
Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Good morning, it's me again. | 0:00:02 | 0:00:04 | |
Below London's streets exists another world. | 0:00:06 | 0:00:10 | |
The madness is my swimming pool. I'm at home in that kind of water. What can I say? | 0:00:10 | 0:00:14 | |
Every day, 20,000 workers struggle to keep four million people on the move. | 0:00:16 | 0:00:21 | |
What, there's a customer asleep on the platform? Get him on the train. | 0:00:21 | 0:00:26 | |
And it's not easy when the Tube is undergoing the biggest upgrade in its history. | 0:00:26 | 0:00:31 | |
We've got five minutes! I want this site cleared! | 0:00:31 | 0:00:34 | |
Now cameras will reveal an underground world we've never fully seen before. | 0:00:34 | 0:00:39 | |
10,421 mobiles since April. | 0:00:39 | 0:00:42 | |
Listen to what I'm saying. Pay as you go. Yeah? You just went! | 0:00:42 | 0:00:47 | |
This guy running up the stairs. We need to stop him. | 0:00:47 | 0:00:51 | |
HORN BLARES | 0:00:53 | 0:00:54 | |
We're the underground part of the city. | 0:00:54 | 0:00:57 | |
London comes down here every single day. It is part of their world. | 0:00:57 | 0:01:01 | |
It is part of everyone's world. | 0:01:01 | 0:01:02 | |
I love you. | 0:01:02 | 0:01:05 | |
This programme contains some strong language | 0:01:05 | 0:01:10 | |
During the week, Liverpool Street Tube station is a busy commuter hub. | 0:01:21 | 0:01:26 | |
But on Friday nights, it takes on a very different personality. | 0:01:26 | 0:01:30 | |
Seven-five to base. | 0:01:30 | 0:01:32 | |
We've got someone urinating on the end of platform five. Over. | 0:01:32 | 0:01:36 | |
-Did you see him actually do it? Over. -Yeah. | 0:01:36 | 0:01:40 | |
He's urinated all over. Over. | 0:01:40 | 0:01:42 | |
TANNOY: Customers on the escalator, please use the escalator safely and correctly. | 0:01:42 | 0:01:47 | |
Mind the doors means mind the doors! Do not jam the doors! | 0:01:48 | 0:01:52 | |
Excuse me, mate. Are you OK? | 0:02:01 | 0:02:03 | |
-TANNOY: -This is a customer announcement for customers on westbound platform two. | 0:02:06 | 0:02:09 | |
I do apologise for the last train being cancelled at short notice. | 0:02:09 | 0:02:13 | |
This was due to...er, significant vomit in the carriages. | 0:02:13 | 0:02:17 | |
Your next westbound service will be in one minute, calling all stations to Hammersmith. | 0:02:17 | 0:02:21 | |
Control assistant Mark Davies is the all-seeing eyes of the station. | 0:02:21 | 0:02:27 | |
I watch customers to make sure they don't injure themselves, | 0:02:27 | 0:02:30 | |
beat each other up, burn the place down. | 0:02:30 | 0:02:33 | |
You've got to keep an eye on 'em. | 0:02:33 | 0:02:36 | |
This is customer information. | 0:02:36 | 0:02:38 | |
Customers, you're reminded that drinking alcohol from an open container | 0:02:38 | 0:02:41 | |
is forbidden on all London Underground stations and trains. | 0:02:41 | 0:02:46 | |
This particular announcement is for the gentleman with the leather jacket, | 0:02:46 | 0:02:50 | |
brown leather jacket on the westbound Central Line | 0:02:50 | 0:02:52 | |
with a can of Grolsch. | 0:02:52 | 0:02:54 | |
Generally speaking, they're all right about it, you know? | 0:02:54 | 0:02:58 | |
# Happy birthday to you | 0:03:02 | 0:03:05 | |
# Happy birthday to... # Anybody else? # ..you... # | 0:03:05 | 0:03:11 | |
-Excuse me. Excuse me! -Are you after him? -Yes. | 0:03:16 | 0:03:20 | |
Hey, mate. Excuse me, mate. You've got to take the Oyster card with you. | 0:03:22 | 0:03:28 | |
MAN SLURS Yeah, you've got to come back. | 0:03:28 | 0:03:30 | |
Go over the far side. Over here, mate. | 0:03:30 | 0:03:33 | |
Just tap your card on there. | 0:03:37 | 0:03:39 | |
It's a bit concerning, really, that these people | 0:03:39 | 0:03:41 | |
hold our lives in their hands. | 0:03:41 | 0:03:43 | |
They're the financial people of this world. | 0:03:43 | 0:03:45 | |
But it's not just the money men. It's the doctors and the lawyers. | 0:03:45 | 0:03:48 | |
And you just have to be a bit of a babysitter. | 0:03:48 | 0:03:51 | |
-"Top up pay as you go." How much do you want to put on? -A fiver is fine. | 0:03:51 | 0:03:55 | |
Put your PIN number in now, yeah? | 0:03:55 | 0:03:57 | |
You've got men in suits that are powerful, | 0:03:57 | 0:03:59 | |
and they are like children and you have to treat them like children. | 0:03:59 | 0:04:03 | |
Hold on tight. Walk this way. | 0:04:03 | 0:04:05 | |
We turn into Mummy and Daddy sometimes. | 0:04:05 | 0:04:08 | |
Oh, look. She's fallen over on the escalator. | 0:04:08 | 0:04:12 | |
But she is all smiles, so she hasn't hurt herself. | 0:04:12 | 0:04:14 | |
There's no reason to condemn them because they've had a drink. | 0:04:14 | 0:04:18 | |
In fact, that's the point. You have a drink and you use public transport rather than drive. | 0:04:18 | 0:04:23 | |
We don't want to see them get all smashed up, beat each other up, hurt theirselves. | 0:04:23 | 0:04:27 | |
They can delay the service by having a fight, as well. | 0:04:27 | 0:04:30 | |
And that upsets a lot of people. | 0:04:30 | 0:04:32 | |
ALARM BLARES | 0:04:34 | 0:04:37 | |
NOC, station emergency? | 0:04:37 | 0:04:39 | |
The network operations centre is the control room for the whole of the Tube, | 0:04:39 | 0:04:44 | |
monitoring the 500 individually numbered trains that move around the network at any one time | 0:04:44 | 0:04:49 | |
and coordinating with staff across 274 stations. | 0:04:49 | 0:04:54 | |
Hello, it's the NOC. Apparently, the ambulance has just arrived outside. | 0:04:54 | 0:04:58 | |
Duty manager Andy Hogg and his team are poised to deal with | 0:04:58 | 0:05:03 | |
any incident that could cause a delay to the service. | 0:05:03 | 0:05:06 | |
25-year-old female, drunk, collapsed and hit her head. | 0:05:08 | 0:05:11 | |
Male, 30, fell down escalator. | 0:05:11 | 0:05:14 | |
Female, 20, ankle injury, fallen down the stairs, drink related. | 0:05:14 | 0:05:18 | |
Arm injury following running into the side of a train. | 0:05:18 | 0:05:22 | |
Female, 20, intoxicated. Welcome to Friday night on the Underground. | 0:05:22 | 0:05:26 | |
Hello. What hospital was this casualty taken to? | 0:05:26 | 0:05:29 | |
All requests for emergency services come through here. That way it's co-ordinated, | 0:05:29 | 0:05:34 | |
and I then can assess, is it just going to affect that station, | 0:05:34 | 0:05:38 | |
or will it have a bigger effect? | 0:05:38 | 0:05:40 | |
Right, the police are there at the moment, are they? | 0:05:40 | 0:05:43 | |
Which direction is it, please? Northbound King's Cross, OK, thanks very much. | 0:05:43 | 0:05:48 | |
There's a fight on a train King's Cross Northern Line. | 0:05:48 | 0:05:51 | |
Where would we be without our Friday night punch-up? | 0:05:51 | 0:05:54 | |
The train's been there eight minutes with a train behind in the tunnel. | 0:05:54 | 0:05:58 | |
The train's on the move, but we could have had trains down tunnels for a long time. | 0:05:58 | 0:06:02 | |
You don't know how bad something's going to get until it goes there. | 0:06:02 | 0:06:06 | |
No, you'll be met on arrival and taken to casualty. | 0:06:06 | 0:06:09 | |
How would you characterise the work on Friday nights? | 0:06:09 | 0:06:12 | |
Together with the station staff and the train staff, um... | 0:06:12 | 0:06:16 | |
Picking up the pieces. | 0:06:16 | 0:06:19 | |
Excuse me. Excuse me. | 0:06:26 | 0:06:28 | |
Where are you travelling home to? | 0:06:28 | 0:06:31 | |
East London? West London? | 0:06:32 | 0:06:34 | |
What, there's a customer asleep on the platform? Go and get him, Steve. | 0:06:38 | 0:06:42 | |
Get him on the train. | 0:06:42 | 0:06:43 | |
Liverpool Street. | 0:06:43 | 0:06:45 | |
There we go. "Where am I?" I do like the control room, to be honest. | 0:06:45 | 0:06:50 | |
I quite like computer games, that sort of thing. | 0:06:50 | 0:06:52 | |
