Browse content similar to Dire Straits. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
In the heart of the Sahara, national frontiers are often flimsy affairs. | 0:00:55 | 0:01:01 | |
I'm in a no man's land near In Guezzam | 0:01:01 | 0:01:05 | |
on the border between Niger and Algeria. | 0:01:05 | 0:01:09 | |
These chunks of scrap metal | 0:01:09 | 0:01:11 | |
tell me I'm crossing between two of the largest countries in the Sahara. | 0:01:11 | 0:01:17 | |
It's a terrible anticlimax. A scribble in the concrete. | 0:01:17 | 0:01:22 | |
It reminds me of a tombstone. | 0:01:22 | 0:01:24 | |
Maybe that's appropriate - this whole godforsaken area, | 0:01:24 | 0:01:28 | |
haunt of smugglers and bandits, feels like a graveyard. | 0:01:28 | 0:01:32 | |
No point waiting around for customs. | 0:01:35 | 0:01:38 | |
Goodbye, Niger. Hello, Algeria. | 0:01:38 | 0:01:42 | |
It's time to unwind and look around. | 0:01:46 | 0:01:48 | |
Algeria, tenth largest country in the world, is 85% desert, | 0:01:48 | 0:01:53 | |
dangerous desert. | 0:01:53 | 0:01:55 | |
As many have discovered to their cost, driving here is not a right, | 0:02:06 | 0:02:10 | |
it's a test of survival. | 0:02:10 | 0:02:13 | |
The soft sand is treacherous, the temperature scorching... | 0:02:13 | 0:02:17 | |
and failure can be fatal. | 0:02:17 | 0:02:19 | |
The route from the Niger border up into Algeria | 0:02:19 | 0:02:23 | |
is absolutely littered with the bleached carcasses of vehicles | 0:02:23 | 0:02:27 | |
that set out to cross the Sahara and never made it. | 0:02:27 | 0:02:32 | |
It's so bleak and pitiless here | 0:02:32 | 0:02:35 | |
that what might be a routine problem elsewhere, | 0:02:35 | 0:02:39 | |
like running out of fuel, becomes a matter of life and death. | 0:02:39 | 0:02:43 | |
This is where Mark Thatcher went missing. | 0:02:43 | 0:02:46 | |
He was discovered after an enormous rescue operation. | 0:02:46 | 0:02:49 | |
And other people just weren't so lucky. | 0:02:49 | 0:02:53 | |
They paid for their mistakes with their lives. | 0:02:53 | 0:02:56 | |
The desert does weird things to your sense of reality. | 0:02:56 | 0:03:00 | |
As we head north, the shady rocks and cool lakes on the horizon | 0:03:00 | 0:03:05 | |
turn out to be mirages, no more than a trick of the light. | 0:03:05 | 0:03:09 | |
This wholly edible non-mirage of fresh tomatoes | 0:03:14 | 0:03:18 | |
and not-so-fresh tuna, is real enough. | 0:03:18 | 0:03:22 | |
But it's accompanied by, well, a pretty rum coincidence. | 0:03:22 | 0:03:27 | |
I'm writing up my diary, miles from anywhere, | 0:03:27 | 0:03:31 | |
when I bump into the only other Englishman in southern Algeria. | 0:03:31 | 0:03:34 | |
Or rather he, poor man, bumps into us. | 0:03:34 | 0:03:37 | |
The number plate is the first clue. | 0:03:40 | 0:03:42 | |
The lone Mercedes belongs to Tom Sheppard and, no, it isn't a mirage. | 0:03:42 | 0:03:48 | |
Tom Sheppard is something of a legend out here. | 0:03:51 | 0:03:54 | |
He's a 68-year-old ex-RAF test pilot and travels the desert, | 0:03:54 | 0:03:59 | |
writing books, taking photos and getting away from people. | 0:03:59 | 0:04:04 | |
Well, I'm on my own, yeah. | 0:04:04 | 0:04:06 | |
I've come down really from the north of Algeria, from Tunisia, | 0:04:06 | 0:04:10 | |
and I'm going very carefully around the old French tracks. | 0:04:10 | 0:04:14 | |
When you're travelling, what do you survive on? | 0:04:14 | 0:04:18 | |
I had a birthday two days ago, | 0:04:18 | 0:04:20 | |
and I had a really special meal on that one. | 0:04:20 | 0:04:24 | |
Meat and two veg, chilled grapefruit, for goodness' sake, | 0:04:24 | 0:04:27 | |
with a damp kitchen towel, | 0:04:27 | 0:04:30 | |
and the dryness of the air makes evaporation, | 0:04:30 | 0:04:34 | |
and you get cool grapefruit segments. | 0:04:34 | 0:04:36 | |
What more could you ask for? | 0:04:36 | 0:04:38 | |
-Does loneliness worry you? -It's been more lonely than I expected. | 0:04:38 | 0:04:43 | |
Last session was about eight days | 0:04:43 | 0:04:45 | |
between seeing one human being and seeing the next. | 0:04:45 | 0:04:49 | |
I didn't expect to be that long. | 0:04:49 | 0:04:51 | |
-Does that worry you? -No, it's just so beautiful to be out there. | 0:04:51 | 0:04:56 | |
You get such a lift from the countryside. | 0:04:56 | 0:05:00 | |
You think, "I've exhausted the pictures I can take," | 0:05:00 | 0:05:04 | |
and then, next morning, you see... "My God, look at that!" | 0:05:04 | 0:05:08 | |
And so it goes. And that's what the desert has always been for me. | 0:05:08 | 0:05:12 | |
-40 years of it now. -40 years? -Yes. | 0:05:12 | 0:05:14 | |
-You've been coming to the Sahara? -To the Sahara. | 0:05:14 | 0:05:18 | |
It's my lucky 13th visit to Algeria. | 0:05:18 | 0:05:20 | |
We're just going to have some lunch. | 0:05:20 | 0:05:23 | |
Would you like to join us? | 0:05:23 | 0:05:26 | |
It's kind of you, but I've got to be on my way now. | 0:05:26 | 0:05:30 | |
Anyone who can be that busy in a place like this wins my respect! | 0:05:30 | 0:05:35 | |
Maybe it was the tuna. | 0:05:35 | 0:05:38 | |
As Tom hurries south, we head north | 0:05:38 | 0:05:40 | |
into the weird and wonderful Hoggar Mountains - | 0:05:40 | 0:05:44 | |
one of the most bizarre landscapes in the Sahara. | 0:05:44 | 0:05:48 | |
It's like riding through a giant sculpture park. | 0:05:54 | 0:05:58 | |
The hard cores of extinct volcanoes form a panorama | 0:05:58 | 0:06:02 | |
of bluffs, and spires, and pinnacles. | 0:06:02 | 0:06:05 | |
These are young peaks, | 0:06:12 | 0:06:15 | |
their sides scarred by the explosive force of their creation. | 0:06:15 | 0:06:19 | |
The Touareg call this land Atacor, | 0:06:19 | 0:06:21 | |
like something out of Lord Of The Rings. | 0:06:21 | 0:06:24 | |
Next morning. I climb to the top of a 9,000ft mountain | 0:06:57 | 0:07:01 | |
to watch the sunrise. | 0:07:01 | 0:07:03 | |
Because of Algeria's ten-year civil war, | 0:07:03 | 0:07:06 | |
the Hoggar Massif is rarely visited, | 0:07:06 | 0:07:08 | |
which only increases the impact of its beauty. | 0:07:08 | 0:07:11 | |
Down in the dormitory where we spent the night, it's time to pack up. | 0:07:24 | 0:07:28 | |
Our newly acquired sense of peace is about to be shattered. | 0:07:28 | 0:07:33 | |
This is the other face of Algeria - | 0:07:36 | 0:07:38 | |
a modern republic which freed itself from the French, | 0:07:38 | 0:07:41 | |
and is now desperately trying to free itself from Islamic radicals. | 0:07:41 | 0:07:45 | |
But airlines and newspapers can't disguise underlying tensions. | 0:07:47 | 0:07:50 | |
Or the fact that these 21st-century comforts | 0:07:50 | 0:07:54 | |
are paid for by one great stroke of fortune. | 0:07:54 | 0:07:58 | |
This is Algeria's Aladdin's cave - | 0:08:01 | 0:08:03 | |
oil and natural gas fields | 0:08:03 | 0:08:06 | |
that provide 90% of the country's foreign earnings. | 0:08:06 | 0:08:09 | |
They've spawned high-security towns in the middle of nowhere, | 0:08:12 | 0:08:15 | |
