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I'm in India, | 0:00:02 | 0:00:03 | |
with a 1913 Bradshaw's handbook | 0:00:03 | 0:00:06 | |
to Indian, Colonial And Foreign Travel. | 0:00:06 | 0:00:09 | |
Published at the height of the British Raj, | 0:00:12 | 0:00:14 | |
my 100-year-old guidebook will lead me | 0:00:14 | 0:00:17 | |
on a spectacular railway adventure | 0:00:17 | 0:00:19 | |
through a land of majestic mountains and holy rivers... | 0:00:19 | 0:00:24 | |
..where magnificent beasts roam, and epic stories are told. | 0:00:24 | 0:00:29 | |
I'll encounter maharajahs, | 0:00:29 | 0:00:31 | |
explore ornate palaces, | 0:00:31 | 0:00:34 | |
witness the technology of modern India, | 0:00:34 | 0:00:37 | |
and ride some of the most exhilarating trains in the world. | 0:00:37 | 0:00:42 | |
I'll discover how Imperial railways and the English language | 0:00:42 | 0:00:46 | |
inadvertently spread ideas of independence | 0:00:46 | 0:00:50 | |
among hundreds of millions of Indians, | 0:00:50 | 0:00:53 | |
who today live in the largest democracy in the world. | 0:00:53 | 0:00:57 | |
I'm in Punjab, meaning "region of five rivers", | 0:01:26 | 0:01:30 | |
bringing fertility flowing down from the Himalaya mountains, | 0:01:30 | 0:01:34 | |
making this the breadbasket of India. | 0:01:34 | 0:01:38 | |
Here is the spiritual home of the Sikhs. | 0:01:38 | 0:01:41 | |
Although their empire was overthrown by the British, | 0:01:41 | 0:01:44 | |
by the time of my Bradshaw's guide they were Britain's loyalest allies. | 0:01:44 | 0:01:49 | |
After independence in 1947, | 0:01:49 | 0:01:52 | |
the Punjab was divided between India and Pakistan. | 0:01:52 | 0:01:56 | |
And this region bore the brunt of the casualties | 0:01:56 | 0:01:59 | |
in the chaos that ensued, | 0:01:59 | 0:02:01 | |
including along the line where I will travel. | 0:02:01 | 0:02:05 | |
I will journey through time, | 0:02:05 | 0:02:07 | |
from the British Raj to the India of today. | 0:02:07 | 0:02:11 | |
This is the most northerly of my four journeys in India. | 0:02:20 | 0:02:24 | |
I'll begin near the border between India and Pakistan, | 0:02:24 | 0:02:27 | |
in the Golden City of Amritsar. | 0:02:27 | 0:02:30 | |
I'll travel through fertile farmland to the city of Ludhiana. | 0:02:30 | 0:02:34 | |
I'll continue to Ambala, | 0:02:34 | 0:02:36 | |
a centre for silks and saris, | 0:02:36 | 0:02:38 | |
before stopping in | 0:02:38 | 0:02:40 | |
the surprisingly modern capital | 0:02:40 | 0:02:42 | |
of the Indian state of Punjab, | 0:02:42 | 0:02:44 | |
Chandigarh. | 0:02:44 | 0:02:45 | |
The final leg takes me from Kalka | 0:02:45 | 0:02:48 | |
to the foothills of the Himalayas | 0:02:48 | 0:02:50 | |
and the hill station of Shimla. | 0:02:50 | 0:02:52 | |
On my travels, I learn of the dark role that trains played | 0:02:55 | 0:02:59 | |
in India's past... | 0:02:59 | 0:03:00 | |
There are hordes of people on the rampage, | 0:03:00 | 0:03:03 | |
and trains, paradoxically, become a very easy target. | 0:03:03 | 0:03:08 | |
..visit a curious Colonial outpost... | 0:03:08 | 0:03:11 | |
Here is one of the world's most powerful governments, | 0:03:11 | 0:03:15 | |
which has jurisdiction over a fifth of the human race, | 0:03:15 | 0:03:20 | |
being ruled from this tiny village. It's bizarre. | 0:03:20 | 0:03:24 | |
..and go on a train journey of a lifetime. | 0:03:24 | 0:03:28 | |
Chugging through the foothills of the Himalayas. | 0:03:28 | 0:03:31 | |
Now, this is what I call a great rail adventure. | 0:03:31 | 0:03:35 | |
My first stop will be Amritsar, | 0:03:47 | 0:03:49 | |
a city which will always be associated with British infamy | 0:03:49 | 0:03:53 | |
due to an atrocity there in 1919. | 0:03:53 | 0:03:57 | |
My Bradshaw's says | 0:03:57 | 0:03:58 | |
that the principal object of interest in Amritsar | 0:03:58 | 0:04:01 | |
is the Golden Temple, | 0:04:01 | 0:04:03 | |
"much venerated by all Sikhs, | 0:04:03 | 0:04:05 | |
"who consider it a meritorious act to contribute to its adornment." | 0:04:05 | 0:04:10 | |
I look forward to exploring this gentle religion, | 0:04:10 | 0:04:14 | |
which paradoxically has produced some of the fiercest warrior lions. | 0:04:14 | 0:04:19 | |
I'm now one of 23 million passengers | 0:04:27 | 0:04:30 | |
who use India's vast rail network every day. | 0:04:30 | 0:04:34 | |
My first experience of an Indian railway station - it's teeming. | 0:04:36 | 0:04:40 | |
Although not the capital, | 0:04:44 | 0:04:46 | |
Amritsar is one of Punjab's largest and most important cities. | 0:04:46 | 0:04:50 | |
It was the centre of the powerful Sikh Empire | 0:04:54 | 0:04:58 | |
during the 18th and 19th centuries. | 0:04:58 | 0:05:01 | |
The old town with its intricately carved wooden facades | 0:05:01 | 0:05:05 | |
dates back to that period. | 0:05:05 | 0:05:07 | |
But like Bradshaw's travellers, | 0:05:11 | 0:05:13 | |
most visitors today come here to see | 0:05:13 | 0:05:16 | |
a building made of more-dazzling material. | 0:05:16 | 0:05:19 | |
The Golden Temple | 0:05:32 | 0:05:34 | |
is at the spiritual heart of the Sikh faith | 0:05:34 | 0:05:37 | |
and every day welcomes over 100,000 visitors from all over the world. | 0:05:37 | 0:05:42 | |
It's part of a huge gurdwara, or place of worship, | 0:05:42 | 0:05:46 | |
known to Sikhs as Harmandir Sahib. | 0:05:46 | 0:05:49 | |
With 100,000 pairs of shoes a day being stored, | 0:05:49 | 0:05:53 | |
I'm hoping I'll see these again. | 0:05:53 | 0:05:55 | |
Thank you. Thank you very much. | 0:05:57 | 0:06:00 | |
As well as removing our shoes, | 0:06:00 | 0:06:03 | |
we must cover heads and wash feet | 0:06:03 | 0:06:05 | |
before entering this spectacular spiritual complex. | 0:06:05 | 0:06:09 | |
The Bradshaw description is perfect, even for today. | 0:06:44 | 0:06:47 | |
"The building of white marble is small, | 0:06:47 | 0:06:49 | |
"the roof is covered with a thin layer of gold. | 0:06:49 | 0:06:52 | |
"It is placed in the middle of a large tank. | 0:06:52 | 0:06:55 | |
"A causeway of marble conducts to the Temple, | 0:06:55 | 0:06:58 | |
"and the marble pavement borders the lake." | 0:06:58 | 0:07:01 | |
And my first impression is that despite the size of the place | 0:07:01 | 0:07:06 | |
and the brilliance of the gold, | 0:07:06 | 0:07:08 | |
you are struck by its elegance, | 0:07:08 | 0:07:10 | |
and despite the enormous crowd, there's a sense of tranquillity. | 0:07:10 | 0:07:15 | |
Magical. | 0:07:15 | 0:07:17 | |
To guide me around this magnificent place, | 0:07:28 | 0:07:31 | |
I'm meeting a British pilgrim. | 0:07:31 | 0:07:35 | |
Well, I think this is one of the most beautiful buildings | 0:07:41 | 0:07:44 | |
that I have ever seen. Tell me about its origins. | 0:07:44 | 0:07:46 | |
Michael, this building was founded in 1588 | 0:07:46 | 0:07:50 | |
by our fifth Guru, Guru Arjan. | 0:07:50 | 0:07:53 | |
