
Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Good morning. It's me again. | 0:00:03 | 0:00:06 | |
Below London's streets exists another world. | 0:00:06 | 0:00:09 | |
CHEERING | 0:00:09 | 0:00:10 | |
The madness is my swimming pool. I'm at home in that kind of water! | 0:00:10 | 0:00:14 | |
Every day, 20,000 workers | 0:00:14 | 0:00:17 | |
struggle to keep four million people on the move. | 0:00:17 | 0:00:21 | |
There's a customer asleep on the platform? Get them on the train. | 0:00:21 | 0:00:26 | |
And it's not easy, | 0:00:26 | 0:00:27 | |
when the tube is undergoing the biggest upgrade in its history. | 0:00:27 | 0:00:31 | |
You've got five minutes. I want this site cleared! | 0:00:31 | 0:00:34 | |
Now, cameras will reveal an underground world | 0:00:34 | 0:00:37 | |
we've never fully seen before. | 0:00:37 | 0:00:40 | |
10,421 mobiles since April. | 0:00:40 | 0:00:42 | |
Listen to what I'm saying. Pay-as-you-go. Yeah? | 0:00:42 | 0:00:45 | |
You just went. | 0:00:45 | 0:00:47 | |
-SHOUTING -This guy running up the stairs. We need to stop him! | 0:00:47 | 0:00:52 | |
HORN BLARES | 0:00:52 | 0:00:54 | |
That's the underground part of the city. | 0:00:54 | 0:00:57 | |
London comes down here every day. It IS part of their world. | 0:00:57 | 0:01:01 | |
It IS part of everyone's world. | 0:01:01 | 0:01:02 | |
I love you. | 0:01:02 | 0:01:05 | |
TANNOY: Late service. One minute behind. | 0:01:14 | 0:01:18 | |
It's Monday morning at Seven Sisters station in North London. | 0:01:18 | 0:01:22 | |
Have your tickets and passes ready for checking, please. | 0:01:22 | 0:01:25 | |
Excuse me, miss. Your ticket, please. | 0:01:25 | 0:01:27 | |
Ticket. Oyster? | 0:01:27 | 0:01:29 | |
London Underground revenue inspectors | 0:01:29 | 0:01:32 | |
are carrying out a ticket check. | 0:01:32 | 0:01:33 | |
Hello. Have you got a ticket? | 0:01:33 | 0:01:36 | |
I can't use the machine. I'm in a mad hurry. | 0:01:36 | 0:01:39 | |
You need to go and buy a ticket. You can't just come in without one. | 0:01:39 | 0:01:43 | |
I'm going to report you for fare evasion. | 0:01:43 | 0:01:45 | |
You could end up going to court, and facing up to a £1,000 fine. | 0:01:45 | 0:01:50 | |
-I topped it up today. -Not with this one, no. | 0:01:50 | 0:01:53 | |
Working in plain clothes, Revenue inspector, Tom Brady, | 0:01:53 | 0:01:57 | |
-is in charge of the operation this morning. -It's manic. | 0:01:57 | 0:01:59 | |
There's not enough inspectors. You could double the amount. | 0:01:59 | 0:02:03 | |
As you can see, this is a very problematic station. | 0:02:03 | 0:02:06 | |
You do find an awful lot of ticketless travel. | 0:02:06 | 0:02:09 | |
Basically, every train, you'll probably have three, four minimum. | 0:02:09 | 0:02:13 | |
Hello, sir. See your ticket? | 0:02:13 | 0:02:15 | |
PHONE RINGS Hello. Seven Sisters? | 0:02:15 | 0:02:18 | |
The general problem in London now, | 0:02:18 | 0:02:21 | |
where people think the whole world owes them. | 0:02:21 | 0:02:24 | |
A lot of people come through there without tickets, all the time. | 0:02:24 | 0:02:29 | |
They come through. "Let me through". | 0:02:29 | 0:02:31 | |
I say to them, "Where's your ticket?" | 0:02:31 | 0:02:33 | |
"Oh, I haven't got one". "But you need one". | 0:02:33 | 0:02:36 | |
"No. I haven't got one, anyway". | 0:02:36 | 0:02:38 | |
The analogy I give them all the time is, | 0:02:38 | 0:02:41 | |
you cannot go to Tesco and grab a loaf of bread, | 0:02:41 | 0:02:44 | |
and say to them, "I'm hungry, but I haven't got the money, anyway". | 0:02:44 | 0:02:48 | |
You can't do that. That's stealing. | 0:02:48 | 0:02:50 | |
You don't get things for nothing. You must pay for things in life. | 0:02:50 | 0:02:55 | |
Nothing is free. No free dinners. | 0:02:55 | 0:02:58 | |
Hello, sir. Just check your ticket? | 0:03:02 | 0:03:05 | |
Every day on the underground, | 0:03:05 | 0:03:07 | |
60,000 journeys are made, and not paid for. | 0:03:07 | 0:03:09 | |
-Do you agree you should buy a ticket for your journey? -No, I don't. | 0:03:09 | 0:03:13 | |
Would you have continued to Edmonton Green, | 0:03:13 | 0:03:16 | |
-and avoided your fare? -Yes. | 0:03:16 | 0:03:17 | |
It's up to the tube's revenue inspectors | 0:03:17 | 0:03:19 | |
to catch fare evaders in the act, handing out a £25 penalty | 0:03:19 | 0:03:24 | |
to anyone without a valid ticket. | 0:03:24 | 0:03:27 | |
See your tickets, please, gents? | 0:03:27 | 0:03:29 | |
Ticket? | 0:03:29 | 0:03:30 | |
FRENCH ACCENT: When I finish, I take the ticket. I go up town. | 0:03:30 | 0:03:34 | |
The ticket for today, I don't take. I take this. | 0:03:34 | 0:03:38 | |
Why did you not buy a ticket today? | 0:03:38 | 0:03:41 | |
Because I'm going to get money off my mum, right now. | 0:03:41 | 0:03:44 | |
I'm not paying £8 to go five, six stops. It's just pathetic. | 0:03:44 | 0:03:48 | |
It's London. No one buys a ticket. | 0:03:48 | 0:03:51 | |
London Underground loses £20 million a year from unpaid fares. | 0:03:52 | 0:03:57 | |
From their base in Kensington, the revenue department | 0:04:00 | 0:04:04 | |
are in charge of developing a strategy to combat the problem. | 0:04:04 | 0:04:08 | |
Right. Let's have a look at how we're doing this period. | 0:04:08 | 0:04:11 | |
Monthly performance meetings assess the damage. | 0:04:11 | 0:04:15 | |
If we start at the top level, | 0:04:15 | 0:04:17 | |
our hot stations list. | 0:04:17 | 0:04:19 | |
Fare evasion is high at Stratford, Oxford Circus, Liverpool Street, | 0:04:19 | 0:04:23 | |
Finsbury Park, London Bridge, | 0:04:23 | 0:04:26 | |
King's Cross, Seven Sisters, | 0:04:26 | 0:04:30 | |
Victoria, Ealing, and Paddington. | 0:04:30 | 0:04:34 | |
We are constantly amazed by the ingenuity | 0:04:34 | 0:04:36 | |
of a small minority of customers | 0:04:36 | 0:04:40 | |
who are determined to evade paying a fare. | 0:04:40 | 0:04:45 | |
You do get the very blatant fare evaders, | 0:04:45 | 0:04:48 | |
but you also get people who, on the surface, | 0:04:48 | 0:04:52 | |
you'd never believe would do it. | 0:04:52 | 0:04:55 | |
A lot of these stations will be hit at weekends, now. | 0:04:55 | 0:04:58 | |
We haven't done that, necessarily, in the past. | 0:04:58 | 0:05:01 | |
The revenue department | 0:05:01 | 0:05:03 | |