like this one at Hassi Massoud. | 0:08:15 | 0:08:18 | |
45 years ago, there was nothing here but desert. | 0:08:18 | 0:08:22 | |
And this amazing transformation | 0:08:22 | 0:08:24 | |
is due to electric pumps working - 24 hours a day, 7 days a week - | 0:08:24 | 0:08:29 | |
to pump water from, sometimes, thousands of feet below the Sahara. | 0:08:29 | 0:08:34 | |
The result is a man-made oasis | 0:08:34 | 0:08:37 | |
and this extraordinary illusion | 0:08:37 | 0:08:40 | |
that, in the middle of the desert, there is no desert. | 0:08:40 | 0:08:44 | |
It's not just like a French provincial town, | 0:08:44 | 0:08:46 | |
but French countryside as well. | 0:08:46 | 0:08:49 | |
These are different cattle from the bony ones in Mali and Niger. | 0:08:49 | 0:08:54 | |
It just shows what can be done to the desert if there's a will - | 0:08:54 | 0:08:57 | |
and a petrochemical industry - to back it up. | 0:08:57 | 0:09:00 | |
A few miles from where they first discovered the oil | 0:09:12 | 0:09:15 | |
that so changed Algeria's fortunes, | 0:09:15 | 0:09:17 | |
there is another frontier. | 0:09:17 | 0:09:20 | |
On the other side of it, an even richer country. | 0:09:20 | 0:09:24 | |
This lonely tree represents the border between Algeria and Libya. | 0:09:24 | 0:09:30 | |
And apart from being one of the most spectacular frontiers in the world, | 0:09:30 | 0:09:34 | |
it's also one of the friendliest, | 0:09:34 | 0:09:37 | |
because people from Algeria and people from Libya come here, | 0:09:37 | 0:09:40 | |
sit under the tree and take tea. | 0:09:40 | 0:09:42 | |
And I don't want to leave this beautiful spot, but we must, | 0:09:44 | 0:09:48 | |
and cross the border into the sands of Libya. | 0:09:48 | 0:09:53 | |
In Libya, like Algeria, the bulk of the population | 0:09:58 | 0:10:01 | |
clings to the Mediterranean coast. | 0:10:01 | 0:10:03 | |
It was quite a coup to get permission to film here, | 0:10:03 | 0:10:06 | |
and I'm not going to miss a minute of it... | 0:10:06 | 0:10:08 | |
Well, maybe just a minute! | 0:10:10 | 0:10:13 | |
This looks like being one of the longest bus rides of my life. | 0:10:15 | 0:10:18 | |
To all appearances, Libya is a country with plenty of money, | 0:10:31 | 0:10:35 | |
but very few people. | 0:10:35 | 0:10:37 | |
Which is not surprising with the world's third largest oil revenues | 0:10:37 | 0:10:41 | |
to divide amongst a population less than that of London. | 0:10:41 | 0:10:45 | |
In Benghazi, Libya's second city, you can see the layers of history. | 0:10:45 | 0:10:49 | |
An Italian colonial palazzo, next to a mosque, | 0:10:49 | 0:10:53 | |
now houses one of the committees | 0:10:53 | 0:10:55 | |
which run the great Socialist People's Libyan Arab Jamahiriya. | 0:10:55 | 0:10:59 | |
It feels sleepy, but 60 years ago this coastline | 0:11:00 | 0:11:03 | |
was one of the great Second World War battlefields. | 0:11:03 | 0:11:06 | |
The British garrison in Tobruk has more to contend with than just Germans and Italians. | 0:11:15 | 0:11:20 | |
Choking sandstorms are part of the daily round, | 0:11:20 | 0:11:24 | |
but they don't interfere with the real job - to destroy the enemy. | 0:11:24 | 0:11:28 | |
It's the most tremendous battle. It was a real turning point. | 0:11:38 | 0:11:43 | |
We mustn't forget. If you forget your history, | 0:11:43 | 0:11:46 | |
it comes back and hits you! | 0:11:46 | 0:11:48 | |
Over the last few years, | 0:11:48 | 0:11:51 | |
Lady Avril Randall has organised regular reunions for Desert Rats and their relatives. | 0:11:51 | 0:11:56 | |
Today, they're at Tobruk. Survivors, now in their 80s, | 0:11:56 | 0:11:59 | |
remember what it was like to be trapped here. | 0:11:59 | 0:12:02 | |
There were no girls, no bars, no... | 0:12:04 | 0:12:07 | |
it was just desert and to spend from the age of 20, 21, 22 | 0:12:07 | 0:12:13 | |
in that sort of environment, I hate it. | 0:12:13 | 0:12:15 | |
Food? | 0:12:15 | 0:12:17 | |
Well, it was corned beef, bully beef in one form or another. | 0:12:17 | 0:12:24 | |
We were down to about a cup of water a day or so | 0:12:24 | 0:12:29 | |
and that was for everything. | 0:12:29 | 0:12:31 | |
And yet...and yet the surprising thing was none of us grew beards. | 0:12:31 | 0:12:37 | |
PIPER STARTS TO PLAY | 0:12:37 | 0:12:39 | |
Highlight of the reunion is floating a wreath into the harbour | 0:12:39 | 0:12:43 | |
these men defended so, so long. | 0:12:43 | 0:12:45 | |
If they'd lost this supply line, | 0:12:46 | 0:12:48 | |
the Allied army in Africa would have faced defeat. | 0:12:48 | 0:12:52 | |
There was nothing inside the garrison at all. | 0:12:53 | 0:12:56 | |
Only ammunition and men... | 0:12:56 | 0:12:59 | |
They had to bring all our food... all our supplies up | 0:12:59 | 0:13:05 | |
and get it in here somehow. | 0:13:05 | 0:13:07 | |
Rommel said that the desert was a tactician's paradise | 0:13:07 | 0:13:11 | |
and a quartermaster's nightmare. | 0:13:11 | 0:13:13 | |
And that was the fact. It was like a naval battle at sea, | 0:13:13 | 0:13:18 | |
with the tanks, great fleets of tanks here and there. | 0:13:18 | 0:13:22 | |
If the petrol or ammunition didn't get there, you were in trouble. | 0:13:22 | 0:13:27 | |
There were 25,000 of us in here - | 0:13:27 | 0:13:30 | |
and that's where we won the name rats, you know. | 0:13:30 | 0:13:35 | |
The Haw-Haw used to say, "Come out of your holes, you rats!" | 0:13:35 | 0:13:40 | |
We did, eventually. We came out a bit too quick for him, eventually. | 0:13:40 | 0:13:46 | |
Eyes left. | 0:13:52 | 0:13:55 | |
It's unlikely than any of these Desert Rats will see Tobruk again. | 0:13:55 | 0:13:59 | |
It's a long way and they're not getting any younger. | 0:13:59 | 0:14:02 | |
Today is probably the last time they'll celebrate | 0:14:02 | 0:14:05 | |
those who gave Hitler the first bloody nose of the war, | 0:14:05 | 0:14:08 | |
one from which he never recovered. | 0:14:08 | 0:14:10 | |
What's been the high point of this trip for you? | 0:14:16 | 0:14:19 | |
I think the last march past of the old Rats | 0:14:19 | 0:14:23 | |
with the bugler and the piper | 0:14:23 | 0:14:25 | |
and the Rats of Tobruk Association standard. | 0:14:25 | 0:14:28 | |
Desert Rats, do your duties! Dismissed! | 0:14:28 | 0:14:33 | |
The boys can now march off into the sunset. | 0:14:35 | 0:14:37 | |
APPLAUSE You'll never see them again. | 0:14:37 | 0:14:40 | |
Modern Libya has often cut itself off from the West, | 0:14:58 | 0:15:02 | |
but over 2,000 years ago, it was an integral part of Europe. | 0:15:02 | 0:15:05 | |
First the Greeks, then the Romans were drawn to this fertile land | 0:15:05 | 0:15:09 | |
between the sea and the Sahara | 0:15:09 | 0:15:10 | |
and built some of their grandest cities here. | 0:15:10 | 0:15:13 | |
Cyrene was a bustling metropolis 500 years before Christ. | 0:15:15 | 0:15:20 | |
It had its own port, Apollonia. | 0:15:20 | 0:15:22 | |
