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I'm not very good at steering. | 0:00:02 | 0:00:04 | |
OK, OK. | 0:00:04 | 0:00:06 | |
It's hard work. | 0:00:06 | 0:00:07 | |
This is the Mekong, the mother of water, | 0:00:07 | 0:00:10 | |
the greatest river in South East Asia. | 0:00:10 | 0:00:13 | |
It brings life to millions, | 0:00:15 | 0:00:17 | |
from the paddy fields of Vietnam | 0:00:17 | 0:00:19 | |
to the mountains of the Tibetan plateau. | 0:00:19 | 0:00:21 | |
(I think I might be engaged to be married now.) | 0:00:21 | 0:00:24 | |
I've travelled nearly 2,000 miles upstream, | 0:00:24 | 0:00:26 | |
exploring landscapes and lives on the point of profound change. | 0:00:26 | 0:00:31 | |
They might want to stick up a massive sign saying "For Sale". | 0:00:31 | 0:00:34 | |
When you think of a spiritual experience, | 0:00:36 | 0:00:39 | |
this is pretty much it, isn't it? | 0:00:39 | 0:00:41 | |
Finally, I've reached China and the source of this mighty river. | 0:00:41 | 0:00:45 | |
You get a real sense of it being the turbulent river now. | 0:00:45 | 0:00:48 | |
It carves its way through China's wildest | 0:00:48 | 0:00:51 | |
and most spectacular valleys, | 0:00:51 | 0:00:53 | |
home to some of the country's unique hill tribes... | 0:00:53 | 0:00:56 | |
Oh, this is sexy hands. | 0:00:56 | 0:00:59 | |
..but change is sweeping through these places | 0:00:59 | 0:01:02 | |
faster than any other Mekong nation... | 0:01:02 | 0:01:05 | |
My head is exploding already with questions. | 0:01:05 | 0:01:08 | |
..as China's economic miracle transforms this remote region. | 0:01:08 | 0:01:12 | |
It's £120 a kilo? | 0:01:12 | 0:01:15 | |
No wonder he's smiling. | 0:01:15 | 0:01:16 | |
And they say money doesn't grow on trees. | 0:01:16 | 0:01:18 | |
I want to understand how this new revolution | 0:01:18 | 0:01:20 | |
is changing ways of life here. | 0:01:20 | 0:01:22 | |
Oh! Oh, oh! | 0:01:23 | 0:01:25 | |
And, as China surges into a brand-new future, | 0:01:25 | 0:01:28 | |
what it will save of its past. | 0:01:28 | 0:01:30 | |
Oh, hello! | 0:01:42 | 0:01:45 | |
I have no idea who you are, but it's wonderful to be in a photo with you. | 0:01:45 | 0:01:49 | |
All of China's 1.3 billion people seem to be on the move, | 0:01:52 | 0:01:56 | |
charging forwards towards a shiny, new capitalist future. | 0:01:56 | 0:02:00 | |
In cities all across the land, | 0:02:02 | 0:02:04 | |
a new skyscraper is built every five days, | 0:02:04 | 0:02:07 | |
to house the rising middle class and reflect their soaring ambitions. | 0:02:07 | 0:02:11 | |
It's a far cry from Chairman Mao's communist dream. | 0:02:12 | 0:02:16 | |
And quite possibly a little different to my own blinkered ideas. | 0:02:16 | 0:02:22 | |
I'm very mindful that I've come to China | 0:02:22 | 0:02:24 | |
brimful of Western preconceptions, | 0:02:24 | 0:02:26 | |
namely that China is frightening and austere and... | 0:02:26 | 0:02:31 | |
impenetrable. | 0:02:31 | 0:02:33 | |
Preconceptions about its people, that they are phlegm-hawking, | 0:02:33 | 0:02:37 | |
soup-slurping, chain-smoking types who are extremely good at ping-pong. | 0:02:37 | 0:02:40 | |
And so I suppose China's the place along this journey | 0:02:42 | 0:02:46 | |
that I've been most frightened of coming to, | 0:02:46 | 0:02:48 | |
but most excited about visiting, | 0:02:48 | 0:02:51 | |
because I think that I'm going to get totally shaken up | 0:02:51 | 0:02:54 | |
and everything that I think is black will suddenly turn out to be white. | 0:02:54 | 0:02:57 | |
In China, this amazing river has saved its best till last. | 0:02:59 | 0:03:03 | |
For the next 1,500 miles, the Mekong plunges through deep gorges | 0:03:05 | 0:03:09 | |
and huge mountains, from its source high on the Tibetan Plateau. | 0:03:09 | 0:03:13 | |
But I'm starting here in Yunnan's tropical region of Xishuangbanna | 0:03:14 | 0:03:18 | |
and its capital, Jinghong, | 0:03:18 | 0:03:20 | |
the centre of a booming tourist industry. | 0:03:20 | 0:03:23 | |
So this party boat is heading towards | 0:03:26 | 0:03:27 | |
Xishuangbanna's number one tourist destination. | 0:03:27 | 0:03:30 | |
And this is a place that the majority of Chinese | 0:03:30 | 0:03:32 | |
flock to every single year. | 0:03:32 | 0:03:33 | |
And they're visiting a theme park | 0:03:33 | 0:03:35 | |
which doesn't have log fumes or roller coasters. | 0:03:35 | 0:03:38 | |
It has one thing...ethnic people. | 0:03:38 | 0:03:40 | |
This is the Dai Minority Park. | 0:03:42 | 0:03:45 | |
Just 20 years ago, there were five small traditional villages here, | 0:03:45 | 0:03:49 | |
home to the indigenous Dai people. | 0:03:49 | 0:03:52 | |
Then China's economy exploded. | 0:03:52 | 0:03:54 | |
Now, tour guides like Wendy and Echo | 0:03:57 | 0:03:59 | |
show visitors like me what their country used to be like. | 0:03:59 | 0:04:03 | |
So it's basically Universal Studios. | 0:04:04 | 0:04:06 | |
You've got the buggies, you've got the boulevards. | 0:04:06 | 0:04:09 | |
These tourists are Han Chinese. | 0:04:09 | 0:04:12 | |
They make up 92% of China's population | 0:04:12 | 0:04:14 | |
and want to spend their new money exploring the riches | 0:04:14 | 0:04:18 | |
of their vast country. | 0:04:18 | 0:04:19 | |
After decades of communism, | 0:04:21 | 0:04:22 | |
when the Chinese were unified under one dreary manifesto, | 0:04:22 | 0:04:25 | |
there's now renewed interest in the colourful melting pot | 0:04:25 | 0:04:29 | |
of peoples that actually make up modern China. | 0:04:29 | 0:04:32 | |
Groups like the Dai - people of the water. | 0:04:32 | 0:04:35 | |
Look at you, with your flash car. | 0:04:39 | 0:04:41 | |
That's one of the Dai people with that swanky car? | 0:04:47 | 0:04:49 | |
'It's not clear which bits of the park are authentically Dai | 0:04:49 | 0:04:52 | |
'and which have been fabricated for the tourist market.' | 0:04:52 | 0:04:56 | |
OK, now I'm clear. | 0:04:59 | 0:05:01 | |
So every year, the Dai stage a water festival, | 0:05:05 | 0:05:08 | |
which is incredible symbolic. | 0:05:08 | 0:05:10 | |
But here in the park, | 0:05:10 | 0:05:12 | |
tourists can't wait just for one festival once a year. | 0:05:12 | 0:05:15 | |
So they have regular water splashings at 2pm | 0:05:15 | 0:05:18 | |
and 4pm daily and that's what I'm going to get involved in. | 0:05:18 | 0:05:21 | |
I think it's fair to say this is the first outfit I've ever worn | 0:05:27 | 0:05:30 | |
that my mother would actually be happy with. | 0:05:30 | 0:05:32 | |
She is delighted right now, she's lit up Croydon. | 0:05:32 | 0:05:35 | |
So these are splashing implements. | 0:05:37 | 0:05:39 | |
I mean, it seems a shame to ruin such a nice outfit. | 0:05:39 | 0:05:42 | |
Originally, what is the significance of the water festival | 0:05:47 | 0:05:50 | |
for the Dai people? | 0:05:50 | 0:05:51 | |
It relates to a story - | 0:05:51 | 0:05:53 | |
in memory of the seven princesses in the past | 0:05:53 | 0:05:56 | |
