Browse content similar to Deep South. Check below for episodes and series from the same categories and more!
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This is America's national cemetery at Arlington. | 0:00:36 | 0:00:40 | |
Today is Veteran's Day. | 0:00:40 | 0:00:42 | |
To Americans, Arlington is hallowed ground, a symbol of just how united the United States can be. | 0:00:45 | 0:00:52 | |
But in fact, the cemetery rose out of the appalling carnage | 0:00:59 | 0:01:02 | |
of America's Civil War when the south fought bitterly to separate from the north. | 0:01:02 | 0:01:08 | |
Arlington is in the State of Virginia, a southern state. | 0:01:08 | 0:01:13 | |
For years, I've been intrigued and bewitched by what seems to be America's most characterful region. | 0:01:20 | 0:01:27 | |
A place of cotton, courtesy, gospel music, mint juleps, divine accents | 0:01:27 | 0:01:32 | |
and sultry Southern Belles. | 0:01:32 | 0:01:36 | |
I'm heading south to find out what makes Old Dixie so distinctive. | 0:01:37 | 0:01:42 | |
But where exactly does the south start? | 0:01:49 | 0:01:51 | |
Well, nearly 250 years ago, two surveyors named Mason and Dixon | 0:01:51 | 0:01:56 | |
drew a straight line on the map marking the southern border of Pennsylvania. | 0:01:56 | 0:02:01 | |
It became known as the Mason/Dixon line and effectively marks where the north ends and the south begins. | 0:02:01 | 0:02:07 | |
Apparently, it really does physically exist. | 0:02:09 | 0:02:14 | |
I'm determined to try and find it. | 0:02:16 | 0:02:19 | |
It definitely should be here. | 0:02:22 | 0:02:23 | |
That's strange. | 0:02:25 | 0:02:27 | |
It's definitely the right road. | 0:02:27 | 0:02:30 | |
I think I'm going to have to break the habit of a lifetime and actually ask someone. Good lord. | 0:02:32 | 0:02:38 | |
Excuse me, hello. | 0:02:46 | 0:02:48 | |
-Hello. -Sorry to bother you. | 0:02:50 | 0:02:52 | |
I'm looking for the Mason/Dixon line. | 0:02:52 | 0:02:55 | |
As a matter of fact it's out this way on the road. | 0:02:55 | 0:02:59 | |
You wouldn't mind showing it to me? | 0:02:59 | 0:03:01 | |
That's really kind, thank you. | 0:03:01 | 0:03:04 | |
-OK, right here. -Oh, yeah. | 0:03:08 | 0:03:10 | |
-It's down through here. Where the turkeys like to be. -OK. | 0:03:13 | 0:03:20 | |
Look here. | 0:03:23 | 0:03:25 | |
I believe that's it. | 0:03:25 | 0:03:27 | |
-Oh, is this it here? -It sure is. | 0:03:29 | 0:03:31 | |
Oh, my. | 0:03:31 | 0:03:34 | |
Here's the Mason/Dixon marker. | 0:03:34 | 0:03:36 | |
The south starts here. | 0:03:39 | 0:03:41 | |
Oh, look. | 0:03:44 | 0:03:45 | |
There's W...V. | 0:03:47 | 0:03:49 | |
West Virginia. That's fantastic. | 0:03:49 | 0:03:51 | |
Yes, it is. | 0:03:51 | 0:03:53 | |
West Virginia is just at the beginning of the south, a long way from the heart of Dixie. | 0:03:53 | 0:04:00 | |
The Appalachian Mountains that form the spine of the state | 0:04:00 | 0:04:03 | |
are as prized for the treasure that lies within them as for their beauty. | 0:04:03 | 0:04:07 | |
I'm going deep inside to hunt for it. | 0:04:07 | 0:04:11 | |
So you do all your smoking up here, basically? | 0:04:13 | 0:04:16 | |
'Coalmining is far from a dying industry in West Virginia. | 0:04:16 | 0:04:19 | |
'50% of the electricity generated in the United States comes from coal.' | 0:04:19 | 0:04:25 | |
This is Stephen Fry. A pleasure to introduce him to you. | 0:04:25 | 0:04:29 | |
BEEPING | 0:04:29 | 0:04:32 | |
What did that noise mean just now? | 0:04:32 | 0:04:35 | |
-That's a CO monitor alarm. -Oh, right. | 0:04:35 | 0:04:38 | |
Just to check that the alarm's working, not that there is... | 0:04:38 | 0:04:41 | |
-There's some who don't have moustaches. -Some don't. | 0:04:41 | 0:04:45 | |
But nobody seemed to mind. | 0:04:45 | 0:04:46 | |
-No. -But it's a bit scary. How do you know they're miners? | 0:04:46 | 0:04:49 | |
-What's that alarm? -We have a lot of different alarms going off as we're getting ready to start. -Oh, right. | 0:04:49 | 0:04:56 | |
This seam is about 350 million years old, so every day, we're fighting Mother Nature. | 0:04:56 | 0:05:02 | |
Hello. | 0:05:06 | 0:05:08 | |
-Are you ready? -I'm so ready. -All right, guys, let's go. | 0:05:09 | 0:05:12 | |
-Welcome to our world. -Why, thank you. | 0:05:12 | 0:05:16 | |
-Oh, my. -No secrets in an elevator I guess, huh? | 0:05:16 | 0:05:19 | |
No gas in an elevator too! | 0:05:19 | 0:05:22 | |
-Is this the first time you've been underground? -It sure is, yes. | 0:05:22 | 0:05:26 | |
Apart from the underground railway in London. Thank you. | 0:05:26 | 0:05:30 | |
You know, in the main airways you've got all this air obviously... | 0:05:34 | 0:05:38 | |
-When we get up to the face, just kind of watch what you're doing. -Keep your hands inside the vehicle. | 0:05:38 | 0:05:45 | |
Keep your glasses on too. | 0:05:45 | 0:05:47 | |
Well, this is a hell of a commute. I'm guessing you don't have Wi-Fi or cell phone coverage down here. | 0:05:49 | 0:05:56 | |
No Wi-Fi, no cell phone coverage. | 0:05:56 | 0:05:58 | |
When we go out of here, everybody turns their lights out. | 0:06:02 | 0:06:06 | |
-Yeah. -So you can see how dark it is. -That's a good idea, yeah. | 0:06:06 | 0:06:10 | |
-It's the darkest dark. -It's the darkest of dark. | 0:06:10 | 0:06:13 | |
'In this vast subterranean city, whose tunnels cover a staggering ten square miles, | 0:06:13 | 0:06:21 | |
'the exposed coal is sprayed with white limestone to help reduce the coal dust and risk of fire.' | 0:06:21 | 0:06:29 | |
-This is it. The end of the road for us. -Right. -Things are going to change drastically now. | 0:06:29 | 0:06:34 | |
-Well, see you again tomorrow, thank you very much. Extremely enjoyable. -Thanks for the ride, right? | 0:06:34 | 0:06:40 | |
'It's hot, dark and for a man of my height, incredibly uncomfortable.' | 0:06:42 | 0:06:47 | |
Standing up isn't really an option. is it? | 0:06:47 | 0:06:50 | |
-That cuts the coal? This? My word. -They call it the beast from the east. | 0:06:53 | 0:06:58 | |
-You've come to the best mine in West Virginia. -I'm glad to hear that. | 0:07:00 | 0:07:03 | |
Oh, my. | 0:07:06 | 0:07:09 | |
-Bless all these men in his holy name, amen. -Amen. -God speed safe. | 0:07:09 | 0:07:13 | |
ROAR OF MACHINERY | 0:07:16 | 0:07:18 | |
-That there? That's methane? -That's methane. -Oh, my. | 0:07:18 | 0:07:22 | |
-You can smell it a tiny bit. -No, you can't smell it. It's odourless. | 0:07:22 | 0:07:25 | |
-What am I smelling then? -Er, probably sulphur from the water. -Sulphur? -You get used to it. | 0:07:25 | 0:07:30 | |