Staggering, but totally deserted. | 0:15:22 | 0:15:25 | |
But then the modern towns are deserted as well. | 0:15:28 | 0:15:31 | |
Is there some national emergency we've not been told about? | 0:15:31 | 0:15:34 | |
Is it National Stay Indoors Day? | 0:15:34 | 0:15:37 | |
Where are all the Libyans? | 0:15:37 | 0:15:39 | |
Apart from our driver, everyone seems to have gone... | 0:15:44 | 0:15:48 | |
..and taken everything with them. | 0:15:49 | 0:15:51 | |
Picnic time and despite the fact that there are big cities - | 0:15:59 | 0:16:03 | |
we've seen Tobruk and Benghazi, we're off to Tripoli - | 0:16:03 | 0:16:07 | |
Libya is largely desert, so it's picnic time in the desert. | 0:16:07 | 0:16:10 | |
Here's my packed lunch. It's enormous. | 0:16:10 | 0:16:12 | |
I can't actually tell what it is because everything's in Arabic. | 0:16:12 | 0:16:18 | |
All the signs are in Arabic as well, | 0:16:18 | 0:16:21 | |
although a lot of people here speak English. | 0:16:21 | 0:16:23 | |
Could be lunch, could be a large hat. | 0:16:23 | 0:16:25 | |
It is lunch! There we go. | 0:16:25 | 0:16:28 | |
Now... | 0:16:28 | 0:16:29 | |
Nice little well-sealed box here... | 0:16:31 | 0:16:34 | |
Ah! | 0:16:34 | 0:16:35 | |
Don't think it's very typically Libyan. | 0:16:37 | 0:16:39 | |
Got some cold chips. | 0:16:42 | 0:16:44 | |
The shortage of water is clearly a problem for Libya, | 0:16:44 | 0:16:48 | |
but Colonel Gaddafi has an impressive answer to it. | 0:16:48 | 0:16:50 | |
These concrete sections will form part of his man-made river project, | 0:16:50 | 0:16:56 | |
bringing underground water 1,000 miles from desert to coast. | 0:16:56 | 0:17:00 | |
It's one of the world's most ambitious engineering schemes. | 0:17:00 | 0:17:04 | |
1,700 years ago, water was no problem. | 0:17:11 | 0:17:15 | |
This land was known as the breadbasket of Rome. | 0:17:16 | 0:17:19 | |
Rich enough from exports of wheat and oil | 0:17:19 | 0:17:23 | |
to boast the most magnificent city of North Africa - Leptis Magna. | 0:17:23 | 0:17:27 | |
It still gives off a powerful sense of the brute strength of Rome. | 0:17:27 | 0:17:32 | |
These halls were built by Septimus Severus, | 0:17:32 | 0:17:36 | |
an African who became Roman Emperor | 0:17:36 | 0:17:39 | |
and died in the north of England. | 0:17:39 | 0:17:42 | |
It wasn't just Septimus that ended up in England. | 0:17:42 | 0:17:46 | |
In 1827, the ruler of Tripoli sent 35 columns | 0:17:46 | 0:17:49 | |
and other assorted features as a present to King George IV. | 0:17:49 | 0:17:54 | |
A bit of Leptis Magna can still be found | 0:17:54 | 0:17:57 | |
off the A329 near Virginia Water. | 0:17:57 | 0:17:59 | |
I'm told the amphitheatre at Leptis Magna | 0:18:04 | 0:18:06 | |
has the best acoustics in North Africa. | 0:18:06 | 0:18:08 | |
Well, there's only one way to find out. | 0:18:08 | 0:18:11 | |
# I'm leaning on the lamp-post at the corner of the street | 0:18:11 | 0:18:16 | |
# Until a certain little lady comes by | 0:18:16 | 0:18:18 | |
# Oh, me, oh, my I hope that little lady passes by | 0:18:18 | 0:18:22 | |
# She's absolutely wonderful and absolutely marvellous | 0:18:22 | 0:18:25 | |
# And lots of people ask me just why I'm standing on the corner | 0:18:25 | 0:18:28 | |
# Of the corner of the street until a certain little lady passes by. # | 0:18:28 | 0:18:32 | |
Get off, get off! | 0:18:32 | 0:18:34 | |
As we leave Libya, I get the feeling that, despite being generous hosts, | 0:18:37 | 0:18:42 | |
the Libyans are deeply mistrustful of people with cameras, | 0:18:42 | 0:18:45 | |
something which was never a problem in my next destination. | 0:18:45 | 0:18:48 | |
Less than 100 miles from the Libyan border, | 0:18:55 | 0:18:58 | |
we're in this arid, almost lunar landscape, of southern Tunisia. | 0:18:58 | 0:19:03 | |
And it's so arid and uncongenial here | 0:19:03 | 0:19:07 | |
that, for the last 700 years, people have lived in caves underground. | 0:19:07 | 0:19:11 | |
And, believe it or not, I do know this place. | 0:19:11 | 0:19:14 | |
I was crucified here 23 years ago for The Life Of Brian, | 0:19:14 | 0:19:19 | |
and I've always wanted to come back because it is so unforgettable, | 0:19:19 | 0:19:22 | |
a place that remains in your mind. | 0:19:22 | 0:19:24 | |
There aren't many people who can say they've gone back | 0:19:24 | 0:19:27 | |
to the place they were crucified! | 0:19:27 | 0:19:29 | |
I'm going to see what it's like. | 0:19:29 | 0:19:31 | |
The crosses are gone, but El Hadej hasn't changed much. | 0:19:33 | 0:19:37 | |
It remains an underground town | 0:19:37 | 0:19:39 | |
and though the authorities try to move people into houses, | 0:19:39 | 0:19:43 | |
there are those who, by tradition and inclination, | 0:19:43 | 0:19:46 | |
prefer to live and work below the surface. | 0:19:46 | 0:19:48 | |
The older generation of troglodytes | 0:20:01 | 0:20:04 | |
can't see why they should have to move from their caves. | 0:20:04 | 0:20:08 | |
One answer is to cash in on the curiosity value | 0:20:08 | 0:20:10 | |
and become hoteliers. | 0:20:10 | 0:20:11 | |
-Bonjour. -Bonjour, sir. I'm Michael. Beautiful. | 0:20:11 | 0:20:19 | |
This is where you live? | 0:20:19 | 0:20:21 | |
-Your house? -Yes. -Mmm. | 0:20:21 | 0:20:24 | |
Nice and silent and cut off from the world. | 0:20:24 | 0:20:28 | |
-You have a room? -OK. -Ah, yes, OK, I'll see the room. | 0:20:28 | 0:20:32 | |
Thank you. In here? | 0:20:32 | 0:20:35 | |
Ah, merci. Apres vous. | 0:20:35 | 0:20:38 | |
-HE SPEAKS ARABIC -My host was very keen to point out | 0:20:41 | 0:20:45 | |
that living underground made very good sense | 0:20:45 | 0:20:48 | |
as the caves are warm in winter and cool in summer. | 0:20:48 | 0:20:52 | |
I think tea's made. | 0:20:53 | 0:20:55 | |
Yeah, that's what the... | 0:20:55 | 0:20:57 | |
My own Arabic being limited, I rely on the one word I know | 0:21:05 | 0:21:08 | |
and repeat it as often as possible. | 0:21:08 | 0:21:11 | |
Thank you. Shokran. Shokran. Shokran. | 0:21:11 | 0:21:14 | |
Shokran. Shokran. | 0:21:14 | 0:21:17 | |
My little Arabic that I know. | 0:21:17 | 0:21:20 | |
Some nuts as well. Thank you. | 0:21:20 | 0:21:23 | |
We've been right round the Sahara and the one thing | 0:21:23 | 0:21:26 | |
that doesn't change is the tea. | 0:21:26 | 0:21:28 | |
The method of making the tea, | 0:21:28 | 0:21:30 | |
it seems to be the same in every country we've been to - | 0:21:30 | 0:21:32 | |
From Morocco to Mali to Mauritania to Tunisia. | 0:21:34 | 0:21:38 | |
Good! Thank you. | 0:21:38 | 0:21:40 | |
Shokran. Very nice. | 0:21:40 | 0:21:42 | |
Cheer up, Brian, you know what they say. | 0:21:48 | 0:21:52 | |
Some things in life are bad, they can really make you mad. | 0:21:52 | 0:21:58 | |
Other things just make you swear and curse. | 0:21:58 | 0:22:02 | |
# When you're chewing on life's gristle | 0:22:02 | 0:22:05 | |
# Don't grumble, give a whistle | 0:22:05 | 0:22:08 | |
# And this'll help things turn out for the best | 0:22:08 | 0:22:13 | |
# And always look on the bright side of life... # | 0:22:13 | 0:22:20 | |
WHISTLED ACCOMPANIMENT | 0:22:20 | 0:22:23 | |