All the staff, I move them about and put them where they need to be. | 0:06:52 | 0:06:58 | |
The customers are like the horde, | 0:06:58 | 0:07:00 | |
and you've to sort of juggle the staff about to do all the jobs. | 0:07:00 | 0:07:03 | |
It can be quite fun in here if you enjoy that sort of thing. | 0:07:03 | 0:07:06 | |
Contractor announcement. Member of initial cleaning services, | 0:07:08 | 0:07:12 | |
please attend the B way in for code 3. | 0:07:12 | 0:07:15 | |
Nice(!) | 0:07:17 | 0:07:18 | |
Must have been a good night. | 0:07:18 | 0:07:20 | |
Rather than say "can you go and clear up the sick?", | 0:07:22 | 0:07:26 | |
or "can you go and pick up some poo and wash some wee?", | 0:07:26 | 0:07:29 | |
we use code numbers. | 0:07:29 | 0:07:31 | |
So it's 1 for blood, 2 for urine and faeces, 3 for vomit, | 0:07:31 | 0:07:37 | |
4 for spillage, 5 for broken glass and 6 for litter. | 0:07:37 | 0:07:43 | |
And... | 0:07:43 | 0:07:44 | |
If it's anything that's not on that list, then we use a code 7, | 0:07:44 | 0:07:48 | |
although I don't know what other horrors you might have. | 0:07:48 | 0:07:52 | |
They're all quite nasty, aren't they? | 0:07:52 | 0:07:55 | |
When people get drunk enough, vomit after vomit. Vomit after vomit. | 0:08:00 | 0:08:05 | |
Nobody apologises, never ever. | 0:08:07 | 0:08:09 | |
I never had any case where somebody apologised for that. Never. | 0:08:09 | 0:08:16 | |
They can vomit in the middle of the concourse, they just don't care. | 0:08:16 | 0:08:21 | |
They vomit sometimes on the walls, on the doors. On the windows. | 0:08:21 | 0:08:26 | |
And, you know, I think people just become animals. | 0:08:26 | 0:08:29 | |
I used to be a cyclist, a professional cyclist for many years. | 0:08:31 | 0:08:36 | |
I used to be... | 0:08:36 | 0:08:39 | |
My best result was second in Soviet Union in 25 kilometres distance. | 0:08:39 | 0:08:46 | |
So I didn't get any profession. That's why I came here. | 0:08:46 | 0:08:51 | |
I had never been in the United Kingdom. I had in my... | 0:08:51 | 0:08:56 | |
I imagine it, United Kingdom, it felt like paradise country, | 0:08:56 | 0:09:01 | |
like everybody so polite and nice and clean country. | 0:09:01 | 0:09:05 | |
I was surprised. I was shocked. | 0:09:05 | 0:09:08 | |
Because they don't feel ashamed just in front of everybody, throw bottle or rubbish. | 0:09:08 | 0:09:13 | |
I would be ashamed to do it. | 0:09:13 | 0:09:14 | |
Right, can everyone hear me OK? Welcome to Harrow on the Hill. | 0:09:26 | 0:09:30 | |
We're working between Northwick Park and North Harrow on the Met Line. | 0:09:30 | 0:09:35 | |
Friday nights also mean the beginning of engineering works. | 0:09:35 | 0:09:39 | |
Site rules, you've got steel toecap boots, gloves and hard hat. | 0:09:39 | 0:09:42 | |
Six years ago, London Underground decided that the only way | 0:09:44 | 0:09:47 | |
to revitalise its run-down infrastructure, neglected after years of underinvestment, | 0:09:47 | 0:09:52 | |
was to deliberately shut down large sections of the network every weekend and send in the engineers. | 0:09:52 | 0:09:58 | |
More trolleys out, start running them up. | 0:10:00 | 0:10:03 | |
One of the most pressing jobs is replacing over 140 kilometres | 0:10:03 | 0:10:07 | |
of railway track, which is worn and in need of renewal. | 0:10:07 | 0:10:11 | |
At Harrow on the Hill, on the north end of the Metropolitan Line, | 0:10:13 | 0:10:17 | |
an ambitious weekend of track replacement is about to begin. | 0:10:17 | 0:10:21 | |
I've taken over from the station supervisor, | 0:10:21 | 0:10:23 | |
so now the whole station is under our control. | 0:10:23 | 0:10:26 | |
We're going to be renewing this track here. | 0:10:26 | 0:10:29 | |
This whole track through the platform will be renewed, new concrete sleepers and rail. | 0:10:29 | 0:10:33 | |
We've got about 150 men working tonight. | 0:10:35 | 0:10:38 | |
Then during the weekend, on each shift there will be about 100 men a shift. | 0:10:38 | 0:10:43 | |
Move them two, will you? | 0:10:43 | 0:10:46 | |
Them next two that way, and the middle two over. | 0:10:46 | 0:10:49 | |
In order to replace the track, the whole of this section of railway | 0:10:49 | 0:10:52 | |
must first be completely disconnected. | 0:10:52 | 0:10:56 | |
An army of signal engineers are carefully removing | 0:10:56 | 0:10:59 | |
the hundreds of trackside cables which control power, signals and radio systems. | 0:10:59 | 0:11:05 | |
We've got plenty of men on track now moving rails into position | 0:11:05 | 0:11:09 | |
ready for installation tomorrow night. | 0:11:09 | 0:11:12 | |
Can you give us a shout once you get the first machine on, please, mate? | 0:11:14 | 0:11:18 | |
From the time they arrive on site, | 0:11:23 | 0:11:24 | |
the engineers have just 52 hours to replace the track. | 0:11:24 | 0:11:28 | |
With the railway in pieces, any setback will cause | 0:11:28 | 0:11:31 | |
severe disruptions to the service on Monday morning. | 0:11:31 | 0:11:34 | |
68 and 69 to Wembley Park have been cleared of the track, | 0:11:36 | 0:11:41 | |
and it is safe for trains to run, yes? | 0:11:41 | 0:11:43 | |
At engineering headquarters in central London, | 0:11:43 | 0:11:46 | |
a team are closely monitoring progress to make sure everything runs to schedule. | 0:11:46 | 0:11:52 | |
From the time we start, we're thinking about, | 0:11:52 | 0:11:54 | |
"Are we going to be OK to hand back?" | 0:11:54 | 0:11:56 | |
And if we're not going to be OK to hand back, | 0:11:56 | 0:11:59 | |
what do we need to do to make sure that we are? | 0:11:59 | 0:12:01 | |
Everyone from those out on the ground that are digging the holes | 0:12:01 | 0:12:05 | |
to those in here who are managing it from a distance. | 0:12:05 | 0:12:09 | |
There are times when, due to circumstances beyond someone's control, | 0:12:09 | 0:12:14 | |
we haven't been able to hand back. | 0:12:14 | 0:12:16 | |
There's a hell of a lot of people that travel from the Metropolitan railway area into London, | 0:12:16 | 0:12:22 | |
and obviously there will be a lot of people missing | 0:12:22 | 0:12:25 | |
from their office desks and whatever else on Monday morning. | 0:12:25 | 0:12:28 | |
There is a lot of pressure on the site managers | 0:12:34 | 0:12:37 | |
and the site person in charge, plus also the men on the ground, | 0:12:37 | 0:12:40 | |
to make sure we get the job handed back on time. | 0:12:40 | 0:12:43 | |
Fingers crossed! | 0:12:45 | 0:12:47 | |
We'll hand it back Monday morning. | 0:12:47 | 0:12:50 | |
The next train is the last train. | 0:12:55 | 0:12:58 | |
Next train is the last train, last train, last train, yeah? Last train. | 0:12:58 | 0:13:03 | |
Last train, mate. | 0:13:03 | 0:13:05 | |
I don't know what happens, but they seem to always forget | 0:13:08 | 0:13:11 | |
that we do finish somewhere around midnight, | 0:13:11 | 0:13:14 | |
trains start drying up and eventually come to an end. | 0:13:14 | 0:13:16 | |
Every Friday, they seem to forget that. | 0:13:16 | 0:13:18 | |
LAST TRAIN! LAST TRAIN! | 0:13:20 | 0:13:23 | |
-Excuse me! It's finished now. -Oh, right, cheers. -You're welcome. | 0:13:35 | 0:13:40 | |
Er... How do I get to Waterloo? | 0:13:40 | 0:13:42 | |
Ten miles south of central London, Morden station is at the very end of the Northern Line. | 0:13:53 | 0:13:59 | |
Journeys end for many customers, | 0:13:59 | 0:14:01 | |
whether they planned it that way or not. | 0:14:01 | 0:14:04 | |
TANNOY: This station is Morden. This train terminates here. | 0:14:04 | 0:14:07 | |
Wakey, wakey, rise and shine! It's the end of the Northern Line. | 0:14:09 | 0:14:13 | |
Need you to change now, mate. It's all finished. | 0:14:14 | 0:14:16 | |
Hello, my love? | 0:14:19 | 0:14:21 | |
Hello? | 0:14:22 | 0:14:23 | |
It's the real deep sleepers, when you have to literally lift them off, | 0:14:23 | 0:14:27 | |
