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Ahh, I'm not very good at steering. | 0:00:02 | 0:00:03 | |
OK, OK. | 0:00:03 | 0:00:04 | |
SHE LAUGHS | 0:00:04 | 0:00:06 | |
It's hard work. | 0:00:06 | 0:00:07 | |
'This is the Mekong, the mother of water. | 0:00:07 | 0:00:11 | |
'The greatest river in Southeast Asia.' | 0:00:11 | 0:00:13 | |
These are the best noodles ever. | 0:00:13 | 0:00:15 | |
'It brings life to millions | 0:00:15 | 0:00:18 | |
'from the paddy fields of Vietnam | 0:00:18 | 0:00:20 | |
'to the mountains of the Tibetan plateau.' | 0:00:20 | 0:00:22 | |
Ooh, that's cold! | 0:00:24 | 0:00:25 | |
'I'm travelling nearly 3,000 miles upstream to its source, | 0:00:25 | 0:00:29 | |
'exploring landscapes and lives | 0:00:29 | 0:00:31 | |
'on the point of profound change.' | 0:00:31 | 0:00:34 | |
-One. -One. -Two. -Two. -Three. -Three. | 0:00:34 | 0:00:38 | |
THEY LAUGH | 0:00:38 | 0:00:40 | |
'I've now reached Laos, | 0:00:41 | 0:00:42 | |
'one of the poorest and least developed | 0:00:42 | 0:00:44 | |
'of all the Mekong nations.' | 0:00:44 | 0:00:47 | |
'It's a country shaped by both Buddhism and Communism, | 0:00:50 | 0:00:53 | |
'and has hardly changed for centuries. | 0:00:53 | 0:00:55 | |
'But now Laos is on the verge of huge and irreversible change. | 0:00:58 | 0:01:02 | |
'Dams are being built to harness the power of the river.' | 0:01:02 | 0:01:05 | |
I'm a great fan of green energy | 0:01:05 | 0:01:08 | |
but if it's at the expense of nearly 50 million people, | 0:01:08 | 0:01:12 | |
you've got to wonder where the balance is. | 0:01:12 | 0:01:15 | |
'Money is flowing in from tourism.' | 0:01:15 | 0:01:17 | |
And from the flashbulbs going, | 0:01:17 | 0:01:19 | |
you'd think that Brangelina was in town, | 0:01:19 | 0:01:20 | |
but no, it's monk paparazzi. | 0:01:20 | 0:01:22 | |
'But foreign investment | 0:01:22 | 0:01:24 | |
'feels like a high stakes gamble.' | 0:01:24 | 0:01:26 | |
Plonked in the middle is this mausoleum of bad taste | 0:01:26 | 0:01:29 | |
which I'm assuming is the casino. | 0:01:29 | 0:01:32 | |
'Laos desperately needs to develop | 0:01:35 | 0:01:37 | |
'but will the price of change simply be too high?' | 0:01:37 | 0:01:40 | |
Wherever you go in the world, | 0:01:57 | 0:01:59 | |
there's always a Manchester United fan. | 0:01:59 | 0:02:01 | |
How do you feel about David Moyes' management? | 0:02:01 | 0:02:03 | |
Do you think he's done anything for the club | 0:02:03 | 0:02:05 | |
or are you worried that this is the end of an era? | 0:02:05 | 0:02:07 | |
I think we all feel the same. | 0:02:08 | 0:02:10 | |
'I couldn't have wished for a more beautiful morning | 0:02:19 | 0:02:22 | |
'to start my journey through Laos.' | 0:02:22 | 0:02:24 | |
I've had to travel this many miles upriver | 0:02:27 | 0:02:29 | |
to finally get to the Mekong of my imagination | 0:02:29 | 0:02:31 | |
which is hazy skies and silhouetted blue mountains | 0:02:31 | 0:02:36 | |
and relative silence... | 0:02:36 | 0:02:38 | |
She says as the only boat for 15 minutes go by. | 0:02:38 | 0:02:40 | |
SHE LAUGHS | 0:02:40 | 0:02:41 | |
And there's a saying which says that the Vietnamese plant the rice, | 0:02:43 | 0:02:46 | |
the Cambodians watch the rice | 0:02:46 | 0:02:48 | |
and then the Lao listen to the rice grow. | 0:02:48 | 0:02:51 | |
What I glean from that is a sort of dispassionate mellowness | 0:02:53 | 0:02:57 | |
to the Lao People, which I look forward to provoking. | 0:02:57 | 0:03:02 | |
'For landlocked Laos, | 0:03:05 | 0:03:06 | |
'surrounded by powerful neighbours like Thailand and China, | 0:03:06 | 0:03:10 | |
'the Mekong is its most important resource. | 0:03:10 | 0:03:14 | |
'My journey starts in the south, | 0:03:14 | 0:03:16 | |
'just across the Cambodian border | 0:03:16 | 0:03:19 | |
'in Si Phan Don, or the Four Thousand Islands. | 0:03:19 | 0:03:22 | |
'I've come ashore at one of the river beaches | 0:03:29 | 0:03:31 | |
'to meet a local character.' | 0:03:31 | 0:03:33 | |
Mr Boonsong? | 0:03:33 | 0:03:35 | |
THEY SPEAK LAOTIAN | 0:03:35 | 0:03:38 | |
Nice to see you. How are you? | 0:03:38 | 0:03:39 | |
This is so beautiful. | 0:03:41 | 0:03:42 | |
'He's offered to show me the best place to catch fish | 0:03:43 | 0:03:46 | |
'in his little corner of Mekong paradise.' | 0:03:46 | 0:03:48 | |
-OK, OK. -You can sit at the back. | 0:03:52 | 0:03:55 | |
-Further back? -Yeah. -OK. | 0:03:55 | 0:03:58 | |
THEY LAUGH | 0:03:58 | 0:03:59 | |
What was the word for beautiful? Ana laoi? | 0:04:13 | 0:04:15 | |
-Beautiful? What is beautiful? -Ana laoi. -Whoo-hoo! Yeah, it's that. | 0:04:15 | 0:04:21 | |
It's that times a thousand. | 0:04:21 | 0:04:23 | |
Same, same. Yeah. | 0:04:31 | 0:04:33 | |
'I'm worried for two reasons. | 0:04:35 | 0:04:36 | |
'Firstly, because he appears to be hitting on me and secondly, | 0:04:36 | 0:04:39 | |
'because I think this boat is sinking.' | 0:04:39 | 0:04:42 | |
This is a good spot? | 0:04:48 | 0:04:49 | |
-OK? -Yeah, good, thank you. -OK. | 0:04:49 | 0:04:53 | |
'We've arrived at what I assume is the fishing spot. | 0:04:53 | 0:04:56 | |
'And now I have a third reason to be worried. | 0:04:56 | 0:04:58 | |
'Boonsong's got a state of the art harpoon gun.' | 0:04:58 | 0:05:02 | |
These are rockfish we're looking for. | 0:05:02 | 0:05:04 | |
Did you see? Smartarse-ness comes just before a fall. | 0:05:04 | 0:05:09 | |
Why am I going upwards to fish? | 0:05:09 | 0:05:12 | |
-Why am I climbing a mountain? -OK? -You're a nutter! | 0:05:12 | 0:05:16 | |
Ooh! Waterfall, beautiful waterfall. | 0:05:16 | 0:05:19 | |
-Oh, wow! -SHE LAUGHS | 0:05:19 | 0:05:20 | |
You have a very excitable squeal. | 0:05:20 | 0:05:24 | |
-It's very beautiful. -Yeah. Beautiful, yeah. | 0:05:24 | 0:05:27 | |
'It turns out we're not the only ones | 0:05:30 | 0:05:31 | |
'to have made the treacherous trek to this popular fishing spot. | 0:05:31 | 0:05:35 | |
'There are traps set up along the rapids | 0:05:35 | 0:05:37 | |
'and we're about to spoil the solitude | 0:05:37 | 0:05:40 | |
'of an old lady quietly getting on with her work.' | 0:05:40 | 0:05:43 | |
Can you fish anywhere on the river | 0:05:46 | 0:05:47 | |
or does each fisherman have a special pitch, a special spot? | 0:05:47 | 0:05:50 | |
'Boonsong is very aware that catching fish | 0:06:15 | 0:06:17 | |
'is increasingly hard work, | 0:06:17 | 0:06:19 | |
'but this beautiful scenery attracts backpackers | 0:06:19 | 0:06:22 | |
'in search of unspoilt Asia | 0:06:22 | 0:06:24 | |
'and for Boonsong, | 0:06:24 | 0:06:25 | |
'tourists offer a more attractive income than fishing.' | 0:06:25 | 0:06:28 | |
What do you think of backpackers? | 0:06:30 | 0:06:32 | |
What do you think of travellers? | 0:06:32 | 0:06:35 | |
And that's a way to get more money? | 0:06:52 | 0:06:54 | |
'Boonsong's suddenly reminded we came all of this way to catch fish.' | 0:06:58 | 0:07:02 | |
-He's got excited about the fish now. -Come on. | 0:07:06 | 0:07:08 | |
She's shamed you. She's shamed you with her brilliance | 0:07:10 | 0:07:13 | |
