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I'm embarking on a new railway adventure | 0:00:02 | 0:00:06 | |
that will take me across the heart of Europe. | 0:00:06 | 0:00:09 | |
I will be using this, my Bradshaw's Continental Railway Guide | 0:00:10 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:21 | |
It told travellers where to go, what to see and how to navigate | 0:00:21 | 0:00:27 | |
the thousands of miles of tracks crisscrossing the continent. | 0:00:27 | 0:00:31 | |
Now, a century later, | 0:00:31 | 0:00:32 | |
I'm using my copy to reveal an era of great optimism and energy, | 0:00:32 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe that in 1913 couldn't know | 0:00:42 | 0:00:48 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:48 | 0:00:52 | |
My guidebook has brought me to the Netherlands. | 0:01:07 | 0:01:10 | |
In 1913, tourists travelled here to admire the art and architecture | 0:01:11 | 0:01:17 | |
of the 17th-century Dutch Golden Age. | 0:01:17 | 0:01:19 | |
The appeal of this self-made nation's heritage was now felt | 0:01:23 | 0:01:27 | |
not just by aristocrats, but by the newly mobile middle class. | 0:01:27 | 0:01:32 | |
"Holland," says Bradshaw's, "was once an extended swamp. | 0:01:33 | 0:01:38 | |
"The people owe not only their wealth and high commercial | 0:01:38 | 0:01:42 | |
"position, but even the very land, to their own labour and enterprise." | 0:01:42 | 0:01:48 | |
A century ago, the tourists came to marvel at what had been | 0:01:48 | 0:01:53 | |
the world's unlikeliest great power - | 0:01:53 | 0:01:56 | |
a tiny country, substantially reclaimed from the sea, | 0:01:56 | 0:02:00 | |
had acquired a mighty navy and a global empire. | 0:02:00 | 0:02:05 | |
It was fiercely independent, | 0:02:05 | 0:02:07 | |
having once expelled the Spanish who had colonised it. | 0:02:07 | 0:02:11 | |
But in 1913, as world war threatened, | 0:02:11 | 0:02:15 | |
the Dutch wondered whether they could keep foreign armies | 0:02:15 | 0:02:18 | |
at bay as successfully as they held back the waters. | 0:02:18 | 0:02:23 | |
On this journey, I'll travel through three of the 12 provinces | 0:02:26 | 0:02:30 | |
that now make up the Netherlands, along the route | 0:02:30 | 0:02:33 | |
of the country's first railway line. | 0:02:33 | 0:02:36 | |
Beginning in the largest container port in Europe, Rotterdam, | 0:02:41 | 0:02:45 | |
my route turns south-east to the windmills of Kinderdijk, | 0:02:45 | 0:02:49 | |
and then on to the Dutch city of ceramics, Delft. | 0:02:49 | 0:02:53 | |
From there I'll make for the nation's political capital, | 0:02:53 | 0:02:56 | |
The Hague, before heading north-east to call at the historic cities | 0:02:56 | 0:03:01 | |
of Haarlem and Amsterdam. | 0:03:01 | 0:03:03 | |
I'll finish my journey in Utrecht. | 0:03:05 | 0:03:07 | |
'Along the way...' This is absolutely terrifying. | 0:03:09 | 0:03:12 | |
'..I'll get some training in crane driving...' | 0:03:12 | 0:03:15 | |
LAUGHTER | 0:03:17 | 0:03:19 | |
I didn't expect that. | 0:03:19 | 0:03:21 | |
We got a hole in one. | 0:03:21 | 0:03:22 | |
'..and root around the world's largest flower auction.' | 0:03:22 | 0:03:25 | |
Tell me there are some rules here, right? There are some rules of the road, are there? | 0:03:25 | 0:03:29 | |
They say they have traffic rules. | 0:03:29 | 0:03:32 | |
'Discovering a nation that harnessed the wind to conquer the waters...' | 0:03:32 | 0:03:37 | |
30,000 kilos and I haven't even broken sweat. | 0:03:37 | 0:03:41 | |
'..establishing a vast maritime empire which brought | 0:03:41 | 0:03:46 | |
'all manner of trade...' | 0:03:46 | 0:03:47 | |
Amsterdam was the Dubai of the 17th century. | 0:03:47 | 0:03:50 | |
'..ushering in the Dutch Golden Age.' | 0:03:50 | 0:03:53 | |
I'm starting my trip in the province of South Holland. | 0:03:59 | 0:04:03 | |
My first port of call will be Rotterdam, | 0:04:03 | 0:04:05 | |
which the guidebook tells me is situated on both banks | 0:04:05 | 0:04:09 | |
of the River Maas about 15 miles from the sea. | 0:04:09 | 0:04:13 | |
The principal seaport of Holland - half the important trade | 0:04:13 | 0:04:17 | |
of the country is received here. | 0:04:17 | 0:04:20 | |
Recent civil engineering work had vastly improved | 0:04:20 | 0:04:23 | |
the harbour's access to the sea. | 0:04:23 | 0:04:26 | |
The Dutch, threatened over the centuries by tidal flooding, | 0:04:26 | 0:04:29 | |
had turned the tables - they had tamed the waters and become | 0:04:29 | 0:04:34 | |
masters of the high seas. | 0:04:34 | 0:04:37 | |
As the old saying goes, | 0:04:41 | 0:04:43 | |
God created the world but the Dutch created the Netherlands. | 0:04:43 | 0:04:47 | |
And nowhere is that conscientious creativity more evident | 0:04:50 | 0:04:55 | |
than in the Netherlands' second city. | 0:04:55 | 0:04:57 | |
After a decade of works, | 0:04:59 | 0:05:00 | |
the redevelopment of this station was completed two years ago. | 0:05:00 | 0:05:04 | |
The Rotterdam that would have greeted Edwardian tourists | 0:05:11 | 0:05:14 | |
has long since vanished. | 0:05:14 | 0:05:16 | |
After its near total destruction in the Second World War, | 0:05:20 | 0:05:24 | |
a mere handful of buildings stand today which travellers | 0:05:24 | 0:05:27 | |
following my guidebook might recognise. | 0:05:27 | 0:05:30 | |
This, according to my guidebook, is the Grote Kerk, | 0:05:38 | 0:05:41 | |
or Church Of St Laurence, close to the railway... | 0:05:41 | 0:05:44 | |
A Gothic brick church dating from 1412 with a tower 210 feet high. | 0:05:44 | 0:05:51 | |
"After the bombing, it alone stood tall amongst the rubble, | 0:05:51 | 0:05:55 | |
"a symbol of Dutch defiance." | 0:05:55 | 0:05:58 | |
Since then, the city has become a playground for modern architects. | 0:06:07 | 0:06:12 | |
Looks like I wore the right colours. | 0:06:14 | 0:06:16 | |
I wonder how Bradshaw's would describe Rotterdam today. | 0:06:21 | 0:06:25 | |
My guidebook tells me of Rotterdam harbour's great commercial activity, | 0:06:31 | 0:06:36 | |
and it seems that some things haven't changed. | 0:06:36 | 0:06:39 | |
Since the 17th century, | 0:06:42 | 0:06:44 | |
thanks to its connection to the river Rhine, Rotterdam's docks | 0:06:44 | 0:06:48 | |
had provided the infrastructure for the vast Dutch maritime empire. | 0:06:48 | 0:06:52 | |
And, in 1913, the docks were expanding. | 0:06:54 | 0:06:57 | |
The port of Rotterdam has come a long way since then - literally. | 0:07:01 | 0:07:05 | |
It now stretches 25 miles from the city centre to the North Sea. | 0:07:07 | 0:07:12 | |
Hello, Rob, I'm Michael. | 0:07:17 | 0:07:19 | |
Rob Bagchus works at the port. | 0:07:20 | 0:07:22 | |
What an extraordinary scene this is. | 0:07:24 | 0:07:27 | |
With no human beings - I can't see a human being in the entire scene. | 0:07:27 | 0:07:30 | |
That's correct, there are no human beings here - | 0:07:30 | 0:07:33 | |
it's an automated terminal. | 0:07:33 | 0:07:34 | |
It works with transponders in the ground. | 0:07:34 | 0:07:36 | |
The AGVs have antennas and they send a signal to the transponder | 0:07:36 | 0:07:41 | |
and the transponder reacts with its coordinates and the AGV knows | 0:07:41 | 0:07:44 | |
exactly where he is and where he's going to, so they never collide. | 0:07:44 | 0:07:48 | |
So it's a very smooth system. | 0:07:48 | 0:07:50 | |
