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The Sahara Desert, Mali, | 0:00:03 | 0:00:06 | |
home to one of Earth's most mysterious and legendary places. | 0:00:06 | 0:00:10 | |
Africa's fabled city of gold, Timbuktu. | 0:00:11 | 0:00:15 | |
My name's Alice Morrison. | 0:00:21 | 0:00:23 | |
I'm an Arabist and explorer. | 0:00:23 | 0:00:26 | |
I live in Morocco, | 0:00:26 | 0:00:27 | |
and since childhood I've dreamt of making the gruelling journey | 0:00:27 | 0:00:31 | |
across the Sahara to see this ancient city | 0:00:31 | 0:00:34 | |
before it's lost forever to sand and war. | 0:00:34 | 0:00:37 | |
I love touching history. | 0:00:40 | 0:00:41 | |
In this series I'll trek 2,000 miles following ancient trade routes, | 0:00:43 | 0:00:47 | |
often known as salt roads, across some of the world's most hostile lands. | 0:00:47 | 0:00:52 | |
Timbuktu is at the centre of all these trade routes | 0:00:53 | 0:00:56 | |
and I want to follow them and find it and see what's there. | 0:00:56 | 0:00:59 | |
I'll pass through some magical places that time has barely touched. | 0:00:59 | 0:01:04 | |
Oh, wow! | 0:01:05 | 0:01:06 | |
Relying on the hospitality of Berber nomads. | 0:01:08 | 0:01:10 | |
THEY SPEAK OWN LANGUAGE | 0:01:10 | 0:01:12 | |
He's just cutting up the heart. | 0:01:12 | 0:01:15 | |
And I'll come face-to-face with some frightening modern-day realities. | 0:01:15 | 0:01:19 | |
I'm beginning to feel quite nervous. | 0:01:19 | 0:01:22 | |
Travelling deep beneath the veil | 0:01:22 | 0:01:23 | |
into the heart of ancient and modern North Africa | 0:01:23 | 0:01:27 | |
I'll discover its incredible forgotten history | 0:01:27 | 0:01:30 | |
en route to the legendary city of gold, Timbuktu. | 0:01:30 | 0:01:34 | |
I've already trekked 800 miles | 0:01:42 | 0:01:44 | |
from the top of Morocco | 0:01:44 | 0:01:46 | |
to the edge of the Sahara Desert. | 0:01:46 | 0:01:48 | |
Scaling the high Atlas and Jbel Saghro mountains | 0:01:49 | 0:01:53 | |
to reach the market town of Rissani. | 0:01:53 | 0:01:55 | |
Along the way I've experienced first-hand how tough the journey was | 0:01:55 | 0:02:00 | |
for the traders who used these often dangerous routes | 0:02:00 | 0:02:03 | |
to transport their goods. | 0:02:03 | 0:02:05 | |
But it's still more than 1,000 miles to Timbuktu | 0:02:06 | 0:02:10 | |
and it's about to get tougher. | 0:02:10 | 0:02:12 | |
-Hafida. -Hi. -Hi. -How are you? | 0:02:13 | 0:02:17 | |
I'm meeting up with Hafida Hdoubane, | 0:02:17 | 0:02:19 | |
Morocco's first-ever female trekking guide. | 0:02:19 | 0:02:22 | |
She's stocking up on provisions for the desert. | 0:02:22 | 0:02:25 | |
Take this. Taste it, see if it's OK. | 0:02:25 | 0:02:27 | |
-Delicious, yeah. -That's nice? | 0:02:29 | 0:02:30 | |
I think the best one is that so I will take from there. | 0:02:30 | 0:02:34 | |
Her expertise is going to help me on what was the most perilous part | 0:02:34 | 0:02:37 | |
of the traders' journey. | 0:02:37 | 0:02:39 | |
The Sahara, the deadliest of deserts. | 0:02:46 | 0:02:49 | |
It spans 11 countries, a vast area of more than 3 million square miles. | 0:02:51 | 0:02:56 | |
It can reach staggering temperatures of 50 degrees plus, | 0:02:59 | 0:03:02 | |
but this morning at the Chebbi dunes it's a little chilly. | 0:03:02 | 0:03:06 | |
Our mode of transport is authentic trans-Saharan. | 0:03:09 | 0:03:13 | |
Hafida and I will be making this trip, like so many before us, by camel. | 0:03:13 | 0:03:18 | |
THEY SPEAK OWN LANGUAGE | 0:03:20 | 0:03:22 | |
Ben Didi and Hussain are going to help us steer these ships of the desert. | 0:03:25 | 0:03:29 | |
Maybe now is not the time to say, "I'm not that keen on camels." | 0:03:30 | 0:03:34 | |
They bite, they spit. | 0:03:34 | 0:03:36 | |
Which camel is the nicest camel? | 0:03:37 | 0:03:40 | |
Getting on is the nerve-racking bit for me. | 0:03:47 | 0:03:49 | |
Apparently God designed the camel with the desert in mind, | 0:03:54 | 0:03:58 | |
so I hope He's a good designer. | 0:03:58 | 0:04:00 | |
The camel's mentioned in seven verses of the Quran | 0:04:01 | 0:04:03 | |
and they're known for their cunning, their sense of direction, | 0:04:03 | 0:04:07 | |
their intelligence, and slightly worrying for me, | 0:04:07 | 0:04:09 | |
apparently they're very vengeful | 0:04:09 | 0:04:12 | |
if you are a cruel or intolerant master or mistress. | 0:04:12 | 0:04:15 | |
For the traders of old it was a 50-day journey, | 0:04:25 | 0:04:28 | |
across the seemingly endless sands of the Sahara, | 0:04:28 | 0:04:31 | |
all the way to Timbuktu. | 0:04:31 | 0:04:33 | |
They were following routes forged on trade in two precious commodities, | 0:04:36 | 0:04:40 | |
gold and salt, and it must have been a magnificent sight | 0:04:40 | 0:04:45 | |
as caravans, often made up of 1,000 camels or more, | 0:04:45 | 0:04:49 | |
filed across the desert in pursuit of riches. | 0:04:49 | 0:04:52 | |
You can't walk in this desert without falling in love with it. | 0:04:55 | 0:04:58 | |
It's such an incredibly beautiful landscape, | 0:04:58 | 0:05:00 | |
but it was incredibly perilous. | 0:05:00 | 0:05:03 | |
Probably the most dangerous stage of the journey. | 0:05:03 | 0:05:06 | |
Bandits all around here ready to rob the caravans, | 0:05:06 | 0:05:09 | |
water was in incredibly short supply | 0:05:09 | 0:05:11 | |
and people did die of thirst all the time. | 0:05:11 | 0:05:14 | |
So, even though for me it's so romantic walking through the dunes | 0:05:14 | 0:05:17 | |
as the sun sets, as the sky looks all blue, | 0:05:17 | 0:05:20 | |
but actually, when you did it for real, this is why the goods, | 0:05:20 | 0:05:24 | |
when they got to the other end, cost so much - it was the danger factor. | 0:05:24 | 0:05:28 | |
But in the scorching heat of the desert, | 0:05:36 | 0:05:39 | |
one thing was more valuable than anything else they were carrying - | 0:05:39 | 0:05:43 | |
water. | 0:05:43 | 0:05:44 | |
Many travellers met their death in the sand, | 0:05:49 | 0:05:52 | |
as the great medieval adventurer, Ibn Battuta recounts... | 0:05:52 | 0:05:56 | |
"We passed a caravan on the way | 0:05:58 | 0:06:00 | |
"and they told us that some of their party | 0:06:00 | 0:06:02 | |
"had become separated from them. | 0:06:02 | 0:06:05 | |