He wanted a building which was accessible to all. | 0:07:53 | 0:07:56 | |
When we go and we see major places of worship in the world, | 0:07:56 | 0:08:00 | |
they're all grand, majestic, domineering structures. | 0:08:00 | 0:08:03 | |
And yet here, you see it's lower than the surrounds. | 0:08:03 | 0:08:08 | |
Every feature of this building shows humility. | 0:08:08 | 0:08:11 | |
You have to step down to go into the building, | 0:08:11 | 0:08:15 | |
and even the domes are subdued, | 0:08:15 | 0:08:17 | |
the windows are small, the building itself is very small. | 0:08:17 | 0:08:20 | |
And I don't want to cause offence, | 0:08:20 | 0:08:23 | |
but Bradshaw says that, | 0:08:23 | 0:08:25 | |
"Sikhs never shave or smoke, | 0:08:25 | 0:08:27 | |
"but indulge in opium or cherry brandy." | 0:08:27 | 0:08:30 | |
OK, well, Michael, I'm not sure who Bradshaw met in that day, | 0:08:30 | 0:08:34 | |
but that's not quite true. | 0:08:34 | 0:08:36 | |
Initiated, baptized Sikhs who are practising, | 0:08:36 | 0:08:40 | |
they will not touch alcohol or intoxication of any kind whatsoever. | 0:08:40 | 0:08:45 | |
The Sikh religion broke with Hinduism in the 16th century, | 0:08:46 | 0:08:50 | |
as it rejected its rigid caste system, | 0:08:50 | 0:08:54 | |
a social hierarchy determined by birth. | 0:08:54 | 0:08:57 | |
Sikhism embraced the idea of welcome to all. | 0:08:57 | 0:09:01 | |
And here, they practise what they preach on an astonishing scale. | 0:09:01 | 0:09:05 | |
This is the world's largest free kitchen. | 0:09:08 | 0:09:12 | |
Known as a langar, | 0:09:13 | 0:09:15 | |
the free canteen was introduced by the first Guru | 0:09:15 | 0:09:18 | |
and is offered at every gurdwara around the world, | 0:09:18 | 0:09:21 | |
but not to such numbers. | 0:09:21 | 0:09:24 | |
Vast quantities of rice and bread, | 0:09:26 | 0:09:29 | |
and enormous vats of vegetarian food are prepared every day, | 0:09:29 | 0:09:34 | |
so anyone from any religion can share in the meal. | 0:09:34 | 0:09:37 | |
And it's served to the thousands of hungry visitors | 0:09:37 | 0:09:40 | |
by a team made up entirely of volunteers, which I'm going to join. | 0:09:40 | 0:09:46 | |
Hello. Hello. | 0:09:48 | 0:09:49 | |
I've never been in such a crowd in my life, nor such a colourful crowd. | 0:09:54 | 0:09:59 | |
And all these people, Sikhs and non-Sikhs, all of them, | 0:09:59 | 0:10:03 | |
maybe 100,000 a day, will be fed a meal for nothing. | 0:10:03 | 0:10:07 | |
Incredible. | 0:10:07 | 0:10:08 | |
The hall can seat 3,000 people at a time. | 0:10:18 | 0:10:22 | |
The meal is served with speed... | 0:10:26 | 0:10:28 | |
..and accuracy. | 0:10:30 | 0:10:32 | |
HE SPEAKS LOCAL LANGUAGE | 0:10:39 | 0:10:41 | |
The feeding of the thousands is spectacular. | 0:10:50 | 0:10:54 | |
And with one sitting over, serving begins again. | 0:10:54 | 0:10:57 | |
This time, I'll be receiving my own portion. | 0:11:01 | 0:11:04 | |
Leaving the Golden Temple, | 0:11:22 | 0:11:24 | |
I'm making my way a short distance to the Jallianwala Bagh. | 0:11:24 | 0:11:28 | |
It's a city park enclosed by buildings, | 0:11:30 | 0:11:33 | |
where pilgrims and visitors rest after visiting the Golden Temple. | 0:11:33 | 0:11:37 | |
Nowadays, it's also a memorial to hundreds of lives lost | 0:11:40 | 0:11:45 | |
in a shocking event that took place | 0:11:45 | 0:11:47 | |
six years after the publication of my guide | 0:11:47 | 0:11:50 | |
and which marked the beginning of the end for the British in India. | 0:11:50 | 0:11:55 | |
On the 13th of April, 1919, | 0:11:58 | 0:12:00 | |
Brigadier General Reginald Dyer | 0:12:00 | 0:12:03 | |
was unable to get his armoured car into the Jallianwala Bagh | 0:12:03 | 0:12:07 | |
because of the narrowness of the entrances - thank goodness. | 0:12:07 | 0:12:11 | |
But he did march in a troop of heavily armed soldiers, | 0:12:11 | 0:12:14 | |
with horrible results. | 0:12:14 | 0:12:16 | |
Dyer was sent to regain control of Amritsar | 0:12:25 | 0:12:28 | |
after outbreaks of political unrest amongst Indian nationalists | 0:12:28 | 0:12:33 | |
calling for independence. | 0:12:33 | 0:12:35 | |
He banned public meetings, | 0:12:36 | 0:12:38 | |
but the 13th of April was a religious festival | 0:12:38 | 0:12:42 | |
and many men, women, and children went to the gardens to celebrate. | 0:12:42 | 0:12:47 | |
Alongside them, many more gathered in peaceful protest | 0:12:47 | 0:12:51 | |
against the ban. | 0:12:51 | 0:12:53 | |
This large space was filled with thousands of people. | 0:12:58 | 0:13:02 | |
Dyer lined up his soldiers and ordered them to fire into the crowd | 0:13:02 | 0:13:07 | |
and to continue firing for ten minutes. | 0:13:07 | 0:13:10 | |
People running in every direction, | 0:13:10 | 0:13:13 | |
hundreds killed. | 0:13:13 | 0:13:15 | |
thousands wounded. | 0:13:15 | 0:13:16 | |
General Dyer's troops fired until their ammunition ran out. | 0:13:26 | 0:13:31 | |
He was later ordered to resign from the Army, | 0:13:33 | 0:13:36 | |
but his actions damaged Anglo-Indian relations irrevocably | 0:13:36 | 0:13:41 | |
and strengthened the cause for independence. | 0:13:41 | 0:13:44 | |
The walls of the Jallianwala Bagh | 0:13:47 | 0:13:50 | |
still bear the bullet holes | 0:13:50 | 0:13:51 | |
on a day when hundreds of people were killed | 0:13:51 | 0:13:55 | |
in relentless firing by British soldiers, without warning. | 0:13:55 | 0:13:59 | |
Surely one of the most disgraceful events in the whole history | 0:13:59 | 0:14:02 | |
of the British Empire. | 0:14:02 | 0:14:04 | |
I am leaving Amritsar | 0:14:13 | 0:14:15 | |
and taking the Shatabdi Express train | 0:14:15 | 0:14:17 | |
eastbound to the city of Ludhiana, | 0:14:17 | 0:14:21 | |
a journey of two hours. | 0:14:21 | 0:14:23 | |
-Hello. -Hello. -My name is Michael. | 0:14:41 | 0:14:43 | |
How do you do? How do you do? What's his name? | 0:14:43 | 0:14:47 | |
-That's Abir. -Hello. | 0:14:47 | 0:14:48 | |
-Say hi. -Does he travel by train very much? | 0:14:48 | 0:14:52 | |
-This is his second trip. -He looks pretty relaxed at the moment. | 0:14:52 | 0:14:55 | |
Yeah, so far, so good. | 0:14:55 | 0:14:56 | |
We were just going to Amritsar, the Golden Temple. | 0:14:56 | 0:15:00 | |
Now, are you a Sikh? | 0:15:00 | 0:15:01 | |
No. We're not Sikh, but Hindu. | 0:15:01 | 0:15:04 | |
-Hindu? -Yeah. -But you go to the Golden Temple? | 0:15:04 | 0:15:07 | |
-Yes. -Even though I think of that as being the gurdwara... -Yeah. | 0:15:07 | 0:15:11 | |
..of the Sikh people. | 0:15:11 | 0:15:12 | |
It's good to learn about different religions, I think. | 0:15:12 | 0:15:15 | |
-That's a very interesting philosophy. -Yeah, yeah. | 0:15:15 | 0:15:18 | |
Chai. | 0:15:22 | 0:15:24 | |
Chai. | 0:15:30 | 0:15:32 | |
Chai, chai. | 0:15:32 | 0:15:34 | |
I didn't even have to pay for it. | 0:15:35 | 0:15:38 | |
-Free chai. -Yeah, yeah, free. -Yeah, it's free. | 0:15:38 | 0:15:41 | |