who saved the Dai people from a very bad guy. | 0:05:56 | 0:06:00 | |
They chop off his head and is on fire. | 0:06:00 | 0:06:04 | |
I've very glad we don't do that at 2 o'clock and 4 o'clock, | 0:06:04 | 0:06:06 | |
cos then we'd really reduce visitor numbers massively with that. | 0:06:06 | 0:06:10 | |
I'm very glad. | 0:06:10 | 0:06:11 | |
When you think of a spiritual experience, | 0:06:26 | 0:06:29 | |
this is pretty much it, isn't it, really, when you just boil it down? | 0:06:29 | 0:06:33 | |
Just a man screaming on a public address system | 0:06:33 | 0:06:37 | |
and a chained elephant tottering around in the background. | 0:06:37 | 0:06:42 | |
Yeah, I feel relaxed, I feel good! | 0:06:42 | 0:06:46 | |
Whereas this is seen as a fun day out for the Han Chinese, | 0:07:04 | 0:07:07 | |
water is considered holy for the Dai people. | 0:07:07 | 0:07:11 | |
It is their source of life, spiritual and physical. | 0:07:11 | 0:07:16 | |
During their annual water festival, | 0:07:16 | 0:07:18 | |
blessed water is poured on family members to wash away | 0:07:18 | 0:07:22 | |
their dirt and sorrows, ensuring good luck in the coming year. | 0:07:22 | 0:07:26 | |
And I am about to get very lucky. | 0:07:26 | 0:07:29 | |
That was right up the... | 0:07:29 | 0:07:31 | |
I was properly blessed then. | 0:07:32 | 0:07:34 | |
Yeah, I was blessed where the sun doesn't shine. | 0:07:34 | 0:07:37 | |
Very complicated place, this park. | 0:07:50 | 0:07:53 | |
You've got a minority of people living in a very traditional way. | 0:07:53 | 0:07:57 | |
The Han Chinese have come along | 0:07:57 | 0:07:59 | |
and want to find out about the minority groups. | 0:07:59 | 0:08:01 | |
But in doing so, I think, it has sort of started to create | 0:08:01 | 0:08:04 | |
a slight change. | 0:08:04 | 0:08:06 | |
You can't come here on mass and not puncture the seal | 0:08:06 | 0:08:08 | |
and for things to suddenly alter. | 0:08:08 | 0:08:10 | |
Of course, they're going to want what the Han Chinese has got. | 0:08:10 | 0:08:14 | |
They're going to want fast cars | 0:08:14 | 0:08:15 | |
and they're going to want everything made of plastic. | 0:08:15 | 0:08:19 | |
And I wonder how long this community can remain. | 0:08:19 | 0:08:24 | |
It's in the interest of the Han Chinese that this way of life | 0:08:24 | 0:08:28 | |
is sort of preserved in aspic. | 0:08:28 | 0:08:30 | |
But their very venturing into this place | 0:08:30 | 0:08:32 | |
means that that's very unlikely to happen. | 0:08:32 | 0:08:34 | |
I'm leaving the theme park and moving north up the Mekong, | 0:08:41 | 0:08:44 | |
through fertile valleys and terraced fields. | 0:08:44 | 0:08:47 | |
The unique climate and soil here provide the perfect condition | 0:08:48 | 0:08:52 | |
for growing a Chinese delicacy... | 0:08:52 | 0:08:54 | |
pu-erh tea. | 0:08:54 | 0:08:55 | |
The Aini, keepers of this land, are animists. | 0:08:57 | 0:09:01 | |
At the heart of their ancient belief system is a harmony with nature. | 0:09:02 | 0:09:07 | |
They tend the pu-erh tea bushes with love and care and, in doing so, | 0:09:07 | 0:09:11 | |
keep their ancestral spirits happy. | 0:09:11 | 0:09:15 | |
It's just a thought, | 0:09:15 | 0:09:16 | |
but if the water people hooked up with the tea people | 0:09:16 | 0:09:18 | |
and they met up with the kettle tribe, they could rule the world. | 0:09:18 | 0:09:22 | |
This is Mr and Mrs Car. | 0:09:24 | 0:09:26 | |
Their families have been processing tea here for generations. | 0:09:26 | 0:09:30 | |
Ni hao! | 0:09:30 | 0:09:31 | |
-Ni hao, Mr Car. -Ni hao! | 0:09:31 | 0:09:33 | |
Ni hao, good to see you. | 0:09:33 | 0:09:36 | |
Ni hao, ni hao. | 0:09:36 | 0:09:38 | |
Look, there it is! | 0:09:38 | 0:09:40 | |
-HE SPEAKS HIS OWN LANGUAGE -Tea! | 0:09:40 | 0:09:43 | |
I am a frantic tea drinker and I love it | 0:09:43 | 0:09:46 | |
and the smell of that... | 0:09:46 | 0:09:48 | |
Sweet and woody, it's gorgeous. | 0:09:48 | 0:09:51 | |
Go and pick some? | 0:09:53 | 0:09:54 | |
Fabulous, I'd love to, I'd love to. | 0:09:54 | 0:09:57 | |
It's a perforated bag. | 0:09:57 | 0:09:59 | |
It could be nothing less, surely, for a tea picking excursion. | 0:09:59 | 0:10:03 | |
Look at this! | 0:10:03 | 0:10:04 | |
Somebody's making some money out of tea, eh? | 0:10:04 | 0:10:08 | |
Pu-erh tea's popularity is growing. | 0:10:08 | 0:10:10 | |
China's newly wealthy professionals | 0:10:10 | 0:10:12 | |
are eager to connect with their traditional past. | 0:10:12 | 0:10:16 | |
It's a far cry from your average breakfast cuppa. | 0:10:16 | 0:10:19 | |
It's the only brew in the world that's aged like fine wine | 0:10:19 | 0:10:22 | |
and, apparently, it's a marvel for weight loss and reducing stress. | 0:10:22 | 0:10:26 | |
Sounds like my cup of tea. | 0:10:26 | 0:10:28 | |
Yeah, up I come. | 0:10:32 | 0:10:33 | |
I was never any good at this as a kid | 0:10:33 | 0:10:35 | |
and suspect I'm going to be even worse as an adult. | 0:10:35 | 0:10:38 | |
How did you get up, Mr Car? | 0:10:38 | 0:10:39 | |
Nearly. | 0:10:43 | 0:10:44 | |
Hang on. | 0:10:44 | 0:10:46 | |
OK. | 0:10:48 | 0:10:49 | |
OK, no pressure... | 0:10:53 | 0:10:54 | |
(Don't break it!) | 0:10:54 | 0:10:56 | |
So for one kilo of tea from this bush, | 0:10:57 | 0:10:59 | |
how much yuan would you get for that? | 0:10:59 | 0:11:01 | |
So it £120 a kilo? | 0:11:05 | 0:11:07 | |
No wonder he's smiling. | 0:11:07 | 0:11:08 | |
And they say money doesn't grow on trees. Incredible. | 0:11:08 | 0:11:11 | |
I've seen a good one. I'm going to a higher elevation. | 0:11:11 | 0:11:14 | |
Don't you be rocking that tree now. | 0:11:14 | 0:11:15 | |
Ancient trees like these provide the very best pu-erh tea sold today. | 0:11:18 | 0:11:23 | |
It's got a bit of a cult status amongst the connoisseurs. | 0:11:23 | 0:11:27 | |
I will have a bit of you. | 0:11:27 | 0:11:28 | |
10p. | 0:11:28 | 0:11:30 | |
I'll have you. | 0:11:30 | 0:11:32 | |
30. | 0:11:32 | 0:11:34 | |
I find it really relaxing, | 0:11:34 | 0:11:35 | |
but, then, I'm not doing it for eight hours a day. | 0:11:35 | 0:11:37 | |
Oh, hello. He's on the move. | 0:11:37 | 0:11:39 | |
He's on the move. | 0:11:39 | 0:11:40 | |
That was pretty ungainly. | 0:11:44 | 0:11:46 | |
I'll lead the way with my rather lighter bag. | 0:11:47 | 0:11:50 | |
The process is all done by hand and takes a few weeks | 0:11:51 | 0:11:54 | |
to pick, roast and dry to aromatic perfection. | 0:11:54 | 0:11:57 | |
You are the master. | 0:12:02 | 0:12:03 | |
Constantly turning it - they are getting quite hot now. | 0:12:06 | 0:12:10 | |
When you started was there a lot of money in tea picking? | 0:12:10 | 0:12:14 | |
No? So only now. | 0:12:16 | 0:12:17 | |
Now. You lucked out, haven't you, sunshine? | 0:12:19 | 0:12:21 | |
The reason you are making so much money now | 0:12:27 | 0:12:29 | |
is because there is greater demand. | 0:12:29 | 0:12:31 | |
These roasted leaves will now be dried, | 0:12:37 | 0:12:40 | |
pressed and then drunk by some lucky person... | 0:12:40 | 0:12:42 | |