"We found one of them dead under a shrub | 0:06:05 | 0:06:07 | |
"with his clothes on and a whip in his hand. | 0:06:07 | 0:06:10 | |
"The water was only about a mile from him." | 0:06:10 | 0:06:13 | |
As dusk approaches, we find a sheltered spot | 0:06:16 | 0:06:19 | |
to make camp before nightfall. | 0:06:19 | 0:06:21 | |
I'm descending to bribery to keep Hamoun, my camel, sweet. | 0:06:30 | 0:06:34 | |
I've broken out the dates. | 0:06:35 | 0:06:37 | |
We bought these dates for ourselves, but I think Hamoun deserves them | 0:06:37 | 0:06:41 | |
more than I did, cos he did all the work today. | 0:06:41 | 0:06:43 | |
At this time of year, | 0:06:49 | 0:06:50 | |
the temperature often plummets to below freezing. | 0:06:50 | 0:06:53 | |
Wood for the fire would have been an essential part | 0:06:54 | 0:06:57 | |
of the caravan's huge cargo. | 0:06:57 | 0:06:59 | |
HE SPEAKS OWN LANGUAGE | 0:06:59 | 0:07:01 | |
By the fire we swap stories. | 0:07:07 | 0:07:10 | |
Hafida is a rare creature, a female guide in an all-male profession. | 0:07:10 | 0:07:15 | |
But what she tells me about her extraordinary family history is shocking. | 0:07:15 | 0:07:19 | |
So, my great-grandfather, | 0:07:21 | 0:07:23 | |
they gave him a gift, like a woman, from Ethiopia because she's... | 0:07:23 | 0:07:29 | |
she's a slave and he married her. | 0:07:29 | 0:07:34 | |
And she gives him a boy, it was my grandfather. | 0:07:34 | 0:07:37 | |
What happened to your grandfather? | 0:07:37 | 0:07:39 | |
My grandfather, he was born a slave, | 0:07:39 | 0:07:42 | |
so he married my grandmother that is a slave also. | 0:07:42 | 0:07:46 | |
So, my father, he is a slave too. | 0:07:46 | 0:07:50 | |
To me, it's incredible that he could be born a slave in modern Morocco. | 0:07:50 | 0:07:54 | |
Yeah, we don't really speak about slaves in Morocco. | 0:07:54 | 0:07:58 | |
It's a bit, um, what we say, taboo. | 0:07:58 | 0:08:03 | |
Because, it's a suffering history, but it exists. | 0:08:05 | 0:08:10 | |
It wasn't very far away, just 20th century. | 0:08:10 | 0:08:16 | |
An estimated 13 million slaves were transported north across the Sahara, | 0:08:17 | 0:08:22 | |
a similar number to those shipped to America. | 0:08:22 | 0:08:25 | |
To this day, slavery has never officially been abolished in Morocco. | 0:08:26 | 0:08:30 | |
I'm proud of it. | 0:08:31 | 0:08:33 | |
Me, I'm born also from this slave's family. | 0:08:33 | 0:08:38 | |
This country is like a mosaic. | 0:08:38 | 0:08:40 | |
We have black, we have white, we have Arab, we have Berber, | 0:08:41 | 0:08:45 | |
we have Jewish, we have a lot of... | 0:08:45 | 0:08:49 | |
faces, a lot of tradition, | 0:08:49 | 0:08:52 | |
a lot of culture, and that makes this country very rich. | 0:08:52 | 0:08:55 | |
I'm humbled by Hafida's story. | 0:08:59 | 0:09:01 | |
In Morocco there are whole villages of people descended from the slaves | 0:09:01 | 0:09:05 | |
who were forced along the salt roads from West Africa. | 0:09:05 | 0:09:08 | |
The country's culture has been enriched | 0:09:09 | 0:09:11 | |
by the traditions they brought with them. | 0:09:11 | 0:09:14 | |
This is so magical. | 0:09:16 | 0:09:18 | |
I just woke up. | 0:09:18 | 0:09:19 | |
It's still the middle of the night, but I woke up, | 0:09:19 | 0:09:22 | |
and I looked up and I can see the Milky Way, | 0:09:22 | 0:09:25 | |
and I can also see the Plough, absolutely clear. | 0:09:25 | 0:09:28 | |
A most beautiful night. | 0:09:30 | 0:09:32 | |
We get up with the dawn | 0:09:38 | 0:09:39 | |
like the traders who had to beat the heat of the day. | 0:09:39 | 0:09:42 | |
I feel like I'm getting a taste of what life would have been like. | 0:09:44 | 0:09:48 | |
Quite difficult days, | 0:09:48 | 0:09:50 | |
difficult on the body, | 0:09:50 | 0:09:52 | |
having to trust yourself to somebody else completely | 0:09:52 | 0:09:55 | |
because you don't know the way. | 0:09:55 | 0:09:56 | |
Moments of huge beauty in the desert | 0:09:56 | 0:09:59 | |
because it is stunning, the landscape. | 0:09:59 | 0:10:01 | |
And then night-time, | 0:10:01 | 0:10:03 | |
food, hot tea and the time to just socialise with everyone around you. | 0:10:03 | 0:10:08 | |
Just after sunrise we're back out in the desert again and heading south. | 0:10:19 | 0:10:24 | |
We have 15 miles to cover today, | 0:10:26 | 0:10:28 | |
which should take our camels about five hours. | 0:10:28 | 0:10:31 | |
In the past, caravans would be guided by highly paid Berbers | 0:10:40 | 0:10:44 | |
who navigated by the sun, the stars, and the shape of the dunes, | 0:10:44 | 0:10:49 | |
and acted as security to keep the merchants safe from raiders. | 0:10:49 | 0:10:53 | |
Climbing to the top of one of the highest dunes, | 0:10:59 | 0:11:02 | |
the view across the desert stretches all the way to Algeria. | 0:11:02 | 0:11:05 | |
This is the border between Morocco and Algeria. | 0:11:11 | 0:11:14 | |
-Yeah. -And it's, like, 1,500 kilometres. | 0:11:14 | 0:11:18 | |
-Wow! -Yeah. | 0:11:18 | 0:11:20 | |
And how far away is it from here? | 0:11:20 | 0:11:21 | |
It's like 60km from here. | 0:11:21 | 0:11:23 | |
Morocco's border with Algeria has been closed since 1994 | 0:11:24 | 0:11:28 | |
after a terrorist attack in Marrakech | 0:11:28 | 0:11:31 | |
brought relations between the two to an all-time low. | 0:11:31 | 0:11:34 | |
It's said to cost the Moroccan economy | 0:11:34 | 0:11:37 | |
2 billion a year in lost trade. | 0:11:37 | 0:11:39 | |
It also means I can't go any further along this particular trade route. | 0:11:40 | 0:11:45 | |
But the network of routes was extensive | 0:11:45 | 0:11:48 | |
so there are other possibilities. | 0:11:48 | 0:11:50 | |
Hafida's made it quite clear that the Algerian border | 0:11:50 | 0:11:52 | |
is completely shut and no longer an option. | 0:11:52 | 0:11:54 | |
That southern route was a quick way down, was the fastest way down, | 0:11:54 | 0:11:59 | |
but there is also a western route, which, although it's slower, | 0:11:59 | 0:12:03 | |
was in fact safer because there were more places to provision | 0:12:03 | 0:12:07 | |
along the way, it was more populated. | 0:12:07 | 0:12:09 | |
So that seems the logical way to try next. | 0:12:09 | 0:12:11 | |