# Always look on the light side of life... # | 0:22:23 | 0:22:28 | |
Come on, Brian, cheer up! | 0:22:28 | 0:22:31 | |
# Always look on the bright side of life | 0:22:31 | 0:22:36 | |
# Always look on the bright side of life... # | 0:22:39 | 0:22:43 | |
In southern Tunisia, where the desert meets the sea, | 0:22:47 | 0:22:50 | |
there's an island called Djerba which hangs on to old traditions | 0:22:50 | 0:22:54 | |
as tenaciously as the troglodytes of El Hadej. | 0:22:54 | 0:22:57 | |
In their case, it's catching octopus in Greek vases. | 0:22:57 | 0:23:00 | |
The fishermen may look as if they're dressed by Dolce & Gabbana, | 0:23:04 | 0:23:08 | |
but their technique is pre-Roman. | 0:23:08 | 0:23:10 | |
The pots are strung out on a line, | 0:23:10 | 0:23:12 | |
and, unfailingly, between November and March every year, | 0:23:12 | 0:23:15 | |
the octopus obligingly climb into them. | 0:23:15 | 0:23:18 | |
Yes, oui. That's it. | 0:23:19 | 0:23:21 | |
What do they look like? Let me have a look. | 0:23:21 | 0:23:23 | |
Ah, there it is! Wow! | 0:23:31 | 0:23:34 | |
You want it? | 0:23:34 | 0:23:35 | |
That's one, so... | 0:23:39 | 0:23:42 | |
-SHOUTING IN ARABIC -Get back in there. | 0:23:44 | 0:23:49 | |
They're all over the place. | 0:23:57 | 0:23:59 | |
OK, well, there's two. | 0:24:02 | 0:24:04 | |
One's about to crawl up your leg, | 0:24:04 | 0:24:07 | |
but there's that one - get back in! | 0:24:07 | 0:24:09 | |
Thank you. There. | 0:24:11 | 0:24:13 | |
Not much good at octopus-wrangling, but I'm learning. Get in there. | 0:24:15 | 0:24:21 | |
Oh, my God! Another. | 0:24:22 | 0:24:25 | |
Getting them out of the sea's the easy bit, | 0:24:39 | 0:24:42 | |
keeping them on board is a little bit... | 0:24:42 | 0:24:44 | |
Sad... They love living in these little bowls, these urns. | 0:24:47 | 0:24:51 | |
There's a synchronicity between the octopus and the urn. | 0:24:51 | 0:24:56 | |
And here we are, ripping them out... | 0:24:56 | 0:24:59 | |
So I'm not going to have any more to do with this. | 0:24:59 | 0:25:03 | |
Thank you. Start the Octopus Protection League. | 0:25:03 | 0:25:07 | |
Djerba claims to be the island of the lotus-eaters, | 0:25:15 | 0:25:19 | |
to which Ulysses and his weary sailors came | 0:25:19 | 0:25:21 | |
to be seduced by the narcotic delights of the lotus. | 0:25:21 | 0:25:24 | |
There's no lotus left, but Djerba still manages to seduce | 0:25:29 | 0:25:32 | |
thousands of foreigners every year. | 0:25:32 | 0:25:34 | |
ARABIC POP SONG | 0:25:34 | 0:25:38 | |
Tourism is now the biggest business in Djerba. | 0:26:22 | 0:26:25 | |
I walk round the souk with El Hajj, | 0:26:25 | 0:26:28 | |
who runs one of the better shops in town. | 0:26:28 | 0:26:30 | |
There were hardly any tourists when he was a boy, | 0:26:30 | 0:26:34 | |
but he now relies on them for 70%-80% of his business. | 0:26:34 | 0:26:38 | |
You think tourism can have a bad effect, an adverse effect? | 0:26:38 | 0:26:42 | |
Of course, yeah, it didn't bring only good thing, | 0:26:42 | 0:26:46 | |
-it brought a lot of money, but we have other problems. -What problems? | 0:26:46 | 0:26:51 | |
Well, we have a lot of our young people who have changed, | 0:26:51 | 0:26:56 | |
they are not practising their religion any more, | 0:26:56 | 0:27:00 | |
they are, er...running after, I don't know how to... | 0:27:00 | 0:27:04 | |
-Seduced by the money? -Yeah, exactly. | 0:27:04 | 0:27:07 | |
We have these... I don't know if I want to talk about it, | 0:27:07 | 0:27:12 | |
but the sex tourism, we have a lot of old ladies, | 0:27:12 | 0:27:16 | |
coming here to find a young friend. This is not good. | 0:27:16 | 0:27:20 | |
That's not good, of course, it's one of the bad sides. | 0:27:20 | 0:27:24 | |
You find sometimes some homosexuals | 0:27:24 | 0:27:26 | |
or they are... You just go to the beach | 0:27:26 | 0:27:29 | |
and you see that there are people staying there, | 0:27:29 | 0:27:33 | |
waiting for an...an old lady or... | 0:27:33 | 0:27:35 | |
We also have a lot of young people, | 0:27:35 | 0:27:38 | |
they don't want to work cos they have a German or an Italian - | 0:27:38 | 0:27:41 | |
I don't know, I don't want to say... but old ladies, they are... | 0:27:41 | 0:27:45 | |
they leave their husbands or don't have one, | 0:27:45 | 0:27:48 | |
they come to find a friend here. | 0:27:48 | 0:27:51 | |
They pay him. So that is one of the bad sides of tourism. | 0:27:51 | 0:27:56 | |
But Tunisia, lacking the oil reserves of Libya and Algeria, | 0:27:58 | 0:28:02 | |
has to do all it can to make tourists welcome. | 0:28:02 | 0:28:06 | |
They have been greatly helped by the Romans who, at El Jem, | 0:28:06 | 0:28:10 | |
left the third biggest amphitheatre they ever built. | 0:28:10 | 0:28:13 | |
At Dougga, temples overlook a purpose-built brothel | 0:28:15 | 0:28:18 | |
and, next door to it, a masterpiece of imperial plumbing. | 0:28:18 | 0:28:24 | |
The Romans weren't bashful about bodily functions. | 0:28:24 | 0:28:28 | |
This is a public lavatory in the truest sense of the word, | 0:28:28 | 0:28:32 | |
in that there are 12 little toilets here and it was a communal lavvy. | 0:28:32 | 0:28:36 | |
You went in - they were called furaci - and you paid one, | 0:28:36 | 0:28:39 | |
believe it or not, one as to come in here, | 0:28:39 | 0:28:42 | |
which was a tiny little coin. | 0:28:42 | 0:28:44 | |
They would sit here, a group thing. | 0:28:44 | 0:28:48 | |
You'd discuss the weather, | 0:28:48 | 0:28:50 | |
what's going on, politics, acting, life, architecture, digestion... | 0:28:50 | 0:28:54 | |
and there'd be water running round this runnel here. | 0:28:54 | 0:28:59 | |
It's very immediate, so you can your hands there... | 0:28:59 | 0:29:03 | |
bring the water up and then put your hand under there and washed the bits. | 0:29:03 | 0:29:07 | |
It was cold water, so it must have been a bit of a freezing jobbie, | 0:29:07 | 0:29:13 | |
but the Romans were oddly civilised in this insanitary way, I think. | 0:29:13 | 0:29:20 | |
Not just Romans, but Phoenicians, Turks, Greeks, even Normans, | 0:29:24 | 0:29:28 | |
have all contributed to Tunisia's rich racial mix. | 0:29:28 | 0:29:33 | |
The most influential were the Arabs. | 0:29:33 | 0:29:35 | |
One of their great monuments is in Monastir. | 0:29:35 | 0:29:39 | |
The locals never stop talking about when Monty Python came. | 0:29:39 | 0:29:43 | |
The more comfortable parts of the film that weren't done on crosses, | 0:29:43 | 0:29:48 | |
happened here in Monastir. | 0:29:48 | 0:29:51 | |
And this is the Ribat, which is a very old building, | 0:29:51 | 0:29:54 | |
probably about 1,300 years old. | 0:29:54 | 0:29:57 | |
This is where most of the scenes of Life Of Brian were done. | 0:29:57 | 0:30:01 | |
I'm trying to remember it because it all looks tidy and neat now. | 0:30:01 | 0:30:06 | |
