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The mighty Mississippi River is the theme of this part of my journey and I'll be following it from here | 0:00:35 | 0:00:42 | |
at its sultry southernmost tip in Louisiana | 0:00:42 | 0:00:44 | |
to its source in the snowy wastes of Minnesota on the Canadian border. | 0:00:44 | 0:00:49 | |
Welcome to the Mardi Gras, Planet Earth, come on down to the best free party in the world! | 0:00:53 | 0:00:57 | |
HE YELLS | 0:00:57 | 0:01:00 | |
I'm in the French Quarter of New Orleans, Louisiana | 0:01:00 | 0:01:05 | |
and today is Shrove Tuesday, which they call Mardi Gras, | 0:01:05 | 0:01:08 | |
the French for Fat Tuesday and everyone is celebrating, | 0:01:08 | 0:01:11 | |
not only the last chance to feast before Lent, | 0:01:11 | 0:01:14 | |
but also the beginnings of the rebirth of this unique city | 0:01:14 | 0:01:18 | |
after the catastrophe that was Hurricane Katrina. | 0:01:18 | 0:01:21 | |
You might notice I'm wearing a sling, that's because | 0:01:21 | 0:01:24 | |
I've broken my arm and ten bolts are holding the bones together. | 0:01:24 | 0:01:28 | |
I shan't be felling any trees, but I'm hoping it will be healing as we go. | 0:01:28 | 0:01:32 | |
Welcome aboard Pan Am flight 69. | 0:01:32 | 0:01:36 | |
If there's a word that makes me shiver with revulsion, it's the word "fun". | 0:01:36 | 0:01:42 | |
And here, human beings are having fun with the most capital of "f"s imaginable | 0:01:42 | 0:01:47 | |
but actually, it is quite infectious and the spirit is good. | 0:01:47 | 0:01:51 | |
One wonders how many of the revellers here | 0:01:51 | 0:01:54 | |
are actually taking the religious point of view and will tomorrow foreswear meat and celebration. | 0:01:54 | 0:01:59 | |
Not many, I suspect. | 0:01:59 | 0:02:01 | |
It's a very extraordinary event. | 0:02:05 | 0:02:07 | |
It combines so much that one associates with New Orleans, | 0:02:07 | 0:02:10 | |
a slight hint of the macabre, which obsesses this torrid and steamy place, | 0:02:10 | 0:02:16 | |
plus a general feeling that there is no tomorrow. | 0:02:16 | 0:02:19 | |
While Mardi Gras is a resolutely Catholic festival, | 0:02:21 | 0:02:25 | |
Catholicism, which came first with the Spanish and then the French colonists, | 0:02:25 | 0:02:29 | |
is not really the defining faith of New Orleans. | 0:02:29 | 0:02:32 | |
At the core of people's spiritual life here is the mysterious religion known as voodoo. | 0:02:32 | 0:02:38 | |
Sallie Ann Glassman, a Jewish lady from Kennebunkport, Maine | 0:02:41 | 0:02:46 | |
seems a rather unlikely voodoo high priestess. | 0:02:46 | 0:02:49 | |
Voodoo is the backbone of this city that is | 0:02:51 | 0:02:55 | |
an absolute part of the culture. | 0:02:55 | 0:02:57 | |
It's in the rhythms you hear, filtering through all of New Orleans music. | 0:02:59 | 0:03:05 | |
Voodoo recognises that there is a whole invisible realm around us. | 0:03:07 | 0:03:13 | |
Between God and humanity are myriad intermediary ancestral spirits. | 0:03:13 | 0:03:20 | |
They have maybe a different prospective on life. | 0:03:20 | 0:03:24 | |
One of the things that you learn as you become a priest in voodoo is | 0:03:28 | 0:03:31 | |
how to reach into that invisible realm and pull that potential out. | 0:03:31 | 0:03:36 | |
In popular imagination, voodoo is more associated than anything else with sticking pins in effigies, | 0:03:50 | 0:03:58 | |
with zombieism, with curses, with slaughtering cockerels and white chickens | 0:03:58 | 0:04:05 | |
and blood, it's considered a very dark religion, isn't it? | 0:04:05 | 0:04:09 | |
Well, it's completely erroneous. | 0:04:09 | 0:04:11 | |
Voodoo is a mix of African traditions that came over with slavery into the New World. | 0:04:14 | 0:04:22 | |
It encountered European Catholicism and native American practises and also masonry. | 0:04:22 | 0:04:27 | |
So voodoo is really a gumbo of all of these different traditions. | 0:04:27 | 0:04:32 | |
'I'm no more a believer in the power of voodoo than in the Virgin Mary, | 0:04:43 | 0:04:48 | |
'but my arm is hurting and I recognise a good placebo when I see one.' | 0:04:48 | 0:04:54 | |
I think that New Orleans, because of the presence of voodoo here, | 0:04:57 | 0:05:02 | |
has a chance of surviving Katrina. | 0:05:02 | 0:05:05 | |
-Really? -Because voodoo was a religion | 0:05:05 | 0:05:07 | |
that allowed people to endure what was truly unendurable, | 0:05:07 | 0:05:11 | |
the conditions of slavery, and gave them the strength and the resilience | 0:05:11 | 0:05:17 | |
and the creativity to survive whatever happened to them. | 0:05:17 | 0:05:21 | |
In 2005, Hurricane Katrina screamed in and destroyed much of New Orleans | 0:05:21 | 0:05:27 | |
when the levees, these high banks that hold back the Mississippi and the lakes around the city, broke. | 0:05:27 | 0:05:33 | |
Nowhere felt the immediate and long term effects of the hurricane | 0:05:33 | 0:05:36 | |
more than the predominantly black lower ninth ward, | 0:05:36 | 0:05:39 | |
a district of New Orleans that lies below the main canal. | 0:05:39 | 0:05:43 | |
90% of the houses were destroyed and three years on, | 0:05:43 | 0:05:46 | |
practically nothing has been done to re-build the community. | 0:05:46 | 0:05:50 | |
'I meet up with Isaiah, who was on his second tour of duty | 0:05:50 | 0:05:54 | |
'with the US Marines in Iraq when the storm hit.' | 0:05:54 | 0:05:58 | |
You know, when I came back home... | 0:05:58 | 0:06:01 | |
I would have like these flashes in my mind, you know, | 0:06:01 | 0:06:04 | |
cos I used to walk, I used to roam these streets. | 0:06:04 | 0:06:07 | |
-My school's right back here. -Yeah. So that's the school there? | 0:06:07 | 0:06:11 | |
-Yeah, this is Alfred Lawless. -Oh... Good Lord. | 0:06:11 | 0:06:16 | |
Oh, there it is, senior high school. | 0:06:16 | 0:06:19 | |
This is how Iraq is. | 0:06:22 | 0:06:24 | |
-A bunch of torn down buildings. -Yeah. | 0:06:24 | 0:06:27 | |
Grass, you know, grown sky high. | 0:06:27 | 0:06:30 | |
-The streets ridiculously undriveable, you know. -Yeah, yeah. | 0:06:30 | 0:06:34 | |
Desolate, quiet, you know, I feel like I'm on a patrol right now | 0:06:34 | 0:06:38 | |
and then what made it worse was seeing the National Guard | 0:06:38 | 0:06:43 | |
-riding around in their Humvees, you know. -Oh, here? -Yeah, here. | 0:06:43 | 0:06:47 | |
-Yes, they still do. -Right. -They patrol around in Humvees | 0:06:47 | 0:06:50 | |
and there's just no need for that escalation of force, because number one, nobody's here. | 0:06:50 | 0:06:55 | |
If this was a middle-class white neighbourhood, I cannot believe it would be in this situation. | 0:06:57 | 0:07:02 | |
-It would not be in this situation. -No. | 0:07:02 | 0:07:04 | |
I mean, I love the United States of America, you know. | 0:07:04 | 0:07:08 | |
I love my country, but you look at the name - the United States of America - | 0:07:08 | 0:07:15 | |
I mean, here, I hardly see unity, you know. | 0:07:15 | 0:07:19 | |
I leave the French Quarter cleansed of its revelries, safe on its high ground, | 0:07:25 | 0:07:31 | |
secure in its history and proud of its un-Americanness, to start my journey northwards, | 0:07:31 | 0:07:37 | |
up the Mississippi, the river that runs through the heart of this great country. | 0:07:37 | 0:07:42 | |
The sheer scale of the river is overwhelming. | 0:07:46 | 0:07:49 | |
It disgorges half a million cubic feet per second and in places is more than a mile wide. | 0:07:49 | 0:07:55 | |