Taking the road west means saying goodbye to Hafida, | 0:12:16 | 0:12:19 | |
and my now-beloved camel, Hamoun. | 0:12:19 | 0:12:22 | |
I'm driving towards the city of Guelmim. | 0:12:22 | 0:12:25 | |
This particular route came to prominence in the 18th century | 0:12:25 | 0:12:29 | |
when Guelmim became one of | 0:12:29 | 0:12:30 | |
the biggest trading crossroads in North Africa. | 0:12:30 | 0:12:33 | |
I'm skirting across the northern edge of the Sahara | 0:12:36 | 0:12:40 | |
and making a stop in a desert town called Tamegroute | 0:12:40 | 0:12:43 | |
because I've heard it holds a secret treasure. | 0:12:43 | 0:12:46 | |
This sign in Arabic says... | 0:12:50 | 0:12:52 | |
SHE SPEAKS ARABIC | 0:12:52 | 0:12:53 | |
Which means a treasury or a treasure trove of books. | 0:12:53 | 0:12:56 | |
Very surprising to find that here in such a small remote place. | 0:12:56 | 0:13:00 | |
This sanctuary is a Zaouia, a centre of Islamic learning, | 0:13:06 | 0:13:10 | |
which houses a library of 4,000 ancient books. | 0:13:10 | 0:13:13 | |
Its custodian is 89-year-old Hajj Khalifa El Fasi. | 0:13:15 | 0:13:19 | |
His family have handed down this job from father to son | 0:13:19 | 0:13:23 | |
since it was founded in the 11th century. | 0:13:23 | 0:13:26 | |
Now his son, Rashid, works alongside him. | 0:13:26 | 0:13:29 | |
This Malian scholar left behind rare manuscripts, | 0:14:18 | 0:14:22 | |
which, as an Arabist, I'm dying to get my hands on. | 0:14:22 | 0:14:25 | |
How exciting that these roads I've been travelling were on a kind of | 0:15:11 | 0:15:15 | |
medieval information highway and knowledge network. | 0:15:15 | 0:15:18 | |
I almost, but not quite, got to touch 400 years of history. | 0:15:21 | 0:15:25 | |
That book in the library is absolute evidence that the trade routes | 0:15:26 | 0:15:31 | |
between sub-Saharan Africa and this area of north Africa | 0:15:31 | 0:15:35 | |
brought knowledge and learning, as well as just gold and salt. | 0:15:35 | 0:15:40 | |
And that knowledge made its way across the water to Europe | 0:15:42 | 0:15:45 | |
where ideas from Muslim scholars on subjects like philosophy, | 0:15:45 | 0:15:49 | |
science and mathematics informed the European Renaissance. | 0:15:49 | 0:15:53 | |
A 350-mile bus journey brings me to the market town of Guelmim. | 0:15:57 | 0:16:02 | |
It's nicknamed Bab Sahara, gateway to the desert. | 0:16:02 | 0:16:06 | |
In the 18th and 19th centuries, it was known for its huge camel market, | 0:16:15 | 0:16:20 | |
the medieval equivalent of a massive car showroom full of four-by-fours. | 0:16:20 | 0:16:25 | |
I want to see if any of that trade survives. | 0:16:25 | 0:16:28 | |
This is a fantastic livestock market, full of noise and colour | 0:16:29 | 0:16:32 | |
and smell. | 0:16:32 | 0:16:33 | |
But, actually, I'm looking for camels because it used to be | 0:16:33 | 0:16:36 | |
the biggest camel market in the whole of north-west Africa | 0:16:36 | 0:16:40 | |
and I haven't seen any yet. | 0:16:40 | 0:16:42 | |
I'm imagining this market in the days of trans-Saharan trade, | 0:16:42 | 0:16:45 | |
bustling with merchants bartering for camels by the hundred. | 0:16:45 | 0:16:49 | |
Eventually, I find a small collection of them in a corner. | 0:16:49 | 0:16:53 | |
Today, the trade is very different. | 0:16:53 | 0:16:56 | |
THEY SPEAK OWN LANGUAE | 0:17:01 | 0:17:03 | |
So times have really changed. | 0:17:03 | 0:17:05 | |
In days of old, this was the place to buy your camel | 0:17:05 | 0:17:08 | |
and to refuel your camel for the trek across the Sahara, | 0:17:08 | 0:17:11 | |
or from the Sahara up to the north. | 0:17:11 | 0:17:13 | |
But now these camels are actually used for food | 0:17:13 | 0:17:15 | |
and we've just been told | 0:17:15 | 0:17:17 | |
that one camel can feed up to 300 people for a party. | 0:17:17 | 0:17:20 | |
So that's mainly what people come and buy them for now. | 0:17:20 | 0:17:23 | |
Ahmed al Ansari's family has been in the business for generations. | 0:17:24 | 0:17:28 | |
If anyone knows the going rate for a camel, it's him. | 0:17:28 | 0:17:32 | |
It depends. It depends on the camel. | 0:17:32 | 0:17:35 | |
If the camel is very strong... | 0:17:35 | 0:17:38 | |
-Yes. -..the price is like that. | 0:17:38 | 0:17:40 | |
If the camel is not strong, the camel is down. | 0:17:40 | 0:17:43 | |
Sometimes you can find a camel and it's 20,000 dirhams. | 0:17:43 | 0:17:47 | |
But it's very, very big, you know? | 0:17:47 | 0:17:50 | |
It's enough for 500, 600 persons. | 0:17:50 | 0:17:53 | |
20,000 dirhams is £1,500. | 0:17:58 | 0:18:01 | |
After my trip across the desert on Hamoun, | 0:18:01 | 0:18:04 | |
it seems like a bargain to me. | 0:18:04 | 0:18:06 | |
And it's easy to imagine | 0:18:06 | 0:18:07 | |
why a strong camel was an asset for Saharan traders | 0:18:07 | 0:18:11 | |
when they might carry loads of up to 200 kilos. | 0:18:11 | 0:18:14 | |
Apparently, the white camel is called the president of the caravan | 0:18:19 | 0:18:22 | |
because it can sniff out water. | 0:18:22 | 0:18:24 | |
So they used to send it ahead to find where the water was in the desert | 0:18:24 | 0:18:28 | |
and it was highly valued. | 0:18:28 | 0:18:29 | |
The days of camel caravans are clearly over, | 0:18:34 | 0:18:37 | |
so I'm making the next leg of my journey by car. | 0:18:37 | 0:18:40 | |
I'm going south towards the town of Zag, 115 miles away. | 0:18:40 | 0:18:44 | |
There's a military checkpoint at the entrance to the town | 0:18:46 | 0:18:49 | |
and people in Guelmim have told me I'm unlikely to get through. | 0:18:49 | 0:18:52 | |
I'm about 25km outside of Zag on the western route | 0:18:54 | 0:18:58 | |
that the merchants followed towards Timbuktu. | 0:18:58 | 0:19:01 | |
The issue here is, of course, | 0:19:02 | 0:19:04 | |
that the borders have changed since those times | 0:19:04 | 0:19:06 | |
and political and social tensions here are quite high. | 0:19:06 | 0:19:09 | |
Zag is the last town before the border with Western Sahara. | 0:19:12 | 0:19:16 | |
A territory that's been disputed by Morocco, | 0:19:16 | 0:19:19 | |
Mauritania, and the Sahrawi Berbers who have always lived there. | 0:19:19 | 0:19:22 | |
When Morocco secured control of it in 1979, | 0:19:25 | 0:19:28 | |