escort them up the stairs all the time, | 0:14:27 | 0:14:30 | |
and you've got to be quite assertive with them, | 0:14:30 | 0:14:32 | |
otherwise they stay on the train for ever. | 0:14:32 | 0:14:34 | |
Mate! Come on! Open your eyes, mate, come on. | 0:14:34 | 0:14:39 | |
-Wha...? -Don't "wha" me. | 0:14:39 | 0:14:40 | |
Hello, matey. All change now, please. Thank you. | 0:14:40 | 0:14:44 | |
How come you're at Morden? | 0:14:48 | 0:14:51 | |
I'm at Morden now? Am I? | 0:14:51 | 0:14:54 | |
No, this is Kennington. | 0:14:54 | 0:14:55 | |
-This is Morden. -Oh, is it really? No. Is it? | 0:14:57 | 0:14:59 | |
Oh, I'm at Kennington now. And then I'll switch over to the Northern Line | 0:15:01 | 0:15:05 | |
and then head towards Morden from there. | 0:15:05 | 0:15:08 | |
I think we're at Morden. | 0:15:08 | 0:15:10 | |
Are we? Are we at Morden? | 0:15:14 | 0:15:16 | |
Oh! I'm on the wrong tube altogether. | 0:15:17 | 0:15:20 | |
Oh, wow. | 0:15:20 | 0:15:23 | |
Is it the end of the Tube now? I need to get a bus. | 0:15:23 | 0:15:26 | |
Come on, you need to get off the train. | 0:15:26 | 0:15:29 | |
Mate, don't keep putting your head back down. | 0:15:29 | 0:15:32 | |
'The easiest way, if they've got a bit of luggage | 0:15:32 | 0:15:34 | |
'and they're holding onto it, | 0:15:34 | 0:15:36 | |
'is take the luggage and they get up and follow it. It makes life easy.' | 0:15:36 | 0:15:40 | |
Where do you need to get to? | 0:15:40 | 0:15:42 | |
Blood flowing yet? | 0:15:45 | 0:15:47 | |
-Blackhorse Road. -You need to use the night buses out the front now. | 0:15:47 | 0:15:51 | |
Are you a member of staff? Excuse me. | 0:15:51 | 0:15:55 | |
Can I get to Clapham Common from here? | 0:15:55 | 0:15:58 | |
Yes, if you go outside, sir, out the front of the station, | 0:15:58 | 0:16:02 | |
-N155 will take you straight there, every 15 minutes. -A tube? -No, bus. | 0:16:02 | 0:16:05 | |
-I can't get on the Tube? -No more trains, sir. | 0:16:05 | 0:16:08 | |
I was at Chalk Farm, went out to dinner with some friends | 0:16:08 | 0:16:11 | |
and fell asleep on the train. | 0:16:11 | 0:16:14 | |
-Was it a good night? -Wonderful! | 0:16:14 | 0:16:16 | |
This is actually the first time I've done this. | 0:16:16 | 0:16:20 | |
But my flatmate has done this before. I've never done this! I'm like, "Shit!" | 0:16:20 | 0:16:24 | |
Last train. There is light at the end of the tunnel. | 0:16:24 | 0:16:28 | |
Hello, mate. All change, please. | 0:16:30 | 0:16:32 | |
Keep going, there's no more trains, | 0:16:32 | 0:16:34 | |
you need to use the buses out the front. | 0:16:34 | 0:16:37 | |
No, my friend, this way. | 0:16:37 | 0:16:39 | |
No, no, no. Come on, keep going. | 0:16:39 | 0:16:42 | |
'Anybody who comes in my station, | 0:16:42 | 0:16:44 | |
'I've got a sense of responsibility for. Doesn't matter who they are.' | 0:16:44 | 0:16:47 | |
If the worst comes to the worst, I'll get them a cab. | 0:16:47 | 0:16:51 | |
If I've got to pay for it, I'll pay for it. | 0:16:51 | 0:16:53 | |
But just to make sure they get home safely. I've done that once before | 0:16:53 | 0:16:56 | |
and I got the money back the next day from the lady, | 0:16:56 | 0:16:59 | |
so that was sweet. And a box of chocolates. | 0:16:59 | 0:17:01 | |
-Goodnight. -Goodnight. | 0:17:01 | 0:17:05 | |
There we go. All done. | 0:17:09 | 0:17:11 | |
-Where do the trains go from here? -Into the depot. | 0:17:13 | 0:17:16 | |
They go into their little bedroom and have a little kip for the night. | 0:17:16 | 0:17:21 | |
Once the Underground stops, the entire fleet of trains | 0:17:29 | 0:17:32 | |
are taken into depots across the city to be cleaned and maintained. | 0:17:32 | 0:17:37 | |
This depot now, I've got to go on seven road, but at the back. | 0:17:40 | 0:17:44 | |
I go to the furthest one, and someone else will go behind me then. | 0:17:44 | 0:17:49 | |
This will be me now. | 0:17:55 | 0:17:57 | |
I'll be back now about 3:30am, I reckon. | 0:18:03 | 0:18:07 | |
Let's hope there will be a night feed waiting for me with the baby. | 0:18:07 | 0:18:10 | |
I'm off the weekend, which is nice. | 0:18:10 | 0:18:13 | |
-TANNOY: -'Ladies and gentlemen, | 0:18:14 | 0:18:15 | |
'the last train to central London has departed this station.' | 0:18:15 | 0:18:20 | |
The engineers at Harrow have been working through the night. | 0:18:55 | 0:18:59 | |
You need sleepers for that end. | 0:18:59 | 0:19:02 | |
The old track, which has been in use for over 40 years, | 0:19:04 | 0:19:07 | |
is being cut into sections and loaded onto engineering trains. | 0:19:07 | 0:19:11 | |
You've got to line the panels up perfectly on the train, | 0:19:15 | 0:19:18 | |
so that when it goes out to Network Rail it doesn't catch anything. | 0:19:18 | 0:19:22 | |
The guy up there is the load examiner. | 0:19:22 | 0:19:25 | |
If he says no, it stays here and then trains don't run. | 0:19:25 | 0:19:28 | |
We've got about 90 metres of power to take out. | 0:19:28 | 0:19:32 | |
The dig's a bit behind. But once the power is out, | 0:19:33 | 0:19:36 | |
we'll get our two machines back on the dig and blast it then. | 0:19:36 | 0:19:40 | |
It's been nicknamed Horror on the Hill | 0:19:41 | 0:19:43 | |
because we've done quite a few jobs round here and every job seems... | 0:19:43 | 0:19:47 | |
Something little goes wrong and then it snowballs | 0:19:47 | 0:19:50 | |
and then we're panicking to hand the track back | 0:19:50 | 0:19:53 | |
at the end of the Sunday night/Monday morning. | 0:19:53 | 0:19:56 | |
Replacing this 341-metre section of track | 0:19:58 | 0:20:01 | |
is costing London Underground over £1 million. | 0:20:01 | 0:20:05 | |
Are you stripping that one down? | 0:20:05 | 0:20:07 | |
It's just a small part of a £10 billion plan | 0:20:07 | 0:20:09 | |
to restore the entire Tube network over the next 15 years. | 0:20:09 | 0:20:14 | |
David Waboso is London Underground's director of capital programmes. | 0:20:19 | 0:20:23 | |
As the man responsible for the whole upgrade plan, | 0:20:23 | 0:20:26 | |
his weekends are spent visiting engineering sites | 0:20:26 | 0:20:29 | |
across the network. | 0:20:29 | 0:20:31 | |
This weekend, we've got quite a lot of work on. | 0:20:31 | 0:20:34 | |
The north end of the Met Line is closed, that's where we're going. | 0:20:34 | 0:20:39 | |
We're doing some work on the District Line. | 0:20:39 | 0:20:42 | |
This is the original Tube network, goes back 150 years now. | 0:20:42 | 0:20:44 | |
The Circle Line is closed | 0:20:44 | 0:20:46 | |
and we're doing some tube renewing work on the Northern Line. | 0:20:46 | 0:20:49 | |
Any weekend, this is a fairly typical mix of rail stations, drainage, | 0:20:49 | 0:20:53 | |
civil engineering, track and some systems work. | 0:20:53 | 0:20:57 | |
We have to do it to keep the network going because it's just so old, | 0:20:57 | 0:21:01 | |
so much of it needs renewing. | 0:21:01 | 0:21:03 | |
With several engineering jobs every weekend, | 0:21:05 | 0:21:09 | |
and only a limited amount of time in which to do them, | 0:21:09 | 0:21:12 | |
the works have overrun in the past, | 0:21:12 | 0:21:14 | |
causing huge disruption to passengers on Monday morning. | 0:21:14 | 0:21:19 | |
You can't do this sort of thing, | 0:21:19 | 0:21:21 | |
where you are taking away parts of the network, | 0:21:21 | 0:21:24 | |
and be anything but very aware of the impact | 0:21:24 | 0:21:27 | |
of not getting it back in time. | 0:21:27 | 0:21:28 | |
It's a huge responsibility and something that, | 0:21:28 | 0:21:32 | |
if you do fail, you just want, you know, | 0:21:32 | 0:21:35 | |
you want to curl up in a corner. It's terrible. | 0:21:35 | 0:21:37 | |
-Is this the...? -We're just renewing this. | 0:21:49 | 0:21:53 | |
-Platform three. 341 metres BTR. -Just as.... | 0:21:53 | 0:21:58 | |
At the far end of the site, | 0:22:01 | 0:22:03 | |
engineers have been held up by some damaged equipment. | 0:22:03 | 0:22:06 | |