Even politer than a Dutch motorist. | 0:07:50 | 0:07:52 | |
Absolutely politer than a Dutchman. | 0:07:52 | 0:07:55 | |
Every year, an astounding 465 million tonnes of cargo | 0:07:55 | 0:08:00 | |
pass through these docks, | 0:08:00 | 0:08:03 | |
making Rotterdam the largest container port in Europe. | 0:08:03 | 0:08:06 | |
Now, containers - what do they contain? | 0:08:08 | 0:08:11 | |
Everything. | 0:08:11 | 0:08:12 | |
Everything you wear, fruit and vegetables, meat, poultry, | 0:08:12 | 0:08:16 | |
but also iPads, iMacs, smartphones, everything. | 0:08:16 | 0:08:21 | |
The container is everywhere. | 0:08:21 | 0:08:23 | |
Nearly 900,000 containers a year are brought to and from | 0:08:27 | 0:08:31 | |
this port by rail. | 0:08:31 | 0:08:33 | |
And despite the march of the machines, | 0:08:33 | 0:08:36 | |
look carefully and you will find a person. | 0:08:36 | 0:08:40 | |
Nearly 30 metres up, | 0:08:40 | 0:08:41 | |
I'm getting a chance to test my skills with Ben. | 0:08:41 | 0:08:45 | |
-Ben. -Hello. | 0:08:45 | 0:08:47 | |
How do you do? | 0:08:47 | 0:08:49 | |
Oh, it's a long way down! It's a long way down... | 0:08:50 | 0:08:54 | |
I'd been in a crane before, | 0:08:54 | 0:08:56 | |
but in practical things, I'm a slow learner. | 0:08:56 | 0:08:59 | |
Ben, what do we do? | 0:08:59 | 0:09:00 | |
-You drive. -That's right. | 0:09:00 | 0:09:02 | |
I'm driving to the right, | 0:09:02 | 0:09:05 | |
at high speed. | 0:09:05 | 0:09:07 | |
My God, this is absolutely terrifying. | 0:09:07 | 0:09:11 | |
You tell me when to stop, Ben. | 0:09:12 | 0:09:15 | |
I don't speak a word of Dutch - let's hope that's not | 0:09:15 | 0:09:19 | |
going to be a problem. | 0:09:19 | 0:09:20 | |
Where are we going now, Ben? | 0:09:20 | 0:09:22 | |
-Now? -Downstairs. | 0:09:25 | 0:09:26 | |
-Down? -Yes. | 0:09:26 | 0:09:28 | |
-Down goes the grab. -Yes. | 0:09:29 | 0:09:32 | |
-Down it goes... -Downstairs. | 0:09:32 | 0:09:35 | |
Downstairs, as you put it. | 0:09:35 | 0:09:37 | |
There we go. | 0:09:40 | 0:09:42 | |
LAUGHTER | 0:09:43 | 0:09:45 | |
We got... | 0:09:45 | 0:09:47 | |
I didn't expect that. | 0:09:49 | 0:09:51 | |
We got a hole in one. OK. | 0:09:51 | 0:09:54 | |
-This one here? -No, upstairs. | 0:09:54 | 0:09:57 | |
Yeah, upstairs. | 0:09:57 | 0:09:59 | |
Upstairs, sorry, here we go. | 0:09:59 | 0:10:02 | |
We've got hold of the container... and up it comes! | 0:10:02 | 0:10:06 | |
And jolly fast. And now we've got the container | 0:10:08 | 0:10:10 | |
above the level of the train... | 0:10:10 | 0:10:12 | |
-and we're going to drop it onto that wagon there, Ben, yes? -Yeah. | 0:10:12 | 0:10:15 | |
Concentrating like mad here. | 0:10:16 | 0:10:18 | |
-Is that right, Ben? -Yes, downstairs. | 0:10:18 | 0:10:21 | |
-Yeah, do you think? -Yeah. | 0:10:21 | 0:10:23 | |
-A bit this way. -Yes. | 0:10:23 | 0:10:25 | |
Aiming to get those pins exactly in the right place. | 0:10:27 | 0:10:30 | |
-How are we doing, Ben? -A little bit right. | 0:10:30 | 0:10:32 | |
A little bit right. | 0:10:32 | 0:10:33 | |
-Back a bit? -Left. | 0:10:34 | 0:10:36 | |
A little bit to the left. | 0:10:36 | 0:10:38 | |
-Downstairs? -Downstairs, yeah. | 0:10:38 | 0:10:39 | |
Ah... | 0:10:43 | 0:10:45 | |
Another hole in one! BEN LAUGHS | 0:10:49 | 0:10:53 | |
MICHAEL LAUGHS | 0:10:53 | 0:10:55 | |
Hole in one. | 0:10:55 | 0:10:56 | |
You're a good teacher, Ben. | 0:10:58 | 0:11:00 | |
If you think that Rotterdam looks good from the land, | 0:11:25 | 0:11:29 | |
put 500 horsepower under you and take to the water. | 0:11:29 | 0:11:34 | |
This water taxi is taking me east along the Nieuwe Maas River, | 0:11:39 | 0:11:44 | |
towards some icons of Dutch innovation | 0:11:44 | 0:11:46 | |
which the Bradshaw traveller would have been keen to see. | 0:11:46 | 0:11:49 | |
My guidebook promises, "Thousands of windmills, | 0:11:56 | 0:12:00 | |
"everywhere in use for drainage." | 0:12:00 | 0:12:02 | |
Today some of the finest preserved examples are at Kinderdijk. | 0:12:03 | 0:12:08 | |
Here it feels like I've walked into a postcard of the Netherlands - | 0:12:17 | 0:12:20 | |
this is everybody's childhood image of this country. | 0:12:20 | 0:12:25 | |
I suppose it's worth remembering that these are the machines | 0:12:25 | 0:12:27 | |
that enabled the Dutch to conquer the water, | 0:12:27 | 0:12:30 | |
and the people who can do that are capable of almost anything. | 0:12:30 | 0:12:34 | |
Hello, Peter-Paul, it's good to see you. | 0:12:37 | 0:12:39 | |
Former millwright Peter-Paul helps to maintain | 0:12:39 | 0:12:43 | |
this UNESCO World Heritage Site. | 0:12:43 | 0:12:46 | |
After the skyscrapers of Rotterdam, this is really quite a contrast. | 0:12:51 | 0:12:55 | |
Yes, well, skyscrapers don't have sails. | 0:12:55 | 0:12:58 | |
Indeed they don't. | 0:12:58 | 0:13:00 | |
These windmills at Kinderdijk - | 0:13:00 | 0:13:03 | |
-how many are there? -19. -19. | 0:13:03 | 0:13:05 | |
And these are for drainage? | 0:13:05 | 0:13:07 | |
Just drainage, yes, just to pump water in different stages | 0:13:07 | 0:13:11 | |
from the polders out to the river. | 0:13:11 | 0:13:13 | |
The polder is? | 0:13:13 | 0:13:15 | |
Is a stretch of land surrounded by a dyke which is lower | 0:13:15 | 0:13:18 | |
than sea-level, and when it rains we have to pump out the rainwater. | 0:13:18 | 0:13:22 | |
Thank you very much. | 0:13:27 | 0:13:29 | |
With half of the Netherlands lying at or below sea level, | 0:13:29 | 0:13:34 | |
the Dutch first began working together to keep their feet dry | 0:13:34 | 0:13:37 | |
more than 1,000 years ago. | 0:13:37 | 0:13:39 | |
What do you have to do to get it started? | 0:13:39 | 0:13:42 | |
As you can see, the head of the windmill with the sails is pointing | 0:13:42 | 0:13:45 | |
in that direction but the wind is coming from that direction. | 0:13:45 | 0:13:48 | |
So we have to turn the head round to the right - 30,000 kilos. | 0:13:48 | 0:13:53 | |
Wow. | 0:13:53 | 0:13:54 | |
Well, I'm your man. | 0:13:54 | 0:13:56 | |
Here we go then. | 0:13:59 | 0:14:00 | |
Winding the chain. | 0:14:03 | 0:14:05 | |
This windmill dates from the mid-16th century. | 0:14:06 | 0:14:10 | |
It's the oldest machine at Kinderdijk | 0:14:10 | 0:14:12 | |
and has been carefully restored. | 0:14:12 | 0:14:14 | |
And now we're beginning to move the windmill in the direction | 0:14:16 | 0:14:20 | |
of the wind. | 0:14:20 | 0:14:22 | |
And tough work it is too. | 0:14:22 | 0:14:25 | |
The first part is always the hardest. | 0:14:25 | 0:14:27 | |
-Ah-ha! -This way you use your weight. | 0:14:29 | 0:14:32 | |
30,000 kilos, | 0:14:38 | 0:14:41 | |
and I haven't even broken a sweat. | 0:14:41 | 0:14:42 | |
That's it. | 0:14:42 | 0:14:44 | |
But my work's not done yet. | 0:14:44 | 0:14:46 | |
Here's the sail. | 0:14:46 | 0:14:48 | |
We untie this and then we'll climb up and put the sail on. | 0:14:48 | 0:14:52 | |
Sorry, who climbs up? | 0:14:52 | 0:14:53 | |
-You climb up? -Yeah. | 0:14:53 | 0:14:55 | |
Off you go. | 0:14:55 | 0:14:57 | |
With all four sails at top speed, this windmill generates | 0:15:00 | 0:15:04 | |
enough power to move 50,000 litres of water a minute. | 0:15:04 | 0:15:08 | |
The brace is off. | 0:15:12 | 0:15:13 | |
Off she starts. | 0:15:17 | 0:15:19 | |
What a beautiful sight. | 0:15:20 | 0:15:23 | |
As they conquered the waters with windmills, | 0:15:49 | 0:15:52 | |