they turned the area into a military zone and built a long sand berm | 0:19:28 | 0:19:33 | |
to keep out local independence fighters. | 0:19:33 | 0:19:35 | |
I'm just getting everything ready. I've got my permit | 0:19:37 | 0:19:39 | |
and I've got the map to show them where I'm going at the checkpoint, | 0:19:39 | 0:19:43 | |
but I am really nervous that we're not going to get through. | 0:19:43 | 0:19:47 | |
It's a military zone, there is a lot of tension over the Western Sahara | 0:19:47 | 0:19:51 | |
and this really is one of the points | 0:19:51 | 0:19:53 | |
that I think could block our journey. | 0:19:53 | 0:19:55 | |
-Bonjour. -Bonjour. | 0:20:04 | 0:20:06 | |
THEY SPEAK ARABIC | 0:20:07 | 0:20:10 | |
It turns out my worries were totally unfounded. | 0:20:13 | 0:20:16 | |
Instead of a show of military bravado, | 0:20:19 | 0:20:21 | |
I'm warmly welcomed and waved through the checkpoint and into Zag, | 0:20:21 | 0:20:26 | |
a town straight out of a spaghetti Western. | 0:20:26 | 0:20:28 | |
Here, I want to find someone to take me on to the border, | 0:20:28 | 0:20:33 | |
but when I ask around, everyone says it's not possible to get there. | 0:20:33 | 0:20:36 | |
Finally, a local cloth trader, Mansour Hamadi, | 0:20:36 | 0:20:40 | |
agrees to take me down the road south of Zag towards the border. | 0:20:40 | 0:20:44 | |
He used to travel it himself to buy fabrics in Mauritania. | 0:20:46 | 0:20:49 | |
But just four miles along the track, he stops the car. | 0:20:49 | 0:20:53 | |
This is as far as he is prepared to go. | 0:20:53 | 0:20:56 | |
The military presence doesn't bode well for my onward journey. | 0:21:10 | 0:21:13 | |
Mansour tells me there are thousands of unexploded mines | 0:22:06 | 0:22:10 | |
along both of these roads | 0:22:10 | 0:22:12 | |
and the conflict between the different factions is very much alive. | 0:22:12 | 0:22:16 | |
This is extremely frustrating. This should be so simple. | 0:22:18 | 0:22:21 | |
I'm actually standing on a crossroads | 0:22:21 | 0:22:23 | |
for two roads that go to Timbuktu. | 0:22:23 | 0:22:26 | |
That one goes through Tindouf and this one goes through Mahbes. | 0:22:26 | 0:22:30 | |
But unlike the days of old, | 0:22:32 | 0:22:33 | |
when the merchants passed freely along these routes, | 0:22:33 | 0:22:36 | |
I can't go and the reason is there is a built-up military zone, | 0:22:36 | 0:22:39 | |
this area is under dispute, it is mined, | 0:22:39 | 0:22:42 | |
and there is absolutely no possibility for me to cross. | 0:22:42 | 0:22:46 | |
So, I'm stuck, I'm absolutely stuck here, there is nothing I can do. | 0:22:46 | 0:22:50 | |
I'm out of options. | 0:22:56 | 0:22:58 | |
I can't follow the salt roads | 0:22:58 | 0:22:59 | |
through the closed border and a military zone. | 0:22:59 | 0:23:02 | |
So, to continue on my quest for Timbuktu, I have to fly 1,000 miles | 0:23:02 | 0:23:07 | |
over the no-go territory of Western Sahara and Mauritania | 0:23:07 | 0:23:11 | |
directly into Mali. | 0:23:11 | 0:23:13 | |
This is Bamako, the capital of Mali, | 0:23:24 | 0:23:26 | |
and one of the fastest-growing cities in the world. | 0:23:26 | 0:23:30 | |
Arriving here is an assault on the senses. | 0:23:30 | 0:23:32 | |
I feel like I've been parachuted into craziness. | 0:23:37 | 0:23:41 | |
I'm in the heart of West Africa and everything's going at ten times | 0:23:41 | 0:23:45 | |
the pace of normal. It's brighter, it's noisier, | 0:23:45 | 0:23:47 | |
I keep sneezing because of the chillies. | 0:23:47 | 0:23:50 | |
What an incredible contrast to the sounds of the Sahara. | 0:23:50 | 0:23:53 | |
Just couldn't be more different. | 0:23:53 | 0:23:55 | |
We're still 700 miles from Timbuktu, | 0:23:55 | 0:23:58 | |
but I've spotted something in the market | 0:23:58 | 0:24:01 | |
that tells me I'm on the right track. | 0:24:01 | 0:24:03 | |
Timbuktu? | 0:24:03 | 0:24:05 | |
Everywhere I go, there are glimpses of Timbuktu luring me in. | 0:24:05 | 0:24:09 | |
Here I've found this massive block of salt, | 0:24:09 | 0:24:11 | |
which must have come down from the north, through the city, | 0:24:11 | 0:24:14 | |
and all its way over here to Bamako. | 0:24:14 | 0:24:16 | |
I've found salt. Now I'm searching for | 0:24:19 | 0:24:22 | |
the other prized commodity of these trade routes - gold. | 0:24:22 | 0:24:25 | |
Mali is the third-largest producer in Africa, | 0:24:27 | 0:24:31 | |
yielding over 50 tonnes of gold a year. | 0:24:31 | 0:24:33 | |
In the Middle Ages, the great West African empires of Ghana, | 0:24:33 | 0:24:37 | |
Mali, and Songhai got rich from it. | 0:24:37 | 0:24:40 | |
Gold is still mined here and I'm keen to see a working mine | 0:24:48 | 0:24:51 | |
for myself and maybe do some prospecting. | 0:24:51 | 0:24:54 | |
So I'm making for Narena, 40 miles south-west of Bamako, | 0:24:54 | 0:24:58 | |
taking the local transport with some of the workers. | 0:24:58 | 0:25:01 | |
SHE SPEAKS LOCAL LANGUAGE | 0:25:05 | 0:25:07 | |
It's a sociable ride and I learn a new phrase in Mandinka, | 0:25:07 | 0:25:10 | |
the local language. | 0:25:10 | 0:25:11 | |
SHE SPEAKS MADINKA | 0:25:11 | 0:25:13 | |
Slow down. It's getting a bit bumpy. | 0:25:13 | 0:25:15 | |
We're off-roading through the bush on the way to the gold mine. | 0:25:15 | 0:25:19 | |
We rattle to a halt at what I'm told is the mine. | 0:25:31 | 0:25:34 | |
I was expecting a modern, hi-tech operation, | 0:25:35 | 0:25:38 | |
but instead I'm greeted by the sight | 0:25:38 | 0:25:40 | |
of people busily wielding picks and shovels. | 0:25:40 | 0:25:43 | |
This is a community mine run by the local landowner. | 0:25:45 | 0:25:48 | |
You have to pay him a fee before you can mine here. | 0:25:48 | 0:25:52 | |
-Assalaamu Alaikum. -Walaykum assalam. | 0:25:53 | 0:25:55 | |
I've brought him a traditional gift of kola nuts. | 0:26:07 | 0:26:09 | |
The Malian equivalent of a nice bottle of red. | 0:26:11 | 0:26:13 | |
SHE SPEAKS FRENCH | 0:26:13 | 0:26:15 | |
Keita has an entourage | 0:26:15 | 0:26:16 | |
who seem amused by my eagerness to do some gold mining. | 0:26:16 | 0:26:19 | |
Yacouba is the chief's cousin and the mine's foreman. | 0:26:36 | 0:26:40 | |
The mine has only been open for eight months. | 0:26:40 | 0:26:43 | |
He said, "Do you want to see gold?" | 0:26:46 | 0:26:47 | |