Oh, it's so sweet. | 0:15:44 | 0:15:47 | |
Excuse me. I'm enjoying using the trains in India. | 0:15:53 | 0:15:56 | |
Do you use them a lot? | 0:15:56 | 0:15:58 | |
I enjoy the trains very much in India. | 0:15:58 | 0:16:00 | |
But the best thing in the trains about India is, you know, | 0:16:00 | 0:16:03 | |
-you meet friends very easily in the trains. -So I see, so I see. | 0:16:03 | 0:16:06 | |
-Like this gentleman, we met him today, only two hours back. -Really? | 0:16:06 | 0:16:09 | |
And we are already sharing a cup of tea and snacks... | 0:16:09 | 0:16:13 | |
Well, how very, very nice. And... Oh, thank you! | 0:16:13 | 0:16:16 | |
You have many different classes and possibilities when you buy | 0:16:16 | 0:16:20 | |
a railway ticket. Tell me what the options are in India. | 0:16:20 | 0:16:24 | |
Options are, for the poorer people we have a 2nd class. | 0:16:24 | 0:16:26 | |
And maybe for some, you know, people, we have AC class | 0:16:26 | 0:16:30 | |
and 1st AC, and maybe a chair car like this. | 0:16:30 | 0:16:33 | |
-We have three or four options. -So AC meaning air conditioning? | 0:16:33 | 0:16:35 | |
Air conditioning, yes. | 0:16:35 | 0:16:37 | |
You don't get people riding on the roof any more? | 0:16:37 | 0:16:39 | |
I can't say that, but it has reduced. | 0:16:39 | 0:16:43 | |
But still, it has much, much improved. | 0:16:43 | 0:16:45 | |
The train timings have improved, AC coaches have improved, | 0:16:45 | 0:16:48 | |
and now we're talking about even bullet trains. | 0:16:48 | 0:16:50 | |
Maybe in the next couple of years, we'll have bullet trains. | 0:16:50 | 0:16:52 | |
That was a dream but now it's coming true. | 0:16:52 | 0:16:54 | |
It's nightfall as I arrive in Ludhiana, | 0:17:16 | 0:17:20 | |
so I'll explore this city in the morning. | 0:17:20 | 0:17:22 | |
Ludhiana is busy. | 0:17:53 | 0:17:55 | |
Full of traffic and noise. | 0:17:55 | 0:17:58 | |
It's Punjab's manufacturing hub | 0:17:58 | 0:18:01 | |
and there is industry everywhere you look. | 0:18:01 | 0:18:04 | |
It's also long been an important centre for education. | 0:18:08 | 0:18:11 | |
Ludhiana, says Bradshaw's, "was once a frontier station | 0:18:13 | 0:18:17 | |
"close to where the first British victories over the Sikhs | 0:18:17 | 0:18:21 | |
"were gained in 1845 to 1848, | 0:18:21 | 0:18:25 | |
"since that time, gradually deserted by Europeans, | 0:18:25 | 0:18:29 | |
"though it still remains the field of extensive work | 0:18:29 | 0:18:32 | |
"by the American Presbyterian Mission | 0:18:32 | 0:18:36 | |
"and of the Female Education Society. | 0:18:36 | 0:18:39 | |
"The North India School of Medicine for Women is also here." | 0:18:39 | 0:18:44 | |
Now, I had no idea that women were being educated in medicine in India | 0:18:44 | 0:18:49 | |
a century ago, but this is the address | 0:18:49 | 0:18:52 | |
and so this is the place to check up on it. | 0:18:52 | 0:18:55 | |
Today, India trains around 50,000 doctors a year | 0:18:57 | 0:19:01 | |
and women make up just over half that number. | 0:19:01 | 0:19:05 | |
The Women's Medical School referred to in my Bradshaw's | 0:19:08 | 0:19:11 | |
was set up in 1894 by a British missionary, Edith Brown, | 0:19:11 | 0:19:17 | |
and today is called the Christian Medical College. | 0:19:17 | 0:19:20 | |
Hi, Michael. | 0:19:22 | 0:19:23 | |
-Dr Thomas? -Yeah, yeah, nice to meet you. -Pleasure to see you. | 0:19:23 | 0:19:27 | |
Dr Abraham Thomas is an eminent microsurgeon | 0:19:30 | 0:19:34 | |
and the director of the college. | 0:19:34 | 0:19:37 | |
Dr Thomas, how was it, then, | 0:19:37 | 0:19:39 | |
that an Indian medical school for women was founded | 0:19:39 | 0:19:43 | |
-all the way back in the 19th century? -It's interesting, you know. | 0:19:43 | 0:19:47 | |
Edith Brown, she saw what was happening in this part of India, | 0:19:47 | 0:19:52 | |
where the Muslim women had no access to medical care, | 0:19:52 | 0:19:57 | |
especially the women in the child-bearing age. | 0:19:57 | 0:20:01 | |
Many of them were having difficulties because of it. | 0:20:01 | 0:20:04 | |
Those women would have felt a complete taboo | 0:20:04 | 0:20:06 | |
-about being treated by a man? -That's right, that's right. | 0:20:06 | 0:20:09 | |
And she said, "I will start a medical school for women." | 0:20:09 | 0:20:14 | |
Edith Brown was a qualified doctor | 0:20:16 | 0:20:19 | |
who travelled to India with the Baptist Missionary Society, | 0:20:19 | 0:20:23 | |
moved by the plight of the women that she met. | 0:20:23 | 0:20:26 | |
To help to treat their needs, | 0:20:26 | 0:20:28 | |
she set about training female doctors and midwives. | 0:20:28 | 0:20:31 | |
It was very difficult to convince girls to take up medical studies. | 0:20:32 | 0:20:37 | |
And over the years, gradually it became, you know... | 0:20:37 | 0:20:40 | |
It attracted a lot of people from the work which was done. | 0:20:40 | 0:20:43 | |
And the government was very supportive for her work. | 0:20:43 | 0:20:47 | |
This became one of the important medical colleges in the country. | 0:20:47 | 0:20:51 | |
Men were admitted as students to the college in 1953. | 0:20:54 | 0:20:59 | |
Dr Thomas achieved worldwide acclaim in 1994 | 0:20:59 | 0:21:04 | |
when he performed ground-breaking surgery on a nine-year-old girl. | 0:21:04 | 0:21:09 | |
She needed a complete face and scalp replant after catching her pigtails | 0:21:09 | 0:21:15 | |
in a threshing machine. | 0:21:15 | 0:21:17 | |
It was the first operation of its kind and was a huge success. | 0:21:17 | 0:21:22 | |
The patient, Sandeep Kaur, is now a nurse, | 0:21:22 | 0:21:25 | |
and works at the college's teaching hospital. | 0:21:25 | 0:21:29 | |
Hello, Sandeep. | 0:21:29 | 0:21:31 | |
-Hello. -Hi. -I'm Michael. | 0:21:31 | 0:21:33 | |
How long have you been a qualified nurse? | 0:21:33 | 0:21:36 | |
I finished my nursing in 2009 and since that time | 0:21:36 | 0:21:38 | |
I've been working in this institution. | 0:21:38 | 0:21:40 | |
-And you enjoy the work? -Yeah, of course I enjoy it. | 0:21:40 | 0:21:43 | |
I am happy working here as a staff nurse. | 0:21:43 | 0:21:45 | |
Now, you yourself made medical history on one occasion. | 0:21:45 | 0:21:50 | |
I don't think so, but... | 0:21:50 | 0:21:52 | |
Well, was it not the very first face replant ever to be done? | 0:21:52 | 0:21:55 | |
-Yeah, it was the very first. -I think that's medical history. | 0:21:55 | 0:21:58 | |
So, when you're treating patients like these, | 0:21:58 | 0:22:00 | |
are you thinking back to your experience as a patient? | 0:22:00 | 0:22:03 | |
Because it is very easy for me to understand their pain, | 0:22:03 | 0:22:07 | |
because when I'm taking care of these patients, | 0:22:07 | 0:22:09 | |
I'm thinking of my history and when I was a patient. | 0:22:09 | 0:22:13 | |
I'm thinking of that time. | 0:22:13 | 0:22:15 | |
-I'm sure you make a wonderful nurse. -Thank you. | 0:22:15 | 0:22:18 | |