Now when we get up right near the face you can see the coal... | 0:07:30 | 0:07:35 | |
Oh, my goodness. | 0:07:35 | 0:07:37 | |
-And this you can see, to get a better idea. -So shiny. | 0:07:37 | 0:07:41 | |
You've probably got about 1,100 foot of mountain on top of you. | 0:07:43 | 0:07:48 | |
-So when it collapses, you know about it? -Oh, you know about it. | 0:07:48 | 0:07:51 | |
-You feel it? -You hear it. You see it and you feel it. | 0:07:51 | 0:07:55 | |
-It's a crumble, a rumble. -You feel it before it even collapses. | 0:07:55 | 0:07:59 | |
You can feel it breaking, you can hear it above you and then it'll collapse. | 0:07:59 | 0:08:04 | |
Charming, but best left to the experts, one feels. | 0:08:08 | 0:08:11 | |
It's at about this point that I find the prospect of continuing | 0:08:11 | 0:08:15 | |
my journey south into the state of Kentucky strangely appealing. | 0:08:15 | 0:08:19 | |
"Unbridled spirit" is the State of Kentucky's new motto. | 0:08:22 | 0:08:25 | |
We'll find out about the spirit later on, but "unbridled"? Well, this is prime horse country. | 0:08:25 | 0:08:32 | |
The Kentucky Derby is of course world renowned. | 0:08:32 | 0:08:36 | |
Thoroughbreds are big business here and Kentucky's top bloodstock auction house is Keeneland, | 0:08:36 | 0:08:41 | |
where the most expensive horseflesh in the world is traded. | 0:08:41 | 0:08:44 | |
Good morning. | 0:08:44 | 0:08:46 | |
I love the smell of horses, I love the smell of horses. | 0:08:49 | 0:08:52 | |
And according to breeder Tom Van Meter, | 0:08:52 | 0:08:55 | |
prime stallions are not allowed so much as a sniff of a mare until their racing career is truly over. | 0:08:55 | 0:09:01 | |
You can touch him. | 0:09:01 | 0:09:03 | |
So we're talking about immensely sexually frustrated creatures if for 3 or 4 years of their prime manhood | 0:09:03 | 0:09:10 | |
they are not being allowed to mate, I would have thought? | 0:09:10 | 0:09:14 | |
-Yes, but, Stephen, but... -But? | 0:09:14 | 0:09:19 | |
..if they are successful racehorses then... | 0:09:19 | 0:09:23 | |
-They really do get... -They get all they want, all they need, | 0:09:23 | 0:09:26 | |
-3 or 4 times a day. -But they don't know that. | 0:09:26 | 0:09:30 | |
-Stephen... -Yes. | 0:09:30 | 0:09:31 | |
..if you believe in reincarnation, | 0:09:31 | 0:09:33 | |
you would want to come back as a thoroughbred racehorse, that could run! OK? | 0:09:33 | 0:09:39 | |
Now if you couldn't run, you know... they're going to get cut off. | 0:09:39 | 0:09:43 | |
Apparently the services of the most expensive stallion | 0:09:43 | 0:09:48 | |
can cost as much as 300,000 for one impregnation. | 0:09:48 | 0:09:52 | |
-This is pimping on a massive scale. -That's exactly what it is. | 0:09:52 | 0:09:57 | |
Speaking of genetics, the eldest of Tom's five children, Griff Van Meter, | 0:09:57 | 0:10:02 | |
is a Kentuckian from top to bottom. | 0:10:02 | 0:10:06 | |
If I say Kentucky to a foreigner, they always say Kentucky Fried Chicken and Kentucky Derby | 0:10:06 | 0:10:13 | |
but there's more than just those. There's definitely an identity here. | 0:10:13 | 0:10:17 | |
You get people that stay in Kentucky for life and have been here for life | 0:10:17 | 0:10:21 | |
and that's what I really enjoy about it because this is where I belong. | 0:10:21 | 0:10:24 | |
I actually have a tattoo of the State of Kentucky kinda on my ass. | 0:10:24 | 0:10:29 | |
Well, this is British television and there's nothing we like better than to look at an ass. | 0:10:29 | 0:10:35 | |
I would love to show you my ass. | 0:10:35 | 0:10:37 | |
Great. | 0:10:37 | 0:10:39 | |
-Oh, wow! -And in that... | 0:10:39 | 0:10:41 | |
-Is that the shape of Kentucky? -That's the shape of Kentucky. | 0:10:41 | 0:10:44 | |
Very pleasant. | 0:10:44 | 0:10:46 | |
If lost, return here, er, type situation. | 0:10:46 | 0:10:50 | |
So that wasn't just one drunken moment you'll regret for the rest of your life but a proud statement | 0:10:50 | 0:10:56 | |
-of your Kentucky... -Exactly, it's permanent and I'm proud every time I see it and it's always refreshing... | 0:10:56 | 0:11:03 | |
A refreshing bottom is a fine thing to have! | 0:11:03 | 0:11:06 | |
Today is the tail end of the 3 week sale but the auctioneers try to keep up the excitement. | 0:11:06 | 0:11:14 | |
-This is yours? -Yes. | 0:11:14 | 0:11:16 | |
-Oh, we've got a bid over there. Only one more to sell. -Yah. | 0:11:18 | 0:11:21 | |
Here we go, we sold it. | 0:11:21 | 0:11:23 | |
We sold this horse. | 0:11:23 | 0:11:26 | |
-The way the auctioneer speaks, it's just breathtaking, it's hypnotic. -STEPHEN CHANTS | 0:11:26 | 0:11:31 | |
AUCTIONEER SPEAKING VERY FAST | 0:11:31 | 0:11:35 | |
Was that "bidded up here"? | 0:11:42 | 0:11:45 | |
-Bidded up here. -HE REPEATS VERY QUICKLY | 0:11:45 | 0:11:50 | |
-Do you tailor it to the kind of product you're selling? -Absolutely. | 0:11:50 | 0:11:53 | |
So how would you sell chickens? | 0:11:53 | 0:11:55 | |
Chickens tend to be more country and high pitch and kinda, you know... | 0:11:55 | 0:12:00 | |
-That's fantastic! Do you know what that is? It's suddenly... that's banjo picking! -Yes. It is. | 0:12:08 | 0:12:14 | |
It's the same sound as banjo picking. It's Kentucky Blue Grass. | 0:12:14 | 0:12:17 | |
Welcome to Sunny Kentucky. | 0:12:37 | 0:12:41 | |
You know what galls me when the weather's like this? | 0:12:43 | 0:12:48 | |
People always say, "Well, must make you feel right at home!" | 0:12:48 | 0:12:53 | |
We don't get rain like this, this is preposterous. | 0:12:53 | 0:12:58 | |
We get a nice steady English drizzle. | 0:12:58 | 0:13:02 | |
Dear me. | 0:13:02 | 0:13:04 | |
Of course what you need in weather like this, I always think, | 0:13:07 | 0:13:13 | |
is sort of internal central heating, you know? | 0:13:13 | 0:13:17 | |
Not all American industry is high-tech. | 0:13:17 | 0:13:21 | |
This Kentucky bourbon distillery preserves the style and methods of the distant past. | 0:13:21 | 0:13:26 | |
We've had the unbridled part of Kentucky, now for the spirit. | 0:13:26 | 0:13:30 | |
We're the smallest, slowest, oldest distillery in the United States. | 0:13:30 | 0:13:35 | |
STEPHEN LAUGHING | 0:13:37 | 0:13:41 | |
Chris Morris has the enviable post of Master Distiller. | 0:13:41 | 0:13:47 | |
Both my mother and father worked here. | 0:13:47 | 0:13:49 | |
Every night, I remember Mum cooking dinner and she'd always have a glass of bourbon on the counter. | 0:13:49 | 0:13:55 | |
I'd come through the kitchen as a small boy and say, "Mum, can I have a sip?" And I'd take a sip and... | 0:13:55 | 0:14:01 | |