Assalaamu Alaikum. | 0:26:56 | 0:26:57 | |
These men are the modern-day version of the traders of old, | 0:26:57 | 0:27:00 | |
buying gold to sell on. | 0:27:00 | 0:27:02 | |
I'm surprised it's all so shiny and bright. | 0:27:09 | 0:27:11 | |
Somehow I thought it would be in big rocks and you wouldn't | 0:27:11 | 0:27:14 | |
actually be able to see that it's real gold, which it obviously is. | 0:27:14 | 0:27:17 | |
And these guys here are weighing it and pushing it out. | 0:27:17 | 0:27:20 | |
Apparently the price varies a lot. | 0:27:20 | 0:27:22 | |
But it's great to see it here. | 0:27:23 | 0:27:26 | |
At the moment gold sells for the equivalent of £20 per gram. | 0:27:29 | 0:27:33 | |
The mine here produces three to four kilograms a month. | 0:27:33 | 0:27:36 | |
It's hard to work out where it's all coming from. | 0:27:39 | 0:27:41 | |
All I can see is a series of holes in the ground, | 0:27:41 | 0:27:45 | |
but it turns out all of them are mine shafts | 0:27:45 | 0:27:47 | |
with people working down them. | 0:27:47 | 0:27:49 | |
Working underground appears to be a male-only zone, | 0:28:01 | 0:28:04 | |
but I'm desperate to have a go myself. | 0:28:04 | 0:28:06 | |
Time to get my hands dirty... if they'll let me. | 0:28:08 | 0:28:11 | |
It's boiling hot, this is really hard work. | 0:28:46 | 0:28:50 | |
All the miners are laughing at me, but I'm actually doing my best. | 0:28:50 | 0:28:53 | |
There's a lot of hard graft involved in striking gold. | 0:28:56 | 0:28:59 | |
And once you've used all your muscle power | 0:28:59 | 0:29:02 | |
to shovel earth from the ground, | 0:29:02 | 0:29:04 | |
actually spotting the gold is more difficult than you might think, | 0:29:04 | 0:29:08 | |
even with the help of a metal detector. | 0:29:08 | 0:29:10 | |
THEY SPEAK LOCAL LANGUAGE | 0:29:10 | 0:29:12 | |
I found gold. | 0:29:34 | 0:29:36 | |
When I say I found it, me and 30 excited miners found it. | 0:29:36 | 0:29:39 | |
I think that's going to pay for me to get all the way to Timbuktu. | 0:29:39 | 0:29:43 | |
I'm told my piece of gold is too small to be weighed, | 0:29:43 | 0:29:47 | |
but I don't care, | 0:29:47 | 0:29:49 | |
this is trans-Saharan trade in the palm of my hand. | 0:29:49 | 0:29:52 | |
This is just a small community mine, but you can see the potential | 0:29:53 | 0:29:57 | |
for enormous amounts of gold coming out of the ground. | 0:29:57 | 0:30:00 | |
I already found my own little nugget, I dug it up myself, | 0:30:00 | 0:30:03 | |
and it makes me realise that Timbuktu, | 0:30:03 | 0:30:05 | |
this mythical city of gold, may actually be a reality. | 0:30:05 | 0:30:09 | |
I'm finally setting off on the last leg of my journey. | 0:30:15 | 0:30:19 | |
I've travelled 2,000 miles to get to Mali | 0:30:19 | 0:30:22 | |
and there's just one last 700-mile stretch before I reach Timbuktu. | 0:30:22 | 0:30:27 | |
It looks so simple on the map, a short plane ride away, | 0:30:27 | 0:30:30 | |
but while once all routes led to the city, | 0:30:30 | 0:30:33 | |
recent events have changed that. | 0:30:33 | 0:30:36 | |
Allahu akbar. | 0:30:36 | 0:30:37 | |
Allahu akbar. | 0:30:37 | 0:30:39 | |
-NEWSREADER: -'On the night of April 1st, | 0:30:39 | 0:30:41 | |
'Islamists and local Tuareg rebels drove into Timbuktu. | 0:30:41 | 0:30:45 | |
'By dawn they were in control.' | 0:30:48 | 0:30:49 | |
In 2012, rebels invaded Timbuktu, | 0:30:51 | 0:30:55 | |
turning it from a cultural treasure trove | 0:30:55 | 0:30:57 | |
into one of the world's most dangerous places. | 0:30:57 | 0:31:00 | |
Tuareg separatists wanted to create an independent state. | 0:31:01 | 0:31:04 | |
But they were soon supplanted by Islamic militants | 0:31:04 | 0:31:08 | |
who implemented their own extreme version of Sharia law. | 0:31:08 | 0:31:12 | |
A year later, French and Malian troops reclaimed the city. | 0:31:13 | 0:31:17 | |
Now, a UN presence keeps the fragile peace there. | 0:31:18 | 0:31:22 | |
The security situation means flights are strictly limited. | 0:31:27 | 0:31:32 | |
I'm camping out at Bamako airport, trying to get on a military plane. | 0:31:32 | 0:31:35 | |
This is the most difficult leg of the journey | 0:31:37 | 0:31:40 | |
because the only way to get into Timbuktu now is with the UN. | 0:31:40 | 0:31:43 | |
The political situation means that even in the olden days | 0:31:43 | 0:31:45 | |
when the traders came across the Sahara and had to face | 0:31:45 | 0:31:48 | |
all those difficulties, it's now worse, | 0:31:48 | 0:31:51 | |
it's harder to get into the city. | 0:31:51 | 0:31:53 | |
After waiting around, I finally managed to pick up a flight. | 0:31:59 | 0:32:02 | |
I feel as excited as those early European explorers must have felt. | 0:32:02 | 0:32:06 | |
"At last we arrived safely at Timbuktu. | 0:32:09 | 0:32:12 | |
"At the moment when the sun touched the horizon, | 0:32:12 | 0:32:15 | |
"that was when I saw this capital of Sudan, | 0:32:15 | 0:32:18 | |
"which for so long had been the focus of all my desires. | 0:32:18 | 0:32:22 | |
"Entering that mysterious city, | 0:32:22 | 0:32:24 | |
"which all the civilised nations of Europe have striven for, | 0:32:24 | 0:32:28 | |
"I was seized by an inexpressible feeling of satisfaction." | 0:32:28 | 0:32:31 | |
But when I touch down at Timbuktu, | 0:32:37 | 0:32:39 | |
I'm faced with the alarming reality | 0:32:39 | 0:32:41 | |
of a city which is effectively under siege. | 0:32:41 | 0:32:44 | |
It's really chilling to come into all these military checkpoints. | 0:32:46 | 0:32:49 | |
In the airport you see civilians and people greeting their families | 0:32:49 | 0:32:52 | |
and then here, it's all military personnel, | 0:32:52 | 0:32:54 | |
it's barbed wire everywhere, there's weapons everywhere. | 0:32:54 | 0:32:57 | |
There are only three miles of the Sahara between me and Timbuktu. | 0:33:02 | 0:33:07 | |
After travelling 2,000 miles, I'm just a few minutes away | 0:33:07 | 0:33:11 | |
and I'm getting butterflies. | 0:33:11 | 0:33:13 | |
The city's world-famous mosques are some of | 0:33:14 | 0:33:17 | |
the last surviving remnants of the medieval trader era | 0:33:17 | 0:33:20 | |
and I'm heading for one of them, the Sankore. | 0:33:20 | 0:33:24 | |
I've been waiting for this moment for years. | 0:33:24 | 0:33:27 | |