Oh, that'll be me, then. | 0:12:42 | 0:12:44 | |
If you sit in England and do this... | 0:12:46 | 0:12:48 | |
SHE SLURPS | 0:12:48 | 0:12:50 | |
..very bad manners. | 0:12:51 | 0:12:52 | |
So when did you build this house, this amazing house? | 0:12:52 | 0:12:55 | |
If it's not too rude a question, | 0:13:05 | 0:13:07 | |
how much did it cost your family to build? | 0:13:07 | 0:13:10 | |
So £75,000 from... | 0:13:15 | 0:13:19 | |
And the money came from tea. | 0:13:19 | 0:13:21 | |
So in the wrong game. | 0:13:21 | 0:13:22 | |
If I come back in five years' time, | 0:13:24 | 0:13:25 | |
I think that tea prices will have risen so much | 0:13:25 | 0:13:28 | |
that you will live in a palace and walk on a gold floor. | 0:13:28 | 0:13:31 | |
I think so. | 0:13:36 | 0:13:37 | |
Bracing. Quite astringent, quite bitter. | 0:13:48 | 0:13:50 | |
Oh, no, every time I put it down... | 0:13:54 | 0:13:57 | |
I'm not sure if my drinking is creating the urge to pour more or... | 0:13:57 | 0:14:01 | |
I don't know any more. | 0:14:01 | 0:14:02 | |
See, I don't know if it's rude to refuse. | 0:14:04 | 0:14:06 | |
I've now drank about four gallons. | 0:14:06 | 0:14:07 | |
Literally no moisture left in my mouth. | 0:14:09 | 0:14:11 | |
So much tongue. | 0:14:11 | 0:14:12 | |
Oh, there's more coming. | 0:14:16 | 0:14:17 | |
Thank you. I am now going to go and run a marathon. | 0:14:23 | 0:14:25 | |
That was my pleasure and my privilege to have a day with you. | 0:14:26 | 0:14:30 | |
I really loved it. Thank you. | 0:14:30 | 0:14:31 | |
Well, I'm not going to sleep for another six months, I'm that wired. | 0:14:32 | 0:14:35 | |
But that's been an extraordinary day, | 0:14:35 | 0:14:38 | |
in the sense that I've learned that a family can farm | 0:14:38 | 0:14:40 | |
the same tea bushes for 800 years, getting a steady low income | 0:14:40 | 0:14:44 | |
and then, suddenly, as the economic boom hits China and the rise | 0:14:44 | 0:14:47 | |
of the middle class, this huge spike in demand which means they can move | 0:14:47 | 0:14:51 | |
from that very modest house into this sort of | 0:14:51 | 0:14:54 | |
Grand Designs house behind me. | 0:14:54 | 0:14:56 | |
And to put it into context, the middle class, now, | 0:14:56 | 0:14:59 | |
in terms of numbers in China, is the same as the population | 0:14:59 | 0:15:02 | |
of the entirety of the United States. | 0:15:02 | 0:15:04 | |
Just think of that many people, sitting around, drinking tea, going, | 0:15:04 | 0:15:08 | |
"Of course, this is the 2007 Aini terroir." | 0:15:08 | 0:15:11 | |
So, yeah, very, very interesting. | 0:15:11 | 0:15:13 | |
As I head further up the valley, | 0:15:21 | 0:15:23 | |
China's transformation becomes further apparent. | 0:15:23 | 0:15:26 | |
This vast country is on course | 0:15:26 | 0:15:28 | |
to become the world's most powerful economy | 0:15:28 | 0:15:31 | |
and it's racing to modernity at an astonishing pace. | 0:15:31 | 0:15:35 | |
But for some people, this manic rush towards the future is threatening | 0:15:35 | 0:15:38 | |
what little is left of China's ancient traditions and beliefs. | 0:15:38 | 0:15:43 | |
This morning, Wendy is taking me to meet her friend from the Aini tribe, | 0:15:43 | 0:15:48 | |
Li Jin Mei, who is desperately trying to hold back the tide | 0:15:48 | 0:15:50 | |
of tarmac and preserve what is left of her culture. | 0:15:50 | 0:15:53 | |
So this is where Li Jin Mei lives. | 0:15:57 | 0:16:00 | |
she's got this little traditional house | 0:16:00 | 0:16:03 | |
right on this massive road. | 0:16:03 | 0:16:04 | |
It's like having Anne Hathaway's Cottage in the middle of the M1. | 0:16:04 | 0:16:07 | |
CAR HORNS HONK | 0:16:07 | 0:16:09 | |
It's a construction site. | 0:16:15 | 0:16:17 | |
Ni hao! Ni hao, Li Jin. | 0:16:20 | 0:16:23 | |
Ni hao. | 0:16:23 | 0:16:25 | |
The Aini are known for their hospitality | 0:16:25 | 0:16:28 | |
and beautiful embroidered clothes. | 0:16:28 | 0:16:30 | |
Oh, that smells good. | 0:16:30 | 0:16:33 | |
She is preparing a traditional feast | 0:16:33 | 0:16:35 | |
and what can only be described as a local delicacy. | 0:16:35 | 0:16:38 | |
Oh, God, what is that? | 0:16:38 | 0:16:40 | |
Is it there for luck or is it actually a food item? | 0:16:45 | 0:16:47 | |
Food. | 0:16:47 | 0:16:49 | |
You eat... Will you eat it? | 0:16:49 | 0:16:51 | |
-Chuan tong? -Yeah. | 0:16:51 | 0:16:53 | |
So how many dishes are you doing today? | 0:16:53 | 0:16:56 | |
12? | 0:17:06 | 0:17:08 | |
-14. -14! | 0:17:10 | 0:17:11 | |
It's always the women that cook in Aini culture? | 0:17:19 | 0:17:22 | |
What do the men do? Sit and smoke? | 0:17:22 | 0:17:24 | |
Hunting and bullshitting?! | 0:17:31 | 0:17:35 | |
Did she say hunting and bullshitting? | 0:17:35 | 0:17:38 | |
Tell her it's the same the world over. | 0:17:38 | 0:17:41 | |
And hunting is illegal, so it's just left them with bullshitting. | 0:17:41 | 0:17:45 | |
An hour later, lunch is served... | 0:17:51 | 0:17:54 | |
in what feels a bit like a motorway service station. | 0:17:54 | 0:17:57 | |
That is an awesome little buffet going on there. | 0:18:01 | 0:18:04 | |
Gosh, what is this? This looks ominous. | 0:18:06 | 0:18:10 | |
It is moonshine. | 0:18:10 | 0:18:12 | |
Lovely! Aini moonshine, this is what every meal needs. | 0:18:12 | 0:18:16 | |
Let's call it a digestive. | 0:18:17 | 0:18:19 | |
Ah, bless you. | 0:18:21 | 0:18:23 | |
Gibaduo, Sese, Sese. | 0:18:27 | 0:18:29 | |
-ALL: -Sese! | 0:18:29 | 0:18:31 | |
Oh, down the hatch, there. | 0:18:31 | 0:18:32 | |
'I'm not sure if that face means it's a good batch or a bad batch.' | 0:18:37 | 0:18:41 | |
OK, so I eat this, then the pickles. | 0:18:44 | 0:18:46 | |
Where's the pickles? | 0:18:46 | 0:18:48 | |
Quite ritualised this - | 0:18:49 | 0:18:50 | |
I'm being pointed at and you have to eat things in a certain order. | 0:18:50 | 0:18:53 | |
She's secretly... She's constantly topping up. | 0:18:59 | 0:19:02 | |
OK, if this is being Aini, then respect. | 0:19:03 | 0:19:05 | |
-Gibaduo. ALL: -Sese! | 0:19:05 | 0:19:08 | |
Oh, dear. | 0:19:11 | 0:19:13 | |
'Oh, that's definitely a bad batch.' | 0:19:16 | 0:19:18 | |
My liver is the size of a pistachio right now. | 0:19:18 | 0:19:21 | |
Oh, God, no. | 0:19:21 | 0:19:23 | |
OK. | 0:19:26 | 0:19:28 | |
Li Jin Mei's interest in her Aini culture began | 0:19:28 | 0:19:31 | |
when she was asked about it at a dinner party | 0:19:31 | 0:19:34 | |
and couldn't provide an answer. | 0:19:34 | 0:19:36 | |
Ashamed, she decided to dedicate her life there and then | 0:19:36 | 0:19:39 | |
to its preservation, through championing its cuisine | 0:19:39 | 0:19:42 | |
and, most importantly, its traditional embroidery. | 0:19:42 | 0:19:45 | |
So, for instance, explain to me the meaning of this pattern. | 0:20:13 | 0:20:17 | |
-Oh, this is the crab's eyes. -Those are the crab's eyes? -Crab's eyes. | 0:20:28 | 0:20:31 | |
That is, yeah... | 0:20:51 | 0:20:52 | |
That's very interesting for me. | 0:20:52 | 0:20:55 | |