-"I don't like that." Now, of course, my reaction would be very different. -You like it very much. | 0:14:01 | 0:14:06 | |
-It looks like a Victorian prison. -Those bars date back to Prohibition. | 0:14:15 | 0:14:19 | |
Of course, I'd completely forgotten. | 0:14:19 | 0:14:22 | |
-We're in the country... -Yes. | 0:14:22 | 0:14:23 | |
-..where for 15 years or so... -Exactly. | 0:14:23 | 0:14:26 | |
-..alcohol of any kind was federally prohibited. -Prohibited. | 0:14:26 | 0:14:30 | |
We do the usual distillery tour thing and charming it is too. | 0:14:30 | 0:14:33 | |
But the part that really interests me is the little tasting session. | 0:14:36 | 0:14:41 | |
What it all comes down to is this gorgeous brown liquid. | 0:14:44 | 0:14:50 | |
Yes, the whiskey has to speak for itself and it speaks in a language that, if you're a wine connoisseur, | 0:14:50 | 0:14:57 | |
you might be very familiar with it. Vanilla, caramel, a hint of dark chocolate and maple syrup, | 0:14:57 | 0:15:04 | |
baked apple, black pepper, cinnamon, tobacco leaf, coffee bean and a little bit of pecan in every glass. | 0:15:04 | 0:15:10 | |
Wow, now to me that's almost a poem. | 0:15:10 | 0:15:14 | |
But is there any more to it or is it actually just subjective, | 0:15:14 | 0:15:18 | |
or is there some precision and science in that? | 0:15:18 | 0:15:22 | |
Well, it is science. If you say, "I have a hint of cinnamon," that's cinnaldehyde. | 0:15:22 | 0:15:27 | |
That is the same chemical that makes cinnamon be cinnamon. | 0:15:27 | 0:15:31 | |
Now, nose that one and it should have some distinctive oak notes. | 0:15:31 | 0:15:35 | |
Yes, it is woody, definitely. | 0:15:35 | 0:15:37 | |
-Discernibly woody notes. -Yep. It's a sort of dusty wood, isn't it? | 0:15:37 | 0:15:40 | |
We have a sample here that is one of my favourite types. | 0:15:40 | 0:15:44 | |
-It should be creamier, sweeter... -Wooh... | 0:15:44 | 0:15:47 | |
-Hmm, try that one. Compare it to this one. -Amazing. -Which is still awful smooth. -It is. | 0:15:49 | 0:15:56 | |
Butterscotch, honey, black pepper, coffee bean, cherry, vanilla kernel... | 0:15:56 | 0:16:03 | |
Chris, don't think me pretentious. | 0:16:08 | 0:16:12 | |
This smell is an autumnal walk in the countryside, | 0:16:12 | 0:16:15 | |
probably about seven miles from Aldershot on the fringe of an old wood, a spinney - | 0:16:15 | 0:16:21 | |
or a copse possibly, if not a spinney...it's a copse definitely - | 0:16:21 | 0:16:26 | |
and there's a slightly wet Labrador panting and a little bit of that Labrador's breath is in here... | 0:16:26 | 0:16:32 | |
I think Stevie should have a little lie down. | 0:16:32 | 0:16:36 | |
The next morning, I thought I'd drive the taxi to London. | 0:17:00 | 0:17:04 | |
L-O-N..don. | 0:17:05 | 0:17:08 | |
No, that wasn't last night's whiskey getting the better of me, London really was calling. | 0:17:08 | 0:17:16 | |
London City Police. | 0:17:16 | 0:17:18 | |
I thought the black cab would appreciate a stop in London | 0:17:20 | 0:17:23 | |
and besides, it was time to tidy up my act. | 0:17:23 | 0:17:27 | |
Good. | 0:17:29 | 0:17:31 | |
-Come right in, sir. -Oh, hello. -I'm Jim. -Nice to meet you. | 0:17:36 | 0:17:40 | |
-Have you ever been to London, England? -I've not been. | 0:17:40 | 0:17:44 | |
Well, it's a bit bigger than London, Kentucky. | 0:17:44 | 0:17:48 | |
-Have you had many Londoners come in? -No, sir. To my knowledge, you're the first. -I'm the first Londoner! | 0:17:48 | 0:17:55 | |
-I do like your accent. -Well, I was going to say the same thing. I think yours is mighty fine too. | 0:17:55 | 0:18:01 | |
We have this phrase "a short back and sides". | 0:18:01 | 0:18:04 | |
A short back and sides, no. What we call "burrs", | 0:18:04 | 0:18:08 | |
-which is about a quarter of an inch all over and we call it burrs. -Burrs. | 0:18:08 | 0:18:13 | |
-And some people call it "butch". -Butch? -In this locality. -Butch and burrs. | 0:18:13 | 0:18:19 | |
-Burrs like the animal? -Er, like a chestnut burr. | 0:18:19 | 0:18:24 | |
Oh, a burr. Not a bear but a burr. | 0:18:24 | 0:18:27 | |
I tend to think of Kentucky as being quite southern in its ways but you're kind of in the middle. | 0:18:27 | 0:18:34 | |
-Well, kinda in the middle but I'd say we're more southern really. -Yeah. | 0:18:34 | 0:18:39 | |
We love it. Did you realise we have the World Chicken Festival? | 0:18:39 | 0:18:44 | |
-You have the World Chicken Festival? -Sure. -Really? | 0:18:44 | 0:18:48 | |
-Haven't you fellas heard about that over in England? -I don't know how I came not to have heard of it. | 0:18:48 | 0:18:53 | |
-I'm ashamed of myself. -They named it after Colonel Sanders. -Of course, Colonel Sanders is a Kentucky man. | 0:18:53 | 0:19:00 | |
-And the barber I work with cut Colonel Sanders' hair. -Really? | 0:19:00 | 0:19:04 | |
-He came in, in his big white suit. -He really did look like that and dress like that? -Absolutely. | 0:19:04 | 0:19:08 | |
-Let me tell you there are lots of Kentucky Fried Chicken restaurants in London, England. -Are there? | 0:19:08 | 0:19:15 | |
Lots and lots. On a Saturday night, the smell of a congealing thrift bucket fills the air. Right. | 0:19:15 | 0:19:21 | |
And people dress up as chickens, I expect? | 0:19:21 | 0:19:24 | |
Well, yes, some of them do. | 0:19:24 | 0:19:27 | |
I know it's a thing Americans like to do - to dress up as a chicken. | 0:19:27 | 0:19:31 | |
-That's true... -Well, not all Americans obviously. | 0:19:31 | 0:19:35 | |
THEY LAUGH | 0:19:35 | 0:19:37 | |
I got the impression that all Americans like to dress as chickens. I may be wrong. | 0:19:37 | 0:19:42 | |
-OK. -Well, thank you, Jim. That's... -You're welcome. -..really Wonderful. | 0:20:10 | 0:20:14 | |
-You cut a fair amount. -You're welcome. | 0:20:14 | 0:20:17 | |
Oh, terrific. Well, it's, erm...it's quite shocking. I look, er...I don't know what I look like. | 0:20:17 | 0:20:24 | |
-Do I look younger? -Yes. -Or maybe I look older? But I look different. | 0:20:24 | 0:20:29 | |
MUSIC PLAYS | 0:20:50 | 0:20:52 | |
Blue Grass music might be named after Kentucky Blue Grass | 0:20:52 | 0:20:56 | |
but it's played with enthusiasm just across the state line in Tennessee too. | 0:20:56 | 0:21:03 | |
And in this former school on Friday evenings, enthusiasts gather for an extended jam session. | 0:21:03 | 0:21:10 | |
Every corner is filled with the best sort of informal music making. | 0:21:10 | 0:21:16 | |
I would say that it runs deep in your blood and it becomes a part of you | 0:21:40 | 0:21:45 | |