Beautiful. I don't know why he needed a harpoon for those. | 0:07:15 | 0:07:17 | |
For me, that's overkill. | 0:07:17 | 0:07:19 | |
How many? | 0:07:21 | 0:07:22 | |
-It's good. -Good for barbecue. | 0:07:23 | 0:07:26 | |
'Boonsong has introduced me to the Lao phrase "bo panang", | 0:07:31 | 0:07:35 | |
'meaning "no worries". | 0:07:35 | 0:07:37 | |
'Which just about sums him up. | 0:07:37 | 0:07:38 | |
'It's this mellow atmosphere | 0:07:42 | 0:07:44 | |
'which draws hoards of backpackers, | 0:07:44 | 0:07:47 | |
'keen to just lie back and soak it all up. | 0:07:47 | 0:07:49 | |
'With ever an eye for an extra buck, Boonsong runs a shack on the beach. | 0:07:54 | 0:07:58 | |
'Next year, he hopes to open a guesthouse, too. | 0:07:58 | 0:08:01 | |
'All his family lend a hand, and today I've offered my services.' | 0:08:03 | 0:08:07 | |
Can I just say your husband did not catch this. | 0:08:07 | 0:08:11 | |
If he's been telling you he's a fisherman, he's lying. | 0:08:11 | 0:08:14 | |
Bash. | 0:08:18 | 0:08:20 | |
Goodbye, bingo wings. Hello, papaya. | 0:08:24 | 0:08:26 | |
'I'm glad papaya salad is on the menu, | 0:08:27 | 0:08:29 | |
because I love it, | 0:08:29 | 0:08:30 | |
'but I haven't experienced Laos papaya salad before.' | 0:08:30 | 0:08:34 | |
OK, A bit of a tasting. | 0:08:34 | 0:08:36 | |
Ohh! | 0:08:41 | 0:08:43 | |
SHE LAUGHS | 0:08:43 | 0:08:45 | |
It's good. | 0:08:47 | 0:08:48 | |
I'm going to say that now | 0:08:48 | 0:08:50 | |
while I still have the power of speech. It's really good. | 0:08:50 | 0:08:53 | |
Yes, if she says it's hot, we're in trouble. | 0:08:53 | 0:08:57 | |
Fire, just fire! | 0:08:57 | 0:08:59 | |
I don't know where I'm going, I'm just going to go | 0:09:04 | 0:09:06 | |
down to the river and drink it. | 0:09:06 | 0:09:08 | |
I mean, literally all of it. | 0:09:08 | 0:09:10 | |
So, I'm just about to take part in a Baci ceremony | 0:09:21 | 0:09:23 | |
which, although it sounds like it, | 0:09:23 | 0:09:25 | |
isn't a Welsh songbird diva strop. | 0:09:25 | 0:09:27 | |
In fact, it's a pre-Buddhist ritual | 0:09:27 | 0:09:29 | |
which integrates the 32 souls or spirits of the body | 0:09:29 | 0:09:32 | |
and usually happens at a time of transformation. | 0:09:32 | 0:09:35 | |
We've got no idea what weapons grade military hardware | 0:09:35 | 0:09:37 | |
he's brought with him this time. | 0:09:37 | 0:09:39 | |
Who knows? Maybe a bazooka or a surface-to-air missile. Whatever's appropriate. | 0:09:39 | 0:09:43 | |
'An elder is going to perform the ceremony.' | 0:09:45 | 0:09:47 | |
I just want to kiss his face. He's just got a face that you want to smooch. | 0:09:52 | 0:09:55 | |
You have a beautiful face. | 0:09:57 | 0:10:00 | |
87 years. | 0:10:00 | 0:10:02 | |
Amazing. Amazing. | 0:10:03 | 0:10:06 | |
Boonsong and his family, like most Lao, are Buddhist. | 0:10:10 | 0:10:14 | |
And today, the ceremony is for me. | 0:10:17 | 0:10:20 | |
It's to wish me well on the start of my journey through Laos. | 0:10:20 | 0:10:24 | |
I have absolutely no idea what the words mean, | 0:10:33 | 0:10:36 | |
but the feeling, the warmth from this gathering is tangible. | 0:10:36 | 0:10:40 | |
As each person ties a string round my wrist, | 0:10:40 | 0:10:43 | |
they are offering me a blessing. | 0:10:43 | 0:10:45 | |
To work, I've been told they need to stay on for at least three days. | 0:10:46 | 0:10:50 | |
I don't think you can get much more blessed than that. | 0:10:53 | 0:10:56 | |
Properly blessed, properly blessed. Amazing. | 0:10:59 | 0:11:04 | |
Boonsong is a cracking guy. | 0:11:18 | 0:11:20 | |
He's so energetic and full of life, | 0:11:20 | 0:11:22 | |
and he's so wonderfully friendly and charismatic. | 0:11:22 | 0:11:24 | |
He's also one of the laziest entrepreneurs I've ever met, | 0:11:24 | 0:11:27 | |
in the sense that he's just got this amazing ability to not do anything. | 0:11:27 | 0:11:31 | |
He gets other people to do it, | 0:11:31 | 0:11:33 | |
so somebody will catch his fish and he'll buy them. | 0:11:33 | 0:11:35 | |
His wife will do the cooking, | 0:11:35 | 0:11:37 | |
he'll embed a cleaver in an onion and think he's made the dish. | 0:11:37 | 0:11:39 | |
But perhaps that's the key to his success, really - | 0:11:40 | 0:11:43 | |
powers of delegation will mean he'll make his fortune. | 0:11:43 | 0:11:47 | |
Maybe I'll come back here in ten years' time | 0:11:47 | 0:11:49 | |
and he'll have formed a chain of restaurants | 0:11:49 | 0:11:51 | |
that will, you know, extend throughout Asia | 0:11:51 | 0:11:53 | |
and he'll be doing very little work in any of them, I imagine. | 0:11:53 | 0:11:57 | |
Having a beer on a porch of one and roaring with laughter. | 0:11:57 | 0:12:01 | |
HE SINGS LAO KARAOKE | 0:12:01 | 0:12:03 | |
'I really hope that Boonsong's plans work out. | 0:12:07 | 0:12:10 | |
'He's adapting and he's welcoming in the tourist dollar. | 0:12:10 | 0:12:13 | |
'But what about those upstream, | 0:12:13 | 0:12:16 | |
'for whom fundamental and profound change is coming?' | 0:12:16 | 0:12:20 | |
'The Xayaburi hydroelectric dam | 0:12:31 | 0:12:33 | |
'is Southeast Asia's biggest | 0:12:33 | 0:12:34 | |
'and most controversial engineering project. | 0:12:34 | 0:12:37 | |
'It's the first dam across the Lower Mekong | 0:12:38 | 0:12:41 | |
'and will completely block the flow of the river. | 0:12:41 | 0:12:44 | |
'The countries downstream of Laos | 0:12:44 | 0:12:46 | |
'are deeply concerned about its impact. | 0:12:46 | 0:12:48 | |
'It's taken us months to negotiate access to film here | 0:12:49 | 0:12:52 | |
'so this is a pretty big day. | 0:12:52 | 0:12:55 | |
'I've certainly never been | 0:12:55 | 0:12:56 | |
'so excited to meet a couple of thousand builders.' | 0:12:56 | 0:12:59 | |
Throughout the entirety of my trip up the Mekong | 0:13:00 | 0:13:02 | |
the prospect of damming has always loomed large | 0:13:02 | 0:13:04 | |
but the dams felt like a Keyser Soze figure - | 0:13:04 | 0:13:08 | |
dark and mysterious and always out of sight. | 0:13:08 | 0:13:11 | |
And here in Laos, I will actually get to visit one. | 0:13:11 | 0:13:13 | |
It doesn't really matter whether you think | 0:13:13 | 0:13:15 | |
that it will bring renewable energy to an area | 0:13:15 | 0:13:17 | |
that is one of the least provided in the entire world | 0:13:17 | 0:13:20 | |
or whether you think, quite frankly, | 0:13:20 | 0:13:21 | |
it's an ecological disaster waiting to happen. | 0:13:21 | 0:13:24 | |
Either way, the dam is coming | 0:13:24 | 0:13:25 | |
and it will change this entire land for ever. | 0:13:25 | 0:13:29 | |
'Laos is a communist state, | 0:13:31 | 0:13:32 | |
'and information about the dam is very tightly controlled. | 0:13:32 | 0:13:35 | |
'Off camera, there's a whole convoy of information officers | 0:13:35 | 0:13:39 | |
'and media minders making sure that I'm strictly on message. | 0:13:39 | 0:13:44 | |
'Almost everybody I've met on my travels up the Mekong | 0:13:44 | 0:13:47 | |
'have been against the damming project, | 0:13:47 | 0:13:49 | |
'but I'm trying to keep an open mind.' | 0:13:49 | 0:13:51 | |