Old Man River is also a great defining line. | 0:07:55 | 0:07:58 | |
Americans often identify a place by its being east or west of the Mississippi. | 0:07:58 | 0:08:02 | |
I'll be travelling more than a thousand miles along its banks, | 0:08:02 | 0:08:05 | |
then through the mid-western plains to the Great Lakes | 0:08:05 | 0:08:08 | |
and their big cities of Detroit and Chicago | 0:08:08 | 0:08:11 | |
until I approach the river's source in Minnesota. | 0:08:11 | 0:08:14 | |
Well, one thing you can say for certain about the State of Louisiana and that is it's always been | 0:08:17 | 0:08:23 | |
pretty hard on its criminals and the State Penitentiary of Louisiana | 0:08:23 | 0:08:28 | |
has a name that has struck fear into the heart of hardened lifers everywhere. | 0:08:28 | 0:08:34 | |
Angola State Penitentiary it's called. | 0:08:34 | 0:08:37 | |
It's probably the most notorious jail in America. | 0:08:37 | 0:08:40 | |
It's a hopeless place, quite literally. | 0:08:43 | 0:08:46 | |
Just about 90% of the prisoners have no hope of parole. | 0:08:46 | 0:08:49 | |
They will end their lives in Angola. | 0:08:49 | 0:08:52 | |
Angola Prison is popularly known as The Farm for good reason. | 0:08:52 | 0:08:57 | |
Its 5,000 inmates, the majority in for murder, | 0:08:57 | 0:09:00 | |
are spread out on its 18,000 acres to work the land | 0:09:00 | 0:09:03 | |
and they're housed in a series of camps. | 0:09:03 | 0:09:06 | |
Warden Burl Cain, who runs the prison, is a legendary figure in the American penal system. | 0:09:06 | 0:09:11 | |
We're going to go into my prison here through all these gates. | 0:09:13 | 0:09:16 | |
-You're not carrying any knives or guns? -No, we're not. | 0:09:16 | 0:09:19 | |
-OK, I'm going to keep you with me, so... -Yes. | 0:09:19 | 0:09:22 | |
We're going to be cooled here, but we're gonna not do all the searching. | 0:09:22 | 0:09:26 | |
There's more human suffering on this land than probably anywhere in America. | 0:09:26 | 0:09:31 | |
'When he came here 13 years ago, Angola was a cesspit of gangs, drugs and terrible violence. | 0:09:32 | 0:09:39 | |
PRISONERS SHOUT | 0:09:39 | 0:09:43 | |
'Today, it's become a model of how a prison can work, one he's proud to show off.' | 0:09:43 | 0:09:49 | |
We just passed death row back there too. That other place. | 0:09:49 | 0:09:52 | |
-Is death row down there? -Yep. | 0:09:52 | 0:09:55 | |
We have a coffin maker that makes coffins. | 0:09:55 | 0:09:58 | |
We almost bury more people than we release. | 0:09:58 | 0:10:01 | |
# Well, I'm tired and so weary | 0:10:01 | 0:10:05 | |
# But I mustn't go alone... # | 0:10:05 | 0:10:09 | |
Burl Cain's vision for the prisoner's rehabilitation is | 0:10:09 | 0:10:14 | |
a curious mix of Christian morality, | 0:10:14 | 0:10:16 | |
good ol' boy paternalism and stern liberalism. | 0:10:16 | 0:10:21 | |
We've gotta live life here and we've gotta have hope where there's no hope and we found morality and religion. | 0:10:21 | 0:10:26 | |
We don't care what religion, we just look for morality, immoral people are criminals in life. | 0:10:26 | 0:10:32 | |
The moral are not criminals. They don't rape, pilfer and steal. | 0:10:32 | 0:10:36 | |
Immoral is what is the criminals, so if we can train an inmate to be moral, we've rehabilitated them. | 0:10:36 | 0:10:41 | |
Every inmate here has a job. That gives them meaning and purpose in life. | 0:10:52 | 0:10:56 | |
You think that a prisoner who murdered somebody | 0:10:58 | 0:11:01 | |
did this and it's his way to give back and say I'm sorry. | 0:11:01 | 0:11:05 | |
You know, and I'm asking forgiveness for what I did so horrible. | 0:11:05 | 0:11:09 | |
-Yes. -This man is not going to be prone to commit the violence he did in the past. | 0:11:09 | 0:11:13 | |
-And you'd do it for nothing, wouldn't ya? -Yes, sir. | 0:11:13 | 0:11:17 | |
I'm bragging about you, hear that? LAUGHTER | 0:11:17 | 0:11:21 | |
-That's a paediatric. -Oh, right. -Uh-huh. -Yeah. | 0:11:21 | 0:11:24 | |
-That why I build them strong. -Yeah. | 0:11:24 | 0:11:26 | |
-I test ride them to make sure. -Right. Do you really? | 0:11:26 | 0:11:29 | |
-If I can fit in that. -Yeah, not that, you'd probably have trouble. | 0:11:29 | 0:11:32 | |
-I've been Angola now for ten years. -Ten years? -Yeah. | 0:11:32 | 0:11:37 | |
Do you mind me asking what you did to be here? | 0:11:37 | 0:11:39 | |
-Yeah, I'm on a drugs charge. -A drugs charge? -Yeah. | 0:11:39 | 0:11:43 | |
-Yeah. But you're off drugs now, are you? -Yeah. -You're clean? | 0:11:43 | 0:11:46 | |
-Yeah, I'm clean, clean, sure. -Is it a clean prison here? | 0:11:46 | 0:11:49 | |
Huh, yeah. Pretty much, you know. | 0:11:49 | 0:11:52 | |
There's a field line coming to work, see how the line is marching? | 0:12:01 | 0:12:04 | |
-And they're going out, they have a guard walking in front. -Oh, my, my. | 0:12:04 | 0:12:09 | |
And we raise everything we eat. We don't open a can. | 0:12:09 | 0:12:13 | |
-Cos I don't do chain gangs, that's why I have the Correction Officer with the gun. -Yeah. | 0:12:13 | 0:12:18 | |
And if they run away, we're going to shoot a warning shot and the next shot we're going to shoot to wound. | 0:12:18 | 0:12:23 | |
You shoot the gun. You know, I don't just, make the noise. | 0:12:23 | 0:12:27 | |
But if they don't shoot, then the other inmates will all try to climb the fence. So shoot the gun. | 0:12:27 | 0:12:32 | |
-I have 88 on death row. -88. -They don't go out to work. -No. | 0:12:35 | 0:12:38 | |
I would be afraid they would try to run away, to commit suicide by making us shoot them. | 0:12:38 | 0:12:43 | |
There's repercussions if you aren't good. | 0:12:51 | 0:12:53 | |
You'll lose some privileges you really don't want to lose. | 0:12:53 | 0:12:57 | |
'Driving through his mini-state, it may seem security is pretty lax, | 0:12:57 | 0:13:02 | |
'but Warden Burl soon sets me straight.' | 0:13:02 | 0:13:05 | |
There's 18,000 acres here. This is as large as Manhattan Island, so it's hard to get away from us. | 0:13:05 | 0:13:12 | |
You gotta run a long way before you get onto somebody else's land. | 0:13:12 | 0:13:16 | |
See where the wild hog route right there on the southern levy, on the ridge is wild hogs. | 0:13:16 | 0:13:20 | |
-You've got wild hogs here? -Wild hogs are dangerous. | 0:13:20 | 0:13:22 | |
If you go into woods, they know if they run in the wood they gotta go through the rattlesnakes. | 0:13:22 | 0:13:28 | |
We have the panther and we have the bear and we have the wild hogs. | 0:13:28 | 0:13:33 | |
-We see alligators here. -Really? -A lot of alligators. -Another thing to stop you escaping. | 0:13:33 | 0:13:38 | |
Alligators are my guards. They all know they are here, so I have too many guards. | 0:13:38 | 0:13:42 | |
DOG BARKS | 0:13:42 | 0:13:44 | |
Alligators like to eat dogs, so when we run a blood hound we don't want them chasing the dog. | 0:13:44 | 0:13:49 | |
We have the finest bloodhounds in the country. We can find you. | 0:13:49 | 0:13:52 | |
Shall we set the soundman or maybe the director actually, JP, | 0:13:53 | 0:13:58 | |
Shall we send him to the woods and get him chased? | 0:13:58 | 0:14:00 | |
-I'd love to see that. -If he runs, I promise you we'll have him back. | 0:14:00 | 0:14:04 | |
-He has a strong smell. -We could follow him to England. -I could! | 0:14:04 | 0:14:07 | |
I escape the seductive if sometimes indecipherable southern drawl of Warden Burl, | 0:14:13 | 0:14:19 | |
