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This is not the South, this is not the Midwest. This is the True West. | 0:00:48 | 0:00:53 | |
The West of cowboys and of westerns. | 0:00:53 | 0:00:55 | |
A landscape that America shares with nowhere else on Earth. | 0:00:55 | 0:00:59 | |
'This is the Rio Grande rift, a tear in the Earth's crust, | 0:01:11 | 0:01:15 | |
'through which the Rio Grande flows south towards Mexico.' | 0:01:15 | 0:01:19 | |
The river has an iconic place in the American imagination. | 0:01:19 | 0:01:22 | |
It marks much of the southern border, | 0:01:22 | 0:01:25 | |
but also the beginning of a new frontier, west of the Rockies. | 0:01:25 | 0:01:29 | |
A frontier that rolled ever westward | 0:01:29 | 0:01:31 | |
as the pioneers, gold diggers, oilmen and homesteaders | 0:01:31 | 0:01:34 | |
transformed, in a matter of decades, the lawless Wild West of legend | 0:01:34 | 0:01:39 | |
into the most affluent and vibrant place on the planet. | 0:01:39 | 0:01:43 | |
You have timed this very well, I must say! | 0:01:49 | 0:01:51 | |
From here in the foothills of the Rockies in northern New Mexico, | 0:01:59 | 0:02:03 | |
I will drop into the spectacular deserts and canyons of Arizona, | 0:02:03 | 0:02:07 | |
Utah and Nevada, before crossing the Sierra Nevada mountains, | 0:02:07 | 0:02:11 | |
finally to reach the Pacific Ocean at San Francisco, California. | 0:02:11 | 0:02:15 | |
On the outskirts of Taos, | 0:02:15 | 0:02:17 | |
a favourite haunt of artists and hippies, | 0:02:17 | 0:02:20 | |
a very American phenomenon has sprung up | 0:02:20 | 0:02:23 | |
on the semi-arid desert of the high mesas. | 0:02:23 | 0:02:25 | |
The Earthships have landed and put down their rather untidy roots. | 0:02:25 | 0:02:31 | |
Born of the counter culture movement of the '60s and '70s, | 0:02:31 | 0:02:34 | |
these eco-friendly dwellings are still in the forefront | 0:02:34 | 0:02:37 | |
of sustainable housing, not least | 0:02:37 | 0:02:40 | |
due to the inspiration and dedication of founder Mike Reynolds. | 0:02:40 | 0:02:43 | |
Yeah, we launched about 38 years ago into this realm | 0:02:43 | 0:02:49 | |
and just kept going deeper, because we kind of got our eyes opened | 0:02:49 | 0:02:55 | |
by early media talking about clear cutting timber | 0:02:55 | 0:02:59 | |
and early oil shortage, | 0:02:59 | 0:03:01 | |
talking about energy, and we just kind of moved in this direction. | 0:03:01 | 0:03:04 | |
And then, of course, more timber issues, more energy issues, | 0:03:04 | 0:03:08 | |
more water issues, more pollution issues, more garbage issues, | 0:03:08 | 0:03:12 | |
more housing issues, so we just kept going. | 0:03:12 | 0:03:15 | |
We saw we were on a path that could lead to our own safety in the future. | 0:03:15 | 0:03:19 | |
Goodness me, it's the scale of it that's so surprising. | 0:03:21 | 0:03:24 | |
Yeah, this one's a little larger scale than a typical home, | 0:03:24 | 0:03:30 | |
because we're trying to demonstrate a large portion | 0:03:30 | 0:03:33 | |
of the square footage for food production. | 0:03:33 | 0:03:37 | |
-Including herbs, I see. -Yeah, herbs and fruits and grapes. | 0:03:37 | 0:03:41 | |
There is actually grapes starting over here. | 0:03:41 | 0:03:44 | |
Bananas, vegetables... | 0:03:44 | 0:03:47 | |
Pretty much the idea is a family of four could live here | 0:03:47 | 0:03:51 | |
with no utility bill whatsoever, be totally comfortable, | 0:03:51 | 0:03:55 | |
have plenty of water and plenty of food. | 0:03:55 | 0:03:57 | |
You've got lots of bottles everywhere, | 0:03:57 | 0:03:59 | |
into the cement, or into the adobe as it's... | 0:03:59 | 0:04:01 | |
Both, it's cement and adobe. | 0:04:01 | 0:04:03 | |
The wall outside is bottles laid in mud, | 0:04:03 | 0:04:07 | |
which you could totally do in Africa without any cement whatsoever. | 0:04:07 | 0:04:11 | |
-As are the cans. -It dries and becomes a bottle and mud wall. | 0:04:11 | 0:04:14 | |
Which is both beautiful and, of course, somehow, | 0:04:14 | 0:04:17 | |
a rather good symbolic reminder | 0:04:17 | 0:04:19 | |
of all the detritus that we tend to leave behind. | 0:04:19 | 0:04:22 | |
And you say you use photovoltaic, ie solar, panels? | 0:04:22 | 0:04:25 | |
Solar panels, they are pretty common. | 0:04:25 | 0:04:28 | |
But the reason they are not used that much is because most housing | 0:04:28 | 0:04:33 | |
requires a tremendous amount of power | 0:04:33 | 0:04:35 | |
for heating, cooling, and pumps and all kinds of things like that. | 0:04:35 | 0:04:39 | |
Whereas these homes do most of everything for themselves, | 0:04:39 | 0:04:43 | |
so what little bit of power we need | 0:04:43 | 0:04:45 | |
is easy to achieve with solar, photovoltaic cells. | 0:04:45 | 0:04:48 | |
And here you've got, you know, all the normal kitchen things, | 0:04:48 | 0:04:52 | |
lights and coffee machine and cooker and so on. | 0:04:52 | 0:04:56 | |
Yeah, flat screen TV and computers. | 0:04:56 | 0:04:58 | |
In other words, you don't have to do without anything to live | 0:04:58 | 0:05:02 | |
-completely independent of all fossil fuel utilities. -That is amazing. | 0:05:02 | 0:05:06 | |
Is it done through there, the electricity? | 0:05:06 | 0:05:09 | |
Well, this back hallway is kind of a buffer zone | 0:05:09 | 0:05:12 | |
between the living spaces and the exterior walls. | 0:05:12 | 0:05:16 | |
And it does show how the walls are built in this home, | 0:05:16 | 0:05:19 | |
they are earth ram tyres. | 0:05:19 | 0:05:21 | |
You could drive a pick-up truck into that, | 0:05:21 | 0:05:23 | |
and, you know, go through the windshield yourself. | 0:05:23 | 0:05:27 | |
And there, actually, is the water organising system | 0:05:27 | 0:05:30 | |
with the pumps and filters. | 0:05:30 | 0:05:32 | |
So that you have conventional household hot and cold running water. | 0:05:32 | 0:05:35 | |
-Do you recycle the water? -Yes, we do, we have a limited amount | 0:05:35 | 0:05:40 | |
of water in this arid climate, so we take the water from the cisterns, | 0:05:40 | 0:05:44 | |
run it through our filters, take a shower in it, | 0:05:44 | 0:05:47 | |
then it runs into these planters. | 0:05:47 | 0:05:50 | |
What, the plants actually filter the grey water, as they call it? | 0:05:50 | 0:05:54 | |
They filter the grey water and actually clean it up, | 0:05:54 | 0:05:56 | |
so we flush the toilet with water you took a shower in yesterday. | 0:05:56 | 0:06:00 | |
But it's clean. It's not drinkable, but it's clean enough that you can't | 0:06:00 | 0:06:03 | |
tell it, it's certainly clean enough for a toilet flushing. | 0:06:03 | 0:06:07 | |
And then that water goes out into a conventional septic system, | 0:06:07 | 0:06:14 | |
which, rather than going into a drain field or a municipal sewage area, | 0:06:14 | 0:06:20 | |
goes into more outdoor botanical cells that are used for landscaping. | 0:06:20 | 0:06:25 | |
So no sewage ever leaves the home. It's used by plants. | 0:06:25 | 0:06:29 | |
And that's very unlike the way we do things | 0:06:29 | 0:06:32 | |
in the 20th and 21st century, | 0:06:32 | 0:06:35 | |
where we like to send our poo away as far as possible | 0:06:35 | 0:06:38 | |
and not really to think about it, | 0:06:38 | 0:06:39 | |
and to think about the enormous quantities of it that we produce. | 0:06:39 | 0:06:43 | |
'Mike's vision of a sustainable, self-reliant lifestyle | 0:06:45 | 0:06:48 | |
'is gaining wider recognition, as both the financial | 0:06:48 | 0:06:52 | |
'and the environmental cost of oil seems inexorably to rise. | 0:06:52 | 0:06:56 | |
'Not so long ago, this was the only way to live. | 0:06:56 | 0:06:58 | |
'For hundreds of years before Europeans invaded these lands, | 0:06:58 | 0:07:02 | |
'the local Indian population had adapted to this harsh environment | 0:07:02 | 0:07:06 | |
'by banding together in adobe or mud-wall villages - | 0:07:06 | 0:07:10 | |
'pueblos, in Spanish.' | 0:07:10 | 0:07:11 | |
And hence their name, the Pueblo Indians. | 0:07:11 | 0:07:14 | |
New Mexico has one of the highest percentages | 0:07:14 | 0:07:17 | |
of native Americans of any state. | 0:07:17 | 0:07:18 | |
I'm in Santa Fe, which was America's very first capital city | 0:07:21 | 0:07:26 | |