has 200 ticket inspectors across the network, | 0:05:03 | 0:05:05 | |
to try and stay on top of all the different types of fare evasion. | 0:05:05 | 0:05:09 | |
The sort of things they might do is misuse their travel card. | 0:05:09 | 0:05:15 | |
They'd travel through Zone One, when they're not entitled to. | 0:05:15 | 0:05:20 | |
You do get people misusing their Freedom Pass. | 0:05:20 | 0:05:23 | |
We have had a real spate recently of counterfeit tickets. | 0:05:23 | 0:05:28 | |
But we're pretty confident that we're one step ahead. | 0:05:28 | 0:05:33 | |
At Oval station, in South London, | 0:05:41 | 0:05:43 | |
staff have finished dealing with the morning rush hour. | 0:05:43 | 0:05:47 | |
People, when they come up the escalators, | 0:05:50 | 0:05:52 | |
the first things their eyes look for is the Thought of the Day board. | 0:05:52 | 0:05:56 | |
They could be stressed. They could have problems at home. | 0:05:56 | 0:06:00 | |
But when they come out and see this, | 0:06:00 | 0:06:03 | |
it brightens up their day. | 0:06:03 | 0:06:06 | |
People come out of their way to come to see the Thought of the Day. | 0:06:06 | 0:06:11 | |
I've chosen one by Christopher Reeve. | 0:06:11 | 0:06:14 | |
He was paralysed, | 0:06:14 | 0:06:16 | |
so he was hoping | 0:06:16 | 0:06:19 | |
that one day, possibly, | 0:06:19 | 0:06:21 | |
he would get better. | 0:06:21 | 0:06:23 | |
Oval station is also the base | 0:06:25 | 0:06:26 | |
for the team of plain clothes revenue inspectors | 0:06:26 | 0:06:30 | |
who patrol the Northern Line. | 0:06:30 | 0:06:32 | |
Do the normal, like go to Elephant & Castle... | 0:06:32 | 0:06:38 | |
Diane McConnell and Denise Brunker | 0:06:38 | 0:06:41 | |
are two of its longest-serving members. | 0:06:41 | 0:06:44 | |
We don't even know how long we've worked with each other. | 0:06:44 | 0:06:47 | |
I think it's about eight years. | 0:06:47 | 0:06:49 | |
We probably spend more time at work than we do at home. | 0:06:49 | 0:06:52 | |
A lot of people call us "Cagney & Lacey". | 0:06:52 | 0:06:54 | |
We're quite well known. | 0:06:54 | 0:06:56 | |
BEEPING | 0:06:56 | 0:06:58 | |
Good morning, ladies and gentlemen. | 0:06:59 | 0:07:02 | |
Revenue control inspector. Have your cards ready, please. Thank you. | 0:07:02 | 0:07:06 | |
Thank you very much. | 0:07:06 | 0:07:08 | |
I've seen you before. | 0:07:08 | 0:07:10 | |
You need to come off at the next stop and have a quick chat. | 0:07:10 | 0:07:12 | |
Denise and Diane have caught thousands of people | 0:07:12 | 0:07:15 | |
trying to travel for free. | 0:07:15 | 0:07:17 | |
If you HAVEN'T come from Kennington, tell me now. | 0:07:17 | 0:07:21 | |
-Cos I don't think you HAVE come from Kennington. -No. | 0:07:21 | 0:07:24 | |
I KNOW you haven't. So, where have you come from? | 0:07:24 | 0:07:27 | |
Um... | 0:07:27 | 0:07:29 | |
Like anything, if you're caught doing something, | 0:07:29 | 0:07:33 | |
you'll take a chance, and maybe try and bluff it. | 0:07:33 | 0:07:36 | |
If you start asking more questions, they're digging a bigger hole, | 0:07:36 | 0:07:40 | |
because they're telling more and more lies. | 0:07:40 | 0:07:42 | |
Eventually, they come clean, and say "I'm sorry. Blah-blah-blah." | 0:07:42 | 0:07:46 | |
You didn't really buy a ticket, did you? | 0:07:46 | 0:07:49 | |
Be honest with me, and I'll be fair with you. | 0:07:49 | 0:07:51 | |
If you keep telling me about tickets you didn't have, | 0:07:51 | 0:07:54 | |
I'll have to deal with it differently. | 0:07:54 | 0:07:56 | |
-So, did you have a ticket? -No. -Where have you travelled from? | 0:07:56 | 0:07:59 | |
It falls down to body language. | 0:07:59 | 0:08:01 | |
We have a famous saying. "Pocket dancing". | 0:08:01 | 0:08:05 | |
That's a typical one that someone hasn't got a ticket. | 0:08:05 | 0:08:09 | |
They're sitting down. "Can I see your ticket please?" | 0:08:09 | 0:08:12 | |
They look in every pocket. They know they haven't got it. | 0:08:12 | 0:08:16 | |
-"Just show me the ticket. Have you got one?" -No. | 0:08:16 | 0:08:19 | |
That's "pocket dancing". | 0:08:19 | 0:08:20 | |
TANNOY: The next station is Chalk Farm. | 0:08:22 | 0:08:24 | |
Sorry. What ticket did you have? | 0:08:26 | 0:08:29 | |
If you just come off at this stop, and have a proper look? | 0:08:29 | 0:08:32 | |
Take your time. | 0:08:32 | 0:08:36 | |
How about the pocket in your trousers? Did you pop it in there? | 0:08:36 | 0:08:40 | |
-Oh, no! -No, it's OK. Don't worry. | 0:08:40 | 0:08:44 | |
Take a seat. There's nothing to worry about. Take a seat. | 0:08:44 | 0:08:48 | |
Take a seat. | 0:08:48 | 0:08:51 | |
Some people get emotionally upset, for whatever reason. | 0:08:51 | 0:08:53 | |
They might be having problems at home... | 0:08:53 | 0:08:55 | |
All different reasons why she's being like this. | 0:08:55 | 0:08:58 | |
Even though she's crying, | 0:08:58 | 0:09:00 | |
It doesn't really wash with us, unfortunately. | 0:09:00 | 0:09:03 | |
Crocodile tears, they may not be. They might be real tears. | 0:09:03 | 0:09:06 | |
If I felt sorry for every person crying, I'm in the wrong job. | 0:09:06 | 0:09:09 | |
Same as Diane, and then the other inspector. | 0:09:09 | 0:09:12 | |
So, we'll just play it by ear, see what happens. | 0:09:12 | 0:09:14 | |
She may have a ticket she doesn't want to show us. | 0:09:14 | 0:09:17 | |
We'll see what happens. | 0:09:17 | 0:09:19 | |
Cos you cannot find your ticket, | 0:09:19 | 0:09:21 | |
this inspector is going to write out a ticket for you, | 0:09:21 | 0:09:24 | |
but it is also a penalty fare. | 0:09:24 | 0:09:27 | |
You have 21 days to pay this penalty fare. | 0:09:27 | 0:09:31 | |
Or 21 days to appeal. OK? | 0:09:31 | 0:09:33 | |
So, can you show us some ID? | 0:09:33 | 0:09:37 | |
I don't know what do you say. | 0:09:37 | 0:09:40 | |
-OK. We'll talk slowly to you. -I am a ticket inspector. | 0:09:40 | 0:09:43 | |
I check tickets. | 0:09:43 | 0:09:45 | |
You lost your ticket. | 0:09:45 | 0:09:48 | |
-You can't find ticket? -Yeah. -You can't find. No problem. | 0:09:48 | 0:09:51 | |
Some people, they may not be able to SPEAK English... | 0:09:51 | 0:09:54 | |
I just talk slowly, and I try to have an accent. | 0:09:54 | 0:09:57 | |