It sort of shifts completely my view of culture. | 0:20:55 | 0:20:58 | |
It's been very enlightening for me to hear that. | 0:20:58 | 0:21:01 | |
SHE SINGS: | 0:21:03 | 0:21:07 | |
Gibaduo. | 0:21:26 | 0:21:27 | |
-ALL: -Sese! | 0:21:27 | 0:21:29 | |
Well, I'm not surprised they need to embroider their history, | 0:21:29 | 0:21:32 | |
because if everyone round here drinks like Li Jin Mei, | 0:21:32 | 0:21:35 | |
no-one will remember a thing. | 0:21:35 | 0:21:36 | |
Sese! | 0:21:36 | 0:21:38 | |
Sese, Sese! | 0:21:38 | 0:21:42 | |
THEY SING TUNELESSLY | 0:21:42 | 0:21:46 | |
Incredibly, a good night's sleep and two paracetamol later, | 0:21:56 | 0:22:00 | |
I'm ready to hit the road and head north, | 0:22:00 | 0:22:02 | |
out of the smoggy city of Jinghong. | 0:22:02 | 0:22:04 | |
My head is exploding already with questions... | 0:22:07 | 0:22:11 | |
mainly regarding culture. | 0:22:11 | 0:22:14 | |
What is culture? | 0:22:14 | 0:22:16 | |
What's important about culture? | 0:22:16 | 0:22:18 | |
I know what we've kept in the UK. | 0:22:18 | 0:22:19 | |
We've kept Shakespeare and Dickens and Morris dancing. | 0:22:19 | 0:22:22 | |
But it begs the question, if you know what you've kept... | 0:22:22 | 0:22:26 | |
how do you know what you've lost? | 0:22:26 | 0:22:28 | |
And that's what China is facing at this precise moment in time. | 0:22:28 | 0:22:31 | |
It's trying to work out what is significant from the past | 0:22:31 | 0:22:34 | |
that it can take with into its busy and bustling future. | 0:22:34 | 0:22:36 | |
And it's looking and saying, | 0:22:36 | 0:22:38 | |
"Yeah, we can take the roofs from Dai culture, | 0:22:38 | 0:22:40 | |
"that's nice and that's traditional. | 0:22:40 | 0:22:42 | |
"We can take the water festivities. | 0:22:42 | 0:22:43 | |
"We can take pu-erh tea because it's commercially viable." | 0:22:43 | 0:22:46 | |
But just at the edge of that precipice | 0:22:46 | 0:22:48 | |
and the edge of everything interesting and diverse being lost, | 0:22:48 | 0:22:51 | |
you've got someone like Li Jin Mei who's going, | 0:22:51 | 0:22:54 | |
"I've got this, it's embroidery. | 0:22:54 | 0:22:56 | |
"I don't have script, I cannot write it down. | 0:22:56 | 0:22:59 | |
"And if you lose this or consign it to tourist tat, | 0:22:59 | 0:23:02 | |
"then my culture that's been going for hundreds of years is lost." | 0:23:02 | 0:23:06 | |
And all that is just blowing my mind! | 0:23:06 | 0:23:08 | |
I'm travelling 600 miles north | 0:23:16 | 0:23:18 | |
to the town of Baisha. | 0:23:18 | 0:23:20 | |
In this region, the Mekong has a new name, | 0:23:20 | 0:23:23 | |
the Lancang Jiang or "turbulent river". | 0:23:23 | 0:23:26 | |
And look, there's the Mekong, who'd have thought it? | 0:23:29 | 0:23:32 | |
I thought someone had drunk it, I haven't seen it for miles. | 0:23:32 | 0:23:34 | |
But there it is, burbling away. | 0:23:34 | 0:23:36 | |
Baisha nestles in the shadow of the Himalayas | 0:23:40 | 0:23:43 | |
and is home to the Naxi people. | 0:23:43 | 0:23:45 | |
Far from the concrete jaws of Jinghong, | 0:23:46 | 0:23:48 | |
it now feels I'm entering a China I didn't even know existed. | 0:23:48 | 0:23:52 | |
TRADITIONAL MUSIC PLAYS | 0:23:52 | 0:23:54 | |
I've just stumbled across this fantastic, colourful, | 0:23:54 | 0:23:57 | |
senior citizens line dance. | 0:23:57 | 0:23:59 | |
And what's magical about this is that it isn't a tourist show. | 0:23:59 | 0:24:02 | |
This something that these people do every Sunday | 0:24:02 | 0:24:05 | |
and have done for hundreds of years. | 0:24:05 | 0:24:06 | |
The fact that I'm here is totally immaterial to them | 0:24:06 | 0:24:09 | |
and it's just magical to behold. | 0:24:09 | 0:24:11 | |
Hey! | 0:24:20 | 0:24:21 | |
That was so - mwah! Beautiful. | 0:24:24 | 0:24:26 | |
This one was great, what is that? | 0:24:26 | 0:24:28 | |
Oh, you've got the...? Oh, hello! | 0:24:30 | 0:24:32 | |
Oh, there's some sexy hands. | 0:24:37 | 0:24:40 | |
I'm not good enough! You're too good. | 0:24:44 | 0:24:47 | |
-THEY SPEAK IN OWN LANGUAGE -No, 72?! | 0:24:47 | 0:24:50 | |
You are...70? | 0:24:50 | 0:24:52 | |
71? No! | 0:24:52 | 0:24:55 | |
71! | 0:24:55 | 0:24:57 | |
-How old are you? -One, two, three, four, five, six. | 0:24:57 | 0:25:00 | |
-60? -Six. | 0:25:00 | 0:25:02 | |
You all look so young! You move... | 0:25:02 | 0:25:05 | |
I'm surrounded by the most excitable, brilliant, | 0:25:05 | 0:25:08 | |
robust pensioners. | 0:25:08 | 0:25:09 | |
I love them. | 0:25:14 | 0:25:16 | |
Baisha has been world famous for its botanists and herbalists, | 0:25:21 | 0:25:24 | |
ever since Victorian plant hunter Joseph Rock passed through here. | 0:25:24 | 0:25:28 | |
He became friends with renowned Chinese herbalist Dr Ho. | 0:25:30 | 0:25:34 | |
His son, Dr Ho II, now runs the clinic. | 0:25:34 | 0:25:37 | |
-Hello. -Hello. | 0:25:37 | 0:25:39 | |
-Ni hao. -Nice to meet you. | 0:25:39 | 0:25:41 | |
-Very nice to meet you, Dr Ho. -I am Dr Ho. | 0:25:41 | 0:25:44 | |
-So very nice to see you. -Nice to meet you. | 0:25:44 | 0:25:46 | |
It's my pleasure to see you. | 0:25:46 | 0:25:48 | |
-How are you? -Very well, thank you. | 0:25:48 | 0:25:50 | |
-Of course you're very well. -All the friends... | 0:25:50 | 0:25:54 | |
-All the friends are here. -Yeah, you all the friends. | 0:25:54 | 0:25:56 | |
So is this your garden? | 0:25:56 | 0:25:58 | |
-My wife. -This is your wife? Of course this is your wife. | 0:25:58 | 0:26:01 | |
I'm 92, she is 91. | 0:26:01 | 0:26:04 | |
All strong. | 0:26:04 | 0:26:05 | |
You're 92 years old?! | 0:26:05 | 0:26:07 | |
Yeah, she's 91. | 0:26:07 | 0:26:10 | |
-You look very well. Very nice to see you. -All strong. | 0:26:10 | 0:26:12 | |
-Ni hao. -Ni hao. -Ni hao. | 0:26:12 | 0:26:15 | |
Dr Ho has been practising herbal Chinese medicine | 0:26:17 | 0:26:20 | |
for over 70 years. | 0:26:20 | 0:26:22 | |
May I know your age? | 0:26:22 | 0:26:24 | |
44. 44. | 0:26:24 | 0:26:26 | |
-Good. -Good? | 0:26:26 | 0:26:27 | |
You're the first person to say that's good. | 0:26:27 | 0:26:30 | |
Practitioners of Chinese medicine | 0:26:30 | 0:26:32 | |
believe that in order to heal a sick person, | 0:26:32 | 0:26:35 | |
you must treat the individual rather than their symptoms | 0:26:35 | 0:26:38 | |
and restore their natural balance. | 0:26:38 | 0:26:40 | |
It has long been a fascination of mine. | 0:26:42 | 0:26:44 | |
If you...very bad day, you have | 0:26:45 | 0:26:48 | |
a very bad day, massage here. | 0:26:48 | 0:26:50 | |
Lift! | 0:26:50 | 0:26:52 | |
Suddenly, you go there | 0:26:52 | 0:26:53 | |
and you, "Wah-hey!" | 0:26:53 | 0:26:54 | |
Here... | 0:26:54 | 0:26:56 | |
Oh! Oh! | 0:26:56 | 0:26:58 | |
Oh, what was that?! | 0:26:58 | 0:26:59 | |
Feels like being electrocuted. | 0:26:59 | 0:27:01 | |
-Very bad day. -Yes. | 0:27:01 | 0:27:03 | |
Also made my lips bleed quite badly as well. | 0:27:03 | 0:27:05 | |
-HE SPEAKS IN OWN LANGUAGE -Yeah, you're a genius. | 0:27:05 | 0:27:08 | |
You OK? | 0:27:08 | 0:27:10 | |