when it was founded in 1610 by the Spanish | 0:07:26 | 0:07:28 | |
and given the splendid name, | 0:07:28 | 0:07:30 | |
La Villa de la Santa Fe de San Francisco de Asis. | 0:07:30 | 0:07:33 | |
Today, it is the state capital of New Mexico, | 0:07:33 | 0:07:36 | |
but it's justifiably proud of its Pueblo Indian and Spanish heritage. | 0:07:36 | 0:07:40 | |
It is the architectural jewel in the crown of the south west, | 0:07:45 | 0:07:48 | |
and even if the adobe style is a spot over-indulged, | 0:07:48 | 0:07:51 | |
it makes a change to be able to walk around an American city. | 0:07:51 | 0:07:55 | |
Well, this is just another old Santa Fe courtyard, stuffed | 0:08:07 | 0:08:11 | |
with colourful knick-knacks for the tourist trade, you might think. | 0:08:11 | 0:08:14 | |
But actually, this was once the most secret address in the world. | 0:08:14 | 0:08:19 | |
It was simply a post office box, 1663, and it was the only conduit | 0:08:19 | 0:08:23 | |
from a rather special place in the mountains. | 0:08:23 | 0:08:26 | |
So this is the centre of nuclear America, | 0:08:34 | 0:08:37 | |
the nucleus, if you like, the cradle. | 0:08:37 | 0:08:40 | |
It's where it all began, it's where mankind first learnt | 0:08:40 | 0:08:43 | |
to harness the power of the atom. | 0:08:43 | 0:08:46 | |
Both a terrible and a magnificent event, I suppose. | 0:08:46 | 0:08:50 | |
And that building there, that half timber building, | 0:08:50 | 0:08:55 | |
was, in the 1930s and '40s, a school that actually boasts such alumni | 0:08:55 | 0:09:00 | |
as the literary figures Gore Vidal and William Burroughs. | 0:09:00 | 0:09:03 | |
And it was that school that was bought by the US government | 0:09:03 | 0:09:06 | |
and formed the kernel of the Los Alamos nuclear research laboratory. | 0:09:06 | 0:09:12 | |
This is the Quark Bar in Los Alamos. | 0:09:12 | 0:09:15 | |
Those of you who are good at physics might remember | 0:09:15 | 0:09:17 | |
that a quark is an elementary particle | 0:09:17 | 0:09:20 | |
named after a James Joyce word. | 0:09:20 | 0:09:22 | |
I don't know what this place makes me think of. | 0:09:22 | 0:09:25 | |
There is something very moving and very extraordinary | 0:09:25 | 0:09:29 | |
about the photographs of the pioneers. | 0:09:29 | 0:09:31 | |
There is a kind of optimism in big science, | 0:09:31 | 0:09:34 | |
and there is an optimism in being American. | 0:09:34 | 0:09:36 | |
And when the two come together, you create an astonishing energy, | 0:09:36 | 0:09:41 | |
rather like the energy that they created | 0:09:41 | 0:09:43 | |
when they split that atom and made that first bomb. | 0:09:43 | 0:09:47 | |
I suppose some would think | 0:09:47 | 0:09:49 | |
this is a grizzly place, a place of death. | 0:09:49 | 0:09:52 | |
But to me, I see nothing but optimism, | 0:09:52 | 0:09:54 | |
that's probably because I believe in science. | 0:09:54 | 0:09:57 | |
Many people these days don't. | 0:09:57 | 0:09:58 | |
I think America, for all its faults, still does. | 0:09:58 | 0:10:02 | |
Los Alamos still looks after America's nuclear arsenal, | 0:10:04 | 0:10:08 | |
But with its 2.5 billion budget and its massive supercomputers, | 0:10:08 | 0:10:12 | |
it's at the cutting edge in practically every area of research. | 0:10:12 | 0:10:16 | |
'Terry Wallace is Director of Science at the lab.' | 0:10:16 | 0:10:18 | |
Oh, that's the most beautiful thing I have ever seen! | 0:10:18 | 0:10:21 | |
I can't begin to guess what it does. | 0:10:21 | 0:10:23 | |
So what we really have here is a very fancy electron microscope. | 0:10:23 | 0:10:27 | |
It's a microscope? | 0:10:27 | 0:10:29 | |
So we can prepare the materials | 0:10:29 | 0:10:31 | |
and look at them on a sub-microscopic level. | 0:10:31 | 0:10:34 | |
And at the same time, be able to probe them with ions, | 0:10:34 | 0:10:37 | |
so we can get the chemistry, the dynamics of the materials. | 0:10:37 | 0:10:41 | |
And it's everything from organic matter | 0:10:41 | 0:10:43 | |
to wafers of this, that and the other, is it? | 0:10:43 | 0:10:46 | |
The work that's going on here right now | 0:10:46 | 0:10:48 | |
really is concentrated on films, | 0:10:48 | 0:10:49 | |
in which we can push individual atoms around on the film. | 0:10:49 | 0:10:52 | |
And the idea would be able to build atom-based circuits | 0:10:52 | 0:10:55 | |
so you can have a quantum computer. | 0:10:55 | 0:10:57 | |
Los Alamos National Laboratory. | 0:10:57 | 0:10:59 | |
They are taking individual hydrogen atoms and moving them. | 0:10:59 | 0:11:03 | |
So those are hydrogen atoms, | 0:11:03 | 0:11:05 | |
that are spelling... | 0:11:05 | 0:11:06 | |
You are actually corralling the hydrogen atom, pushing it into... | 0:11:06 | 0:11:10 | |
So we grab those with probe tweezers, and we can spell out LANL. | 0:11:10 | 0:11:14 | |
So you have all this power of quantum mathematics behind you, | 0:11:14 | 0:11:18 | |
and this extraordinary supercomputer, | 0:11:18 | 0:11:20 | |
are there other areas that you are developing? | 0:11:20 | 0:11:23 | |
A substantial effort into what we call "living machines". | 0:11:23 | 0:11:26 | |
So can we make materials that self-reproduce? | 0:11:26 | 0:11:29 | |
Now, the idea there that we are working on | 0:11:29 | 0:11:32 | |
right now in the research is not focused on making living systems, | 0:11:32 | 0:11:36 | |
but systems which are self-aware. | 0:11:36 | 0:11:38 | |
And the example I would use is that if we could, | 0:11:38 | 0:11:40 | |
instead of having just normal concrete on a bridge, | 0:11:40 | 0:11:43 | |
we could have this self-aware material on the outside, | 0:11:43 | 0:11:47 | |
it could heal its own cracks with stress, when time comes along. | 0:11:47 | 0:11:51 | |
And so, I think this is a very realisable dream. | 0:11:51 | 0:11:54 | |
Our laboratory is here for one reason, | 0:11:54 | 0:11:56 | |
that's national security science. | 0:11:56 | 0:11:58 | |
But to be able to get to do national security science, | 0:11:58 | 0:12:01 | |
you have to be at the frontiers of science. | 0:12:01 | 0:12:03 | |
And since so much work is done here, | 0:12:03 | 0:12:05 | |
it's attacked about 3.5 million times a day | 0:12:05 | 0:12:08 | |
from all the different ways to try to either probe our information... | 0:12:08 | 0:12:12 | |
Hackers trying to get in. | 0:12:12 | 0:12:13 | |
But they are mainly state-sponsored hackers, and so... | 0:12:13 | 0:12:17 | |
Really? So, countries which we won't name, | 0:12:17 | 0:12:21 | |
but let's say they rhyme with "shina" and "bussia", | 0:12:21 | 0:12:24 | |
actually have people constantly, as it were, | 0:12:24 | 0:12:28 | |
-hammering at your digital gates, trying to get in. -Exactly. | 0:12:28 | 0:12:31 | |
Oh, my Goodness! I dare say Britain does too. | 0:12:31 | 0:12:33 | |
When the theory and then the practice of the power of the atom | 0:12:33 | 0:12:37 | |
was proved it was the most momentous moment in science's history, really. | 0:12:37 | 0:12:41 | |
Is there anything in science now which will yield | 0:12:41 | 0:12:45 | |
equivalent astonishment, do you think, in the future? | 0:12:45 | 0:12:48 | |
The real answer, I mean, we don't understand dark energy. | 0:12:48 | 0:12:51 | |
So, our solar system is filled with dark matter | 0:12:51 | 0:12:54 | |
and we see the interaction with dark energy, and... | 0:12:54 | 0:12:57 | |
Because energy and matter are consubstantial, because of Einstein. | 0:12:57 | 0:13:01 | |
Exactly, and so, potentially, the concept of what we can get | 0:13:01 | 0:13:04 | |
from dark energy or the conversion with dark matter could dwarf anything | 0:13:04 | 0:13:09 | |
that we see within our particular system of light matter, | 0:13:09 | 0:13:12 | |
or what we see. | 0:13:12 | 0:13:13 | |
Leaving the boffins at Los Alamos to ponder the conundrum of dark matter | 0:13:15 | 0:13:20 | |
and dark energy, I head for the light. | 0:13:20 | 0:13:23 | |
Possibly the best light to be found in the entire country. | 0:13:23 | 0:13:26 | |
This is Monument Valley, | 0:13:39 | 0:13:41 | |
part of the Navajo Indian reservation | 0:13:41 | 0:13:43 | |
that straddles Arizona and Utah. | 0:13:43 | 0:13:45 | |