Not the same accent as them, but I suppose it DOES come out like that. | 0:09:57 | 0:10:01 | |
-Octo-bah? -Oco-tober. -Octo-bah? | 0:10:01 | 0:10:05 | |
-Your birthday? -No. | 0:10:05 | 0:10:06 | |
Septem-bah? | 0:10:06 | 0:10:09 | |
I use that technique. It works for me. | 0:10:10 | 0:10:12 | |
I get a lot of stick from colleagues, but it works. | 0:10:12 | 0:10:15 | |
Can I have your name, please? | 0:10:15 | 0:10:18 | |
-Name? Name? -Yes, your name. Your signa-tcha. | 0:10:18 | 0:10:21 | |
One moment. I have to get penalty for you. | 0:10:23 | 0:10:27 | |
Eventually, the customer admits to having a ticket | 0:10:29 | 0:10:33 | |
which is not valid for a whole journey. | 0:10:33 | 0:10:35 | |
And she leaves with a penalty fare. | 0:10:35 | 0:10:37 | |
It's not the crime of the century. | 0:10:37 | 0:10:41 | |
It's a ticket issue. | 0:10:41 | 0:10:42 | |
But it does cost London Underground a lot of money. | 0:10:42 | 0:10:45 | |
All the revenue they lose could be ploughed back into the system. | 0:10:45 | 0:10:49 | |
We would have a really good system. | 0:10:49 | 0:10:52 | |
The tube can't afford to lose all this money to fare evasion. | 0:10:52 | 0:10:57 | |
On top of the daily running costs of £6 million, | 0:10:57 | 0:11:02 | |
London Underground have committed to spend a further £10 billion, | 0:11:02 | 0:11:06 | |
modernising the entire network. | 0:11:06 | 0:11:08 | |
The most pressing and expensive project on the upgrade programme | 0:11:08 | 0:11:14 | |
is replacing one third | 0:11:14 | 0:11:16 | |
of the underground's entire fleet of trains. | 0:11:16 | 0:11:19 | |
On the Metropolitan Line, one of the lines due a complete upgrade, | 0:11:19 | 0:11:24 | |
many of the trains have been in service for over 50 years. | 0:11:24 | 0:11:28 | |
The trains are housed at Neasden Depot. | 0:11:28 | 0:11:31 | |
This is the existing, A stock train. | 0:11:31 | 0:11:34 | |
Doug Jayes is the fleet manager. | 0:11:34 | 0:11:37 | |
They came in 1960/61. | 0:11:37 | 0:11:39 | |
There's a lot of seats. There's not much room to get through them. | 0:11:39 | 0:11:43 | |
Luggage racks, which takes you back. That's where the old guard was. | 0:11:43 | 0:11:48 | |
The driver's quite close to what he needs to do. | 0:11:50 | 0:11:53 | |
He has all his controls next to him. Doors, air gauges, speedo. | 0:11:53 | 0:11:57 | |
Traction controller, to move the train. Brake, to stop it. | 0:11:57 | 0:12:01 | |
When you look at it, it IS old. | 0:12:04 | 0:12:06 | |
It's 1960s build. | 0:12:06 | 0:12:08 | |
Probably 1950s technology, and maybe before with some of the equipment. | 0:12:08 | 0:12:13 | |
I came in here in the '70s, had my apprenticeship. | 0:12:13 | 0:12:18 | |
I spent my life on these, | 0:12:18 | 0:12:19 | |
and one or two other stocks we've had through the depot. | 0:12:19 | 0:12:22 | |
It's like an old car. You become attached to it. | 0:12:22 | 0:12:26 | |
Much as we'd say to you, "No, we don't care", of course we do. | 0:12:26 | 0:12:30 | |
Of course we care. We've nurtured them over the years, | 0:12:30 | 0:12:34 | |
and there's a time for everything to go, isn't there? | 0:12:34 | 0:12:37 | |
As much as we love them, they have to go. | 0:12:37 | 0:12:41 | |
150 miles north of London, | 0:12:51 | 0:12:54 | |
the replacement fleet is beginning to take shape. | 0:12:54 | 0:12:57 | |
Staff at Bombardier Transportation in Derby | 0:13:01 | 0:13:05 | |
are building 191 state-of-the-art tube trains. | 0:13:05 | 0:13:08 | |
We fit all the end panels, the seat rises. | 0:13:10 | 0:13:14 | |
All these glass poles. | 0:13:14 | 0:13:16 | |
How long does it take to do this stage? | 0:13:16 | 0:13:20 | |
It's 13 hours, from start to finish. | 0:13:20 | 0:13:23 | |
Each of the train's eight carriages | 0:13:25 | 0:13:27 | |
is made of hundreds of constituent parts. | 0:13:27 | 0:13:30 | |
Starting with an aluminium frame, | 0:13:33 | 0:13:36 | |
the carriages are assembled in stages on a massive production line. | 0:13:36 | 0:13:41 | |
Trying to set the doors at the moment, | 0:13:41 | 0:13:43 | |
so they close almost perfectly together. | 0:13:43 | 0:13:46 | |
It looks tricky. | 0:13:46 | 0:13:48 | |
This one is proving to be, at the moment. | 0:13:48 | 0:13:51 | |
If it's not at the right angle, when we test it, | 0:13:53 | 0:13:55 | |
the sensitive edge will fail. | 0:13:55 | 0:13:57 | |
Which means a small child could get their arm trapped at the bottom. | 0:13:57 | 0:14:00 | |
Never actually been on one of these, myself, | 0:14:00 | 0:14:04 | |
so I don't know how well they work. Hopefully, they work. | 0:14:04 | 0:14:07 | |
Do you think the passengers in London | 0:14:09 | 0:14:11 | |
know how much work goes into making these? | 0:14:11 | 0:14:13 | |
I like to think they appreciate what I do... | 0:14:13 | 0:14:16 | |
I wouldn't really know, really. | 0:14:18 | 0:14:20 | |
They're all high bankers down there, aren't they? Well paid jobs. | 0:14:20 | 0:14:24 | |
The new trains will carry 25% more passengers. | 0:14:27 | 0:14:31 | |
They're the first underground trains to have air conditioning. | 0:14:31 | 0:14:34 | |
The biggest thing is it's air-conditioned, | 0:14:36 | 0:14:38 | |
and you can walk from one end to the other. | 0:14:38 | 0:14:40 | |
It's a brilliant train, to me. | 0:14:40 | 0:14:42 | |
How can the public not love this train? | 0:14:42 | 0:14:45 | |
You can see all the way through it. There's space. | 0:14:45 | 0:14:47 | |
Carries more people. This is the train of the future. | 0:14:47 | 0:14:51 | |
There'll be a lot of them. Let's hope the public's happy with them. | 0:14:51 | 0:14:54 | |
There's enough hard work gone into them, believe me! | 0:14:54 | 0:14:58 | |
WHISTLE BLOWS | 0:14:58 | 0:15:00 | |
Trains are coming off the production line at the rate of one a week. | 0:15:00 | 0:15:04 | |
Every Monday, a new train leaves the factory in Derby. | 0:15:04 | 0:15:07 | |
Pushed by a diesel locomotive on the main line rails, | 0:15:09 | 0:15:13 | |
it will arrive in London late Wednesday night. | 0:15:13 | 0:15:17 | |
An update from the controller, here at Finchley Central station. | 0:15:24 | 0:15:28 | |
At present, the District Line is operating with minor delays, | 0:15:28 | 0:15:32 | |
due to an earlier signal failure at Earl's Court. | 0:15:32 | 0:15:34 | |
