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The Sahara Desert, Mali, | 0:00:03 | 0:00:06 | |
home to one of Earth's most mysterious and legendary places. | 0:00:06 | 0:00:11 | |
Africa's fabled city of gold. | 0:00:11 | 0:00:14 | |
Timbuktu. | 0:00:14 | 0:00:15 | |
My name's Alice Morrison. | 0:00:20 | 0:00:22 | |
I'm an Arabist and explorer. | 0:00:22 | 0:00:26 | |
I live in Morocco, | 0:00:26 | 0:00:27 | |
and since childhood I've dreamt of making the gruelling journey | 0:00:27 | 0:00:30 | |
across the Sahara to see this ancient city | 0:00:30 | 0:00:33 | |
before it's lost for ever to sand and war. | 0:00:33 | 0:00:37 | |
I love touching history. | 0:00:39 | 0:00:41 | |
In this series, I'll track 2,000 miles following ancient trade routes, | 0:00:43 | 0:00:47 | |
often known as salt roads, across some of the world's most hostile lands. | 0:00:47 | 0:00:53 | |
Timbuktu is at the centre of all these trade routes, | 0:00:53 | 0:00:56 | |
and I want to follow them, and find it, and see what's there. | 0:00:56 | 0:00:59 | |
'I'll pass through some magical places that time has barely touched.' | 0:00:59 | 0:01:05 | |
Oh, wow! | 0:01:05 | 0:01:06 | |
'Relying on the hospitality of Berber nomads.' | 0:01:06 | 0:01:10 | |
He's just cutting up the heart. | 0:01:12 | 0:01:15 | |
'And I'll come face-to-face with some frightening modern-day realities.' | 0:01:15 | 0:01:19 | |
I'm beginning to feel quite nervous. | 0:01:19 | 0:01:21 | |
'Travelling deep beneath the veil | 0:01:21 | 0:01:23 | |
'into the heart of ancient and modern North Africa, | 0:01:23 | 0:01:26 | |
'I'll discover its incredible forgotten history... | 0:01:26 | 0:01:29 | |
'..en route to the legendary city of gold, Timbuktu.' | 0:01:30 | 0:01:34 | |
The Mediterranean Sea, Mare Nostrum. | 0:01:51 | 0:01:54 | |
'The basin of civilisation. | 0:01:57 | 0:01:59 | |
'My 2,000-mile journey begins here. | 0:01:59 | 0:02:02 | |
'Behind me, Europe, ahead of me, Africa | 0:02:02 | 0:02:05 | |
'and an intoxicating mix of new experiences, danger and untold wealth. | 0:02:05 | 0:02:11 | |
'First up, the historic trading port of Tangier, | 0:02:13 | 0:02:17 | |
'on the northernmost tip of Morocco.' | 0:02:17 | 0:02:19 | |
I'm trying to imagine what it was like hundreds of years ago, | 0:02:20 | 0:02:22 | |
when you had ships here in full sail, stuffed to the gunwales with spices, | 0:02:22 | 0:02:26 | |
with ostrich feathers, with metal, with wool from Manchester. | 0:02:26 | 0:02:31 | |
I wonder what it would have been like if you were a merchant in those days, | 0:02:31 | 0:02:33 | |
coming across from cold, rainy Europe, | 0:02:33 | 0:02:35 | |
and seeing Tangier glinting in the distance, this promise of Africa. | 0:02:35 | 0:02:39 | |
For centuries, merchants have crossed these waters | 0:02:45 | 0:02:48 | |
seeking the fantastic riches of the African continent. | 0:02:48 | 0:02:51 | |
Tangier was founded in the fifth century BC, | 0:02:58 | 0:03:01 | |
and has always attracted adventurers, pirates and even spies. | 0:03:01 | 0:03:05 | |
It's where European merchants would have encountered the flow of gold from | 0:03:08 | 0:03:11 | |
the south for the first time. | 0:03:11 | 0:03:13 | |
And it's my first leg of the journey on the original trade routes that | 0:03:13 | 0:03:17 | |
brought it all the way from Timbuktu. | 0:03:17 | 0:03:19 | |
'This city is full of treasures, | 0:03:23 | 0:03:25 | |
'and in a small book shop I've found a reproduction of the most important | 0:03:25 | 0:03:29 | |
'map of medieval times, the Catalan atlas. | 0:03:29 | 0:03:33 | |
'It confirms Timbuktu's reputation as the gold capital of Mali | 0:03:34 | 0:03:38 | |
'and of Africa.' | 0:03:38 | 0:03:40 | |
You can see, very clearly, | 0:03:40 | 0:03:42 | |
the king of the kingdom of Mali sitting there, | 0:03:42 | 0:03:45 | |
on his throne with a great big nugget of gold in his hand, | 0:03:45 | 0:03:48 | |
and a huge gold crown on his head. | 0:03:48 | 0:03:50 | |
This is Mansa Musa, king of Mali, | 0:03:54 | 0:03:57 | |
and stories of Timbuktu's fabled gold began to spread | 0:03:57 | 0:04:01 | |
during his reign in the 14th century. | 0:04:01 | 0:04:03 | |
Even today, he is said to be the richest man in history. | 0:04:03 | 0:04:07 | |
There is an inscription on the map... | 0:04:10 | 0:04:12 | |
"So abundant is the gold found in his country, | 0:04:13 | 0:04:16 | |
"that he is the richest and most noble king in the land." | 0:04:16 | 0:04:19 | |
800 years on, modern gold traders still thrive here. | 0:04:22 | 0:04:26 | |
'I'm dying to touch the real thing to find out why it was so prized. | 0:04:27 | 0:04:32 | |
'So I'm meeting an expert in Moroccan antiquities. | 0:04:32 | 0:04:36 | |
'Much of the gold was used to mint coins, | 0:04:38 | 0:04:40 | |
'and she has an ancient one to show me.' | 0:04:40 | 0:04:43 | |
Here are some inscriptions saying | 0:04:43 | 0:04:45 | |
that it was from the Marinid dynasty of the 15th century. | 0:04:45 | 0:04:48 | |
Gold came from the sub-Saharan Africa through the trans-Saharan trade. | 0:04:48 | 0:04:53 | |
And this is evidence of that, it landed in Morocco. | 0:04:53 | 0:04:57 | |
Do you think this coin might have come through Timbuktu? | 0:04:57 | 0:04:59 | |
Yes, of course, most likely it did come from Timbuktu. | 0:04:59 | 0:05:02 | |
Yes. I would say that it was probably the most important crossroads for gold. | 0:05:02 | 0:05:06 | |
It's very exciting for me, I feel like I'm touching history. | 0:05:06 | 0:05:10 | |
You are! Yes! You are touching history. | 0:05:10 | 0:05:13 | |
It's in your hands. | 0:05:13 | 0:05:14 | |
I've got gold fever. | 0:05:16 | 0:05:18 | |
I can feel how its allure drew the merchants of old to make the journey | 0:05:19 | 0:05:23 | |
south to Mali, and the city of Timbuktu. | 0:05:23 | 0:05:25 | |
The roads they forged are the very ones I'm going to travel, too. | 0:05:29 | 0:05:33 | |
This is going to be my Bible. | 0:05:34 | 0:05:36 | |
Absolutely invaluable. | 0:05:37 | 0:05:39 | |
It is a map of all the major trade routes across the Sahara. | 0:05:39 | 0:05:42 | |
But I think the journey's going to take some doing. | 0:05:44 | 0:05:46 | |
I think we're going to have a lot of fun in the Atlas Mountains, | 0:05:46 | 0:05:49 | |
because that is a big, big natural barrier. | 0:05:49 | 0:05:51 | |
And each of those mountains is three times higher than Ben Nevis. | 0:05:51 | 0:05:54 | |
So it's quite a difficult thing to get across. | 0:05:54 | 0:05:57 | |
And, of course, then, that is all the Sahara Desert, all the way along. | 0:05:57 | 0:06:00 | |
That is going to be another major thing for us to cross. | 0:06:00 | 0:06:02 | |
And then the routes, all routes, lead to Timbuktu. | 0:06:02 | 0:06:05 | |
'It's not difficult to see why Timbuktu became a mecca for gold traders. | 0:06:06 | 0:06:11 | |
'It was surrounded by gold mines. | 0:06:11 | 0:06:13 | |
'But the merchants didn't just deal in gold. | 0:06:15 | 0:06:17 | |
'There was a huge trade in slaves, leather goods, ivory and also in salt. | 0:06:17 | 0:06:23 | |
'Back then it was the only way to preserve food. | 0:06:25 | 0:06:28 | |
'It was almost as valuable as gold, | 0:06:28 | 0:06:30 | |