It's been a really, really long journey | 0:33:27 | 0:33:29 | |
with lots of obstacles in the way. | 0:33:29 | 0:33:30 | |
Slightly different ones from the traders, | 0:33:30 | 0:33:33 | |
but the same kind of feeling. | 0:33:33 | 0:33:34 | |
And now I get it, my first glimpse of the icon of Timbuktu - | 0:33:34 | 0:33:39 | |
this beautiful, stunning mosque | 0:33:39 | 0:33:41 | |
that looks nothing like anything I've seen before. | 0:33:41 | 0:33:44 | |
You can see it in pictures, but it's not the same as being here. | 0:33:44 | 0:33:48 | |
The Sankore Mosque was built in the 14th century | 0:33:52 | 0:33:55 | |
and its name means, white nobles, | 0:33:55 | 0:33:58 | |
reflecting the pale-skinned Berbers who ruled the city. | 0:33:58 | 0:34:02 | |
It must have been a hugely imposing sight for medieval traders | 0:34:02 | 0:34:06 | |
as they emerged from the desert. | 0:34:06 | 0:34:08 | |
I love touching history. | 0:34:12 | 0:34:14 | |
Just imagine all the people that made this, | 0:34:14 | 0:34:17 | |
all the people that have worshipped inside. | 0:34:17 | 0:34:19 | |
It's a symbol, but it's so much more than that because it's actually | 0:34:20 | 0:34:24 | |
a living, breathing place, the centre of the city. | 0:34:24 | 0:34:26 | |
The inside of the mosque is reserved for Muslim worshippers. | 0:34:32 | 0:34:35 | |
But just the sight of it transports me back | 0:34:35 | 0:34:37 | |
to the heady days of trans-Saharan trade. | 0:34:37 | 0:34:40 | |
I'm picturing this main square at the height of Timbuktu's glory | 0:34:44 | 0:34:48 | |
when it would be a cacophony of crazy noise and colour, | 0:34:48 | 0:34:51 | |
with everybody here, the caravans, the merchants, | 0:34:51 | 0:34:54 | |
people trading every good imaginable. | 0:34:54 | 0:34:57 | |
Over there, we'd have people sitting with their weighing scales, | 0:34:57 | 0:35:00 | |
weighing out the goods. | 0:35:00 | 0:35:02 | |
Maybe over there you'd have the horrible scenes of the slaves | 0:35:02 | 0:35:04 | |
getting ready to be loaded up and taken up to the north, | 0:35:04 | 0:35:07 | |
crying because they didn't know where they were going, | 0:35:07 | 0:35:09 | |
what was going to happen to them. | 0:35:09 | 0:35:10 | |
Just a melee of humanity - Jews and Arabs, Tuaregs, Songhai, | 0:35:10 | 0:35:16 | |
all mixing together to make this | 0:35:16 | 0:35:18 | |
the most important trading centre of its day, | 0:35:18 | 0:35:21 | |
the city of gold. | 0:35:21 | 0:35:23 | |
The cultural richness of the city, | 0:35:28 | 0:35:31 | |
with its fabulous mosques, grew out of its material wealth. | 0:35:31 | 0:35:35 | |
The oldest and largest of them, the Djinguereber, | 0:35:36 | 0:35:39 | |
was built by the greatest king of Mali, Mansa Musa. | 0:35:39 | 0:35:42 | |
Though I'm not a Muslim, I've been granted special permission to go in. | 0:35:46 | 0:35:50 | |
Under the tall arches, I find Salem Ould Elhadjie, | 0:35:54 | 0:35:58 | |
a historian and storyteller, | 0:35:58 | 0:35:59 | |
who tells me the tale of the richest man in history, | 0:35:59 | 0:36:03 | |
Mansa Musa. | 0:36:03 | 0:36:04 | |
Tales of Mansa Musa's astonishing wealth spread across the globe | 0:37:36 | 0:37:41 | |
and thus began the legend of Timbuktu. | 0:37:41 | 0:37:43 | |
Many explorers over the centuries tried and failed to reach it. | 0:37:45 | 0:37:49 | |
In the 19th century, | 0:37:50 | 0:37:52 | |
a French explorer's club even offered a prize | 0:37:52 | 0:37:54 | |
to the first adventurer to reach the city and return. | 0:37:54 | 0:37:58 | |
But the first man to get here wasn't French, he was British. | 0:37:58 | 0:38:02 | |
Major Alexander Gordon Laing's house. | 0:38:02 | 0:38:05 | |
This is where he stayed in Timbuktu when he was here | 0:38:05 | 0:38:08 | |
and it's one of the places I've really, really wanted to come to. | 0:38:08 | 0:38:11 | |
He's a fellow Scot and I consider him an extremely brave man. | 0:38:11 | 0:38:14 | |
Alexander Gordon Laing reached Timbuktu in 1826. | 0:38:20 | 0:38:25 | |
It had taken him a year to trek from Tripoli across the Sahara, | 0:38:25 | 0:38:29 | |
and on the way he'd been viciously attacked and robbed. | 0:38:29 | 0:38:32 | |
Tuaregs had fractured his jaw and nearly cut off his right hand, | 0:38:32 | 0:38:37 | |
and he had a musket ball in his hip. | 0:38:37 | 0:38:38 | |
I have a copy of the letter he wrote when he arrived here. | 0:38:41 | 0:38:44 | |
He was only 32 years old. | 0:38:44 | 0:38:46 | |
"I have been busily employed during my stay, | 0:38:47 | 0:38:50 | |
"searching the records in the town, which are abundant. | 0:38:50 | 0:38:53 | |
"But my situation in Timbuktu has been rendered exceedingly unsafe | 0:38:53 | 0:38:58 | |
"by the unfriendly disposition of the Fulas, | 0:38:58 | 0:39:01 | |
"whose Sultan has expressed his hostility to me | 0:39:01 | 0:39:04 | |
"in no equivocal terms. | 0:39:04 | 0:39:06 | |
"He has now got intelligence of my being in Timbuktu | 0:39:07 | 0:39:10 | |
"and as a party of Fulas are hourly expected, | 0:39:10 | 0:39:13 | |
"Alkaidy Boubacar, who is an excellent good man, | 0:39:13 | 0:39:17 | |
"and who trembles for my safety, | 0:39:17 | 0:39:19 | |
"has strongly urged my immediate departure." | 0:39:19 | 0:39:23 | |
This was the last letter Laing ever wrote. | 0:39:25 | 0:39:28 | |
After fleeing Timbuktu, he was captured | 0:39:28 | 0:39:31 | |
and then brutally strangled by Tuareg raiders. | 0:39:31 | 0:39:34 | |
It's bittersweet, sitting here in Laing's house... | 0:39:36 | 0:39:40 | |
reading his letter in the place that he stayed in Timbuktu. | 0:39:40 | 0:39:43 | |
I'm here, I'm wandering the same streets that he did. | 0:39:43 | 0:39:46 | |
He died in such a horrible way, | 0:39:46 | 0:39:48 | |
but he achieved such an incredible thing. | 0:39:48 | 0:39:50 | |
It puts my puny attempts to get here into perspective. | 0:39:50 | 0:39:53 | |
This man was incredibly courageous. | 0:39:55 | 0:39:57 | |
He knew that he might die, but he still did it | 0:39:57 | 0:40:00 | |
in the interests of finding out about this great city. | 0:40:00 | 0:40:03 | |
I wish I had half that courage. | 0:40:03 | 0:40:05 | |
Two years later, in 1828, a Frenchman, Rene Caillie, | 0:40:08 | 0:40:12 | |