Morning rush hour at Finchley Central, | 0:15:34 | 0:15:39 | |
a suburban station at the top of the Northern Line. | 0:15:39 | 0:15:42 | |
And an unlikely hotbed for fare evasion. | 0:15:42 | 0:15:46 | |
We discovered recently a chap who travels from Barnet. | 0:15:46 | 0:15:49 | |
For the past three or four years, he's never paid a shilling! | 0:15:49 | 0:15:52 | |
He's travelling free from East Finchley to Barnet | 0:15:52 | 0:15:55 | |
for the last four years. He's never paid a penny! | 0:15:55 | 0:15:59 | |
Finchley Central is one of the few underground stations | 0:15:59 | 0:16:01 | |
without a ticket barrier. | 0:16:01 | 0:16:04 | |
The majority of customers use plastic smart cards, | 0:16:04 | 0:16:08 | |
known as "Oyster cards", instead of paper tickets. | 0:16:08 | 0:16:11 | |
When there isn't a gate line, they're expected to touch | 0:16:11 | 0:16:14 | |
an oyster reader to be charged for their journey. | 0:16:14 | 0:16:17 | |
But not everyone can be trusted. | 0:16:19 | 0:16:21 | |
He's thinking about it. No, he won't bother today. | 0:16:21 | 0:16:24 | |
It's free! | 0:16:24 | 0:16:26 | |
You're more than welcome to join the free system that we provide(!) | 0:16:26 | 0:16:32 | |
HE LAUGHS | 0:16:32 | 0:16:33 | |
Here's another freebie. | 0:16:33 | 0:16:35 | |
Welcome(!) | 0:16:35 | 0:16:36 | |
He waved at us! | 0:16:36 | 0:16:39 | |
Here we go. Here we go. | 0:16:39 | 0:16:42 | |
You're welcome(!) | 0:16:43 | 0:16:45 | |
Have another free journey(!) | 0:16:45 | 0:16:48 | |
Where have you just come from? Station? | 0:16:51 | 0:16:55 | |
This station, Finchley Central. Where you come from? | 0:16:55 | 0:16:59 | |
This morning, Denise and Diane, | 0:16:59 | 0:17:01 | |
and the Northern Line revenue team have come to Finchley Central. | 0:17:01 | 0:17:04 | |
You have not touched out, OK? | 0:17:04 | 0:17:07 | |
Now, you can say you did. I'm telling you, you didn't. | 0:17:07 | 0:17:11 | |
Therefore there's a penalty fare. | 0:17:11 | 0:17:13 | |
If you can pay now, it's £25. Do you have £25? | 0:17:13 | 0:17:17 | |
-What crime did I commit? -You haven't committed a crime. | 0:17:17 | 0:17:20 | |
Listen to what I'm saying. | 0:17:20 | 0:17:22 | |
-Pay-as-you-go, yeah? -Yeah. -You just went! | 0:17:22 | 0:17:26 | |
Within an hour, they've given penalty fares to 20 customers. | 0:17:26 | 0:17:30 | |
Good morning, there. Revenue. Just check your ticket there, my love? | 0:17:30 | 0:17:34 | |
I do feel sorry for a lot of people | 0:17:34 | 0:17:36 | |
I end up reporting, or penalty faring. | 0:17:36 | 0:17:39 | |
They're doing that action because they literally have no money. | 0:17:39 | 0:17:43 | |
I suppose they're just surviving, at the end of the day. | 0:17:43 | 0:17:45 | |
I've stopped you before, haven't I? | 0:17:45 | 0:17:48 | |
-I remember you. -Sometimes, maybe. | 0:17:48 | 0:17:51 | |
A while back, yeah. | 0:17:51 | 0:17:54 | |
-Are you working? -Sometimes. -OK. | 0:17:54 | 0:17:56 | |
-What do you do? -Building work. | 0:17:56 | 0:17:58 | |
-Nice clothes! -Builder. | 0:17:58 | 0:18:00 | |
It's hard out there for lots of people today. It's not good. | 0:18:00 | 0:18:05 | |
Just checking tickets. | 0:18:05 | 0:18:07 | |
I didn't see you touch out that's all, I have the right to ask. | 0:18:07 | 0:18:10 | |
The thing is that I work here, McDonald's. | 0:18:10 | 0:18:14 | |
Two or three days, I got the job. I can touch it now, sir. | 0:18:14 | 0:18:17 | |
No, that's why I'm here. It's not negotiable, that's why I'm here. | 0:18:17 | 0:18:21 | |
-How much is that going to be, sir? -The penalty fare... -Yes? | 0:18:21 | 0:18:24 | |
..is £25 if you pay on the spot or in three weeks, yes? | 0:18:24 | 0:18:28 | |
To some people, £25 is not a lot of money | 0:18:28 | 0:18:30 | |
so they think, I've made a mistake, I'll pay it. | 0:18:30 | 0:18:33 | |
But to other people, £25 is maybe their week's food, | 0:18:33 | 0:18:36 | |
so it's a big, it is more of a big deal. | 0:18:36 | 0:18:40 | |
I suppose it all comes down to money at the end of the day. | 0:18:40 | 0:18:43 | |
-Do you wish to pay any money now, sir? -I've got only £10. | 0:18:43 | 0:18:46 | |
That's OK, you can pay it later. | 0:18:46 | 0:18:48 | |
Hang onto that, you'll need that for lunch. | 0:18:48 | 0:18:51 | |
When I said can I see your ticket, you said | 0:18:51 | 0:18:53 | |
-you haven't got one, yes? -Yes. No job. -Unemployed? -Yes. | 0:18:53 | 0:18:57 | |
People like me who are on benefits, we don't have much money | 0:18:57 | 0:19:00 | |
at the end of the day, on a week to week basis. | 0:19:00 | 0:19:03 | |
So some of us do it, we sometimes, we get away with it plenty of times, | 0:19:03 | 0:19:08 | |
but there are sometimes we do get caught. | 0:19:08 | 0:19:11 | |
It's a gamble. You get away with it, | 0:19:11 | 0:19:13 | |
you get away with it, you don't, you don't. | 0:19:13 | 0:19:15 | |
He was nice, he was lovely. But it's not free. | 0:19:15 | 0:19:18 | |
He's got a bike. He could've cycled! | 0:19:18 | 0:19:22 | |
The tube system covers all the Greater London area, | 0:19:28 | 0:19:32 | |
From barking in the East, where the average household income | 0:19:32 | 0:19:35 | |
is less than £24,000, to Richmond in the West, | 0:19:35 | 0:19:40 | |
an area with one of the largest number of millionaires in the country. | 0:19:40 | 0:19:43 | |
Thank you. | 0:19:51 | 0:19:53 | |
-Round-trip to Wimbledon, please. -£7.30, please. | 0:19:53 | 0:19:56 | |
£39.40, please. | 0:19:58 | 0:20:00 | |
-It's going to be £4 each. -How much? -£4 each. | 0:20:00 | 0:20:04 | |
80% of all underground journeys are made with an Oyster card | 0:20:04 | 0:20:07 | |
to take advantage of discounted fares. | 0:20:07 | 0:20:09 | |
But for the small number of passengers without, | 0:20:09 | 0:20:13 | |
a single cash fare in central London costs £4. | 0:20:13 | 0:20:16 | |
-I'm going to Euston Road... -Yes. -Just the two of us, it's £4... | 0:20:16 | 0:20:19 | |
It is, £4 each, yes. | 0:20:19 | 0:20:20 | |
SHE LAUGHS NERVOUSLY | 0:20:20 | 0:20:23 | |
Bloody expensive. | 0:20:23 | 0:20:24 | |
I come from New Zealand, we don't have subways, | 0:20:24 | 0:20:28 | |
but we've been around Europe and Paris | 0:20:28 | 0:20:30 | |