Yeah. | 0:27:10 | 0:27:11 | |
'Dr Ho has hit a pressure point that has immediately made me | 0:27:11 | 0:27:14 | |
'a little frightened of him, but it has given me mental alertness, | 0:27:14 | 0:27:17 | |
'which may come in handy when I'm up in the mountains.' | 0:27:17 | 0:27:20 | |
Now I'm going to go to the herb garden, | 0:27:20 | 0:27:23 | |
but I'm being taken by the third and fourth Dr Ho, | 0:27:23 | 0:27:26 | |
cos, as we know, Dr Ho does like to regenerate | 0:27:26 | 0:27:28 | |
so these are the next reincarnations. | 0:27:28 | 0:27:30 | |
-So will you take me to the... -Please. | 0:27:30 | 0:27:32 | |
Yeah, I'm going to follow you, OK. | 0:27:32 | 0:27:34 | |
Look, you've got the white coats and everything. | 0:27:34 | 0:27:36 | |
60% of Yunnan's plants are used in traditional Chinese medicine. | 0:27:36 | 0:27:41 | |
The Ho family are masters and were collecting these powerful herbs | 0:27:41 | 0:27:45 | |
way before the Victorian plant hunters came trundling through. | 0:27:45 | 0:27:49 | |
-Ah! -It's medicine. | 0:27:49 | 0:27:51 | |
I want to live here. | 0:27:51 | 0:27:52 | |
It's medicine. All medicine. | 0:27:52 | 0:27:55 | |
The Hos have over 1,000 plant species here... | 0:27:55 | 0:27:59 | |
and that is species, not individual plants! | 0:27:59 | 0:28:02 | |
What is this one good for? | 0:28:02 | 0:28:04 | |
It's good for the arthritis. | 0:28:04 | 0:28:05 | |
But it's the pollen... | 0:28:05 | 0:28:07 | |
The pollen is good. | 0:28:07 | 0:28:09 | |
The pollen is good, but some time pollen is, for some people, allergic. | 0:28:09 | 0:28:14 | |
If you have no allergy, the pollen is good for the energy. | 0:28:14 | 0:28:18 | |
Good for chi. | 0:28:18 | 0:28:19 | |
-Pollen. -I shall bear that in mind. | 0:28:19 | 0:28:22 | |
Seeds, flower, root part. | 0:28:22 | 0:28:26 | |
Can I eat that? | 0:28:26 | 0:28:27 | |
Yes. Not poison. | 0:28:27 | 0:28:29 | |
But this you can eat, this is good for... | 0:28:29 | 0:28:33 | |
It's like cinnamon, it's actually really delicious. | 0:28:33 | 0:28:36 | |
It's really delicious. | 0:28:36 | 0:28:37 | |
This is more delicious. | 0:28:37 | 0:28:39 | |
What is this one? | 0:28:39 | 0:28:40 | |
More delicious, good for diabetes, | 0:28:40 | 0:28:42 | |
good for high sugar of the... | 0:28:42 | 0:28:45 | |
for goat. | 0:28:45 | 0:28:47 | |
-For GOUT? -Goat, yeah. Big pain. | 0:28:47 | 0:28:49 | |
Big toe, yeah. | 0:28:49 | 0:28:50 | |
Henry VIII would have loved this. Oh, that's sweet. | 0:28:52 | 0:28:54 | |
This is our displaying plant species. | 0:28:54 | 0:28:58 | |
One, two, three, four - | 0:28:58 | 0:29:01 | |
is all one family, chrysanthemum. | 0:29:01 | 0:29:04 | |
-These are all chrysanthemum? -Chrysanthemum family. | 0:29:04 | 0:29:06 | |
One, two, three, four. | 0:29:06 | 0:29:07 | |
So why are they good for health, chrysanthemums, what do they do? | 0:29:07 | 0:29:10 | |
Oh, chrysanthemum family. | 0:29:10 | 0:29:11 | |
The family of chrysanthemum, with chrysanthemums. | 0:29:11 | 0:29:14 | |
Different plants have different effects. | 0:29:14 | 0:29:18 | |
So what about this massive one here? | 0:29:18 | 0:29:20 | |
The Vladimiria beradioidea. | 0:29:20 | 0:29:24 | |
It's good for cancer, good for stomach-ache, for many things. | 0:29:24 | 0:29:28 | |
You've got more plants here | 0:29:28 | 0:29:30 | |
than anywhere else pretty much in the world? | 0:29:30 | 0:29:32 | |
I'm very sorry to say... I'm very sorry to tell you... | 0:29:32 | 0:29:35 | |
-Are you out of plants? -Yeah. | 0:29:35 | 0:29:36 | |
Some plants is maybe lost plants. | 0:29:36 | 0:29:40 | |
Destroyed very fast. | 0:29:40 | 0:29:42 | |
Really fast. | 0:29:42 | 0:29:45 | |
Who's destroying it? | 0:29:45 | 0:29:47 | |
There are many, many people. | 0:29:47 | 0:29:49 | |
China's new money has increased demand for herbal medicine. | 0:29:49 | 0:29:53 | |
Now it's a 60 billion industry and still growing. | 0:29:53 | 0:29:57 | |
Businessman use machines! | 0:29:58 | 0:30:01 | |
They take everything. | 0:30:01 | 0:30:02 | |
HE IMITATES MACHINE | 0:30:02 | 0:30:04 | |
It's very easy to destroy, disappear. It's a pity. | 0:30:04 | 0:30:08 | |
It's a pity. | 0:30:08 | 0:30:10 | |
Ah, this makes me very sad. It's the same everywhere. | 0:30:10 | 0:30:13 | |
Very sad. | 0:30:13 | 0:30:15 | |
It's a highly competitive market and changing fast, | 0:30:15 | 0:30:18 | |
like everything else in China. | 0:30:18 | 0:30:20 | |
I'm leaving Baisha and heading north towards the source of the Mekong. | 0:30:27 | 0:30:31 | |
The landscape is getting wilder. | 0:30:31 | 0:30:33 | |
But its beauty is somewhat tainted by this brand spanking new road. | 0:30:33 | 0:30:37 | |
The river is wild here, too. | 0:30:42 | 0:30:44 | |
No good for transporting freight or even fishing. | 0:30:44 | 0:30:48 | |
But there are other uses for turbulent rivers. | 0:30:48 | 0:30:52 | |
Unfortunately, we can't stop here and shoot anything | 0:30:52 | 0:30:55 | |
because the government have expressly forbidden us from filming | 0:30:55 | 0:30:58 | |
any of the dams in China on the Mekong. | 0:30:58 | 0:31:00 | |
But you can see the devastation on the landscape. | 0:31:00 | 0:31:02 | |
That is a major blot, | 0:31:02 | 0:31:04 | |
the sort of thing that would give Prince Charles an embolism. | 0:31:04 | 0:31:07 | |
The six dams already in service here | 0:31:10 | 0:31:13 | |
generate approximately 15,000 megawatts. | 0:31:13 | 0:31:16 | |
That's enough to light up London for three years. | 0:31:16 | 0:31:20 | |
But power like this comes at a cost. | 0:31:21 | 0:31:23 | |
More than 100,000 ethnic people were displaced to make way for the dams. | 0:31:23 | 0:31:28 | |
And the ecological damage to people and habitats downstream | 0:31:28 | 0:31:31 | |
in Laos, Cambodia and Vietnam has yet to be calculated. | 0:31:31 | 0:31:36 | |
The village of Cizhong is home to Tibetan people. | 0:31:51 | 0:31:54 | |
Over the centuries, they have come down from the plateau | 0:31:56 | 0:31:59 | |
along the ancient horse tea route | 0:31:59 | 0:32:00 | |
and settled in these Himalayan foothills. | 0:32:00 | 0:32:03 | |
Other travellers have arrived here, too, from further afield, | 0:32:04 | 0:32:07 | |
bringing different cultures and beliefs. | 0:32:07 | 0:32:10 | |
SINGING IN OWN LANGUAGE | 0:32:10 | 0:32:13 | |
It's been a very long time since my last confession. | 0:32:20 | 0:32:24 | |
Slightly feeling it now, I feel bad. | 0:32:24 | 0:32:26 | |
Once they've got you, they've got you forever. | 0:32:27 | 0:32:30 | |
SINGING CONTINUES | 0:32:30 | 0:32:33 | |
French missionaries arrived in Yunnan in the 1850s, | 0:32:35 | 0:32:38 | |
bringing the Catholic gospel with them. | 0:32:38 | 0:32:40 | |
And, over time, 80% of this village converted to Catholicism. | 0:32:40 | 0:32:44 | |
HE SPEAKS IN OWN LANGUAGE | 0:32:48 | 0:32:50 | |
I was brought up a Catholic, but lost my faith a long time ago. | 0:32:53 | 0:32:57 | |
Maybe it's the altitude, but I rather like this fusion | 0:32:59 | 0:33:02 | |