'I'm meeting up with Jameson, a Navajo whose family | 0:13:45 | 0:13:48 | |
'have lived here from long before the coming of the Europeans.' | 0:13:48 | 0:13:52 | |
In 1938, John Ford shot his first western here, Stagecoach, | 0:13:52 | 0:13:57 | |
which was also John Wayne's first western, I think. | 0:13:57 | 0:14:00 | |
He did nine more movies here. Have you ever seen any of those movies? | 0:14:00 | 0:14:04 | |
Yeah, I did, yeah. | 0:14:04 | 0:14:05 | |
It's all because of Mr Goulding. | 0:14:05 | 0:14:08 | |
-Yeah, now, Mr Goulding, he was a trader? -Yeah. | 0:14:08 | 0:14:12 | |
-In the 1920s and 1930s? -Yeah. | 0:14:12 | 0:14:15 | |
How did he get John Ford here? | 0:14:15 | 0:14:18 | |
Well, they said that he went around and took pictures of the valley, | 0:14:18 | 0:14:24 | |
and then he made a trip down to Hollywood. | 0:14:24 | 0:14:26 | |
And he wasn't really accepted into the office, | 0:14:26 | 0:14:29 | |
in Hollywood, but he slipped the pictures underneath the door. | 0:14:29 | 0:14:33 | |
So when they saw those pictures, | 0:14:33 | 0:14:37 | |
they were, you know... | 0:14:37 | 0:14:40 | |
They were amazed by what they saw. | 0:14:40 | 0:14:42 | |
-And that's what brought John Ford here? -Yeah. | 0:14:42 | 0:14:44 | |
'In the hogan, the traditional home, | 0:14:44 | 0:14:47 | |
'Jameson's sister, Sally, has something to show me.' | 0:14:47 | 0:14:52 | |
What we do is, like, if we want to make a basket, | 0:14:52 | 0:14:55 | |
if we don't have material, we have to go out to Colorado | 0:14:55 | 0:15:00 | |
or Utah but it's still, like, 300 or 400 miles. | 0:15:00 | 0:15:04 | |
-Really, this is where these trees grow? -Yeah. | 0:15:04 | 0:15:06 | |
So you have to look for something long, like this one, that grows. | 0:15:06 | 0:15:10 | |
-And it's got to be bendy? -Yeah. | 0:15:10 | 0:15:12 | |
-So are they quite young? -Yeah. | 0:15:12 | 0:15:14 | |
They are shoots. | 0:15:14 | 0:15:16 | |
And what's the name of the plant? | 0:15:16 | 0:15:18 | |
-This is called sumak. -Sumak, right. | 0:15:18 | 0:15:21 | |
And what we do is split them into three parts, like this. | 0:15:21 | 0:15:27 | |
It's a lot of work just to do this. | 0:15:27 | 0:15:30 | |
But you have to know how to do that. If you don't, you just break them. | 0:15:30 | 0:15:34 | |
Oh, that's beautiful. | 0:15:36 | 0:15:38 | |
Oh, it's like the pith, yeah? | 0:15:41 | 0:15:44 | |
-So one shoot becomes six different parts. -Three. | 0:15:44 | 0:15:50 | |
Three. Each one has the pith taken out and you discard it. | 0:15:50 | 0:15:54 | |
So it's flat on one side, and you pull that. | 0:15:56 | 0:16:00 | |
And then this is the one that we have to put it up and let it dry. | 0:16:00 | 0:16:05 | |
And it takes a couple of days to dry, what we do is we take off that. | 0:16:05 | 0:16:11 | |
Oh, my goodness. | 0:16:11 | 0:16:13 | |
So this is the one that we use to weave with, | 0:16:16 | 0:16:19 | |
this is the one that we colour. | 0:16:19 | 0:16:21 | |
So this is what it is, right there. | 0:16:21 | 0:16:24 | |
Ah, yes, white and black. | 0:16:24 | 0:16:25 | |
So those four colours are the ones you use. | 0:16:25 | 0:16:28 | |
Yeah, and then we start off with sumak, like this one here. | 0:16:28 | 0:16:33 | |
Ah, so you leave one which you don't peel, you don't divide. | 0:16:33 | 0:16:37 | |
And that becomes... And you coil it up. | 0:16:37 | 0:16:40 | |
And then, when you're weaving, this one has to be moist. | 0:16:40 | 0:16:45 | |
And then what I do is... | 0:16:45 | 0:16:49 | |
I have to make a hole in here. | 0:16:49 | 0:16:51 | |
-Will you let me have a try? -Sure. | 0:16:51 | 0:16:53 | |
I might well screw up. | 0:16:53 | 0:16:55 | |
You don't ever stab that finger by mistake? Do you? | 0:16:55 | 0:16:59 | |
No, my hand is always right here. | 0:16:59 | 0:17:01 | |
Ah, you keep it out of the way. | 0:17:01 | 0:17:03 | |
OK, put that on my lap, yeah. Oh, Lord! | 0:17:03 | 0:17:07 | |
OK, so the hole goes here, yeah? | 0:17:07 | 0:17:12 | |
-Don't poke your knees! -No. Is that going to go through? | 0:17:12 | 0:17:16 | |
Oops. | 0:17:16 | 0:17:18 | |
Oh, it's gone through. | 0:17:18 | 0:17:20 | |
And that's going to go through. | 0:17:20 | 0:17:23 | |
Oh, I hope the hole's big enough. | 0:17:23 | 0:17:25 | |
Back out the other side and pull. | 0:17:28 | 0:17:31 | |
Yeah! | 0:17:31 | 0:17:34 | |
I've made my first loop. | 0:17:34 | 0:17:36 | |
-Is this an important source of income for you? -Yeah. | 0:17:36 | 0:17:39 | |
It is, it's your major source? | 0:17:39 | 0:17:40 | |
And the tourists, how much do you charge? | 0:17:40 | 0:17:44 | |
I mean, because they seem very good value to me. | 0:17:44 | 0:17:46 | |
Yeah, if it's a twenty-inch, I sometimes sell it | 0:17:46 | 0:17:49 | |
for, like, 3,000, 6,000, 7,000. | 0:17:49 | 0:17:54 | |
Well, I think it's fantastic. | 0:17:54 | 0:17:55 | |
Have you got any... oh, you've got ones here. | 0:17:55 | 0:17:58 | |
Yeah, this one is called a traditional ceremonial basket, | 0:17:58 | 0:18:03 | |
and they call it the wedding basket. | 0:18:03 | 0:18:05 | |
The middle is the earth, and this is the mountain, | 0:18:05 | 0:18:11 | |
and this is the rainbow, and the clouds. | 0:18:11 | 0:18:15 | |
And this one right here, we never close it, we always have an opening. | 0:18:15 | 0:18:20 | |
And it's the mind, the spirit line. | 0:18:20 | 0:18:22 | |
Which goes between and through all the different elements. | 0:18:22 | 0:18:25 | |
This is the same, but with different colours. | 0:18:25 | 0:18:28 | |
It's very skilful and lovely. | 0:18:28 | 0:18:32 | |
I shall have to buy one now. | 0:18:32 | 0:18:35 | |
I may not buy one of your 3,000 ones, though! | 0:18:35 | 0:18:38 | |
'You can see why Ford was drawn to this place | 0:18:57 | 0:19:00 | |
'and why Navajo like Jameson and his family have no desire to leave.' | 0:19:00 | 0:19:05 | |
If ever there was a place where humans can feel connected | 0:19:13 | 0:19:16 | |
to some sense of the spirit world, this is it. | 0:19:16 | 0:19:20 | |
'Exposure to the spiritual always leaves me more than usually peckish. | 0:19:35 | 0:19:40 | |
'Jameson's wife answers my prayers.' | 0:19:40 | 0:19:42 | |
-This is Navajo fried bread? -Navajo fried bread, I'm making. | 0:19:42 | 0:19:46 | |
-She makes the best fried bread ever. -Yeah? | 0:19:46 | 0:19:49 | |
Family loyalty, but I believe it. | 0:19:49 | 0:19:53 | |
I think it's great that you are all speak Navajo. | 0:19:56 | 0:19:58 | |
Because I was up in South Dakota on the reservation with the Lakota, | 0:19:58 | 0:20:06 | |
and they were saying that 10% of the children speak Lakota now, | 0:20:06 | 0:20:10 | |
and that's terrible, isn't it? You lose the language. | 0:20:10 | 0:20:14 | |
Yeah. Few years back, they were saying that they had a complaint | 0:20:14 | 0:20:20 | |
about kids kind of forgetting their language. | 0:20:20 | 0:20:24 | |
Really? So they are making an effort now, | 0:20:24 | 0:20:26 | |
in college and school, everybody learns. | 0:20:26 | 0:20:29 | |
Look at those steaks! I'm a bit tempted, can I taste some of that? | 0:20:29 | 0:20:34 | |
I'll tear a bit off. | 0:20:34 | 0:20:35 | |
Oh, my, that's as good as it gets. | 0:20:35 | 0:20:38 | |
It's light, it's fluffy. | 0:20:42 | 0:20:44 | |
Soft. Delicious. | 0:20:44 | 0:20:47 | |
Absolutely... | 0:20:47 | 0:20:49 | |
Good, isn't it? | 0:20:51 | 0:20:53 | |
-Here, you can help yourself, all of you. -Oh, that's good. | 0:20:53 | 0:20:57 | |
Oh...wow! | 0:20:57 | 0:21:00 | |
Right, here's the plates. | 0:21:00 | 0:21:02 | |
-Oh, what a place to eat! Isn't it? -Quiet... | 0:21:04 | 0:21:10 | |
But what's amazing to me is that you manage to live here, | 0:21:10 | 0:21:13 | |
right in the middle of Monument Valley | 0:21:13 | 0:21:15 | |
and have a private family life, while today, there are probably, | 0:21:15 | 0:21:19 | |
what, a thousand tourists up there, in cars, going round, | 0:21:19 | 0:21:23 | |
and you wouldn't know they were there, would you? | 0:21:23 | 0:21:26 | |
Some, they really want to step inside and talk to the family, | 0:21:26 | 0:21:30 | |
sometimes they'll do that, they just walk over here | 0:21:30 | 0:21:33 | |
and say a friendly hello, and we just go along with it. | 0:21:33 | 0:21:37 | |