the Dutch put wind in the sails of their ships and extended | 0:15:52 | 0:15:57 | |
their influence far beyond their own borders. | 0:15:57 | 0:15:59 | |
The Dutch East India Company was founded in 1602. | 0:16:01 | 0:16:06 | |
I'm on my way to one of the six cities which raised | 0:16:06 | 0:16:09 | |
the start-up capital for what might be considered the first | 0:16:09 | 0:16:13 | |
global corporation in history. | 0:16:13 | 0:16:16 | |
My next stop will be Delft, which the guidebook describes as, | 0:16:17 | 0:16:21 | |
"An old-fashioned town with clean canals bordered by lime trees. | 0:16:21 | 0:16:26 | |
"The pottery was renowned in the 17th and 18th century." | 0:16:26 | 0:16:31 | |
Now that involves very intricate work. | 0:16:31 | 0:16:34 | |
I wonder what made the craftsmen of Delft so deft. | 0:16:34 | 0:16:37 | |
Throughout the 17th century, the Dutch East India Company | 0:16:49 | 0:16:53 | |
brought back all manner of goods from the far reaches of the globe | 0:16:53 | 0:16:57 | |
and generated the vast wealth of the Dutch Golden Age. | 0:16:57 | 0:17:02 | |
This square in Delft is really a very charming place - | 0:17:02 | 0:17:05 | |
everywhere little gabled houses, | 0:17:05 | 0:17:08 | |
higgledy-piggledy, leaning this way and that. | 0:17:08 | 0:17:11 | |
And all around these soaring towers telling me | 0:17:11 | 0:17:14 | |
that this city of ceramics must once have been very rich. | 0:17:14 | 0:17:19 | |
Edwardian tourists would have been familiar with the city's | 0:17:23 | 0:17:27 | |
most famous product, also known as Delft Blue. | 0:17:27 | 0:17:30 | |
Blue and white patterned china filled British homes, | 0:17:32 | 0:17:35 | |
although much of that so-called delftware | 0:17:35 | 0:17:38 | |
was an imitation made in Britain. | 0:17:38 | 0:17:41 | |
By 1913, this place was the only pottery left in the city | 0:17:41 | 0:17:46 | |
where this iconic earthenware was fired and hand-painted, | 0:17:46 | 0:17:50 | |
and it remains so today. | 0:17:50 | 0:17:52 | |
Helen Taylor is showing me around. | 0:17:53 | 0:17:56 | |
Bradshaw's talks about Delft being renowned for pottery | 0:17:56 | 0:18:00 | |
in the 17th and 18th century. | 0:18:00 | 0:18:02 | |
Why Delft? | 0:18:02 | 0:18:03 | |
When the Dutch seamen brought the Chinese porcelain back from China | 0:18:03 | 0:18:07 | |
and it became very popular in the Netherlands, | 0:18:07 | 0:18:10 | |
after a couple of decades there was Chinese Civil War, | 0:18:10 | 0:18:13 | |
so we couldn't import the Chinese porcelain any more. | 0:18:13 | 0:18:16 | |
In Delft there was an ailing brewery industry - | 0:18:16 | 0:18:19 | |
there were lots of factories empty, | 0:18:19 | 0:18:22 | |
so there was space to make pottery. | 0:18:22 | 0:18:25 | |
So that's what they started to do. | 0:18:25 | 0:18:27 | |
And was what the Dutch made here actually porcelain? | 0:18:27 | 0:18:31 | |
No. As soon as they started to make it here, | 0:18:31 | 0:18:34 | |
it changed into earthenware. | 0:18:34 | 0:18:35 | |
And how do you make it? | 0:18:35 | 0:18:37 | |
This is fluid clay and we pour it into a plaster mould as such. | 0:18:37 | 0:18:41 | |
If you want to try? | 0:18:41 | 0:18:43 | |
You have to pour carefully. | 0:18:43 | 0:18:45 | |
Up to the rim. | 0:18:46 | 0:18:48 | |
When we leave it for a couple of minutes like a thimble like this, | 0:18:48 | 0:18:51 | |
a thin crust appears in the mould. | 0:18:51 | 0:18:53 | |
Pour the remaining clay back into the jug. | 0:18:53 | 0:18:56 | |
Good? | 0:18:57 | 0:18:59 | |
And now we just need to leave it to dry. | 0:18:59 | 0:19:01 | |
I have one I made earlier down here. | 0:19:01 | 0:19:05 | |
This is just dried clay, and as you can see, you can just | 0:19:05 | 0:19:08 | |
lift the thimbles out because it's shrunk in the mould. | 0:19:08 | 0:19:12 | |
You see an example of a vase over there which is dried clay. | 0:19:12 | 0:19:15 | |
And that came out of a mould like this? | 0:19:15 | 0:19:18 | |
Exactly, yes. | 0:19:18 | 0:19:19 | |
Each piece is then fired for the first time before it's ready | 0:19:20 | 0:19:24 | |
to be decorated. | 0:19:24 | 0:19:25 | |
But this apparently is decorated in black? | 0:19:25 | 0:19:29 | |
Yes. The black paint consists of pigment cobalt oxide | 0:19:29 | 0:19:33 | |
and that undergoes a chemical reaction in the oven | 0:19:33 | 0:19:36 | |
and turns it from black into blue. | 0:19:36 | 0:19:38 | |
Beautiful. | 0:19:38 | 0:19:39 | |
A favourite with the Dutch monarchy, | 0:19:41 | 0:19:43 | |
the factory received its royal warrant in 1919. | 0:19:43 | 0:19:47 | |
Royal Delft factories' special pieces are hand-painted | 0:19:48 | 0:19:52 | |
by highly skilled master painters. | 0:19:52 | 0:19:55 | |
Hello. | 0:19:55 | 0:19:57 | |
Are you Leo? I'm Michael. | 0:19:57 | 0:19:59 | |
Leo De Groot has been honing his craft for 38 years, | 0:19:59 | 0:20:04 | |
and he's going to show me how it's done. | 0:20:04 | 0:20:07 | |
You place the stencil on the tile. | 0:20:07 | 0:20:10 | |
We have a bag of charcoal powder here. | 0:20:12 | 0:20:14 | |
You rub over and it's perforated, | 0:20:14 | 0:20:19 | |
and those tiny little holes leave a mark like a sketch. | 0:20:19 | 0:20:24 | |
Press firmly. | 0:20:24 | 0:20:25 | |
OK. That will do. | 0:20:25 | 0:20:28 | |
Then we take it off and if we're lucky, we see the picture. | 0:20:28 | 0:20:31 | |
Ah! That's lovely. | 0:20:31 | 0:20:33 | |
We start with a very fine brush. | 0:20:33 | 0:20:36 | |
Now you're going to... trace the lines on the tile. | 0:20:36 | 0:20:41 | |
HE CHUCKLES | 0:20:45 | 0:20:47 | |
Don't push too hard on the brush. | 0:20:48 | 0:20:50 | |
If you mix the paint with water, you can make some light shades of grey. | 0:20:51 | 0:20:56 | |
Leo, I have a great sympathy with my subject, so this is really | 0:20:56 | 0:21:00 | |
a great pleasure. | 0:21:00 | 0:21:01 | |
But I'm making a bit of a mess, as you can see. | 0:21:01 | 0:21:04 | |
-I know how difficult it is. -Thank you. | 0:21:04 | 0:21:06 | |
-It's going to look like a train now. -MICHAEL LAUGHS | 0:21:08 | 0:21:10 | |
Well, that's a coincidence, I think. | 0:21:10 | 0:21:12 | |
Do you think that the Dutch royal family would like to make | 0:21:12 | 0:21:17 | |
a present of that tile to foreign dignitaries? | 0:21:17 | 0:21:20 | |
I'm not sure. | 0:21:20 | 0:21:21 | |
I doubt. | 0:21:23 | 0:21:24 | |
I think I might be better at riding trains than painting them. | 0:21:27 | 0:21:31 | |
I'm leaving Delft bound northwards. | 0:21:45 | 0:21:48 | |
In 1913, this area was at the cutting edge of Dutch rail travel. | 0:21:48 | 0:21:52 | |
Just five years earlier, the first electrified railway | 0:21:56 | 0:22:00 | |
in the country connected Rotterdam with Scheveningen via The Hague. | 0:22:00 | 0:22:04 | |
I'll leave this train at The Hague, which Bradshaw's tells me | 0:22:04 | 0:22:08 | |
is the political capital of Holland, | 0:22:08 | 0:22:10 | |
the residence of the Queen and the seat of the Government. | 0:22:10 | 0:22:14 | |
"A town of broad and handsome thoroughfares, | 0:22:14 | 0:22:17 | |
"with stately public buildings and houses." | 0:22:17 | 0:22:20 | |
Already the sweet smell of power fills my nostrils. | 0:22:20 | 0:22:24 | |
Bradshaw's tells me that its Dutch name, 's-Gravenhage, | 0:22:28 | 0:22:32 | |
means "the Count's enclosure". | 0:22:32 | 0:22:34 | |