who seems to have stepped out of a Tennessee Williams play and leaving Louisiana, | 0:14:19 | 0:14:23 | |
drive to the old cotton town of Natchez, the architectural jewel in the State of Mississippi. | 0:14:23 | 0:14:29 | |
This is the town of Natchez, | 0:14:35 | 0:14:38 | |
one of the great well-preserved southern towns. | 0:14:38 | 0:14:42 | |
Filled with antebellum homes, pre-Civil War houses. | 0:14:46 | 0:14:51 | |
Got rich on cotton and slavery. | 0:14:51 | 0:14:56 | |
This journey is taking me up the great highway that goes all the way | 0:15:04 | 0:15:07 | |
more or less alongside the Mississippi from New Orleans to Chicago, Route 61. | 0:15:07 | 0:15:14 | |
More or less in the middle of it, one finds...this place - | 0:15:18 | 0:15:25 | |
Clarksdale, Mississippi. | 0:15:25 | 0:15:27 | |
It styles itself the home of the blues. | 0:15:27 | 0:15:30 | |
So many of the great blues musicians were born here and around here. | 0:15:30 | 0:15:35 | |
One of those magical and inexplicable places, rather like, I don't know, Salzburg. | 0:15:35 | 0:15:42 | |
Why should Mozart and Schubert and Haydn all come from a small town in Austria? | 0:15:42 | 0:15:48 | |
Why shouldn't perhaps the most influential music form of the 20th century | 0:15:48 | 0:15:52 | |
come from this frankly rather desolate dirt-poor place, Clarksdale, Mississippi? | 0:15:52 | 0:15:57 | |
It seems like the middle of nowhere. | 0:15:57 | 0:15:59 | |
Maybe all it has left to live on is the former glory of its music. | 0:16:01 | 0:16:05 | |
But there is someone who wants to glory in this past. | 0:16:15 | 0:16:18 | |
Ground Zero is Oscar-winning actor Morgan Freeman's club. | 0:16:18 | 0:16:22 | |
-I thought when I went to school that a delta... -Remember that you're talking to a 70-year-old, I mean.. | 0:16:30 | 0:16:36 | |
-You're the wisest man in the Universe, we all know that. -Oh! | 0:16:36 | 0:16:39 | |
You played God twice, you've got to be wiser. | 0:16:39 | 0:16:42 | |
They called it the Delta, because although it is an alluvium plain... | 0:16:48 | 0:16:55 | |
-Right. -..the Mississippi River used to flood regularly. | 0:16:55 | 0:16:59 | |
-This whole area? -This whole area. | 0:16:59 | 0:17:01 | |
So there is all of this alluvium soil here. | 0:17:01 | 0:17:05 | |
-It's extraordinarily rich. -Yes. | 0:17:05 | 0:17:07 | |
So that's why they call it Delta. | 0:17:07 | 0:17:10 | |
Cotton was king of the Delta for many, many, many, many, many years. | 0:17:16 | 0:17:19 | |
Of course now, we have machines that could do the work of a thousand men in a day. | 0:17:19 | 0:17:23 | |
-So you've a huge population out of work? -A huge population out of work, huge. | 0:17:23 | 0:17:28 | |
I mean, the point for you is that we have to forget, not forget the past, that's nonsense... | 0:17:31 | 0:17:36 | |
-We can't forget that... -No, what I mean is we no longer talk about... -We transcend it. -Good word. | 0:17:36 | 0:17:41 | |
We don't talk in terms of black and white, of oppressed and oppressor. | 0:17:41 | 0:17:44 | |
We have to start thinking about Americans, about State Citizens, everyone... | 0:17:44 | 0:17:49 | |
-You sound like Barack Obama, you know? -Well, yes. | 0:17:49 | 0:17:54 | |
-I guess his time may have come, you know. -Was that a subtle segue? | 0:17:54 | 0:17:58 | |
-Something motivated you to... -Come back? | 0:18:05 | 0:18:08 | |
-Yes. To come back. -Yeah. -Was it a sense of putting something back into a community? | 0:18:08 | 0:18:13 | |
No, it wasn't at all, if I'm going to be honest about it. | 0:18:13 | 0:18:17 | |
Er, it was a realisation of where my peace was in life. | 0:18:17 | 0:18:23 | |
Every time I came, | 0:18:23 | 0:18:26 | |
there was a sense that I got of peace. | 0:18:26 | 0:18:30 | |
-Yeah. -Quietude. | 0:18:30 | 0:18:34 | |
A little envious of Morgan's quietude, | 0:18:34 | 0:18:37 | |
I head into the state of Arkansas and a taste of the river | 0:18:37 | 0:18:41 | |
as I pursue my ambitious goal of visiting every state. | 0:18:41 | 0:18:44 | |
Essentially, of course, all the water | 0:18:56 | 0:18:58 | |
of central continental United States drains into this river, doesn't it? | 0:18:58 | 0:19:05 | |
Everything in between Appalachia and the Rockies | 0:19:05 | 0:19:10 | |
and all the way up into the Canadian prairies. | 0:19:10 | 0:19:14 | |
John Ruskey understands the allure of the Mississippi, and runs courses in river craft for urban kids. | 0:19:14 | 0:19:21 | |
It'll sure humble you. | 0:19:22 | 0:19:25 | |
I was born in the Rocky Mountains and I've never been anywhere that I've felt the power of God. | 0:19:25 | 0:19:31 | |
-More than here? -Than here. -Really? | 0:19:31 | 0:19:34 | |
I've climbed fourteeners, I've been the bottom of the Grand Canyon and back up. | 0:19:34 | 0:19:39 | |
Nowhere else. | 0:19:39 | 0:19:40 | |
Hmm, it's interesting and it seems so gentle now. | 0:19:40 | 0:19:44 | |
It's a real Old Man River kind of feel. | 0:19:44 | 0:19:47 | |
It just keeps rolling along. | 0:19:47 | 0:19:50 | |
'John is very much in the tradition of Mark Twin's great literary creation, Huckleberry Finn, | 0:19:58 | 0:20:04 | |
'whose adventures travelling the steamboats | 0:20:04 | 0:20:07 | |
'encapsulates a particularly American sense of restless freedom.' | 0:20:07 | 0:20:11 | |
Huck Finn. What is it about Huck Finn that seems to capture | 0:20:26 | 0:20:30 | |
-the American imagination, almost more than any other book? -Yeah. | 0:20:30 | 0:20:34 | |
We have such a rootless and restless attitude in this country. | 0:20:34 | 0:20:40 | |
-We love looking at the horizon, seeing what's beyond. -Yeah. | 0:20:40 | 0:20:43 | |
There's always something at the end of the rainbow, keep travelling, keep going forward. | 0:20:43 | 0:20:47 | |
Anyone who goes to the edge of the river is always looking downstream wondering where the river goes. | 0:20:47 | 0:20:53 | |
Every time I'm away, I'm always thinking about the Mississippi River. | 0:20:53 | 0:20:57 | |
-Really? -Mm-hm. | 0:20:57 | 0:20:58 | |
-Although it's a place you move along, Mississippi is your home, is it? -Seems like, yeah, yeah. | 0:20:58 | 0:21:04 | |
You can go anywhere on the last thousand miles of the river, the lower Mississippi, | 0:21:04 | 0:21:10 | |
and you feel the same thing, it's these places, big open spaces. | 0:21:10 | 0:21:15 | |
Here we are and... almost nobody passes us. | 0:21:15 | 0:21:20 | |
We've been here, out on the river for some hours now, getting here and eating and preparing food. | 0:21:20 | 0:21:26 | |
-Yeah. -And it's completely peaceful. In some ways, they are frightened of the river. | 0:21:26 | 0:21:31 | |
People are terrified of the river, yeah. And the closer that you live to the river, | 0:21:31 | 0:21:36 | |
the people that live just over the levee there are the ones who are most scared of it. | 0:21:36 | 0:21:40 | |
-But with good reason. -With good reason. | 0:21:40 | 0:21:43 | |
300 miles further upstream, the city of St Louis, Missouri. | 0:21:52 | 0:21:56 | |
It's where the Mississippi River meets the Missouri River | 0:21:56 | 0:22:00 | |
linking over 5,000 miles of river that unite the Rockies, | 0:22:00 | 0:22:03 | |
the Great Lakes and the Appalachian Mountains. | 0:22:03 | 0:22:06 | |
Although I've only driven a few hundred miles north, it's suddenly turned very cold. | 0:22:08 | 0:22:14 | |
I'm driving to an area that was once the transport hub of the country. | 0:22:14 | 0:22:18 | |
'The long abandoned stock yards were also the home for many, many years of my guide William.' | 0:22:18 | 0:22:24 | |