and it's like a euro or two euros at the most, | 0:20:30 | 0:20:33 | |
and we've got to pay four euros for one section. | 0:20:33 | 0:20:35 | |
I was going to get it from the machine and thought, it can't be right, | 0:20:35 | 0:20:39 | |
so I asked the lady and no, it's right. Bugger. | 0:20:39 | 0:20:42 | |
It is a lot. If you're only going one station, £4, | 0:20:42 | 0:20:45 | |
it is a bit steep, I think. | 0:20:45 | 0:20:49 | |
That's why a lot of people don't bother. | 0:20:49 | 0:20:51 | |
They just go upstairs and get a cab, | 0:20:51 | 0:20:53 | |
which, I don't blame them really. Hello. | 0:20:53 | 0:20:57 | |
-Can I get £10 top up? -10? | 0:20:57 | 0:20:59 | |
THEY SPEAK IN ITALIAN | 0:20:59 | 0:21:04 | |
They were alarmed at the fares. | 0:21:04 | 0:21:06 | |
Apparently in China you can get across the whole system, | 0:21:06 | 0:21:09 | |
one hour travel, 20p. | 0:21:09 | 0:21:11 | |
It's a shock if you say it's £4 for a single ticket. | 0:21:11 | 0:21:15 | |
-Can I have two to Waterloo, please? -Just one way or are you coming back? | 0:21:15 | 0:21:19 | |
-Yes, just one way, please. -£8.60. -What, to Waterloo now?! | 0:21:19 | 0:21:23 | |
-It's going to cost me how much? Eight quid to get to Waterloo? -Yes. | 0:21:23 | 0:21:27 | |
You're having a laugh. Cheers. | 0:21:27 | 0:21:30 | |
London is London. | 0:21:30 | 0:21:31 | |
Wherever you go, you go outside and buy a drink, it's expensive. | 0:21:31 | 0:21:35 | |
You go out for a meal in central London, it's very expensive. Hello. | 0:21:35 | 0:21:39 | |
-Can I put £20 on that? -Sure. | 0:21:39 | 0:21:41 | |
They need the money to update the underground. | 0:21:41 | 0:21:44 | |
Where else is the money going to come from? | 0:21:44 | 0:21:46 | |
They get a certain amount from the government, | 0:21:46 | 0:21:49 | |
but they don't get the amount they need. | 0:21:49 | 0:21:52 | |
If people want a good, reliable service, | 0:21:52 | 0:21:54 | |
for us to be able to do the good, reliable service, | 0:21:54 | 0:21:57 | |
we need the money to go into the pot to make all the repairs. | 0:21:57 | 0:22:00 | |
Simple as that. | 0:22:00 | 0:22:01 | |
London Underground's annual pot of money is £4 billion, | 0:22:03 | 0:22:07 | |
half of which comes from government and borrowing | 0:22:07 | 0:22:11 | |
and half from customers' fares. | 0:22:11 | 0:22:13 | |
Good afternoon, reception 55 Broadway. | 0:22:17 | 0:22:19 | |
Every four weeks at the company's central London headquarters, | 0:22:19 | 0:22:23 | |
the tube's finance directors meet to assess how the money is spent. | 0:22:23 | 0:22:27 | |
Talk me through investment then. | 0:22:27 | 0:22:30 | |
At Tottenham Court Road we need to understand closer why it was 2 million. | 0:22:30 | 0:22:36 | |
They're 4.1 down, year to date. | 0:22:36 | 0:22:38 | |
We've got to understand what that means for the year end. | 0:22:38 | 0:22:42 | |
-It's not rocket science. -No. | 0:22:42 | 0:22:44 | |
This railway is enormous. | 0:22:44 | 0:22:45 | |
It carries over 4 million passengers a day | 0:22:45 | 0:22:48 | |
and you can't do that on a shoestring. | 0:22:48 | 0:22:51 | |
The largest cost is undoubtedly wages, about £4 million a day. | 0:22:51 | 0:22:54 | |
You've got head office costs, you've got maintaining the trains | 0:22:54 | 0:22:58 | |
we're one of London's biggest users of electricity, | 0:22:58 | 0:23:01 | |
traction current alone is best part of £100 million a year. | 0:23:01 | 0:23:05 | |
£100 million. Imagine going home, opening an electricity bill | 0:23:05 | 0:23:08 | |
and thinking "Oh, it's £100 million a year." | 0:23:08 | 0:23:11 | |
It's best part of £3 million on stationary. Right? | 0:23:11 | 0:23:14 | |
Yes, no, you are reading it right. That's that... | 0:23:14 | 0:23:17 | |
As well as everyday running costs, the Underground is committed | 0:23:17 | 0:23:20 | |
to a further 15 years of upgrade work | 0:23:20 | 0:23:23 | |
at the cost of £1 billion a year. | 0:23:23 | 0:23:27 | |
We've got old assets and an increasing number of passengers, | 0:23:27 | 0:23:31 | |
growing exponentially every year. | 0:23:31 | 0:23:33 | |
So the network is getting busier, our assets are getting older, | 0:23:33 | 0:23:36 | |
we need to invest, not because we like delivering projects, | 0:23:36 | 0:23:39 | |
it's because it benefits our customers. | 0:23:39 | 0:23:43 | |
Less crowding, more reliable, really, really important. | 0:23:43 | 0:23:46 | |
The morning rush-hour is over. | 0:23:57 | 0:24:00 | |
And at the north end of the Metropolitan line, | 0:24:00 | 0:24:02 | |
on one of the Underground's many open stretches of track, | 0:24:02 | 0:24:06 | |
technical officer Adam Gloor is starting his daily maintenance work. | 0:24:06 | 0:24:10 | |
We've got to change this light bulb. | 0:24:10 | 0:24:13 | |
One of the green lights, one of the green lights on here. | 0:24:13 | 0:24:17 | |
I think they made these signals about 70 years ago, | 0:24:17 | 0:24:20 | |
but I think they came into use straight after the war, | 0:24:20 | 0:24:23 | |
that sort of time. | 0:24:23 | 0:24:24 | |
It's only because we've found some bits of paper in there, | 0:24:24 | 0:24:28 | |
talking about the transformers in here | 0:24:28 | 0:24:31 | |
and the date of manufacture is 1930. | 0:24:31 | 0:24:33 | |
Signals are essentially traffic lights for the train | 0:24:36 | 0:24:40 | |
and they're vital to the safe running of the Underground. | 0:24:40 | 0:24:45 | |
Across the network's 250 miles of track, | 0:24:45 | 0:24:49 | |
there are over 9,000 sets of signals, all of which need regular monitoring. | 0:24:49 | 0:24:53 | |
These cables, if they're not tight, it would cause a failure. | 0:24:56 | 0:25:01 | |
Again, just tightening the track connections. | 0:25:01 | 0:25:04 | |
If you lose too much voltage it causes a track failure. | 0:25:04 | 0:25:07 | |
I think we look at these every 12 weeks, | 0:25:07 | 0:25:09 | |
and it's worthwhile because | 0:25:09 | 0:25:10 | |
the chances of them causing a failure is quite high | 0:25:10 | 0:25:13 | |
because there's moving parts in there and we have to get the water out | 0:25:13 | 0:25:17 | |
because that could freeze in there for another failure again. | 0:25:17 | 0:25:21 | |