It's coming back to me now. | 0:30:06 | 0:30:08 | |
I think the stoning scene, and we were all dressed up as... | 0:30:08 | 0:30:12 | |
Women were not allowed to go to stonings. | 0:30:12 | 0:30:15 | |
Women weren't allowed to go, so we all played women with beards. | 0:30:15 | 0:30:19 | |
Come on, who threw that? | 0:30:21 | 0:30:24 | |
HIGH VOICES: She did! DEEPER VOICES: He did! Him! | 0:30:24 | 0:30:28 | |
-Was it you? -Yes. -Right... -Well, you did say Jehovah. | 0:30:28 | 0:30:32 | |
Now, this does bring it back. | 0:30:33 | 0:30:36 | |
The tower Graham Chapman ran up, got to the top, the stairs ran out | 0:30:36 | 0:30:41 | |
and he's rescued, highly improbably, by a flying saucer and goes on. | 0:30:41 | 0:30:45 | |
I think we must have just taken over this place entirely | 0:30:53 | 0:30:57 | |
for about two months, which seems unlikely. | 0:30:57 | 0:31:01 | |
Up there, where those girls are coming down, | 0:31:01 | 0:31:05 | |
above that, the columns were built | 0:31:05 | 0:31:07 | |
where Pontius Pilate came out and there was the, "Welease Wodewick!" | 0:31:07 | 0:31:12 | |
and, "He ... higher than any in Wome," and all that was done there. | 0:31:12 | 0:31:17 | |
It's difficult to tell because we added bits on, | 0:31:17 | 0:31:19 | |
we added sort of great coloured flags... | 0:31:19 | 0:31:22 | |
but I seem to remember coming out above that - above that bit there. | 0:31:22 | 0:31:25 | |
People of Jewusalem... | 0:31:33 | 0:31:37 | |
..Wome is your fwend. | 0:31:38 | 0:31:41 | |
LAUGHTER | 0:31:41 | 0:31:44 | |
A very strange and rather effective moment | 0:31:44 | 0:31:48 | |
where the power of Rome was challenged not by people fighting, | 0:31:48 | 0:31:52 | |
but by people laughing. | 0:31:52 | 0:31:55 | |
That's what moved me about it - | 0:31:55 | 0:31:57 | |
once people laughed at him, there was nothing you could do. | 0:31:57 | 0:32:02 | |
Laughter's a very good weapon, not used enough... | 0:32:02 | 0:32:06 | |
Lying on their backs, laughing, | 0:32:06 | 0:32:09 | |
then he got vewy angry and made a vewy gweat fool of himself. | 0:32:09 | 0:32:15 | |
Silence! | 0:32:15 | 0:32:16 | |
This man commands a cwack legion. | 0:32:19 | 0:32:22 | |
Along the coast from Monastir is the city of Sousse | 0:32:34 | 0:32:38 | |
in which Brian also came to life. | 0:32:38 | 0:32:41 | |
It seems strangely subdued today. | 0:32:41 | 0:32:43 | |
I remember the streets of the old town as the liveliest in Tunisia, | 0:32:43 | 0:32:48 | |
but now they're quiet as the grave. | 0:32:48 | 0:32:51 | |
In the main square, they're already shutting up shop. | 0:32:55 | 0:32:59 | |
The reason, I learn, is that this is the start of Ramadan, | 0:33:02 | 0:33:05 | |
the month every year when Muslims are expected to fast | 0:33:05 | 0:33:10 | |
during daylight hours. | 0:33:10 | 0:33:12 | |
Candy stalls do a roaring trade in anticipation of night-time feasts. | 0:33:12 | 0:33:15 | |
I've heard some people put on weight during the month of fasting. | 0:33:15 | 0:33:19 | |
Now I can understand why. | 0:33:19 | 0:33:21 | |
Tunisia likes to see itself as secular and outward-looking. | 0:33:31 | 0:33:35 | |
It's also the only Islamic country in which it's not compulsory | 0:33:35 | 0:33:38 | |
to observe Ramadan, but most do. | 0:33:38 | 0:33:41 | |
With my friend Moes, I visit a cafe to see how the country | 0:33:41 | 0:33:45 | |
makes the most of the hours of darkness. | 0:33:45 | 0:33:47 | |
Moes orders a chicha, a cigarette the size of a vacuum cleaner. | 0:33:50 | 0:33:55 | |
Charcoal heats honey-flavoured tobacco | 0:33:55 | 0:33:58 | |
and the air is cooled by the water. | 0:33:58 | 0:34:00 | |
Er, do you want to try it? | 0:34:04 | 0:34:06 | |
Yeah, OK, yeah, yeah... | 0:34:06 | 0:34:08 | |
So I just...? | 0:34:08 | 0:34:11 | |
Yeah, it's very nice. It's very relaxing, isn't it? | 0:34:15 | 0:34:19 | |
-Would you normally smoke this? -Sometimes, especially in Ramadan. | 0:34:19 | 0:34:24 | |
People after eating and everything, | 0:34:24 | 0:34:26 | |
they like to relax, to have a cup of tea and to smoke the chicha. | 0:34:26 | 0:34:31 | |
-Can you smoke during Ramadan, during the day? -No. Nothing. | 0:34:31 | 0:34:36 | |
No water, no smoking, nothing in your mouth. | 0:34:36 | 0:34:41 | |
-Really? That's very hard. -Just air, you know. -Yeah. | 0:34:41 | 0:34:44 | |
What is the worst thing, you know, to be deprived of? | 0:34:44 | 0:34:49 | |
Is it water, is it food, is it smoke? | 0:34:49 | 0:34:52 | |
For me, it's water, for some people, it's food. | 0:34:52 | 0:34:55 | |
It depends, you know, each person... Some people, it's smoking too. | 0:34:55 | 0:35:00 | |
It's the hardest thing for them is to stop smoking for 12 hours. | 0:35:00 | 0:35:06 | |
Does it make people bad-tempered? | 0:35:06 | 0:35:09 | |
Yeah, some people are bad-tempered, but some people are not. | 0:35:09 | 0:35:13 | |
If they are bad-tempered, they're bad-tempered, | 0:35:13 | 0:35:16 | |
Ramadan or not - it's not Ramadan. | 0:35:16 | 0:35:19 | |
Some people say, "I am bad-tempered because it's Ramadan." Not true. | 0:35:19 | 0:35:23 | |
-My excuse! -Yeah, as an excuse. | 0:35:23 | 0:35:26 | |
Apart from the Arabs, most of those who invaded North Africa | 0:35:38 | 0:35:41 | |
stopped short of the Sahara. | 0:35:41 | 0:35:43 | |
The Romans never crossed it and one of the most famous occupying empires | 0:35:43 | 0:35:46 | |
looked only towards the sea. | 0:35:46 | 0:35:49 | |
They were the Carthaginians and their power base was here. | 0:35:49 | 0:35:52 | |
In fact, the station's called Carthage. | 0:35:52 | 0:35:56 | |
This is the start of my journey to Algeria. | 0:35:56 | 0:35:59 | |
This local train will take me to Tunis Nord, | 0:35:59 | 0:36:04 | |
the main station in Tunis, | 0:36:04 | 0:36:07 | |
-for the Trans-Maghreb Express... -LAUGHTER -Excuse me, please, I'm working! | 0:36:07 | 0:36:13 | |
..Which will take me to Algiers. | 0:36:13 | 0:36:15 | |
This line goes through some wonderful stations, Carthage Amilcar, Carthage Presidence, | 0:36:15 | 0:36:22 | |
Carthage Hannibal - great name - Carthage Dermech, Carthage Byrsa. | 0:36:22 | 0:36:26 | |
So five Carthage stations. | 0:36:26 | 0:36:29 | |
Whatever the Romans think, Carthage is not destroyed. | 0:36:29 | 0:36:32 | |
When the Romans left Carthage, they were so fed up | 0:36:32 | 0:36:35 | |
with the Carthaginians that they sowed the fields with salt. | 0:36:35 | 0:36:42 | |
From the main station in Tunis, | 0:36:47 | 0:36:49 | |
it looks easy enough to continue my journey across North Africa, | 0:36:49 | 0:36:52 | |
aboard the Trans-Maghreb Express. | 0:36:52 | 0:36:55 | |
The Arab word Maghreb means the lands of the setting sun - | 0:36:55 | 0:36:58 | |
the lands of the west. | 0:36:58 | 0:37:00 | |
But there are problems ahead. | 0:37:11 | 0:37:14 | |
Tunisia, which I'm leaving, is outward-looking and fairly stable. | 0:37:14 | 0:37:19 | |
Algeria, where I'm going, | 0:37:19 | 0:37:22 | |