What's the issue with the Connect cable? | 0:22:06 | 0:22:09 | |
The tamping tie went through the orange pipe. | 0:22:09 | 0:22:12 | |
The crew said that, they were on their headsets between each other, | 0:22:12 | 0:22:15 | |
that broke down in-between communications, they couldn't stop him. | 0:22:15 | 0:22:19 | |
A piece of heavy machinery has cut through one of the radio cables | 0:22:19 | 0:22:23 | |
that allow drivers to communicate with the rest of the network. | 0:22:23 | 0:22:27 | |
That's where the... On both sides, yeah. | 0:22:28 | 0:22:31 | |
-It's not dangerous. Is it all right for now? -Yeah, yeah. | 0:22:31 | 0:22:34 | |
You can see. Both sides. | 0:22:34 | 0:22:36 | |
He's actually cut the cable, has he? | 0:22:38 | 0:22:41 | |
He's gone through the sheathing and it's showing a fault. | 0:22:41 | 0:22:46 | |
I don't know how they missed that. A great big orange pipe. | 0:22:46 | 0:22:50 | |
They've gone through a cable that runs our radio, which is... | 0:22:51 | 0:22:55 | |
I need to find out how that happened and why that happened. | 0:22:55 | 0:22:58 | |
No radio, no train service. I'm worried about that. | 0:22:58 | 0:23:02 | |
That's how suddenly you can go | 0:23:02 | 0:23:04 | |
from everything being in control in a weekend | 0:23:04 | 0:23:06 | |
to adding another two, three, four hours worth of work. | 0:23:06 | 0:23:09 | |
So we've got to get that sorted today. | 0:23:09 | 0:23:11 | |
Are we sure this Connect cable thing is under control? | 0:23:15 | 0:23:18 | |
How do you know it's 1.5 hours worth of work and not 10 hours? | 0:23:18 | 0:23:22 | |
That's on my worry list. | 0:23:22 | 0:23:24 | |
Electricians are brought in to try and repair the cable, | 0:23:24 | 0:23:27 | |
which is vital to the running of the railway. | 0:23:27 | 0:23:30 | |
You always look at it and I say, without sort of... | 0:23:30 | 0:23:33 | |
You think, "I've got to get all this back in for Monday morning." | 0:23:33 | 0:23:38 | |
That's what you think. | 0:23:38 | 0:23:40 | |
And there's all these people here who have to work safely. | 0:23:40 | 0:23:44 | |
The railway is in pieces and it's all got to go back. | 0:23:45 | 0:23:49 | |
Whilst everything is being done to prevent commuters being delayed on Monday morning, | 0:23:51 | 0:23:55 | |
there's no avoiding the disruption that these planned closures cause weekend passengers. | 0:23:55 | 0:24:00 | |
All change, please. All change. This train terminates here. | 0:24:05 | 0:24:09 | |
Because of the engineering works, | 0:24:09 | 0:24:11 | |
the Tube has not run a full weekend service for over four years. | 0:24:11 | 0:24:16 | |
All change, please. | 0:24:16 | 0:24:18 | |
This weekend, there are six separate line closures. | 0:24:18 | 0:24:23 | |
You need to take the Northern Line to Moorgate, | 0:24:23 | 0:24:26 | |
Circle Line to Tower Hill, | 0:24:26 | 0:24:29 | |
then walk round to Fenchurch Street, it's the c2c from there. | 0:24:29 | 0:24:34 | |
They just shut everything down. The Circle Line don't go round in a circle. | 0:24:34 | 0:24:38 | |
And you're just left to your own devices. | 0:24:41 | 0:24:45 | |
And all you get is, "Use the Northern Line." | 0:24:45 | 0:24:48 | |
Hello. What's the Northern Line? | 0:24:48 | 0:24:50 | |
TANNOY: 'Ladies and gentlemen, because of planned work, | 0:24:50 | 0:24:53 | |
'we have no train service from this station today.' | 0:24:53 | 0:24:58 | |
On any weekend, up to 70 of the network's 274 stations are closed. | 0:24:58 | 0:25:04 | |
-There's no line... -There's nothing working today or tomorrow. | 0:25:06 | 0:25:09 | |
-So I have to get the bus? -Yes, it's just outside. | 0:25:09 | 0:25:11 | |
We went to the cinema here | 0:25:11 | 0:25:13 | |
and usually we get the Tube from Northwood. | 0:25:13 | 0:25:16 | |
So we've had to drive here and just park down the road here. | 0:25:18 | 0:25:23 | |
All last summer, every weekend, it's been closed. Every weekend. | 0:25:23 | 0:25:29 | |
-You need to go outside and take a bus just outside. -There's no... | 0:25:29 | 0:25:33 | |
Train. God, they're hopeless. | 0:25:33 | 0:25:38 | |
There's nothing we can do. | 0:25:38 | 0:25:40 | |
They have the power. Not us. | 0:25:40 | 0:25:43 | |
-No trains! -You jump on a bus outside. | 0:25:43 | 0:25:46 | |
-I came all the way up the stairs! -All you need to do... | 0:25:46 | 0:25:50 | |
All this Oyster money going up, going up, | 0:25:50 | 0:25:52 | |
it's not convenient for your family. | 0:25:52 | 0:25:55 | |
And there's no sign saying the trains were not working. | 0:25:56 | 0:26:00 | |
They put up all the fares, | 0:26:04 | 0:26:05 | |
but they've hardly got any loos, they've hardly got any lifts. | 0:26:05 | 0:26:09 | |
What about people with families and young children? | 0:26:09 | 0:26:12 | |
-BABY CRIES -Horrible, it is. | 0:26:12 | 0:26:16 | |
He's upset now because we thought | 0:26:16 | 0:26:18 | |
he'd have some nice feeding on the train | 0:26:18 | 0:26:21 | |
and now we're back outside again. | 0:26:21 | 0:26:23 | |
OK, darling. It's horrible, isn't it? | 0:26:23 | 0:26:26 | |
London Transport! | 0:26:26 | 0:26:29 | |
-Right, where we going? -Rayners Lane. -Rayners Lane? | 0:26:36 | 0:26:39 | |
You're out of luck. You want the other side of the road! | 0:26:39 | 0:26:44 | |
They're not inconvenienced. | 0:26:44 | 0:26:45 | |
If they lived out in the sticks, they wouldn't have any transport. | 0:26:45 | 0:26:49 | |
Where I am, the last bus is 10 o'clock at night. | 0:26:49 | 0:26:51 | |
In London, they don't realise how lucky they are | 0:26:51 | 0:26:54 | |
with any form of transport every few minutes. | 0:26:54 | 0:26:57 | |
When I'm on holiday near Skegness, | 0:26:57 | 0:26:59 | |
the last bus was five o'clock in the evening. | 0:26:59 | 0:27:02 | |
They don't realise how lucky they are, waiting a few minutes. | 0:27:02 | 0:27:06 | |
And I'm glad of it, it's given me some work. | 0:27:06 | 0:27:09 | |
Without this, I wouldn't have the hours and pay the gas bill. | 0:27:09 | 0:27:13 | |
For the stations that remain open, | 0:27:25 | 0:27:27 | |
the Tube is busier than ever before at the weekend. | 0:27:27 | 0:27:31 | |
Every Saturday, three million people use the Underground. | 0:27:32 | 0:27:37 | |
Although, unlike the weekday commuter, | 0:27:38 | 0:27:41 | |
many of them are completely new to the system. | 0:27:41 | 0:27:44 | |
OK, thank you. | 0:27:51 | 0:27:54 | |
-Those tickets, I thought they were for the Underground for the whole weekend? -No. | 0:27:55 | 0:28:01 | |
I want to go to Kew Gardens, what do I have to do? | 0:28:01 | 0:28:04 | |
That ticket won't be good enough. | 0:28:04 | 0:28:06 | |
This receipt does not belong to this Oyster card. | 0:28:06 | 0:28:10 | |
Can I get places to visit, the brochure with places to visit? | 0:28:10 | 0:28:15 | |
'Saturdays and Sundays is totally different to working in the week.' | 0:28:15 | 0:28:19 | |
They don't really know where they are or where they want to go. | 0:28:19 | 0:28:22 | |
A lot of them can't understand the Underground system, | 0:28:22 | 0:28:25 | |
like how the maps go. They ask us a lot about the buses, you know, | 0:28:25 | 0:28:28 | |
the tour buses that go around, where they can get that from. | 0:28:28 | 0:28:31 | |
A lot of people want to know where Trafalgar Square is, | 0:28:31 | 0:28:34 | |
we're near enough the nearest station anyway. | 0:28:34 | 0:28:38 | |
I feel like sometimes, I have to be an A-Z. | 0:28:38 | 0:28:41 | |
-Hello. -Hello. | 0:28:41 | 0:28:42 | |
-To Big Ben? -Big Ben, you need to go to Westminster. -OK. | 0:28:42 | 0:28:47 | |
-Can you walk? -What, from here? You can do, it's a nice day out. | 0:28:47 | 0:28:52 | |
90% of tourists who visit London | 0:28:54 | 0:28:57 | |
take on the challenge of using the Tube. | 0:28:57 | 0:28:59 | |
Not all of them succeed. | 0:29:01 | 0:29:03 | |
Your husband is at Goodge Street. | 0:29:03 | 0:29:06 | |