I'm just approaching the dam now, pulled over, | 0:13:51 | 0:13:53 | |
and the support car went in front of us, put the nee-naws on. | 0:13:53 | 0:13:56 | |
It's quite exciting, I now feel I'm part of Police Camera Action! | 0:13:56 | 0:13:59 | |
I expect Alastair Stewart to pop up any minute now | 0:13:59 | 0:14:01 | |
in a very tight pair of stonewash jeans. | 0:14:01 | 0:14:04 | |
But it just goes to show how tightly controlled this area is. | 0:14:05 | 0:14:08 | |
What's really funny as well | 0:14:08 | 0:14:10 | |
is there's no other traffic on the road. | 0:14:10 | 0:14:12 | |
Literally the road is completely clear. | 0:14:12 | 0:14:14 | |
'It's impossible to understate the significance of this one project. | 0:14:18 | 0:14:23 | |
'It has the power to change the entire region. | 0:14:23 | 0:14:26 | |
'On my journey, I've met just some of the 50 million people | 0:14:26 | 0:14:30 | |
'who depend on the Mekong for their food and livelihood.' | 0:14:30 | 0:14:33 | |
'My liberal Western kneejerk reaction is that hydroelectric power | 0:14:36 | 0:14:39 | |
'means clean, green energy, | 0:14:39 | 0:14:41 | |
'but if I dig a little deeper, an ecological alarm bell goes off. | 0:14:41 | 0:14:46 | |
'I start to understand | 0:14:48 | 0:14:49 | |
'that dams interrupt the natural flow of the river, | 0:14:49 | 0:14:52 | |
'changing water levels, blocking fish migration | 0:14:52 | 0:14:55 | |
'and destroying fish stocks.' | 0:14:55 | 0:14:58 | |
Oh, that's marvellous. We're being saluted. | 0:15:03 | 0:15:07 | |
It's just a sort of reflex. | 0:15:07 | 0:15:09 | |
I have no military training. | 0:15:10 | 0:15:12 | |
I seem to be stuck in a sort of media sandwich | 0:15:14 | 0:15:16 | |
in that they're making a documentary about me | 0:15:16 | 0:15:18 | |
as I'm making a documentary about them. | 0:15:18 | 0:15:21 | |
'I think the security might have been stepped up | 0:15:21 | 0:15:23 | |
'as I'm on my way to meet a representative | 0:15:23 | 0:15:25 | |
'of the communist government, | 0:15:25 | 0:15:27 | |
'the rather splendidly named Mr Viraphonh Viravong, | 0:15:27 | 0:15:30 | |
'the Vice Minister for Energy and Mines.' | 0:15:30 | 0:15:33 | |
-It's nice to meet you. -Please...Viraphonh. | 0:15:33 | 0:15:35 | |
Mr Viravong, nice to meet you. | 0:15:35 | 0:15:37 | |
Thank you for letting us come and see your dam. | 0:15:37 | 0:15:39 | |
-It's our pleasure to receive you here. -Thank you. | 0:15:40 | 0:15:44 | |
-Come in... -Excellent. | 0:15:44 | 0:15:46 | |
..and talk about the projects a little bit. | 0:15:46 | 0:15:49 | |
Come, we have to do the presentation. | 0:15:49 | 0:15:51 | |
Ah. This is great, cos I've prepared a speech. | 0:15:53 | 0:15:58 | |
I feel like I'm in a James Bond film. | 0:16:02 | 0:16:05 | |
-SHE LAUGHS -This is very good. | 0:16:05 | 0:16:07 | |
'I'm desperate to clap eyes on the actual dam | 0:16:11 | 0:16:14 | |
'but before I'm allowed on-site, | 0:16:14 | 0:16:16 | |
'I have to sit through a 40-minute presentation | 0:16:16 | 0:16:19 | |
'on hydroelectric engineering | 0:16:19 | 0:16:22 | |
'including navigation lock systems, | 0:16:22 | 0:16:25 | |
'sand flushing | 0:16:25 | 0:16:28 | |
'and, of course, fish transportation.' | 0:16:28 | 0:16:31 | |
-Next to that is a fish lift, but we call it... -A fish lift? | 0:16:31 | 0:16:35 | |
Fish lift. | 0:16:35 | 0:16:36 | |
-They've got their own lift?! -Yep. | 0:16:36 | 0:16:38 | |
I've never heard of a fish lift. | 0:16:38 | 0:16:39 | |
You have the lift. It's like this. | 0:16:39 | 0:16:42 | |
-It is a lift... -Yeah? | 0:16:42 | 0:16:44 | |
..coming down, the gate open, | 0:16:44 | 0:16:47 | |
and, after, the fish can come in. | 0:16:47 | 0:16:49 | |
Going up. | 0:16:49 | 0:16:50 | |
Automatically, we set the times and other things, | 0:16:50 | 0:16:53 | |
it would go up and release it upstream. | 0:16:53 | 0:16:56 | |
These are for the fish that like to migrate at the bottom of the... | 0:16:56 | 0:17:00 | |
like catfish and other thing. | 0:17:00 | 0:17:02 | |
You've got the fish escalators and fish lifts. | 0:17:02 | 0:17:04 | |
I can't knock you. | 0:17:04 | 0:17:05 | |
That's the most high-tech marine life I've ever come across. | 0:17:05 | 0:17:08 | |
I don't get invited to a lot of presentations | 0:17:09 | 0:17:12 | |
because I'm an A-grade numpty. | 0:17:12 | 0:17:14 | |
But I really enjoyed it and I had lots of questions, | 0:17:14 | 0:17:19 | |
all of which were answered and a lot of prejudices confronted. | 0:17:19 | 0:17:23 | |
So, I don't know at the moment whether everything I've... | 0:17:24 | 0:17:28 | |
You know, all my sort of naive ecological feelings | 0:17:28 | 0:17:31 | |
about dams are wrong | 0:17:31 | 0:17:32 | |
or whether they're very, very good at selling me a hard lie. | 0:17:32 | 0:17:36 | |
I don't know. He's a marvel, though. | 0:17:36 | 0:17:38 | |
'And finally, here it is. | 0:17:48 | 0:17:50 | |
'This construction side is massive and it's not even a quarter built. | 0:17:50 | 0:17:56 | |
'I've seen the effect of dams further down the river in Vietnam | 0:17:57 | 0:18:01 | |
'but here it is in all of its concrete glory. | 0:18:01 | 0:18:04 | |
'I can't help but be impressed by the scale, the size, | 0:18:05 | 0:18:08 | |
'the industry - there are 9,000 people working here | 0:18:08 | 0:18:12 | |
'around the clock. | 0:18:12 | 0:18:13 | |
'Thailand is paying most of the 3.8 billion costs. | 0:18:13 | 0:18:17 | |
'In return, they will get 95% of the electricity produced. | 0:18:17 | 0:18:22 | |
'But Mr Viravong is still confident | 0:18:22 | 0:18:24 | |
'that Laos will have longer-term benefits.' | 0:18:24 | 0:18:28 | |
In your presentation, you showed 11 dams that were planned. | 0:18:28 | 0:18:32 | |
If all of those dams were realised, what percentage of the total energy | 0:18:32 | 0:18:37 | |
produced will be renewable energy in Laos? | 0:18:37 | 0:18:39 | |
-So everything will be pretty much renewable in Laos? -Yeah. | 0:18:50 | 0:18:54 | |
So you can go from the visually greenest | 0:18:54 | 0:18:57 | |
to the ethically greenest country in the entire world? | 0:18:57 | 0:19:00 | |
This also means a lot of money now for Laos potentially. | 0:19:02 | 0:19:05 | |
This is a huge revenue generator. | 0:19:05 | 0:19:08 | |
Do you think it will massively change the country? | 0:19:08 | 0:19:11 | |
'Sounds too good to be true, doesn't it? | 0:19:41 | 0:19:44 | |
'But of course, there's a catch. | 0:19:44 | 0:19:45 | |
'Thousands of people will be forced to leave their traditional villages | 0:19:45 | 0:19:49 | |
'as the waters inevitably rise. | 0:19:49 | 0:19:51 | |
'Mr Viravong offers me the chance to look around their new homes.' | 0:19:51 | 0:19:55 | |
-On my own, without an entourage? -Right. | 0:20:01 | 0:20:04 | |
'When Mr Viravong said I could go alone, | 0:20:07 | 0:20:10 | |
'he actually meant I could go with a convoy of ten cars | 0:20:10 | 0:20:15 | |
'just to check I get to the right place.' | 0:20:15 | 0:20:17 | |
So this is the village of Ban Tang Long | 0:20:26 | 0:20:30 | |
and I'm just going to get an impartial view | 0:20:30 | 0:20:33 | |