has been caught in a spiral of violence since 1992. | 0:37:22 | 0:37:25 | |
Foreign Office advice is unequivocal. | 0:37:28 | 0:37:30 | |
"Security situation remains serious. | 0:37:30 | 0:37:33 | |
"We advise against all holiday and non-essential travel to Algeria." | 0:37:33 | 0:37:37 | |
At first, Algiers seems little different from any other city. | 0:37:50 | 0:37:55 | |
The trains seem to be running on time, there are no porters, | 0:37:55 | 0:37:59 | |
and my hotel, the El Djazair, is rather grand. | 0:37:59 | 0:38:02 | |
It was formerly called the St George and was built in the 1880s | 0:38:04 | 0:38:10 | |
to accommodate all those fashionable Victorians who flocked to Algiers | 0:38:10 | 0:38:14 | |
to benefit from the healthy climate. | 0:38:14 | 0:38:16 | |
No-one flocks to Algiers now. | 0:38:16 | 0:38:18 | |
I can't even leave the hotel without a bodyguard. | 0:38:18 | 0:38:21 | |
Beyond the hotel, we'll be required to travel around Algiers | 0:38:21 | 0:38:26 | |
with a team of the Service de Protection... | 0:38:26 | 0:38:30 | |
This is Eamonn, an ex-marine commando. | 0:38:30 | 0:38:33 | |
The reason that we need this security is that, since 1992, | 0:38:33 | 0:38:39 | |
foreigners in Algeria have been under fatwa | 0:38:39 | 0:38:43 | |
by certain extreme Islamic groups. | 0:38:43 | 0:38:46 | |
Fatwa - same as in the Salman Rushdie case? | 0:38:46 | 0:38:49 | |
The Satanic Verses, yeah. | 0:38:49 | 0:38:52 | |
The result is over 100 foreigners | 0:38:52 | 0:38:55 | |
have been killed in Algeria since then. | 0:38:55 | 0:38:58 | |
I've travelled a bit. As far as I know, no-one's tried to kill me. | 0:38:58 | 0:39:02 | |
I ask Eamonn if this is all strictly necessary. | 0:39:02 | 0:39:06 | |
You're a public figure with a high profile and, frankly, | 0:39:06 | 0:39:11 | |
if I lose you, I lose my job. | 0:39:11 | 0:39:13 | |
Well, I hope we won't be a problem. | 0:39:13 | 0:39:16 | |
ACCORDION MUSIC | 0:39:19 | 0:39:22 | |
On the streets, you could be mistaken for thinking | 0:39:22 | 0:39:25 | |
you were in Lyon or Marseilles. | 0:39:25 | 0:39:28 | |
For 100 years, the French treated Algeria not as a colony, | 0:39:28 | 0:39:32 | |
but as part of France. | 0:39:32 | 0:39:35 | |
As a result, the independence movement was resisted | 0:39:35 | 0:39:38 | |
more fiercely here than anywhere in North Africa. | 0:39:38 | 0:39:41 | |
Said Shitour, a local journalist, is proud of the fight his people put up | 0:39:46 | 0:39:50 | |
and takes me to what was the centre of the struggle - | 0:39:50 | 0:39:54 | |
the heart of Algiers, the Casbah. | 0:39:54 | 0:39:56 | |
As the streets of the Casbah are still a flash point | 0:39:59 | 0:40:02 | |
for violent protest, the local police, the Casbah cops, | 0:40:02 | 0:40:06 | |
have thrown a comprehensive but discreet cordon | 0:40:06 | 0:40:09 | |
around the area for our visit. | 0:40:09 | 0:40:10 | |
So successful is this precaution, | 0:40:13 | 0:40:16 | |
that there's absolutely no-one about. | 0:40:16 | 0:40:18 | |
When someone eventually appears, he's one of the police, regrouping. | 0:40:18 | 0:40:22 | |
But they can't keep out the ghosts of old heroes. | 0:40:22 | 0:40:25 | |
Ali La Pointe was one of the fighters against the French? | 0:40:28 | 0:40:33 | |
-He was in the film Battle Of Algiers in these streets. -Yes. | 0:40:33 | 0:40:37 | |
-He lived here? -He lived here with his friends | 0:40:37 | 0:40:41 | |
and all the freedom fighters, | 0:40:41 | 0:40:43 | |
and he was a hero of the Casbah and the Battle of Algiers. | 0:40:43 | 0:40:47 | |
-The resistance was centred on the Casbah? -Yes. | 0:40:47 | 0:40:51 | |
It was difficult for the French to come in | 0:40:51 | 0:40:54 | |
and get the revolutionaries out of here? | 0:40:54 | 0:40:57 | |
Very, because it's roof to roof, house to house, | 0:40:57 | 0:41:01 | |
-and the people can jump from roof to roof. -Ah. | 0:41:01 | 0:41:05 | |
-This is the memorial plate in memory of Ali La Pointe. -What does it say? | 0:41:05 | 0:41:11 | |
In the 8th...October 8th 1957, | 0:41:11 | 0:41:15 | |
Ali La Pointe, with his companions... | 0:41:15 | 0:41:18 | |
spent all day resisting the French paratroopers, | 0:41:18 | 0:41:24 | |
and in the end the French army decide to blow up the house. | 0:41:24 | 0:41:28 | |
He didn't want to give up and he died. | 0:41:28 | 0:41:31 | |
Yeah, the scene where they give them the chance to come out. | 0:41:31 | 0:41:35 | |
-They say, "We'll give you one hour!" -Yeah, yeah. | 0:41:35 | 0:41:39 | |
And then they blew the place up. | 0:41:39 | 0:41:41 | |
What do you think Ali La Pointe and these people achieved? | 0:41:57 | 0:42:00 | |
Freedom. Independence for us, the generation who came after 1962. | 0:42:00 | 0:42:07 | |
Now this place became a kind of training centre | 0:42:07 | 0:42:11 | |
for girls of the Casbah to teach them how to make good couscous. | 0:42:11 | 0:42:16 | |
That's a bit of a sort of the sublime to the ridiculous. | 0:42:16 | 0:42:20 | |
The Casbah sounds like it's coming to life. Things are happening. | 0:42:20 | 0:42:24 | |
I begin to forget security and enjoy myself. | 0:42:24 | 0:42:28 | |
There's lots of character to these claustrophobic alleyways. | 0:42:28 | 0:42:32 | |
-Funny girl. -Yeah, yeah. | 0:42:35 | 0:42:38 | |
Said shows me some of the Casbah's hidden gems, | 0:42:38 | 0:42:42 | |
like the mosque of Sidi Abderrahmane, | 0:42:42 | 0:42:46 | |
a 15th-century holy man and patron saint of the city. | 0:42:46 | 0:42:50 | |
A visit to his tomb is said to be particularly effective for women. | 0:42:50 | 0:42:55 | |
SHE SINGS IN ARABIC | 0:42:55 | 0:42:59 | |
-These are some women. -Yeah. | 0:43:08 | 0:43:11 | |
Some women pray in here for Allah to give us more... | 0:43:11 | 0:43:15 | |
to be merciful and to give us more rain, because in Algiers | 0:43:15 | 0:43:19 | |
we have a big problem, there is no water. | 0:43:19 | 0:43:23 | |
Ironically, the prayers worked only too well. | 0:43:25 | 0:43:28 | |
Within two weeks of our visit, | 0:43:28 | 0:43:30 | |
hundreds were drowned in Algeria's worst flooding for years. | 0:43:30 | 0:43:33 | |
By Saharan standards, | 0:43:37 | 0:43:39 | |
the people who live in Algiers look quite prosperous. | 0:43:39 | 0:43:42 | |
The oilfields see to it that the street markets are well-stocked. | 0:43:42 | 0:43:46 | |
Look at the size of those brassieres! | 0:43:46 | 0:43:51 | |
-A couple of footballs in there. -Yeah. | 0:43:51 | 0:43:54 | |
I might just pick up a couple. | 0:43:54 | 0:43:57 | |
Next morning, it's time to leave Algier La Blanche, | 0:43:59 | 0:44:02 | |
the White City, as the French called it. | 0:44:02 | 0:44:05 | |
There's a train to Oran. | 0:44:05 | 0:44:07 | |
I was warned the line is dangerous, so I seek professional advice. | 0:44:07 | 0:44:12 | |
Is it OK to travel on the train? | 0:44:12 | 0:44:14 | |
Yes, there are security - not problem in train. | 0:44:14 | 0:44:18 | |
Yes, yes. It's not problem in train. | 0:44:18 | 0:44:20 | |