'and that's why many of these routes were called salt roads.' | 0:06:30 | 0:06:34 | |
So, the gold went north, and then the salt came south. | 0:06:34 | 0:06:39 | |
And they met in El Dorado, they met in Timbuktu. | 0:06:39 | 0:06:41 | |
It makes perfect sense, when you look at the map. | 0:06:41 | 0:06:43 | |
The next place I'm heading on my desert odyssey is Fes. | 0:06:48 | 0:06:51 | |
Five hours' drive away, | 0:06:53 | 0:06:55 | |
it's where many merchants started the long trek to Timbuktu. | 0:06:55 | 0:06:58 | |
To get to Fes, I'm going to use one of Morocco's most popular forms of | 0:07:02 | 0:07:06 | |
transport, the grand taxi. | 0:07:06 | 0:07:08 | |
There's a taxi rank in every city, | 0:07:10 | 0:07:12 | |
with old Mercedes going in all directions. | 0:07:12 | 0:07:15 | |
And it's one of the cheapest ways to get around, | 0:07:15 | 0:07:18 | |
IF you know the tricks of the trade. | 0:07:18 | 0:07:19 | |
'First, you have to find one going your way. | 0:07:22 | 0:07:25 | |
'Then you negotiate your fare. | 0:07:28 | 0:07:30 | |
'But if you can find another traveller to share the back seat, | 0:07:39 | 0:07:42 | |
'you can split the fare. | 0:07:42 | 0:07:44 | |
'Having found a travel buddy to share the cost, | 0:07:48 | 0:07:50 | |
'we're whisked out of town towards the coast road. | 0:07:50 | 0:07:53 | |
'It turns out my fellow passenger, Driss, is a trader himself. | 0:07:55 | 0:08:00 | |
'He's going to Fes to buy artefacts to sell to tourists.' | 0:08:01 | 0:08:05 | |
Say you buy a dagger for 150 dirhams. | 0:08:05 | 0:08:08 | |
Daggers for 150 dirhams, no. | 0:08:08 | 0:08:10 | |
How much would you sell it for? | 0:08:10 | 0:08:11 | |
Maybe a profit, five euros, maybe a profit some day of ten euros. | 0:08:11 | 0:08:16 | |
Some days no profit. | 0:08:16 | 0:08:17 | |
That's my business. | 0:08:17 | 0:08:19 | |
And which country spends the most money? | 0:08:19 | 0:08:22 | |
-American people. -Oh! We love those dollars! | 0:08:22 | 0:08:26 | |
Profit. They have plenty of grand bucks! | 0:08:26 | 0:08:29 | |
We're travelling south along the Atlantic coast, | 0:08:34 | 0:08:37 | |
and I'm enjoying a comfortable ride with Driss. | 0:08:37 | 0:08:40 | |
But on such a long journey, | 0:08:40 | 0:08:41 | |
it's customary to pick up other passengers | 0:08:41 | 0:08:44 | |
along the way. | 0:08:44 | 0:08:45 | |
THEY SPEAK ARABIC | 0:08:47 | 0:08:49 | |
And just when I'm thinking three's company... | 0:08:59 | 0:09:01 | |
It's getting a bit cosy in here. | 0:09:14 | 0:09:16 | |
I'm in here with two Drisses and Akram. | 0:09:16 | 0:09:20 | |
'My fellow passengers make for charming company on the long drive, | 0:09:20 | 0:09:23 | |
'and ahead of me lies a city with a charm all of its own | 0:09:23 | 0:09:27 | |
'and a history of welcoming travelling merchants through its gates.' | 0:09:27 | 0:09:30 | |
Fes, the ancient capital of Morocco, dating from the eighth century, | 0:09:46 | 0:09:52 | |
and the oldest of its four imperial cities. | 0:09:52 | 0:09:55 | |
It's said to be surrounded by springs, | 0:09:56 | 0:09:59 | |
providing travellers with the supply of precious water. | 0:09:59 | 0:10:02 | |
And between the 8th and 16th centuries, | 0:10:03 | 0:10:06 | |
Fes grew rich from the gold and salt traffic coming across the Sahara. | 0:10:06 | 0:10:11 | |
Its old medina, or walled city, | 0:10:14 | 0:10:17 | |
is the biggest pedestrian zone in the world. | 0:10:17 | 0:10:19 | |
And it's full of narrow streets where life remains seemingly | 0:10:19 | 0:10:23 | |
untouched by modern times. | 0:10:23 | 0:10:25 | |
Once traders finally got here from Timbuktu, | 0:10:29 | 0:10:32 | |
they needed a sanctuary where they could rest, wash, | 0:10:32 | 0:10:35 | |
feast and store their goods. | 0:10:35 | 0:10:36 | |
'They would stay in a caravanserai, a motel with camel and mule parking.' | 0:10:38 | 0:10:45 | |
So this is a caravanserai. | 0:10:45 | 0:10:47 | |
I guess you'd have put your camel or your donkey | 0:10:47 | 0:10:50 | |
in these little rooms, in the past. | 0:10:50 | 0:10:52 | |
And then kipped down in your B & B. | 0:10:52 | 0:10:54 | |
The space is still occupied by traders. | 0:10:57 | 0:11:00 | |
The building was last used as a caravanserai more than 80 years ago, | 0:11:12 | 0:11:17 | |
but there are tantalising bits of evidence of its original use. | 0:11:17 | 0:11:20 | |
Upstairs was a safe place for weary merchant travellers to rest, | 0:11:40 | 0:11:45 | |
luxurious in comparison to where they'd been. | 0:11:45 | 0:11:48 | |
Berbers, Arabs and West Africans all would have stayed together, | 0:11:50 | 0:11:54 | |
vying for the best traveller's tale. | 0:11:54 | 0:11:56 | |
The atmosphere here is absolutely fantastic. | 0:11:59 | 0:12:01 | |
You can actually feel the history. | 0:12:01 | 0:12:02 | |
600 years old, relatively unchanged. | 0:12:02 | 0:12:05 | |
OK, it's different downstairs, | 0:12:05 | 0:12:07 | |
because that's where the animals would have been, | 0:12:07 | 0:12:09 | |
and now there's trading goods, | 0:12:09 | 0:12:10 | |
but up here you've got little girls sitting there drinking tea, | 0:12:10 | 0:12:13 | |
you've got their mothers doing the washing. | 0:12:13 | 0:12:15 | |
It feels like I've gone back in time. | 0:12:15 | 0:12:17 | |
'I've decided I'm going to bed down here for the night to get a feel for | 0:12:18 | 0:12:22 | |
'what it was like centuries ago.' | 0:12:22 | 0:12:24 | |
Just a sleeping bag. | 0:12:26 | 0:12:28 | |
'I've brought with me some writings from travellers and adventurers who've | 0:12:29 | 0:12:33 | |
'trodden this perilous path before me, | 0:12:33 | 0:12:35 | |
'to help bring these ancient journeys to life.' | 0:12:35 | 0:12:38 | |
"It is more profitable and advantageous for the trader | 0:12:40 | 0:12:43 | |
"to export his product to a distant land, | 0:12:43 | 0:12:46 | |
"and take a dangerous route. | 0:12:46 | 0:12:48 | |
"In this way, the distance and the risk incurred will give a rare quality to | 0:12:48 | 0:12:53 | |
"his merchandise and thereby increase its value. | 0:12:53 | 0:12:56 | |
"This is why the wealthiest and the most prosperous merchants | 0:12:57 | 0:13:01 | |
"are those who dare to go." | 0:13:01 | 0:13:03 | |
I've just woken up. Five o'clock, the alarm's gone off, | 0:13:14 | 0:13:18 | |
because I want to get up and see the dawn rising over Fes, | 0:13:18 | 0:13:21 | |
and hear the call to prayer. | 0:13:21 | 0:13:23 | |
It's very, very, very cold. | 0:13:24 | 0:13:26 | |
But I think my first night in a caravanserai, I would say, | 0:13:27 | 0:13:30 | |
it's not been at all bad. | 0:13:30 | 0:13:32 | |
Fes is known as the spiritual capital of Morocco, | 0:13:48 | 0:13:51 | |
and Islam was first brought to the country by the Arab invasion in 682 AD. | 0:13:51 | 0:13:57 | |
It spread to the native Berber tribes, | 0:14:01 | 0:14:04 | |
who went on to form Islamic kingdoms. | 0:14:04 | 0:14:06 | |
CALL TO PRAYER | 0:14:06 | 0:14:09 | |
I always find the early-morning call to prayer very moving. | 0:14:15 | 0:14:18 | |
Prayer is better than sleep, the muezzin says, | 0:14:20 | 0:14:23 | |
in the Adhan al-Fajr, the dawn call. | 0:14:23 | 0:14:25 | |