on what it's really like having your community uprooted. | 0:20:33 | 0:20:37 | |
Thank God there are 20 government officials | 0:20:37 | 0:20:40 | |
and heavies to make sure he really does have an impartial view. | 0:20:40 | 0:20:45 | |
'It's hard to know who I'm supposed to be meeting. | 0:20:47 | 0:20:50 | |
'Villager one turns out to be one of the developers.' | 0:20:50 | 0:20:52 | |
May I sit? | 0:20:52 | 0:20:54 | |
-Too hot for me. -Yeah. | 0:20:54 | 0:20:56 | |
'Villager two, the Laotian Johnny Vegas, | 0:20:56 | 0:20:59 | |
is another developer.' | 0:20:59 | 0:21:01 | |
So, um... | 0:21:01 | 0:21:02 | |
It's the villager here, you can interview him. | 0:21:02 | 0:21:05 | |
'Ah, finally. The real McCoy. | 0:21:05 | 0:21:07 | |
'But just in case he gets his words wrong, | 0:21:07 | 0:21:10 | |
'the company have supplied a translator.' | 0:21:10 | 0:21:13 | |
So, when did you and your community come to the resettled village? | 0:21:13 | 0:21:19 | |
Already disagreement. | 0:21:29 | 0:21:31 | |
Slightly filtered answer. | 0:21:34 | 0:21:36 | |
What was your feeling | 0:21:38 | 0:21:39 | |
when you knew that your village was going to be moved? | 0:21:39 | 0:21:42 | |
He said, "Feel happy." | 0:21:45 | 0:21:48 | |
Very happy. | 0:21:48 | 0:21:50 | |
And what are the changes from the old village to the new village? | 0:21:50 | 0:21:54 | |
This sounds very good. | 0:22:03 | 0:22:05 | |
Is there any one small thing that is bad about moving? | 0:22:05 | 0:22:09 | |
Would you mind showing me around the village? | 0:22:30 | 0:22:34 | |
Excellent. Thank you. | 0:22:34 | 0:22:35 | |
This dude's doing a deal. Look at him. | 0:22:42 | 0:22:44 | |
He's just doing a couple of quick property deals. | 0:22:46 | 0:22:49 | |
Is it possible to see inside a house? Is that OK? | 0:22:49 | 0:22:54 | |
Is this your house, or are we just walking into a stranger's house? | 0:22:54 | 0:22:59 | |
I mean, who's going to question this guy? | 0:22:59 | 0:23:04 | |
You can go anywhere he say. | 0:23:04 | 0:23:07 | |
-Are you sure? -Yeah. -Yeah, you're the dude. | 0:23:07 | 0:23:09 | |
I feel like I'm in a Southeast Asian version of Reservoir Dogs now. | 0:23:11 | 0:23:14 | |
Look! | 0:23:25 | 0:23:27 | |
'And this is what it's all about. | 0:23:28 | 0:23:30 | |
'With a flick of a switch, lives are transformed.' | 0:23:30 | 0:23:33 | |
Entering those homes and they are really a class above | 0:23:37 | 0:23:40 | |
anything I've seen all the way along the Mekong. | 0:23:40 | 0:23:42 | |
Don't get me wrong, they are great places for these people to live | 0:23:42 | 0:23:45 | |
and I wish that for them, | 0:23:45 | 0:23:47 | |
but I can't help thinking that, in a way, | 0:23:47 | 0:23:49 | |
they're just exchanging one kind of bonded labour, | 0:23:49 | 0:23:52 | |
in this case fishing, for our capitalist version, | 0:23:52 | 0:23:56 | |
which is just slumped in front of stuff. | 0:23:56 | 0:23:59 | |
You know, addicted to stuff, to material stuff. | 0:23:59 | 0:24:02 | |
I think I went into today thinking I have a feeling about which way | 0:24:04 | 0:24:09 | |
I would side on this debate, but very little information. | 0:24:09 | 0:24:13 | |
Now I can honestly say I've got an awful lot of information | 0:24:13 | 0:24:18 | |
but I find it very hard to plonk myself firmly | 0:24:18 | 0:24:21 | |
either side of the debate. | 0:24:21 | 0:24:23 | |
I think to frame the debate | 0:24:23 | 0:24:27 | |
within the sort of binary opposites of right or wrong | 0:24:27 | 0:24:29 | |
is a hiding to nowhere, really. | 0:24:29 | 0:24:31 | |
I was incredibly impressed with Mr Viravong. | 0:24:32 | 0:24:35 | |
I thought he was a proper statesman, you know, and he had all the patter | 0:24:35 | 0:24:39 | |
and I slowly became completely beguiled by him. | 0:24:39 | 0:24:42 | |
Everything he said I believed, utterly, | 0:24:42 | 0:24:44 | |
just sucked into the tractor beam of fact and moral rectitude | 0:24:44 | 0:24:48 | |
and by the end of it, I thought, | 0:24:48 | 0:24:49 | |
"Yes, we must go home, we must build dams everywhere | 0:24:49 | 0:24:52 | |
"because they're clean and brilliant and everyone is going to benefit." | 0:24:52 | 0:24:56 | |
And I maintained that completely singular perspective | 0:24:56 | 0:25:00 | |
for about an hour, until I went to my completely free rein trip | 0:25:00 | 0:25:05 | |
to the resettlement village, and then everything changed again. | 0:25:05 | 0:25:08 | |
And then you have to start investigating your own mindset. | 0:25:08 | 0:25:11 | |
I'm a product of a Western colonial education. | 0:25:11 | 0:25:14 | |
Why wouldn't I want people to have electricity here and why wouldn't I | 0:25:14 | 0:25:17 | |
want people to have nice new houses and a house like I've got? | 0:25:17 | 0:25:20 | |
Is it just because undeveloped Asia is so beautiful, | 0:25:20 | 0:25:24 | |
I'd like to have a holiday here? | 0:25:24 | 0:25:26 | |
How appalling, you know? | 0:25:26 | 0:25:27 | |
This is the thing. It challenges your preconceptions so constantly | 0:25:27 | 0:25:30 | |
and I'm really glad of that. | 0:25:30 | 0:25:31 | |
Is life's goal always about the pursuit of the cathode ray | 0:25:31 | 0:25:35 | |
and the fridge-freezer, or is it about a more natural connection with | 0:25:35 | 0:25:38 | |
landscape and a better quality of food that can be retrieved from it? | 0:25:38 | 0:25:42 | |
And there's somewhere... | 0:25:42 | 0:25:43 | |
There's a middle point that I don't know where that is | 0:25:43 | 0:25:46 | |
and I don't think mankind as a whole has found it, but it is the sort of | 0:25:46 | 0:25:50 | |
intellectual frontier that Asia is having to navigate as it develops. | 0:25:50 | 0:25:55 | |
'Of course, there are no easy answers | 0:25:57 | 0:26:00 | |
'but if I've learned anything on this river trip, it's that all | 0:26:00 | 0:26:03 | |
'the people of the Mekong, regardless of their nationality, | 0:26:03 | 0:26:06 | |
'are in this together, all linked by one vital, | 0:26:06 | 0:26:09 | |
'international watercourse. | 0:26:09 | 0:26:12 | |
'While the Xayaburi dam will surely bring economic benefits | 0:26:12 | 0:26:15 | |
'to Laos and beyond, | 0:26:15 | 0:26:17 | |
'it's also likely to harm tens of millions of others downstream. | 0:26:17 | 0:26:23 | |
'And this dam is just the beginning - | 0:26:23 | 0:26:25 | |
'there are 10 more dams planned for Laos alone, and 140 either | 0:26:25 | 0:26:29 | |
'commissioned or under construction for the Mekong and its tributaries. | 0:26:29 | 0:26:34 | |
'As I continue upstream, | 0:26:44 | 0:26:47 | |
'I see the people along the river bank with new eyes. | 0:26:47 | 0:26:50 | |
'Their ways of life have evolved over generations in tandem with | 0:26:50 | 0:26:55 | |
'the annual monsoon rains and the rise and fall of the water. | 0:26:55 | 0:26:59 | |
'I just hope it won't all be swept away | 0:27:01 | 0:27:03 | |
'in the great flood of progress.' | 0:27:03 | 0:27:04 | |
So when you think of Asia, you think weed, right? | 0:27:14 | 0:27:17 | |
River weed, of course, algae. I'm going to get some. | 0:27:17 | 0:27:21 | |