One of the most unimaginable things about being homeless here is just simply the temperature. | 0:22:24 | 0:22:30 | |
-Today, we're minus five or something and it gets a lot colder than that, doesn't it? -Well, yeah, you know. | 0:22:30 | 0:22:35 | |
When I was staying in abandoned buildings, | 0:22:35 | 0:22:38 | |
the inside temperatures were a lot colder than the outside temperature. | 0:22:38 | 0:22:42 | |
It's about 20 degrees colder inside. | 0:22:42 | 0:22:46 | |
-How did you keep warm? -Blankets and a whole lot of clothes. | 0:22:46 | 0:22:50 | |
How many years were you homeless for, William? | 0:22:50 | 0:22:53 | |
-25. -25 years! | 0:22:53 | 0:22:56 | |
Practically half of my life. | 0:22:56 | 0:22:57 | |
In this building, particularly, you had about, | 0:23:07 | 0:23:11 | |
oh, I guess about 25 people living here. | 0:23:11 | 0:23:14 | |
And you had different agencies that would come through here | 0:23:14 | 0:23:18 | |
-and bring you food, bring you the oil for the kerosene heaters. -Right. | 0:23:18 | 0:23:24 | |
You know, you didn't really want for nothing. | 0:23:24 | 0:23:27 | |
-That's why you almost didn't want to leave. -Yeah. | 0:23:27 | 0:23:29 | |
It was just like your own apartment, but you just didn't wanna leave. THEY LAUGH | 0:23:29 | 0:23:34 | |
The River Front Hilton. | 0:23:39 | 0:23:41 | |
The River Front Hilton. That's what we called it. | 0:23:41 | 0:23:44 | |
There was so many people living here, it was just like a hotel. | 0:23:44 | 0:23:47 | |
-A fire, how wonderful. -Yep. | 0:23:55 | 0:23:58 | |
Hi, hello. | 0:23:58 | 0:24:00 | |
-Hello. -Hey. How y'all doing today? -I'm Stephen. | 0:24:00 | 0:24:04 | |
-Harry. -Harry. How do you do? | 0:24:04 | 0:24:05 | |
-How long have you been together? -Three years. | 0:24:05 | 0:24:08 | |
-Wow. And is this where you...? -Three years too long. | 0:24:08 | 0:24:11 | |
LAUGHTER | 0:24:11 | 0:24:13 | |
-You've got a house. -You might say it's a house. | 0:24:13 | 0:24:15 | |
-We've got two bedrooms. -Yeah. -This is where you live at. | 0:24:15 | 0:24:19 | |
This is where you are going to make your home at. | 0:24:19 | 0:24:22 | |
-It must so hard. -No, it's not that bad. | 0:24:22 | 0:24:25 | |
-No? -It's not too bad. -I was thinking I couldn't survive a day here. | 0:24:25 | 0:24:29 | |
-Do you remember the day you hit that dude in his mouth? -Yep. | 0:24:29 | 0:24:32 | |
For calling her a homeless crackhead whore. | 0:24:32 | 0:24:35 | |
I bounced him off the cobblestones and into a dumpster and off my knee | 0:24:35 | 0:24:39 | |
and I said that ain't gonna happen. You don't disrespect anybody. | 0:24:39 | 0:24:43 | |
-That's like my little sister. -Yeah. -He's like my brother-in-law. | 0:24:43 | 0:24:46 | |
We chose to live like this! | 0:24:46 | 0:24:49 | |
So you don't share the American dream if the American dream means | 0:24:50 | 0:24:54 | |
getting your own house and yard and your own mortgage | 0:24:54 | 0:24:57 | |
-and you know, seven TVs and... -Been there and done that. | 0:24:57 | 0:25:01 | |
Panhandlers, hobos and bums are very much part of American history and folklore. | 0:25:01 | 0:25:07 | |
That sense of freedom that the sheer vastness of the country can evoke perhaps makes the American dream | 0:25:07 | 0:25:13 | |
less about 2.4 children and a house in the burbs than the lure of the open road. | 0:25:13 | 0:25:18 | |
We're in Iowa, the great mid-western state which | 0:25:29 | 0:25:32 | |
is the birthplace of John Wayne and James Tiberius Kirk, | 0:25:32 | 0:25:37 | |
Captain of the United States ship Enterprise. | 0:25:37 | 0:25:41 | |
But I've come here to go to a remarkable city which has its own currency | 0:25:41 | 0:25:47 | |
and uses as its constitution, apparently, | 0:25:47 | 0:25:50 | |
the Constitution of the Universe in order to guarantee perfect order. | 0:25:50 | 0:25:55 | |
Intriguing, isn't it? | 0:25:55 | 0:25:57 | |
It's certainly pretty orderly so far. | 0:26:00 | 0:26:04 | |
A lot of harmony about, I notice, and very little negative energy which is highly pleasing | 0:26:04 | 0:26:10 | |
because I hate negative energy, it sets me in a roar. I can't bear it. | 0:26:10 | 0:26:14 | |
I'm very positive at the moment. | 0:26:14 | 0:26:17 | |
I've got this feeling... holistic...natural energy. | 0:26:19 | 0:26:26 | |
It's the only word I can use. | 0:26:26 | 0:26:29 | |
This place is turning me into a babbling merchant of drivel. | 0:26:31 | 0:26:37 | |
Maharishi Vedic City is the world centre for transcendental meditation, | 0:26:44 | 0:26:50 | |
an ancient form of yoga interpreted by the modern Maharishi, who taught The Beatles. | 0:26:50 | 0:26:54 | |
By activating alpha brainwaves, inner harmony is promoted. | 0:27:05 | 0:27:10 | |
The practitioners believe that TM, as it's often called, | 0:27:10 | 0:27:13 | |
is the answer to both one's personal and all the world's problems. Golly. | 0:27:13 | 0:27:19 | |
Hard to tell what's going on behind closed eyes. | 0:27:19 | 0:27:24 | |
Perhaps illumination will be found with Dr Fred Travis, | 0:27:24 | 0:27:28 | |
who's head of the Research Institute here | 0:27:28 | 0:27:30 | |
at the so-called capital of the global country of world peace. | 0:27:30 | 0:27:35 | |
My alpha waves are to be tested. As well as my credulity. | 0:27:37 | 0:27:41 | |
There's my brain. Hey, look at them. Oh, my Lord. | 0:27:50 | 0:27:54 | |
Oh, dear me. There's certainly something very unpleasant. I'll have to calm down. | 0:27:54 | 0:27:59 | |
It just turns into a horrible, horrible mess, doesn't it? | 0:27:59 | 0:28:03 | |
I do apologise. All right. | 0:28:03 | 0:28:05 | |
So this is you doing the task. | 0:28:05 | 0:28:09 | |
-So what we can see here is there's a little bit more alpha activity. -There certainly is. | 0:28:09 | 0:28:14 | |
Big high peak. Alpha is more the relaxed wakefulness. | 0:28:14 | 0:28:18 | |
This seems such a sane and an excellent project | 0:28:18 | 0:28:21 | |
for people in search of enlightenment and happiness, | 0:28:21 | 0:28:24 | |
no-ones going to quibble that that's an important and valid quest. | 0:28:24 | 0:28:29 | |
And then, we bang into this idea of yogic flying and you think, "Oh, hello, what's going on here?" | 0:28:29 | 0:28:35 | |
People hopping about in bedrooms. | 0:28:35 | 0:28:38 | |
Looking as if they might be rising off the ground but not really. | 0:28:38 | 0:28:42 | |
Claims which may attract some people, but will turn others like me completely off. | 0:28:42 | 0:28:47 | |
The reason for yogic flying isn't to hop around. | 0:28:47 | 0:28:50 | |
It's not the way to go to the grocery store, you know? | 0:28:50 | 0:28:54 | |
-Yes. -If you go to a very fundamental level of the mind, you can ultimately move the body. | 0:28:54 | 0:28:59 | |
So if you look at what's happening in people's brains during yogic flying, | 0:28:59 | 0:29:03 | |
just before they take off, there is a huge change. | 0:29:03 | 0:29:06 | |
Do you know what motivated the Maharishi to come to Iowa? | 0:29:06 | 0:29:09 | |
Er, the college was for sale. | 0:29:11 | 0:29:13 | |
I'm not sure what I think of this, but I do know that Americans seem to be more open than most | 0:29:13 | 0:29:19 | |
to anything that might bring about self-improvement and there is something wonderful | 0:29:19 | 0:29:24 | |
about the incongruity of yogic flying over the wintry Iowan cornfields. | 0:29:24 | 0:29:30 | |
But I have no time and even less inclination to try it out. | 0:29:30 | 0:29:34 | |