Every technical officer is responsible for a few hundred metres of track. | 0:25:25 | 0:25:29 | |
Adam has been looking after the north end of the Metropolitan line for 10 years. | 0:25:29 | 0:25:34 | |
It's nice coming out here, as long as it's not too cold, | 0:25:34 | 0:25:37 | |
the fresh air, you just feel alive out here. | 0:25:37 | 0:25:39 | |
It feels more natural being out here, yes, then stuck in a tunnel. | 0:25:39 | 0:25:44 | |
There's a lot of pride in doing a good job. | 0:25:44 | 0:25:48 | |
Sometimes I come out here and think | 0:25:48 | 0:25:51 | |
that wire's about to fall off, I can repair it, | 0:25:51 | 0:25:53 | |
knowing it definitely would've been a failure. | 0:25:53 | 0:25:56 | |
-No one really cares... -When it doesn't go. | 0:25:56 | 0:25:59 | |
I can go home and tell the kids but they'll be like, "Oh, OK. | 0:25:59 | 0:26:03 | |
"Can I have a pizza?" | 0:26:03 | 0:26:05 | |
Yes, I'll go over by there. | 0:26:14 | 0:26:16 | |
-All right. -You hang around here, yeah? -No worries. -OK. | 0:26:16 | 0:26:19 | |
Just a few stops away, at Willesden Green station, | 0:26:21 | 0:26:24 | |
two ticket inspectors are working undercover. | 0:26:24 | 0:26:28 | |
All right, buddy? | 0:26:31 | 0:26:33 | |
Hello. Can I have a quick word with you? Where's your ticket money? | 0:26:42 | 0:26:46 | |
Just come this way a minute. | 0:26:46 | 0:26:49 | |
I've just watched what you've done. OK? | 0:26:49 | 0:26:52 | |
-Just put your hand over the reader and followed the woman out. -Yes. | 0:26:52 | 0:26:56 | |
Just put that through there, buddy. | 0:26:56 | 0:26:58 | |
When you just went through the gate, the lady in front touched | 0:26:58 | 0:27:02 | |
and you went like this, | 0:27:02 | 0:27:03 | |
put your hand over the monitor and quickly went behind her. | 0:27:03 | 0:27:06 | |
-I did not. -You didn't touch this on the gate, I watched you. | 0:27:06 | 0:27:09 | |
Most of the revenue London Underground lose from fare evasion | 0:27:09 | 0:27:12 | |
is not from one off opportunists, but from a small minority | 0:27:12 | 0:27:16 | |
of passengers using various scams to persistently avoid payment. | 0:27:16 | 0:27:21 | |
I'm going to check out the address here. Shouldn't take too long. | 0:27:21 | 0:27:26 | |
The tube has set up a special task force to track down | 0:27:26 | 0:27:29 | |
and prosecute these long-term offenders. | 0:27:29 | 0:27:32 | |
Ben and James are working together on the operation. | 0:27:32 | 0:27:36 | |
He tells everyone he's the brains and I'm the brawn. | 0:27:36 | 0:27:39 | |
REPORTER: Is that true? | 0:27:39 | 0:27:41 | |
I'll let people draw their own conclusions. | 0:27:41 | 0:27:45 | |
He is the computer whiz, I'll give him that. He's the CCTV expert. | 0:27:45 | 0:27:49 | |
And if I need a bit of muscle, I do turn to James. | 0:27:49 | 0:27:53 | |
We're complimentary, mate. That's what we are. | 0:27:53 | 0:27:57 | |
TANNOY: ..train to Barking. | 0:27:57 | 0:28:00 | |
This afternoon, Ben and James have been called to Latimer Road Station | 0:28:02 | 0:28:06 | |
where a particularly determined fare evader | 0:28:06 | 0:28:10 | |
has been giving the staff trouble. | 0:28:10 | 0:28:13 | |
Our major problem at the minute is a long-standing chap. | 0:28:13 | 0:28:16 | |
It's this, er, him. | 0:28:16 | 0:28:19 | |
White male, mid 40s, flat cap. | 0:28:19 | 0:28:22 | |
He's a white bloke, mid 40s, tubby. To be honest, he looks like | 0:28:22 | 0:28:26 | |
an old football hooligan, that's how he dresses. | 0:28:26 | 0:28:30 | |
He's always got Ralph Lauren gear on | 0:28:30 | 0:28:32 | |
or shorts and boating shoes or trainers and that. | 0:28:32 | 0:28:35 | |
The station CCTV shows the customer forcing his way through | 0:28:35 | 0:28:40 | |
the ticket barrier on numerous occasions. | 0:28:40 | 0:28:42 | |
He just comes through and smashes the gate down, makes his way on to | 0:28:42 | 0:28:46 | |
the station and waits for the train and I assume he does the other end. | 0:28:46 | 0:28:49 | |
If he comes through now, he asks to be let through. | 0:28:49 | 0:28:52 | |
If you just say no, then he just kicks the gate open anyway. | 0:28:52 | 0:28:56 | |
We need to try and identify him, really. | 0:28:56 | 0:29:00 | |
He doesn't really cooperate | 0:29:00 | 0:29:01 | |
with the station staff I don't know if he will with us | 0:29:01 | 0:29:04 | |
but we've got to give it a try. | 0:29:04 | 0:29:06 | |
While Ben and James are gathering evidence, | 0:29:06 | 0:29:09 | |
someone matching the customer's description | 0:29:09 | 0:29:11 | |
arrives at the station and he doesn't have a ticket. | 0:29:11 | 0:29:15 | |
How did you come through the barrier? | 0:29:15 | 0:29:17 | |
It was open. These things were down, | 0:29:17 | 0:29:19 | |
the black things were down here and it wouldn't take my £20. | 0:29:19 | 0:29:22 | |
-Can I have a single, please? -I think this is the flat cap guy. | 0:29:22 | 0:29:26 | |
Can you confirm, this is flat cap guy, yes? | 0:29:26 | 0:29:29 | |
-Yes, that's him. -Definitely? -Definitely. -Cheers. | 0:29:29 | 0:29:31 | |
Adrenalin does go a little bit | 0:29:31 | 0:29:35 | |
because if you've got a person you've got images of | 0:29:35 | 0:29:37 | |
and when you see them, it sharpens your senses, I think that's the guy. | 0:29:37 | 0:29:41 | |
I'm not here to bunk the trains, I'm 44 years of age, mate. | 0:29:41 | 0:29:44 | |
-Have you any ID on you? -I haven't got ID, mate. | 0:29:44 | 0:29:47 | |
-I'll just take some details... -Listen, do you have to | 0:29:47 | 0:29:50 | |
-carry ID in this country? -No. -Right then. | 0:29:50 | 0:29:53 | |
I haven't got no ID. | 0:29:53 | 0:29:55 | |
I went to pay for my ticket, all right? | 0:29:55 | 0:29:57 | |
That's what I'm checking out. We've told you who we are. | 0:29:57 | 0:30:01 | |
-You ain't got no fucking... -No need to swear, mate. | 0:30:01 | 0:30:04 | |
-What's the matter with you? -You! You're the fucking matter! | 0:30:04 | 0:30:08 | |
These fucked up trains! You're the fucking matter! | 0:30:08 | 0:30:10 | |
You need to calm down, mate. | 0:30:10 | 0:30:12 | |
What are you going to do if I walk out, | 0:30:12 | 0:30:14 | |
None of you are police officers? | 0:30:14 | 0:30:15 | |
What if I walk out of here? What the fuck are you going to do? | 0:30:15 | 0:30:18 | |