Once a hamlet close to the castle of the Counts of Holland, | 0:22:39 | 0:22:43 | |
it grew to become the political centre of the Netherlands. | 0:22:43 | 0:22:46 | |
Its heart is the Binnenhof. | 0:22:51 | 0:22:54 | |
Set on the beautiful Hofvijver Lake, | 0:22:54 | 0:22:56 | |
this complex of buildings contains the Senate, | 0:22:56 | 0:22:59 | |
the oldest house of parliament still in use in the world. | 0:22:59 | 0:23:03 | |
-Eddy, hello. -Good morning. | 0:23:09 | 0:23:10 | |
Eddy Habben Jansen educates citizens about democracy. | 0:23:10 | 0:23:15 | |
I'm just thrilled to be amongst this beautiful collection | 0:23:15 | 0:23:18 | |
of government buildings. | 0:23:18 | 0:23:19 | |
My Bradshaw's says the Binnenhof is an extensive range of buildings | 0:23:19 | 0:23:23 | |
dating from 1250. | 0:23:23 | 0:23:25 | |
That's correct. It was originally built as the castle | 0:23:25 | 0:23:28 | |
of the Counts of Holland in the middle of the 13th century. | 0:23:28 | 0:23:31 | |
So how does it go from being the castle to being what it is now, | 0:23:31 | 0:23:34 | |
and particularly associated with parliament? | 0:23:34 | 0:23:37 | |
When the Republic of the Netherlands was established | 0:23:37 | 0:23:40 | |
in the 16th century, they needed a neutral place to gather, to meet. | 0:23:40 | 0:23:44 | |
Having thrown off their colonial masters, the Spanish Habsburgs, | 0:23:45 | 0:23:49 | |
the Dutch formed a new country that was a loose federation | 0:23:49 | 0:23:52 | |
of provinces, and each one zealously guarded its autonomy. | 0:23:52 | 0:23:57 | |
The Hague was the ideal place to meet | 0:23:58 | 0:24:01 | |
because it was not one of the cities. | 0:24:01 | 0:24:03 | |
So none of the cities had the advantage of becoming | 0:24:03 | 0:24:06 | |
the capital city, so it was a perfect, neutral ground to meet. | 0:24:06 | 0:24:09 | |
But the Dutch provinces did recognise the benefit | 0:24:09 | 0:24:13 | |
of banding together when it came to foreign affairs. | 0:24:13 | 0:24:16 | |
And on important occasions, political leaders would meet here | 0:24:17 | 0:24:20 | |
at the Ridderzaal or Knights' Hall. | 0:24:20 | 0:24:24 | |
Nowadays it hosts the annual state opening of the Dutch Parliament. | 0:24:24 | 0:24:28 | |
What a glorious building, absolutely stunning. | 0:24:32 | 0:24:34 | |
This is where the Dutch political system was born actually. | 0:24:36 | 0:24:39 | |
We have established a tradition of seeking compromise. | 0:24:39 | 0:24:44 | |
It still plays an important role today in our politics. | 0:24:44 | 0:24:47 | |
We always have coalition governments of two, | 0:24:47 | 0:24:50 | |
three or sometimes even more political parties. | 0:24:50 | 0:24:53 | |
That sounds to me very, very awkward, I'm not sure I'd like that. | 0:24:53 | 0:24:56 | |
But how does it work here? | 0:24:56 | 0:24:58 | |
Well, it has been working like this for more than a century | 0:24:58 | 0:25:01 | |
with a system of proportional representation. | 0:25:01 | 0:25:04 | |
We're very used to negotiating. | 0:25:04 | 0:25:06 | |
The Dutch are considered famously tolerant - is there a connection, | 0:25:06 | 0:25:10 | |
do you think, between the political system and tolerance, | 0:25:10 | 0:25:12 | |
or tolerance and the system? | 0:25:12 | 0:25:14 | |
In the system, it's always necessary to find compromise between different | 0:25:14 | 0:25:18 | |
political parties and between different minorities in the country. | 0:25:18 | 0:25:21 | |
This brings a tradition of negotiating and looking | 0:25:21 | 0:25:25 | |
for compromise, of course. | 0:25:25 | 0:25:26 | |
And what character does that give Holland on the international scene? | 0:25:26 | 0:25:31 | |
In the 19th century and until the Second World War, | 0:25:31 | 0:25:33 | |
the Netherlands was always neutral in international politics. | 0:25:33 | 0:25:36 | |
So this made it an ideal place for International Peace Conferences. | 0:25:36 | 0:25:40 | |
Here in this hall we had the Peace Conference of 1907. | 0:25:40 | 0:25:44 | |
As tensions rose between the major European powers before the outbreak | 0:25:45 | 0:25:49 | |
of the First World War, the Netherlands protected its economy | 0:25:49 | 0:25:53 | |
and security by remaining resolutely neutral. | 0:25:53 | 0:25:58 | |
Yet, the Dutch were not mere bystanders - | 0:25:58 | 0:26:01 | |
in The Hague they twice hosted international negotiations | 0:26:01 | 0:26:04 | |
on the proper conduct of war. | 0:26:04 | 0:26:06 | |
But before a third Peace Conference could take place, war broke out. | 0:26:08 | 0:26:13 | |
And in that total war, those so-called Hague Conventions | 0:26:14 | 0:26:19 | |
were quickly broken. | 0:26:19 | 0:26:21 | |
So here we are in The Hague in this really marvellous set of buildings, | 0:26:22 | 0:26:26 | |
talking about the very ancient origins of your democracy, | 0:26:26 | 0:26:32 | |
talking about your history of neutrality, | 0:26:32 | 0:26:35 | |
of moderation - | 0:26:35 | 0:26:36 | |
do you feel very proud of this? | 0:26:36 | 0:26:38 | |
I think the Netherlands is proud of it, yes, | 0:26:38 | 0:26:40 | |
and particularly the city of The Hague, which is the city of | 0:26:40 | 0:26:43 | |
peace and justice, where lots of international institutions | 0:26:43 | 0:26:45 | |
are related to peace and negotiations. | 0:26:45 | 0:26:48 | |
I'm keen to see more of this worthy city of peace, | 0:26:52 | 0:26:56 | |
and luckily for me, The Hague offers | 0:26:56 | 0:26:58 | |
an unusual sightseeing experience by rail... | 0:26:58 | 0:27:01 | |
Watch your step. | 0:27:01 | 0:27:03 | |
-Hello, fellow lunchers! -Hello. | 0:27:03 | 0:27:05 | |
'..on board a tram which serves haute cuisine.' | 0:27:05 | 0:27:08 | |
-Would you mind if I join you? -Yes, of course. | 0:27:12 | 0:27:14 | |
TRAM BELL DINGS | 0:27:16 | 0:27:17 | |
-This is lovely, isn't it? -Yeah. | 0:27:17 | 0:27:19 | |
OK, let me start with a cupcake. | 0:27:23 | 0:27:26 | |
Good idea. | 0:27:26 | 0:27:28 | |
-Lekker. -Lekker? | 0:27:33 | 0:27:35 | |
Delicious, in Holland. | 0:27:37 | 0:27:40 | |
-Lekker. -Lekker. | 0:27:40 | 0:27:41 | |
Yeah, everything is lekker. | 0:27:41 | 0:27:43 | |
That looks amazing. | 0:27:48 | 0:27:50 | |
So the longer you add the flavours, | 0:27:53 | 0:27:55 | |
the more flavour this broth will have. | 0:27:55 | 0:27:57 | |
-Like a tea? -Yes. Enjoy. -Here we go. | 0:27:57 | 0:28:00 | |
I never ate on a tram before | 0:28:01 | 0:28:03 | |
and I don't think I ever had food like this before. | 0:28:03 | 0:28:05 | |
Me neither. | 0:28:05 | 0:28:07 | |
-Lekker again? -Yes, again. | 0:28:07 | 0:28:09 | |
Lekker, yeah. | 0:28:09 | 0:28:11 | |
The man behind this magical gastronomy | 0:28:11 | 0:28:14 | |
is executive chef Pierre Wind. | 0:28:14 | 0:28:17 | |
Chef! | 0:28:17 | 0:28:18 | |
-Chef. -My great pleasure. You like it? | 0:28:19 | 0:28:22 | |
I loved the lunch, thank you so much. | 0:28:22 | 0:28:24 | |
Satisfaction? | 0:28:24 | 0:28:26 | |
Absolute satisfaction, complete. | 0:28:26 | 0:28:28 | |
But listen, how do you do it in this tiny kitchen? | 0:28:28 | 0:28:31 | |
It is really mathematics and a kind of science. | 0:28:31 | 0:28:35 | |
It's very difficult, | 0:28:35 | 0:28:36 | |
but the first time is difficult but the second time is easy, | 0:28:36 | 0:28:40 | |
the same as love. | 0:28:40 | 0:28:41 | |