To the North East lies Chicago, but first, I must make a detour | 0:29:38 | 0:29:42 | |
through Indiana and Ohio, to Michigan. | 0:29:42 | 0:29:45 | |
What to do in Indiana? | 0:29:47 | 0:29:49 | |
Well, I've always wanted to ride | 0:29:49 | 0:29:51 | |
in one of these classic big red fire trucks, and in Elkhart, Indiana, | 0:29:51 | 0:29:55 | |
I fulfil that dream, riding up front with fire chief Mike Compton. | 0:29:55 | 0:30:00 | |
I'm going to get a taste of what the choking reality is. | 0:30:00 | 0:30:04 | |
It's a hard job to get these days. We had 240 applicants for eight jobs. | 0:30:04 | 0:30:10 | |
I know when I got hired I got a three-day training in the basics. | 0:30:10 | 0:30:13 | |
I was told, "Follow that guy with the grey hair, keep your mouth shut and do as you're told." | 0:30:13 | 0:30:17 | |
-I spoke to a fireman once and he said, "Oh, yeah, we all love a good blaze." -And we do. | 0:30:22 | 0:30:28 | |
-Yeah. -It's kinda funny that if you take an engineer, | 0:30:28 | 0:30:32 | |
he wants to prevent a building from collapsing. | 0:30:32 | 0:30:36 | |
You take a fireman, he doesn't always want to prevent a fire, he wants to have a fire. | 0:30:36 | 0:30:41 | |
And that's why you need to weed out the psychologically weird ones who are just a bit too fond of a fire. | 0:30:45 | 0:30:51 | |
I can't see anything. | 0:31:01 | 0:31:04 | |
To be a fireman in the States is to be an authentic American hero, | 0:31:07 | 0:31:12 | |
untainted by corruption, politics and ambition. | 0:31:12 | 0:31:15 | |
After 9/ll, the job became even more glorified and even more desirable. | 0:31:15 | 0:31:21 | |
Oh, my, | 0:31:27 | 0:31:29 | |
oh, my, that's awful. | 0:31:29 | 0:31:31 | |
That's just hell. | 0:31:31 | 0:31:33 | |
There's nothing to describe it. You can't see, you can't orientate yourself in any direction. | 0:31:33 | 0:31:37 | |
I do not understand how anybody would voluntarily go into a building like that because | 0:31:37 | 0:31:42 | |
now that I've experienced it, I never want to go anywhere near anything like it again. | 0:31:42 | 0:31:47 | |
Oh, the stench. | 0:31:49 | 0:31:52 | |
The nearly rolling farmland of Ohio. | 0:32:00 | 0:32:03 | |
A lot of states have had songs written about them, Georgia, Texas, California. | 0:32:03 | 0:32:08 | |
They're usually rather romantic and optimistic. | 0:32:08 | 0:32:11 | |
There's a great song written about Ohio. | 0:32:11 | 0:32:13 | |
It's very melancholy and it memorialises... | 0:32:13 | 0:32:16 | |
a sort of turning point in American history, really, when the '60s dream went bad. | 0:32:18 | 0:32:23 | |
Some students at a University in this state, | 0:32:23 | 0:32:25 | |
the town of Kent, part of the State University known as Kent State, | 0:32:25 | 0:32:30 | |
were demonstrating against the Vietnam War, the invasion of Cambodia, | 0:32:30 | 0:32:34 | |
and in came the National Guard, a kind of soldiery of the American Army, | 0:32:34 | 0:32:41 | |
and they shot 13 of them. | 0:32:41 | 0:32:44 | |
Nine were very seriously injured, four killed. | 0:32:44 | 0:32:46 | |
Young students demonstrating on a campus in a university, | 0:32:46 | 0:32:51 | |
shot dead by soldiers of their own country, | 0:32:51 | 0:32:55 | |
and it happened in this innocent-looking farm state. | 0:32:55 | 0:32:59 | |
The great Neil Young wrote a wonderful song about it. | 0:33:02 | 0:33:07 | |
# Gotta get down to it Soldiers are cutting us down | 0:33:10 | 0:33:15 | |
# Should have been done long ago | 0:33:15 | 0:33:20 | |
# What if you knew her And found her dead on the ground | 0:33:20 | 0:33:27 | |
# How can you run when you know? # | 0:33:27 | 0:33:31 | |
We've seen over half the States of America so far. | 0:33:53 | 0:33:58 | |
We've seen mountains and hills and rivers and beautiful cities. | 0:34:03 | 0:34:08 | |
We're here in Detroit, Michigan, | 0:34:08 | 0:34:12 | |
a motor town, Motown, where evidence is all around us | 0:34:12 | 0:34:16 | |
of the industry that changed the world. | 0:34:16 | 0:34:18 | |
Water from the Great Lakes, iron ore from the plains, | 0:34:22 | 0:34:26 | |
coal from the Appalachians and workers from the south and east made Detroit | 0:34:26 | 0:34:31 | |
the industrial furnace of America. | 0:34:31 | 0:34:33 | |
Henry Ford, who started his business here in Dearborn, on the outskirts of Detroit, | 0:34:42 | 0:34:47 | |
could be said to have invented modern America and defined millions of people's lives. | 0:34:47 | 0:34:52 | |
His famous dictum that history is more or less bunk is somewhat at odds with the village | 0:34:52 | 0:34:56 | |
he created next to his factory, | 0:34:56 | 0:34:59 | |
a village full of history pillaged from every corner of the planet. | 0:34:59 | 0:35:03 | |
But people are ever-complicated and contradictory, | 0:35:03 | 0:35:06 | |
which the best machines are not. | 0:35:06 | 0:35:09 | |
The Model T he built here on the first ever mass-production line | 0:35:09 | 0:35:12 | |
is still considered the most successful car ever made. | 0:35:12 | 0:35:16 | |
Simple, effective, elegant, cheap enough to be bought by Ford's own workers - | 0:35:16 | 0:35:21 | |
the Tin Lizzie quite simply transformed the world. | 0:35:21 | 0:35:24 | |
But Ford was not alone in the car business here, and Detroit is home | 0:35:26 | 0:35:31 | |
to the largest car company of all, and Ford's bitterest rival - | 0:35:31 | 0:35:36 | |
General Motors, makers of the Chevrolet, Pontiac, Buick and Cadillac brands. | 0:35:36 | 0:35:41 | |
In the stylish tech centre, built by that modernist master Aero Saarinen, | 0:35:44 | 0:35:49 | |
I meet up with John Manoogian, designer for the latest incarnation of the Cadillac. | 0:35:49 | 0:35:53 | |
When I first saw the 1963 Corvette Stingray, I rode my bicycle | 0:35:59 | 0:36:05 | |
into town that day to the Chevrolet dealer and they had a silver Stingray | 0:36:05 | 0:36:10 | |
sitting right in the showroom. | 0:36:10 | 0:36:12 | |
I said, "That's it. I have to be where they designed that car." | 0:36:12 | 0:36:15 | |
-You really wanted this job, didn't you? -I could taste it. | 0:36:15 | 0:36:18 | |
My father worked for 50 years at the Ford Motor Company. | 0:36:21 | 0:36:25 | |
When it came time for me to quit my job at Ford and come | 0:36:25 | 0:36:28 | |
to General Motors, he was absolutely flabbergasted. | 0:36:28 | 0:36:31 | |
He said, "Why would you ever want to do that?" | 0:36:31 | 0:36:34 | |
So it's a bit like someone from a very strict Catholic family bringing home a Protestant girl. | 0:36:34 | 0:36:38 | |
Actually in some ways, it was probably worse than that. | 0:36:38 | 0:36:41 | |
Now, you've designed a Cadillac...? | 0:36:43 | 0:36:46 | |
-Yes. -Did you ever dream that... -My life is complete. | 0:36:46 | 0:36:49 | |
If you were to gaze into your crystal ball, | 0:36:54 | 0:36:57 | |
what would you see motoring being like in another 20 years, say? | 0:36:57 | 0:37:02 | |
I would expect to see smaller cars, probably different power plants. | 0:37:02 | 0:37:08 | |
This country being the way it is, laid out as big as it is, | 0:37:08 | 0:37:13 | |
there's going to be a large segment of the population that says, "I have to have a car." | 0:37:13 | 0:37:18 | |
America needs cars - for the foreseeable future, there's no alternative. | 0:37:21 | 0:37:25 | |
Hell, I'm using one because it's the only way to see the country, | 0:37:25 | 0:37:29 | |
save those moments when I can get a bird's eye view. And what a view. | 0:37:29 | 0:37:35 | |