'During the dry season, when the river is low, | 0:27:21 | 0:27:24 | |
'the local women take to the water to collect this unusual delicacy.' | 0:27:24 | 0:27:29 | |
The laughter has already started. | 0:27:29 | 0:27:32 | |
-Sue. -Sue. -Sue. | 0:27:32 | 0:27:35 | |
Butang. | 0:27:36 | 0:27:38 | |
Oh, hello, straight into it. Thank you. | 0:27:40 | 0:27:42 | |
No worries. There will be worries when this is completely empty. | 0:27:46 | 0:27:49 | |
Will you show me how to get the weed? We can go? | 0:27:49 | 0:27:52 | |
Yet more balancing exercises. | 0:27:52 | 0:27:55 | |
SHE LAUGHS NERVOUSLY | 0:27:55 | 0:27:56 | |
I see word's got out from Cambodia and Vietnam. | 0:27:56 | 0:27:59 | |
This is it? This is the weed. OK. | 0:28:03 | 0:28:06 | |
Right. There's a lot of delving now. | 0:28:06 | 0:28:09 | |
'It's hard to believe | 0:28:09 | 0:28:11 | |
'but apparently, this Kermit-coloured slime | 0:28:11 | 0:28:13 | |
'will get turned into a local speciality known as kaipen.' | 0:28:13 | 0:28:17 | |
It's a cross between farming and swimming. | 0:28:18 | 0:28:22 | |
Oh, that's no good? | 0:28:25 | 0:28:26 | |
So what is the difference between good and no good? | 0:28:27 | 0:28:30 | |
It looks exactly the same to me. | 0:28:31 | 0:28:33 | |
You've got loads. You've got a wizard's hat full. | 0:28:35 | 0:28:39 | |
I've got a very wet bottom. Look, look at this. | 0:28:39 | 0:28:43 | |
Oh, that's OK. | 0:28:45 | 0:28:46 | |
Ooh! | 0:28:46 | 0:28:48 | |
SHE LAUGHS | 0:28:48 | 0:28:49 | |
Ooh, that's cold! Ohh! | 0:28:49 | 0:28:52 | |
It's like a very strange Riverdance going on here. | 0:28:55 | 0:29:00 | |
I don't know where I'm being led, but I quite like it. | 0:29:00 | 0:29:03 | |
It's good? It's OK? | 0:29:15 | 0:29:18 | |
Volume-wise, I'm doing really well. | 0:29:18 | 0:29:20 | |
What she doesn't realise is that 90% of that is sand. | 0:29:20 | 0:29:24 | |
SHE LAUGHS | 0:29:24 | 0:29:25 | |
'The weed is processed back at the house, where it's flavoured | 0:29:26 | 0:29:29 | |
'with spices and hung out to dry in the sun.' | 0:29:29 | 0:29:32 | |
I'm going to try this bit, because there's loads of stuff on it. | 0:29:40 | 0:29:45 | |
A bit like Japanese seaweed. Quite salty. | 0:29:55 | 0:29:58 | |
I've never disciplined river weed before. | 0:30:17 | 0:30:20 | |
THEY LAUGH | 0:30:22 | 0:30:24 | |
This I could get into. | 0:30:24 | 0:30:27 | |
Oh, OK. Now lengthways. | 0:30:36 | 0:30:37 | |
You really don't want to get on the wrong side of her, do you? | 0:30:40 | 0:30:43 | |
-Take that. -Yeah. Hell, yeah! | 0:30:43 | 0:30:44 | |
I tell you what - you can have some of that back. Hang on. | 0:30:44 | 0:30:47 | |
THEY LAUGH | 0:30:48 | 0:30:52 | |
So, do you know that they are going to build a dam near here? | 0:30:52 | 0:30:57 | |
The water may be higher in the Mekong near where you are. | 0:30:57 | 0:31:01 | |
So, if you could not make money from doing this, | 0:31:08 | 0:31:12 | |
you could not get the seaweed any more, | 0:31:12 | 0:31:14 | |
would it really affect your family? | 0:31:14 | 0:31:16 | |
Do you want to go back to the rice fields? | 0:31:29 | 0:31:32 | |
It's so tiring. | 0:31:33 | 0:31:34 | |
The Mekong House of Correction has completed its business for the day. | 0:31:39 | 0:31:42 | |
It's true what they say about Laos. It is seriously good weed. | 0:31:52 | 0:31:56 | |
'I could happily batter the living cack | 0:31:56 | 0:31:58 | |
'out of seaweed for the rest of my life. | 0:31:58 | 0:32:00 | |
'But as with most things Laotian, | 0:32:00 | 0:32:03 | |
'it's very easy to romanticise this apparently idyllic way of life. | 0:32:03 | 0:32:07 | |
'Laos is the poorest of the all the Mekong nations. | 0:32:08 | 0:32:12 | |
'For many families, sending children to school is not a priority | 0:32:12 | 0:32:16 | |
'and, shockingly, one out of every four are illiterate. | 0:32:16 | 0:32:20 | |
'But some people are trying to change this.' | 0:32:22 | 0:32:26 | |
Welcome to the Book Boat. | 0:32:28 | 0:32:30 | |
-How wonderful. Thank you. -Welcome. | 0:32:30 | 0:32:32 | |
We're talking in a library. Shh! | 0:32:32 | 0:32:34 | |
In England, you have to be very quiet. | 0:32:34 | 0:32:36 | |
This library boat, run by a local NGO, | 0:32:37 | 0:32:40 | |
takes books to remote villages only accessed by the river and it's led, | 0:32:40 | 0:32:45 | |
not by your usual mousy librarians, | 0:32:45 | 0:32:47 | |
but this lot, who are all-singing and all-dancing. | 0:32:47 | 0:32:52 | |
What I like about this library is it's really noisy. | 0:32:53 | 0:32:56 | |
What happen? What happen? What happen? | 0:32:59 | 0:33:03 | |
OK, I think this might be the first library crash, actually. | 0:33:04 | 0:33:10 | |
Just hitting some rocks there. | 0:33:10 | 0:33:12 | |
Is this normal? Do they normally go into rocks? | 0:33:12 | 0:33:15 | |
No, no. Never happen. This is first time. | 0:33:15 | 0:33:17 | |
That's good to know. That is good to know. | 0:33:17 | 0:33:19 | |
-Can you swim? -I can swim. | 0:33:19 | 0:33:22 | |
-Can you move here? -I certainly can... | 0:33:22 | 0:33:25 | |
Apparently, it's my weight that's caused it. | 0:33:25 | 0:33:27 | |
It's a very polite way of saying, "Listen, you big porky Westerner. | 0:33:27 | 0:33:30 | |
"We were fine until you got on board." | 0:33:30 | 0:33:33 | |
'Disaster averted, after two hours more travel | 0:33:39 | 0:33:42 | |
'we arrive at our destination - a remote village | 0:33:42 | 0:33:45 | |
'inhabited by the Hmong, one of Laos' 49 ethnic minorities.' | 0:33:45 | 0:33:50 | |
THEY CHEER | 0:33:50 | 0:33:52 | |
'It's not your normal reaction for a library van. | 0:34:25 | 0:34:28 | |
'I feel like I'm in One Direction. | 0:34:28 | 0:34:30 | |
'The children borrow the books overnight and then return them | 0:35:18 | 0:35:21 | |
'the next morning, when the boat moves on to the next village.' | 0:35:21 | 0:35:24 | |
These are the Hmong tribe | 0:35:35 | 0:35:36 | |
and they don't even speak Lao, they are learning Lao now. | 0:35:36 | 0:35:38 | |
They've taken themselves off to every little hillock and crag to sit | 0:35:38 | 0:35:41 | |
with these books, which are as precious as gold. | 0:35:41 | 0:35:44 | |
And they're not interested in me | 0:35:44 | 0:35:46 | |
or the cameras or the circus that I've brought with me. | 0:35:46 | 0:35:49 | |
They're interested in just taking themselves off, opening up | 0:35:49 | 0:35:52 | |
the books and just immersing, and I'm so moved by it, because | 0:35:52 | 0:35:56 | |
that was my experience of reading and you'd want that for everybody. | 0:35:56 | 0:35:59 | |
That joy of forgetting the mundaneness of your own existence | 0:35:59 | 0:36:02 | |
for a second and suddenly being involved in | 0:36:02 | 0:36:05 | |
a turtle's life or an elephant's life or a princess' life. | 0:36:05 | 0:36:08 | |
It's amazing to be part of that for a second. | 0:36:08 | 0:36:11 | |
So I've just managed to secure a massive break. | 0:36:23 | 0:36:26 | |
I've just been told that I'll be playing the part of the tree | 0:36:26 | 0:36:29 | |