-You don't mind that? -Yeah. -Cos you wouldn't go down an American street | 0:21:37 | 0:21:42 | |
in the city and just open somebody's door and go, "Hello!" | 0:21:42 | 0:21:45 | |
Bordering the Navajo reservation, Lake Powell stretches for 250 miles | 0:21:50 | 0:21:55 | |
in a filigree pattern of extraordinary beauty. | 0:21:55 | 0:21:58 | |
Looking at these ancient rocks, | 0:21:58 | 0:22:02 | |
it's easy to think this would be a scene | 0:22:02 | 0:22:05 | |
you could imagine thousands of years ago. | 0:22:05 | 0:22:07 | |
But actually, it's only been visible for the last 30-odd years. | 0:22:07 | 0:22:13 | |
This is the completion of the great project | 0:22:13 | 0:22:16 | |
of damming the Colorado River. | 0:22:16 | 0:22:18 | |
And this is an artificial lake, a man-made lake. | 0:22:18 | 0:22:21 | |
It's the Colorado River risen up into an old canyon. | 0:22:21 | 0:22:26 | |
And maybe that's what adds its spooky kind of atmosphere, | 0:22:26 | 0:22:30 | |
the fact that there is no life that's grown up with the lake. | 0:22:30 | 0:22:33 | |
It's a new lake, so nature hasn't yet caught up with it. | 0:22:33 | 0:22:36 | |
Maybe in a hundred years, the kingfishers and the grasses | 0:22:36 | 0:22:39 | |
and the reeds and things will make this a proper aquatic environment, | 0:22:39 | 0:22:45 | |
but at the moment, it's more like an album cover | 0:22:45 | 0:22:48 | |
or a computer-generated image. | 0:22:48 | 0:22:50 | |
This is going to be conceivably eggy. | 0:23:19 | 0:23:23 | |
The one word in the American phrase as you know probably is "over easy". | 0:23:28 | 0:23:34 | |
"Over easy" is when you flip it over and just barely cook it, | 0:23:34 | 0:23:37 | |
just to get the, you know, the runny bits off the top cooked. | 0:23:37 | 0:23:40 | |
The problem with that is the word "easy". | 0:23:40 | 0:23:43 | |
How do I get that over? Ohh, come on! | 0:23:43 | 0:23:46 | |
Now it's broken, well, it's not exactly broken, | 0:23:46 | 0:23:49 | |
but half the white's sheared off it, and if I flip that over, | 0:23:49 | 0:23:52 | |
I can guarantee it's going to burst in a... Ahh! | 0:23:52 | 0:23:55 | |
Hmm, it's not bad. | 0:23:58 | 0:24:02 | |
The extraordinary thing about Lake Powell | 0:24:04 | 0:24:06 | |
is that it's not better known. | 0:24:06 | 0:24:08 | |
It's as if someone filled the Grand Canyon with water. | 0:24:08 | 0:24:11 | |
Admittedly, we are not at high season now, | 0:24:11 | 0:24:14 | |
but we are about the only boat on this huge stretch of water. | 0:24:14 | 0:24:17 | |
HE WHISTLES AND CLAPS TO MAKE ECHOES | 0:24:21 | 0:24:23 | |
-That's...what do you call that? -That's Navajo Mountain. | 0:24:26 | 0:24:29 | |
Navajo mountain. So that's very particular to your people. | 0:24:29 | 0:24:33 | |
That's another one of our sacred mountains. | 0:24:33 | 0:24:35 | |
Rob Bighorse, my Navajo captain, | 0:24:35 | 0:24:38 | |
wants to show me something very special to his people. | 0:24:38 | 0:24:42 | |
The largest natural bridge in the world. | 0:24:42 | 0:24:44 | |
The Greek goddess of the rainbow was called Iris. | 0:24:44 | 0:24:47 | |
Which is why we call the eye the iris, because it's like a rainbow. | 0:24:47 | 0:24:52 | |
All the spectrum is there with all the colours, if you look at it. | 0:24:52 | 0:24:55 | |
So, would you like to tell me about the story of that? | 0:25:04 | 0:25:07 | |
Legend has it that there was a little boy that got lost here, | 0:25:07 | 0:25:11 | |
and to make it across, back across, the deities made a rainbow. | 0:25:11 | 0:25:16 | |
And he made it back across, and after that, they just turned it into stone. | 0:25:16 | 0:25:20 | |
And since then, it's been sacred to the Navajo? | 0:25:20 | 0:25:23 | |
It's been sacred to the Navajo. | 0:25:23 | 0:25:24 | |
And how is that sacred nature shown? | 0:25:24 | 0:25:27 | |
-By never... -By never going over it of underneath it. -Right. | 0:25:27 | 0:25:32 | |
I read somewhere that actually, | 0:25:32 | 0:25:34 | |
-you could fit the Statue of Liberty under there. -You can. | 0:25:34 | 0:25:37 | |
Western science has its own explanations, what is that? | 0:25:37 | 0:25:40 | |
-That it's caused by wind or water? -Yes, by water. -Water. | 0:25:40 | 0:25:44 | |
So at one point, the river, they say, was high enough | 0:25:44 | 0:25:47 | |
to have carved this out through the rock? | 0:25:47 | 0:25:50 | |
Yes. Just carved right through it, and there you have it. | 0:25:50 | 0:25:53 | |
Absolutely staggering. | 0:25:53 | 0:25:55 | |
'I've jacuzzied my way around the world, | 0:26:06 | 0:26:08 | |
'but this just about beats it all, I have to say. | 0:26:08 | 0:26:10 | |
You know, there are 1,900 miles of shoreline | 0:26:10 | 0:26:17 | |
on this man-made lake, it's quite extraordinary. | 0:26:17 | 0:26:20 | |
Very American, isn't it, to do it in this kind of brash style? | 0:26:22 | 0:26:26 | |
And I have to say there's a part of me that is entirely suited | 0:26:26 | 0:26:30 | |
to this Mr Toad-like way of getting around a lake! | 0:26:30 | 0:26:33 | |
Others would pull on paddles and oars, but not I. | 0:26:33 | 0:26:38 | |
'Leaving the other-worldly landscape | 0:26:38 | 0:26:41 | |
'and my gloriously gargantuan house-boat, | 0:26:41 | 0:26:43 | |
'I realise just how much Americans are used | 0:26:43 | 0:26:46 | |
to super-sizes in everything. | 0:26:46 | 0:26:48 | |
The distances out West are just vast, so it's with relish | 0:26:48 | 0:26:52 | |
that I'm going to hitch a ride the 400 miles south to Tucson, Arizona, | 0:26:52 | 0:26:56 | |
in another super-sized form of American transport, | 0:26:56 | 0:26:59 | |
the Boeing B17 Flying Fortress. | 0:26:59 | 0:27:02 | |
This is extraordinary. | 0:27:19 | 0:27:21 | |
I've been on a British Lancaster bomber, | 0:27:24 | 0:27:27 | |
but only as far as taxi-ing is concerned. | 0:27:27 | 0:27:30 | |
This is a first for me to fly in a 1940s bomber. | 0:27:30 | 0:27:34 | |
Oh, yes! | 0:27:46 | 0:27:48 | |
'The cloudless skies of the West make it the perfect place for flying | 0:27:51 | 0:27:55 | |
'and the United States Air Force has bases dotted all about. | 0:27:55 | 0:27:59 | |
'I'm heading for Davis-Monthan in Tucson.' | 0:27:59 | 0:28:03 | |
It's too loud for conversation, | 0:28:05 | 0:28:08 | |
so everything has to be done by signals. | 0:28:08 | 0:28:12 | |
They have headsets, | 0:28:12 | 0:28:13 | |
but they have to keep to very simple commands. | 0:28:13 | 0:28:18 | |
You know, the bomber crews had a really tough life, | 0:28:18 | 0:28:21 | |
there was nothing glamorous or romantic | 0:28:21 | 0:28:24 | |
about being a member of a bomber crew. | 0:28:24 | 0:28:26 | |
There were 5, 6 or 7 of them, depending on the nature | 0:28:26 | 0:28:29 | |
of the flight, and they all had incredibly difficult jobs to do. | 0:28:29 | 0:28:32 | |
They were very mathematical jobs. | 0:28:32 | 0:28:34 | |
They were constantly having to adjust for magnetic deviations, | 0:28:34 | 0:28:38 | |
and the compass, they were having to fly by dead reckoning | 0:28:38 | 0:28:41 | |
with pencil and paper to find out where they were. | 0:28:41 | 0:28:44 | |
They had to work out their height and their glide | 0:28:44 | 0:28:46 | |
and climb attacks, all sorts of technical stuff. | 0:28:46 | 0:28:49 | |
'There was nothing of the dashing warrior | 0:28:49 | 0:28:51 | |
'of the air about them, as there was for the fighter pilots.' | 0:28:51 | 0:28:54 | |
'They never really got the thanks at the end of the war | 0:28:54 | 0:28:57 | |
'for the job they did. I suppose we were all too embarrassed about it.' | 0:28:57 | 0:29:01 | |
Raining fire on civilians | 0:29:01 | 0:29:02 | |
was not something that we should be proud of. | 0:29:02 | 0:29:04 | |
As you might imagine, | 0:29:11 | 0:29:13 | |
there are quite a few air force bases throughout the West. | 0:29:13 | 0:29:16 | |
The guaranteed hours of sunlight | 0:29:16 | 0:29:18 | |
make it an ideal place to send young pilots for training. | 0:29:18 | 0:29:23 | |
But there are other functions, too. | 0:29:23 | 0:29:26 | |
This air force base is very special indeed. | 0:29:26 | 0:29:30 | |
It's where American aeroplanes go when they are retired. | 0:29:30 | 0:29:36 | |