won the race for Timbuktu and returned alive | 0:40:12 | 0:40:16 | |
to claim the 10,000-franc prize. | 0:40:16 | 0:40:19 | |
That's more than £75,000 in today's money. | 0:40:19 | 0:40:22 | |
It was a prize which had cost Laing his life. | 0:40:23 | 0:40:26 | |
Today, 60,000 people live in Timbuktu, | 0:40:33 | 0:40:37 | |
a mix of the different tribes who have made their mark on this city | 0:40:37 | 0:40:40 | |
throughout its history. | 0:40:40 | 0:40:42 | |
It was founded in the 12th century by the Tuaregs | 0:40:44 | 0:40:46 | |
with their trademark scarves and fierce reputation. | 0:40:46 | 0:40:49 | |
They're nomads of the Sahara | 0:40:51 | 0:40:53 | |
and the mainstay of the caravan trade across the desert. | 0:40:53 | 0:40:56 | |
Most still live a nomadic life, like the Agata family | 0:40:58 | 0:41:01 | |
who come to Timbuktu to trade. | 0:41:01 | 0:41:03 | |
Muhammad's forefathers grew rich | 0:41:07 | 0:41:10 | |
from trading in salt and Malian gold. | 0:41:10 | 0:41:12 | |
He still uses that gold in his jewellery. | 0:41:12 | 0:41:15 | |
Since the militants' incursion, the Sahara has become too dangerous, | 0:41:50 | 0:41:54 | |
even for Tuareg nomads, | 0:41:54 | 0:41:57 | |
and the Agatas now rely on their jewellery to survive. | 0:41:57 | 0:42:00 | |
-Zacate. -Zacate. | 0:42:15 | 0:42:16 | |
I've been invited to join the family for lunch, | 0:42:29 | 0:42:31 | |
which Muhammad's wife, Maya, is preparing. | 0:42:31 | 0:42:34 | |
The meat is goat, cooked slowly to tenderise it. | 0:42:39 | 0:42:42 | |
I want to know if it's true | 0:42:55 | 0:42:57 | |
that in this warrior culture, women rule the roost. | 0:42:57 | 0:43:00 | |
I'm not used to seeing men veiled | 0:44:07 | 0:44:09 | |
and women uncovered in a Muslim country. | 0:44:09 | 0:44:11 | |
It's a complete role reversal. | 0:44:11 | 0:44:13 | |
Maya has provided a feast. | 0:44:15 | 0:44:17 | |
But times are hard for the Agata family. | 0:44:26 | 0:44:29 | |
The security risks in Timbuktu have scared away the tourists | 0:44:29 | 0:44:33 | |
and it's too dangerous to cross the desert to trade. | 0:44:33 | 0:44:36 | |
Their nomadic lifestyle is on hold. | 0:44:36 | 0:44:39 | |
To me, Timbuktu seems a peaceful, friendly place, | 0:44:47 | 0:44:51 | |
but the UN presence all over the city is a constant reminder | 0:44:51 | 0:44:54 | |
of the dangers that lurk outside its boundaries. | 0:44:54 | 0:44:58 | |
And that's where I'm going next - to follow the salt road south. | 0:44:58 | 0:45:02 | |
What made Timbuktu such a great centre of trade | 0:45:09 | 0:45:12 | |
was its geographical location. | 0:45:12 | 0:45:15 | |
A crossroads between the desert of the Sahara | 0:45:15 | 0:45:18 | |
and the great Niger River. | 0:45:18 | 0:45:19 | |
The Niger lies just five miles south of Timbuktu, | 0:45:21 | 0:45:25 | |
but once again, I have to rely on the UN to take me there. | 0:45:25 | 0:45:28 | |
This time in an armoured convoy on one of their daily patrols. | 0:45:28 | 0:45:33 | |
There are 1,200 UN peacekeeping troops in Timbuktu, | 0:45:36 | 0:45:40 | |
their third largest force in the world, | 0:45:40 | 0:45:43 | |
and Mali is their deadliest mission. | 0:45:43 | 0:45:45 | |
My driver, Kai, tells me that only two weeks before I arrived, | 0:45:56 | 0:45:59 | |
there was a rocket attack here. | 0:45:59 | 0:46:01 | |
So, when you patrol, are you looking out for anything in particular? | 0:46:02 | 0:46:06 | |
Everything that's sort of unusual, or...is it calm or not? | 0:46:06 | 0:46:11 | |
You can't sort of pinpoint what you're looking for, | 0:46:13 | 0:46:16 | |
you're just looking that is it... the same way that it usually is. | 0:46:16 | 0:46:20 | |
The desert eventually gives way to a sea of green. | 0:46:25 | 0:46:29 | |
This is where the camel met the canoe | 0:46:29 | 0:46:31 | |
in the days of trans-Saharan trade. | 0:46:31 | 0:46:34 | |
And when I see the Niger River for the first time, | 0:46:37 | 0:46:40 | |
it takes my breath away. | 0:46:40 | 0:46:41 | |
The port of Korioume is going about its daily business, | 0:46:45 | 0:46:48 | |
oblivious, it seems, to the danger around it. | 0:46:48 | 0:46:52 | |
And I'm curious to know what kind of goods | 0:46:52 | 0:46:54 | |
are passing through here today. | 0:46:54 | 0:46:56 | |
Monsieur. | 0:46:56 | 0:46:57 | |
Ibrahim is the harbour master here. | 0:47:07 | 0:47:09 | |
Two boats have just pulled in and are unloading their cargo. | 0:47:09 | 0:47:13 | |
There's a huge variety of merchandise | 0:47:29 | 0:47:31 | |
including a whole consignment of motorbikes... | 0:47:31 | 0:47:34 | |
..but hiding under a tarpaulin is something much more interesting. | 0:47:35 | 0:47:39 | |
Just uncovered a big treasure trove of salt. | 0:47:46 | 0:47:48 | |
This is an exciting discovery. | 0:47:50 | 0:47:53 | |
I'd thought that the salt trade through Timbuktu had been halted, | 0:47:53 | 0:47:56 | |
but here it is, in huge 30kg tablets, | 0:47:56 | 0:47:59 | |
waiting to be shipped south. | 0:47:59 | 0:48:01 | |
Ibrahim tells me that Saharan salt is still highly prized. | 0:48:16 | 0:48:19 | |
In days of old it was vital to preserve meat. | 0:48:19 | 0:48:22 | |
Now it's a gourmet item, and after all these centuries | 0:48:22 | 0:48:26 | |
it's still an important part of Timbuktu's trade. | 0:48:26 | 0:48:30 | |
Timbuktu is a place where legends abound - | 0:48:38 | 0:48:41 | |
of fierce Tuareg warriors and brave, moustachioed, European explorers. | 0:48:41 | 0:48:46 | |
But I'm here to meet some unlikely heroes, the librarians. | 0:48:46 | 0:48:50 | |
-Bonjour. -Bonjour. | 0:48:52 | 0:48:53 | |
In its heyday, Timbuktu was one of | 0:49:02 | 0:49:04 | |
the world's most important centres of learning. | 0:49:04 | 0:49:07 | |
Priceless manuscripts were created here | 0:49:07 | 0:49:10 | |
and transported via the trade routes throughout Africa and into Europe. | 0:49:10 | 0:49:14 | |
Here at the Ahmed Baba Institute, | 0:49:18 | 0:49:20 | |
Bouya and his team had collected thousands of them. | 0:49:20 | 0:49:24 | |
When the Islamic extremists took over the city in 2012, | 0:49:28 | 0:49:32 | |
the heritage of a whole continent was put in jeopardy. | 0:49:32 | 0:49:36 | |
But the librarians were determined to save their treasure. | 0:50:03 | 0:50:07 | |