The five calls a day frame life in Morocco. | 0:14:27 | 0:14:30 | |
Hasten to prayer, hasten to salvation. | 0:14:30 | 0:14:33 | |
Dawn reveals ancient tombs left behind by the Marinid empire, | 0:14:37 | 0:14:42 | |
which flourished in the early Middle Ages. | 0:14:42 | 0:14:44 | |
They shaped Fes's religious and academic reputation. | 0:14:48 | 0:14:51 | |
The city has 14 theological schools and the world's oldest university, | 0:14:52 | 0:14:56 | |
the Qarawiyyin, founded in the ninth century by a woman, Fatima al-Fihri. | 0:14:56 | 0:15:01 | |
It's amazing to think that while Europe was languishing in the Dark Ages, | 0:15:01 | 0:15:05 | |
this was a centre of learning. | 0:15:05 | 0:15:07 | |
Philosophy, mathematics, religion and law were all being taught here. | 0:15:07 | 0:15:11 | |
And then, years later, | 0:15:12 | 0:15:14 | |
all that knowledge went back across the Mediterranean Sea, into Europe, | 0:15:14 | 0:15:17 | |
and informed the Renaissance. | 0:15:17 | 0:15:19 | |
There's an old Moroccan saying, | 0:15:24 | 0:15:27 | |
"manage with bread and butter until God brings you honey". | 0:15:27 | 0:15:30 | |
Every neighbourhood has a communal bread oven where people take their | 0:15:32 | 0:15:35 | |
dough to be baked, and it's hardly changed since the Middle Ages. | 0:15:35 | 0:15:40 | |
'I'm meeting a friend at one of them.' | 0:15:40 | 0:15:43 | |
Oh, my God! | 0:15:43 | 0:15:45 | |
How are you? | 0:15:45 | 0:15:47 | |
'Najat Kaanache is a Michelin- starred chef, | 0:15:48 | 0:15:51 | |
'a Berber from the Moroccan mountains.' | 0:15:51 | 0:15:52 | |
-How are you? -I'm good. | 0:15:52 | 0:15:55 | |
How does it make you feel? | 0:15:55 | 0:15:56 | |
The smell, it reminds me of home. | 0:15:56 | 0:15:59 | |
It reminds to childhood, for me. | 0:15:59 | 0:16:03 | |
Like, when I was little. | 0:16:03 | 0:16:05 | |
Yeah? | 0:16:05 | 0:16:06 | |
Look. Amazing. | 0:16:06 | 0:16:08 | |
Warm. | 0:16:08 | 0:16:10 | |
This, it just happens here. | 0:16:10 | 0:16:12 | |
Let me cut it. The power of bread. | 0:16:12 | 0:16:15 | |
Wow! | 0:16:15 | 0:16:16 | |
'Najat is one of the world's top chefs. | 0:16:18 | 0:16:21 | |
'She worked in Spain's famous elBulli restaurant. | 0:16:21 | 0:16:24 | |
'She's come back to Fes to open one of her own.' | 0:16:24 | 0:16:27 | |
Look at all the sausages, dried. | 0:16:27 | 0:16:28 | |
-That's like haggis. -Look at this. | 0:16:28 | 0:16:31 | |
Beautiful. | 0:16:31 | 0:16:32 | |
'And she's bringing back the kind of food that merchants in the Middle Ages | 0:16:34 | 0:16:37 | |
'would have eaten, but with a modern twist.' | 0:16:37 | 0:16:40 | |
Here we are! | 0:16:40 | 0:16:42 | |
-This is the one. -OK. Here we go. Oh, my goodness. | 0:16:42 | 0:16:45 | |
Our friend Camel has a little grin in the face. | 0:16:47 | 0:16:53 | |
Wow! | 0:16:53 | 0:16:55 | |
So this is... Look at the meat. | 0:16:55 | 0:16:57 | |
It's really super beautiful. | 0:16:57 | 0:16:59 | |
It's really, really lean. | 0:16:59 | 0:17:02 | |
You wouldn't think this. | 0:17:02 | 0:17:04 | |
You would not think this meat is like that. | 0:17:04 | 0:17:06 | |
People think of a camel being very dry, but, no... | 0:17:06 | 0:17:09 | |
It's very soft. Look at the fat. | 0:17:09 | 0:17:11 | |
Amazing, from the back. | 0:17:12 | 0:17:14 | |
Oh, my goodness. | 0:17:14 | 0:17:16 | |
It's very unique, this. | 0:17:16 | 0:17:18 | |
That is the camel hump? | 0:17:18 | 0:17:19 | |
Yes. Very, very unique. | 0:17:19 | 0:17:20 | |
'Apparently, camel's milk was a popular drink for trans-Saharan traders too. | 0:17:23 | 0:17:28 | |
'So, of course, I have to try it.' | 0:17:28 | 0:17:30 | |
Bismillah. | 0:17:30 | 0:17:31 | |
It's delicious. | 0:17:35 | 0:17:36 | |
It's absolutely delicious. | 0:17:36 | 0:17:38 | |
SHE SPEAKS ARABIC | 0:17:38 | 0:17:39 | |
It has medicine, people believe. | 0:17:43 | 0:17:45 | |
They have been using for a long time. | 0:17:45 | 0:17:47 | |
The camel meat, camel fat, camel belly. | 0:17:47 | 0:17:52 | |
It's medicinal. | 0:17:55 | 0:17:57 | |
And that we're going to use like | 0:18:03 | 0:18:05 | |
the fat that you use when you cook some meat. | 0:18:05 | 0:18:10 | |
It's going to get a little brown, magically. | 0:18:10 | 0:18:13 | |
Yeah? | 0:18:13 | 0:18:14 | |
'And with two kilos of prime camel, | 0:18:17 | 0:18:19 | |
'it's off to Najat's newly opened restaurant, Nur, | 0:18:19 | 0:18:23 | |
'to cook up a trans-Saharan feast.' | 0:18:23 | 0:18:25 | |
So, here we are. | 0:18:25 | 0:18:26 | |
-Home sweet home. -Very incognito! | 0:18:27 | 0:18:30 | |
-Be careful. -OK, thank you. | 0:18:31 | 0:18:34 | |
'It's my very own MasterChef. | 0:18:34 | 0:18:36 | |
'I'm helping Najat to prepare today's special, | 0:18:36 | 0:18:38 | |
'camel meatballs.' | 0:18:38 | 0:18:40 | |
I thought it was going to smell horrible... | 0:18:40 | 0:18:42 | |
-No! -But actually, it certainly smells nice. | 0:18:42 | 0:18:45 | |
Now that we're doing this, look here. | 0:18:45 | 0:18:47 | |
I have my fermenting... | 0:18:47 | 0:18:50 | |
er...camel milk, | 0:18:50 | 0:18:53 | |
that is already a week. | 0:18:53 | 0:18:55 | |
-It smells... -That smells... | 0:18:55 | 0:18:57 | |
But this is going to make a beautiful, magical... | 0:18:57 | 0:19:00 | |
Oh, my God, look at your face! Everything good smells horrible | 0:19:00 | 0:19:03 | |
-at some point. -Yes. That's true. | 0:19:03 | 0:19:06 | |
-Yes, or no? -Even me. | 0:19:06 | 0:19:07 | |
-Even human beings. -So, | 0:19:07 | 0:19:09 | |
in the times of the great trade across the Sahara from Africa to Fes, | 0:19:09 | 0:19:14 | |
when the merchants arrived at Fes, would they have a feast of camel? | 0:19:14 | 0:19:17 | |
Because that's a special meat, isn't it? | 0:19:17 | 0:19:19 | |
I think camel was very important in their menu, because it meant, | 0:19:19 | 0:19:21 | |
like, wealth, you know? | 0:19:21 | 0:19:23 | |
Now, you see people, they try to buy camel, camel milk, | 0:19:23 | 0:19:26 | |
just for health benefits. | 0:19:26 | 0:19:29 | |
Still it's a little bit pricey. | 0:19:29 | 0:19:31 | |
But, in that time, it was festivity. | 0:19:31 | 0:19:33 | |
OK. | 0:19:40 | 0:19:42 | |
'Najat's ultramodern restaurant | 0:19:49 | 0:19:51 | |
'is one of several springing up in the city | 0:19:51 | 0:19:54 | |
'catering to tourists and the young, emerging middle class.' | 0:19:54 | 0:19:57 | |
I'm just going to try one of these meatballs. | 0:19:57 | 0:20:00 | |
'With growing prosperity, Morocco is evolving into a modern, | 0:20:02 | 0:20:05 | |
'global player, and Fes, like most of its cities, | 0:20:05 | 0:20:08 | |
'is embracing the change whilst still holding on to its cultural history.' | 0:20:08 | 0:20:12 | |
Michelin-starred camel meatballs. | 0:20:14 | 0:20:16 | |
I'm leaving Fes and heading for Marrakech, | 0:20:23 | 0:20:25 | |
'the other great terminus at the northern end of the trans-Saharan trade route. | 0:20:25 | 0:20:30 | |
'Both were places where merchants gathered money, provisions and goods | 0:20:31 | 0:20:35 | |
'for the long trek south to Timbuktu. | 0:20:35 | 0:20:37 | |
'But I'm exchanging Fes's spiritual calm for the buzz of Marrakech, | 0:20:39 | 0:20:44 | |
'where everything is for sale.' | 0:20:44 | 0:20:45 | |