Over 3,000 of them, worth an estimated 30 billion, | 0:29:36 | 0:29:42 | |
injected with synthetic rubber and wrapped in protective cling film. | 0:29:42 | 0:29:46 | |
But don't be fooled - at a single sound of a bugle, | 0:29:48 | 0:29:52 | |
they could rise again to serve their country. | 0:29:52 | 0:29:55 | |
They are not dead, they are just mothballed, | 0:29:55 | 0:29:58 | |
sealed up for the time being. | 0:29:58 | 0:30:00 | |
Line after line of them. | 0:30:00 | 0:30:03 | |
Fighters, bombers, | 0:30:03 | 0:30:05 | |
attack aircraft, surveillance aircraft, supply aircraft, | 0:30:05 | 0:30:10 | |
helicopters, fast jets, | 0:30:10 | 0:30:12 | |
great lumbering transports. | 0:30:12 | 0:30:14 | |
Spooky. | 0:30:16 | 0:30:18 | |
When I was a child, I used to think these tall cactuses | 0:30:28 | 0:30:32 | |
were the entire invention of cartoonists. | 0:30:32 | 0:30:34 | |
I didn't really believe there could be such a thing. | 0:30:34 | 0:30:37 | |
And to see them now in virtual forests is such an iconic American sight, isn't it? | 0:30:37 | 0:30:43 | |
It's called something like Carnegiea gigantea | 0:30:43 | 0:30:46 | |
and they have white flowers and an edible red fruit | 0:30:46 | 0:30:48 | |
but they don't seem to be fruiting at the moment. | 0:30:48 | 0:30:51 | |
And they are very often rude, of course, | 0:30:51 | 0:30:54 | |
because they have two arms and other protuberances. | 0:30:54 | 0:30:57 | |
If there was an Arizona That's Life, then Esther Rantzen would be receiving rude cactuses very week. | 0:30:57 | 0:31:03 | |
But they are noble - some of them are up to 45 feet. | 0:31:03 | 0:31:07 | |
Enormous! | 0:31:07 | 0:31:10 | |
Some of these saguaro cacti are over 100 years old | 0:31:10 | 0:31:13 | |
and were well into their middle-age, when the Tucson film studios started life here | 0:31:13 | 0:31:17 | |
as an alternative base to Hollywood for shooting Westerns. | 0:31:17 | 0:31:20 | |
Since 1939, it has been graced by everyone from Jimmy Stewart to the Duke, John Wayne, himself. | 0:31:20 | 0:31:27 | |
The studios are still used for filming, as well as being an attraction for us out-of-towners. | 0:31:27 | 0:31:31 | |
-That's a stagecoach you got there, mister. -It is pretty fancy, isn't it? | 0:31:31 | 0:31:35 | |
-You don't see too many around these parts. -Never seen one in my life. | 0:31:35 | 0:31:40 | |
You should come to London, you will see hundreds of them. | 0:31:40 | 0:31:43 | |
Mind you, we don't see many cowboys in London, so it's a fair exchange. | 0:31:43 | 0:31:46 | |
Well, well, Fry. | 0:32:00 | 0:32:02 | |
I thought I told you. | 0:32:03 | 0:32:05 | |
We don't like your kind in this town. | 0:32:05 | 0:32:07 | |
You see, me and my boys here, we run this town. | 0:32:07 | 0:32:10 | |
We don't like you here. | 0:32:10 | 0:32:13 | |
Yes, well, you've told me a number of things in the past | 0:32:13 | 0:32:15 | |
and none of them have left me singularly impressed. | 0:32:15 | 0:32:18 | |
Well, looks like we outnumber you three to one. | 0:32:18 | 0:32:22 | |
So how best you get on your horse and ride right out of my town? | 0:32:22 | 0:32:25 | |
TWO GUNSHOTS | 0:32:26 | 0:32:28 | |
Well, that seems to have evened the odds up a little, doesn't it? | 0:32:28 | 0:32:32 | |
Fine by me, Fry. | 0:32:32 | 0:32:34 | |
I wanted to kill you anyway. | 0:32:35 | 0:32:37 | |
Oh, really? Many have tried, Marshall, few have succeeded. | 0:32:37 | 0:32:41 | |
Only two, in recorded time, have succeeded in killing me | 0:32:41 | 0:32:45 | |
and even they didn't do it very well. | 0:32:45 | 0:32:47 | |
-Well, I'll do it right this time. -Make your move. | 0:32:47 | 0:32:51 | |
Oh! Ooh. | 0:32:55 | 0:32:58 | |
Ooh! | 0:32:58 | 0:33:00 | |
Ooh, that hurt. | 0:33:00 | 0:33:03 | |
Ooh, it's...it's rather like... | 0:33:03 | 0:33:05 | |
Ooh! | 0:33:05 | 0:33:07 | |
-Ooh! -You think about that next time. | 0:33:07 | 0:33:09 | |
Oh, excuse me, I think I may be having a death scene. | 0:33:09 | 0:33:12 | |
Oh, sweet mother of mercy, is this the end of Stephen Fry? | 0:33:12 | 0:33:17 | |
Oh. | 0:33:17 | 0:33:19 | |
You win, Marshall. | 0:33:21 | 0:33:23 | |
Yes, we showed that sheriff a thing or too, didn't we, Spinoza? | 0:33:23 | 0:33:28 | |
He'd never heard of phenomenology, can you imagine such a thing? | 0:33:28 | 0:33:31 | |
Let's see what this town has to offer us, shall we? | 0:33:31 | 0:33:34 | |
The Three Amigos! | 0:33:34 | 0:33:37 | |
Huh! | 0:33:37 | 0:33:38 | |
Eschewing my taxi for an eagle's-eye view, | 0:33:52 | 0:33:55 | |
I travel the 350 miles north towards Las Vegas, Nevada, | 0:33:55 | 0:33:59 | |
passing the famous stretch of the Colorado River, the Grand Canyon. | 0:33:59 | 0:34:05 | |
At its westernmost end, the river is once again tamed. | 0:34:05 | 0:34:08 | |
This time, by the Hoover Dam - an extraordinary engineering feat, | 0:34:08 | 0:34:12 | |
born out of the great public works after the Depression. | 0:34:12 | 0:34:15 | |
It's the dam that has created the water and light | 0:34:15 | 0:34:18 | |
that powers the oasis of wealth, beauty, opulence and vulgarity | 0:34:18 | 0:34:23 | |
that is Las Vegas today. | 0:34:23 | 0:34:25 | |
Absolutely wonderful! | 0:34:25 | 0:34:27 | |
Look at that! | 0:34:27 | 0:34:29 | |
PILOT: And you have The Rio and The Palms. | 0:34:29 | 0:34:32 | |
Sin City, as Vegas was known in the days of the Rat Pack, has evolved. | 0:34:32 | 0:34:37 | |
Today, less than half its revenues come from gambling. | 0:34:37 | 0:34:41 | |
Business Conventioneers are the new high rollers and with them come a host of arcane management rituals. | 0:34:41 | 0:34:46 | |
The newest entrant in this lucrative field is an outfit called Spy Games. | 0:34:46 | 0:34:50 | |
-Mr Fry? -Yes. -There has been an incident. | 0:34:50 | 0:34:54 | |
Really? Well, do come in. | 0:34:54 | 0:34:56 | |
Incident? | 0:34:56 | 0:34:58 | |
Will you take the time to read the letter, please? Are you alone? | 0:34:58 | 0:35:02 | |
Yes, I am...tragically. | 0:35:02 | 0:35:04 | |
-They call me Trixie. -Do they? | 0:35:06 | 0:35:09 | |
Trixie. Right. | 0:35:09 | 0:35:12 | |
"Mr Fry, you have been personally selected to join forces | 0:35:12 | 0:35:17 | |
"with the notorious Las Vegas crime boss, known as 'The Boss'. | 0:35:17 | 0:35:20 | |
"You will be acting as our mole | 0:35:20 | 0:35:22 | |
"in the newly-formed group of CCI special agents that think they can outsmart us." | 0:35:22 | 0:35:26 | |
Here is the deal, Mr Fry. There has been a kidnapping. | 0:35:26 | 0:35:29 | |
I've done the kidnapping. | 0:35:29 | 0:35:31 | |
The problem is that the agents are getting a little too close. | 0:35:31 | 0:35:35 | |
I need to know that I can trust you. | 0:35:35 | 0:35:37 | |
Right. The agents of...? | 0:35:37 | 0:35:39 | |
-The agents of the Agency. -Are getting too close? -Yes, to me, to the Boss. I need your help. | 0:35:39 | 0:35:45 | |
-Right. I'm on your side, am I? -Yes, I hope so. Can I trust you? | 0:35:45 | 0:35:48 | |
'Can Trixie trust me? Can I trust her? | 0:35:48 | 0:35:51 | |
'Vegas, where the unthinkable, if you're not careful, becomes reality.' | 0:35:51 | 0:35:55 | |
Sir, why do you have your glasses on your paper? | 0:35:55 | 0:35:58 | |
-Ah, these. Well, I use these for limited vision. -Why aren't they on your face? | 0:35:58 | 0:36:02 | |
-Why aren't they around your neck? -Because they are only necessary when I'm reading. I have presbyopia. | 0:36:02 | 0:36:06 | |
-Are you being difficult? -No... -Get up against the wall. Get up against the wall. Spread. | 0:36:06 | 0:36:11 | |
-Are you laughing? -Yes, because this was what I was looking forward to. -All right, we have case 257. | 0:36:11 | 0:36:15 | |
Missing Michael. | 0:36:15 | 0:36:17 | |
The mission. We have received information that Michael Caprio, | 0:36:17 | 0:36:20 | |
the PR director of Chippendales, has been kidnapped and he is in danger. | 0:36:20 | 0:36:24 | |
Your PR director has been kidnapped, | 0:36:24 | 0:36:27 | |
so you can't dance for those ladies if we don't get him back. | 0:36:27 | 0:36:30 | |
The Boss has planted his spies throughout the city to take watch over the current situation. | 0:36:30 | 0:36:36 | |
These spies are expecting a visit from informants | 0:36:36 | 0:36:40 | |