Chicago, Illinois. The Windy City, second city to New York. | 0:37:35 | 0:37:39 | |
A hard-working, wealthy metropolis, | 0:37:39 | 0:37:41 | |
built on the shores of Lake Michigan and a magnificent hymn to modernism. | 0:37:41 | 0:37:46 | |
Chicago is also home to its very own style of the blues. | 0:38:01 | 0:38:04 | |
And Buddy Guy is their God. | 0:38:11 | 0:38:13 | |
# I'm just tryin' to ease... My weary mind... # | 0:38:13 | 0:38:20 | |
From Jimi Hendrix to the Stones, to Eric Clapton, they've all worshipped at the frets of his guitar. | 0:38:20 | 0:38:24 | |
# If you see me get kind of drunk | 0:38:26 | 0:38:28 | |
# Plee-ea-ase don't pay me no mind... # | 0:38:33 | 0:38:38 | |
But the blues are a dying art form. | 0:38:43 | 0:38:46 | |
Buddy Guy takes me down memory lane, | 0:38:46 | 0:38:49 | |
to the once-thriving working-class south side of the city. | 0:38:49 | 0:38:53 | |
This is the place, the most famous blues club on the south side of Chicago. | 0:38:53 | 0:39:00 | |
At this vacant lot here, another one called | 0:39:00 | 0:39:03 | |
The Juke Box Lounge, that's where I stole my first guitar from, right here. | 0:39:03 | 0:39:07 | |
-Really? -Yeah. -Good God, and it's now just wasteland? -Just wasteland. | 0:39:07 | 0:39:10 | |
With ice on it. | 0:39:10 | 0:39:11 | |
So I used to live around the corner. | 0:39:13 | 0:39:16 | |
I'd leave home to go to Pepper's Lounge but I never made it because every time I would pass a joint | 0:39:16 | 0:39:22 | |
like that I could hear the music playing and I said, "Wow, this sounds so good, | 0:39:22 | 0:39:26 | |
"I've got to go see who this is." | 0:39:26 | 0:39:28 | |
When I walk up on this side of the street, the same thing. | 0:39:28 | 0:39:30 | |
That side, this side. They had blues clubs, I mean everywhere. | 0:39:30 | 0:39:34 | |
I don't normally come down this way no more cos I hate that flashback. | 0:39:38 | 0:39:42 | |
Yeah, it upsets you? | 0:39:42 | 0:39:44 | |
Oh, yeah, you know, sometimes you feel like crying because what happened? | 0:39:44 | 0:39:49 | |
Because people were having so much fun, I mean 24/7. | 0:39:49 | 0:39:53 | |
It saddens me because those days are never coming back. | 0:39:56 | 0:39:59 | |
Some people laugh at the blues, say it's always about being miserable. | 0:40:02 | 0:40:06 | |
What do you think they're about? | 0:40:06 | 0:40:08 | |
When you hear BB King singing, "I've got a sweet little angel, | 0:40:08 | 0:40:11 | |
"I love the way she spreads her wings", that is not miserable. | 0:40:11 | 0:40:15 | |
Entertainment has always been a big part of this city | 0:40:17 | 0:40:21 | |
and while the blues clubs may have passed away, | 0:40:21 | 0:40:23 | |
one institution that has gone from strength to strength, is comedy theatre Second City. | 0:40:23 | 0:40:28 | |
Comedy improvisation could be said to have come of age at this institution. | 0:40:30 | 0:40:34 | |
For half a century some of the greatest and most famous comedians in the world | 0:40:34 | 0:40:38 | |
have started their careers here. | 0:40:38 | 0:40:41 | |
Er... | 0:40:41 | 0:40:42 | |
Your girlfriend's in there right now. | 0:40:45 | 0:40:47 | |
-Oh, great, I haven't seen her in a while. -Whoa, whoa. | 0:40:47 | 0:40:50 | |
Erm, er... How can I tell this? | 0:40:50 | 0:40:52 | |
She's, er... | 0:40:54 | 0:40:57 | |
Er, lost her clothes. | 0:40:57 | 0:40:59 | |
Woah. | 0:40:59 | 0:41:01 | |
-Maybe I should wait out here for five minutes. -Whoa. | 0:41:01 | 0:41:04 | |
All right two minutes. | 0:41:04 | 0:41:05 | |
'Oh, dear. What I was most dreading. My turn.' | 0:41:10 | 0:41:14 | |
Will you be offended if I said that you seem to be | 0:41:14 | 0:41:17 | |
in every way the visible personification of absolute perfection? | 0:41:17 | 0:41:20 | |
Oh, that makes my boy and girl parts go a little twangy. | 0:41:21 | 0:41:27 | |
You are radiantly lovely. | 0:41:27 | 0:41:29 | |
You do know that, don't you? | 0:41:29 | 0:41:31 | |
What is the sexiest word that comes to you brain right now when you look into my eyes? | 0:41:33 | 0:41:39 | |
Erm, strabismus. | 0:41:39 | 0:41:41 | |
'The Wiener Circle is an institution amongst Chicago's acting fraternity. | 0:41:43 | 0:41:48 | |
'Having recovered from the trauma of last night, I am to be initiated.' | 0:41:48 | 0:41:53 | |
Yeah, I'll have a big wiener. | 0:41:53 | 0:41:56 | |
-Yes. -Three big wieners. | 0:41:56 | 0:41:59 | |
No, definitely no hot pepper, I'm completely homosexual when it comes to hot peppers. | 0:41:59 | 0:42:05 | |
Authentic Chicago experience. | 0:42:05 | 0:42:07 | |
Improvise your way out of that. | 0:42:07 | 0:42:11 | |
Ah. | 0:42:11 | 0:42:13 | |
Mmm. | 0:42:13 | 0:42:16 | |
It is... | 0:42:17 | 0:42:19 | |
surprisingly delicious. | 0:42:19 | 0:42:21 | |
Now listen. Second City. | 0:42:22 | 0:42:24 | |
The end of the rainbow for you if you had comedy ambitions? | 0:42:24 | 0:42:27 | |
-The first time I saw the show I wanted to on the stage so bad. -Really? -Yeah. | 0:42:27 | 0:42:31 | |
You get hired and you go inside and they show you there's a tape closet | 0:42:31 | 0:42:35 | |
-with the tapes of all the shows that they've ever done and the scripts from all those shows. -It's amazing. | 0:42:35 | 0:42:40 | |
And they open it up and you look at the cast list and you're looking at | 0:42:40 | 0:42:44 | |
Bill Murray, Dan Ackroyd, Gilda Radner in one show, you know. | 0:42:44 | 0:42:48 | |
Dan Castellaneta, used to work here, Homer Simpson. | 0:42:48 | 0:42:51 | |
-Homer Simpson? -The legendary Homer Simpson. | 0:42:51 | 0:42:53 | |
If from the vantage point of my elderly position of a 50-year-old, | 0:42:53 | 0:42:59 | |
if I can offer any advice it is never too late. | 0:42:59 | 0:43:01 | |
-The idea that the door closes and roped off, I'm already 30, nothing's happened. -Right. | 0:43:01 | 0:43:07 | |
It's complete nonsense. Actually, almost the reverse is true. | 0:43:07 | 0:43:11 | |
-Yeah, yeah. -A lot of stars, George Clooney, | 0:43:11 | 0:43:13 | |
that guy Hugh, the one in House, whatever his name is. | 0:43:13 | 0:43:17 | |
Yeah. He's terrible, right? | 0:43:17 | 0:43:19 | |
He had to wait until his late forties before... | 0:43:19 | 0:43:22 | |
Why do you think it grew up here in Chicago? | 0:43:22 | 0:43:24 | |
Is there something about this place? | 0:43:24 | 0:43:26 | |
The city just happened to be hungry for it. | 0:43:26 | 0:43:29 | |
It's called the Windy City because in the 19th century | 0:43:29 | 0:43:32 | |
they said that the politicians in Chicago were full of hot air. | 0:43:32 | 0:43:36 | |
-Oh, it's windy in that sense? -Yeah. -The windy person is... | 0:43:36 | 0:43:39 | |
-Like blowhards. -Windbags, yeah. Blowhards as you call them. Exactly. | 0:43:39 | 0:43:43 | |
They also had the reputation of being the second city. | 0:43:43 | 0:43:46 | |
They were second to New York, all the time. | 0:43:46 | 0:43:48 | |
It's always had that chip on its shoulder | 0:43:48 | 0:43:50 | |
but since it's such a working class town it doesn't mind having a chip. | 0:43:50 | 0:43:54 | |
It's always working, it never rests. | 0:43:54 | 0:43:56 | |
There's yet another sector of the entertainment industry in Chicago | 0:44:01 | 0:44:05 | |
but in a different, how shall I put it, mould. | 0:44:05 | 0:44:08 | |
Oh, my Lord! | 0:44:24 | 0:44:26 | |
That's incredible. | 0:44:28 | 0:44:29 | |
-It's real copper. -Real copper. It's so beautiful. | 0:44:29 | 0:44:32 | |
OK? | 0:44:32 | 0:44:33 | |
Oh, here's the big one. | 0:44:33 | 0:44:34 | |