At dead of night, they began sneaking the books out, | 0:50:25 | 0:50:28 | |
hidden in trunks, right under the noses of the militants. | 0:50:28 | 0:50:32 | |
Haidera and the librarians managed to smuggle out | 0:50:45 | 0:50:47 | |
almost all of the collection. | 0:50:47 | 0:50:49 | |
But in January 2013, | 0:50:52 | 0:50:55 | |
when Timbuktu was finally reclaimed by French and Malian troops, | 0:50:55 | 0:50:59 | |
the extremists committed one final act of vandalism | 0:50:59 | 0:51:02 | |
as they fled the city. | 0:51:02 | 0:51:04 | |
They brought out a box of the remaining books and set fire to it. | 0:51:07 | 0:51:11 | |
Throughout history, men have burned books, | 0:51:40 | 0:51:43 | |
fearing the knowledge they contain. | 0:51:43 | 0:51:45 | |
The charred remains of the manuscripts have become | 0:51:47 | 0:51:50 | |
part of the collection, fragments of Africa's golden past. | 0:51:50 | 0:51:54 | |
Since I've been in Timbuktu, | 0:52:28 | 0:52:30 | |
I've been really touched by how the city has coped with | 0:52:30 | 0:52:34 | |
all it's been through in recent years. | 0:52:34 | 0:52:36 | |
THEY SPEAK LOCAL LANGUAGE | 0:52:36 | 0:52:37 | |
The physical and emotional turmoil of invasion | 0:52:37 | 0:52:40 | |
and the damage to its culture and lifestyle. | 0:52:40 | 0:52:44 | |
Today its people live with the constant threat | 0:52:45 | 0:52:48 | |
of danger on their doorstep | 0:52:48 | 0:52:50 | |
and many have been left in poverty. | 0:52:50 | 0:52:52 | |
But the city has another enemy, | 0:52:54 | 0:52:56 | |
one it's lived with since it came into existence - | 0:52:56 | 0:52:58 | |
the desert. | 0:52:58 | 0:53:00 | |
I love the desert, but it's a very harsh place | 0:53:03 | 0:53:07 | |
and I can see that when I look around behind me at Timbuktu, | 0:53:07 | 0:53:10 | |
because everywhere there's sand, | 0:53:10 | 0:53:12 | |
it's encroaching, it's eating away at the buildings | 0:53:12 | 0:53:15 | |
and it feels like it's almost making the city disappear. | 0:53:15 | 0:53:18 | |
On every corner, I see people battling to keep the sand at bay. | 0:53:25 | 0:53:29 | |
It attacks the buildings too, wind and sand eroding the walls. | 0:53:30 | 0:53:35 | |
And it's a constant fight to keep those mud-built mosques | 0:53:35 | 0:53:38 | |
from crumbling back into the dust. | 0:53:38 | 0:53:41 | |
El Bukhari bin al-Suyuti is in charge of maintaining | 0:53:45 | 0:53:48 | |
the city's cultural heritage, | 0:53:48 | 0:53:50 | |
which includes fighting off the scouring effects of the weather. | 0:53:50 | 0:53:54 | |
It's not just the abrasive combination of wind and sand. | 0:54:15 | 0:54:18 | |
Recent heavy rains have also severely damaged | 0:54:18 | 0:54:21 | |
the exterior plasterwork on these mosques. | 0:54:21 | 0:54:24 | |
I'm pleased that the city is getting some help from outside agencies, | 0:54:25 | 0:54:29 | |
like UNESCO, to preserve these iconic buildings, | 0:54:29 | 0:54:32 | |
but what's more difficult to deal with | 0:54:32 | 0:54:34 | |
is the march of the Sahara into Timbuktu. | 0:54:34 | 0:54:37 | |
The city is in danger of being gradually swallowed by the desert. | 0:54:39 | 0:54:43 | |
Timbuktu is no longer El Dorado. | 0:55:17 | 0:55:20 | |
It's a charming, sleepy town that's slowly disappearing | 0:55:20 | 0:55:24 | |
and it seems to me its streets are now paved with sand, not gold. | 0:55:24 | 0:55:28 | |
It's a place where the Sahara, which brought untold wealth to its gates, | 0:55:29 | 0:55:34 | |
has been both a blessing and a curse. | 0:55:34 | 0:55:37 | |
Timbuktuans love a party. | 0:55:44 | 0:55:47 | |
Their fierce history, the violence of the occupation, | 0:55:47 | 0:55:50 | |
the encroaching sands - nothing can stop them, | 0:55:50 | 0:55:53 | |
and I've been invited to a Tuareg shindig by my friends Maya and Muhammad. | 0:55:53 | 0:55:58 | |
Traditional Tuareg music has two components - | 0:56:04 | 0:56:08 | |
a three-stringed tehardent and a calabash drum. | 0:56:08 | 0:56:11 | |
First, the women dance and, of course, I have to join in myself. | 0:56:16 | 0:56:20 | |
I choose Maya as my dance partner. | 0:56:20 | 0:56:23 | |
THEY SING IN OWN LANGUAGE | 0:56:23 | 0:56:25 | |
It's a curiously sedate experience, | 0:56:26 | 0:56:29 | |
but that all changes when it's the turn of the men. | 0:56:29 | 0:56:32 | |
Oh-la-la-la! | 0:56:40 | 0:56:41 | |
The women's dance was very, very gentle. | 0:56:46 | 0:56:48 | |
I just had to wave my hands a little bit and wiggle my eyebrows. | 0:56:48 | 0:56:51 | |
Very enjoyable. | 0:56:51 | 0:56:52 | |
The men's dance is incredibly energetic. | 0:56:52 | 0:56:55 | |
They're leaping up and down like little frogs. | 0:56:55 | 0:56:58 | |
Five years ago, when the city was occupied, all music was forbidden. | 0:57:03 | 0:57:07 | |
Now, the irrepressible spirit of these desert people | 0:57:08 | 0:57:11 | |
is free to express itself again in the song and dance | 0:57:11 | 0:57:15 | |
that the Sahara has been witness to for centuries. | 0:57:15 | 0:57:18 | |
It was the promise of gold and salt, | 0:57:24 | 0:57:26 | |
as well as precious books and manuscripts, | 0:57:26 | 0:57:29 | |
that brought the world to Timbuktu's gates | 0:57:29 | 0:57:31 | |
and helped forge the trans-Saharan trade routes, the salt roads of old, | 0:57:31 | 0:57:36 | |
that I've travelled to get here. | 0:57:36 | 0:57:38 | |
Along the way, I've crossed spectacular landscapes | 0:57:41 | 0:57:45 | |
and met extraordinary people with ancient ways of life. | 0:57:45 | 0:57:49 | |
I've uncovered lost empires | 0:57:51 | 0:57:54 | |
and found treasure in the strangest places. | 0:57:54 | 0:57:56 | |
But most of all, I've finally completed my quest | 0:57:57 | 0:58:01 | |
and discovered for myself the living myth of Timbuktu. | 0:58:01 | 0:58:05 | |
Am I disappointed not to find my El Dorado? | 0:58:08 | 0:58:11 | |
No, because in every corner you can feel the legacy | 0:58:11 | 0:58:15 | |
of its magnificent past. | 0:58:15 | 0:58:17 | |
It's a heritage that needs protecting, | 0:58:18 | 0:58:21 | |
from both nature and mankind, | 0:58:21 | 0:58:24 | |
so future generations can, like me, | 0:58:24 | 0:58:27 | |
make their own journey to this magical city. | 0:58:27 | 0:58:30 |