You can go in at Oran or Constantine. | 0:44:20 | 0:44:23 | |
Security, it's not problem. | 0:44:23 | 0:44:25 | |
-OK. -OK. -OK. How do you speak English so well? | 0:44:25 | 0:44:28 | |
Is it something they teach you on Algerian railways? | 0:44:28 | 0:44:33 | |
It's my English of school, | 0:44:33 | 0:44:34 | |
-but when we like English, we practise it. -Really? | 0:44:34 | 0:44:39 | |
-So what is your job here? -My job is master of the station. | 0:44:39 | 0:44:43 | |
-Stationmaster? -Yeah. -Not station mistress - stationmaster. | 0:44:43 | 0:44:49 | |
Yeah. I am the first lady in Algeria to run a station. | 0:44:49 | 0:44:53 | |
That is very clean, I notice. | 0:44:57 | 0:44:59 | |
-Yeah, it's... -Absolutely tidy. | 0:44:59 | 0:45:01 | |
It's a woman who is master. | 0:45:01 | 0:45:04 | |
And it's a policeman who's following us. | 0:45:04 | 0:45:07 | |
The train is about to leave and it's time to say farewell to Said, | 0:45:10 | 0:45:15 | |
who's shown me that despite the dire warnings, | 0:45:15 | 0:45:17 | |
the people of Algiers could not have made us feel more welcome. | 0:45:17 | 0:45:21 | |
-We'll see you soon. -Inshallah. Goodbye. | 0:45:21 | 0:45:28 | |
As we pull out, everything looks normal enough, | 0:45:43 | 0:45:45 | |
but in Algeria it's never wise to be complacent. | 0:45:45 | 0:45:49 | |
The Algiers-Oran line does have a history, | 0:45:49 | 0:45:51 | |
and I'm certainly not allowed to ride it unprotected. | 0:45:51 | 0:45:54 | |
OK? | 0:46:02 | 0:46:04 | |
Is there a security problem on this line? | 0:46:08 | 0:46:11 | |
Yes, there is, and there has been over the last ten years. | 0:46:11 | 0:46:16 | |
This is an area to the south of Algiers | 0:46:16 | 0:46:20 | |
known as the Triangle of Death. | 0:46:20 | 0:46:24 | |
We're approaching Blida, | 0:46:24 | 0:46:26 | |
and this has been the most bombed railway line in the world | 0:46:26 | 0:46:32 | |
over the last ten years. | 0:46:32 | 0:46:34 | |
What sort of form does that take? | 0:46:34 | 0:46:37 | |
Do people attack the train, ambush? | 0:46:37 | 0:46:40 | |
This train here has been bombed, | 0:46:40 | 0:46:42 | |
it has been stopped by people pulling the communication cord, | 0:46:42 | 0:46:47 | |
which is why you won't find a communication cord now. | 0:46:47 | 0:46:50 | |
What was the problem, people were...? | 0:46:50 | 0:46:54 | |
Well, yeah, you'd get confederates of terrorist groups | 0:46:54 | 0:47:00 | |
who'd come on to the train, masquerading as passengers. | 0:47:00 | 0:47:03 | |
They'd pull the cord at a certain moment, the train would stop | 0:47:03 | 0:47:07 | |
and the terrorists would come on to the train | 0:47:07 | 0:47:11 | |
and commit acts of cruelty and barbarism. | 0:47:11 | 0:47:14 | |
What - they'd take people's lives? | 0:47:14 | 0:47:18 | |
-Yes, they would. -On the train? -Yeah. | 0:47:18 | 0:47:21 | |
In awful circumstances that we really don't want to go into. | 0:47:21 | 0:47:24 | |
Now, over the last couple of years, | 0:47:24 | 0:47:28 | |
you'll find, as you go along, there is a major security presence, | 0:47:28 | 0:47:31 | |
and you will not really run the same risks. Or so we're told. | 0:47:31 | 0:47:37 | |
-Yeah, yeah. But you don't see many foreigners on a... -No. | 0:47:37 | 0:47:41 | |
In my consideration, | 0:47:41 | 0:47:44 | |
you're probably the first foreigner on this line in the last ten years. | 0:47:44 | 0:47:49 | |
I have to say, so far, it seems to be fine. | 0:47:49 | 0:47:52 | |
The train left on time, everyone's friendly. | 0:47:52 | 0:47:56 | |
The countryside is sort of farmland. | 0:47:56 | 0:47:58 | |
I wouldn't want to put people off coming to Algeria | 0:47:58 | 0:48:02 | |
because we've had no problems really. | 0:48:02 | 0:48:06 | |
I know we were guarded, but I don't feel there's been any hostility. | 0:48:06 | 0:48:11 | |
No, there's no hostility from the general population - | 0:48:11 | 0:48:15 | |
they are very welcoming people as you would no doubt have seen. | 0:48:15 | 0:48:20 | |
Even at stations like Chlef, where violence has been rife, | 0:48:20 | 0:48:23 | |
there's an unthreatening air of ordinariness. | 0:48:23 | 0:48:26 | |
But the fact remains that, in ten years of terror and counterterror, | 0:48:26 | 0:48:31 | |
100,000 people have been killed. | 0:48:31 | 0:48:33 | |
One thing you won't actually be able to see on our journey | 0:48:42 | 0:48:46 | |
is the armed guards. | 0:48:46 | 0:48:47 | |
We have a heavy security presence, | 0:48:47 | 0:48:50 | |
both from Algiers and then a town called Chlef where we stopped. | 0:48:50 | 0:48:54 | |
They changed the guard round, | 0:48:54 | 0:48:57 | |
and 18 members of the Gendarmerie Nationale, with AK-47s, came aboard. | 0:48:57 | 0:49:02 | |
They won't want to be filmed - it's dangerous for them - | 0:49:02 | 0:49:07 | |
but the train is bristling with guards looking after us. | 0:49:07 | 0:49:10 | |
Bonjour. Merci. | 0:49:23 | 0:49:26 | |
-Merci. -Merci. | 0:49:31 | 0:49:33 | |
The train used to be exotically known | 0:49:39 | 0:49:41 | |
as the Algiers-Casablanca Express. | 0:49:41 | 0:49:44 | |
But tensions between Algeria and Morocco over security | 0:49:44 | 0:49:47 | |
have closed the railway border and now the train terminates at Oran. | 0:49:47 | 0:49:51 | |
The army can go home now - I'm someone else's responsibility. | 0:49:56 | 0:50:00 | |
-Great station. -Absolutely beautiful. | 0:50:02 | 0:50:04 | |
-Mooresque. -Is this Oran an important city? | 0:50:04 | 0:50:08 | |
-Yes, the second important... second city of Algeria. -Right, OK. | 0:50:08 | 0:50:14 | |
Now, where do we head? Off, down here? | 0:50:17 | 0:50:21 | |
Straight into the centre of the town. | 0:50:21 | 0:50:24 | |
Oran, like Algiers, is still steeped in French influence. | 0:50:26 | 0:50:29 | |
Bare-breasted northern maidens gaze down from the opera house, | 0:50:29 | 0:50:35 | |
sharing the square with a carved likeness of Arab nationalist hero, | 0:50:35 | 0:50:39 | |
Abdelkader. The confusion reflects my own feelings | 0:50:39 | 0:50:42 | |
as I near the end of the journey. | 0:50:42 | 0:50:45 | |
This is the last big city on my journey and you can't | 0:50:45 | 0:50:48 | |
get much further west in Algeria than this, | 0:50:48 | 0:50:52 | |
so I've got to think hard about how to get back home. | 0:50:52 | 0:50:55 | |
I'm able to bypass the closed border with Morocco | 0:51:01 | 0:51:04 | |
by taking a roundabout ferry route into Ceuta. | 0:51:04 | 0:51:08 | |
From there, it should be easy enough | 0:51:08 | 0:51:10 | |
to get back across the Straits to Europe. | 0:51:10 | 0:51:12 | |
SPANISH GUITAR | 0:51:18 | 0:51:22 | |
Ceuta is a curiosity, | 0:51:22 | 0:51:24 | |
a slice of Spain clinging to the coast of Africa. | 0:51:24 | 0:51:28 | |
It's surrounded by Morocco. | 0:51:28 | 0:51:30 | |
In the same way that Spain wants Gibraltar, | 0:51:30 | 0:51:34 | |
Morocco wants Ceuta. But there's no sign of Spain parting with it. | 0:51:34 | 0:51:39 | |