and you feel the land, you know, in your heart. | 0:21:45 | 0:21:48 | |
-Like that, yeah. -It's one of those styles of music that once you've heard it... -It's in your blood. | 0:21:53 | 0:22:00 | |
Just what I was going to say. | 0:22:00 | 0:22:01 | |
I'm a descendant, of course, of Scots-Irish, that came over... | 0:22:01 | 0:22:05 | |
across the ocean, you know. | 0:22:05 | 0:22:07 | |
-And they brought music with them? -They did. -They brought jigs and reels? -They did. | 0:22:07 | 0:22:12 | |
I do the three fingered style picking that Earl Scruggs developed, er... | 0:22:12 | 0:22:17 | |
-He learned a lot from Snuffy Jenkins who was his teacher. -Snuffy Jenkins! -It's a good name, isn't it? | 0:22:17 | 0:22:25 | |
Oh, yes, wonderful, wonderful! | 0:22:32 | 0:22:35 | |
-Do you have a name as a band or...? -Mountain Gap. -Mountain...Girl? | 0:22:35 | 0:22:40 | |
-Mountain...Gap. -Gap! Gap! Sorry. | 0:22:40 | 0:22:43 | |
Real slow, real slow. | 0:22:43 | 0:22:46 | |
I've got it now. Mountain Gap. | 0:22:46 | 0:22:48 | |
-No, not Mountain! Moun'ain... -Moun'ain... -Ga-ap! -Ga-ap! | 0:22:48 | 0:22:53 | |
-I got it, I got it, thank you very much, thank you. -APPLAUSE | 0:22:53 | 0:22:57 | |
-You talk funny over there, don't you? -Do you think? -Oh, yeah, yeah. | 0:22:57 | 0:23:02 | |
Wonderful. ..But Tennessee isn't all plucking, picking and slapping. | 0:23:15 | 0:23:20 | |
There is a world renowned university in the town of Knoxville and I have an assignation there. | 0:23:20 | 0:23:28 | |
Now, I'm supposed to meet a woman called Rebecca, that could be her code-name of course, in a car park. | 0:23:33 | 0:23:40 | |
Now...where? | 0:23:40 | 0:23:44 | |
Ah, Rebecca! Stephen. How do you do? | 0:23:52 | 0:23:55 | |
-Nice to meet you, Stephen. -How nice to meet you. | 0:23:55 | 0:23:58 | |
-Oh, my. -We try to avoid advertising our location. | 0:23:58 | 0:24:03 | |
-That's deliberate? -Yes. -Away from prying eyes? | 0:24:03 | 0:24:07 | |
Razor wire! | 0:24:12 | 0:24:15 | |
I just need to shut the gates behind us. | 0:24:17 | 0:24:20 | |
I can see black... what we would call bin liners. | 0:24:20 | 0:24:25 | |
Every black plastic you see is actually an individual. | 0:24:28 | 0:24:32 | |
-A human cadaver? -Yes. -A dead body in fact? -Yes. | 0:24:32 | 0:24:36 | |
Goodness me. | 0:24:36 | 0:24:38 | |
There's over 180 individuals, er, cadavers out here. | 0:24:42 | 0:24:49 | |
Our title is the Anthropological Research Facility. | 0:24:49 | 0:24:54 | |
-Most people know of us as the Body Farm. -The Body Farm? -Yes. -Yep. | 0:24:54 | 0:25:00 | |
What would you say is the main purpose? | 0:25:01 | 0:25:04 | |
To do time since death - that's how long someone's been dead - research, | 0:25:04 | 0:25:09 | |
-in a scientific way. -Right. | 0:25:09 | 0:25:13 | |
-So are we going to see a few maggots and things? -We don't... -Because, as long as I'm prepared, I don't mind. | 0:25:13 | 0:25:21 | |
I have to tell you something now, which is that, | 0:25:21 | 0:25:24 | |
in all my 50 years on this planet, I have never seen a dead body. | 0:25:24 | 0:25:29 | |
-So I don't know how I'll respond. I'm sure I'll be grown up about it. -Just watch your step. | 0:25:33 | 0:25:39 | |
-That's an electric fence that we keep on at night, it keeps out the larger critters. -I understand. -Yes. | 0:25:39 | 0:25:47 | |
Because animals obviously feast on... Well, there's a dead body. | 0:25:47 | 0:25:52 | |
-Yes, yes. -Oh, my goodness. | 0:25:52 | 0:25:56 | |
This is, what we call late stage decomposition where all, almost the skeleton's left. | 0:25:56 | 0:26:03 | |
It's, erm, yeah. It's a sight that, you know, artists and poets and writers have written about | 0:26:03 | 0:26:11 | |
since humans could write, that of the oddity of a human skull, | 0:26:11 | 0:26:15 | |
knowing that what I'm speaking out of now is no more than that | 0:26:15 | 0:26:19 | |
and that's what we all are, we're all a composition of bones and flesh | 0:26:19 | 0:26:25 | |
-but, to look at it, you wonder where the human is in a way, don't you? -Oh, yeah. | 0:26:25 | 0:26:30 | |
-Do you see a skull through my skin? -Unfortunately, I should say yes. | 0:26:32 | 0:26:37 | |
I have a really bad habit now when I do see people, especially new people, | 0:26:37 | 0:26:44 | |
I will sit there and I kind of imagine what they look like underneath, particularly the skull. | 0:26:44 | 0:26:50 | |
So my noble macrocephalus frontal regions, for example, | 0:26:50 | 0:26:54 | |
you would instantly see bespoke a man of immense sensitivity and grace? | 0:26:54 | 0:27:00 | |
No, you wouldn't! You'd just see a particular category of skull. | 0:27:00 | 0:27:04 | |
Oh! Oh, my goodness. | 0:27:08 | 0:27:10 | |
What have you got in there? | 0:27:10 | 0:27:12 | |
Right now there is an individual in the bin. They've been here since July so they've been here a few months. | 0:27:12 | 0:27:19 | |
So they're over the worst of smell and insects, are they? Or not? | 0:27:19 | 0:27:23 | |
-They're over the worst insects. -You're warning me that there's going to be a bad smell? | 0:27:23 | 0:27:27 | |
-Yes. I would not stick your head over until it's open. -OK. ..Ah! | 0:27:27 | 0:27:32 | |
Oh, my... Oh, good gracious... | 0:27:32 | 0:27:35 | |
Oh, Lord. | 0:27:37 | 0:27:39 | |
-You can see the maggots. -I can see the maggots, yes, thank you. | 0:27:39 | 0:27:44 | |
Oh, gracious. | 0:27:44 | 0:27:46 | |
It's...a great seething, living... appalling-smelling thing. | 0:27:48 | 0:27:55 | |
It's as if it's clawing inside you to try and scoop out every living part of you and turn it into death. | 0:28:00 | 0:28:06 | |
It's just unspeakably horrible, I can't... You've... | 0:28:06 | 0:28:11 | |
-I have a really bad sense of smell. -Oh, do you? -Yes. That's something... | 0:28:11 | 0:28:16 | |
-That's a lucky thing, you're better off in this job than wine tasting. -Exactly! | 0:28:16 | 0:28:22 | |
You see, in some ways, the worst of what it is to be human. | 0:28:22 | 0:28:26 | |
Terrible things like murdered children, and murdered anybody, | 0:28:26 | 0:28:31 | |
plus you see the human body in its most dreadful state. | 0:28:31 | 0:28:35 | |
The goal is to help grieving families and help put a name to an unknown skeleton and get that closure | 0:28:35 | 0:28:42 | |
but part of you has to realise that this is a research object and you can't get emotionally attached to it. | 0:28:42 | 0:28:48 | |
-One thing on this foot you'll see is ants. -Yes, yes, I can. | 0:28:51 | 0:28:56 | |