The weather's really changed, so it's time now for the winter woollies. | 0:20:45 | 0:20:49 | |
It's very, very chilly. | 0:20:49 | 0:20:50 | |
'I was born in the '60s, so there's only one way to go to Marrakech. | 0:20:50 | 0:20:54 | |
'And that's on the Marrakech Express.' | 0:20:56 | 0:20:59 | |
MUSIC: Marrakesh Express by Crosby, Stills and Nash | 0:20:59 | 0:21:02 | |
# Looking at the world through the sunset in your eyes | 0:21:04 | 0:21:09 | |
# Travelling the train through clear Moroccan skies... # | 0:21:09 | 0:21:13 | |
'Today the train isn't the sun-filled hippie experience of my imagination, | 0:21:13 | 0:21:18 | |
'just modern Moroccans commuting between cities. | 0:21:18 | 0:21:20 | |
'It's an eight-hour train journey to Marrakech, | 0:21:25 | 0:21:27 | |
'but for a trader in the Middle Ages, it would have been a gruelling trek, | 0:21:27 | 0:21:31 | |
'lasting several days.' | 0:21:31 | 0:21:33 | |
"The distance and the hardship of the road they travel are great. | 0:21:39 | 0:21:43 | |
"They have to cross a difficult desert | 0:21:43 | 0:21:45 | |
"that is made almost inaccessible by fear and beset by thirst. | 0:21:45 | 0:21:50 | |
"Water is found there only in a few well-known spots, | 0:21:50 | 0:21:54 | |
"to which caravan guides lead the way. | 0:21:54 | 0:21:56 | |
"The distance of this ordeal is braved only by very few people." | 0:21:57 | 0:22:00 | |
'The explorers of old all say the same thing, | 0:22:07 | 0:22:10 | |
'that this was the toughest of journeys.' | 0:22:10 | 0:22:13 | |
Marrakech - it's called the Rose City, Daughter of the Desert, | 0:22:19 | 0:22:24 | |
and it's always been a place where traders picked up | 0:22:24 | 0:22:27 | |
high-quality goods to take with them on their journey. | 0:22:27 | 0:22:30 | |
It was founded in the 11th century by the powerful Almoravid Berber dynasty, | 0:22:31 | 0:22:36 | |
who made it the capital of a huge empire stretching right through North Africa | 0:22:36 | 0:22:41 | |
and into southern Spain. | 0:22:41 | 0:22:43 | |
50 miles to the east, the Atlas Mountains provide a spectacular backdrop. | 0:22:46 | 0:22:51 | |
Moroccan porridge. | 0:23:03 | 0:23:04 | |
Some of the most popular merchandise | 0:23:11 | 0:23:13 | |
on the trans-Saharan trade routes were | 0:23:13 | 0:23:15 | |
leather goods. And some of the best- quality leather was produced here at | 0:23:15 | 0:23:19 | |
Marrakech's oldest tannery. | 0:23:19 | 0:23:21 | |
It's as ancient as the salt roads themselves. | 0:23:23 | 0:23:25 | |
And I'm surprised to find it's still in full swing. | 0:23:25 | 0:23:28 | |
'Najib is one of the tannery's oldest workers. | 0:23:37 | 0:23:40 | |
'He's been here for 48 years.' | 0:23:40 | 0:23:42 | |
This is a cow. | 0:23:59 | 0:24:00 | |
'It takes 20 days to turn an animal hide into the leather used for the | 0:24:05 | 0:24:08 | |
'world-famous bags, shoes and belts sold in the local markets. | 0:24:08 | 0:24:12 | |
'It's dirty work.' | 0:24:14 | 0:24:16 | |
I'm primed, ready for action. | 0:24:16 | 0:24:17 | |
OK, so this tank is full of gypsum. | 0:24:27 | 0:24:30 | |
It smells totally and utterly disgusting. | 0:24:31 | 0:24:35 | |
And I can't believe this guy's doing it with his bare hands, | 0:24:35 | 0:24:38 | |
because I reckon this stuff burns. | 0:24:38 | 0:24:40 | |
'This potent cocktail removes the hair from the hide.' | 0:24:41 | 0:24:46 | |
That actually comes off really, really easily. | 0:24:46 | 0:24:48 | |
'But there's worse to come.' | 0:24:48 | 0:24:50 | |
Smells fantastic. | 0:24:58 | 0:25:00 | |
Excited to get in. | 0:25:00 | 0:25:01 | |
'Pigeon excrement contains ammonia, | 0:25:04 | 0:25:06 | |
'which acts as a softening agent to make the hides more malleable.' | 0:25:06 | 0:25:10 | |
This is harder than it looks. | 0:25:10 | 0:25:11 | |
We're trampling on the animals in, like, | 0:25:11 | 0:25:13 | |
a circle but I can't keep up with them. | 0:25:13 | 0:25:16 | |
It's like being in a whirlpool. | 0:25:16 | 0:25:18 | |
A whirlpool of pigeon shit. | 0:25:18 | 0:25:19 | |
'Finally, we move the hides into a vat of water for rinsing. | 0:25:21 | 0:25:24 | |
'Is this what would have been happening 1,000 years ago?' | 0:25:26 | 0:25:29 | |
So, the process is exactly the same, passed down from father to son, | 0:25:45 | 0:25:48 | |
so basically what I'm doing now, | 0:25:48 | 0:25:50 | |
apart from the fact I've got new waders on, | 0:25:50 | 0:25:52 | |
is the same exactly as they'd have done in the 11th century. | 0:25:52 | 0:25:55 | |
This labour-intensive process was a highly skilled craft, | 0:26:05 | 0:26:09 | |
which back then ensured the global reputation of Moroccan leather. | 0:26:09 | 0:26:12 | |
And it's amazing that this tannery is still providing fine-quality hides | 0:26:14 | 0:26:19 | |
for the shoes, bags and belts in the souks of Marrakech | 0:26:19 | 0:26:22 | |
and markets all over the world. | 0:26:22 | 0:26:24 | |
At night, Marrakech, the party town, comes to life. | 0:26:31 | 0:26:35 | |
In the main square, Jemaa el-Fnaa, | 0:26:36 | 0:26:38 | |
you're transported back in time to a more exotic world. | 0:26:38 | 0:26:41 | |
The air is rife with hawkers' cries, wandering minstrels and magicians. | 0:26:44 | 0:26:49 | |
You could end up with a monkey on your shoulder or eating a bowl of snails. | 0:26:50 | 0:26:55 | |
And I can't help noticing how many more West African faces there are here, | 0:26:55 | 0:27:00 | |
echoes of traders from the past who would have arrived | 0:27:00 | 0:27:02 | |
from across the Sahara with their wares. | 0:27:02 | 0:27:05 | |
But the performer who is attracting the biggest crowd is offering perhaps | 0:27:09 | 0:27:12 | |
the simplest and oldest form of entertainment. | 0:27:12 | 0:27:14 | |
'Storytelling.' | 0:27:16 | 0:27:18 | |
This is the most interesting history lesson in the history of the world. | 0:27:18 | 0:27:22 | |
He's talking about the trans-Saharan trade and about crossing the Sahara | 0:27:22 | 0:27:26 | |
and he's got this line where he says, | 0:27:26 | 0:27:28 | |
"The sun was beating down from above and the sun was burning up from below. | 0:27:28 | 0:27:32 | |
"The camels were dying, the men were dying, | 0:27:32 | 0:27:34 | |
"they were loaded with skins and hides from the south, | 0:27:34 | 0:27:37 | |
"coming north and they were searching for gold and for salt." | 0:27:37 | 0:27:40 | |
Many years ago, these stories would have been the only way for people to | 0:27:55 | 0:27:59 | |
learn about life in faraway lands. | 0:27:59 | 0:28:01 | |
Now they're opening a door into the past | 0:28:02 | 0:28:04 | |
for us and it's thrilling to hear | 0:28:04 | 0:28:06 | |
1,000 years of history, and the journey I'm making, come alive. | 0:28:06 | 0:28:10 | |
In this magical world, | 0:28:15 | 0:28:16 | |
I feel like Timbuktu could be just around the corner. | 0:28:16 | 0:28:19 | |
But I've still got 1,500 miles to travel. | 0:28:20 | 0:28:22 | |
Time for me to get some sleep, | 0:28:24 | 0:28:26 | |
as North Africa's largest mountain range awaits me. | 0:28:26 | 0:28:29 | |
For this next leg of my journey, | 0:28:36 | 0:28:38 | |
I've left Morocco's cities behind me and I'm continuing on foot | 0:28:38 | 0:28:41 | |
