 | 0:54:41 | |
which is silence... | 0:54:41 | 0:54:43 | |
..if you discount the sound of the birds | 0:54:44 | 0:54:48 | |
and the wind moving across the lake. | 0:54:48 | 0:54:51 | |
Completely different and special moment. | 0:54:53 | 0:54:57 | |
Absolutely exceptional in my existence. | 0:54:59 | 0:55:02 | |
Liisa, what's the name of this lake? | 0:55:09 | 0:55:11 | |
Vuokalanjarvi. | 0:55:11 | 0:55:13 | |
Vuokalanjarvi. | 0:55:13 | 0:55:15 | |
Fine! Perfect! You are almost a Finn. | 0:55:15 | 0:55:19 | |
THEY LAUGH | 0:55:19 | 0:55:21 | |
How long have Finns been canoeing, Liisa? | 0:55:21 | 0:55:24 | |
Well, it started, actually, in 1891, | 0:55:24 | 0:55:28 | |
when a minister of finances, August Ramsay, published his book. | 0:55:28 | 0:55:34 | |
With over 180,000 lakes in Finland to paddle, | 0:55:34 | 0:55:39 | |
August Ramsay's guide encouraged Finns to take to canoes for leisure. | 0:55:39 | 0:55:44 | |
So, I find the stories very interesting | 0:55:44 | 0:55:47 | |
and it tells how it was. | 0:55:47 | 0:55:49 | |
And did you see the first picture, where the canoeing men, | 0:55:49 | 0:55:56 | |
they're helped by women to carry the canoes? | 0:55:56 | 0:56:00 | |
THEY LAUGH | 0:56:00 | 0:56:02 | |
So, that was one way to get to know young women in the countryside. | 0:56:02 | 0:56:07 | |
But, actually, you Finns gave equality to women | 0:56:07 | 0:56:11 | |
very early on, didn't you? | 0:56:11 | 0:56:13 | |
Yes, Finland is the third country to give women the right to vote, | 0:56:13 | 0:56:18 | |
so the girls from countryside moved to towns | 0:56:18 | 0:56:23 | |
and started to get salary. | 0:56:23 | 0:56:26 | |
They became independent and that was the big step. | 0:56:26 | 0:56:31 | |
And they earned the right to carry the canoe as well. | 0:56:31 | 0:56:34 | |
LIISA LAUGHS | 0:56:34 | 0:56:36 | |
Well, not so many Finnish ladies do that. | 0:56:36 | 0:56:41 | |
-I like your book, it's beautifully illustrated. -Yeah? | 0:56:41 | 0:56:44 | |
It's a sort of Finnish canoeing Bradshaw's. | 0:56:44 | 0:56:47 | |
A century ago, the Bradshaw's visitor | 0:57:00 | 0:57:03 | |
to the Baltic region of the Russian Empire | 0:57:03 | 0:57:06 | |
heard the cry for freedom, | 0:57:06 | 0:57:08 | |
in Riga, demonstrators had recently been massacred, | 0:57:08 | 0:57:12 | |
in Estonia, choirs sang about liberty, | 0:57:12 | 0:57:16 | |
whilst, in Finland, | 0:57:16 | 0:57:18 | |
the music of Jean Sibelius longed for independence. | 0:57:18 | 0:57:22 | |
The 20th century brought the region moments of joy | 0:57:22 | 0:57:26 | |
and periods of catastrophe until, in the 1980s, | 0:57:26 | 0:57:31 | |
a singing revolution helped to restore self-government. | 0:57:31 | 0:57:35 | |
These peoples eventually triumphed, | 0:57:35 | 0:57:37 | |
not through force of arms or numbers, | 0:57:37 | 0:57:40 | |
but because of the strength of their national cultures. | 0:57:40 | 0:57:44 | |
'Next time...' | 0:57:47 | 0:57:49 | |
This is absolutely terrifying. | 0:57:49 | 0:57:51 | |
'..I'll need some Dutch courage.' | 0:57:51 | 0:57:53 | |
THUD | 0:57:53 | 0:57:55 | |
Ha-ha! | 0:57:55 | 0:57:57 | |
I didn't expect that. We got a hole in one. | 0:57:57 | 0:58:00 | |
'And I'll root around the world's largest flower auction...' | 0:58:00 | 0:58:04 | |
Tell me there are some rules here, right? | 0:58:04 | 0:58:06 | |
There are some rules of the road, are there? | 0:58:06 | 0:58:08 | |
Well, they SAY they have traffic rules. | 0:58:08 | 0:58:10 | |
'..before tilting at windmills.' | 0:58:10 | 0:58:13 | |
30,000 kilos and I haven't even broken a sweat. | 0:58:13 | 0:58:18 |