-Where? -Your husband is at Goodge Street. One stop. | 0:29:06 | 0:29:10 | |
This way, one stop. Yeah? | 0:29:10 | 0:29:13 | |
-And then he's going to come back here. -He is here? | 0:29:13 | 0:29:17 | |
-He is at Goodge Street. -You know that? -Yes. | 0:29:17 | 0:29:20 | |
Yeah, number 2 to base, over. | 0:29:20 | 0:29:23 | |
Even if they manage not to lose each other, | 0:29:23 | 0:29:25 | |
the inexperienced travellers must still get to grips with the Underground's famous map. | 0:29:25 | 0:29:31 | |
I don't understand it at all, I just follow him. | 0:29:31 | 0:29:33 | |
Let's have a look, see where we are. | 0:29:33 | 0:29:36 | |
There's not enough information. | 0:29:36 | 0:29:39 | |
For argument's sake, all the lines that you have got here, | 0:29:39 | 0:29:43 | |
they're colour-coded, but they're also numbered. | 0:29:43 | 0:29:46 | |
But they're only numbered on the ramps, | 0:29:46 | 0:29:48 | |
they're not numbered on the map. | 0:29:48 | 0:29:50 | |
Well, we are going to the... Tower Castle. | 0:29:53 | 0:29:57 | |
Tower Castle? Tower Bridge. | 0:29:57 | 0:30:00 | |
-Tower Bridge? -Yes, Tower Bridge. It's not easy. | 0:30:00 | 0:30:03 | |
You need your brain to remember, and do some walk. | 0:30:03 | 0:30:06 | |
This one here. | 0:30:06 | 0:30:08 | |
The only one I find confusing is the Northern one, the Northern Line. | 0:30:08 | 0:30:12 | |
When you're on the Northern Line, you're going north or south, | 0:30:12 | 0:30:17 | |
and I get confused. | 0:30:17 | 0:30:18 | |
North North, North South? | 0:30:19 | 0:30:21 | |
We are still waiting for this French family. | 0:30:24 | 0:30:27 | |
Do you know any more about it, over? | 0:30:27 | 0:30:29 | |
'I told you, get his wife to turn left.' | 0:30:29 | 0:30:33 | |
Thanks. Out. | 0:30:33 | 0:30:34 | |
There they are, they're over there. This will be interesting. | 0:30:38 | 0:30:43 | |
-You lost each other! -I had an old map, not good. | 0:30:51 | 0:30:56 | |
And so, we went wrong and so, everything is OK, | 0:30:56 | 0:31:00 | |
thanks to the people of the Underground, it's OK. | 0:31:00 | 0:31:04 | |
I've been here since I started the job, | 0:31:04 | 0:31:07 | |
10 years, 10.5 years, | 0:31:07 | 0:31:09 | |
and I think they will be carrying me out in my wooden box. | 0:31:09 | 0:31:13 | |
I love working here, I wouldn't work anywhere else. | 0:31:13 | 0:31:17 | |
I would not like to be at a quiet station. I like the hustle and bustle | 0:31:17 | 0:31:21 | |
and I like the interaction with customers as well. | 0:31:21 | 0:31:24 | |
Tomorrow I am going to Heathrow, which ticket do I need? | 0:31:24 | 0:31:27 | |
-Are you just going to make one single journey tomorrow? -Yes, please. | 0:31:27 | 0:31:31 | |
It's going to be £5 for a single. OK, thanks a lot. | 0:31:31 | 0:31:34 | |
The train arriving on platform two will terminate here. | 0:31:39 | 0:31:42 | |
All change, please, all change, please. | 0:31:42 | 0:31:44 | |
-Liverpool Street, please? -Platform three. -Thank you. | 0:31:47 | 0:31:50 | |
'The people you have to watch out for,' | 0:31:50 | 0:31:52 | |
particularly tourists, | 0:31:52 | 0:31:54 | |
are people who aren't used to making the daily commute, | 0:31:54 | 0:31:57 | |
who just ended up on the system. | 0:31:57 | 0:31:58 | |
The first train will be that one. | 0:31:58 | 0:32:01 | |
-Thank you. -That one, there. | 0:32:01 | 0:32:04 | |
Number eight, that will get you there. All the best. | 0:32:04 | 0:32:08 | |
London, it's overwhelming for some people. | 0:32:15 | 0:32:18 | |
It can be overwhelming for most people. | 0:32:18 | 0:32:21 | |
We are not designed to live with this number of people. | 0:32:21 | 0:32:24 | |
We can't, millions of people, we can't have a connection with. | 0:32:24 | 0:32:28 | |
You can't have direct relationships, friendships. | 0:32:28 | 0:32:31 | |
We are designed more for villages and small, you know, communities. | 0:32:31 | 0:32:36 | |
If you have any form of illness or bereavement or problem, | 0:32:36 | 0:32:40 | |
London can be a very, very hard city to live in. | 0:32:40 | 0:32:44 | |
Train on platform two is the westbound District Line, | 0:32:44 | 0:32:47 | |
for all stations to Richmond. | 0:32:47 | 0:32:49 | |
This train will shortly depart. Thank you. | 0:32:49 | 0:32:52 | |
On Saturday nights, many stations in the centre | 0:33:06 | 0:33:09 | |
experience their busiest and most challenging time of the week. | 0:33:09 | 0:33:14 | |
At Leicester Square, in the heart of the West End, | 0:33:21 | 0:33:24 | |
it's already 10 o'clock. | 0:33:24 | 0:33:26 | |
But another 20,000 customers are still expected to pass through. | 0:33:26 | 0:33:31 | |
The platforms are quite clear, | 0:33:31 | 0:33:33 | |
so just a matter of them blocking up the entrance staircase, but trains | 0:33:33 | 0:33:37 | |
are coming quite frequently, so if we can send them down the stairs. | 0:33:37 | 0:33:40 | |
Downstairs, this way, Piccadilly Line, downstairs, | 0:33:40 | 0:33:43 | |
there's a train in a minute. | 0:33:43 | 0:33:44 | |
Down here, mate. Train in one minute. | 0:33:44 | 0:33:47 | |
Station supervisor Wasim Malik is trying to control the flow of passengers onto the platforms. | 0:33:48 | 0:33:54 | |
We are in the heart of the West End, the hub of the West End. | 0:33:54 | 0:33:58 | |
You've got the cinemas, the clubs, the pubs, | 0:33:58 | 0:34:00 | |
and everyone wants to get home, | 0:34:00 | 0:34:02 | |
everyone just thinking about themselves. | 0:34:02 | 0:34:05 | |
Obviously, we are here just to keep some sort | 0:34:05 | 0:34:07 | |
of order. It can be difficult. | 0:34:07 | 0:34:10 | |
Move onto the cream bit. | 0:34:10 | 0:34:12 | |
Guys, follow the cream bit, please. | 0:34:12 | 0:34:14 | |
# Ga-Ga, ooh-la-la! # | 0:34:14 | 0:34:17 | |
Take your friend out, sober him up, come back in about 15 or 20 minutes. | 0:34:17 | 0:34:23 | |
-Fine, thank you very much. -You need to leave the alcohol behind. | 0:34:23 | 0:34:26 | |
I'm not going to drink it on the train. | 0:34:26 | 0:34:28 | |
Either leave it behind or I will call one of the police over. | 0:34:28 | 0:34:31 | |
Just put it on the floor. | 0:34:31 | 0:34:34 | |
As well as being the busiest night-time station, | 0:34:34 | 0:34:36 | |
Leicester Square also has one of the highest levels of crime on the whole network. | 0:34:36 | 0:34:42 | |
They've been pickpocketed on the train. | 0:34:43 | 0:34:46 | |
You said the bank of...? | 0:34:46 | 0:34:47 | |
-Sao Paulo. -Thank you. | 0:34:47 | 0:34:49 | |
-On a weekend, you can get three or four a shift. -Really? -Mmm. | 0:34:49 | 0:34:54 | |
The worst that society can conjure up come through | 0:34:56 | 0:35:01 | |
and manifest themselves in Leicester Square. | 0:35:01 | 0:35:03 | |
All sorts of vices, alcohol abuse, drug abuse, | 0:35:03 | 0:35:06 | |
all sorts of people come through. | 0:35:06 | 0:35:08 | |
It sort of numbs you to the reality of society, how bad society can get. | 0:35:08 | 0:35:12 | |
But I am a religious person, so I don't let it affect me too much. | 0:35:12 | 0:35:16 | |
-Sorry. -Platform number four, | 0:35:18 | 0:35:21 | |
-there is a fight on platform four. -There is a fight on platform four. | 0:35:21 | 0:35:24 | |
Can you send Paul to assist me, please? | 0:35:24 | 0:35:26 | |
Have you called BTP? | 0:35:26 | 0:35:29 | |
Excuse me, please. | 0:35:33 | 0:35:34 | |
Where's the assailant? | 0:35:38 | 0:35:41 | |
-Where? -'Looks like a knife of some description.' | 0:35:41 | 0:35:44 | |
Where is the person who did it? | 0:35:44 | 0:35:48 | |
Right, it's an alleged stabbing. | 0:35:50 | 0:35:52 | |
We need BTP urgently. | 0:35:52 | 0:35:54 | |
Any other witnesses to this incident? SHE SCREAMS | 0:35:54 | 0:35:57 | |
I think I've been stabbed. Ohh! | 0:35:57 | 0:36:01 | |
Any other witnesses to this incident? | 0:36:01 | 0:36:04 | |
Did you see anything? | 0:36:06 | 0:36:08 | |