MICHAEL CHUCKLES | 0:28:41 | 0:28:43 | |
-I love it, thank you, Pierre. -Thank you very much. | 0:28:43 | 0:28:46 | |
-A great lunch. -OK. | 0:28:46 | 0:28:48 | |
A memorable lunch. | 0:28:48 | 0:28:49 | |
Three miles from the centre of The Hague | 0:28:59 | 0:29:01 | |
is the seaside resort of Scheveningen, | 0:29:01 | 0:29:04 | |
which at the time of my guidebook attracted tourists | 0:29:04 | 0:29:07 | |
from all over Europe. | 0:29:07 | 0:29:09 | |
I hadn't expected to find a beach adjacent | 0:29:09 | 0:29:13 | |
to the Netherlands' political capital. | 0:29:13 | 0:29:15 | |
But Bradshaw's tells me that, "Scheveningen, | 0:29:15 | 0:29:18 | |
"during the bathing season, is one of the most frequented, brightest | 0:29:18 | 0:29:22 | |
"and fashionable resorts on the Continent." | 0:29:22 | 0:29:25 | |
This book is a constant source of education. | 0:29:25 | 0:29:29 | |
This morning, I'm journeying from the province of South Holland | 0:29:47 | 0:29:51 | |
to that of North Holland, and from the political centre | 0:29:51 | 0:29:54 | |
of the Netherlands to the nation's capital. | 0:29:54 | 0:29:57 | |
From The Hague, my route continues north-east towards the historic town | 0:30:00 | 0:30:05 | |
of Haarlem before reaching the metropolis of Amsterdam. | 0:30:05 | 0:30:09 | |
I'll finish my journey | 0:30:09 | 0:30:11 | |
in the geographical heart of the country, Utrecht. | 0:30:11 | 0:30:14 | |
My next stop will be Haarlem. | 0:30:27 | 0:30:30 | |
The guidebook says that, "It's a pleasant, clean, | 0:30:30 | 0:30:32 | |
"thriving town, the centre of a famous horticultural district | 0:30:32 | 0:30:37 | |
"whence bulbs, hyacinths, tulips, crocuses, lilies et cetera, | 0:30:37 | 0:30:42 | |
"are exported all over Europe." | 0:30:42 | 0:30:45 | |
The Dutch really are mad about their blooms. | 0:30:45 | 0:30:48 | |
Flower potty! | 0:30:48 | 0:30:50 | |
This is Holland's bulb belt, and since the early 20th century | 0:30:55 | 0:31:00 | |
it's been the hub of the global flower trade. | 0:31:00 | 0:31:02 | |
This handsome Art Nouveau railway station, decorated with tiles, | 0:31:05 | 0:31:09 | |
opened in 1908. | 0:31:09 | 0:31:11 | |
Haarlem, to me, has been a wonderful surprise, | 0:31:35 | 0:31:38 | |
full of these tiny streets with brick-built gabled houses. | 0:31:38 | 0:31:41 | |
Really pretty. | 0:31:41 | 0:31:43 | |
One of the chief attractions of the Netherlands for tourists in 1913 | 0:31:45 | 0:31:49 | |
was its picture galleries, full of works by old Dutch masters. | 0:31:49 | 0:31:54 | |
In the Golden Age, it wasn't just the Dutch economy | 0:31:55 | 0:31:58 | |
that flourished - riches flowed into culture, particularly painting. | 0:31:58 | 0:32:03 | |
Bradshaw's tells me, "Most of the larger towns possess | 0:32:04 | 0:32:07 | |
"valuable collections of paintings, including some of world renown." | 0:32:07 | 0:32:14 | |
Here in Haarlem, there's a painting with a story to tell | 0:32:14 | 0:32:17 | |
of the pitfalls of rampant capitalism. | 0:32:17 | 0:32:20 | |
In recent history we experienced the dotcom boom - | 0:32:23 | 0:32:28 | |
frantic speculation in an item until a bubble was created, | 0:32:28 | 0:32:32 | |
and when it burst it brought bankruptcy to many. | 0:32:32 | 0:32:36 | |
Well, in 17th-century Holland, | 0:32:36 | 0:32:39 | |
a similar thing happened and the commodity involved was tulip bulbs. | 0:32:39 | 0:32:44 | |
The painter, Jan Brueghel the Younger, satirises the speculators | 0:32:44 | 0:32:49 | |
as brainless monkeys, and here, in the boom times, | 0:32:49 | 0:32:53 | |
a tulip appears to be worth as much as a bag of gold. | 0:32:53 | 0:32:58 | |
But then the crash comes and here is a ruined monkey clutching | 0:32:58 | 0:33:03 | |
a worthless share certificate, urinating on the tulips | 0:33:03 | 0:33:07 | |
that brought his downfall. | 0:33:07 | 0:33:09 | |
From riches to rags - | 0:33:09 | 0:33:12 | |
a morality tale. | 0:33:12 | 0:33:13 | |
Despite the crash, the flower industry continued to blossom. | 0:33:17 | 0:33:22 | |
In the year before my guidebook was published, dedicated auction houses | 0:33:22 | 0:33:27 | |
were set up in nearby Aalsmeer to cope with the growing trade. | 0:33:27 | 0:33:31 | |
But today, it's no monkey business. | 0:33:36 | 0:33:39 | |
HE SPEAKS DUTCH | 0:33:47 | 0:33:50 | |
I find myself in the middle of a flower auction here. | 0:33:58 | 0:34:02 | |
They're selling hortensias and viburnums and tulips. | 0:34:02 | 0:34:07 | |
It's a Dutch auction, | 0:34:07 | 0:34:09 | |
so the price begins high and falls, and you bid as it falls. | 0:34:09 | 0:34:14 | |
Speed is of the essence - | 0:34:16 | 0:34:18 | |
in as little as ten days, these blooms will be worthless. | 0:34:18 | 0:34:24 | |
Timing is everything - wait too long to bid and you run the risk | 0:34:24 | 0:34:29 | |
of losing out entirely. | 0:34:29 | 0:34:31 | |
The whole thing here takes only about a second, | 0:34:32 | 0:34:37 | |
and I'm sitting here terrified that if I even touch my mouse, | 0:34:37 | 0:34:41 | |
I'll end up with a whole bunch of flowers. | 0:34:41 | 0:34:44 | |
The purchased flowers immediately make their way to their new owners | 0:34:49 | 0:34:53 | |
via the distribution area. | 0:34:53 | 0:34:55 | |
I think this is the biggest building I've ever been in in my life. | 0:35:04 | 0:35:08 | |
It's like several huge railway stations put together | 0:35:08 | 0:35:11 | |
and I say that because I'm looking down on lots of flower trains. | 0:35:11 | 0:35:17 | |
Whereas in a station they run in parallel lines, | 0:35:17 | 0:35:20 | |
here they are crossing each other higgledy-piggledy. | 0:35:20 | 0:35:23 | |
It looks like chaos and it's very impressive. | 0:35:23 | 0:35:27 | |
Amazingly, this complex has a footprint roughly the size | 0:35:32 | 0:35:37 | |
of the principality of Monaco. | 0:35:37 | 0:35:39 | |
-Hello. -Good morning. | 0:35:41 | 0:35:43 | |
-Good morning. I'm Michael. -Hi, I'm Jose. | 0:35:43 | 0:35:45 | |
Jose is going to help me to find my way out. | 0:35:45 | 0:35:49 | |
Tell me there are some rules here, right? There are some rules of the road, are there? | 0:35:49 | 0:35:53 | |
Well, they say they have rules - sometimes I'm doubtful about that. | 0:35:53 | 0:35:56 | |
This is such fun. | 0:36:00 | 0:36:01 | |
Obviously, I am amazed by the size of the building. | 0:36:04 | 0:36:07 | |
What is the scale of this operation? | 0:36:07 | 0:36:09 | |
Every day we auction off 21 million stems of flowers | 0:36:09 | 0:36:13 | |
and two million potted plants. | 0:36:13 | 0:36:15 | |
And, as you can see, quite a hectic business. | 0:36:15 | 0:36:18 | |
From here, flowers are exported across the globe. | 0:36:23 | 0:36:26 | |
Everything you see here - 85% is leaving our border before midnight. | 0:36:26 | 0:36:31 | |
Meaning that a bunch of roses can go from soil to a sitting room | 0:36:31 | 0:36:35 | |
as far away as New York City in just 48 hours. | 0:36:35 | 0:36:39 | |
Whoo! You made it. | 0:36:40 | 0:36:42 | |
-Thank you. -You're welcome. | 0:36:43 | 0:36:45 | |
The whole operation is flourishing. | 0:36:46 | 0:36:50 | |
My journey continues towards Amsterdam, following the route | 0:36:59 | 0:37:03 | |
of the first railway line in the Netherlands. | 0:37:03 | 0:37:06 | |
Opened in September 1839, | 0:37:07 | 0:37:09 | |
this nearly ten-mile stretch of track proved that it was | 0:37:09 | 0:37:12 | |