-The big one. -Gold. | 0:44:34 | 0:44:38 | |
-Oh. -OK? -Yeah. | 0:44:38 | 0:44:40 | |
Oh! | 0:44:43 | 0:44:44 | |
Gold, Mr Bond. | 0:44:44 | 0:44:46 | |
I love its softness, I love its beauty, | 0:44:47 | 0:44:49 | |
I love its colour, but most of all I love its value. | 0:44:49 | 0:44:52 | |
It's the real thing, it's an Oscar. | 0:44:56 | 0:44:58 | |
Well, I never did get my Oscar but I got this instead. | 0:45:19 | 0:45:23 | |
One of the greatest sights on the planet. | 0:45:23 | 0:45:26 | |
The Sears Tower for a long time could proudly call itself the tallest building in the world, | 0:45:30 | 0:45:35 | |
but the economic shifts of the last decades have moved that dubious accolade to the Far East | 0:45:35 | 0:45:40 | |
but who's counting when you have this? | 0:45:40 | 0:45:43 | |
Leaving Illinois on my way to Minnesota, | 0:46:05 | 0:46:08 | |
I head into State number 30, Wisconsin. | 0:46:08 | 0:46:11 | |
So, here we are in Wisconsin. | 0:46:11 | 0:46:17 | |
I think I ought to tell you, | 0:46:17 | 0:46:19 | |
which you may not be able to tell yourselves, | 0:46:19 | 0:46:22 | |
is that it really is very cold. | 0:46:22 | 0:46:24 | |
It's exceptionally cold. | 0:46:24 | 0:46:27 | |
A few hours ago it was -25 degrees Centigrade, | 0:46:27 | 0:46:31 | |
which is jolly cold in anybody's currency and I have proof of it | 0:46:31 | 0:46:36 | |
because I have a bottle of water which I had last night, | 0:46:36 | 0:46:38 | |
left in the cab and as you may be able to see, that is one solid, | 0:46:38 | 0:46:44 | |
completely frozen bottle of water. | 0:46:47 | 0:46:50 | |
It's very pretty though. | 0:46:52 | 0:46:54 | |
It's very Scandinavian around here. | 0:46:56 | 0:46:58 | |
Svenson Motors and things. | 0:47:00 | 0:47:02 | |
Uff da Mart, | 0:47:02 | 0:47:04 | |
Sorenson's Auto Sales. | 0:47:04 | 0:47:07 | |
For most Americans Wisconsin means cheese, | 0:47:13 | 0:47:18 | |
most of it disgustingly bland and fit only for melting over burgers. | 0:47:18 | 0:47:22 | |
But Brenda Jensen is a rarity. | 0:47:22 | 0:47:23 | |
She makes organic ewe's milk cheese. | 0:47:23 | 0:47:26 | |
She has 150 sheep herself, | 0:47:26 | 0:47:28 | |
but she still needs more milk as her successful business expands. | 0:47:28 | 0:47:32 | |
Brenda's desire for unadulterated milk leads her to equally unadulterated Amish neighbours. | 0:47:35 | 0:47:41 | |
The Amish are a Christian Sect who don't believe in mechanical devices, | 0:47:43 | 0:47:47 | |
so don't use cars, tractors, phones or shavers. | 0:47:47 | 0:47:50 | |
They also don't like being filmed but take it from me, | 0:47:50 | 0:47:53 | |
they're very friendly, sweet and not in the least solemn or disapproving. | 0:47:53 | 0:47:57 | |
Come on girls, come on, come on. | 0:48:02 | 0:48:05 | |
Yeah. | 0:48:05 | 0:48:07 | |
Here they go. | 0:48:07 | 0:48:08 | |
-They're very keen to be milked, aren't they? -Oh, yes. | 0:48:09 | 0:48:11 | |
-We've got all these udders presenting to us. -We do. Yes, yes. | 0:48:14 | 0:48:18 | |
OK darling, I'm going to have a go. | 0:48:18 | 0:48:20 | |
Excuse me. Oh, Lord. | 0:48:20 | 0:48:22 | |
Hang on. | 0:48:22 | 0:48:24 | |
You've got... | 0:48:25 | 0:48:26 | |
Come on, look. Ow. | 0:48:26 | 0:48:27 | |
Oops, that's one. | 0:48:27 | 0:48:30 | |
Where's the other one? Oh. Get up. | 0:48:30 | 0:48:32 | |
-Bloody hell. There it goes. -Push it right up. | 0:48:32 | 0:48:35 | |
There it goes. There's the milk. | 0:48:35 | 0:48:38 | |
Oh my, and that flows up into one of these pipes. | 0:48:38 | 0:48:41 | |
They certainly like to present their lady parts, don't they? | 0:48:41 | 0:48:45 | |
-They do. -There's no mistaking. Obviously attractive to a ram. | 0:48:45 | 0:48:49 | |
So many things going on there. | 0:48:51 | 0:48:54 | |
Folds and puckers and oozings. | 0:48:54 | 0:48:59 | |
-Oh, what's going on? -They've recently had babies, you know. | 0:49:00 | 0:49:04 | |
So they're a little stretched at the moment, darlings, aren't you? | 0:49:04 | 0:49:08 | |
A little slack. | 0:49:10 | 0:49:11 | |
Take your finger. | 0:49:14 | 0:49:15 | |
-Oh, my goodness. -And... -Ooh. | 0:49:15 | 0:49:17 | |
Yeah, just take a break like that. | 0:49:17 | 0:49:19 | |
-Like a milk jelly. -You can tell this is ready. | 0:49:19 | 0:49:22 | |
Wisconsin. Is it thought of as very much a capital of good dairy farming? | 0:49:22 | 0:49:29 | |
Oh, yes, very much so. Wisconsin is cheese. | 0:49:29 | 0:49:32 | |
I have to say, without wishing to be offensive about America, | 0:49:32 | 0:49:36 | |
but one of the most notable things about America | 0:49:36 | 0:49:39 | |
is that cheese, generally, is appalling. | 0:49:39 | 0:49:42 | |
-Mmm. -It's shocking. You go to even quite a good restaurant and... | 0:49:42 | 0:49:46 | |
-Oh, sure. -They don't serve it, | 0:49:46 | 0:49:48 | |
and the cheese they melt and put on things is just... | 0:49:48 | 0:49:52 | |
-It's orange and some of it comes out of a can. -Yeah. | 0:49:52 | 0:49:56 | |
-And spray-on cheese, it exists, doesn't it? -Yeah. | 0:49:56 | 0:49:59 | |
So is this like a new movement in America? | 0:49:59 | 0:50:02 | |
It is, it really is. | 0:50:02 | 0:50:04 | |
Artisanal farmstead, natural. | 0:50:04 | 0:50:06 | |
Artisanal, that's a good word. | 0:50:06 | 0:50:08 | |
It is, and very handcrafted. | 0:50:08 | 0:50:11 | |
By mid-Western standards, my next destination, | 0:50:13 | 0:50:16 | |
the twin city conurbation of Minneapolis St Paul, | 0:50:16 | 0:50:20 | |
is bang next door, being only a couple of hours drive away. | 0:50:20 | 0:50:24 | |
The Mississippi. There she is again look, almost frozen solid. | 0:50:24 | 0:50:29 | |
We've hardly left her for 2,500 miles since we met at the mouth | 0:50:29 | 0:50:34 | |
in Louisiana and now ten states later, | 0:50:34 | 0:50:38 | |
we've traced her almost to her source further upstate in Minnesota. | 0:50:38 | 0:50:42 | |
It's even colder up here than it was in Wisconsin, | 0:50:42 | 0:50:45 | |
so there's barely a soul on the streets. | 0:50:45 | 0:50:48 | |
In fact, almost no-one ever braves the air in wintertime | 0:50:48 | 0:50:51 | |
and to get from building to building they have covered catwalks between the buildings called skyways. | 0:50:51 | 0:50:57 | |
It's those practical Scandiwegians again. | 0:50:57 | 0:51:00 | |
PEOPLE SPEAK ASIAN LANGUAGE | 0:51:00 | 0:51:02 | |
But hark, that's not Swedish I hear, | 0:51:02 | 0:51:05 | |
it's Hmong, | 0:51:07 | 0:51:09 | |
and how odd to be among the Hmong so far from their ancestral homelands, | 0:51:09 | 0:51:14 | |
which were in the opium-growing hills of Laos and Vietnam. | 0:51:14 | 0:51:17 | |
These are the latest and probably most incongruous | 0:51:17 | 0:51:21 | |
in a long line of immigrants to Minnesota. | 0:51:21 | 0:51:23 | |
The Hmong fought alongside America during the Vietnam War | 0:51:24 | 0:51:27 | |
and after that war was lost, most of the Hmong refugees who fled to the US | 0:51:27 | 0:51:32 | |
were re-settled here in Minneapolis. | 0:51:32 | 0:51:34 | |
Today they number some 40,000 and are the largest Hmong community | 0:51:34 | 0:51:38 | |
outside South East Asia with their own State Senator, Mrs Mee Moua. | 0:51:38 | 0:51:43 | |
We came from a village life where people are out and about | 0:51:43 | 0:51:48 | |
and teeming and people walking the streets and you're always bumping into people. | 0:51:48 | 0:51:53 | |
To come into this environment, in the middle of January, | 0:51:53 | 0:51:56 | |