through the Atlas Mountains. | 0:28:41 | 0:28:42 | |
They stretch right across the country, | 0:28:45 | 0:28:47 | |
forming a massive natural barrier, and climb to over 4,000 metres. | 0:28:47 | 0:28:51 | |
I'm no stranger to endurance treks, | 0:28:55 | 0:28:57 | |
having completed the gruelling Marathon Des Sables across the Sahara and | 0:28:57 | 0:29:02 | |
run races through these mountains. | 0:29:02 | 0:29:03 | |
But this will be a different kind of challenge, | 0:29:05 | 0:29:08 | |
as the snows have come early, making it cold and treacherous underfoot. | 0:29:08 | 0:29:12 | |
Up here, it's Berber country. | 0:29:17 | 0:29:18 | |
There are around 14 million of them in Morocco and many of them live in | 0:29:20 | 0:29:23 | |
these mountains. | 0:29:23 | 0:29:25 | |
I'm starting my trek in the Berber village of Afra. | 0:29:28 | 0:29:31 | |
'In these villages, traditions are part of everyday life.' | 0:29:45 | 0:29:49 | |
This lady's been explaining to me about her henna. | 0:29:49 | 0:29:53 | |
So she... I asked if it was for a wedding and she said no, | 0:29:53 | 0:29:56 | |
but apparently she just wanted to look nice for her family, | 0:29:56 | 0:29:58 | |
so she went and got it done. And it doesn't last as long as you think. | 0:29:58 | 0:30:01 | |
I thought it would last a couple of weeks but she says it goes quickly | 0:30:01 | 0:30:04 | |
because, of course, she's working hard here, using her hands. | 0:30:04 | 0:30:07 | |
'I'm meeting my friend Saaid Naanaa, who's a mountain guide.' | 0:30:21 | 0:30:24 | |
-Saaid, la bas! -And you? -Good! | 0:30:24 | 0:30:28 | |
'We've taken on these mountains together before, but never in the snow.' | 0:30:28 | 0:30:32 | |
OK, so... | 0:30:32 | 0:30:33 | |
'If anyone can get me across these steep peaks in one piece, it's him. | 0:30:33 | 0:30:37 | |
'We're heading for Tizi n'Tichka, the highest major pass in North Africa, | 0:30:44 | 0:30:48 | |
'a gratifyingly tough half-day hike away. | 0:30:48 | 0:30:51 | |
'Trans-Saharan merchants would have made this journey by mule | 0:30:54 | 0:30:57 | |
'or, like us, on foot.' | 0:30:57 | 0:30:59 | |
How high are we up here? | 0:30:59 | 0:31:01 | |
We are here about 2,100 metres. | 0:31:01 | 0:31:05 | |
I can feel it already on my chest. | 0:31:05 | 0:31:06 | |
-Yeah, me too. It's normal. -Really? -Yeah. | 0:31:06 | 0:31:09 | |
'Up here, the air is thin, making it harder to breathe, even for Saaid, | 0:31:10 | 0:31:15 | |
'who has spent most of his life here in the mountains.' | 0:31:15 | 0:31:18 | |
-Saaid, my friend? -Yes. -You're a Berber? | 0:31:18 | 0:31:21 | |
Yes, I'm a Berber. | 0:31:21 | 0:31:22 | |
What does that mean? | 0:31:23 | 0:31:24 | |
Berber is... They say this is a nickname given by the Romans | 0:31:26 | 0:31:30 | |
-when they occupied the north of Africa. -Yeah. | 0:31:30 | 0:31:33 | |
But the original name is Amazighen. | 0:31:33 | 0:31:37 | |
-It means free people or noble people, if you want. -Yeah. | 0:31:37 | 0:31:41 | |
'The Berbers, or Amazigha, are the indigenous people of North Africa | 0:31:41 | 0:31:46 | |
'and can trace their heritage back to 3000 BC.' | 0:31:46 | 0:31:49 | |
Does Berber have its own language? | 0:31:50 | 0:31:53 | |
The Berber, they have their language, | 0:31:53 | 0:31:55 | |
which is totally different than Arabic. | 0:31:55 | 0:31:58 | |
So, Arabic you write from right to left and the Berber is the opposite, | 0:31:58 | 0:32:04 | |
from left to right, or you can write like Chinese, down. | 0:32:04 | 0:32:08 | |
The weather is closing in, which is worrying, | 0:32:12 | 0:32:14 | |
because the paths ahead are getting seriously precarious. | 0:32:14 | 0:32:19 | |
-You see, the path is going down from here. -Yeah. | 0:32:19 | 0:32:22 | |
-Then you see that rock ledge. -Whoa! | 0:32:22 | 0:32:25 | |
Then you go uphill to the path. | 0:32:25 | 0:32:27 | |
-So we've done the easy bit. This is the hard bit, isn't it? -Yeah. | 0:32:28 | 0:32:31 | |
We've still got four miles to go and the light will soon be disappearing. | 0:32:36 | 0:32:41 | |
SHE PANTS | 0:32:44 | 0:32:47 | |
I really like Saaid, but right at the moment I actually hate him. | 0:32:47 | 0:32:50 | |
He's making me go fast and we're uphill because we're worried about the dark. | 0:32:50 | 0:32:55 | |
I don't really want to go fast uphill, frankly. | 0:32:55 | 0:32:58 | |
He's all chirpy. I'm not the least bit chirpy. | 0:32:58 | 0:33:01 | |
And how they ever did this with donkeys and mules laden with goods - | 0:33:05 | 0:33:09 | |
totally beyond me. | 0:33:09 | 0:33:10 | |
It's zero degrees and plummeting as the afternoon draws on | 0:33:18 | 0:33:22 | |
and I'm cold and wet. | 0:33:22 | 0:33:24 | |
Have we got long to go, Saaid? | 0:33:26 | 0:33:28 | |
Nearly. This is the Tichka Pass. | 0:33:28 | 0:33:30 | |
-Yeah? -And there we go. -Good. -Nearly there. | 0:33:30 | 0:33:34 | |
-Well done. -I'm beginning to feel it a bit. | 0:33:34 | 0:33:36 | |
'It's one last push to reach the top | 0:33:38 | 0:33:40 | |
'and we make the Tichka summit just in the nick of time, | 0:33:40 | 0:33:44 | |
'before the bad weather really rolls in.' | 0:33:44 | 0:33:47 | |
Is this it, Saaid? | 0:33:47 | 0:33:49 | |
-We made it. -Yeah, you did it. | 0:33:49 | 0:33:52 | |
Woo-hoo-hoo-hoo! | 0:33:52 | 0:33:55 | |
Good job. | 0:33:55 | 0:33:56 | |
Well done. | 0:33:56 | 0:33:58 | |
We spend the night in the tiny village of Tazga, | 0:34:04 | 0:34:07 | |
where we're lucky enough to find rooms. | 0:34:07 | 0:34:09 | |
For the merchants centuries ago, | 0:34:10 | 0:34:12 | |
it might have meant a cold night under canvas. | 0:34:12 | 0:34:15 | |
In the morning, with the toughest part of this leg behind me, | 0:34:17 | 0:34:21 | |
I set off alone. | 0:34:21 | 0:34:22 | |
It's refreshing! Whew! | 0:34:29 | 0:34:30 | |
I'm following an old trade route south along the Ounila Valley. | 0:34:33 | 0:34:38 | |
The mountains here are rich in natural deposits - copper, silver, | 0:34:38 | 0:34:42 | |
iron ore and a commodity much favoured by the traders - salt. | 0:34:42 | 0:34:46 | |
The salt mines marked on my map are all in the desert, | 0:34:49 | 0:34:52 | |
so I didn't expect to find one this far north. | 0:34:52 | 0:34:55 | |
The track is dusted with the stuff, | 0:34:56 | 0:34:59 | |
the first evidence I've come across | 0:34:59 | 0:35:01 | |
of why these routes are named salt roads. | 0:35:01 | 0:35:04 | |
The place seems deserted, but as if from nowhere, | 0:35:09 | 0:35:12 | |
someone arrives to open the mine up. | 0:35:12 | 0:35:14 | |
It looks pretty old and I'm wondering whether it was around | 0:35:16 | 0:35:19 | |
in the days of the ancient salt roads themselves. | 0:35:19 | 0:35:21 | |
One of the men, Zakaria Aboelkassem, | 0:35:27 | 0:35:29 | |
is a co-owner of the mine and knows its history well. | 0:35:29 | 0:35:32 | |
Oh, wow. | 0:35:36 | 0:35:37 | |
Wow. | 0:35:45 | 0:35:46 | |
'Parts of the mine date back to the 13th century, | 0:35:53 | 0:35:56 | |
'which puts it right at the peak of trans-Saharan trade.' | 0:35:56 | 0:35:59 | |
ALICE LAUGHS | 0:36:44 | 0:36:45 | |
A flower of salt. | 0:36:59 | 0:37:00 | |
There were salt mines all along the routes to Timbuktu. | 0:37:23 | 0:37:27 | |