between the Bible-bashers and the Buddhists. | 0:33:02 | 0:33:05 | |
Today, I'm visiting Mr Xaio, | 0:33:16 | 0:33:18 | |
a man I met in church last night with a truly humbling story to tell. | 0:33:18 | 0:33:22 | |
When the Communist Party came into power in 1949, | 0:33:24 | 0:33:27 | |
all foreign missionaries were expelled from China. | 0:33:27 | 0:33:30 | |
Catholicism, along with all other religions, was banned. | 0:33:30 | 0:33:34 | |
-Ni hao. -Ni hao. -Nice to see you, darling. Nice to see you. | 0:33:35 | 0:33:39 | |
Ah, look! | 0:33:39 | 0:33:40 | |
Look at these little beauties. | 0:33:40 | 0:33:43 | |
They're looking extremely plump. | 0:33:43 | 0:33:46 | |
Under Chairman Mao's regime, | 0:33:46 | 0:33:48 | |
Mr Xaio, along with 20 million other Chinese, | 0:33:48 | 0:33:50 | |
was imprisoned in one of the many "re-education" camps... | 0:33:50 | 0:33:54 | |
which is the party phrase meaning "hard labour". | 0:33:54 | 0:33:57 | |
The Bible teaches you to forgive. | 0:34:30 | 0:34:32 | |
Do you forgive the people involved in your re-education? | 0:34:32 | 0:34:36 | |
Do you forgive that period of history | 0:34:36 | 0:34:38 | |
and what it meant to you personally? | 0:34:38 | 0:34:40 | |
So this is the certificate that exonerates you from all... | 0:35:12 | 0:35:16 | |
Wow! That's some certificate. | 0:35:19 | 0:35:21 | |
"Thank you for all your hard labour in prison(!)" | 0:35:21 | 0:35:23 | |
That speaks volumes. | 0:35:23 | 0:35:24 | |
THEY SING TOGETHER | 0:35:32 | 0:35:36 | |
Mr Xaio's faith has carried him through dreadful hardship | 0:35:38 | 0:35:41 | |
and I'm glad he has finally found his peace. | 0:35:41 | 0:35:44 | |
HE SINGS IN OWN LANGUAGE | 0:35:46 | 0:35:51 | |
HE COUGHS | 0:35:56 | 0:35:58 | |
Oh, dear! Please don't let us lose you. | 0:35:58 | 0:36:00 | |
As well as the Bible and church, | 0:36:08 | 0:36:10 | |
the missionaries left a very French legacy... | 0:36:10 | 0:36:13 | |
vineyards. | 0:36:13 | 0:36:14 | |
-Ni hao! -Ni hao. | 0:36:15 | 0:36:17 | |
I'm not convinced that modern-day China's legacy | 0:36:19 | 0:36:22 | |
will be quite so palatable. | 0:36:22 | 0:36:23 | |
Five years ago, construction work along the banks of the Mekong | 0:36:26 | 0:36:29 | |
made this valley ridge unstable. | 0:36:29 | 0:36:31 | |
And what would your worst nightmare be? | 0:37:17 | 0:37:20 | |
Your worst vision of Cizhong in ten years' time, | 0:37:20 | 0:37:22 | |
what would be the most terrible thing that could happen to it? | 0:37:22 | 0:37:25 | |
Come on! | 0:37:50 | 0:37:52 | |
Just looking at this landscape tells the story itself. | 0:37:59 | 0:38:04 | |
Cos it's either terraced farms and vineyards | 0:38:04 | 0:38:06 | |
of the 19th century French missionaries... | 0:38:06 | 0:38:09 | |
You can see in the distance the sleek new concrete road | 0:38:09 | 0:38:12 | |
and the ensuing landslides of modern China. | 0:38:12 | 0:38:16 | |
And running through it all, despite the change in weather, | 0:38:16 | 0:38:19 | |
despite falling rocks, despite overfishing... | 0:38:19 | 0:38:22 | |
the Lancang Jiang, the Mekong River, it just flows timelessly | 0:38:22 | 0:38:26 | |
and quietly through it all. | 0:38:26 | 0:38:28 | |
-LITTLE GIRL GIGGLES -Except for you! | 0:38:28 | 0:38:30 | |
You're not very quiet, you're actually really loud. | 0:38:30 | 0:38:32 | |
You're infernally loud. | 0:38:32 | 0:38:34 | |
They can hear you all the way to Cizhong. | 0:38:34 | 0:38:37 | |
Sometimes this journey up the Mekong | 0:38:54 | 0:38:57 | |
has felt like reading a book backwards. | 0:38:57 | 0:38:59 | |
I know how it ends 3,000 miles away in Vietnam, | 0:38:59 | 0:39:03 | |
but I've yet to experience the very first chapter. | 0:39:03 | 0:39:05 | |
We're climbing higher now, into the Himalayas, | 0:39:08 | 0:39:10 | |
where the Mekong starts its story. | 0:39:10 | 0:39:13 | |
That is an awesome drop. | 0:39:14 | 0:39:16 | |
That is one of the biggest gorges in the entire world | 0:39:16 | 0:39:19 | |
and that is stunning. | 0:39:19 | 0:39:20 | |
Look down there! | 0:39:20 | 0:39:22 | |
It is so spectacular. | 0:39:22 | 0:39:23 | |
Look at that. | 0:39:31 | 0:39:32 | |
And you can see an entirely new perspective on the river. | 0:39:32 | 0:39:35 | |
I've always sort of trundled along it, | 0:39:35 | 0:39:37 | |
and now, this amazing bird's- eye view. | 0:39:37 | 0:39:40 | |
-BREATHLESSLY: -You can hear that the altitude | 0:39:40 | 0:39:42 | |
is just starting to bite now. | 0:39:42 | 0:39:44 | |
We're about 3,500 meters above sea level. | 0:39:44 | 0:39:47 | |
And my chest has gone a little Darth Vader. | 0:39:47 | 0:39:50 | |
But the good news is... | 0:39:50 | 0:39:52 | |
I've got Dr Ho's special acupressure point here. | 0:39:52 | 0:39:55 | |
So any point I'm feeling queasy... | 0:39:55 | 0:39:56 | |
bosh! | 0:39:56 | 0:39:58 | |
I get that electrocuted feeling. | 0:39:58 | 0:40:00 | |
Ooh, I am really feeling the nip of altitude. | 0:40:03 | 0:40:05 | |
Slight desire to run for no good reason, | 0:40:07 | 0:40:10 | |
or do a dance, or sing, or cry, or something. | 0:40:10 | 0:40:13 | |
I'm ready to go to the next level. | 0:40:15 | 0:40:16 | |
I want to go above 4,000. | 0:40:16 | 0:40:18 | |
See what happens then. | 0:40:18 | 0:40:20 | |
I reckon at 4,000, you could put a Jim Davidson DVD on | 0:40:20 | 0:40:22 | |
and I would cry with laughter. | 0:40:22 | 0:40:23 | |
Maybe 5,000. | 0:40:25 | 0:40:26 | |
As we approach Tibet, Buddhist prayer flags fly along every ridge. | 0:40:33 | 0:40:38 | |
The Tibetans believe they pacify the gods, | 0:40:39 | 0:40:42 | |
as the wind lifts their prayers to the heavens. | 0:40:42 | 0:40:45 | |
So, now I've arrived at the threshold, where China meets Tibet, | 0:40:49 | 0:40:52 | |
but, sadly, due to well-publicised political "differences", | 0:40:52 | 0:40:57 | |
I'm not allowed to go through. | 0:40:57 | 0:40:59 | |
It's incredibly frustrating, but I suppose the only good thing | 0:40:59 | 0:41:02 | |
is I get to see the Khawa Karpo mountains, | 0:41:02 | 0:41:04 | |
beautifully bathed in sunlight with snowy peaks, | 0:41:04 | 0:41:07 | |
that have such spiritual significance for Tibetans. | 0:41:07 | 0:41:10 | |
What do you mean - cloudy? | 0:41:12 | 0:41:13 | |
The ancient kingdom of Tibet came under Chinese rule in 1951 | 0:41:19 | 0:41:23 | |
when the Communists marched in. | 0:41:23 | 0:41:25 | |
The Tibetan spiritual leader, the Dalai Lama, was forced into exile. | 0:41:25 | 0:41:30 | |
To this day, Tibetans are still persecuted, | 0:41:32 | 0:41:35 | |
as the Chinese seek to marginalise their unique culture. | 0:41:35 | 0:41:38 | |
As a result, Tibet is off-limits to foreign film crews. | 0:41:40 | 0:41:44 | |
So, instead of following the river, | 0:41:45 | 0:41:48 | |
I have to take three flights, manoeuvring around Tibet - | 0:41:48 | 0:41:51 | |
which is now officially part of China | 0:41:51 | 0:41:53 | |
and renamed the Tibet Autonomous Region. | 0:41:53 | 0:41:56 | |