The college that Dame Edith Brown founded, | 0:22:22 | 0:22:24 | |
which began with just four students, now incorporates a hospital, | 0:22:24 | 0:22:28 | |
a dental college and a college of nursing. | 0:22:28 | 0:22:31 | |
Does the name Edith Brown mean anything to you? | 0:22:36 | 0:22:39 | |
Yes, quite a lot! | 0:22:39 | 0:22:40 | |
I am a product of this college, I've studied here, graduation, | 0:22:40 | 0:22:44 | |
post-graduation, everything here, really. | 0:22:44 | 0:22:47 | |
We respect that name, we remember that name. | 0:22:47 | 0:22:50 | |
I think she was a very brave woman. | 0:22:50 | 0:22:52 | |
And she did a lot at that point in time, | 0:22:52 | 0:22:55 | |
when women were not really at the forefront of most fields, | 0:22:55 | 0:22:59 | |
she took up the cause for providing care to the women in this area, | 0:22:59 | 0:23:05 | |
and I think she was a great woman. | 0:23:05 | 0:23:06 | |
Punjab is not one of India's biggest states | 0:23:15 | 0:23:18 | |
but it is one of its most important. | 0:23:18 | 0:23:21 | |
With fertile soil and an abundance of water, | 0:23:26 | 0:23:29 | |
82% of all land is used for farming. | 0:23:29 | 0:23:33 | |
I've come to the countryside surrounding Ludhiana. | 0:23:36 | 0:23:39 | |
"The popular idea," says Bradshaw's, | 0:23:42 | 0:23:45 | |
"is that the staple food of India is rice. | 0:23:45 | 0:23:48 | |
"But this is only the case in Bengal and steamy districts. | 0:23:48 | 0:23:52 | |
"The bulk of the people of India live on millet, | 0:23:52 | 0:23:55 | |
"and wheat is largely grown." | 0:23:55 | 0:23:58 | |
With many more than a billion mouths to feed, | 0:23:58 | 0:24:01 | |
agriculture in India has had to come a long way. | 0:24:01 | 0:24:05 | |
And whilst manual labour is still widespread, | 0:24:05 | 0:24:10 | |
the adoption of modern farming techniques | 0:24:10 | 0:24:12 | |
has helped to secure Punjab's title as the granary of India. | 0:24:12 | 0:24:16 | |
This small state produces around a seventh of all India's food grain. | 0:24:16 | 0:24:22 | |
Much of this wheat goes into industrial food production | 0:24:26 | 0:24:29 | |
but women in the countryside still hand-make | 0:24:29 | 0:24:32 | |
one of India's most ubiquitous foods, the chapati. | 0:24:32 | 0:24:37 | |
The oven is known as a chulha, and it's very well-insulated, | 0:24:37 | 0:24:41 | |
I suppose, made of clay, but here it's very hot on the metal pan. | 0:24:41 | 0:24:47 | |
The ladies seem to have no difficulty just picking the bread up | 0:24:47 | 0:24:50 | |
with their fingers and flipping it over. | 0:24:50 | 0:24:53 | |
And when you do flip it over finally, there is a fascinating | 0:24:53 | 0:24:56 | |
moment when it bubbles up. One more turn, | 0:24:56 | 0:25:00 | |
and then we will... | 0:25:00 | 0:25:02 | |
..hand it over for the addition of the clarified butter. | 0:25:04 | 0:25:07 | |
And the next one goes in. | 0:25:08 | 0:25:10 | |
Thank you very much. Thank you. | 0:25:13 | 0:25:16 | |
Mm! The bread is absolutely delicious. | 0:25:21 | 0:25:23 | |
Mm! Fantastic. Lovely. | 0:25:25 | 0:25:27 | |
Wow, that is so fresh, that's wonderful. | 0:25:29 | 0:25:32 | |
Thank you. | 0:25:32 | 0:25:34 | |
For the next leg of my journey, I'm leaving Ludhiana | 0:25:41 | 0:25:45 | |
and heading south-eastwards on the Shan-e-Punjab Express, | 0:25:45 | 0:25:49 | |
a train that runs the important route that crosses the border | 0:25:49 | 0:25:52 | |
from India into Pakistan. | 0:25:52 | 0:25:55 | |
The view from the window is glorious, | 0:26:10 | 0:26:13 | |
but this line has been part of some very dark history. | 0:26:13 | 0:26:16 | |
I'm joined by a professor of modern history. | 0:26:17 | 0:26:22 | |
This line has a very unfortunate place in history | 0:26:23 | 0:26:27 | |
and it's known as a place where a lot of blood was spilt. Why? | 0:26:27 | 0:26:31 | |
In 1947, right after Partition, this railway line, | 0:26:31 | 0:26:35 | |
this particular route from Lahore or Peshawar, | 0:26:35 | 0:26:39 | |
Lahore to Delhi and beyond, | 0:26:39 | 0:26:42 | |
became the line on which thousands, indeed millions of people | 0:26:42 | 0:26:46 | |
moved on to these strains, imagining that with a train ticket | 0:26:46 | 0:26:50 | |
they were going to get somewhere safe | 0:26:50 | 0:26:53 | |
and then found that these trains became just moving sites, in a way, | 0:26:53 | 0:26:59 | |
for terrible tragedies. | 0:26:59 | 0:27:01 | |
In August 1947, after 200 years, British rule in India ended. | 0:27:03 | 0:27:10 | |
The subcontinent was partitioned | 0:27:10 | 0:27:12 | |
into Hindu-majority India, and Muslim-majority Pakistan, | 0:27:12 | 0:27:17 | |
which was split into two halves, East and West. | 0:27:17 | 0:27:20 | |
The new border was hurriedly and secretly drawn up | 0:27:22 | 0:27:25 | |
by a British lawyer | 0:27:25 | 0:27:27 | |
and revealed two days after independence came into effect | 0:27:27 | 0:27:31 | |
and the British had withdrawn. | 0:27:31 | 0:27:33 | |
For the masses, it's the weary trail of the road. | 0:27:36 | 0:27:39 | |
Carrying their few possessions, they flee from savagery and butchery | 0:27:39 | 0:27:42 | |
that has never been exceeded, even in India's stormy history. | 0:27:42 | 0:27:45 | |
What followed was one of the greatest migrations | 0:27:46 | 0:27:49 | |
in human history, | 0:27:49 | 0:27:51 | |
as Hindus and Sikhs fled to India, | 0:27:51 | 0:27:54 | |
and Muslims in the opposite direction to Pakistan. | 0:27:54 | 0:27:58 | |
And this exodus was accompanied by brutal violence. | 0:27:58 | 0:28:03 | |
Some people take to the trains, believing they can escape to safety. | 0:28:10 | 0:28:14 | |
Well, isn't that the real irony of it all? | 0:28:14 | 0:28:17 | |
Railway is a state enterprise, so when you get onto a train | 0:28:17 | 0:28:21 | |
you believe that ticket is going to get you to where it's supposed to get you. | 0:28:21 | 0:28:24 | |
But rather than that, it becomes... | 0:28:24 | 0:28:27 | |
They become most vulnerable because there are hordes of people | 0:28:27 | 0:28:31 | |
on the rampage, and trains, paradoxically, | 0:28:31 | 0:28:34 | |
become a very easy target for people to loot and murder, | 0:28:34 | 0:28:40 | |
and women being abducted and raped. I mean, one could go on. | 0:28:40 | 0:28:43 | |
I remember seeing, as a child, and being very shocked, in a movie, | 0:28:43 | 0:28:47 | |
one of these train massacres. | 0:28:47 | 0:28:50 | |
Do they loom very large in the Indian imagination? | 0:28:50 | 0:28:54 | |
I think you put that very well. | 0:28:54 | 0:28:56 | |
Every big event of this kind, | 0:28:56 | 0:28:58 | |
whether it's the Holocaust or genocide or whatever, | 0:28:58 | 0:29:02 | |
there is always an iconic image which gets associated with it. | 0:29:02 | 0:29:06 | |
And very clearly with the Indian Partition, | 0:29:06 | 0:29:09 | |