whom they've never met face to face, | 0:36:40 | 0:36:42 | |
but are identified by a secret code word. | 0:36:42 | 0:36:45 | |
The special agents are to pose as informants by using the code word to gain information, | 0:36:45 | 0:36:50 | |
where the ransom is going to take place and discover who the Boss truly is, since we have no idea. | 0:36:50 | 0:36:57 | |
So do you guys get what's going on? | 0:36:57 | 0:37:00 | |
-All right. -You want us to pretend to be informants for the Boss? | 0:37:00 | 0:37:03 | |
Exactly. Man, he is bright! | 0:37:03 | 0:37:07 | |
Your team must select a team leader, appoint a case file agent... | 0:37:07 | 0:37:12 | |
'Spy Games run corporate bonding and team leadership courses. | 0:37:12 | 0:37:16 | |
'All that management guff I have luckily been able to avoid in my life. That is, until now. | 0:37:16 | 0:37:21 | |
'Only this course seems rather more complicated | 0:37:21 | 0:37:24 | |
'than firing a paint gun at a portly middle-management colleague called Dick.' | 0:37:24 | 0:37:28 | |
-Predictive text? -Are you on our team? -Yes, I am on your team. | 0:37:28 | 0:37:31 | |
I'm the only one who might look as if he isn't a Chippendale. | 0:37:31 | 0:37:35 | |
'I'm tagging along today with some of the Chippendales,' | 0:37:35 | 0:37:37 | |
one of the big hits on the strip for the past five years. | 0:37:37 | 0:37:41 | |
I don't know why they need this but self-improvement is a fundamental American right | 0:37:41 | 0:37:45 | |
and they seem to take it pretty seriously. | 0:37:45 | 0:37:49 | |
Oh, gotta get the camera. | 0:37:50 | 0:37:51 | |
Come on! | 0:37:51 | 0:37:53 | |
I am so sorry. | 0:37:53 | 0:37:55 | |
'I think we are off on the hunt to find informants who have been planted all over the city. | 0:37:57 | 0:38:02 | |
'And unless I've got it wrong, my job is to sabotage the whole thing. | 0:38:02 | 0:38:07 | |
'Not quite sure how this helps team-building. Maybe I'm a lesson in the limits of trust. | 0:38:07 | 0:38:11 | |
'Or just a pawn in a game I don't understand.' | 0:38:11 | 0:38:14 | |
Excellent. This is fun, isn't it? Nice pool, nice day. 'Nice breasts!' | 0:38:22 | 0:38:26 | |
'Anyway, what is abundantly clear is that Americans love this stuff | 0:38:26 | 0:38:29 | |
'and take it all on board without a hint of the sneering or cynicism | 0:38:29 | 0:38:33 | |
'that I fear my compatriots might indulge in. Not I, of course.' | 0:38:33 | 0:38:37 | |
-The Boss talks about a guy named Whyler a lot. -Whyler? -But I've never seen them together. | 0:38:37 | 0:38:43 | |
-The hostage exchange... -We have the phone number, the picture... | 0:38:43 | 0:38:46 | |
..is going to take place by the railroad tracks. | 0:38:46 | 0:38:50 | |
In essence, it's like a treasure hunt. | 0:38:50 | 0:38:53 | |
'And, baffled as I am, it's an amusing way to see the mega resorts which have taken over the strip.' | 0:38:53 | 0:38:58 | |
You've got the bureaucratic side of spying. | 0:38:58 | 0:39:02 | |
One clue solved, so we're off to another of the many themed casinos. | 0:39:02 | 0:39:07 | |
-Remind me what we are looking for here? -Well, we do not know. We are coming here for a clue. | 0:39:07 | 0:39:12 | |
So we've just got to hope for a text. | 0:39:12 | 0:39:15 | |
"Locate Jugs - Star Trek experience." | 0:39:15 | 0:39:18 | |
And now we have to find a man called Jugs | 0:39:20 | 0:39:23 | |
and we have to take photographic evidence of our meeting. | 0:39:23 | 0:39:27 | |
Excuse me, sir, would you take a picture for us? | 0:39:27 | 0:39:30 | |
That would be very kind, thank you very much. | 0:39:30 | 0:39:33 | |
'But being the cunning double agent that I am, I've turned off the flash.' | 0:39:33 | 0:39:38 | |
Is it on the wrong setting? | 0:39:39 | 0:39:42 | |
Well done, James. | 0:39:42 | 0:39:45 | |
'I'm beginning to enjoy my duplicity. | 0:39:45 | 0:39:48 | |
'Maybe I should have taken that job with MI6 after all. | 0:39:48 | 0:39:53 | |
'Oh, and I must exchange a token with Jugs, without the chips twigging - all very Spooks.' | 0:39:53 | 0:39:59 | |
You're right, I'm so sorry. | 0:39:59 | 0:40:01 | |
-You gotta make sure you count Jugs in. -Jugs. | 0:40:02 | 0:40:06 | |
He had a hand off, he has tried twice to misdirect us in the directions... | 0:40:06 | 0:40:11 | |
And I think he took the flash off the camera. | 0:40:11 | 0:40:13 | |
He is trying to slow us down. | 0:40:13 | 0:40:15 | |
He also keeps leaving the camera. That's why it's in Sean's hands now. | 0:40:15 | 0:40:19 | |
So, we are at the Hilton and we are going to the Grand, we think, yes? | 0:40:19 | 0:40:25 | |
One, two, three, four, five stops. | 0:40:25 | 0:40:28 | |
OK, gentlemen, we do have some things on our mind right now and that is the mole. | 0:40:28 | 0:40:33 | |
So if everybody, right now, would empty their left pocket. | 0:40:33 | 0:40:36 | |
-Way to go! Gentlemen, I think we have found our mole. -I agree. | 0:40:40 | 0:40:44 | |
-Why, why, why? -Because, one, I saw you hand it to Jugs. | 0:40:44 | 0:40:49 | |
Plus, at the Star Trek Experience you tried to misguide us. | 0:40:49 | 0:40:51 | |
Even when I told you the right way, you tried the other way. | 0:40:51 | 0:40:54 | |
You also turned the flash off, so we couldn't take a picture. | 0:40:54 | 0:40:57 | |
And you tried to leave the camera on the bar. | 0:40:57 | 0:41:00 | |
So, with all these things, every time we talked it over as a group, we've decided you're the mole. | 0:41:00 | 0:41:06 | |
'I have to admit the Chippendales are not just a bunch of pretty pecs, | 0:41:06 | 0:41:10 | |
'and like so many Americans, they just seemed instinctively to get to this, whereas I don't. | 0:41:10 | 0:41:16 | |
'If only their foreign policy was this sophisticated.' | 0:41:16 | 0:41:20 | |
I'm a weasel, I'll fight for anybody. | 0:41:20 | 0:41:21 | |
'Well, we seem to be reaching a climax of this thriller.' | 0:41:21 | 0:41:25 | |
We think so far, we've seen Wyler. That's the guy is on the station. | 0:41:25 | 0:41:28 | |
We think may be the Boss, the Boss who recruited us in the first place is actually the Boss. | 0:41:28 | 0:41:33 | |
Plus, the one who recruited me and calls herself Trixie. | 0:41:33 | 0:41:35 | |
She's called Trixie. That's what she told me her name was. | 0:41:35 | 0:41:39 | |
'So, we make the rendezvous and the game plays out. | 0:41:39 | 0:41:41 | |
'It turns out that Trixie is probably the real boss and... Oh, who cares?! | 0:41:41 | 0:41:46 | |
'What's important is that the Chips are better bonded | 0:41:46 | 0:41:50 | |
'and I've at least learned that I'm no more cut-out to be a spy than a Chippendale. | 0:41:50 | 0:41:54 | |
'Oh, well. That's two more career doors slammed in my face.' | 0:41:54 | 0:41:57 | |
One of the lesser-known facts about Las Vegas | 0:42:01 | 0:42:04 | |
is that in some respects you could say the city was founded not by the mafia, | 0:42:04 | 0:42:09 | |
not by property developers but by the Mormons, of all people, | 0:42:09 | 0:42:13 | |
the Church of Latter Day Saints. | 0:42:13 | 0:42:16 | |
When they founded their home city of Salt Lake, | 0:42:16 | 0:42:20 | |
back in the 19th century, | 0:42:20 | 0:42:22 | |
they then sent out other Mormons towards California. | 0:42:22 | 0:42:26 | |
And every 50 miles, which was as far as a telegraph could reach | 0:42:26 | 0:42:30 | |
without needing a relay station, | 0:42:30 | 0:42:31 | |
they would set up a community, a settlement of some kind. | 0:42:31 | 0:42:34 | |
And on the way, at the 50-mile marker, | 0:42:34 | 0:42:39 | |
hit this little place in the desert. | 0:42:39 | 0:42:41 | |
It seems a very, very unlikely mixture - | 0:42:41 | 0:42:45 | |
Mormonism and Las Vegas - | 0:42:45 | 0:42:47 | |
but I'm actually going to what you might call a... | 0:42:47 | 0:42:52 | |
secret photographic shoot involving Mormons, | 0:42:52 | 0:42:56 | |
right here in the city of Las Vegas. | 0:42:56 | 0:42:58 | |
How did you get this idea, Jad? | 0:42:58 | 0:43:00 | |
Ah, it actually came to me last year. | 0:43:00 | 0:43:02 | |
I was talking with friends and thought, | 0:43:02 | 0:43:05 | |
"You know wouldn't it be funny if, you see the fire-fighter calendars, | 0:43:05 | 0:43:08 | |