SHE WAILS | 0:36:08 | 0:36:11 | |
Why are you all standing round? | 0:36:11 | 0:36:13 | |
The female got stabbed and was chucked onto the tracks | 0:36:13 | 0:36:16 | |
by a man standing, and she's been stabbed. | 0:36:16 | 0:36:19 | |
That's basically what's happened, really. | 0:36:19 | 0:36:22 | |
The boyfriend at the moment is getting quite hysterical, | 0:36:22 | 0:36:25 | |
because he's upset. Look, he's going to get arrested now. | 0:36:25 | 0:36:30 | |
Enough! You need to calm down! Calm down! | 0:36:30 | 0:36:33 | |
-Stay still, for your own good, stay still! -Get off me! | 0:36:33 | 0:36:36 | |
Calm down! | 0:36:36 | 0:36:38 | |
Calm down! | 0:36:38 | 0:36:41 | |
Get him away. | 0:36:41 | 0:36:42 | |
I don't want any trains leaving platforms three and four at the moment, please. | 0:36:46 | 0:36:50 | |
'Do you want to go non-stop in both directions?' | 0:36:50 | 0:36:53 | |
Yes, yes. Both directions. | 0:36:53 | 0:36:56 | |
'OK, we'll get non-stop in both directions.' | 0:36:56 | 0:36:59 | |
Platform four is now a crime scene. | 0:36:59 | 0:37:02 | |
The line controller has ordered drivers to pass without stopping. | 0:37:02 | 0:37:05 | |
It is 11.30 at night, the station's busiest time. | 0:37:05 | 0:37:09 | |
And within minutes, there is a crowd of hundreds of stranded customers. | 0:37:09 | 0:37:13 | |
-It's not going to be stopping at this station now. -It's not stopping? | 0:37:13 | 0:37:17 | |
Aah. No more trains tonight? | 0:37:17 | 0:37:19 | |
-I'm closing this platform. -I'm getting on this train. | 0:37:19 | 0:37:22 | |
It's not stopping. | 0:37:22 | 0:37:24 | |
-It looks like it's stopping. -I told you, it's not stopping. | 0:37:24 | 0:37:28 | |
Leave the platform, please. | 0:37:28 | 0:37:30 | |
Well, how am I supposed to get where I'm supposed to be going? | 0:37:30 | 0:37:34 | |
Can you put a call out for Imam to come up to the ticket hall area, please, over? | 0:37:36 | 0:37:40 | |
'OK, thanks, Paul.' | 0:37:40 | 0:37:41 | |
You'll be all right if you go now. | 0:37:47 | 0:37:50 | |
I'm not going to row with you about this. | 0:37:50 | 0:37:52 | |
-I can only help you to where... -It's a failure of your organisation. | 0:37:52 | 0:37:56 | |
I can only help you to where you're going now. | 0:37:56 | 0:37:58 | |
Your organisation has failed. Your organisation has failed yet again. | 0:37:58 | 0:38:02 | |
Where are you going to? | 0:38:02 | 0:38:04 | |
Is it quicker to walk to Charing Cross? | 0:38:04 | 0:38:07 | |
-Yeah? Is that quicker? -Yes. | 0:38:07 | 0:38:09 | |
It's a busy weekend night, | 0:38:12 | 0:38:14 | |
and it's 30 minutes before the paramedics arrive on the scene. | 0:38:14 | 0:38:19 | |
Excuse me, do you know what happened? | 0:38:19 | 0:38:22 | |
-A stabbing. -OK. | 0:38:22 | 0:38:27 | |
All I know is he pushed her, I didn't see the stabbing, OK? Right? | 0:38:31 | 0:38:36 | |
Over 200 people a year are seriously injured on the Underground. | 0:38:36 | 0:38:41 | |
All incidents are recorded and saved on CCTV. | 0:38:43 | 0:38:46 | |
The footage shows the girl being pushed onto the live tracks | 0:38:48 | 0:38:53 | |
by another customer before a station cleaner pulls her to safety. | 0:38:53 | 0:38:57 | |
Crazy, isn't it? | 0:38:57 | 0:38:58 | |
In the confusion, it's difficult to establish | 0:39:00 | 0:39:03 | |
whether a stabbing has also taken place. | 0:39:03 | 0:39:06 | |
The police will now need access to the tracks for their investigation. | 0:39:07 | 0:39:11 | |
And 20 minutes before last trains, | 0:39:11 | 0:39:14 | |
the Northern Line is suspended here completely. | 0:39:14 | 0:39:17 | |
There is no Northern Line services from this station. | 0:39:21 | 0:39:24 | |
Anyone for the Northern Line, make your way to Charing Cross. | 0:39:24 | 0:39:27 | |
You will be able to get the Northern Line from there. | 0:39:27 | 0:39:31 | |
This station is now closed, this station is now closed, I'm afraid, all lines operating | 0:39:33 | 0:39:37 | |
have now departed, this station is now closed. | 0:39:37 | 0:39:40 | |
The last train goes at 38 minutes past. | 0:39:40 | 0:39:45 | |
It's 34 now. I make this last train every night. | 0:39:45 | 0:39:49 | |
It's standard procedure, it's a crime scene. | 0:39:49 | 0:39:52 | |
Then why don't you just say that? | 0:39:52 | 0:39:55 | |
No-one cares, I used to work... | 0:39:57 | 0:40:00 | |
I worked at Holborn once, there was a person dead on the floor and people... | 0:40:00 | 0:40:04 | |
on the escalator, and people still trampling over him just to get to the platform. | 0:40:04 | 0:40:08 | |
No-one cares. It's just this tunnel vision people have, | 0:40:08 | 0:40:11 | |
they want to get to wherever they want to get to. | 0:40:11 | 0:40:14 | |
Welcome to London. Welcome to the Underground. | 0:40:14 | 0:40:17 | |
Sunday morning at the western end of the Central Line. | 0:40:27 | 0:40:31 | |
Ruislip Depot is rolling out its first trains of the day. | 0:40:33 | 0:40:37 | |
Depots aren't only a place for trains to spend the night, | 0:40:39 | 0:40:42 | |
it's also where all the essential maintenance work takes place. | 0:40:42 | 0:40:47 | |
With fewer trains in service, Sundays are a busy day for the mechanics. | 0:40:47 | 0:40:52 | |
Power on 48 west. | 0:40:52 | 0:40:54 | |
Just need to jump up in the cab to power this baby up. | 0:40:57 | 0:41:00 | |
Normal. | 0:41:03 | 0:41:04 | |
I'll do my end door. | 0:41:04 | 0:41:06 | |
Zero. | 0:41:06 | 0:41:08 | |
Two and a half. | 0:41:08 | 0:41:10 | |
Normal. | 0:41:10 | 0:41:13 | |
There you go, that's it. All set. Simple as that. | 0:41:13 | 0:41:17 | |
Running for 19 out of every 24 hours and covering over 200 miles a day, | 0:41:17 | 0:41:22 | |
tube trains need to be regularly maintained. | 0:41:22 | 0:41:25 | |
Every single train on the network is given a full mechanical examination once a fortnight. | 0:41:26 | 0:41:32 | |
We are doing a 14-day exam. | 0:41:32 | 0:41:36 | |
It's like an MOT for the train. | 0:41:36 | 0:41:41 | |
Right, they're too small, so they're going to have to be changed. | 0:41:46 | 0:41:50 | |
At the moment, I'm just checking | 0:41:50 | 0:41:52 | |
to see whether these brushes need changing. | 0:41:52 | 0:41:55 | |
Mark has gone round and done the brakes and John is checking the gearboxes. | 0:41:55 | 0:42:01 | |
Powered by an electrical current running through the track, | 0:42:01 | 0:42:04 | |
the workings of a tube train are not isolated to a single engine, | 0:42:04 | 0:42:08 | |
but spread through all the carriages. | 0:42:08 | 0:42:11 | |
Each one of the 32 motors, gearboxes and brakes | 0:42:13 | 0:42:16 | |
and all 64 wheels must be in full working order. | 0:42:16 | 0:42:21 | |
If they weren't checked, anything could happen. | 0:42:21 | 0:42:24 | |
You could have failures on the line, trains out of service, | 0:42:24 | 0:42:28 | |
disgruntled passengers, you know. | 0:42:28 | 0:42:31 | |
Disgruntled bosses, even, if the trains were out of service. | 0:42:31 | 0:42:36 | |
So, there is a knock-on effect. | 0:42:36 | 0:42:39 | |
So you never get bored of Tube trains? | 0:42:43 | 0:42:46 | |
Well, I suppose I've always been fascinated by them, | 0:42:46 | 0:42:51 | |
even more so since I've been working on them. | 0:42:51 | 0:42:54 | |
My wife thinks I'm a bit of an anorak, especially when we go away to Europe or something like that | 0:42:54 | 0:42:59 | |
and you see all the different styles of trains and that. | 0:42:59 | 0:43:02 | |
She finds it quite funny when I get excited to see a different train going by and all that. | 0:43:02 | 0:43:08 | |
That's by the by. | 0:43:08 | 0:43:09 | |
Come on, boys, you're a bit slow, aren't you? | 0:43:11 | 0:43:14 | |
-Going out to get a screwdriver. -Oh, right. | 0:43:14 | 0:43:17 | |
-TANNOY: -'This is Shepherd's Bush. This is a Central Line train to Tottenham Court Road.' | 0:43:24 | 0:43:30 | |