it is the image of the moving trains, loaded with corpses. | 0:29:09 | 0:29:13 | |
There are no reliable numbers of how many people were killed | 0:29:14 | 0:29:17 | |
in the months following Partition | 0:29:17 | 0:29:20 | |
but estimates range from a few hundred thousand to two million dead, | 0:29:20 | 0:29:25 | |
and more than ten million displaced. | 0:29:25 | 0:29:28 | |
What was the role of the Indian government, | 0:29:32 | 0:29:34 | |
the Pakistani government and the British Empire? | 0:29:34 | 0:29:36 | |
Well, first of all, the British government, | 0:29:36 | 0:29:38 | |
their attitude was one of complete indifference. | 0:29:38 | 0:29:42 | |
In fact, there was a kind of secret satisfaction, if I can call it that, | 0:29:42 | 0:29:46 | |
that, well, you know, India's going to pieces, | 0:29:46 | 0:29:49 | |
and this is what... | 0:29:49 | 0:29:51 | |
"We were there to bring unity and you guys messed it all up." | 0:29:51 | 0:29:55 | |
It was madness. | 0:29:55 | 0:29:56 | |
72 days was announced by Mountbatten | 0:29:56 | 0:30:01 | |
to divide a subcontinent of this proportion. | 0:30:01 | 0:30:04 | |
I mean, I'm sorry to say, but this was nothing short of lunacy. | 0:30:04 | 0:30:07 | |
They left without anything in place. | 0:30:07 | 0:30:10 | |
Nothing was properly handed over. | 0:30:10 | 0:30:12 | |
It's clear to me that there is a sense of incomprehension and | 0:30:14 | 0:30:19 | |
betrayal at Britain's handling of Partition. | 0:30:19 | 0:30:21 | |
And there is continuing hostility between India and Pakistan. | 0:30:21 | 0:30:25 | |
Sadly, India's longed-for independence | 0:30:25 | 0:30:29 | |
began with hatred and recrimination. | 0:30:29 | 0:30:32 | |
I leave the train at Rajpura Junction outside Ambala, | 0:30:46 | 0:30:52 | |
close to the 19th-century Baradari Palace, | 0:30:52 | 0:30:55 | |
which is now a heritage hotel. | 0:30:55 | 0:30:57 | |
Good evening. | 0:31:00 | 0:31:02 | |
Thank you very much. | 0:31:02 | 0:31:03 | |
Thank you very much indeed. | 0:31:27 | 0:31:28 | |
I've been joined by a friend for breakfast. | 0:31:37 | 0:31:40 | |
And it's an Indian breakfast. | 0:31:40 | 0:31:42 | |
It's called aloo curry, | 0:31:42 | 0:31:43 | |
so this is a spicy vegetable soup, | 0:31:43 | 0:31:46 | |
and this is a dough that you dip in it. | 0:31:46 | 0:31:48 | |
My Bradshaw's tells me that, "early rising is an essential custom, | 0:31:50 | 0:31:55 | |
"as it enables the European | 0:31:55 | 0:31:57 | |
"to perambulate in the cool of the morning." | 0:31:57 | 0:32:00 | |
I intend to perambulate in the city of Ambala. | 0:32:00 | 0:32:04 | |
I'm taking a rickshaw into Ambala's busy centre. | 0:32:15 | 0:32:20 | |
It's an important railway and transport junction | 0:32:20 | 0:32:23 | |
which connects the major cities of North India. | 0:32:23 | 0:32:26 | |
This strategic location has given birth to the largest cloth market | 0:32:26 | 0:32:30 | |
in India. | 0:32:30 | 0:32:32 | |
I'm going to do some shopping while I'm in Ambala | 0:32:42 | 0:32:44 | |
and Bradshaw's has some very good advice - | 0:32:44 | 0:32:48 | |
"Hawkers are abundant and are always accompanied by two or three coolies | 0:32:48 | 0:32:54 | |
"who carry their enormous large packs on their heads. | 0:32:54 | 0:32:57 | |
"It's impossible to transact business with them | 0:32:57 | 0:33:01 | |
"without much haggling, to which the European must submit." | 0:33:01 | 0:33:05 | |
There are close to 1,000 wholesale shops selling silks and saris, | 0:33:14 | 0:33:19 | |
and tailors are everywhere. | 0:33:19 | 0:33:21 | |
India is absolute chaos | 0:33:32 | 0:33:35 | |
but after a while you begin to think of it as vibrancy, colour and life! | 0:33:35 | 0:33:41 | |
These people really know how to live. | 0:33:41 | 0:33:43 | |
In a place like this it's hard to resist the urge to shop. | 0:33:49 | 0:33:53 | |
-Hello! -Hello, hello, sir, hello. | 0:33:56 | 0:33:59 | |
-As you see, I quite like bright colours. -Yeah. | 0:33:59 | 0:34:02 | |
I wondered if I could get maybe... | 0:34:02 | 0:34:04 | |
-Kurta? -Yes. And the trousers? -Pyjama. -And the pyjama. | 0:34:04 | 0:34:09 | |
Yeah, I will show you the colours. | 0:34:09 | 0:34:10 | |
Colours, yes, please. Bright colours, please. Yes. | 0:34:10 | 0:34:13 | |
Don't bother with the dull ones. | 0:34:13 | 0:34:15 | |
Look at that! That's spectacular. | 0:34:15 | 0:34:17 | |
-Maybe a bit brown for me. -What about this colour, sir? | 0:34:20 | 0:34:23 | |
-Wow! -This is a wonderful colour, sir. -That is amazing. | 0:34:23 | 0:34:27 | |
I will get your measurements. | 0:34:27 | 0:34:28 | |
-Please. -After that, I will tell you how much it will cost. | 0:34:28 | 0:34:33 | |
Chest size, sir. You can breathe easy, sir. | 0:34:33 | 0:34:37 | |
You're not in a gym. | 0:34:37 | 0:34:39 | |
I think there must be a fault with your tape measure. | 0:34:39 | 0:34:42 | |
Here, most kurta and pyjama | 0:34:45 | 0:34:48 | |
are made to measure by a team of seamstresses. | 0:34:48 | 0:34:51 | |
And in just a couple of hours, a tailored outfit is ready. | 0:34:51 | 0:34:55 | |
Oh, Michael! Looks very nice. | 0:34:58 | 0:35:00 | |
Thank you. | 0:35:00 | 0:35:02 | |
-Are these the ladies who were responsible? -Yes, yes. | 0:35:02 | 0:35:05 | |
Thank you very much. | 0:35:05 | 0:35:06 | |
They have made your kurta and pyjama. | 0:35:06 | 0:35:09 | |
What's this? Ooh! | 0:35:10 | 0:35:12 | |
This as well? | 0:35:14 | 0:35:15 | |
-I will help you, sir. -Thank you very much. | 0:35:17 | 0:35:20 | |
What do you think? Does that look nice? | 0:35:23 | 0:35:27 | |
Very nice. | 0:35:27 | 0:35:29 | |
It's so elegant, isn't it? | 0:35:29 | 0:35:30 | |
-Very elegant. -It's a lovely style. | 0:35:30 | 0:35:32 | |
Now you are looking in full Indian dress-up. | 0:35:32 | 0:35:36 | |
-Thanks to you. Thank you so much. -Thank you. | 0:35:36 | 0:35:39 | |
I'm halfway through my journey and about to leave Ambala. | 0:35:48 | 0:35:52 | |
My route turns north to the Punjabi | 0:36:07 | 0:36:09 | |
state capital of Chandigarh. | 0:36:09 | 0:36:11 | |
My next stop will be Kalka | 0:36:11 | 0:36:13 | |
and here I'll take my place | 0:36:13 | 0:36:15 | |
on one of the world's most famous | 0:36:15 | 0:36:17 | |
mountain rail routes, | 0:36:17 | 0:36:18 | |
ascending into the Himalayas | 0:36:18 | 0:36:20 | |
to my final destination, Shimla. | 0:36:20 | 0:36:23 | |
My Bradshaw's guide, dated 1913, tells me that, | 0:36:37 | 0:36:41 | |
"Lahore is the capital of the Punjab, | 0:36:41 | 0:36:44 | |
"one of the most ancient and famous cities in India, | 0:36:44 | 0:36:48 | |
"seat of the Lieutenant Governor and military command." | 0:36:48 | 0:36:51 | |
But nowadays, Lahore is in Pakistan. | 0:36:51 | 0:36:55 | |
I'm headed for the capital of the Indian state of Punjab, Chandigarh, | 0:36:55 | 0:36:59 | |
and it's not even in the state of Punjab | 0:36:59 | 0:37:01 | |
but the neighbouring one of Hariana. | 0:37:01 | 0:37:04 | |