in the community story, which is frankly massive for me | 0:36:29 | 0:36:33 | |
because I've only ever played third sheep and quite a grumpy shepherd. | 0:36:33 | 0:36:38 | |
What kind of tree am I? What's my motivation? | 0:36:41 | 0:36:44 | |
'It's a sort of super squeaky Laotian Punch and Judy. | 0:36:58 | 0:37:02 | |
'I'm certainty giving the role of tree my all. | 0:37:09 | 0:37:13 | |
'I'm a tree. I'm still a tree. | 0:37:18 | 0:37:21 | |
'It's been humbling to spend the day with these kids, | 0:37:32 | 0:37:34 | |
'lit up by the simple act of reading. | 0:37:34 | 0:37:37 | |
'And the revenue from the dams could help elevate communities like these | 0:37:37 | 0:37:40 | |
'from poverty, bringing electricity, schools and health care.' | 0:37:40 | 0:37:43 | |
'I'm heading north on the river again | 0:37:57 | 0:37:59 | |
'to the ancient city of Luang Prabang, | 0:37:59 | 0:38:01 | |
'famous for its temples - and its tourists.' | 0:38:01 | 0:38:04 | |
As Lao starts to develop, it looks not only to the future | 0:38:09 | 0:38:12 | |
with all the high-tech, high-spec projects | 0:38:12 | 0:38:14 | |
such as the hydroelectric dam, but also to its past | 0:38:14 | 0:38:18 | |
in an effort to capture that all-elusive tourist dollar. | 0:38:18 | 0:38:21 | |
Nowhere is that more important than here in Luang Prabang, | 0:38:21 | 0:38:24 | |
which is Laos' cultural core. | 0:38:24 | 0:38:27 | |
I'm actually at Sean Connery's favourite hillock - Pussy Mountain. | 0:38:27 | 0:38:32 | |
'Phu Si Mountain - I kid you not - looks out over Luang Prabang, | 0:38:32 | 0:38:37 | |
'set on the confluence of the Mekong and the Nam Khan Rivers, | 0:38:37 | 0:38:40 | |
'surrounded by water. | 0:38:40 | 0:38:42 | |
'It was once the Royal City of Laos | 0:38:42 | 0:38:44 | |
'and is now a UNESCO World Heritage Site | 0:38:44 | 0:38:47 | |
'famed for its temples and architecture. | 0:38:47 | 0:38:50 | |
'It's also the centre of Buddhism | 0:38:51 | 0:38:54 | |
'and is thought to be home to more monks than anywhere else in Asia. | 0:38:54 | 0:38:58 | |
'Laos' sleepy demeanour belies a turbulent history. | 0:39:00 | 0:39:04 | |
'It's been squabbled over by more powerful neighbours Burma and | 0:39:04 | 0:39:07 | |
'Thailand, colonised by the French, then caught up in the Vietnam War. | 0:39:07 | 0:39:12 | |
'But throughout all this, | 0:39:14 | 0:39:16 | |
'Buddhism has remained a constant, consoling presence.' | 0:39:16 | 0:39:19 | |
'Every morning at 6am, | 0:39:29 | 0:39:31 | |
'the monks and novices of Luang Prabang leave their temples to | 0:39:31 | 0:39:33 | |
'collect alms. | 0:39:33 | 0:39:35 | |
'These alms provide the monks with their food | 0:39:39 | 0:39:42 | |
'so I'm hoping that getting up at first light and giving out buckets | 0:39:42 | 0:39:45 | |
'of sticky rice will help me to win just a few karma points in life.' | 0:39:45 | 0:39:50 | |
Quite a crowd building, and from the flashbulbs going, you'd think that | 0:40:03 | 0:40:06 | |
Brangelina was in town, but no, it's monk paparazzi, how brilliant. | 0:40:06 | 0:40:11 | |
The good thing, of course - more people, more alms for monks. | 0:40:11 | 0:40:15 | |
Bad thing is, it sort of takes away from the ceremony. | 0:40:15 | 0:40:18 | |
It becomes this tourist experience. Just another iPhoto. | 0:40:18 | 0:40:21 | |
'Traditionally, every Laos man is expected to join | 0:40:29 | 0:40:32 | |
'a monastery for at least a short period of his life.' | 0:40:32 | 0:40:36 | |
So, yet another orange wash there. | 0:40:36 | 0:40:38 | |
Every morning - "Anyone got anything for the orange wash?" | 0:40:38 | 0:40:41 | |
'For poorer families, it's a way of getting an education. It also means | 0:40:43 | 0:40:47 | |
'that generation after generation is imbued with Buddhist principles. | 0:40:47 | 0:40:51 | |
'I'm joining the novices for a day | 0:40:53 | 0:40:55 | |
'to try and understand what that really means.' | 0:40:55 | 0:40:57 | |
Do you sometimes get a bit bored of it? | 0:40:59 | 0:41:01 | |
Do you get tired of sweeping? | 0:41:01 | 0:41:03 | |
-No, never bored. -Never bored? -Yes. | 0:41:03 | 0:41:06 | |
A real hint of Hogwarts about this one. | 0:41:09 | 0:41:12 | |
It's a very clever bit of rubbish disposal, that. Very good. | 0:41:14 | 0:41:17 | |
Why do you want to be a monk? | 0:41:20 | 0:41:22 | |
What do your family do? | 0:41:34 | 0:41:35 | |
-Not Luang Prabang? -Not Luang Prabang. | 0:41:39 | 0:41:41 | |
So, one day, do you think you will be a teacher or doctor, | 0:41:41 | 0:41:44 | |
or what do you think? | 0:41:44 | 0:41:46 | |
Well, I think you will definitely be able | 0:41:58 | 0:42:01 | |
because you have very, very good English. Very good English. | 0:42:01 | 0:42:04 | |
'For a boy from a farming family, joining the monastery is | 0:42:04 | 0:42:08 | |
'one of the best ways to broaden their horizons.' | 0:42:08 | 0:42:11 | |
'But the subject matter of their English class wasn't quite what I was expected. | 0:42:16 | 0:42:20 | |
'Traffic problems in towns.' | 0:42:20 | 0:42:23 | |
-Road accidents? -Yes. | 0:42:23 | 0:42:25 | |
Being drunk... | 0:42:25 | 0:42:27 | |
..is a major cause, major cause. | 0:42:30 | 0:42:34 | |
Never expected to be doing this vocab. | 0:42:34 | 0:42:36 | |
Major cause of traffic problems. | 0:42:36 | 0:42:40 | |
Injury. | 0:42:40 | 0:42:42 | |
Injury, when you hurt yourself. | 0:42:44 | 0:42:47 | |
Sometimes another word for injury is... | 0:42:48 | 0:42:50 | |
I can't believe I'm doing this. | 0:42:50 | 0:42:52 | |
This is the most depressing English lesson there's ever been. | 0:42:52 | 0:42:55 | |
Wound. Wound. | 0:42:56 | 0:42:59 | |
So if somebody hurts you, you can say I'm wounded or injured. | 0:43:01 | 0:43:07 | |
"Ah, I'm injured. | 0:43:07 | 0:43:09 | |
"I hope it won't leave a scar." | 0:43:09 | 0:43:12 | |
Ultimately...you need to know something, OK? Which is this. | 0:43:13 | 0:43:17 | |
England is safe. Safe. It's OK, it's nice. | 0:43:19 | 0:43:26 | |
If you come to England, I can guarantee, pretty much... | 0:43:26 | 0:43:29 | |
..no injury, | 0:43:30 | 0:43:32 | |
no wound, collision, crash. | 0:43:32 | 0:43:35 | |
I sometimes worry that you'll be frightened to go | 0:43:35 | 0:43:38 | |
because of the vocabulary, but it's all good. | 0:43:38 | 0:43:40 | |
It's almost as if I knew I was going to be doing an hour | 0:43:43 | 0:43:46 | |
on road traffic accidents. | 0:43:46 | 0:43:48 | |
It's very bizarre. | 0:43:49 | 0:43:51 | |
I just wonder what else is on that syllabus. | 0:43:51 | 0:43:53 | |
Anyway, they've got a class on dismemberment next, | 0:43:53 | 0:43:55 | |
so I don't want to keep them. | 0:43:55 | 0:43:57 | |
THEY CHANT | 0:43:57 | 0:44:01 | |
'The novices' day finishes with an hour of hypnotic chanting | 0:44:17 | 0:44:20 | |
'as the sun goes down. | 0:44:20 | 0:44:22 | |
'These novices are following rituals | 0:44:34 | 0:44:37 | |
'that have gone unchanged for centuries, | 0:44:37 | 0:44:39 | |
'but now these daily practices are under scrutiny from dusk to dawn | 0:44:39 | 0:44:44 | |
'by hoards of tourists. | 0:44:44 | 0:44:46 | |