where you don't see human beings for months and months and months, | 0:51:56 | 0:52:00 | |
and the only people you see are your family. | 0:52:00 | 0:52:02 | |
You look outside and don't see anybody. It's like a ghost town. | 0:52:02 | 0:52:05 | |
Soon after the Hmong were moved here, | 0:52:05 | 0:52:08 | |
there was an unusually high number of deaths among their menfolk. | 0:52:08 | 0:52:12 | |
Senator Mee explains. | 0:52:12 | 0:52:14 | |
Many, many Hmong men would go to sleep and just die in their sleep. | 0:52:14 | 0:52:19 | |
They just switched themselves off, almost? They stopped wanting to live? | 0:52:19 | 0:52:23 | |
-It's a kind of suicide. -Yeah, the light just went out | 0:52:23 | 0:52:27 | |
and the irony is that I have talked to men who have come back. | 0:52:27 | 0:52:33 | |
They would dream that they had wings | 0:52:36 | 0:52:39 | |
and that they were flying, you know, across the oceans. | 0:52:39 | 0:52:43 | |
And they would see the fields and the mountains of Laos. | 0:52:45 | 0:52:49 | |
You know, to go back to the land of their ancestors. | 0:52:50 | 0:52:53 | |
So these people who woke up, | 0:52:56 | 0:52:59 | |
woke up because their wives heard them kind of struggling, | 0:52:59 | 0:53:05 | |
otherwise he was already in Laos. | 0:53:05 | 0:53:08 | |
We started to have Hmong grocery stores, | 0:53:11 | 0:53:14 | |
we had Hmong loan offices and bankers at the local banks. | 0:53:14 | 0:53:19 | |
We had enough people who were versatile in English to be at the law offices and at hospitals. | 0:53:19 | 0:53:24 | |
That has really helped to minimise their sense of helplessness. | 0:53:24 | 0:53:29 | |
So we could have a sense of community. | 0:53:29 | 0:53:31 | |
Leaving the now happier Hmong to their adopted homeland, | 0:53:31 | 0:53:35 | |
I join up with Tim Lesmeister | 0:53:35 | 0:53:37 | |
for a spot of more traditional Minnesotan activity. | 0:53:37 | 0:53:40 | |
Wow. That was fun. | 0:53:48 | 0:53:51 | |
That was a good ride. | 0:53:53 | 0:53:55 | |
Whoa. | 0:53:55 | 0:53:58 | |
Quite icy on the ice! | 0:53:58 | 0:54:00 | |
Right here where we're standing | 0:54:00 | 0:54:02 | |
there's literally thousands of fish below us, ready to be caught. | 0:54:02 | 0:54:06 | |
Wahey! | 0:54:16 | 0:54:17 | |
How thick is that sheet of ice, do you think? | 0:54:17 | 0:54:20 | |
-It's 24 or 26 inches right in there. -Over two foot. | 0:54:20 | 0:54:24 | |
I usually bring nothing but bad luck to these kinds of enterprise, | 0:54:24 | 0:54:27 | |
but let's see if we can catch something. | 0:54:27 | 0:54:29 | |
You're putting a television camera down there? | 0:54:31 | 0:54:34 | |
I'm putting a camera down here, yes. | 0:54:34 | 0:54:36 | |
And we'll set it up so we can actually watch our lure, | 0:54:36 | 0:54:39 | |
and we'll watch the fish actually swim up. | 0:54:39 | 0:54:42 | |
There's two of them now. | 0:54:45 | 0:54:47 | |
Oh, it's a nice fish too. | 0:54:47 | 0:54:48 | |
OK, come on. OK, here he comes, here he comes. | 0:54:48 | 0:54:51 | |
I think he's going to take it. He's really on top of this one. | 0:54:51 | 0:54:54 | |
-Oh, he swam away. -Oh, no. | 0:54:56 | 0:54:58 | |
I'm not ringing the dinner bell for them yet. | 0:54:58 | 0:55:01 | |
So what made Tim and his ancestors settle in this icy land? | 0:55:01 | 0:55:06 | |
The Scandinavians actually came over here looking for a new life, | 0:55:06 | 0:55:12 | |
but when they got to Minnesota, they said, "This is just like home, let's stay here." | 0:55:12 | 0:55:18 | |
And the people in Minnesota tend to be a little quirky. | 0:55:18 | 0:55:21 | |
I suppose you have to be if you're going to be crazy enough to live this far north. | 0:55:21 | 0:55:26 | |
Come on, fishy. | 0:55:27 | 0:55:29 | |
These fish are really negative. | 0:55:29 | 0:55:31 | |
They're toying with us, they know that we want one so bad. If we didn't want a fish... | 0:55:31 | 0:55:36 | |
-Yeah, let's not want one. -If we didn't want a fish, we would catch a fish. | 0:55:36 | 0:55:39 | |
Actually it would be rather a bore if they bit. | 0:55:39 | 0:55:43 | |
I'd have to turn the reel and bring them up | 0:55:43 | 0:55:45 | |
so I'd much rather you just go away please, bother someone else. | 0:55:45 | 0:55:49 | |
-That's right. -See how this reverse psychology works. | 0:55:49 | 0:55:52 | |
Ooh, big bass, big bass. | 0:55:52 | 0:55:55 | |
-Bass. -Big bass, big bass. | 0:55:55 | 0:55:57 | |
Ooh, that would be good. | 0:55:57 | 0:55:59 | |
Big bass. Come on, come on. | 0:55:59 | 0:56:01 | |
Oh, get in there. | 0:56:03 | 0:56:05 | |
-Hurray. -It's a sunfish. Hey, that's a nice one. | 0:56:05 | 0:56:08 | |
-What is he? -That is a sunfish. | 0:56:08 | 0:56:10 | |
-He's beautiful. -Yeah, he's a beautiful fish. | 0:56:10 | 0:56:13 | |
Cold. He's ready frozen, virtually. | 0:56:13 | 0:56:15 | |
-Probably the biggest fish ever caught here, would you say? -No. | 0:56:15 | 0:56:18 | |
-Come on, yes it is. -No. | 0:56:18 | 0:56:19 | |
Oops, oh, dear. | 0:56:19 | 0:56:22 | |
-It's the first fish I've caught since I was about ten years old. -This is? | 0:56:22 | 0:56:26 | |
I don't want you to think I'm scared of this fish. | 0:56:28 | 0:56:31 | |
Oh, this is a nice one. | 0:56:32 | 0:56:35 | |
-This is a serious fish. -That's bending. | 0:56:35 | 0:56:38 | |
This is really bending the rod. | 0:56:38 | 0:56:40 | |
Ooh, yeah, it's a biggie. | 0:56:40 | 0:56:42 | |
He's up to the hole, he's up, he's up. | 0:56:44 | 0:56:46 | |
Oh, I say! | 0:56:46 | 0:56:48 | |
Bravo! | 0:56:48 | 0:56:50 | |
-That's a pike, isn't it? -That is a pike. | 0:56:50 | 0:56:53 | |
Yeah. He's absolutely beautiful. | 0:56:53 | 0:56:56 | |
That is a beautiful fish. | 0:56:56 | 0:56:58 | |
I would go so far as to say that is bigger than the fish I just caught. | 0:56:58 | 0:57:02 | |
I think it is. I genuinely think that's bigger than my fish. | 0:57:02 | 0:57:05 | |
I'm guessing it was pretty close, pretty close. | 0:57:05 | 0:57:08 | |
Actually mine goes from there to there, yours goes... | 0:57:08 | 0:57:12 | |
Yeah, yours is just bigger, well done. | 0:57:12 | 0:57:14 | |
-That's a nice big fish, there it goes. -Off she goes. Wonderful. | 0:57:15 | 0:57:19 | |
I like to see them put back. | 0:57:19 | 0:57:21 | |
That is really good. | 0:57:21 | 0:57:23 | |
These are the spoils. | 0:57:23 | 0:57:25 | |
-Pitting our wits against the mighty sunfish. -This is brilliant. | 0:57:25 | 0:57:29 | |
It's been quite a journey from the Gulf of Mexico and New Orleans, | 0:57:31 | 0:57:34 | |
where the River Mississippi empties itself | 0:57:34 | 0:57:37 | |
in warm, steamy, torrid Louisiana, | 0:57:37 | 0:57:40 | |
right here to fresh, chilly Minnesota, | 0:57:40 | 0:57:42 | |
which is the state where the Mississippi begins. | 0:57:42 | 0:57:46 | |
We've followed music and food. | 0:57:46 | 0:57:49 | |
CRACKING NOISES | 0:57:49 | 0:57:52 | |
That's...slightly worrying. | 0:57:52 | 0:57:55 | |
-That's just ice cracking. -Oh, that's all right, | 0:57:55 | 0:57:58 | |
I thought it was a leaf rustling. If it's only ice cracking... Get out of here!! | 0:57:58 | 0:58:02 | |
And so we did. | 0:58:03 | 0:58:05 | |
Next week, I shall be travelling | 0:58:05 | 0:58:07 | |
from the glaciers of Montana on the Canadian border, | 0:58:07 | 0:58:09 | |
right down through the High Prairies and Rocky Mountains, | 0:58:09 | 0:58:13 | |
to the arid deserts of Texas on the border with Mexico. | 0:58:13 | 0:58:16 | |
Subtitles by Red Bee Media | 0:58:37 | 0:58:39 | |
E-mail [email protected] | 0:58:39 | 0:58:41 |