I smell something highly political. | 0:37:04 | 0:37:07 | |
Hello. | 0:37:28 | 0:37:30 | |
Chandigarh is a relatively new city. | 0:37:30 | 0:37:32 | |
It was created in 1950 after independence and Partition. | 0:37:32 | 0:37:37 | |
To get a sense of this modern capital, I'm taking a taxi | 0:37:37 | 0:37:41 | |
to the administrative centre, the Capitol Complex, | 0:37:41 | 0:37:44 | |
and I'm already noticing some rather curious sights, such as roundabouts. | 0:37:44 | 0:37:49 | |
Chandigarh is quite different from anywhere I've been in India. | 0:37:52 | 0:37:56 | |
It's so clean and tidy. | 0:37:56 | 0:37:58 | |
The traffic is orderly, there are white lines painted on the roads | 0:37:58 | 0:38:02 | |
and people respect them! | 0:38:02 | 0:38:04 | |
There is greenery and flowers everywhere. | 0:38:04 | 0:38:07 | |
It's like travelling to a different planet. | 0:38:07 | 0:38:10 | |
It is extraordinary to find such an orderly city | 0:38:12 | 0:38:15 | |
in the commotion of India. | 0:38:15 | 0:38:18 | |
Architecturally, it is overwhelmingly modernist. | 0:38:18 | 0:38:21 | |
I'm meeting an architect, | 0:38:21 | 0:38:25 | |
to find out how this city came to be. | 0:38:25 | 0:38:28 | |
Why and when was Chandigarh built? | 0:38:33 | 0:38:37 | |
Chandigarh was actually made after India gained independence, | 0:38:37 | 0:38:41 | |
there was a very traumatic partition. | 0:38:41 | 0:38:43 | |
The capital of this whole state of Punjab, which was Lahore, | 0:38:43 | 0:38:46 | |
went into Pakistan, there was a hunt for a new city, | 0:38:46 | 0:38:49 | |
"How can we make a new capital?" | 0:38:49 | 0:38:50 | |
They tried many cities, "Maybe you could expand this one or that one." | 0:38:50 | 0:38:53 | |
Ultimately, they came to the conclusion, "Let's make a new city." | 0:38:53 | 0:38:57 | |
What was intended with the building of Chandigarh? | 0:38:57 | 0:39:00 | |
Jawaharlal Nehru, the first Prime Minister of independent India, | 0:39:00 | 0:39:02 | |
what he wanted to show the world was that India is no longer a regressive | 0:39:02 | 0:39:06 | |
country of villagers and backward people. In his own words, | 0:39:06 | 0:39:11 | |
what he said was that Chandigarh | 0:39:11 | 0:39:13 | |
will be a symbol of the nation's fate in the future. | 0:39:13 | 0:39:17 | |
To design this new city, in keeping with his bold vision for India, | 0:39:21 | 0:39:25 | |
Nehru hired celebrated Swiss-French architect Le Corbusier, | 0:39:25 | 0:39:30 | |
famous for designing unique, private houses, public buildings, | 0:39:30 | 0:39:35 | |
and housing projects. | 0:39:35 | 0:39:38 | |
Le Corbusier had never before been given the chance | 0:39:38 | 0:39:41 | |
to implement the town planning ideas | 0:39:41 | 0:39:44 | |
that he'd been working on for 20 years. | 0:39:44 | 0:39:47 | |
What was his philosophy of town planning? | 0:39:47 | 0:39:50 | |
He broke down the needs of a modern man into very four, clear, | 0:39:50 | 0:39:54 | |
distinct categories - | 0:39:54 | 0:39:55 | |
living, working, circulation and care of body and spirit. | 0:39:55 | 0:39:59 | |
So, living basically meant your sector, which was self-sufficient, | 0:39:59 | 0:40:02 | |
it had all the needs that you had. | 0:40:02 | 0:40:05 | |
Circulation had to be very efficient because he felt the more efficient | 0:40:05 | 0:40:08 | |
the roads, the more efficient people will be in their lives. | 0:40:08 | 0:40:11 | |
Working, he had dedicated areas for offices and markets. | 0:40:11 | 0:40:15 | |
And, of course, care of body and spirit you see everywhere | 0:40:15 | 0:40:17 | |
in Chandigarh, the greens and the lakes, and the Leisure Valley. | 0:40:17 | 0:40:20 | |
So, basically, he had a very clear-cut definition | 0:40:20 | 0:40:22 | |
-of what a modern city should be. -OK, a new city. | 0:40:22 | 0:40:26 | |
But there is nothing Indian about these buildings. | 0:40:26 | 0:40:28 | |
That is where the genius of Corbusier comes in. | 0:40:28 | 0:40:31 | |
There is no nothing in any building. | 0:40:31 | 0:40:33 | |
You can't say it is British, it is Colonial, it is Mexican. | 0:40:33 | 0:40:36 | |
It does not belong to any era. | 0:40:36 | 0:40:38 | |
He wanted a very timeless kind of architecture, which you could not | 0:40:38 | 0:40:41 | |
put into any slot. It is deliberately not Indian. | 0:40:41 | 0:40:45 | |
The city is internationally recognised | 0:40:49 | 0:40:51 | |
as a modernist masterpiece, and the Capitol Complex | 0:40:51 | 0:40:55 | |
has recently been awarded UNESCO World Heritage status. | 0:40:55 | 0:40:59 | |
One of the sectors that the architect created | 0:41:01 | 0:41:03 | |
to take care of the body and spirit of Chandigarh's residents | 0:41:03 | 0:41:07 | |
is Sukhna Lake. | 0:41:07 | 0:41:10 | |
A man-made reservoir at the foothills of the Himalayas, | 0:41:10 | 0:41:14 | |
it's become a favourite place to go boating | 0:41:14 | 0:41:16 | |
or to relax with an early evening walk. | 0:41:16 | 0:41:19 | |
-Hello. -Hi. -Beautiful evening. | 0:41:22 | 0:41:26 | |
-Are you from Chandigarh? -Yes, I'm from Chandigarh. | 0:41:26 | 0:41:29 | |
Very interesting. Do you enjoy living in Chandigarh? | 0:41:29 | 0:41:32 | |
I do. It's amazing. | 0:41:32 | 0:41:34 | |
-Why? -Because the weather here is very nice, | 0:41:34 | 0:41:38 | |
and we have a lot of greenery around here. | 0:41:38 | 0:41:40 | |
I am born and brought up in Delhi, | 0:41:40 | 0:41:41 | |
so as compared to that, this is amazing. | 0:41:41 | 0:41:44 | |
It strikes me as very different from everywhere else I've been in India. | 0:41:44 | 0:41:48 | |
Yeah, actually, it is a planned city. | 0:41:48 | 0:41:50 | |
This is what I have experienced, being from Delhi. | 0:41:50 | 0:41:53 | |
You don't feel that it's too planned? | 0:41:53 | 0:41:56 | |
No, I just love it because, you know, you can breathe. | 0:41:56 | 0:42:00 | |
This park is also the place of much entertainment, | 0:42:09 | 0:42:12 | |
including traditional Indian dance. | 0:42:12 | 0:42:15 | |
Bhangra is associated with the farmers of the Punjab. | 0:42:17 | 0:42:21 | |
The choreography reflects their daily activities, | 0:42:21 | 0:42:24 | |
like sowing seeds and cutting wheat. | 0:42:24 | 0:42:27 | |
I'm struck by its exuberance. | 0:42:30 | 0:42:33 | |
And you know me - I'm itching to have a go. | 0:42:33 | 0:42:36 | |
And if I'm going to engage I need to look the part. | 0:42:48 | 0:42:53 | |
-Very nice. -Thank you, madam. | 0:42:53 | 0:42:55 | |
Well, now you've got me all dressed up, what is this dance? | 0:42:55 | 0:42:58 | |
This is the dance of Punjab. | 0:42:58 | 0:43:00 | |
We will celebrate Vaisakhi festival, | 0:43:00 | 0:43:02 | |
we will perform dance only to feel happy. | 0:43:02 | 0:43:06 | |
What is Vaisakhi? What does that mean? | 0:43:06 | 0:43:07 | |
That is the festival of Punjab. There is, like...farmer festival. | 0:43:07 | 0:43:13 | |