possible to construct railways in this marshy terrain. | 0:37:12 | 0:37:16 | |
Unlike many early railways, | 0:37:18 | 0:37:20 | |
this line was built specifically for passengers rather than freight. | 0:37:20 | 0:37:24 | |
For the Dutch, masters of the waters, | 0:37:24 | 0:37:28 | |
cargo would continue to arrive in Amsterdam by ship. | 0:37:28 | 0:37:32 | |
I shall soon be in Amsterdam. | 0:37:32 | 0:37:35 | |
The guidebook tells me that it's situated at the confluence | 0:37:35 | 0:37:38 | |
of the rivers Amstel and IJ, | 0:37:38 | 0:37:41 | |
that it's the commercial capital of Holland. | 0:37:41 | 0:37:43 | |
Most of the Dutch colonial produce is dealt with in Amsterdam. | 0:37:43 | 0:37:48 | |
With colonial and trading interests that encompassed present-day | 0:37:48 | 0:37:53 | |
Indonesia, Connecticut and New York City - | 0:37:53 | 0:37:56 | |
which was once known as New Amsterdam - in a Golden Age, | 0:37:56 | 0:38:01 | |
the riches that flowed into Old Amsterdam were without compare. | 0:38:01 | 0:38:06 | |
And the magnificent Amsterdam Central Station | 0:38:14 | 0:38:17 | |
celebrates that imperial power. | 0:38:17 | 0:38:19 | |
From the outset, the Dutch railway network was funded | 0:38:20 | 0:38:24 | |
by the huge revenues generated by the country's empire. | 0:38:24 | 0:38:27 | |
I've made my way to the city's Canal Ring to meet history professor | 0:38:40 | 0:38:45 | |
Geert Janssen from the University of Amsterdam. | 0:38:45 | 0:38:48 | |
-Hello, Geert. -Hi, Michael. | 0:38:50 | 0:38:52 | |
-Wonderful location. -It's beautiful, yes. | 0:38:52 | 0:38:54 | |
We're meeting in the very heart of the old city. What was attracting | 0:38:54 | 0:38:58 | |
tourists to Amsterdam 100 years ago, do you think? | 0:38:58 | 0:39:01 | |
I think 100 years ago, people came to Amsterdam to enjoy, | 0:39:01 | 0:39:04 | |
to appreciate, the Dutch Golden Age of the 17th century. | 0:39:04 | 0:39:08 | |
Amsterdam didn't get the typical 19th-century face-lift | 0:39:08 | 0:39:11 | |
that was typical of London and Paris in this period, so in Amsterdam | 0:39:11 | 0:39:15 | |
you could still see and enjoy a city that had kept | 0:39:15 | 0:39:19 | |
its 17th-century character. | 0:39:19 | 0:39:21 | |
What can Amsterdam have been like at the height of the Golden Age? | 0:39:21 | 0:39:25 | |
It's the Dubai of the 17th century. | 0:39:25 | 0:39:28 | |
Amsterdam attracted a variety of different people from | 0:39:28 | 0:39:31 | |
all over Europe, a great number of what we would call labour migrants | 0:39:31 | 0:39:35 | |
from the German Empire, from France, from the British Isles, as well as | 0:39:35 | 0:39:38 | |
religious refugees - people who had been persecuted elsewhere in Europe | 0:39:38 | 0:39:42 | |
who were attracted to the Dutch Republic for its religious tolerance - | 0:39:42 | 0:39:46 | |
as well as Sephardic and Ashkenazim Jews | 0:39:46 | 0:39:49 | |
from the Iberian Peninsula and Eastern Europe. | 0:39:49 | 0:39:53 | |
So it was very much a mixed and cosmopolitan city at the time. | 0:39:53 | 0:39:58 | |
Same old story. | 0:39:58 | 0:40:00 | |
Yeah, it is. | 0:40:00 | 0:40:01 | |
I look forward to exploring this cosmopolitan capital tomorrow, | 0:40:02 | 0:40:06 | |
using the eyes of yesterday's tourist. | 0:40:06 | 0:40:09 | |
The canals of Amsterdam are delightfully free from tourists | 0:40:22 | 0:40:26 | |
at this time of the morning, and indeed the Doelen Hotel | 0:40:26 | 0:40:29 | |
was advertised in Bradshaw's as being free from tram noise. | 0:40:29 | 0:40:33 | |
I'm tucking into a Dutch breakfast of poffertjes, little thick pancakes | 0:40:33 | 0:40:38 | |
served with - wait for it - butter and powdered sugar. | 0:40:38 | 0:40:42 | |
And here at the Doelen, they're served with sparkling wine... | 0:40:42 | 0:40:46 | |
Another reason why this place might have been popular 100 years ago. | 0:40:46 | 0:40:49 | |
By 1913, Amsterdam had been the hub | 0:40:58 | 0:41:02 | |
of a global trading network for four centuries. | 0:41:02 | 0:41:06 | |
And this area, De Wallen, is still the centre for age-old transactions. | 0:41:06 | 0:41:12 | |
The Oude Kerk, or Old Church, according to Bradshaw's, | 0:41:12 | 0:41:16 | |
dates back to 1300. | 0:41:16 | 0:41:18 | |
But these are windows not into men's souls, | 0:41:18 | 0:41:22 | |
but rather to display ladies of the night. | 0:41:22 | 0:41:25 | |
And I'm interested to know how it is that this bastion, | 0:41:25 | 0:41:29 | |
first of Catholicism and then of Protestantism, is co-located | 0:41:29 | 0:41:34 | |
with what is now probably the world's most famous | 0:41:34 | 0:41:37 | |
red light district. | 0:41:37 | 0:41:39 | |
De Wallen once straddled Amsterdam's busy shipping port. | 0:41:45 | 0:41:50 | |
The port has since moved, but prostitution hasn't. | 0:41:50 | 0:41:54 | |
And today the oldest profession is legal. | 0:41:54 | 0:41:57 | |
For many modern tourists, Amsterdam's red light district | 0:41:57 | 0:42:02 | |
confirms its reputation as both Sin City and progressive utopia. | 0:42:02 | 0:42:07 | |
'I'm having a coffee with Annemarie de Wildt, | 0:42:07 | 0:42:10 | |
'curator of the Amsterdam Museum...' | 0:42:10 | 0:42:12 | |
-Hello, Annemarie. -Hello. -I'm Michael. | 0:42:12 | 0:42:15 | |
'..to find out how this curious state of affairs came about.' | 0:42:15 | 0:42:19 | |
So here we are - the church, | 0:42:22 | 0:42:24 | |
red light district and kindergarten. | 0:42:24 | 0:42:28 | |
Some people would say, "Only in Amsterdam." | 0:42:28 | 0:42:31 | |
It's a good spot to talk about the famous tolerance of Amsterdam | 0:42:31 | 0:42:34 | |
and the fact that we're able to have these very different things | 0:42:34 | 0:42:38 | |
coexist right next to each other. | 0:42:38 | 0:42:40 | |
Now, the Bradshaw traveller coming here in 1913 - what legal position | 0:42:40 | 0:42:44 | |
would he have found? | 0:42:44 | 0:42:45 | |
Prostitution was officially forbidden, | 0:42:45 | 0:42:48 | |
but, of course, a harbour city like Amsterdam - | 0:42:48 | 0:42:50 | |
it's very difficult to ban it altogether, so it did exist. | 0:42:50 | 0:42:54 | |
There were officially no brothels but he would have found maybe women | 0:42:54 | 0:42:58 | |
standing on the streets soliciting, or brothels that were | 0:42:58 | 0:43:02 | |
sort of in hiding, like a tobacco shop for instance. | 0:43:02 | 0:43:05 | |
In the 1960s, this started to change. | 0:43:05 | 0:43:07 | |
It became as open as it is now, | 0:43:07 | 0:43:11 | |
with women sitting in the windows. | 0:43:11 | 0:43:15 | |
In the decades following the sexual revolution of the 1960s, | 0:43:15 | 0:43:19 | |
the Dutch experimented with a policy known as gedogen, or tolerance. | 0:43:19 | 0:43:23 | |
While still illegal, | 0:43:23 | 0:43:24 | |
prostitution, like cannabis, was officially tolerated. | 0:43:24 | 0:43:28 | |
Apparently, prostitution is legalised today in the Netherlands. | 0:43:29 | 0:43:32 | |
-Yes. -When did that change occur? | 0:43:32 | 0:43:35 | |
The change only occurred in 2000, | 0:43:35 | 0:43:37 | |
and people are always very surprised about it. | 0:43:37 | 0:43:39 | |
And after years and years and years of discussion, | 0:43:39 | 0:43:42 | |
the idea was, "Let's make rules, let's make regulations, let's try | 0:43:42 | 0:43:46 | |
"to ban the criminality and see if we can make it into a normal job". | 0:43:46 | 0:43:51 | |