These flights will take me to Qinghai province, | 0:41:56 | 0:41:58 | |
where I can rejoin the Mekong and get close to the source. | 0:41:58 | 0:42:01 | |
So, I heard that there are approximately twelve million yaks | 0:42:32 | 0:42:37 | |
in this area and six million Tibetans | 0:42:37 | 0:42:40 | |
-Twelve million! -Twelve million yaks, six million people, | 0:42:40 | 0:42:43 | |
which means that if the yaks get together... | 0:42:43 | 0:42:45 | |
it's over for you guys. | 0:42:45 | 0:42:47 | |
I've come to China's north eastern part of the Tibetan plateau | 0:42:49 | 0:42:52 | |
and I'll be staying with a family | 0:42:52 | 0:42:54 | |
that lives by the banks of the river. | 0:42:54 | 0:42:55 | |
Like most Tibetans in this remote corner, they are yak herders. | 0:42:57 | 0:43:00 | |
During the winter, they graze their yaks here, | 0:43:02 | 0:43:04 | |
but in the warmer months, they're nomadic, | 0:43:04 | 0:43:07 | |
following their animals across the high plateau. | 0:43:07 | 0:43:09 | |
Will I be the first western face that this family has seen? | 0:43:11 | 0:43:14 | |
I think so, yeah. | 0:43:14 | 0:43:15 | |
I feel bad that it's me. | 0:43:15 | 0:43:17 | |
They could've...I don't know... | 0:43:17 | 0:43:20 | |
We could have found someone blonder or glossier, maybe. | 0:43:20 | 0:43:22 | |
Ah, tashi delek. | 0:43:26 | 0:43:28 | |
Ah, demo, demo. | 0:43:28 | 0:43:29 | |
Oh, that's quick. Gosh, hello. Nice to see you. | 0:43:29 | 0:43:33 | |
'This is Aba and his wife Ama, | 0:43:34 | 0:43:36 | |
'who live here with their extended family.' | 0:43:36 | 0:43:38 | |
Hello, darling. Hello. | 0:43:38 | 0:43:40 | |
Oh, thank you. | 0:43:40 | 0:43:41 | |
What were you expecting | 0:43:42 | 0:43:44 | |
when you knew somebody from the west was coming? | 0:43:44 | 0:43:46 | |
What did you expect? | 0:43:46 | 0:43:47 | |
What did you think? What did you imagine? | 0:43:49 | 0:43:51 | |
I think you're thinking of Bonnie Langford, | 0:43:57 | 0:43:59 | |
but I don't think she's due here for a while. | 0:43:59 | 0:44:01 | |
The yaks are already on the move. | 0:44:03 | 0:44:06 | |
They must be brought in for the night, | 0:44:06 | 0:44:08 | |
safe from the wolves and bears that prowl the mountains. | 0:44:08 | 0:44:11 | |
These gentle beasts are essential to life at this altitude. | 0:44:12 | 0:44:15 | |
Perfectly adapted to the thin air and biting cold, | 0:44:15 | 0:44:19 | |
they provide everything for the family - | 0:44:19 | 0:44:21 | |
from food and clothing to fuel for their fires. | 0:44:21 | 0:44:25 | |
Their butter is offered to the gods | 0:44:25 | 0:44:27 | |
and their wool is woven into the prayer flags. | 0:44:27 | 0:44:29 | |
Of all the experiences I've had, | 0:44:33 | 0:44:35 | |
this is the one which feels so timeless. | 0:44:35 | 0:44:37 | |
You come up this mountain and you immediately feel the rhythms | 0:44:38 | 0:44:42 | |
of thousands of years working through you. | 0:44:42 | 0:44:44 | |
Of course you'd believe in God. | 0:44:46 | 0:44:48 | |
Look at it! Look at your office! | 0:44:48 | 0:44:51 | |
Look at it! | 0:44:51 | 0:44:52 | |
I want to come and work with you. | 0:44:52 | 0:44:54 | |
THEY COAX YAK IN TIBETAN | 0:45:02 | 0:45:04 | |
Deftly done. | 0:45:06 | 0:45:07 | |
Come on. Oh, you are really strong. | 0:45:07 | 0:45:10 | |
It's not so bad. | 0:45:10 | 0:45:12 | |
Come on, it's better than being eaten by a wolf. | 0:45:12 | 0:45:14 | |
TIBETAN RECITAL | 0:45:21 | 0:45:23 | |
Every evening before bed, Ama and Aba recite their Buddhist mantras. | 0:45:23 | 0:45:28 | |
The hypnotic chanting reverberates through the room. | 0:45:31 | 0:45:35 | |
It's the perfect lullaby. | 0:45:35 | 0:45:37 | |
TIBETAN RECITAL CONTINUES | 0:45:37 | 0:45:39 | |
Oh, that's good. | 0:45:49 | 0:45:50 | |
A faint tang of yak on the mattress, if I'm honest, but... | 0:45:52 | 0:45:56 | |
I'm that tired, it doesn't matter. Plus, I love the yak. | 0:45:56 | 0:45:59 | |
This is comfortable. I'm living here, I'm moving here. | 0:45:59 | 0:46:02 | |
Good night, everyone. | 0:46:04 | 0:46:06 | |
Demo ni. | 0:46:06 | 0:46:07 | |
Demo ni, yaks. | 0:46:07 | 0:46:08 | |
-Demo ni. -Demo ni, demo ni. | 0:46:10 | 0:46:13 | |
If this goes on all night, there will be no demo ni. | 0:46:13 | 0:46:15 | |
Believe it or not, this is the start of summer. | 0:46:23 | 0:46:27 | |
They just know. | 0:46:50 | 0:46:52 | |
Right. | 0:46:57 | 0:46:58 | |
I'm not going to be squeamish about this. | 0:47:00 | 0:47:01 | |
Ah, look! | 0:47:06 | 0:47:08 | |
Yeah. Victory. | 0:47:10 | 0:47:11 | |
I'm getting there. | 0:47:13 | 0:47:14 | |
It's a bit slow. | 0:47:14 | 0:47:16 | |
Oh, my knees went then. Oh. | 0:47:16 | 0:47:18 | |
Ooh. | 0:47:19 | 0:47:20 | |
There are very few things I'd enjoy getting up for, | 0:47:24 | 0:47:26 | |
but this would be one of them. Just... | 0:47:26 | 0:47:28 | |
..total sense of calm, nothing is rushed, the animals are at peace. | 0:47:29 | 0:47:34 | |
What an amazing way of life... | 0:47:34 | 0:47:36 | |
It's hard, though. It's very hard. | 0:47:38 | 0:47:40 | |
One mustn't romanticise. | 0:47:40 | 0:47:42 | |
Nothing wasted. | 0:47:51 | 0:47:52 | |
Oh, that's great. That's like a Frisbee, that one. | 0:47:54 | 0:47:57 | |
'That one needed Imodium, I tell you.' | 0:47:58 | 0:48:00 | |
Yak dung is the family's main source of fuel | 0:48:01 | 0:48:04 | |
and has to be spread out on the ground to dry. | 0:48:04 | 0:48:06 | |
Ama has been blessed with seven children, | 0:48:40 | 0:48:43 | |
but I wonder if they'll want to carry on | 0:48:43 | 0:48:45 | |
living this ancient way of life. | 0:48:45 | 0:48:47 | |
Do you think they'll want to be yak herders | 0:48:47 | 0:48:49 | |
when they finish school? | 0:48:49 | 0:48:51 | |
You look after them very beautifully. | 0:49:11 | 0:49:13 | |
Hai. | 0:49:18 | 0:49:19 | |
There's quite a lot of eyes on me for this moment. | 0:49:26 | 0:49:28 | |
This is a real east-west cultural handshake. | 0:49:28 | 0:49:30 | |
So, this is yak butter tea. | 0:49:30 | 0:49:32 | |
It's gravy and then you get the real dairy kick. | 0:49:37 | 0:49:41 | |
And a sort of faint Assam back note. | 0:49:43 | 0:49:46 | |
-It's very good. Ya buddha. -Ya buddha. | 0:49:46 | 0:49:48 | |
Ya buddha, ya buddha, ya buddha. | 0:49:48 | 0:49:50 | |
The landscape here is sacred and revered. | 0:49:52 | 0:49:55 | |
Tibetan Buddhists, like Ama and Aba, | 0:49:55 | 0:49:58 | |
believe that everything is alive and has an immortal soul, | 0:49:58 | 0:50:02 | |
whether it be animals, the rocks, or the land itself. | 0:50:02 | 0:50:06 | |
The Mekong - now known as Dza Chu or Rocky Waters - is no exception. | 0:50:06 | 0:50:11 | |
There she is. She's never looked so good. | 0:50:12 | 0:50:15 | |
When collecting water, | 0:50:19 | 0:50:21 | |
three blessings must be given to the gods as thanks. | 0:50:21 | 0:50:24 | |
If you came out onto this river and it was two miles wide, | 0:50:46 | 0:50:50 | |
black with diesel fumes, | 0:50:50 | 0:50:51 | |