Harvest festival? So, for a traditional dance | 0:43:13 | 0:43:15 | |
you look rather modern to me. It looked a bit like Bollywood. | 0:43:15 | 0:43:18 | |
-So, Bollywood copies our folk dance. -Ah! | 0:43:18 | 0:43:21 | |
So, bhangra is the origin of it all? | 0:43:21 | 0:43:23 | |
-Yeah, bhangra. Bhangra. -Bhangra. | 0:43:23 | 0:43:27 | |
Let the music begin. | 0:43:27 | 0:43:29 | |
Thank you. | 0:44:05 | 0:44:07 | |
Thank you very much. | 0:44:07 | 0:44:11 | |
Another unforgettable moment in my dance career. | 0:44:11 | 0:44:15 | |
I'm leaving Chandigarh on a commuter train. | 0:44:33 | 0:44:36 | |
But my next ride will be anything but routine. | 0:44:36 | 0:44:40 | |
There's a fresher breeze blowing now | 0:44:56 | 0:44:59 | |
and that's because I'm within sight of the Himalayas, | 0:44:59 | 0:45:02 | |
my first view of these gorgeous mountains. | 0:45:02 | 0:45:05 | |
And this train will take me to Kalka, | 0:45:05 | 0:45:08 | |
which is the starting point for a railway journey | 0:45:08 | 0:45:11 | |
that enthusiasts will know to be one of the most beautiful in India - | 0:45:11 | 0:45:15 | |
indeed, on many people's lists of the things that have to be done | 0:45:15 | 0:45:20 | |
while you're on this Earth. | 0:45:20 | 0:45:22 | |
The Kalka to Shimla line opened in 1903, | 0:45:35 | 0:45:38 | |
and today is one of the world's most celebrated mountain railways. | 0:45:38 | 0:45:43 | |
Its regular services attract both domestic and international tourists. | 0:45:43 | 0:45:48 | |
INDISTINCT CHATTER IN OWN LANGUAGE | 0:45:48 | 0:45:53 | |
So, this is the train that's going to take me up to Shimla. | 0:45:53 | 0:45:57 | |
Narrow gauge and, at first sight, it seems almost like a toy railway. | 0:45:57 | 0:46:01 | |
These carriages are kind of cute. | 0:46:01 | 0:46:03 | |
But, actually, it must be immensely powerful because we're going to rise | 0:46:03 | 0:46:07 | |
up to 7,000 feet over a distance of 60 miles. | 0:46:07 | 0:46:12 | |
I've always wanted to ride this railway. | 0:46:13 | 0:46:17 | |
And I'm excited to begin the five-hour trip | 0:46:23 | 0:46:26 | |
up into the highest mountain range in the world. | 0:46:26 | 0:46:30 | |
Bradshaw's says that, "The railway has been carried from Kalka | 0:46:39 | 0:46:43 | |
"by a fine piece of mountain engineering to Shimla." | 0:46:43 | 0:46:48 | |
My guidebook is guilty of an understatement. | 0:46:48 | 0:46:51 | |
When this railway was completed at the beginning of the 20th century, | 0:46:51 | 0:46:54 | |
it had 107 tunnels, 864 bridges and viaducts, and spectacular views. | 0:46:54 | 0:47:02 | |
It was - and remains - | 0:47:02 | 0:47:04 | |
one of the great achievements of the railway age. | 0:47:04 | 0:47:07 | |
These feats of engineering have put this railway | 0:47:12 | 0:47:15 | |
on the UNESCO World Heritage list. | 0:47:15 | 0:47:17 | |
At 2'6", it's a narrow gauge railway, | 0:47:22 | 0:47:26 | |
its lightweight vehicles able to navigate the winding route | 0:47:26 | 0:47:30 | |
up and down the mountain. | 0:47:30 | 0:47:32 | |
May I ask you, are you travelling for the first time | 0:47:43 | 0:47:45 | |
-on this wonderful train? -Yes, first time. -And are you enjoying it? | 0:47:45 | 0:47:48 | |
Yes, very enjoying. | 0:47:48 | 0:47:50 | |
Definitely, yes. We are enjoying it. | 0:47:50 | 0:47:52 | |
I think it is a very hilly area. | 0:47:52 | 0:47:55 | |
And the weather is very cold. | 0:47:55 | 0:47:58 | |
You're expecting quite cold weather, I see. | 0:47:58 | 0:48:01 | |
You've got me quite worried because I haven't brought a coat like that. | 0:48:01 | 0:48:04 | |
Do you think I'll be OK? | 0:48:04 | 0:48:06 | |
Oh, that's beautiful, look at that. | 0:48:11 | 0:48:14 | |
As the train ascends for 60 miles, the air cools. | 0:48:20 | 0:48:25 | |
In summer, temperatures below | 0:48:25 | 0:48:27 | |
can be a sweltering 43 degrees, | 0:48:27 | 0:48:30 | |
while up the mountain they average 28. | 0:48:30 | 0:48:33 | |
Like most long-haul Indian train journeys, | 0:48:33 | 0:48:36 | |
there is much camaraderie and spontaneous entertainment. | 0:48:36 | 0:48:41 | |
Chugging through the foothills of the Himalayas. | 0:48:59 | 0:49:02 | |
Now, this is what I call a great rail adventure. | 0:49:02 | 0:49:06 | |
With no-one telling you to keep the doors closed, | 0:49:12 | 0:49:15 | |
passengers are rewarded with gorgeous views. | 0:49:15 | 0:49:19 | |
If you're wondering why such a great train service | 0:49:30 | 0:49:33 | |
was built into these mountains, then Bradshaw's has the answer. | 0:49:33 | 0:49:37 | |
"Shimla," my guidebook tells me, | 0:49:38 | 0:49:40 | |
"is the residence of the Viceroy and the Commander in Chief | 0:49:40 | 0:49:43 | |
"between April and October, called the summer capital of India, | 0:49:43 | 0:49:48 | |
"on a ridge near the Sutlej River, | 0:49:48 | 0:49:50 | |
"7,000 feet above the sea, in sight of the Himalayas." | 0:49:50 | 0:49:54 | |
I like to think of the British Raj in the late spring, | 0:49:54 | 0:49:57 | |
loading up the trains with typewriters and filing cabinets, | 0:49:57 | 0:50:02 | |
embossed Imperial paper, rubber stamps and ink pads, and then, | 0:50:02 | 0:50:07 | |
in October, bringing it all back down again. | 0:50:07 | 0:50:11 | |
The stop at the end of this spectacular line was, | 0:50:34 | 0:50:37 | |
for over 80 years, the place to which India's British administration | 0:50:37 | 0:50:42 | |
decamped for the summer. | 0:50:42 | 0:50:44 | |
And I'll be excited to explore it tomorrow. | 0:50:48 | 0:50:51 | |
This morning, I'm exploring Shimla, | 0:51:08 | 0:51:11 | |
a curious Himalayan town. | 0:51:11 | 0:51:13 | |
While some areas feel typically Indian, | 0:51:17 | 0:51:21 | |
the historic centre resembles a corner of England. | 0:51:21 | 0:51:24 | |
Tibet may be on the horizon | 0:51:24 | 0:51:27 | |
but the architecture is distinctly Home Counties. | 0:51:27 | 0:51:31 | |
At its heart is the Viceregal Lodge built in 1888, | 0:51:35 | 0:51:40 | |
which served as the seat of power for several months each year. | 0:51:40 | 0:51:44 | |
Towards the end of British rule, | 0:51:44 | 0:51:46 | |
this was also where Indian leaders met Viceroy Lord Louis Mountbatten | 0:51:46 | 0:51:51 | |
to discuss the partition that would follow independence. | 0:51:51 | 0:51:55 | |
I'm meeting a historian and Shimla resident. | 0:51:55 | 0:51:59 | |
My Bradshaw's says, | 0:52:00 | 0:52:03 | |
"Shimla is often regarded as the doyen of the hill stations. | 0:52:03 | 0:52:07 | |
"Indeed, for some six months of the year, Shimla, and not Delhi, | 0:52:07 | 0:52:11 | |
"is the political capital of the Indian Empire." | 0:52:11 | 0:52:14 | |
-What was that Empire? -That Empire, | 0:52:14 | 0:52:17 | |
if one was to look at it in terms of area, was all of today's India, | 0:52:17 | 0:52:22 | |
Pakistan, Bangladesh and Burma. | 0:52:22 | 0:52:25 | |
Today's UAE, | 0:52:25 | 0:52:27 | |