Is the legalisation controversial today? | 0:43:51 | 0:43:54 | |
It is a difficult subject. | 0:43:54 | 0:43:55 | |
There is still trafficking, there is still forced prostitution, | 0:43:55 | 0:44:00 | |
so now the city authorities here and in other cities are trying to... | 0:44:00 | 0:44:05 | |
not to get rid of it altogether, | 0:44:05 | 0:44:07 | |
but at least to make it smaller. | 0:44:07 | 0:44:09 | |
I'm leaving the red light district bound for Vondelpark - | 0:44:12 | 0:44:16 | |
an oasis of calm in the south of the city recommended by my guidebook. | 0:44:16 | 0:44:21 | |
The biggest risk to life in the Netherlands is crossing the road. | 0:44:23 | 0:44:27 | |
Whoa! | 0:44:27 | 0:44:28 | |
HE LAUGHS | 0:44:30 | 0:44:31 | |
First of all there's a cycle lane...! | 0:44:31 | 0:44:34 | |
Then there's two tracks of trams... | 0:44:37 | 0:44:40 | |
Four lanes of regular traffic, and then... | 0:44:43 | 0:44:48 | |
..don't forget there's another cycle lane. | 0:44:49 | 0:44:52 | |
Made it. | 0:44:55 | 0:44:56 | |
One 19th-century invention, the railways, still flourishes today. | 0:45:02 | 0:45:06 | |
Another 19th-century invention dominates the transport scene | 0:45:06 | 0:45:10 | |
in the Netherlands even in the 21st century, | 0:45:10 | 0:45:13 | |
for which I will need some Dutch courage. | 0:45:13 | 0:45:16 | |
In the pancake-flat, compact Netherlands, | 0:45:22 | 0:45:25 | |
the Dutch quickly embraced this two-wheeled transport revolution. | 0:45:25 | 0:45:29 | |
By the time of my Bradshaw's, the Dutch owned more bicycles | 0:45:30 | 0:45:34 | |
per person than any other country in Europe. | 0:45:34 | 0:45:37 | |
A park, a sunny day, a bicycle - | 0:45:37 | 0:45:41 | |
I haven't done anything this healthy in years. | 0:45:41 | 0:45:45 | |
There are more bicycles than people in the Netherlands | 0:45:50 | 0:45:53 | |
and around a third of all journeys in Amsterdam are made by bike. | 0:45:53 | 0:45:57 | |
Riding along, I feel that I have my finger on the national pulse | 0:46:01 | 0:46:05 | |
in this freewheeling city. | 0:46:05 | 0:46:08 | |
In the Indies neighbourhood in eastern Amsterdam, | 0:46:20 | 0:46:24 | |
many of the streets are named after the islands of | 0:46:24 | 0:46:26 | |
the Dutch East Indies - most of the present-day Indonesia. | 0:46:26 | 0:46:30 | |
That colony generated vast wealth, | 0:46:31 | 0:46:34 | |
and one of the world's first fusion cuisines. | 0:46:34 | 0:46:37 | |
Thank you very much. | 0:46:37 | 0:46:38 | |
This is our special rijsttafel. | 0:46:41 | 0:46:43 | |
-I'll have the rijsttafel, please. -OK, perfect. | 0:46:43 | 0:46:46 | |
Thank you very much. | 0:46:46 | 0:46:47 | |
Literally translated, rijsttafel means "rice table" - | 0:46:47 | 0:46:51 | |
sounds like a simple enough meal. | 0:46:51 | 0:46:53 | |
All right, let's go. | 0:46:53 | 0:46:56 | |
OK. | 0:47:07 | 0:47:08 | |
-There you go. Please, enjoy it. -Thank you. | 0:47:08 | 0:47:11 | |
Invented by the Dutch during their 350-year rule over Indonesia, | 0:47:12 | 0:47:17 | |
this feast combined local cuisine with a taste of home, | 0:47:17 | 0:47:21 | |
and was designed to showcase the exotic abundance of the empire. | 0:47:21 | 0:47:26 | |
I have never seen such a variety of food, | 0:47:26 | 0:47:30 | |
and all of it fresh and delicious and brilliant ingredients. | 0:47:30 | 0:47:33 | |
I've got rices, I've got noodles, I've got soup. | 0:47:33 | 0:47:38 | |
I've got an omelette, I've got fish, | 0:47:38 | 0:47:40 | |
a banana, beef, beans, | 0:47:40 | 0:47:43 | |
fresh vegetables, | 0:47:43 | 0:47:45 | |
a kind of poppadom, nuts... | 0:47:45 | 0:47:47 | |
Oh, delicious! | 0:47:47 | 0:47:50 | |
By 1913, Dutch tourists to the colonies had experienced this | 0:47:50 | 0:47:55 | |
Indo-Dutch cuisine first-hand and had imported it to the Netherlands. | 0:47:55 | 0:47:59 | |
And so an Edwardian traveller following my guidebook | 0:47:59 | 0:48:02 | |
might well have enjoyed a rijsttafel too. | 0:48:02 | 0:48:05 | |
-Ah, chef. -Hello, sir. | 0:48:07 | 0:48:09 | |
-Congratulations. -Are you enjoying the rijsttafel? | 0:48:09 | 0:48:11 | |
I am enjoying it very much indeed. | 0:48:11 | 0:48:14 | |
If you don't finish it, it will be an insult for us... | 0:48:14 | 0:48:16 | |
Goodness! I'll report back in about two hours. | 0:48:16 | 0:48:19 | |
OK, we'll see you then with dessert. | 0:48:19 | 0:48:22 | |
-No, please! -Thank you. | 0:48:22 | 0:48:24 | |
Please, no-one offer me a "waffer-thin mint". | 0:48:26 | 0:48:30 | |
'I'm on the final leg of my tour of the Netherlands, | 0:48:43 | 0:48:46 | |
'making my way south-east to the smallest Dutch province...' | 0:48:46 | 0:48:50 | |
Thank you. | 0:48:50 | 0:48:51 | |
'..and the centre of the country.' | 0:48:51 | 0:48:54 | |
My last stop will be Utrecht. | 0:48:59 | 0:49:03 | |
The guidebook tells me that the River Rhine here separates | 0:49:03 | 0:49:06 | |
into two streams, a Roman city and a very old place. | 0:49:06 | 0:49:11 | |
This brings me to the heart of the country, | 0:49:11 | 0:49:13 | |
to the hub of the railway network, and due to | 0:49:13 | 0:49:17 | |
a treaty signed in 1579, maybe to the origin of the Netherlands. | 0:49:17 | 0:49:22 | |
Thanks to its location, | 0:49:30 | 0:49:31 | |
Utrecht became the main hub of the Dutch railway network. | 0:49:31 | 0:49:34 | |
Today its Centraal station is the busiest in the country. | 0:49:35 | 0:49:39 | |
More than 900 trains depart here every day, | 0:49:40 | 0:49:43 | |
carrying nearly 200,000 passengers. | 0:49:43 | 0:49:46 | |
And they're preparing for it to get even busier, | 0:49:47 | 0:49:50 | |
increasing capacity to cope with a predicted 100 million rail users | 0:49:50 | 0:49:54 | |
a year by 2020. | 0:49:54 | 0:49:56 | |
Everywhere around me there's crashing and banging and drilling, | 0:49:56 | 0:50:00 | |
building works everywhere, and I think just now the finishing touches | 0:50:00 | 0:50:03 | |
are being put to it. | 0:50:03 | 0:50:04 | |
In 1913 though, Utrecht was a quiet place. | 0:50:07 | 0:50:11 | |
Bradshaw's talks of a pleasant city with promenades bordered by streams. | 0:50:11 | 0:50:15 | |
But over 300 years earlier, | 0:50:18 | 0:50:20 | |
it had been at the centre of a military alliance formed between | 0:50:20 | 0:50:24 | |
the very different Dutch provinces to resist their Spanish ruler. | 0:50:24 | 0:50:29 | |
Called the Union Of Utrecht, it led to the formation | 0:50:29 | 0:50:32 | |
of the Dutch Republic, with a parliament at The Hague, | 0:50:32 | 0:50:35 | |
and ushered in the Golden Age. | 0:50:35 | 0:50:37 | |
'At the Cathedral of St Martin, known as the Dom, | 0:50:41 | 0:50:44 | |
'I've arranged to meet historian Professor Maarten Prak...' | 0:50:44 | 0:50:47 | |
Hello, Maarten. | 0:50:47 | 0:50:48 | |
Michael, how nice to meet you here. | 0:50:48 | 0:50:51 | |
'..to find out more about that seminal moment in the formation | 0:50:51 | 0:50:55 | |
'of the modern-day Netherlands.' | 0:50:55 | 0:50:56 | |
Maarten, what is the significance for Dutch history | 0:51:05 | 0:51:08 | |
of this medieval chapel? | 0:51:08 | 0:51:10 | |
It was the place, where in January 1579, a group of people | 0:51:10 | 0:51:16 | |
put together and subsequently signed a document, the Union of Utrecht, | 0:51:16 | 0:51:21 | |