Well, ants are common to find on a fresh individual, | 0:28:57 | 0:29:01 | |
especially in someone's home, and doing entomology, which is the study of all the insects, | 0:29:01 | 0:29:07 | |
is one of the best indicators of time since death. | 0:29:07 | 0:29:10 | |
-Because different insects hatch and thrive in bodies at different times. -Exactly. | 0:29:10 | 0:29:15 | |
In some of our more basic studies you can look at the soil around the body | 0:29:15 | 0:29:20 | |
because things are leeched from your body into the soil so, if there is something in question, | 0:29:20 | 0:29:28 | |
you can test that and say, "No, there is a body that decomposed here, you need to tell us the truth now." | 0:29:28 | 0:29:35 | |
This garden of earthly remains might at first glance seem rather a grizzly and morbid place to be | 0:29:35 | 0:29:42 | |
but actually I think it should fill one with a kind of optimism | 0:29:42 | 0:29:46 | |
because it's being used for extraordinarily good purposes | 0:29:46 | 0:29:50 | |
to catch wicked people and to ease the burden of suffering from grieving people and, er... | 0:29:50 | 0:29:56 | |
I might genuinely consider leaving my body to such an institution. | 0:29:56 | 0:30:00 | |
It might as well do some good, it's done so little good on this earth, | 0:30:00 | 0:30:05 | |
it might at least do good when my spirit has flown away. | 0:30:05 | 0:30:10 | |
Whisking my offended nostrils as far from Knoxville's Department of Forensic Anthropology as possible, | 0:30:10 | 0:30:17 | |
I revel in the pure air of the Smoky Mountain National Park as I head for the North Carolina state Line. | 0:30:17 | 0:30:24 | |
These colours are amazing. I feel a photo opportunity coming on. | 0:30:24 | 0:30:29 | |
Hello, who's this? | 0:30:29 | 0:30:31 | |
He seems to be chewing at the base of a branch at the end of which is a luscious supply of berries. | 0:30:46 | 0:30:54 | |
So I assume the idea is to chew right through, the branch will fall to the ground, | 0:30:54 | 0:31:00 | |
he'll scramble after it, hopefully take a bow | 0:31:00 | 0:31:04 | |
and then carry home his prize of a whole basket of fruit for the day. | 0:31:04 | 0:31:09 | |
And he's done it! He's bitten through! | 0:31:11 | 0:31:13 | |
Now he's just got to make sure, what an achievement, yes! | 0:31:13 | 0:31:17 | |
Give it a rock, don't fall off, old thing. | 0:31:17 | 0:31:21 | |
Now, he's rather disappointed that it hasn't simply fallen to the ground but it's a bit tangled up. | 0:31:22 | 0:31:29 | |
If there's one thing animals can do, it's persevere. | 0:31:29 | 0:31:33 | |
Still in the Smoky Mountains, it seems to me there's only one way | 0:31:42 | 0:31:47 | |
to see this beautiful part of North Carolina at its absolute best. I've never done this before. | 0:31:47 | 0:31:52 | |
Oh, lord! | 0:31:53 | 0:31:54 | |
-Shall I just climb in, yes? -Yes, yes. | 0:31:54 | 0:31:58 | |
'I shall throw caution, and myself, to the winds.' | 0:31:58 | 0:32:02 | |
Bye. | 0:32:11 | 0:32:13 | |
I'm not sure how much I like looking down over the edge. | 0:32:20 | 0:32:24 | |
Whoa. | 0:32:27 | 0:32:28 | |
I'm happy to hold onto things. | 0:32:29 | 0:32:31 | |
It's quite scary. | 0:32:41 | 0:32:43 | |
-You guys are over a mile high. -Really! Are we? -Over a mile high. | 0:32:57 | 0:33:00 | |
The thing to me about America is you only have to rise up a little in any part, even a densely populated part, | 0:33:00 | 0:33:07 | |
and you see how much is wilderness and how much of it is unoccupied mountains | 0:33:07 | 0:33:13 | |
and extraordinary geographical and geological systems. | 0:33:13 | 0:33:16 | |
I was a bit nervous as we were ascending but, we're now so high, it's pointless to be nervous. | 0:33:22 | 0:33:28 | |
GAS JETS ROAR SUDDENLY | 0:33:28 | 0:33:30 | |
-We were descending at a very, very, very fast rate. -Good lord! My ears are popping, I'll give you that. | 0:33:35 | 0:33:41 | |
-All right, Stephen, we're going to try to get down to treetop level here. -Treetop level? | 0:33:41 | 0:33:47 | |
It's a great place to just look in the canopy. | 0:33:47 | 0:33:51 | |
We're moving at 34 miles an hour, which is extremely fast in a hot air balloon. Too fast. | 0:33:51 | 0:33:57 | |
-I take it you know about those power lines? -Yes, I see those and thanks for warning me! | 0:33:57 | 0:34:01 | |
I have had a squirrel jump in before. He did about 200 circles. | 0:34:03 | 0:34:07 | |
I don't know who was more alarmed! | 0:34:07 | 0:34:09 | |
I bet in his family they still tell that story of the day Nutkin had that adventure. | 0:34:09 | 0:34:14 | |
It's that silence apart from when you're pressing the burner. | 0:34:16 | 0:34:21 | |
-It's absolutely amazing. -It's beautiful. -Peaceful, graceful. | 0:34:21 | 0:34:24 | |
I'm going to try to get close enough to this tree so you can pick one of those little... | 0:34:24 | 0:34:29 | |
Here we go. | 0:34:31 | 0:34:33 | |
I might get one of these...fruits. | 0:34:34 | 0:34:39 | |
-Don't lean out too far. -Don't tell me that now! | 0:34:39 | 0:34:43 | |
-Ah, there you go. -That's going in my souvenir bag. | 0:34:43 | 0:34:47 | |
-A little pine tree. -How cool was that? | 0:34:54 | 0:34:57 | |
From the foothills of the Appalachians in North Carolina | 0:35:06 | 0:35:09 | |
to the lowland coast of South Carolina, the vegetation changes radically. | 0:35:09 | 0:35:16 | |
Gullah can be found here I'm told. | 0:35:17 | 0:35:19 | |
Gullah is a language, a culture, preserved where the freed African slaves lived on | 0:35:19 | 0:35:26 | |
in these isolated swampy, inhospitable islands. | 0:35:26 | 0:35:30 | |
This is the landscape that the unwilling visitors from Africa would have first seen all those years ago. | 0:35:35 | 0:35:42 | |
Anita Prather is a descendant of slaves brought to this coast and revels in Gullah culture. | 0:35:51 | 0:35:57 | |
Most of us came from rice producing countries in Africa. | 0:35:59 | 0:36:03 | |
Because of those specialised skills, we cost more | 0:36:03 | 0:36:08 | |
and, er, we were requested. | 0:36:08 | 0:36:11 | |
Because of that system we were able to maintain more of our Africanisms | 0:36:11 | 0:36:14 | |
than a lot of other Africans that were brought here. | 0:36:14 | 0:36:17 | |
So that's why Gullah is still so prevalent in this area. | 0:36:17 | 0:36:21 | |
SINGING AND CLAPPING | 0:36:21 | 0:36:25 | |
Now you've used this word "Gullah", what does that mean? | 0:36:25 | 0:36:28 | |
It is the blending of different cultures of the West Africans that were brought here | 0:36:28 | 0:36:34 | |
with that of the Europeans that became the masters of the plantation | 0:36:34 | 0:36:37 | |