Can you get out of my face, please? Yeah, please, Dave. | 0:30:18 | 0:30:21 | |
What the fuck are you going to do? No, it's not that. I'm pissed off. | 0:30:21 | 0:30:24 | |
Why are you pissed off at me? All I asked is where you travelled from. | 0:30:24 | 0:30:27 | |
Your poxy machines won't take this! | 0:30:27 | 0:30:30 | |
We'll take some details off you and you can be on your way. | 0:30:30 | 0:30:33 | |
You might be abusive, | 0:30:33 | 0:30:35 | |
but it doesn't deter from the fact you haven't got a ticket. | 0:30:35 | 0:30:37 | |
Tell him to stop calling the police, will you? Silly bollocks in there. | 0:30:37 | 0:30:41 | |
-It's water off a duck's back, really. -Does it not bother you? -No. | 0:30:41 | 0:30:44 | |
If it bothered you, you couldn't do the job for any length of time. | 0:30:44 | 0:30:48 | |
-We're here today. We're revenue inspectors. -Right. | 0:30:48 | 0:30:51 | |
We look at things that go on in this station. | 0:30:51 | 0:30:53 | |
I have to say, I suspect yourself | 0:30:53 | 0:30:56 | |
of several offences of fare evasion over the last couple of months, | 0:30:56 | 0:30:59 | |
and also committing by-law offences on the underground. MOBILE PHONE RINGS | 0:30:59 | 0:31:02 | |
-I'm cautioning you. You've given your details. You don't have to stay. -I'll phone you back. | 0:31:02 | 0:31:06 | |
I'm cautioning you. You've given your details. You don't have to stay now. | 0:31:06 | 0:31:10 | |
-I'll be writing to you, basically. -No problem. -Cool. -Cheers. | 0:31:10 | 0:31:13 | |
-Thanks a lot. Sorry about the outburst. -No worries. | 0:31:13 | 0:31:16 | |
-So here's the caution. -I've had it all me life, guv. Can I just get... | 0:31:16 | 0:31:21 | |
I'm just going to read it cos I have to, right? | 0:31:21 | 0:31:24 | |
Instead of a penalty fare, | 0:31:24 | 0:31:26 | |
this customer was prosecuted in court and fined £1,240 plus costs. | 0:31:26 | 0:31:31 | |
-I'm going to be writing to you, right? -Yeah, I'm moving. | 0:31:31 | 0:31:35 | |
-He's a nice chap, wasn't he? -Oh, he's lovely. | 0:31:35 | 0:31:38 | |
You, you fucking slags! | 0:31:38 | 0:31:40 | |
-Excuse me. -Fuck off! | 0:31:42 | 0:31:44 | |
In an ideal world, everyone could travel for free | 0:31:46 | 0:31:49 | |
but we don't live in an ideal world and that's not the way it is. | 0:31:49 | 0:31:53 | |
So, you know, myself and Ben, we don't dictate what the fares are. | 0:31:53 | 0:31:57 | |
Again, if we did, I'd say everyone could travel for a pound or whatever, | 0:31:57 | 0:32:01 | |
but obviously they can't run the network receiving a pound per person, | 0:32:01 | 0:32:05 | |
so fares are what they are. | 0:32:05 | 0:32:08 | |
Back in the city, the last of the commuters have headed home | 0:32:17 | 0:32:20 | |
but the work isn't over for the tube. | 0:32:20 | 0:32:23 | |
Keeping the city moving through the evening is a big challenge. | 0:32:23 | 0:32:28 | |
Any hold up in the service will affect thousands of passengers. | 0:32:28 | 0:32:32 | |
At Liverpool Street Station, a busy central interchange, | 0:32:33 | 0:32:36 | |
supervisor Jane Oakes is overseeing the night time shift. | 0:32:36 | 0:32:41 | |
Liverpool Street is constantly busy all the time. | 0:32:41 | 0:32:44 | |
They want to go to Camden, the West End, Oxford Street. | 0:32:44 | 0:32:47 | |
Sometimes now they're going to Stratford, to Westfield. | 0:32:47 | 0:32:50 | |
People have things to do and when they want to do those things | 0:32:50 | 0:32:53 | |
they get on a tube. | 0:32:53 | 0:32:55 | |
Please use the full length of the platform. | 0:32:56 | 0:33:00 | |
Allow passengers to alight. Allow passengers to alight. | 0:33:00 | 0:33:03 | |
Towards the end of the evening, a problem occurs on one of the lines. | 0:33:07 | 0:33:12 | |
-WALKIE-TALKIE: -'The line's been taken out. | 0:33:12 | 0:33:14 | |
'I'll let you know if I hear from the driver.' | 0:33:14 | 0:33:17 | |
All I've heard is a train possibly going out of service. | 0:33:17 | 0:33:20 | |
'Yeah, nothing moving on the westbound because of it.' | 0:33:20 | 0:33:26 | |
Appears nothing's moving on the westbound. Let's have a look. | 0:33:26 | 0:33:29 | |
-Be back in a minute. -Excuse me, this train's not in service. | 0:33:29 | 0:33:33 | |
At Farringdon, a few stations down, a piece of track has lost power | 0:33:33 | 0:33:38 | |
and all trains on this line have been suspended. | 0:33:38 | 0:33:41 | |
-There's no moving on this platform. -We've got a problem, mate. | 0:33:41 | 0:33:44 | |
-That's why we've got no trains, yeah? -Metropolitan? -No Metropolitan. | 0:33:44 | 0:33:48 | |
There's a problem on Metro. We have only got eastbound central. | 0:33:48 | 0:33:52 | |
This is when they get kind of angry | 0:33:52 | 0:33:53 | |
cos they're all trying to get the last trains | 0:33:53 | 0:33:56 | |
and it's not happening at the moment so they're going to be delayed. | 0:33:56 | 0:34:00 | |
Unless it's running soon, there'll be angry customers trying to get a bus. | 0:34:00 | 0:34:04 | |
There's no service on this line at all cos there's a track failure at Camden. | 0:34:04 | 0:34:08 | |
The night controller don't know how long it's going to be, | 0:34:08 | 0:34:11 | |
so if you don't go by an alternative route, | 0:34:11 | 0:34:13 | |
you won't get your last trains. | 0:34:13 | 0:34:15 | |
Hammersmith & City line, how am I going to get it? | 0:34:15 | 0:34:17 | |
-Central line, change at Holborn for the Piccadilly. -No, no. | 0:34:17 | 0:34:21 | |
-There's nothing we can do, sir. -Piccadilly don't do shit for me. | 0:34:21 | 0:34:24 | |
I don't fucking... | 0:34:24 | 0:34:26 | |
Get the Central line to Bank and change for King's Cross. | 0:34:26 | 0:34:29 | |
-There's not another train? -Not at the moment. | 0:34:29 | 0:34:32 | |
With nothing moving westbound, | 0:34:32 | 0:34:33 | |
customers are having to find alternative routes home. | 0:34:33 | 0:34:36 | |
We need to get the Northern line but we can't get there now | 0:34:36 | 0:34:39 | |
cos this track ain't even working. | 0:34:39 | 0:34:41 | |
So... we need to try and get home. | 0:34:41 | 0:34:45 | |
And we can't. | 0:34:45 | 0:34:47 | |
If you need assistance, see a member of staff at the top of the stairs, | 0:34:47 | 0:34:50 | |