Until paper money was introduced by French colonisers | 0:37:27 | 0:37:30 | |
in the early 20th century, it was used as a form of currency, | 0:37:30 | 0:37:34 | |
and it's where our word "salary" comes from. | 0:37:34 | 0:37:38 | |
Some say that at the height of the trade across the desert, | 0:37:38 | 0:37:41 | |
salt was as valuable as gold by weight. | 0:37:41 | 0:37:43 | |
I feel like Indiana Jones. I've just been down this incredible salt mine, | 0:37:45 | 0:37:49 | |
and this is where they'd have come, the traders, | 0:37:49 | 0:37:52 | |
with their mules and their donkeys, | 0:37:52 | 0:37:53 | |
which they'd just brought over that snowy pass, | 0:37:53 | 0:37:56 | |
and load up with the salt to take to Timbuktu. | 0:37:56 | 0:37:58 | |
As I continue my journey southwards, | 0:38:07 | 0:38:09 | |
I'm finding evidence all along the way | 0:38:09 | 0:38:12 | |
that travelling merchants used this route. | 0:38:12 | 0:38:15 | |
It became known as the Valley of the Kasbahs | 0:38:16 | 0:38:18 | |
because it's dotted with ancient buildings where the traders stayed. | 0:38:18 | 0:38:22 | |
Proof of the sheer volume of trade crossing the desert. | 0:38:25 | 0:38:28 | |
Kasbahs, like this beautiful one in the small village of Tamatert, | 0:38:32 | 0:38:37 | |
were built by rich and powerful families | 0:38:37 | 0:38:39 | |
as fortresses for themselves | 0:38:39 | 0:38:41 | |
but also for the many merchants who passed through the area. | 0:38:41 | 0:38:45 | |
This is a fortified village, | 0:38:48 | 0:38:50 | |
absolutely typical along this route where all the merchants travelled. | 0:38:50 | 0:38:54 | |
You've got every single thing you would need in it for a stay - | 0:38:54 | 0:38:57 | |
somewhere to put your animals, a water supply, a granary, | 0:38:57 | 0:39:01 | |
somewhere to store your goods and to sleep, and also things like a mosque | 0:39:01 | 0:39:05 | |
and even in some of them they had two cemeteries, | 0:39:05 | 0:39:07 | |
one for the Jews and one for the Muslims, | 0:39:07 | 0:39:09 | |
in case you were unlucky enough to die on the route. | 0:39:09 | 0:39:12 | |
But really the main reason that the merchants wanted to come here... | 0:39:12 | 0:39:16 | |
..was for the kasbah. The kasbah was the fortress, | 0:39:18 | 0:39:21 | |
and typically had four big towers, one on each corner, | 0:39:21 | 0:39:25 | |
tiny little windows and each one of those towers would have soldiers | 0:39:25 | 0:39:28 | |
guarding it. So once you got yourself into a fortified area, | 0:39:28 | 0:39:31 | |
into a kasbah, you knew that your goods were safe | 0:39:31 | 0:39:33 | |
and that you weren't going to get robbed, | 0:39:33 | 0:39:35 | |
because there were a load of robbers and thieves on this highway, | 0:39:35 | 0:39:39 | |
and the only downside, I guess, is that, of course, | 0:39:39 | 0:39:42 | |
you had to pay for it. So the guy who owned this would take a tax | 0:39:42 | 0:39:46 | |
and there were really quite rich pickings from those caravans. | 0:39:46 | 0:39:49 | |
A safe and secure place to rest for the night was something | 0:39:54 | 0:39:58 | |
sensible merchants would gladly pay for. | 0:39:58 | 0:40:01 | |
After all, most were carrying a precious cargo. | 0:40:01 | 0:40:03 | |
"Six days past, a nobleman arrived here from Gago called Jordabasha. | 0:40:06 | 0:40:11 | |
"He brought with him 30 camels laden with tibar, which is unrefined gold, | 0:40:11 | 0:40:16 | |
"also a great store of pepper, unicorn horns | 0:40:16 | 0:40:20 | |
"and a great quantity of eunuchs, dwarves and men and women slaves, | 0:40:20 | 0:40:25 | |
"besides 15 virgins." | 0:40:25 | 0:40:26 | |
This must have made extraordinary reading for 16th-century Europeans. | 0:40:30 | 0:40:35 | |
Tales of this kind of cargo on the salt roads would only have added | 0:40:35 | 0:40:39 | |
to Timbuktu's already glittering reputation. | 0:40:39 | 0:40:42 | |
This morning, I've left the Valley of the Kasbahs | 0:40:48 | 0:40:51 | |
and I'm heading into the mountains and plains of the Jbel Saghro. | 0:40:51 | 0:40:54 | |
I'm trying to reach the ancient city of Sijilmasa, | 0:40:57 | 0:41:00 | |
the great northern crossroads of the old trade routes. | 0:41:00 | 0:41:03 | |
But first, I have to cross | 0:41:05 | 0:41:06 | |
some of the most barren terrain in the world. | 0:41:06 | 0:41:08 | |
Jbel Saghro means "mountains of drought". | 0:41:11 | 0:41:14 | |
This area of the Atlas gets a mere 10cm of rain a year, | 0:41:14 | 0:41:19 | |
the same as parts of the neighbouring Sahara Desert. | 0:41:19 | 0:41:21 | |
This landscape feels completely prehistoric, it's so rugged, | 0:41:24 | 0:41:27 | |
it's so violent in some way and yet it is completely beautiful, | 0:41:27 | 0:41:31 | |
and very, very few outsiders, | 0:41:31 | 0:41:33 | |
very, very few Westerners get to come here, | 0:41:33 | 0:41:37 | |
so it's unchanged. | 0:41:37 | 0:41:39 | |
I have some help to navigate this vast territory. | 0:41:44 | 0:41:48 | |
This is home to the Ait Atta tribe of Berber nomads, | 0:41:51 | 0:41:55 | |
who for centuries have guided traders across these mountains. | 0:41:55 | 0:41:58 | |
I'm lucky enough to count one of the last surviving nomad families | 0:42:00 | 0:42:03 | |
as friends. | 0:42:03 | 0:42:04 | |
I was saying I can see the whole family waiting for me. | 0:42:07 | 0:42:11 | |
-Alice, la vas. -La vas! | 0:42:11 | 0:42:13 | |
THEY SPEAK ARABIC | 0:42:13 | 0:42:15 | |
'Zaid is the head of a large family. | 0:42:17 | 0:42:19 | |
'He and his wife, Izza, have six children, | 0:42:19 | 0:42:22 | |
'including a little one, Brahim, who I haven't met before. | 0:42:22 | 0:42:26 | |
'Zaid's mother, Aisha, is 77.' | 0:42:26 | 0:42:28 | |
Mama. | 0:42:28 | 0:42:30 | |
'Berbers venerate their elders and she commands a certain respect.' | 0:42:30 | 0:42:34 | |
Zaid and his family have 250 goats, which are the main source of income. | 0:42:39 | 0:42:45 | |
To find grazing for them, they have to keep on the move. | 0:42:45 | 0:42:48 | |
Every day in summer, | 0:42:48 | 0:42:49 | |
they pack up the tent they live in and all their belongings | 0:42:49 | 0:42:52 | |
to find new pastures. | 0:42:52 | 0:42:54 | |
All the family, young and old, help out. | 0:42:56 | 0:42:59 | |
Traversing this rocky landscape is no mean feat | 0:43:05 | 0:43:09 | |
with all the animals, goods and people in tow. | 0:43:09 | 0:43:12 | |
We have six miles to cover before we stop for the night | 0:43:12 | 0:43:15 | |
and there are few paths or landmarks to navigate by. | 0:43:15 | 0:43:18 | |
Their knowledge of the area made these Berber tribes invaluable | 0:43:20 | 0:43:24 | |
to the merchants, who needed to get their goods across the terrain. | 0:43:24 | 0:43:27 | |
Centuries ago, these Berbers were doing exactly this. | 0:43:29 | 0:43:33 | |
They were transporting goods across these treacherous mountains, | 0:43:33 | 0:43:37 | |
down these difficult paths that they know so well, | 0:43:37 | 0:43:40 | |
and still today it's the Berbers, with their mules and donkeys, | 0:43:40 | 0:43:44 | |
who get things to the very remote villages | 0:43:44 | 0:43:46 | |