with that of the native Americans that were the original owners of the property of the plantations | 0:36:37 | 0:36:42 | |
so you have the blending of all those different cultures. | 0:36:42 | 0:36:45 | |
SPEAKS GULLAH | 0:36:48 | 0:36:52 | |
Good gracious, what does that mean? | 0:36:54 | 0:36:57 | |
When you are here, the deer is not here. | 0:36:57 | 0:36:59 | |
But when you are not here, the deer is here. D-E-E-R as in Bambi. | 0:36:59 | 0:37:04 | |
It's a fact about the south, it seems closer in history down here than it does up in the north. | 0:37:04 | 0:37:09 | |
Does it offend you when you see a Confederate flag on the hood of a car or...? | 0:37:09 | 0:37:14 | |
Not at all. I had a lot of students who wore Confederate items, but I was their favourite teacher. | 0:37:14 | 0:37:20 | |
A lot of it didn't have to do with, "I'm wearing it because I hate black people," | 0:37:20 | 0:37:25 | |
but, "I'm wearing it because I feel this is part of my heritage." | 0:37:25 | 0:37:29 | |
-I think sometimes we get offended without really understanding what people are really feeling. -Mm. | 0:37:29 | 0:37:34 | |
Gullah is the one culture that brings us altogether because it connects us all. So, cousin, how're you doing? | 0:37:34 | 0:37:41 | |
-STEPHEN LAUGHS -I'm doing very well. | 0:37:41 | 0:37:43 | |
And so to Georgia. | 0:37:43 | 0:37:47 | |
Georgia in my mind... is the heart of the south. | 0:37:47 | 0:37:53 | |
Today is the third Thursday in November, a date every American knows. | 0:38:09 | 0:38:13 | |
Thanksgiving Day, when thanks are given for the safe landing of the Pilgrim Fathers. | 0:38:18 | 0:38:25 | |
The thanks take the form of a feast of turkey, cranberry and pumpkin pie. | 0:38:25 | 0:38:30 | |
Americans will cross the country to be with their families. | 0:38:30 | 0:38:35 | |
I've been invited to celebrate it at an old plantation house in southern Georgia. | 0:38:35 | 0:38:40 | |
-Well, hello there. -You're here. | 0:38:42 | 0:38:45 | |
'Jeannie and Swannie, two of the daughters of the house home for the holidays, | 0:38:45 | 0:38:49 | |
'are full of plans for exciting activities.' | 0:38:49 | 0:38:55 | |
-Stephen, while you are here, we're going to put you to work. -Yeah. | 0:38:55 | 0:39:00 | |
-We're going to put you on a horse and then you can just go out and round up cows. -Oh, my... | 0:39:00 | 0:39:05 | |
I've a horrible feeling that the getting on alone is going to be... | 0:39:05 | 0:39:08 | |
Oh, it'll be a piece of cake. | 0:39:08 | 0:39:11 | |
'Let's be clear, horses don't get on with me. I don't get on with horses. | 0:39:11 | 0:39:15 | |
'Never mind the "with", I don't get "on" horses, but these dear people seem so keen and confident | 0:39:15 | 0:39:22 | |
'that, even against my instincts, it seems churlish to refuse.' | 0:39:22 | 0:39:27 | |
And we have a very special breed here called the Tennessee walking horse. | 0:39:27 | 0:39:31 | |
I like the sound of that - not a galloping horse, not a throwing-rider-off horse... | 0:39:31 | 0:39:36 | |
They're very smooth. | 0:39:36 | 0:39:39 | |
This is Shadow. Shadow is the one horse if we could clone, we would. | 0:39:39 | 0:39:44 | |
Really? Because he's nice and gentle? | 0:39:44 | 0:39:46 | |
-He's very, very smooth and they can put people who don't know how to ride on him. -People like me for example? | 0:39:46 | 0:39:52 | |
They smell your fear, you know. | 0:39:52 | 0:39:55 | |
-Oh, he's wonderful. -I think I believe you. | 0:39:57 | 0:40:02 | |
He's dirty! Why didn't you wash him off? | 0:40:02 | 0:40:06 | |
-Stephen, I personally guarantee this horse. -That's very nice to hear. | 0:40:08 | 0:40:12 | |
-OK, put your left foot there. -That makes sense. -And then just grab... | 0:40:12 | 0:40:17 | |
-Where am I putting my hand? -Grab a hold of his mane. There you go. -Ooh. | 0:40:17 | 0:40:22 | |
Sorry. Shadow's the name, yes? | 0:40:23 | 0:40:25 | |
Excuse me, Shadow, I'm sorry. | 0:40:25 | 0:40:27 | |
-Good boy. No, don't do that to me. -You're on your own, have fun. | 0:40:27 | 0:40:31 | |
He's not going to jump over the fence, is he? Good boy. | 0:40:31 | 0:40:37 | |
No, no, whoa. Calm down. Whoa! | 0:40:39 | 0:40:42 | |
Whoa! Whoa! Whoa! | 0:40:42 | 0:40:45 | |
Whoa. Whoa. Whoa. | 0:40:45 | 0:40:48 | |
Whoa. Whoa. | 0:40:48 | 0:40:51 | |
So much for the walking. You call that walking? | 0:40:51 | 0:40:55 | |
Stephen, I don't know what to tell you. I apologise. That's never happened before. | 0:40:55 | 0:41:01 | |
Whenever I've been on a horse, the horse's owner goes, "That's strange, he's never done that before." | 0:41:01 | 0:41:07 | |
I love horses from a distance. They make very good watercolour paintings. | 0:41:07 | 0:41:11 | |
When they run against each other to see who's fastest, I'm happy to watch it on television. | 0:41:11 | 0:41:17 | |
I know they mean well, but they're also rather stupid. | 0:41:17 | 0:41:22 | |
That's it. Now, I get my foot down there, don't I? | 0:41:22 | 0:41:27 | |
Thank you so much. | 0:41:27 | 0:41:29 | |
LAUGHTER | 0:41:29 | 0:41:30 | |
Oh, well, we got it. | 0:41:30 | 0:41:32 | |
Never, ever again. Never, do you understand? | 0:41:32 | 0:41:36 | |
You can tell all your brothers and sisters they won't have to put up with me, ever, on a horse! | 0:41:36 | 0:41:43 | |
Somebody said the word "bloody" and the word "Mary" quite soon after it, which I like the sound of. | 0:41:43 | 0:41:49 | |
It's... Oh, yeah, it's what you call like hot tub... | 0:42:03 | 0:42:08 | |
Cheers. To your American thanksgiving. | 0:42:08 | 0:42:11 | |
Well, thank you and thanks for your hospitality, your famous southern hospitality, which is no lie. | 0:42:11 | 0:42:16 | |
You're in the south, you're drinking and frying. | 0:42:16 | 0:42:19 | |
What else does the world have to offer? | 0:42:19 | 0:42:23 | |
Ah. Miss Schmoe, how do you do? I'm Stephen. | 0:42:27 | 0:42:31 | |
'Miss Schmoe is the matriarch here and a mere 91 years old. | 0:42:31 | 0:42:36 | |
'Her visiting older sister, Aunt Sneed, is a remarkable 98.' | 0:42:36 | 0:42:41 | |
Your grandfather might have been old enough to have known the Civil War. | 0:42:41 | 0:42:45 | |
Oh, yes, I have an ancestor, a grandfather who fought in the Civil War. | 0:42:45 | 0:42:50 | |
So if I touch you now, I can say I'm touching someone, who touched someone who fought in the Civil War? | 0:42:50 | 0:42:56 | |
-Yeah, that's right. -You see, to me, that's amazing. | 0:42:56 | 0:42:58 | |
-We still have a hangover of that war, if you want to know the truth of it. -Is that right? -Yeah. | 0:42:58 | 0:43:05 | |