Indeed, this monument in the Plaza Africa, | 0:51:39 | 0:51:42 | |
commemorates a Spanish invasion of Morocco. | 0:51:42 | 0:51:46 | |
The Spanish presence makes Ceuta a magnet | 0:51:48 | 0:51:51 | |
for those wanting to get out of Africa. | 0:51:51 | 0:51:53 | |
High on a hill above the town | 0:51:56 | 0:51:58 | |
is one of the outlying defences of Fortress Europe - | 0:51:58 | 0:52:01 | |
a holding centre for immigrants built and run by the European Union. | 0:52:01 | 0:52:06 | |
Gracias! | 0:52:06 | 0:52:07 | |
It's bright, clean and modern, and people here can't wait to get out. | 0:52:11 | 0:52:15 | |
There are nearly 400 men, women and children in the centre, | 0:52:22 | 0:52:27 | |
but only 45 applications have been processed in the last six months. | 0:52:27 | 0:52:31 | |
The inmates are restless, but they're not giving up, | 0:52:31 | 0:52:35 | |
not after the risks they've taken to get this far. | 0:52:35 | 0:52:39 | |
-And where have you come from? You've come from? -From Nigeria. | 0:52:39 | 0:52:44 | |
-And how did you get here? -Through the Sahara Desert. | 0:52:44 | 0:52:48 | |
-On a vehicle? -With leg. -On foot? You walked through the Sahara? | 0:52:48 | 0:52:53 | |
-Yeah, yeah. -How long did that take? -Take me almost one year. | 0:52:53 | 0:52:58 | |
How did you get into Ceuta? | 0:52:59 | 0:53:01 | |
Into Ceuta, I passed through Sahara, got to Morocco, on to this place. | 0:53:01 | 0:53:06 | |
-How did you get here from Morocco? -From Morocco... | 0:53:06 | 0:53:09 | |
Because this is a fortress... | 0:53:09 | 0:53:10 | |
Passed through the barbed wire with a fisher boat. | 0:53:10 | 0:53:18 | |
-I came by the boat. -Came by boat? -Yeah. | 0:53:18 | 0:53:21 | |
-That brings you on to shore here? -Yeah. | 0:53:21 | 0:53:25 | |
-Did you have to pay a lot of money to get here? -Yeah, for the boat we paid about 1,500 to reach here. | 0:53:25 | 0:53:32 | |
-1,500...? -Dollars, yes. | 0:53:32 | 0:53:35 | |
-Dollars? -Yeah. -US dollars? -Yeah. | 0:53:35 | 0:53:38 | |
At the narrowest point of the Straits of Gibraltar, | 0:53:38 | 0:53:41 | |
only nine miles separate these people from their goal. | 0:53:41 | 0:53:45 | |
I'm lucky - I can cross the Straits in an hour, | 0:53:45 | 0:53:48 | |
on a scheduled ferry, in broad daylight, | 0:53:48 | 0:53:51 | |
but thousands of Africans will pay to be brought over | 0:53:51 | 0:53:54 | |
in unsuitable boats at the dead of night. | 0:53:54 | 0:53:57 | |
Belinda Braithwaite, who has a house close to where they land, | 0:53:57 | 0:54:00 | |
knows many will never reach Europe alive. | 0:54:00 | 0:54:04 | |
They tend to come across when it's calm, in the middle of the night. | 0:54:06 | 0:54:10 | |
But you can suddenly get a squall, | 0:54:10 | 0:54:13 | |
and they're halfway across, too many people in the boat. | 0:54:13 | 0:54:18 | |
None of them can swim, and they don't have any life jackets, | 0:54:18 | 0:54:22 | |
so the boat capsizes and they, poor things, are thrown into the sea. | 0:54:22 | 0:54:27 | |
Do they have any sort of navigation? | 0:54:27 | 0:54:30 | |
Presumably they've got to come along here with no lights or lamps? | 0:54:30 | 0:54:34 | |
Well, it's always at night, | 0:54:34 | 0:54:37 | |
and some of the worst casualties happen when it's foggy, | 0:54:37 | 0:54:41 | |
because it appears the more unscrupulous skippers say, | 0:54:41 | 0:54:44 | |
"Well it's 200 yards over there - jump out here," | 0:54:44 | 0:54:49 | |
and, in fact, it's more like a mile. | 0:54:49 | 0:54:51 | |
So the poor people find that they're out of their depth and can't swim. | 0:54:51 | 0:54:56 | |
Imagine if you're a pregnant woman thrown over the side of a boat, | 0:54:56 | 0:55:01 | |
you don't stand a chance, so... | 0:55:01 | 0:55:03 | |
When they do get ashore, this is what...? | 0:55:03 | 0:55:08 | |
The boat has been wrecked, | 0:55:08 | 0:55:10 | |
hurled against the rocks, there's great holes in it. | 0:55:10 | 0:55:13 | |
-What happens when they get ashore? -They disappear in the pine forests. | 0:55:13 | 0:55:19 | |
But if they've just got out of a boat | 0:55:19 | 0:55:21 | |
or they've had to swim the last bit, | 0:55:21 | 0:55:24 | |
their clothes are sopping wet, so they tend to bring with them... | 0:55:24 | 0:55:29 | |
-There - a little plastic... -Is that something from...? | 0:55:29 | 0:55:33 | |
It looks like it's been bound up to keep it waterproof. | 0:55:33 | 0:55:37 | |
And they would keep some dry clothes in there. | 0:55:37 | 0:55:41 | |
You see here the fellow's clothes that he's actually taken off. | 0:55:41 | 0:55:45 | |
They take these off because they're sodden. They have clothes with them? | 0:55:45 | 0:55:51 | |
-Shoes, things, and his water bottle. -Someone from Morocco, Mali... | 0:55:51 | 0:55:56 | |
Then he'll quickly get away before he's spotted. | 0:55:56 | 0:55:59 | |
So there's clothes all over these dunes, scattered about? | 0:55:59 | 0:56:04 | |
I come across them miles... | 0:56:04 | 0:56:06 | |
When at last I reach Gibraltar, | 0:56:16 | 0:56:18 | |
the flags are flying and day-trippers fill the streets. | 0:56:18 | 0:56:21 | |
But there's something different in the air - a smell of betrayal. | 0:56:21 | 0:56:26 | |
May I have your leave to secure the fortress, sir? | 0:56:29 | 0:56:33 | |
After nearly 300 years, the unthinkable is happening. | 0:56:37 | 0:56:41 | |
Britain and Spain are discussing joint sovereignty. | 0:56:41 | 0:56:45 | |
Halt! | 0:56:45 | 0:56:47 | |
Who goes there? | 0:56:47 | 0:56:49 | |
-The keys. -Whose keys? | 0:56:49 | 0:56:53 | |
-Queen Elizabeth's keys. -Advance, Queen Elizabeth's keys. | 0:56:53 | 0:56:59 | |
The Ceremony of the Keys dates back to the days | 0:57:02 | 0:57:05 | |
when the gates of the citadel were locked every night. | 0:57:05 | 0:57:08 | |
The fortress is secure and all's well, sir. | 0:57:08 | 0:57:11 | |
But how secure is the fortress? | 0:57:11 | 0:57:14 | |
Suddenly, this harmless ceremony seems loaded with significance, | 0:57:14 | 0:57:18 | |
more than just an entertainment. | 0:57:18 | 0:57:20 | |
Will the gates of Gibraltar have to be locked again? | 0:57:23 | 0:57:28 | |
BAND STRIKES UP | 0:57:28 | 0:57:30 | |
When I set out, I always thought of Gibraltar | 0:57:39 | 0:57:42 | |
as the bridge between Europe and Africa. | 0:57:42 | 0:57:46 | |
But now I think for the future that the Sahara | 0:57:46 | 0:57:49 | |
is the bridge from Africa into Europe. | 0:57:49 | 0:57:52 | |
There is a danger in becoming obsessed with our own security. | 0:57:54 | 0:57:57 | |
There may be enemies at the gate, | 0:57:57 | 0:58:00 | |
but locking them out may only create more enemies. | 0:58:00 | 0:58:03 | |
I think the best hope for the future is to look around the gate, | 0:58:03 | 0:58:06 | |
to find out more of how other people live. | 0:58:06 | 0:58:09 | |
After all, this time a year ago, I thought the Sahara was empty. | 0:58:09 | 0:58:14 | |
Whoo! | 0:58:49 | 0:58:50 |