"you got the police calendars, Marine calendars... | 0:43:08 | 0:43:11 | |
"Well, what about Mormon missionary calendars?" | 0:43:11 | 0:43:13 | |
Yes, it's very tongue in cheek, it's very funny, | 0:43:13 | 0:43:16 | |
it also has a really deep-rooted message about tolerance, | 0:43:16 | 0:43:19 | |
about accepting and about tearing down those religious barriers. | 0:43:19 | 0:43:23 | |
Is this the kind of thing that might cause the elders to frown | 0:43:23 | 0:43:28 | |
and raise eyebrows, if you can do both at the same time? | 0:43:28 | 0:43:31 | |
Um, no, I think if we went any past this they might, um, | 0:43:31 | 0:43:37 | |
you know, we're not doing anything they can frown upon. | 0:43:37 | 0:43:40 | |
-No? -We're not breaking any rules. | 0:43:40 | 0:43:43 | |
No, right. What about the structure of the church? | 0:43:43 | 0:43:45 | |
In the Church of England, or the Episcopalian church as it's called in America, | 0:43:45 | 0:43:50 | |
there are Bishops and Priests, and a hierarchy, if you like. | 0:43:50 | 0:43:54 | |
Is there a hierarchy, you have elders? | 0:43:54 | 0:43:55 | |
Yes, there's the Prophet, who overseas the whole church. | 0:43:55 | 0:43:59 | |
-Oh, so there is an equivalent of a Pope, an absolute head. -Correct. | 0:43:59 | 0:44:03 | |
We want this to be a real angelic look | 0:44:03 | 0:44:06 | |
because that's like a belief, you know, the Mormon beliefs are based on a lot of angels. | 0:44:06 | 0:44:10 | |
-There is this thing about celestial sort of... -Celestial Kingdom. | 0:44:10 | 0:44:15 | |
So you could become an angel? | 0:44:15 | 0:44:17 | |
Well, it's more than just becoming an angel. | 0:44:17 | 0:44:19 | |
It's actually becoming resurrected. | 0:44:19 | 0:44:22 | |
So the Mormon beliefs are that we live here on Earth, we get a body, flesh and bone, you die, | 0:44:22 | 0:44:27 | |
-and then through the grace of Jesus you're resurrected. -Right. | 0:44:27 | 0:44:30 | |
-So it is a Christian church? -Yes. | 0:44:30 | 0:44:32 | |
One of the core beliefs of Mormonism, which causes a lots of controversy with other Christian faiths, | 0:44:32 | 0:44:37 | |
is the fact Mormons believe that they can actually become like God | 0:44:37 | 0:44:41 | |
and become a God of their universe, like the God of our universe. | 0:44:41 | 0:44:44 | |
In a strange way, science has at least vindicated the possibility | 0:44:44 | 0:44:48 | |
by suggesting there could be infinite universes. | 0:44:48 | 0:44:51 | |
It's interesting because the Mormon church is very conservative but their beliefs are very radical. | 0:44:51 | 0:44:56 | |
It's an interesting point. | 0:44:56 | 0:44:58 | |
It's that mixture of the straight-laced attitudes - | 0:44:58 | 0:45:01 | |
no sex before marriage, | 0:45:01 | 0:45:03 | |
no drugs including alcohol, tobacco, caffeine, | 0:45:03 | 0:45:06 | |
even quite minor ones like cups of coffee or Coca-Cola. | 0:45:06 | 0:45:11 | |
Yet, on the other hand, the most extravagant beliefs for the future, | 0:45:11 | 0:45:16 | |
and in the nature of celestial transcendence and angelic beings | 0:45:16 | 0:45:21 | |
and beatific seraphic and cherubic hosts. | 0:45:21 | 0:45:24 | |
What language did you just talk? | 0:45:24 | 0:45:27 | |
-You lost me, like, about 20 words ago! -Oh, I'm sorry about that! | 0:45:29 | 0:45:32 | |
So do you think you will have a career in the church, or...? | 0:45:32 | 0:45:36 | |
-No, I don't have the personality for it. -Really? Why do you say that? | 0:45:36 | 0:45:40 | |
What personality do you need then, do you think? | 0:45:40 | 0:45:42 | |
Um, I think you need a little more strict personality... a little more not-smiley. | 0:45:42 | 0:45:48 | |
Do you think there is prejudice against Mormonism in America? | 0:45:48 | 0:45:51 | |
I really do believe that Mormons are looked at as a second-rate citizen. | 0:45:51 | 0:45:54 | |
I think some of the prejudices are just lack of education. | 0:45:54 | 0:45:59 | |
Like as far as the gays and the polygamists, | 0:45:59 | 0:46:02 | |
-they that we believe certain things which we don't. -Yeah. | 0:46:02 | 0:46:06 | |
-There's a moment when you have to mention it to someone. -Right. | 0:46:06 | 0:46:09 | |
And you may not see it in their face but you feel that "Oh". | 0:46:09 | 0:46:12 | |
"Oh?" A weird? Or do people just go, "Oh, OK?" | 0:46:12 | 0:46:15 | |
Sometimes people ask me how many kids I have or how many wives. Stuff like that. | 0:46:15 | 0:46:20 | |
-So you just get used to that? -I just laugh. | 0:46:20 | 0:46:23 | |
I mean, you are a proselytising religion though? | 0:46:23 | 0:46:26 | |
You do want to convert the rest of the world to Mormonism, unlike Judaism, say? | 0:46:26 | 0:46:30 | |
Right, that's their mission. The mission of the church is to bring people in. | 0:46:30 | 0:46:33 | |
I suppose some people would object to that. | 0:46:33 | 0:46:36 | |
I mean, some people just don't like the idea that they are going to be preached to. | 0:46:36 | 0:46:42 | |
Oh, absolutely. I don't like to be preached to. | 0:46:42 | 0:46:43 | |
Who likes to be preached to? | 0:46:43 | 0:46:45 | |
And I think missionary work is not necessarily to go convince people, | 0:46:45 | 0:46:49 | |
it's to find those people who are looking for something. | 0:46:49 | 0:46:52 | |
Looking for answers, and, you know, hey, this may work for you, it may not work for you. | 0:46:52 | 0:46:56 | |
And this is the official uniform of missionaries. | 0:46:56 | 0:46:59 | |
This is how they are identified. | 0:46:59 | 0:47:01 | |
You got the white shirt, tie, name tag, | 0:47:01 | 0:47:04 | |
sometimes backpack, bike, you know. | 0:47:04 | 0:47:06 | |
These are the guys that you see going door to door. | 0:47:06 | 0:47:09 | |
And then the guys that we shoot, you know, | 0:47:09 | 0:47:13 | |
that's them for who they really are, | 0:47:13 | 0:47:15 | |
to show that these guys are just regular guys. | 0:47:15 | 0:47:18 | |
Regular kids. They are young, they go out when they are 19. | 0:47:18 | 0:47:21 | |
LAUGHTER | 0:47:21 | 0:47:23 | |
That's brilliant. That is very funny. | 0:47:23 | 0:47:27 | |
That is hysterical! | 0:47:27 | 0:47:29 | |
They said I was being boring, | 0:47:29 | 0:47:31 | |
-so I tried to spice it up a little. -Really? What scripture was that? | 0:47:31 | 0:47:35 | |
Of course, there is more to Nevada | 0:47:35 | 0:47:37 | |
than the new kid in the desert called Vegas. | 0:47:37 | 0:47:40 | |
It's known as the Silver State for good reason. | 0:47:40 | 0:47:43 | |
Gold and silver mining reached a peak here in Virginia City 150 years ago. | 0:47:43 | 0:47:48 | |
30,000 prospectors made this town one of the richest in America | 0:47:48 | 0:47:53 | |
and, to help them spend their hard-earned scratchings from the mother lode, | 0:47:53 | 0:47:56 | |
came inevitably the gambling dens and prostitutes. | 0:47:56 | 0:47:59 | |
The mines have all but shut down now | 0:47:59 | 0:48:01 | |
but the whore houses, like the casinos, are still booming | 0:48:01 | 0:48:05 | |
and only in Nevada they are entirely legal. | 0:48:05 | 0:48:08 | |
Queen among them is the illustrious Mustang Ranch, | 0:48:08 | 0:48:11 | |
run by its formidable madam Susan Austin. | 0:48:11 | 0:48:13 | |
Hello, yes, you must be Stephen. | 0:48:13 | 0:48:16 | |
-I am indeed. Hello. Wow! -Well, what a pleasure. -It's a pleasure to meet you as well. | 0:48:16 | 0:48:20 | |
This is my first time in a brothel, I have to confess. | 0:48:20 | 0:48:23 | |
-I have a brothel virgin on my hands, what fun! -You do. | 0:48:23 | 0:48:26 | |
This is our parlour and this is where the ladies do their line-ups. | 0:48:26 | 0:48:31 | |
It's also where we have all our achievements. | 0:48:31 | 0:48:34 | |
-Is there an award industry for brothels? -Oh, yes, there is! | 0:48:34 | 0:48:37 | |
Brothel of the Year? Courtesan of the Year! | 0:48:37 | 0:48:40 | |
I was trying to create a British gentleman's club, | 0:48:40 | 0:48:44 | |
where the old hunters could sit around in front of the fireplace | 0:48:44 | 0:48:48 | |
and discuss the animals they have hunted in Africa, | 0:48:48 | 0:48:52 | |
as well as the women they conquered. | 0:48:52 | 0:48:54 | |
It would raise eyebrows in the Garrick, | 0:48:54 | 0:48:55 | |