that later came to be seen as the first constitution, | 0:51:21 | 0:51:25 | |
the foundational document of the Netherlands. | 0:51:25 | 0:51:28 | |
Who participated in signing this document? | 0:51:28 | 0:51:31 | |
Provinces, individual nobles, | 0:51:31 | 0:51:35 | |
representatives of various towns, | 0:51:35 | 0:51:37 | |
a hodgepodge of people who were involved in rebellion | 0:51:37 | 0:51:42 | |
against the King of Spain | 0:51:42 | 0:51:44 | |
who was the sovereign of this country at the time. | 0:51:44 | 0:51:46 | |
To cooperate militarily, | 0:51:48 | 0:51:50 | |
those disparate rebels had first to agree their differences. | 0:51:50 | 0:51:54 | |
There are two points in that document that were significant. | 0:51:56 | 0:52:00 | |
One was that they insisted on continuing their local | 0:52:00 | 0:52:04 | |
and regional autonomy. | 0:52:04 | 0:52:06 | |
As a result, the Dutch Republic was | 0:52:06 | 0:52:09 | |
a very disunited sort of country, | 0:52:09 | 0:52:14 | |
a federation. | 0:52:14 | 0:52:15 | |
The other thing was that they decided to set up | 0:52:15 | 0:52:19 | |
a religious order, but at the same time, ruled that each | 0:52:19 | 0:52:24 | |
inhabitant privately could believe what he or she wished to believe. | 0:52:24 | 0:52:29 | |
So religious toleration is virtually in the Dutch DNA, | 0:52:29 | 0:52:33 | |
is there a connection with the tolerance today | 0:52:33 | 0:52:35 | |
of drugs and prostitution? | 0:52:35 | 0:52:37 | |
I think there is, | 0:52:37 | 0:52:39 | |
in the sense that, from very early days, | 0:52:39 | 0:52:43 | |
the Dutch learned to live with diversity. | 0:52:43 | 0:52:47 | |
And the whole idea of the Union of Utrecht and its article | 0:52:47 | 0:52:52 | |
on religion, was that Catholics were a fact of life, | 0:52:52 | 0:52:56 | |
you couldn't move them somewhere else. | 0:52:56 | 0:52:59 | |
And the same is true for prostitution or drugs | 0:52:59 | 0:53:02 | |
in modern society - you can't do away with it, | 0:53:02 | 0:53:05 | |
so you have to deal with it. | 0:53:05 | 0:53:07 | |
This, I think, is what is known as, perhaps, Dutch pragmatism. | 0:53:07 | 0:53:12 | |
It's not so much a principle, but it is a practice. | 0:53:12 | 0:53:16 | |
But WHAT does pragmatism in practice look like? | 0:53:23 | 0:53:27 | |
Bradshaw's had led me to expect a city of handsome houses. | 0:53:28 | 0:53:32 | |
Following the Union of Utrecht, the Netherlands was a religiously | 0:53:32 | 0:53:36 | |
tolerant place, but still the Catholics thought it best | 0:53:36 | 0:53:40 | |
to be discreet and to disguise their churches, and where better | 0:53:40 | 0:53:44 | |
to hide one than in one of the handsome houses? | 0:53:44 | 0:53:46 | |
And completely unexpectedly, a gem of a church, | 0:53:55 | 0:53:59 | |
complete with organ and Virgin and Christ, | 0:53:59 | 0:54:03 | |
a couple of baroque bishops and a fully licensed bar - | 0:54:03 | 0:54:06 | |
but I think that was a more recent addition. | 0:54:06 | 0:54:09 | |
Thank you very much. | 0:54:10 | 0:54:12 | |
-Cheers. -Cheers to you. | 0:54:12 | 0:54:13 | |
My Bradshaw's description of the Netherlands draws heavily | 0:54:16 | 0:54:18 | |
on its long and glorious history. | 0:54:18 | 0:54:21 | |
A century later, I've arranged to have a drink with some locals | 0:54:23 | 0:54:27 | |
to gauge how connected modern Dutch identity is to the nation's past. | 0:54:27 | 0:54:31 | |
Good health to you all. | 0:54:32 | 0:54:34 | |
-Proost. -Proost, indeed. | 0:54:34 | 0:54:37 | |
Proost, proost, proost, proost. | 0:54:37 | 0:54:38 | |
Proost. | 0:54:38 | 0:54:40 | |
100 years ago, this was written... | 0:54:41 | 0:54:44 | |
"Holland, which was once an extended swamp, | 0:54:44 | 0:54:47 | |
"presents the picture of a people owing not only their wealth | 0:54:47 | 0:54:50 | |
"and high commercial position, but even the very land | 0:54:50 | 0:54:53 | |
"to their own labour and enterprise." | 0:54:53 | 0:54:56 | |
Is that a fair assessment of the Dutch? | 0:54:56 | 0:54:58 | |
I think that's a defining feature of us, yes. | 0:54:58 | 0:55:01 | |
We don't necessarily have to like each other, | 0:55:01 | 0:55:04 | |
but you have to cooperate because, in a delta, it's crucial. | 0:55:04 | 0:55:09 | |
What about this tolerance thing? Is it true that the Dutch are tolerant? | 0:55:09 | 0:55:12 | |
I think there are a lot of different people living in | 0:55:12 | 0:55:14 | |
the Netherlands and everyone is just being him or herself | 0:55:14 | 0:55:19 | |
and it seems normal that there are different people and that you are OK | 0:55:19 | 0:55:25 | |
with the fact that they have different religions | 0:55:25 | 0:55:29 | |
or different sexual preferences. | 0:55:29 | 0:55:33 | |
Tolerant, actually, is not a very nice word - | 0:55:33 | 0:55:36 | |
tolerant means you put up with people. | 0:55:36 | 0:55:38 | |
But what about respectful - are the Dutch respectful? | 0:55:38 | 0:55:41 | |
I'm not really Dutch, but, yes, absolutely. | 0:55:41 | 0:55:46 | |
I don't see tolerance as a nice word, | 0:55:46 | 0:55:48 | |
I see it as actually, "You are strange and weird, but OK, | 0:55:48 | 0:55:52 | |
"I'm going to accept that as long as you don't cross my line". | 0:55:52 | 0:55:55 | |
Yes, and therefore, as an immigrant, you are expected to respect | 0:55:55 | 0:55:59 | |
their boundaries too. | 0:55:59 | 0:56:00 | |
Absolutely, and I think it's just fair. | 0:56:00 | 0:56:03 | |
Now, marijuana... | 0:56:03 | 0:56:05 | |
What's going on? | 0:56:08 | 0:56:10 | |
And is it working? | 0:56:10 | 0:56:12 | |
That's great, my grandmother is watching! | 0:56:12 | 0:56:14 | |
Well, it's not legal in Holland, but it isn't illegal either. | 0:56:16 | 0:56:21 | |
I hope they're going to legalise the whole process because I think it will cut crime rates. | 0:56:21 | 0:56:24 | |
And it's good for business as well, and that's also typical Dutch. | 0:56:24 | 0:56:27 | |
-That's exactly... -So true! | 0:56:28 | 0:56:30 | |
That's the point about marijuana and tolerance - | 0:56:30 | 0:56:34 | |
we see an economic benefit in it and I think we found out very early, | 0:56:34 | 0:56:37 | |
in the early stages in the 17th century already, | 0:56:37 | 0:56:40 | |
that these people coming in... if you accept and be tolerant, | 0:56:40 | 0:56:44 | |
that brings some economic benefits and we tend to like that. | 0:56:44 | 0:56:47 | |
And so, ladies and gentlemen, | 0:56:47 | 0:56:49 | |
I give you a toast to Bradshaw's description of the Netherlands. | 0:56:49 | 0:56:52 | |
-ALL: -Proost. | 0:56:52 | 0:56:54 | |
-ALL: -Cheers. | 0:56:54 | 0:56:56 | |
Proost! | 0:56:56 | 0:56:58 | |
You have to be impressed by Dutch history. | 0:57:06 | 0:57:09 | |
Starting with the Union of Utrecht, | 0:57:09 | 0:57:12 | |
they got rid of the mighty King of Spain. | 0:57:12 | 0:57:15 | |
With equal grit, | 0:57:15 | 0:57:16 | |
they built the dykes and windmills and drained the land. | 0:57:16 | 0:57:21 | |
A global empire flowered and persecuted religious dissidents | 0:57:21 | 0:57:27 | |
were attracted to cosmopolitan Amsterdam. | 0:57:27 | 0:57:31 | |
I'm as impressed by the architecture of that Golden Age | 0:57:31 | 0:57:35 | |
as the traveller was 100 years ago, with the added feeling | 0:57:35 | 0:57:40 | |
that I'm visiting a national experiment | 0:57:40 | 0:57:43 | |
in tolerance and moderation. | 0:57:43 | 0:57:45 |