Just testing the radio. | 0:43:30 | 0:43:32 | |
'One, two, three, four, five.' | 0:43:32 | 0:43:36 | |
That was Sonia. | 0:43:36 | 0:43:37 | |
-The radio. -Who's Sonia? -Sonia, she's the person that does the announcements. | 0:43:37 | 0:43:43 | |
'This is Bethnal Green. This is a Central Line train to White City.' | 0:43:45 | 0:43:51 | |
-Since when was she called Sonia? -Well, because "Son-yer nerves." | 0:43:51 | 0:43:55 | |
'PA test. One, two, three, four, five.' | 0:43:57 | 0:44:02 | |
It's Andy Hogg, NOC. Can you give me a call back urgently, as soon as you get the message? Cheers, ta. | 0:44:07 | 0:44:12 | |
On the rest of the network, it's business as usual. | 0:44:12 | 0:44:16 | |
Farringdon's done and dusted. Putney, they've got the severe, Stonebridge we know about | 0:44:16 | 0:44:21 | |
and now the Victoria Line is going to join the party. | 0:44:21 | 0:44:24 | |
NOC, hello, Victoria. | 0:44:24 | 0:44:26 | |
In the last ten years, passenger numbers at the weekend have doubled. | 0:44:26 | 0:44:32 | |
With two million customers moving around the network, Sundays are no longer a day of rest. | 0:44:32 | 0:44:37 | |
You're OK to remain at good service, yeah? | 0:44:38 | 0:44:40 | |
It's a different sort of busy. | 0:44:40 | 0:44:42 | |
The timetables are different because the number of trains at certain times of the day have to vary, | 0:44:42 | 0:44:47 | |
because we have to respond to what is going on in the weekend. | 0:44:47 | 0:44:53 | |
If Arsenal are playing at the Emirates, I'm keeping a close eye on the Pic and the Vic | 0:44:53 | 0:44:57 | |
because that's the one that'll be affected. Everything that's going on, | 0:44:57 | 0:45:01 | |
I've got an understanding of the potential failures, so I'm keeping an eye on things. | 0:45:01 | 0:45:06 | |
It is good, it keeps you on your toes, or it should do, anyway. | 0:45:06 | 0:45:10 | |
I mean, some days, as I say, everything goes absolutely swimmingly. | 0:45:10 | 0:45:14 | |
So far, today, it has been. | 0:45:14 | 0:45:17 | |
But some days, it goes just one failure after another | 0:45:17 | 0:45:20 | |
and you think, "I've done something wrong today, the gods are against me." | 0:45:20 | 0:45:25 | |
In east London, the approaching Olympics has meant | 0:45:27 | 0:45:30 | |
that Stratford station has been massively extended. | 0:45:30 | 0:45:34 | |
Today, it's having to cope with the biggest shopping centre | 0:45:38 | 0:45:41 | |
in Europe opening on its doorstep. | 0:45:41 | 0:45:44 | |
Please make your way upstairs towards John Lewis. | 0:45:44 | 0:45:49 | |
Excuse me, can you carry on walking through? You're causing a blockage. | 0:45:49 | 0:45:53 | |
Quick, we're getting a pram block. Let's get going. | 0:45:57 | 0:46:00 | |
You've heard of a logjam, this is a pram jam. | 0:46:01 | 0:46:04 | |
Having a good time shopping? You'd think there was a recession on, wouldn't you? | 0:46:06 | 0:46:10 | |
Come through together. | 0:46:12 | 0:46:13 | |
Peter May is one of 20 extra station staff who've been brought in to deal with the rush. | 0:46:13 | 0:46:19 | |
When I was a kid, I lived at King's Cross. | 0:46:19 | 0:46:22 | |
And King's Cross station was my playground. | 0:46:22 | 0:46:25 | |
So, yeah, I like the smell of the underground. | 0:46:25 | 0:46:28 | |
I always wanted to be a train driver, | 0:46:28 | 0:46:31 | |
a London Underground train driver. | 0:46:31 | 0:46:34 | |
I ain't got there yet, they won't let me in, yet. | 0:46:34 | 0:46:37 | |
Believe me, when I first started this job, a weekend was never like this, not on the weekend. | 0:46:39 | 0:46:45 | |
Easily over 1,000 people just got off of one train. | 0:46:45 | 0:46:49 | |
And it's on the weekend. It's increased exponentially. | 0:46:49 | 0:46:53 | |
People are supposed to be at home enjoying themselves, | 0:46:53 | 0:46:57 | |
having a beer in the garden. | 0:46:57 | 0:46:59 | |
Not like this. | 0:46:59 | 0:47:02 | |
At Harrow on the Hill, the engineers have been working all weekend. | 0:47:12 | 0:47:16 | |
The running track has been replaced. | 0:47:19 | 0:47:22 | |
Now, all 341 metres have to be secured into place | 0:47:22 | 0:47:25 | |
with heavy duty metal clips. | 0:47:25 | 0:47:27 | |
Hundreds and hundreds and hundreds, it's tedious. | 0:47:30 | 0:47:34 | |
I hate it, doing this. It's just never-ending. | 0:47:34 | 0:47:38 | |
Clear all this, yeah? | 0:47:45 | 0:47:46 | |
The pressure starts at the top and gets filtered down, doesn't it? | 0:47:46 | 0:47:50 | |
So, you know, we just get shouted at, | 0:47:50 | 0:47:51 | |
"Hurry up. Do this, do this, do that, do that." | 0:47:51 | 0:47:54 | |
So, it gets passed down, I get screamed at | 0:47:54 | 0:47:57 | |
and I scream at my lads and then they go home and moan about me. | 0:47:57 | 0:48:01 | |
Still got to clip the rail up, they've got to drop the top stone, | 0:48:12 | 0:48:15 | |
the welders have got to come through, it's got to be tamped, | 0:48:15 | 0:48:19 | |
then the conductor rail's got to go in, then you got to build the shoulders, | 0:48:19 | 0:48:23 | |
do all the snagging, bits and bobs, there's still plenty to do. | 0:48:23 | 0:48:26 | |
Are we running late, or are we on time? | 0:48:37 | 0:48:39 | |
-On time. -Cool. -Hopefully. | 0:48:39 | 0:48:41 | |
Terry Bannister is Harrow station supervisor. | 0:48:45 | 0:48:48 | |
If the engineering works overrun, he'll be unable to open the station | 0:48:48 | 0:48:53 | |
to his regular commuters tomorrow morning. | 0:48:53 | 0:48:56 | |
At the moment they're putting down the signalling cables, | 0:48:56 | 0:48:59 | |
the track's down and they've also got the juice rail has got to go down. | 0:48:59 | 0:49:03 | |
I've seen it happen several times and I still think, | 0:49:03 | 0:49:05 | |
"How are they going to do all of that work and get up and running | 0:49:05 | 0:49:09 | |
"in time for Monday morning?" | 0:49:09 | 0:49:10 | |
The first train is the 5:31 in the morning. | 0:49:10 | 0:49:13 | |
It's got to come through Uxbridge, so it's got to come through these lines. | 0:49:13 | 0:49:17 | |
It could be tight. | 0:49:17 | 0:49:19 | |
Right, what are we doing now? | 0:49:20 | 0:49:22 | |
There's a couple of doors open down there, I'm going to shut them up. | 0:49:22 | 0:49:25 | |
Monday morning is the gold medal, I suppose you could call it, | 0:49:25 | 0:49:28 | |
of the service. | 0:49:28 | 0:49:29 | |
If you get Monday morning right then I think everybody will be happy. | 0:49:29 | 0:49:35 | |
I'll do the alarms and the porter switches. | 0:49:35 | 0:49:38 | |
Hello, can you hear me? | 0:49:40 | 0:49:41 | |
Yeah, loud and clear. | 0:49:41 | 0:49:44 | |
Just testing the alarms to the cab. | 0:49:45 | 0:49:49 | |
Hello? | 0:49:49 | 0:49:50 | |
Can you hear me, mother? | 0:49:51 | 0:49:53 | |
Obviously not. | 0:49:53 | 0:49:55 | |
What would happen if this wasn't ready for tomorrow morning's service? | 0:49:56 | 0:50:01 | |
It wouldn't bear thinking about. | 0:50:01 | 0:50:03 | |
We'll have the whole world on top of us, I think. | 0:50:03 | 0:50:07 | |
They'll want to know why and... you know. | 0:50:07 | 0:50:11 | |
But then again, if it's beyond our control, then what can we do? | 0:50:11 | 0:50:14 | |
-Is there one more, Mark? -Yeah, there is, mate, but it's not working. | 0:50:14 | 0:50:18 | |
All they're concerned about is getting the train there on time | 0:50:18 | 0:50:21 | |
and getting into work, that's it. | 0:50:21 | 0:50:23 | |
-Will this get them there? -Course it will! | 0:50:23 | 0:50:26 | |
Of course it will, it's my baby! | 0:50:26 | 0:50:28 | |
Basically we're flat out, very, very busy at this moment in time. | 0:50:46 | 0:50:51 | |
We've got a lot of people out we need to coordinate between. | 0:50:51 | 0:50:55 | |
We've got my men, then we've got signals doing their signal work, | 0:50:55 | 0:50:59 | |
power people doing the power work and we've also got trains | 0:50:59 | 0:51:02 | |