that aren't accessible by vehicle. So nothing has changed. | 0:43:46 | 0:43:50 | |
Zaid's family come from the Ait Atta tribe of Berbers, | 0:43:59 | 0:44:03 | |
whose history dates back to before the arrival of Arabs and Islam | 0:44:03 | 0:44:06 | |
in the seventh century. | 0:44:06 | 0:44:07 | |
At the height of trans-Saharan trade, | 0:44:10 | 0:44:12 | |
they were the leading Berber tribe. | 0:44:12 | 0:44:14 | |
But now, nomad numbers are dwindling. | 0:44:16 | 0:44:19 | |
So Zaid's just been telling me about how he came into this life | 0:44:32 | 0:44:36 | |
and his father was a nomad before him. | 0:44:36 | 0:44:38 | |
And his father used to migrate between here and Ait Bougmez, | 0:44:38 | 0:44:41 | |
which is a three-week trek, and he did that all his life. | 0:44:41 | 0:44:45 | |
Then when he got older and a bit more tired, | 0:44:45 | 0:44:47 | |
he bought a very small piece of land down in the valley | 0:44:47 | 0:44:50 | |
and Zaid is carrying on the tradition with his family, | 0:44:50 | 0:44:53 | |
which he will pass on to his sons, probably. | 0:44:53 | 0:44:55 | |
After five hours, our entourage finally comes to a halt. | 0:45:05 | 0:45:09 | |
It doesn't look much to my eye, | 0:45:10 | 0:45:11 | |
but this is going to be home for the night. | 0:45:11 | 0:45:13 | |
But first, there's some work to do. | 0:45:17 | 0:45:19 | |
The first thing the women did when they got into camp was to go and | 0:45:22 | 0:45:25 | |
collect the kind of dry scrub | 0:45:25 | 0:45:27 | |
and then they've just put it straight onto the fire | 0:45:27 | 0:45:29 | |
because it burns immediately and they put the tea on, first thing. | 0:45:29 | 0:45:32 | |
This is an azib, left behind by other nomads passing through. | 0:45:35 | 0:45:39 | |
Experienced hands quickly turn the tumbledown walls into | 0:45:39 | 0:45:43 | |
a robust enclosure and shelter. | 0:45:43 | 0:45:45 | |
Once the goatherd tent is up, it's time to think about dinner. | 0:45:48 | 0:45:52 | |
With typical Berber hospitality, | 0:45:56 | 0:45:58 | |
they're preparing a meal in my honour, | 0:45:58 | 0:46:00 | |
and with no supermarket for miles, there's only one thing on the menu. | 0:46:00 | 0:46:06 | |
Fahid and Zaid...the two Zaids are taking a goat up here to kill it | 0:46:06 | 0:46:09 | |
for a celebration for my arrival, and of course for me | 0:46:09 | 0:46:11 | |
it's really difficult to watch an animal being killed, | 0:46:11 | 0:46:14 | |
even though I do eat meat, so I'm not looking forward to this | 0:46:14 | 0:46:17 | |
but I have to do it, so I'm going to. | 0:46:17 | 0:46:18 | |
GOAT CRIES | 0:46:29 | 0:46:31 | |
SLICING | 0:46:35 | 0:46:36 | |
It's hard to watch, but it's a great honour. | 0:46:41 | 0:46:44 | |
Goats represent the family's wealth, so it's a big deal to eat one. | 0:46:44 | 0:46:48 | |
They immediately set to work to skin the carcass. | 0:46:51 | 0:46:54 | |
As night falls in the Jbel Saghro mountains, | 0:47:10 | 0:47:13 | |
Zaid is preparing skewers | 0:47:13 | 0:47:15 | |
to put the best bits of goat on the open fire. | 0:47:15 | 0:47:18 | |
Nothing of this animal will be wasted. | 0:47:18 | 0:47:20 | |
He's just cutting up the heart. | 0:47:30 | 0:47:32 | |
Got the livers cooking already | 0:47:32 | 0:47:35 | |
and the kidneys are somewhere in the middle. | 0:47:35 | 0:47:38 | |
The smell of the meat and Izza's bread cooking on the fire | 0:47:39 | 0:47:42 | |
is making everybody hungry after a long and active day. | 0:47:42 | 0:47:45 | |
But I'm not sure whether hearts, livers and kidneys are going to be | 0:47:47 | 0:47:51 | |
as much of a treat for me as they clearly are for them. | 0:47:51 | 0:47:54 | |
Tastes really, really good. | 0:47:56 | 0:47:58 | |
Salty and really savoury but it's a little bit crunchy. | 0:47:58 | 0:48:01 | |
BOTH: Mmm! | 0:48:04 | 0:48:05 | |
By 8:30, I'm ready for bed. | 0:48:08 | 0:48:10 | |
The family all sleep together under rugs and blankets in the tent, | 0:48:12 | 0:48:16 | |
much as their ancestors would have done, | 0:48:16 | 0:48:18 | |
and I'm bedding down with them. | 0:48:18 | 0:48:19 | |
THEY LAUGH | 0:48:26 | 0:48:28 | |
It's just after six in the morning and everyone's starting to wake up. | 0:48:41 | 0:48:46 | |
The mother's got up and has put on the fire. | 0:48:46 | 0:48:48 | |
The kids are awake. | 0:48:50 | 0:48:51 | |
I'm beginning to get a feel for what the caravans must have been like, | 0:48:53 | 0:48:58 | |
loading up the animals, unloading them, | 0:48:58 | 0:49:00 | |
living in a big tent all together, | 0:49:00 | 0:49:02 | |
eating together and everyone having their job to do and doing it quickly | 0:49:02 | 0:49:07 | |
and efficiently as they can, | 0:49:07 | 0:49:09 | |
but I still haven't experienced the burning sands of the desert | 0:49:09 | 0:49:12 | |
and I'm beginning to look forward to that because it's been so cold. | 0:49:12 | 0:49:15 | |
The morning fire takes a little chill off the mountain air | 0:49:26 | 0:49:30 | |
and the hot, sweet tea helps as well. | 0:49:30 | 0:49:32 | |
THEY SPEAK ARABIC | 0:49:41 | 0:49:44 | |
Zaid's just telling me that life here in the mountains is too hard, | 0:49:47 | 0:49:50 | |
that it's too cold, that every day packing up the tent, | 0:49:50 | 0:49:54 | |
putting up the tent, trying to find food for the animals, | 0:49:54 | 0:49:57 | |
the children always, always being cold, | 0:49:57 | 0:50:00 | |
the children getting sick because there's no medicines here, | 0:50:00 | 0:50:03 | |
that it's too much and what he really wants within the next ten years is to settle in the village | 0:50:03 | 0:50:08 | |
and what he wants for his children is that they go to school | 0:50:08 | 0:50:11 | |
and that they get jobs, things like drivers. | 0:50:11 | 0:50:14 | |
Which of course, to us seems, you know, | 0:50:14 | 0:50:16 | |
it's such a romantic lifestyle, this, when you see it, | 0:50:16 | 0:50:18 | |
when you see the family all together, | 0:50:18 | 0:50:20 | |
when you see how happy they are, | 0:50:20 | 0:50:21 | |
when you see how hard they're working. | 0:50:21 | 0:50:23 | |
But having spent the night under canvas, it is absolutely freezing | 0:50:23 | 0:50:28 | |
and seeing how hard they have to work even to get a fire going, | 0:50:28 | 0:50:32 | |
it makes you think, would you want to do this? | 0:50:32 | 0:50:34 | |
And I have to say, the answer is no, I wouldn't. It is too hard. | 0:50:34 | 0:50:37 | |
So I can completely understand | 0:50:37 | 0:50:39 | |
why he would want something different for his children. | 0:50:39 | 0:50:41 | |
It's sad to say goodbye to Zaid and his family. | 0:50:50 | 0:50:53 | |
There are few nomads left in these mountains, and in a few years' time, | 0:50:56 | 0:51:00 | |
this way of life may have disappeared altogether. | 0:51:00 | 0:51:03 | |
I'm leaving the rocky mountain terrain of the Jbel Saghro | 0:51:10 | 0:51:13 | |
and travelling east. | 0:51:13 | 0:51:15 | |
100 miles away is my next destination, Sijilmasa, | 0:51:17 | 0:51:21 | |
an ancient city which was a mecca for trans-Saharan traders due to its | 0:51:21 | 0:51:25 | |
position on the edge of the Sahara. | 0:51:25 | 0:51:28 | |
Strangely, it's not marked on any modern maps, | 0:51:30 | 0:51:33 | |