'They are drawn to Luang Prabang hoping to find - or at least | 0:44:51 | 0:44:55 | |
'photograph - spiritual Asia.' | 0:44:55 | 0:44:57 | |
'Satu Oneko has been a monk in Luang Prabang for four decades | 0:45:07 | 0:45:10 | |
'and has seen the many changes here. | 0:45:10 | 0:45:12 | |
'He is now the head abbot | 0:45:12 | 0:45:14 | |
'and I'm wondering what he makes of this latest invasion.' | 0:45:14 | 0:45:17 | |
Satu, do you find there is a lot of pressure on Buddhism in Laos | 0:45:20 | 0:45:26 | |
from tourism? | 0:45:26 | 0:45:28 | |
Why do you think Buddhism has managed to survive Siamese invasion, | 0:45:53 | 0:45:58 | |
Burmese invasion, French Colonialism | 0:45:58 | 0:46:01 | |
and the beginnings of communism here? | 0:46:01 | 0:46:04 | |
Thank you, Satu. | 0:46:24 | 0:46:26 | |
And thank you for lowering my blood pressure by about 30 points | 0:46:26 | 0:46:30 | |
just being in your company. | 0:46:30 | 0:46:31 | |
You are the most mellow man I've ever met. Thank you. | 0:46:31 | 0:46:35 | |
With all the violent change that this country has endured, I suppose | 0:46:43 | 0:46:47 | |
Buddhism is the only thing that remains constant and unaltered, | 0:46:47 | 0:46:51 | |
and as Satu said, | 0:46:51 | 0:46:52 | |
it's the tree that, yes, gets buffeted by the storm | 0:46:52 | 0:46:55 | |
and, yes, changes its outward appearance, | 0:46:55 | 0:46:57 | |
but ultimately does not move and is that symbol of unity | 0:46:57 | 0:47:02 | |
and cultural identity for the people here. | 0:47:02 | 0:47:05 | |
'The monks of Luang Prabang will need all their centuries | 0:47:08 | 0:47:11 | |
'of silent contemplation to resist this most recent invasion. | 0:47:11 | 0:47:15 | |
'International visitors like myself come searching for an authentic Asia | 0:47:18 | 0:47:22 | |
'and a simple, spiritual way of life that is slipping away | 0:47:22 | 0:47:26 | |
'from our secular world. | 0:47:26 | 0:47:28 | |
'But in doing so, we can't help | 0:47:29 | 0:47:31 | |
'but corrupt that which we've come to find.' | 0:47:31 | 0:47:34 | |
Nothing better sums up the relationship between the tourist | 0:47:37 | 0:47:40 | |
and the local economy than this really sad sight. | 0:47:40 | 0:47:42 | |
And there is really nothing on this earth that I hate more | 0:47:42 | 0:47:46 | |
than a caged animal or bird. | 0:47:46 | 0:47:48 | |
So, you can walk along the streets | 0:47:48 | 0:47:50 | |
and you can buy these two beautiful trapped things for £2.50. | 0:47:50 | 0:47:56 | |
And then for £2.50, you get to have the amazing experience... | 0:47:56 | 0:48:01 | |
..and joy of releasing them back to where they came from. | 0:48:04 | 0:48:06 | |
There you go, there goes one. Come on. | 0:48:09 | 0:48:11 | |
And in paying £2.50, I've created a demand | 0:48:18 | 0:48:23 | |
and the only way that demand is going to be met | 0:48:23 | 0:48:25 | |
is by them going and catching those birds again and again. | 0:48:25 | 0:48:28 | |
£2.50, free them, trap the birds. | 0:48:28 | 0:48:30 | |
On and on and on, the cycle. | 0:48:30 | 0:48:32 | |
What I really want to do is say, "Here's more than £2.50, | 0:48:32 | 0:48:36 | |
"an awful lot more than £2.50, go and set up a bird sanctuary." | 0:48:36 | 0:48:39 | |
Off you pop. | 0:48:39 | 0:48:41 | |
'Despite the volume of tourists in Luang Prabang, there is something | 0:48:51 | 0:48:55 | |
'special about this place and it's had quite an effect on me.' | 0:48:55 | 0:48:59 | |
Throughout my trip up the Mekong, | 0:49:07 | 0:49:09 | |
the banks have been occasionally studded | 0:49:09 | 0:49:10 | |
with the odd hit of saffron, the occasional monk wandering by, | 0:49:10 | 0:49:14 | |
washing his robes, having a swim. | 0:49:14 | 0:49:18 | |
But nowhere has it been more concentrated than Luang Prabang | 0:49:18 | 0:49:21 | |
and in Laos in general. | 0:49:21 | 0:49:22 | |
And being there for a little while has helped me | 0:49:24 | 0:49:27 | |
begin to understand at least the feeling, I think, of Buddhism. | 0:49:27 | 0:49:33 | |
It seems to me that the reason it's particularly strong in that place | 0:49:33 | 0:49:38 | |
is because of the water, because the water works in companion | 0:49:38 | 0:49:42 | |
so strongly with that religion. | 0:49:42 | 0:49:44 | |
The idea of constant movement, of seeing something come towards you, | 0:49:44 | 0:49:49 | |
of accepting when it's on you, | 0:49:49 | 0:49:51 | |
and then letting it go as it moves past you. | 0:49:51 | 0:49:54 | |
'Well, I've certainly got plenty of time to meditate on this | 0:50:01 | 0:50:04 | |
'and pretty much everything else, as I have a two-day journey ahead, | 0:50:04 | 0:50:08 | |
'travelling north towards China and the end of my time in Laos. | 0:50:08 | 0:50:13 | |
'This stretch of river feels pure, untouched by modernity - timeless | 0:50:13 | 0:50:18 | |
'and beautiful. | 0:50:18 | 0:50:20 | |
'But I'm heading into the heart of darkness. | 0:50:20 | 0:50:23 | |
'Laos is surrounded on all sides by rich countries | 0:50:25 | 0:50:28 | |
'with powerful economies. | 0:50:28 | 0:50:30 | |
'The government is desperate to attract foreign investment, | 0:50:30 | 0:50:33 | |
'especially from its most influential neighbour, China.' | 0:50:33 | 0:50:37 | |
I'm just approaching now an area of land known as the Golden Triangle | 0:50:42 | 0:50:45 | |
which conjures up amazing romantic images. | 0:50:45 | 0:50:49 | |
You should always beware of thinking anything romantic about a triangle - | 0:50:49 | 0:50:53 | |
Bermuda Triangle, Dairylea Triangle, it's all trouble. | 0:50:53 | 0:50:56 | |
'And this place should come with a warning triangle - | 0:51:01 | 0:51:04 | |
'it's long been notorious for opium production | 0:51:04 | 0:51:07 | |
'but now it's a drug of a different kind | 0:51:07 | 0:51:09 | |
'which is being pushed - gambling.' | 0:51:09 | 0:51:12 | |
Having spent two days on a boat just seeing nothing but beauty, | 0:51:15 | 0:51:20 | |
suddenly you come across this stripped scrubland | 0:51:20 | 0:51:23 | |
and you can just see the heat coming off it. | 0:51:23 | 0:51:26 | |
Plonked in the middle is this mausoleum of bad taste, | 0:51:26 | 0:51:29 | |
which I'm assuming is the casino. | 0:51:29 | 0:51:31 | |
'This area has been rebranded | 0:51:31 | 0:51:33 | |
'as the Golden Triangle Special Economic Zone. | 0:51:33 | 0:51:37 | |
'It's in effect a Chinese state in Laos. | 0:51:37 | 0:51:41 | |
'The Laos government has tempted Chinese developers here | 0:51:43 | 0:51:46 | |
'with tax incentives and low tariffs. | 0:51:46 | 0:51:48 | |
'Essentially, they are creating a carefree playground for tourists - | 0:51:48 | 0:51:53 | |
'an Asian Las Vegas. | 0:51:53 | 0:51:54 | |
'In a Kafkaesque way, Chinese aren't allowed to gamble in China | 0:51:56 | 0:52:00 | |
'so come here, but Laotians aren't allowed to gamble in Laos, | 0:52:00 | 0:52:04 | |
'so are banned from a casino in their own country. | 0:52:04 | 0:52:08 | |
'So it's goodbye, Laos, hello, China.' | 0:52:08 | 0:52:12 | |
I actually think this is for me. | 0:52:18 | 0:52:20 | |
This is just... | 0:52:20 | 0:52:21 | |