that we need to exit, so Sunday night can be very, very stressful. | 0:51:02 | 0:51:07 | |
It's not connected. | 0:51:07 | 0:51:10 | |
It's out of date. It doesn't pass the gauge. | 0:51:10 | 0:51:14 | |
You're standing, nothing will happen, yeah. | 0:51:14 | 0:51:17 | |
The engineers at Harrow are beginning to run out of time. | 0:51:18 | 0:51:21 | |
Signal technicians haven't even started the final stage | 0:51:21 | 0:51:24 | |
of rewiring the railway. | 0:51:24 | 0:51:26 | |
On Friday night I think about 100 cables were removed, | 0:51:28 | 0:51:32 | |
various cables, there's different types of cables, as you'll see. | 0:51:32 | 0:51:36 | |
Some of them are bigger than others, some of them take more work than others. | 0:51:36 | 0:51:41 | |
But, yeah, it's all basically to be reconnected. | 0:51:41 | 0:51:43 | |
Once all the machinery and everything's off, | 0:51:43 | 0:51:46 | |
we power everything back up and test everything to make sure | 0:51:46 | 0:51:49 | |
everything's gone back without no problems. | 0:51:49 | 0:51:52 | |
Hopefully everything's working. | 0:51:52 | 0:51:54 | |
They should be off and finished here with all their machinery | 0:52:00 | 0:52:03 | |
by 11 o'clock, which gives us a four-hour window | 0:52:03 | 0:52:06 | |
-to finish reconnecting anything that's not reconnected, and test it. -What if they're delayed? | 0:52:06 | 0:52:10 | |
If they're delayed, we're delayed, and the public's probably delayed in the morning. | 0:52:10 | 0:52:15 | |
I will call and give him the times and then we'll take it from that, yeah? | 0:52:19 | 0:52:25 | |
At engineering headquarters, Bernie Webb's team are waiting | 0:52:25 | 0:52:28 | |
for the engineers to clear the tracks so they can repower the line. | 0:52:28 | 0:52:32 | |
I'm going to do something a little bit strange, now, though. | 0:52:32 | 0:52:36 | |
I'm going to go up one floor in the lift, | 0:52:36 | 0:52:38 | |
because I'm quite superstitious. | 0:52:38 | 0:52:40 | |
We are a superstitious bunch. | 0:52:40 | 0:52:42 | |
If I have a really bad night and things have really gone badly, | 0:52:42 | 0:52:48 | |
and I will always look to see what I was wearing | 0:52:48 | 0:52:51 | |
and I won't wear that article of clothing for a really long time. | 0:52:51 | 0:52:54 | |
If it happened twice, it's in the bin. I'm just going to take this. | 0:52:54 | 0:52:59 | |
Hello, Bernie. | 0:52:59 | 0:53:01 | |
Hi, Lee. | 0:53:01 | 0:53:03 | |
Yeah, yeah I've been speaking to Diego, | 0:53:05 | 0:53:08 | |
he says it's got a bit of a hold-up out on the ground. | 0:53:08 | 0:53:10 | |
They're sailing a bit later than they should be. | 0:53:10 | 0:53:13 | |
So, it's really a question of, it looks like it is going to be another half an hour. | 0:53:13 | 0:53:17 | |
We can live with that. Any more than half an hour, though, we can't. | 0:53:17 | 0:53:21 | |
As the weekend draws to a close, stations across the network begin to shut down for the night. | 0:53:27 | 0:53:33 | |
PHONE RINGS | 0:53:35 | 0:53:37 | |
Good evening, Morden. Hello, London Bridge, how can I help? | 0:53:37 | 0:53:40 | |
At most stations, a supervisor stays on duty all night... | 0:53:40 | 0:53:44 | |
..ready to deal with any eventuality. | 0:53:45 | 0:53:48 | |
As you can see down here, there's poo everywhere. | 0:53:48 | 0:53:51 | |
They seem to fly in, do their business and go. | 0:53:51 | 0:53:55 | |
There's one just over there, two just over there on the cable run, | 0:53:57 | 0:54:01 | |
one up the other end. | 0:54:01 | 0:54:03 | |
Probably 50 or 60 pigeons here at any one time. | 0:54:06 | 0:54:09 | |
Well, the owl, initially, was as a deterrent, | 0:54:10 | 0:54:14 | |
like a scarecrow, but it hasn't worked. | 0:54:14 | 0:54:16 | |
The first night they put it in we've got a picture | 0:54:16 | 0:54:20 | |
of a pigeon sat on his head. | 0:54:20 | 0:54:21 | |
Now they've plumbed in this big thing down the other end, | 0:54:21 | 0:54:24 | |
the big speaker that puts out these sounds. | 0:54:24 | 0:54:27 | |
ZAPPING NOISES | 0:54:27 | 0:54:29 | |
That sounds more like the old '80s video games. | 0:54:29 | 0:54:33 | |
They're great noises. | 0:54:33 | 0:54:35 | |
If you see behind me, you can see that the pigeons are still sat there, | 0:54:35 | 0:54:40 | |
not moving, it's not affecting them at all. | 0:54:40 | 0:54:42 | |
I've got a feeling our pigeons down here are deaf, anyway. | 0:54:42 | 0:54:45 | |
With the sounds of the trains coming in. | 0:54:45 | 0:54:48 | |
-What time are you here till? -Seven. | 0:54:50 | 0:54:53 | |
Seven o'clock in the morning. | 0:54:53 | 0:54:55 | |
It's booking on contractors now, | 0:54:55 | 0:54:58 | |
closing the station, final sweep, have a walk round, make sure everybody's off. | 0:54:58 | 0:55:02 | |
London never sleeps, it's true what they say. | 0:55:02 | 0:55:06 | |
It's 3:15 in the morning, and just a quarter of an hour behind schedule, | 0:55:19 | 0:55:22 | |
the 100 engineers at Harrow are ready to hand back the railway. | 0:55:22 | 0:55:27 | |
All the men are starting to take all the tools up. | 0:55:29 | 0:55:31 | |
Half past five, I think, this station opens. | 0:55:31 | 0:55:34 | |
We'll be long gone. | 0:55:34 | 0:55:36 | |
I enjoy my work, I enjoy seeing the likes of now, | 0:55:38 | 0:55:41 | |
where you can see what we've done and it looks good. | 0:55:41 | 0:55:43 | |
I think it's about 25 to 30 years that track will last. | 0:55:43 | 0:55:49 | |
Before it needs renewing. | 0:55:50 | 0:55:52 | |
To see it all work on the weekend is very satisfying, like. | 0:55:52 | 0:55:56 | |
Given the green light, code green, everything OK. | 0:55:59 | 0:56:02 | |
PHONE RINGS | 0:56:02 | 0:56:06 | |
Hello, Bernie. | 0:56:06 | 0:56:07 | |
Oh, hey, Lee. | 0:56:09 | 0:56:10 | |
Really, all signal testing completed? | 0:56:12 | 0:56:15 | |
Excellent, well done, mate, thank you very much. | 0:56:18 | 0:56:21 | |
It's nothing to do with those people working solidly out on the ground | 0:56:21 | 0:56:26 | |
and under loads of pressure. It was always going to be OK, | 0:56:26 | 0:56:30 | |
the lucky grey shirt. | 0:56:30 | 0:56:32 | |
I think I probably won't bother washing it, | 0:56:32 | 0:56:34 | |
I'll just wear it every day until something goes wrong. | 0:56:34 | 0:56:38 | |
Just start worrying about next weekend now. | 0:56:38 | 0:56:41 | |
Ladies and gentlemen, service update from the control room. | 0:56:54 | 0:56:57 | |
There is a good service in operation on all London Underground lines. | 0:56:57 | 0:57:02 | |
Monday morning is fairly sombre, | 0:57:04 | 0:57:07 | |
most of the passengers are in a bad mood anyway | 0:57:07 | 0:57:10 | |
cos the weekend's over and they've got to start that daily slog. | 0:57:10 | 0:57:13 | |
Please move right down into the carriages using all available space. | 0:57:15 | 0:57:19 | |
And even though it's packed and it can be a bit smelly | 0:57:19 | 0:57:23 | |
and if you're little, your nose in some bloke's armpit, | 0:57:23 | 0:57:26 | |
it's like a can of sardines and you can't read your book, | 0:57:26 | 0:57:29 | |
it's a good service because the trains are coming through, | 0:57:29 | 0:57:32 | |
thick and fast, there's no delays. | 0:57:32 | 0:57:35 | |
Amersham passengers, your next fast service will depart from platform number three. | 0:57:44 | 0:57:48 | |
I don't think any customers are really aware that the track | 0:57:48 | 0:57:51 | |
was pulled out, replaced, ready for them on Monday morning. | 0:57:51 | 0:57:54 | |
They haven't a clue what has happened over the weekend. | 0:57:54 | 0:57:58 | |
They just want to get to work, don't they? That's all they want. | 0:57:58 | 0:58:02 | |
There's a lot of people in the background that you don't | 0:58:02 | 0:58:05 | |
see or hear from that are working very hard to make that happen. | 0:58:05 | 0:58:11 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:36 |