which is a club I am a member of in London, | 0:48:55 | 0:48:58 | |
but you've got comfortable chairs and dark wood. It's on its way. | 0:48:58 | 0:49:01 | |
-A fireplace. -And you mentioned the line-up, | 0:49:01 | 0:49:05 | |
-is that when a customer - would you say customer or John, or...? -Well, I use client. -Client, right. | 0:49:05 | 0:49:10 | |
When a client comes in, we seat him here and then the ladies come out. | 0:49:10 | 0:49:14 | |
One from each side of the room, one at a time. | 0:49:14 | 0:49:17 | |
They introduce themselves and then step back against the mirror. | 0:49:17 | 0:49:19 | |
-Hi, I'm Mandy. -Mandy, hi. Very nice to see you. | 0:49:19 | 0:49:23 | |
Well, sit down. I'm here for a chat, as it happens. | 0:49:23 | 0:49:26 | |
That way, the gentlemen see them walk, talk and up close | 0:49:26 | 0:49:31 | |
and decide whether that's the one he wants to pick. | 0:49:31 | 0:49:35 | |
See, if I were doing that, I would just be embarrassed about offending the one that I didn't choose. | 0:49:35 | 0:49:40 | |
Oh, no, no, no. I always give a little preamble before. | 0:49:40 | 0:49:44 | |
I say, "Honey, this is the way it works. | 0:49:44 | 0:49:47 | |
"All the ladies come out, they introduce themselves. | 0:49:47 | 0:49:50 | |
"You pick the one you like. | 0:49:50 | 0:49:51 | |
"Now, if you don't come to a decision with her, you come pick another one. | 0:49:51 | 0:49:55 | |
"You are not getting married, this is a business." | 0:49:55 | 0:49:57 | |
How did you find the first time? | 0:49:57 | 0:50:00 | |
Was it nerve-wracking, did you get help, were you all psyched up for it? | 0:50:00 | 0:50:05 | |
Um, I was nervous, but I had... a friend of mine was here. | 0:50:05 | 0:50:09 | |
Everybody, all the girls here are very awesome. | 0:50:09 | 0:50:12 | |
Just very helpful, you know, and they... | 0:50:12 | 0:50:15 | |
It's like, when you first start, you're either prepared to do it or you're not, you know? | 0:50:15 | 0:50:20 | |
So, they choose and then their rooms are off here, are they? | 0:50:20 | 0:50:24 | |
-And you haven't had too many weird requests yet? -Never. No. | 0:50:24 | 0:50:29 | |
But what's weird to me is far beyond what's probably weird to other people! | 0:50:29 | 0:50:34 | |
You're a young girl, an attractive young girl, | 0:50:34 | 0:50:38 | |
and you might get some men like me coming in - | 0:50:38 | 0:50:40 | |
great overweight, wobbly people in their fifties, and your heart must sink, "Oh, no!" | 0:50:40 | 0:50:45 | |
-Not at all, not with me. -Oh, you're OK with that, are you? | 0:50:45 | 0:50:49 | |
That's why I'm here. I like men of all different types, sizes, shapes. | 0:50:49 | 0:50:54 | |
-I do. -And do you think that's... And you enjoy your work? | 0:50:54 | 0:50:57 | |
-I love it. I love my job! -Fabulous. Not many people can say that. | 0:50:57 | 0:51:01 | |
My mum knows and she's like, "I'm so glad you found a job you like." | 0:51:01 | 0:51:04 | |
I'm like, "Me too! I should have been here years ago." | 0:51:04 | 0:51:07 | |
Now, we're going to stop right here. | 0:51:07 | 0:51:09 | |
These are our negotiating rooms. We don't discuss sex and money in the bedroom. Most brothels do. | 0:51:09 | 0:51:15 | |
It has to be discussed in a private room. It can never be done in public. | 0:51:15 | 0:51:19 | |
That's one of our state statutes. So... | 0:51:19 | 0:51:21 | |
-Oh, so this is by law, not just...? -By law. | 0:51:21 | 0:51:24 | |
And the girl will decide on the basis of what's required how much it will cost? | 0:51:24 | 0:51:29 | |
-That's how she prices it. -And it's not your decision, as the madam? -No, it's not my decision at all. | 0:51:29 | 0:51:33 | |
It's the independent contractor. | 0:51:33 | 0:51:35 | |
She is a businesswoman, she sets her own prices. | 0:51:35 | 0:51:38 | |
Right. So it's like having the Louis Vuitton concession in a department store, as it were? | 0:51:38 | 0:51:44 | |
-That's right, exactly. -You are the department store manager but they can charge what they like. | 0:51:44 | 0:51:48 | |
They can charge what they'd like. | 0:51:48 | 0:51:50 | |
What would happen if you met a man - either a client, or a man you happened to meet in some other way - | 0:51:50 | 0:51:57 | |
whom you completely fell for, who became THE man. | 0:51:57 | 0:52:01 | |
Would you still want to carry on working? | 0:52:01 | 0:52:04 | |
Yes. If he was "the man" he would have to accept that fact. | 0:52:04 | 0:52:08 | |
So we are first going to the Italian Suite. | 0:52:08 | 0:52:10 | |
Oh, my word, this is very grand! | 0:52:10 | 0:52:14 | |
-Isn't this wonderful? -This is not what I expected at all. | 0:52:14 | 0:52:17 | |
-No, not at all. -This is like a four-star hotel. | 0:52:17 | 0:52:20 | |
Are there many advantages to legalised prostitution, then? | 0:52:20 | 0:52:24 | |
When you control something like this and you make it legal, | 0:52:24 | 0:52:27 | |
you have state statutes, federal statutes. | 0:52:27 | 0:52:29 | |
Everything that guidelines how you operate. | 0:52:29 | 0:52:32 | |
So the girls have safety checks, they use mandatory condoms, | 0:52:32 | 0:52:37 | |
everything is done in a very legal, very safe manner. | 0:52:37 | 0:52:40 | |
This is the mini Hawaiian Vacation, | 0:52:40 | 0:52:44 | |
-complete with chickens on the ground. -It's extraordinary! | 0:52:44 | 0:52:47 | |
The monies that are paid to the ladies now are taxable, | 0:52:47 | 0:52:51 | |
so they become a productive member of society. | 0:52:51 | 0:52:54 | |
They don't have a pimp beating them up and stealing their money. | 0:52:54 | 0:52:57 | |
They are actually independent businesswomen. | 0:52:57 | 0:53:00 | |
Now, we are at the Asian Suite. | 0:53:00 | 0:53:02 | |
Asian Suite... | 0:53:02 | 0:53:05 | |
Oh, my goodness, Chinoiserie a go-go! | 0:53:05 | 0:53:08 | |
Look at that! | 0:53:08 | 0:53:10 | |
It is the oldest profession in the world. | 0:53:10 | 0:53:12 | |
You can only hide it by not making it legal. It goes underground. | 0:53:12 | 0:53:17 | |
And the beautiful double-sized Californian king bed. | 0:53:17 | 0:53:21 | |
-That is... -Now, that's a playground. | 0:53:21 | 0:53:23 | |
You could party on this bed, couldn't you? | 0:53:23 | 0:53:25 | |
Yes, you could party on this bed and never run out of room. | 0:53:25 | 0:53:29 | |
And I've had a few groups who have. | 0:53:29 | 0:53:31 | |
Leaving the lubricious delights of the Mustang forever behind me, | 0:53:37 | 0:53:42 | |
I head for the mountains and the purifying alpine air of Lake Tahoe | 0:53:42 | 0:53:46 | |
that straddles Nevada and California. | 0:53:46 | 0:53:49 | |
Once over the Sierra Nevada mountains, it's California, | 0:54:02 | 0:54:06 | |
with the scent of the ocean to lure me on. | 0:54:06 | 0:54:08 | |
# All the leaves are brown | 0:54:08 | 0:54:12 | |
All the leaves are brown | 0:54:10 | 0:54:12 | |
# And the sky is grey | 0:54:12 | 0:54:17 | |
And the sky is grey... # | 0:54:14 | 0:54:17 | |
Unlike the pioneers and prospectors of old, | 0:54:17 | 0:54:20 | |
I've had it pretty easy in my cab | 0:54:20 | 0:54:22 | |
and I've now made it, as the anthem goes, from sea to shining sea. | 0:54:22 | 0:54:27 | |
# ..If I was in LA | 0:54:27 | 0:54:33 | |
If I was in LA | 0:54:31 | 0:54:33 | |
# California dreaming | 0:54:33 | 0:54:37 | |
California dreaming | 0:54:35 | 0:54:37 | |
# On such a winter's day. # | 0:54:37 | 0:54:39 | |
There we are - the Pacific Ocean. | 0:54:43 | 0:54:45 | |
As Darwin remarked, the very badly named ocean. | 0:54:47 | 0:54:51 | |
It's not being pacific today. | 0:54:54 | 0:54:56 | |
It seems a long, long time ago | 0:55:08 | 0:55:10 | |
and a lot of miles since I saw that first sunrise in Eastport, Maine. | 0:55:10 | 0:55:15 | |
But the journey is still far from over. | 0:55:15 | 0:55:18 | |
In the next episode I discover the delights of San Francisco, | 0:55:18 | 0:55:21 | |
travel up the Pacific coast, meet vintners and dope smokers, | 0:55:21 | 0:55:24 | |
encounter sasquatch believers and old believers, | 0:55:24 | 0:55:27 | |
go hunting for whales and swimming with sharks. | 0:55:27 | 0:55:31 | |
Subtitles by Red Bee Media Ltd | 0:55:55 | 0:55:58 | |
E-mail [email protected] | 0:55:58 | 0:56:01 |