There's no animosity here. | 0:43:05 | 0:43:06 | |
We get along good with our black people and they get along good with us and we work together | 0:43:06 | 0:43:13 | |
and they've contributed a lot to our civilisation. | 0:43:13 | 0:43:16 | |
Grandfather Williams had over 100 slaves and when they were freed, he didn't lose the one. | 0:43:16 | 0:43:23 | |
-He had to just start paying them. -And they all wanted to stay? -They wanted to. What else could they do? | 0:43:23 | 0:43:29 | |
DISTANT SINGING | 0:43:29 | 0:43:32 | |
# ..Above the fruited plain America, America | 0:43:40 | 0:43:46 | |
# God shed his grace on thee | 0:43:46 | 0:43:51 | |
# And crown they good with brotherhood | 0:43:51 | 0:43:57 | |
# From sea to shining sea. # | 0:43:57 | 0:44:02 | |
Ha ha, congratulations, boys. | 0:44:02 | 0:44:06 | |
Look at those turkeys. Head straight to the kitchen with those turkeys. | 0:44:06 | 0:44:11 | |
Into the house. | 0:44:11 | 0:44:13 | |
Isn't it gorgeous? | 0:44:16 | 0:44:19 | |
Marshmallows that have melted into the sweet potato. Oh, my! | 0:44:19 | 0:44:24 | |
I'd like to raise a toast on behalf of my country. | 0:44:29 | 0:44:34 | |
We were very sad naturally to lose you in 1776 over a... | 0:44:34 | 0:44:37 | |
Are you sure? | 0:44:37 | 0:44:40 | |
..a trifling misunderstanding. Something to do with tea, I believe. | 0:44:40 | 0:44:44 | |
But, obviously, in another way we're very grateful to have lost you | 0:44:44 | 0:44:48 | |
because if we hadn't, you wouldn't be the Americans that you are | 0:44:48 | 0:44:52 | |
and I wouldn't have this extraordinary experience of coming | 0:44:52 | 0:44:56 | |
to what is a very warm and friendly welcoming country. Thank you. | 0:44:56 | 0:45:01 | |
Here's a confusing thought. I'm now going further south, as south as you can go in America, | 0:45:15 | 0:45:22 | |
and yet I'm leaving the true south behind me. | 0:45:22 | 0:45:26 | |
This is my first visit to Miami and I have to say, the word "hole" is certainly close to my lips. | 0:45:49 | 0:45:56 | |
It's not my kind of city. | 0:45:56 | 0:45:58 | |
It's hot, it's got palm trees. | 0:46:00 | 0:46:02 | |
I'm sure it must have a heart and a soul | 0:46:02 | 0:46:05 | |
and a meaning and a kind of delightful centre or something, but I'm yet to find it, | 0:46:05 | 0:46:13 | |
it's just horrible, horrible concrete buildings. | 0:46:13 | 0:46:16 | |
There is another city which is not Miami but Miami Beach. | 0:46:22 | 0:46:27 | |
It's a strip of glamorous beach and maybe it's not quite as revolting. | 0:46:27 | 0:46:32 | |
The thing is all seaside places are the same, because there's beach on one side and then there's a strip | 0:46:38 | 0:46:44 | |
of places with seafood restaurants and bars. | 0:46:44 | 0:46:47 | |
These are Deco, and Deco is a style I like very much. | 0:46:47 | 0:46:52 | |
This part of Miami Beach is a Neapolitan ice cream, really. | 0:46:52 | 0:46:56 | |
It has that feeling of being designed | 0:46:56 | 0:47:00 | |
as a holiday paradise, | 0:47:00 | 0:47:02 | |
and indeed all the dreary things that go with the word "paradise", | 0:47:02 | 0:47:06 | |
like palm trees and huge cut-out parrots | 0:47:06 | 0:47:09 | |
that promise so much and deliver so staggeringly little... | 0:47:09 | 0:47:14 | |
And attractive people. | 0:47:15 | 0:47:17 | |
Attractive people who are very fit and beautiful and instantly therefore look | 0:47:17 | 0:47:22 | |
quite staggeringly ugly as a result, which is one of the great jokes that nature plays on the beautiful. | 0:47:22 | 0:47:28 | |
I would rather be curled up in a snowy cabin | 0:47:28 | 0:47:31 | |
sipping a warm whisky | 0:47:31 | 0:47:33 | |
or frankly a mug of Horlicks | 0:47:33 | 0:47:36 | |
than I would spend half an hour in this...rotting place. | 0:47:36 | 0:47:41 | |
It's like the north, less friendly, so although we're further south | 0:47:43 | 0:47:49 | |
than Georgia, we're a lot further north culturally and spiritually. | 0:47:49 | 0:47:55 | |
# It's a long, long while... # | 0:47:55 | 0:47:59 | |
They're called the "snowbirds" - | 0:47:59 | 0:48:04 | |
mainly Jewish retired people who migrate down from the cold north for winter. | 0:48:04 | 0:48:09 | |
# ..But the days grow short... # | 0:48:09 | 0:48:12 | |
On party nights, professional male dancers come into these gated communities | 0:48:12 | 0:48:18 | |
and these dashing young men are welcomed with open arms. | 0:48:18 | 0:48:22 | |
MUSIC PLAYS | 0:48:22 | 0:48:26 | |
Ladies, we have a lot of gentlemen here tonight. | 0:48:32 | 0:48:36 | |
# Her name was Lola | 0:48:36 | 0:48:38 | |
# She was a showgirl... # | 0:48:38 | 0:48:41 | |
-Dave, Si, John, Russ. -APPLAUSE | 0:48:41 | 0:48:46 | |
Guys wouldn't go up to ask them to dance, because they want to dance with the younger ladies. | 0:48:50 | 0:48:55 | |
A lot of them are looking for a date for Saturday nights, | 0:48:55 | 0:48:59 | |
so they're willing to pay you to take them out dancing on a Saturday. | 0:48:59 | 0:49:02 | |
Sometimes we go home with torn jackets and pants with holes in them. | 0:49:09 | 0:49:12 | |
Yeah, ripped up, ties comes off, everything. | 0:49:12 | 0:49:15 | |
-Really! That desperate for a dance? -Yeah, they go after you big. | 0:49:15 | 0:49:18 | |
The ratio down here is 10 women to every man, so.. | 0:49:18 | 0:49:21 | |
-Why do you think there are so many more women? -The women outlive their husbands. Divorced or... | 0:49:29 | 0:49:34 | |
Their husbands have passed away, divorced or whatever. | 0:49:34 | 0:49:37 | |
I hate dancing, | 0:49:41 | 0:49:43 | |
so this to me is a living embodiment of hell. | 0:49:43 | 0:49:49 | |
But I have to say the people are very sweet - it's just what they're gathered | 0:49:49 | 0:49:54 | |
together to do that I find so ineffably, horrifically repellent. | 0:49:54 | 0:49:59 | |
# And these few precious days | 0:49:59 | 0:50:04 | |
# I'll spend with you... # | 0:50:07 | 0:50:14 | |
All right, I admit it. | 0:50:20 | 0:50:22 | |
Some aspects of South Florida have their charms. | 0:50:22 | 0:50:25 | |
But as I leave, | 0:50:38 | 0:50:41 | |
by way of the glorious Everglades, | 0:50:41 | 0:50:43 | |
I can't but feel that heading north | 0:50:43 | 0:50:46 | |
to the State of Alabama | 0:50:46 | 0:50:49 | |
is really heading south again. | 0:50:49 | 0:50:51 | |
My first stop is the state capital, Montgomery. | 0:50:51 | 0:50:55 | |
Martin Luther King was a pastor here | 0:50:57 | 0:50:59 | |
and led the bus boycott out of which the Civil Rights Movement was born. | 0:50:59 | 0:51:03 | |