even Sri Lanka, and Singapore, were all governed from this little town. | 0:52:27 | 0:52:33 | |
-How extraordinary. -Absolutely extraordinary. | 0:52:33 | 0:52:35 | |
And when you mention six months, it's more like eight months. | 0:52:35 | 0:52:38 | |
Here is one of the world's most powerful governments, | 0:52:38 | 0:52:42 | |
which has jurisdiction over a fifth of the human race, | 0:52:42 | 0:52:47 | |
being ruled from this tiny village up on a hilltop, | 0:52:47 | 0:52:51 | |
connected to the rest of the world, at least in the early years, | 0:52:51 | 0:52:54 | |
by one narrow mountain path. It's bizarre. | 0:52:54 | 0:52:58 | |
What sort of paraphernalia of government had to be moved | 0:52:58 | 0:53:01 | |
from the winter to the summer capital and back again? | 0:53:01 | 0:53:04 | |
It was almost like a city on the move. | 0:53:04 | 0:53:07 | |
The time when Kolkata was the capital and Shimla | 0:53:07 | 0:53:09 | |
the summer capital, here is this distance of 1,200 miles. | 0:53:09 | 0:53:14 | |
We are talking about a point of time of no roads, no railways, | 0:53:14 | 0:53:18 | |
people moved in these almost mind-boggling combinations | 0:53:18 | 0:53:21 | |
of elephant-back, horseback, | 0:53:21 | 0:53:23 | |
on these flat-bottomed boats, up the River Ganges, | 0:53:23 | 0:53:27 | |
and from the foothills, even piggyback | 0:53:27 | 0:53:29 | |
because they were carried up | 0:53:29 | 0:53:31 | |
often enough on palanquins. | 0:53:31 | 0:53:33 | |
For example, the Viceroy Lord Northbrook, when he came to Shimla, | 0:53:33 | 0:53:36 | |
it's about 500 men were employed simply to move his kitchen utensils | 0:53:36 | 0:53:42 | |
between point A and point B. | 0:53:42 | 0:53:45 | |
What was the impact of the railways? | 0:53:45 | 0:53:47 | |
It killed the old bullock train which existed, | 0:53:47 | 0:53:51 | |
which was a convoy of bullock carts | 0:53:51 | 0:53:53 | |
which just moved 24 hours up the hill, | 0:53:53 | 0:53:56 | |
carrying things as diverse as cases of champagne, | 0:53:56 | 0:53:59 | |
to stone to make this building. | 0:53:59 | 0:54:01 | |
Interestingly enough, almost all the great, grand buildings of this town | 0:54:01 | 0:54:07 | |
were built before the railway came into Shimla. The sheer scale | 0:54:07 | 0:54:11 | |
of things and the sheer logistics that went into it | 0:54:11 | 0:54:14 | |
are quite remarkable. | 0:54:14 | 0:54:16 | |
Throughout its more than 75 years as India's summer capital, | 0:54:21 | 0:54:26 | |
Shimla's society was a whirl of picnics, | 0:54:26 | 0:54:30 | |
amateur dramatics and cricket tournaments, | 0:54:30 | 0:54:33 | |
with the social scene centring on the Mall. | 0:54:33 | 0:54:36 | |
How did the British Raj conduct itself here | 0:54:39 | 0:54:42 | |
on the ridge and on the Mall? | 0:54:42 | 0:54:44 | |
For one, the early mornings, they would have had the nursemaids, | 0:54:44 | 0:54:47 | |
coming out with the children in their prams, | 0:54:47 | 0:54:50 | |
airing the children for the day. | 0:54:50 | 0:54:52 | |
Mid-morning would have had the single ladies | 0:54:52 | 0:54:54 | |
coming up for their shopping. | 0:54:54 | 0:54:56 | |
This is where everybody came to show off, to see and be seen. | 0:54:56 | 0:55:02 | |
Shimla, despite it having been such a tiny, little place, | 0:55:02 | 0:55:05 | |
ended up having a very cosmopolitan atmosphere. | 0:55:05 | 0:55:08 | |
Isolated from the rest of Indian society, | 0:55:10 | 0:55:13 | |
the elite relaxed and enjoyed themselves, | 0:55:13 | 0:55:17 | |
and the town gained a rather racy reputation. | 0:55:17 | 0:55:20 | |
As we come into the closing years of the 19th century, | 0:55:20 | 0:55:24 | |
the town somewhat does start getting steamier and steamier. | 0:55:24 | 0:55:28 | |
You have the... the fishing fleet coming in. | 0:55:28 | 0:55:31 | |
These young girls coming in to India in search of husbands. | 0:55:31 | 0:55:35 | |
The ones who went back without an engagement ring or a wedding band | 0:55:35 | 0:55:38 | |
were the ones who were termed as "returned empties". | 0:55:38 | 0:55:41 | |
And, then, more interestingly, | 0:55:41 | 0:55:43 | |
what you have is the somewhat older widows, | 0:55:43 | 0:55:48 | |
middle-aged women who came up, generally, to have a good time, | 0:55:48 | 0:55:51 | |
more than just mild flirtations and, of course, as we know, | 0:55:51 | 0:55:55 | |
Kipling wrote an enormous amount about these women. | 0:55:55 | 0:55:59 | |
Born in India in 1865, | 0:55:59 | 0:56:03 | |
writer and poet Rudyard Kipling spent several summers in Shimla | 0:56:03 | 0:56:07 | |
as a journalist for the Civil And Military Gazette, | 0:56:07 | 0:56:10 | |
covering the social season. During this time, | 0:56:10 | 0:56:14 | |
he garnered plenty of material for his novels and poems. | 0:56:14 | 0:56:18 | |
We have this point where... this middle-aged lady | 0:56:19 | 0:56:23 | |
who draws all the young men to her side and the young teenagers | 0:56:23 | 0:56:27 | |
are rather jealous of it. And the last line of that poem goes, | 0:56:27 | 0:56:32 | |
"They walk beside Her 'rickshaw-wheels | 0:56:32 | 0:56:34 | |
"None walk beside mine | 0:56:34 | 0:56:35 | |
"And that is because I'm Seventeen | 0:56:35 | 0:56:37 | |
"And She is Forty-nine." | 0:56:37 | 0:56:39 | |
And what was the particular attraction of the older women? | 0:56:40 | 0:56:44 | |
The safety that she has, and the experience that went with it. | 0:56:44 | 0:56:47 | |
THEY LAUGH | 0:56:47 | 0:56:49 | |
The British lived an idyllic life during the Raj here in Shimla, | 0:56:58 | 0:57:02 | |
drinking tea, playing croquet | 0:57:02 | 0:57:05 | |
and falling in love, attended by squads of servants. | 0:57:05 | 0:57:10 | |
But British India was not designed for Indians, | 0:57:10 | 0:57:14 | |
and after years of struggle against British rule, | 0:57:14 | 0:57:17 | |
key negotiations about independence | 0:57:17 | 0:57:20 | |
were held here in the foothills of the Himalayas. When freedom came, | 0:57:20 | 0:57:25 | |
it was accompanied by Partition between India and Pakistan | 0:57:25 | 0:57:30 | |
and appalling levels of violence. And it was perhaps with that in mind | 0:57:30 | 0:57:34 | |
that India's first Prime Minister Nehru designed Chandigarh | 0:57:34 | 0:57:39 | |
as a new city that would leave behind the old India | 0:57:39 | 0:57:43 | |
and commit his country to modernity. | 0:57:43 | 0:57:47 | |
Next time, I play the sport of kings with royalty. | 0:57:56 | 0:58:00 | |
-Hit it, hit it. -Oh! | 0:58:00 | 0:58:02 | |
-It's your timing. -My timing, indeed. | 0:58:02 | 0:58:04 | |
I'm moved by India's architecture of passion. | 0:58:04 | 0:58:08 | |
For the millions of visitors, | 0:58:08 | 0:58:10 | |
the Taj Mahal is the greatest monument to love in the world. | 0:58:10 | 0:58:15 | |
And relate to some of the country's most revered animals. | 0:58:15 | 0:58:19 | |
Was it something I said? | 0:58:21 | 0:58:23 |