and everywhere you looked there were plastic bottles | 0:50:51 | 0:50:55 | |
and food cartons, | 0:50:55 | 0:50:57 | |
how would that make you feel? | 0:50:57 | 0:50:58 | |
So, on this trip, I've come down to the river a million times | 0:51:16 | 0:51:20 | |
and it's really painful to have done this journey this way round. | 0:51:20 | 0:51:23 | |
It's really painful to know the end before you know the beginning, | 0:51:23 | 0:51:27 | |
to slowly have that innocence drained from you, | 0:51:27 | 0:51:29 | |
and then to be confronted by somebody who only knows the start | 0:51:29 | 0:51:32 | |
and present to them the idea of this river as black and angry, | 0:51:32 | 0:51:37 | |
and polluted and corrupt. | 0:51:37 | 0:51:39 | |
There's something so profound about the husbandry of the environment | 0:51:41 | 0:51:45 | |
in its entirety here... | 0:51:45 | 0:51:47 | |
that get slowly lost the further you go downstream. | 0:51:47 | 0:51:51 | |
Wherever I go, it will never be as beautiful as this, in every way. | 0:51:54 | 0:51:59 | |
Thank you. Bless you. | 0:51:59 | 0:52:03 | |
I will come back here sometime. | 0:52:04 | 0:52:06 | |
-Tashi delek. -Tashi delek. Tashi delek. | 0:52:06 | 0:52:08 | |
-Tashi delek. -Tashi delek. -Tashi delek. | 0:52:08 | 0:52:10 | |
Bless you. | 0:52:12 | 0:52:13 | |
My Mekong journey is very nearly at an end, | 0:52:23 | 0:52:26 | |
but I have one more place to visit before I head for home - | 0:52:26 | 0:52:30 | |
the river's spiritual source, | 0:52:30 | 0:52:32 | |
where the water first touches the lives of people. | 0:52:32 | 0:52:35 | |
As I push higher and higher into this sacred landscape, | 0:52:37 | 0:52:40 | |
I suddenly realise... | 0:52:40 | 0:52:43 | |
I've been on a pilgrimage. | 0:52:43 | 0:52:44 | |
This is Negyama Monastery, | 0:52:58 | 0:53:00 | |
a spiritual site close to the geographical source of the Mekong - | 0:53:00 | 0:53:04 | |
and my final destination. | 0:53:04 | 0:53:05 | |
Nuns, like these, have lived here for generations | 0:53:07 | 0:53:09 | |
under the shadow of these holy mountains, | 0:53:09 | 0:53:11 | |
chanting and meditating by the waters of this river. | 0:53:11 | 0:53:14 | |
GONG CRASHES | 0:53:17 | 0:53:19 | |
GONG CRASHES | 0:53:21 | 0:53:23 | |
If I say hello to the nuns, will they be able to say hello back? | 0:53:33 | 0:53:36 | |
Tashi delek. Hello. | 0:53:45 | 0:53:46 | |
I've never met an shyer group. | 0:53:52 | 0:53:54 | |
Hello, hello. How are you? | 0:53:54 | 0:53:56 | |
Hello. I'm good, how are you? | 0:53:56 | 0:53:57 | |
GONG CRASHES | 0:53:57 | 0:53:58 | |
Welcome to our monastery. | 0:54:01 | 0:54:03 | |
Thank you for having me in your monastery. Thank you very much. | 0:54:03 | 0:54:07 | |
I've arrived at a rather auspicious time. | 0:54:08 | 0:54:10 | |
The nuns are heading to the river to make an offering | 0:54:13 | 0:54:15 | |
to the water gods, or Nagas. | 0:54:15 | 0:54:18 | |
The Nagas are worshipped all along the Mekong, | 0:54:18 | 0:54:20 | |
but here they have a very special significance. | 0:54:20 | 0:54:23 | |
There's incredible wind. | 0:54:25 | 0:54:27 | |
If you are going to go all this way | 0:54:31 | 0:54:33 | |
and see all this magnificence, | 0:54:33 | 0:54:35 | |
and encounter these once-in-a-lifetime experiences, | 0:54:35 | 0:54:38 | |
one after another, after another, | 0:54:38 | 0:54:41 | |
this surely has to be the way | 0:54:41 | 0:54:45 | |
to end. | 0:54:45 | 0:54:46 | |
CHANTING IN TIBETAN | 0:54:47 | 0:54:51 | |
The Naga gods are powerful, | 0:54:54 | 0:54:55 | |
often depicted as wise and great serpents or dragons. | 0:54:55 | 0:55:00 | |
But they are also vulnerable to human stupidity and greed, | 0:55:00 | 0:55:04 | |
and are easily angered. | 0:55:04 | 0:55:05 | |
Offerings must be made to appease them. | 0:55:07 | 0:55:09 | |
And, in return, the people are given protection, | 0:55:09 | 0:55:12 | |
creating an eternal bond between humans, gods and the mighty river. | 0:55:12 | 0:55:17 | |
CHANTING IN TIBETAN CONTINUES | 0:55:17 | 0:55:21 | |
BELLS CHIME | 0:55:42 | 0:55:44 | |
HE CHANTS IN TIBETAN | 0:55:44 | 0:55:48 | |
This is genuinely one of the most | 0:55:54 | 0:55:56 | |
overwhelming experiences of my life, in every sense. | 0:55:56 | 0:56:00 | |
It feels like so many whirling questions I had about myself... | 0:56:00 | 0:56:04 | |
..don't matter any more. | 0:56:06 | 0:56:07 | |
It's about experience and joy and peace, | 0:56:07 | 0:56:10 | |
and community and landscape | 0:56:10 | 0:56:12 | |
and sky and whatever you perceive God to be | 0:56:12 | 0:56:14 | |
and that's all come together... | 0:56:14 | 0:56:17 | |
here with these total strangers. | 0:56:17 | 0:56:19 | |
My journey up the Mekong | 0:56:42 | 0:56:44 | |
has come to an end. | 0:56:44 | 0:56:45 | |
I've travelled more than 3,000 miles | 0:56:47 | 0:56:49 | |
through four countries | 0:56:49 | 0:56:50 | |
along a river that's on the point | 0:56:50 | 0:56:52 | |
of extraordinary change. | 0:56:52 | 0:56:54 | |
If I'm honest, I never expected to be so very moved by this trip... | 0:56:55 | 0:57:00 | |
which perhaps says more about me than I'd like. | 0:57:00 | 0:57:02 | |
But I feel blessed to have been so profoundly affected | 0:57:02 | 0:57:05 | |
by the Mekong and its people. | 0:57:05 | 0:57:07 | |
-Number one! -No, you are number one. | 0:57:07 | 0:57:09 | |
You are the Queen. | 0:57:09 | 0:57:11 | |
Yeah. She's saying I'm weak. | 0:57:14 | 0:57:16 | |
Moy, moy, moy! | 0:57:16 | 0:57:19 | |
You could lose the entirety of your arm. | 0:57:19 | 0:57:21 | |
Hup. Oh, yeah! | 0:57:21 | 0:57:23 | |
CROWD CHEERS | 0:57:23 | 0:57:25 | |
-ALL: -Whoo! | 0:57:25 | 0:57:28 | |
These people are so poor. | 0:57:28 | 0:57:30 | |
I just feel really torn! | 0:57:30 | 0:57:31 | |
She's saying someone has farted and they have. | 0:57:35 | 0:57:37 | |
I was too polite to say anything, | 0:57:37 | 0:57:39 | |
but she just went like that and was like, "Yeah." | 0:57:39 | 0:57:41 | |
I have not felt this profoundly peaceful in such a long time. | 0:57:41 | 0:57:45 | |
The Mekong is about to change for ever, | 0:57:48 | 0:57:50 | |
as the dams take hold and the wild river is tamed. | 0:57:50 | 0:57:53 | |
I'm a great fan of green energy, | 0:57:54 | 0:57:57 | |
but if it's at the expense | 0:57:57 | 0:57:59 | |
of nearly 50 million people, | 0:57:59 | 0:58:00 | |
you've got to wonder where the balance is. | 0:58:00 | 0:58:03 | |
If I've learned anything on this trip, | 0:58:05 | 0:58:08 | |
it's that the people of the Mekong are all in this together... | 0:58:08 | 0:58:12 | |
and it's their stories that bring this great river to life. | 0:58:12 | 0:58:15 | |
It's not just thanks to the Mekong | 0:58:18 | 0:58:19 | |
that I've had this extraordinary adventure, | 0:58:19 | 0:58:22 | |
but it's thanks to them, so thank you. | 0:58:22 | 0:58:24 | |
Tam biet, cam on, khop chai lai lai, | 0:58:24 | 0:58:28 | |
xie xie, gai daan jai... | 0:58:28 | 0:58:30 | |
..tashi delek. | 0:58:31 | 0:58:32 |