A lot has changed since the painful and violent times of enforced segregation between white and black, | 0:51:03 | 0:51:09 | |
but there's still pain and drama on show. | 0:51:09 | 0:51:11 | |
I'm here to witness the unique institution | 0:51:11 | 0:51:15 | |
of the Alabama Board of Pardons and Paroles. | 0:51:15 | 0:51:18 | |
Where families of inmates can plead the cause of their relatives | 0:51:21 | 0:51:25 | |
in prison, and families of victims have their say too. | 0:51:25 | 0:51:30 | |
Will you swear the testimony you are about to give will be the truth, | 0:51:30 | 0:51:32 | |
the whole truth and nothing but the truth? | 0:51:32 | 0:51:34 | |
We do hear suffering all day, we do hear cases about murder, rape, robbery, | 0:51:34 | 0:51:41 | |
I mean incest... | 0:51:41 | 0:51:42 | |
In the Shawshank Redemption, they go to the prison, don't they? | 0:51:42 | 0:51:46 | |
-And they have a big stamp that goes "denied". -Exactly. -You don't have a stamp? -No. -There are three of us. | 0:51:46 | 0:51:50 | |
There are 29,000 inmates plus in this Alabama prison system, and there are only three of us. | 0:51:50 | 0:51:57 | |
-Presumably your first consideration is the safety of society? -Exactly. Whether they are likely to re-offend. | 0:51:57 | 0:52:03 | |
Will you swear the testimony that you are about to give | 0:52:05 | 0:52:08 | |
will be the truth, the whole truth and nothing but the truth? | 0:52:08 | 0:52:12 | |
-And this is your son? -Yes. | 0:52:12 | 0:52:16 | |
-Tell us what you want us to know about him. -Well, I know he done wrong... | 0:52:16 | 0:52:20 | |
Since his incarceration, Gianni has accomplished a lot of things... | 0:52:20 | 0:52:24 | |
I, as a parent, have seen a change... | 0:52:24 | 0:52:28 | |
I have never seen a lady change so much... | 0:52:28 | 0:52:31 | |
There is a difference in him now... | 0:52:31 | 0:52:33 | |
This man deserves a second chance. | 0:52:33 | 0:52:36 | |
And that is why I stand before you today and ask that you grant parole at this time to Tim. | 0:52:36 | 0:52:41 | |
One lady, she got mad enough, I think, to hit me one day, and I said, "Do you realise what he's done?" | 0:52:43 | 0:52:49 | |
People can change, you know, and she just...she wanted to... | 0:52:49 | 0:52:53 | |
And the only reason he stopped killing people is he ran out of ammunition. | 0:52:53 | 0:52:56 | |
He said he was sorry for what he'd done and everything to me also. | 0:52:56 | 0:53:00 | |
Every day he tries harder to deal with the pains that he's caused everybody... | 0:53:00 | 0:53:04 | |
I cannot make any guarantees, but from his conversation, | 0:53:04 | 0:53:09 | |
I feel that he's ready to come back into society. | 0:53:09 | 0:53:12 | |
We'll now hear from the victim's side. | 0:53:12 | 0:53:15 | |
I don't think that the time served is enough... | 0:53:15 | 0:53:18 | |
Please do not let him out... | 0:53:18 | 0:53:20 | |
We go to the grave side. | 0:53:20 | 0:53:23 | |
I have children now that are almost... | 0:53:23 | 0:53:26 | |
-my brother's age... -And I am sure if Keith could choose, | 0:53:26 | 0:53:30 | |
he would rather be in a prison cell locked away than in a deep dark grave. | 0:53:30 | 0:53:35 | |
He committed a serious crime to get in prison and since he's been in prison he has not done well. | 0:53:35 | 0:53:40 | |
The board has voted in this case. We've denied parole today. He'll be set for consideration in four years. | 0:53:40 | 0:53:45 | |
And he told me he asked the Lord to forgive him. | 0:53:51 | 0:53:53 | |
All her speech and everything is what she can do for God. | 0:53:53 | 0:53:57 | |
I'm glad that, you know, she's got religion now and that she's changed her life around, | 0:53:57 | 0:54:02 | |
but there's also a consequence for all these crimes that she's committed. | 0:54:02 | 0:54:06 | |
One of the things I should imagine you get a lot, what you might call... | 0:54:08 | 0:54:13 | |
penitentiary conversion. | 0:54:13 | 0:54:15 | |
They find Jesus immediately, and I never knew Jesus to be lost, and they've got 33 disciplinaries | 0:54:15 | 0:54:21 | |
in a 5-year term frame but they've got religion. | 0:54:21 | 0:54:25 | |
If you know better, you do better. | 0:54:25 | 0:54:27 | |
I know it's up to y'all to decide, you know, what his fate... | 0:54:27 | 0:54:31 | |
He's done well and we have every reason expect him to continue, | 0:54:31 | 0:54:35 | |
so we've voted to release him on parole. | 0:54:35 | 0:54:37 | |
-Praise the Lord! -OK. | 0:54:37 | 0:54:40 | |
-Praise the Lord. -I know we have made some decisions that resulted in people being hurt. | 0:54:40 | 0:54:45 | |
We have paroled people who have gone out and committed new crimes. I hate that and I agonise over it. | 0:54:45 | 0:54:51 | |
We make the best decision possible with the information that we have in hand and we go from there. | 0:54:51 | 0:54:58 | |
It's an indication of the size of the US economy and their passion for sport | 0:55:10 | 0:55:14 | |
that this is the stadium of Auburn, a medium-sized college, | 0:55:14 | 0:55:18 | |
and this is their annual game against another college within the same state, | 0:55:18 | 0:55:23 | |
the University of Alabama based in Tuscaloosa, a few hours' drive away. | 0:55:23 | 0:55:28 | |
This fixture has the scale, intensity and hoopla of a grand national final, | 0:55:32 | 0:55:38 | |
but is in reality nothing more than a local derby between amateur students. Only in America! | 0:55:38 | 0:55:43 | |
DRAMATIC MUSIC PLAYS | 0:55:43 | 0:55:47 | |
-How do you do? Have you got any spare paint for me? -Yes. Yes. | 0:56:37 | 0:56:40 | |
Yes! | 0:56:40 | 0:56:43 | |
Thank you so much. | 0:56:47 | 0:56:51 | |
Pretty damn good, thank you. | 0:56:54 | 0:56:56 | |
I really don't know if anything sums up America better. | 0:57:11 | 0:57:14 | |
It's simultaneously preposterous... | 0:57:14 | 0:57:18 | |
incredibly laughable, impressive, charming, ridiculous, | 0:57:18 | 0:57:23 | |
expensive, | 0:57:23 | 0:57:25 | |
over-populated, | 0:57:25 | 0:57:28 | |
wonderful... | 0:57:28 | 0:57:30 | |
American. | 0:57:30 | 0:57:32 | |
# God bless America... # | 0:57:45 | 0:57:49 | |
CHEERING | 0:57:57 | 0:58:00 | |
Oh, dear. | 0:58:03 | 0:58:05 | |
WHOOSHING | 0:58:05 | 0:58:07 | |
On the next leg of my journey, | 0:58:19 | 0:58:21 | |
I'll be following the Mississippi River from steamy New Orleans to icy Minnesota | 0:58:21 | 0:58:25 | |
by way of parades, prisons, blues, canoes and motor cars. | 0:58:25 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:39 | |
E-mail [email protected] | 0:58:39 | 0:58:42 |