but I do know that it's next to the modern town of Rissani. | 0:51:33 | 0:51:37 | |
Rissani seems typical of so many towns in Morocco. | 0:51:41 | 0:51:46 | |
A bustling market in the centre of town | 0:51:46 | 0:51:48 | |
and a lot of new houses going up on the outskirts. | 0:51:48 | 0:51:52 | |
And so far, there's nothing to give me a clue | 0:51:52 | 0:51:54 | |
as to where the ancient city might be. | 0:51:54 | 0:51:57 | |
It's proving very difficult to find - no signs, no blue plaques | 0:51:58 | 0:52:02 | |
and at the moment I'm in what appears to be | 0:52:02 | 0:52:04 | |
a great big building site. | 0:52:04 | 0:52:06 | |
Then, something begins to show itself above the skyline. | 0:52:12 | 0:52:15 | |
A vast, lost city in the sand. | 0:52:25 | 0:52:27 | |
Sijilmasa was founded at the end of the eighth century | 0:52:34 | 0:52:37 | |
and became the most important city | 0:52:37 | 0:52:39 | |
on the trade routes north of the Sahara. | 0:52:39 | 0:52:41 | |
Its position on the northern edge of the desert meant | 0:52:44 | 0:52:46 | |
it could control the gold supply coming up from the south. | 0:52:46 | 0:52:49 | |
It boasted a mosque, a palace | 0:52:52 | 0:52:54 | |
and probably barracks for soldiers. | 0:52:54 | 0:52:56 | |
And on its fringes, a huge oasis | 0:53:00 | 0:53:03 | |
meant there was one thing in abundance - water, | 0:53:03 | 0:53:06 | |
a lifeline for travellers | 0:53:06 | 0:53:08 | |
arriving after a gruelling journey through the desert. | 0:53:08 | 0:53:11 | |
'I've arranged to meet Chloe Capel, a French archaeologist | 0:53:15 | 0:53:18 | |
'and one of very few who have worked on this site.' | 0:53:18 | 0:53:21 | |
It's about 2km long, | 0:53:22 | 0:53:25 | |
800 metres wide and there are so many things to know about it. | 0:53:25 | 0:53:29 | |
It's not done, not yet. | 0:53:29 | 0:53:30 | |
There's lots of work for archaeologists here on this site. | 0:53:30 | 0:53:34 | |
The site has remained a well-kept secret | 0:53:42 | 0:53:45 | |
and no-one has excavated here for several years. | 0:53:45 | 0:53:48 | |
There are still pieces of history lying all over the place. | 0:53:48 | 0:53:52 | |
Here, as you can see... | 0:53:52 | 0:53:54 | |
-..there is a lid. -Uh-huh? | 0:53:55 | 0:54:01 | |
You take it this way on the top of a... | 0:54:01 | 0:54:04 | |
a cup or a little jar, something like that, and it's medieval. | 0:54:04 | 0:54:07 | |
-How do you know? -Because of the shape, because of the paste. | 0:54:07 | 0:54:11 | |
Maybe it's 12th century or 14th century. | 0:54:11 | 0:54:15 | |
And it's just lying here on the site? | 0:54:15 | 0:54:16 | |
-It's everywhere, all around you, on the 2km wide of the site. -Wow. | 0:54:16 | 0:54:20 | |
And if I were here at the height of the trans-Saharan trade, | 0:54:21 | 0:54:24 | |
what would I have seen? | 0:54:24 | 0:54:26 | |
Probably a very rich city with many houses, | 0:54:26 | 0:54:32 | |
gardens, numerous gardens, | 0:54:32 | 0:54:34 | |
because medieval texts tell us that there were many gardens | 0:54:34 | 0:54:38 | |
inside the city and it was spectacular for travellers | 0:54:38 | 0:54:41 | |
because they were just emerging from the desert | 0:54:41 | 0:54:44 | |
and they found this oasis, it was impressive for them. | 0:54:44 | 0:54:48 | |
The oasis was large enough to cater not only for the townsfolk | 0:54:56 | 0:55:00 | |
but visiting traders and caravans too. | 0:55:00 | 0:55:03 | |
And Chloe believes it was planned that way, | 0:55:03 | 0:55:06 | |
to attract the burgeoning trans-Saharan traffic of the time. | 0:55:06 | 0:55:09 | |
People, travellers, merchants were aware that | 0:55:11 | 0:55:15 | |
when you stop in Sijilmasa, | 0:55:15 | 0:55:17 | |
whenever you stop here, whenever it is in the season, you can find food, | 0:55:17 | 0:55:22 | |
water, camels, numerous camels to travel, dates, fodder, | 0:55:22 | 0:55:27 | |
everything to be sure to go safe until Timbuktu, | 0:55:27 | 0:55:31 | |
until the sub-Saharan Africa. | 0:55:31 | 0:55:33 | |
It seems to me that in its way, this was the Timbuktu of the north, | 0:55:41 | 0:55:46 | |
a vital refuelling stop for traders coming out of | 0:55:46 | 0:55:49 | |
or heading into the Sahara. | 0:55:49 | 0:55:51 | |
How sad, then, that this great city | 0:55:53 | 0:55:55 | |
was destroyed in the early 19th century by invading Berber nomads. | 0:55:55 | 0:55:59 | |
In fact, the same tribe as the nomad family I've just stayed with. | 0:56:01 | 0:56:05 | |
It's less than a mile back into the centre of Rissani and I'm travelling | 0:56:10 | 0:56:14 | |
in the way of most traders here, by donkey cart. | 0:56:14 | 0:56:17 | |
We park up at the town's answer to pay and display. | 0:56:20 | 0:56:23 | |
SHE SPEAKS ARABIC | 0:56:25 | 0:56:28 | |
In Rissani's bustling market, | 0:56:30 | 0:56:32 | |
you can buy just about anything and there are stalls laden with the same | 0:56:32 | 0:56:36 | |
fresh produce that would have gladdened the hearts of weary desert | 0:56:36 | 0:56:39 | |
travellers of the Middle Ages. | 0:56:39 | 0:56:41 | |
-Hafida? -Hi! -Hey! -How are you? -I'm good. | 0:56:46 | 0:56:49 | |
'I've come here to meet Hafida H'douban, | 0:56:49 | 0:56:52 | |
'Morocco's first-ever female trekking guide.' | 0:56:52 | 0:56:55 | |
Are you looking for some dates? | 0:56:55 | 0:56:56 | |
'Hafida's taking me on the next, most dangerous leg of the journey, | 0:56:56 | 0:57:00 | |
'into the Sahara Desert, and she's stocking up with provisions.' | 0:57:00 | 0:57:04 | |
Taste it, if it's OK. | 0:57:04 | 0:57:05 | |
-That's nice? -Yeah. | 0:57:07 | 0:57:08 | |
I think the best one is that, so I will take from there. | 0:57:08 | 0:57:11 | |
'Dates were a staple food for people crossing the Sahara. | 0:57:11 | 0:57:15 | |
'They say you can survive on just seven a day | 0:57:15 | 0:57:18 | |
'and their high-sugar content means they last for ages.' | 0:57:18 | 0:57:21 | |
Very energetic and very nice | 0:57:22 | 0:57:25 | |
and now we are lucky because it's a time for the dates. | 0:57:25 | 0:57:29 | |
-Perfect! -It's for this year, it's the new one, | 0:57:29 | 0:57:31 | |
because in October we have dates. | 0:57:31 | 0:57:35 | |
-Yeah. -So it's OK. | 0:57:35 | 0:57:36 | |
Tomorrow, Hafida and I will be embarking on the most challenging part of my journey so far, | 0:57:37 | 0:57:43 | |
one which many a trans-Saharan trader didn't survive. | 0:57:43 | 0:57:47 | |
Next time, | 0:57:54 | 0:57:56 | |
we trek into 3.5 million square miles of desert... | 0:57:56 | 0:58:00 | |
..and some of the most extreme temperatures on the planet - | 0:58:01 | 0:58:04 | |
the great Sahara. | 0:58:04 | 0:58:05 | |
It was incredibly perilous. | 0:58:07 | 0:58:10 | |
This is why the goods, when they got to the other end, cost so much, | 0:58:10 | 0:58:13 | |
it was the danger factor. | 0:58:13 | 0:58:15 | |
Modern life takes an ugly turn... | 0:58:15 | 0:58:18 | |
My security contingent has got extremely nervous | 0:58:18 | 0:58:20 | |
and they won't let me go any further. | 0:58:20 | 0:58:22 | |
..and I finally make it to the city of my dreams, Timbuktu. | 0:58:22 | 0:58:27 | |
Now I get it, my first glimpse of the icon of Timbuktu. | 0:58:27 | 0:58:32 |