..wrong and awkward and... | 0:52:25 | 0:52:28 | |
..where's the door? | 0:52:29 | 0:52:30 | |
I want to get out of the car and say, "Hello. I'm a delegation from the 1980s." | 0:52:44 | 0:52:47 | |
'When it's completed, this 20 billion project will be | 0:52:47 | 0:52:52 | |
'a pleasure dome fit for modern day Kubla Khans - with its own zoo, | 0:52:52 | 0:52:56 | |
'international airport, horse racing track and 36-hole golf course. | 0:52:56 | 0:53:01 | |
'With a casino that's open 24 hours a day, 365 days a year, | 0:53:01 | 0:53:06 | |
'it's just what one of the poorest nations in the world needs. | 0:53:06 | 0:53:10 | |
'I don't feel two days away from Luang Prabang. | 0:53:10 | 0:53:13 | |
'I feel a universe away.' | 0:53:13 | 0:53:15 | |
Thank you. You do know I'm not JR Ewing? Thank you. Thank you. | 0:53:16 | 0:53:19 | |
Nice to meet you. | 0:53:19 | 0:53:21 | |
Very nice to meet you. Good to see you. | 0:53:21 | 0:53:23 | |
-Good to see you, too. -How are you? -Not too bad, not too bad. | 0:53:23 | 0:53:25 | |
'Mr Abbas, the general manager, greets me like a VIP.' | 0:53:25 | 0:53:29 | |
-Does it matter I set the alarm off? Is that OK? -It's OK. No worries. | 0:53:32 | 0:53:36 | |
'Clearly no-one's told him I'm not a oligarch. | 0:53:36 | 0:53:39 | |
'You would have thought he'd spotted my clothes | 0:53:39 | 0:53:41 | |
'don't really conform to the usual dress code.' | 0:53:41 | 0:53:44 | |
You've got a bit of Sistine Chapel going on. | 0:53:44 | 0:53:46 | |
You've got some Renaissance paintings going on. | 0:53:46 | 0:53:48 | |
Because of the name, so we try to create a kind of a Western feeling, | 0:53:48 | 0:53:53 | |
different to the level they've got in Laos, anyway. | 0:53:53 | 0:53:56 | |
I can absolutely promise it really is very different from anything that | 0:53:56 | 0:54:00 | |
they've got going on in Laos. | 0:54:00 | 0:54:02 | |
Now, who is this? Is this Zeus? | 0:54:02 | 0:54:04 | |
Yes, that's right. Very good, you guessed right. | 0:54:04 | 0:54:07 | |
It's not often you see Zeus and Michelangelo in the same room. | 0:54:07 | 0:54:11 | |
Extraordinary. | 0:54:11 | 0:54:12 | |
So, how big is this place? | 0:54:12 | 0:54:13 | |
I mean, it seems vast. | 0:54:13 | 0:54:15 | |
Total area is 20,000 metres square, more. | 0:54:15 | 0:54:19 | |
-20,000 square metres? -More than. -Right. Good Lord. | 0:54:19 | 0:54:23 | |
-Down there is the main lobby. -Yeah? | 0:54:23 | 0:54:26 | |
That's the north wing and south wing | 0:54:26 | 0:54:28 | |
and this is our VIP rooms over here. | 0:54:28 | 0:54:32 | |
So how many VIP rooms do you have? | 0:54:32 | 0:54:34 | |
In here, we have six - three downstairs, three upstairs. | 0:54:34 | 0:54:37 | |
And what makes a VIP? | 0:54:37 | 0:54:38 | |
Is it somebody who's got a lot of money, a lot of contacts? | 0:54:38 | 0:54:42 | |
People who like to have more than the basic service. | 0:54:42 | 0:54:47 | |
-Actually, yes, high rollers, of course. -Of course. | 0:54:47 | 0:54:50 | |
When you say extra services, what sort of extra services? | 0:54:50 | 0:54:54 | |
Well... | 0:54:54 | 0:54:56 | |
'After the poverty and humility of Laos, | 0:54:56 | 0:54:59 | |
'the extravagance of this place feels obscene. | 0:54:59 | 0:55:02 | |
'I struggled with the dam | 0:55:05 | 0:55:07 | |
'but at least Mr Viravong believes they offer | 0:55:07 | 0:55:09 | |
'a chance for a better future for Laos and its people. | 0:55:09 | 0:55:13 | |
'This whole place feels culturally and spiritually bankrupt.' | 0:55:13 | 0:55:17 | |
There's absolutely no doubt that landlocked, cashed-strapped Laos | 0:55:22 | 0:55:25 | |
needs foreign investment, but I find this particular venture dispiriting. | 0:55:25 | 0:55:29 | |
Mainly because I'm not sure how much it benefits the Lao people. | 0:55:29 | 0:55:33 | |
Apparently, 500 Lao hold jobs here out of 4,500 | 0:55:33 | 0:55:37 | |
but, honestly, I've heard not one soul speak Lao. | 0:55:37 | 0:55:39 | |
We couldn't buy our dinner in kip, which is the national currency. | 0:55:39 | 0:55:42 | |
You could only use yuan or dollars. | 0:55:42 | 0:55:45 | |
It's culturally a no-man's-land. | 0:55:45 | 0:55:49 | |
I can't see how this place is doing any good to anybody. | 0:55:49 | 0:55:52 | |
'Even more worrying, this is just one of 41 special economic zones | 0:55:59 | 0:56:04 | |
'planned by the Laos government in remote areas of the country. | 0:56:04 | 0:56:08 | |
'They won't all be casinos, | 0:56:08 | 0:56:09 | |
'but they are all about attracting foreign investment, | 0:56:09 | 0:56:13 | |
'and the biggest investor is China.' | 0:56:13 | 0:56:15 | |
'Foreign money will inevitably change Laos | 0:56:18 | 0:56:20 | |
'and the contrast between the Golden Triangle | 0:56:20 | 0:56:23 | |
'and everything else I've experienced here is shocking.' | 0:56:23 | 0:56:26 | |
'The economic zones and the dams are coming to Laos | 0:56:32 | 0:56:36 | |
'and life on the Mekong will inevitably change. | 0:56:36 | 0:56:39 | |
'But the further I get from the despair from the casino, | 0:56:42 | 0:56:46 | |
'the more I can feel Laos' deep spirituality enveloping me again. | 0:56:46 | 0:56:50 | |
'There's something about this place and the resilience | 0:56:51 | 0:56:54 | |
'of its people that can't fail to give me some hope for the future.' | 0:56:54 | 0:56:58 | |
Laos is a sort of state of mind. | 0:57:07 | 0:57:08 | |
I can't even believe I'm saying it, but that's what it feels like to me. | 0:57:08 | 0:57:12 | |
It's about accepting that things change. | 0:57:12 | 0:57:15 | |
So whilst I would love it if groups of people were | 0:57:15 | 0:57:18 | |
protesting on the banks as the hydroelectric dam is created | 0:57:18 | 0:57:22 | |
or people being furious about the special economic zone | 0:57:22 | 0:57:24 | |
creating, in effect, a Chinese colony in their country, | 0:57:24 | 0:57:29 | |
their attitude is actually saying, | 0:57:29 | 0:57:31 | |
"We've had the French, we've had the Siamese, we've had the Burmese, | 0:57:31 | 0:57:37 | |
"we've had everybody, so this is just somebody else | 0:57:37 | 0:57:39 | |
"and then they'll go and there'll be another one along in a minute." | 0:57:39 | 0:57:42 | |
Ultimately, Laos will survive, and they've got bigger things | 0:57:44 | 0:57:50 | |
to worry about, like listening to the rice grow. | 0:57:50 | 0:57:52 | |
And that seems a very, very good philosophy | 0:57:52 | 0:57:56 | |
for the anxious modern world. | 0:57:56 | 0:57:57 | |
'Next time, I'm in China, on the last leg of my journey.' | 0:58:04 | 0:58:07 | |
This is the first outfit I've ever worn that my mother would actually be happy with. | 0:58:07 | 0:58:11 | |
'I travel through the Mekong's wildest valleys to discover | 0:58:11 | 0:58:14 | |
'a China I didn't even know existed.' | 0:58:14 | 0:58:16 | |
Look at your office! Of course you believe in God. | 0:58:16 | 0:58:19 | |
'And finally reach the river's spiritual source.' | 0:58:19 | 0:58:22 | |
If you're going to end a journey and see all this magnificence, | 0:58:22 | 0:58:25 | |
this surely has to be the way to end. | 0:58:25 | 0:58:29 |