cos we're trying to get rid of trains and get people off. | 0:34:50 | 0:34:53 | |
If you're going south west London... Anyone for south west London, | 0:34:53 | 0:34:56 | |
-Victoria, Fulham, anywhere like that? -Yeah. -Bus number 11. | 0:34:56 | 0:34:59 | |
We need to go to King's Cross and there's no way to get there. | 0:34:59 | 0:35:03 | |
We don't have time to catch a bus. | 0:35:03 | 0:35:07 | |
At least they could tell people. | 0:35:07 | 0:35:09 | |
-INTERVIEWER: Have you got a train to catch at King's Cross? -No, no, | 0:35:09 | 0:35:13 | |
we're just going to a party, | 0:35:13 | 0:35:16 | |
but it's an important party. We can't miss it. | 0:35:16 | 0:35:19 | |
I can't do nothing right now. I've got no facilities. | 0:35:19 | 0:35:23 | |
The ticket office is shut and I have no computer in my arms to do it. | 0:35:23 | 0:35:27 | |
I can't give you nothing, yeah? Give me one minute, mate. | 0:35:27 | 0:35:29 | |
-Please be patient. -Yeah, but, I'm trying to get through. | 0:35:29 | 0:35:32 | |
-One time, one thing, mate, yeah? -Fuck me. -Wait to the side | 0:35:32 | 0:35:35 | |
then I can help you out, yeah? | 0:35:35 | 0:35:36 | |
-Where are you going to? -Loughton, so can I get through? -OK, please. | 0:35:36 | 0:35:40 | |
Don't swear. You're swearing. | 0:35:43 | 0:35:46 | |
-Yeah, I'm telling you to wait. -Fucking prick. | 0:35:46 | 0:35:51 | |
They want to get to where they're going and if something's in the way | 0:35:51 | 0:35:55 | |
they don't respond well to it, | 0:35:55 | 0:35:57 | |
and especially if it's us having a break down, then we're just useless, | 0:35:57 | 0:36:00 | |
the worst people in the world ever and everything is our fault. | 0:36:00 | 0:36:04 | |
Finally, trains start moving again. | 0:36:07 | 0:36:10 | |
The track failure has only lasted 20 minutes, | 0:36:10 | 0:36:12 | |
but thousands of passengers have been affected. | 0:36:12 | 0:36:15 | |
Many have been stuck in tunnels | 0:36:15 | 0:36:17 | |
and will now miss their mainline rail connections home. | 0:36:17 | 0:36:21 | |
-The transport system is rubbish. -Is it? | 0:36:22 | 0:36:25 | |
Yes, I've just sat for ten minutes on the train | 0:36:25 | 0:36:28 | |
and missed my own mainline train. | 0:36:28 | 0:36:30 | |
Thank you. I appreciate it. Thank you. | 0:36:30 | 0:36:33 | |
'People paid a lot of money for their tickets' | 0:36:36 | 0:36:39 | |
and for what they pay, they expect an immaculate service. | 0:36:39 | 0:36:43 | |
No service is immaculate. | 0:36:43 | 0:36:46 | |
They feel they should get more though. Everyone wants more, innit? | 0:36:46 | 0:36:51 | |
'This station is now closed.' | 0:36:55 | 0:36:57 | |
All last trains have now departed from this station. | 0:36:57 | 0:37:01 | |
It's three o'clock in the morning, and at Neasden depot, | 0:37:11 | 0:37:14 | |
cleaners and mechanics are preparing the fleet for another day's service. | 0:37:14 | 0:37:19 | |
All the guys in depots and maintenance and that, | 0:37:19 | 0:37:21 | |
it's the unseen heroes for me. | 0:37:21 | 0:37:23 | |
It's the middle of the night and they're doing their job | 0:37:23 | 0:37:27 | |
and a lot of people don't see that | 0:37:27 | 0:37:29 | |
and don't understand what goes on when trains aren't running. | 0:37:29 | 0:37:34 | |
As well as the regular maintenance work, | 0:37:34 | 0:37:37 | |
once a week, Doug Jays' team has a special delivery to take charge of. | 0:37:37 | 0:37:43 | |
That's good, Tony. He's going at a nice pace. | 0:37:47 | 0:37:50 | |
The new train from Derby is being delivered to the depot. | 0:37:55 | 0:37:58 | |
That's good. | 0:37:58 | 0:38:00 | |
Pushed all the way by a diesel locomotive. | 0:38:00 | 0:38:04 | |
The circuitous journey has taken over 16 hours. | 0:38:04 | 0:38:07 | |
That's all right. Yeah, that's OK. | 0:38:07 | 0:38:11 | |
OK, take it away, please. | 0:38:23 | 0:38:24 | |
Another one in. | 0:38:26 | 0:38:28 | |
170 to go. | 0:38:28 | 0:38:31 | |
I'll do my walk round now and make sure everything's OK. | 0:38:31 | 0:38:35 | |
Do you receive? Over. | 0:38:35 | 0:38:38 | |
Doug is responsible for checking that the new train | 0:38:38 | 0:38:41 | |
is in complete working order. | 0:38:41 | 0:38:43 | |
'Due to an incident, arrangements are being made | 0:38:43 | 0:38:46 | |
'to transfer passengers from this train to the next station. | 0:38:46 | 0:38:50 | |
'Please remain where you are | 0:38:50 | 0:38:51 | |
'and await instructions from a member of staff.' | 0:38:51 | 0:38:54 | |
If you hear that, they will take you off the train on to the track. | 0:38:54 | 0:38:58 | |
Or if you're on a platform, get you off on to the platform. | 0:38:58 | 0:39:02 | |
'This train and station are now being evacuated. | 0:39:06 | 0:39:09 | |
'Please leave the train and exit the station. | 0:39:09 | 0:39:12 | |
'Follow any instructions given by staff.' | 0:39:12 | 0:39:15 | |
Only one feature from the old model remains completely unchanged. | 0:39:17 | 0:39:21 | |
Yeah, hi. | 0:39:21 | 0:39:23 | |
WHISTLE BLOWS | 0:39:23 | 0:39:25 | |
We have a standard whistle across the underground. | 0:39:25 | 0:39:29 | |
It's been with us for as long as I can remember. | 0:39:29 | 0:39:32 | |
It's a brass moulding, just like an old fashioned whistle, really. | 0:39:32 | 0:39:36 | |
You could probably use steam through it. We just put air through it. | 0:39:36 | 0:39:40 | |
WHISTLE BLOWS | 0:39:40 | 0:39:41 | |
'Testing, one, two, three, four, five.' | 0:39:41 | 0:39:45 | |
In just a few days time, | 0:39:45 | 0:39:47 | |
this train will begin its life of service on the Metropolitan line. | 0:39:47 | 0:39:50 | |
-I'm losing you, Steve. -'Two, three, four, five.' -That's it. Keep going. | 0:39:50 | 0:39:55 | |
'This is planned to be with us for 40 years.' | 0:39:55 | 0:39:58 | |
It's got a life coming to it, but hopefully it will withstand it. | 0:39:58 | 0:40:02 | |
We'll carry millions. | 0:40:02 | 0:40:04 | |
People being sick, people being ill, | 0:40:04 | 0:40:06 | |
people having parties on it at Christmas. | 0:40:06 | 0:40:09 | |
But it will certainly be running long, long after most of us | 0:40:09 | 0:40:12 | |
have retired and made old bones. | 0:40:12 | 0:40:15 | |
For every new train that comes into the depot, one of the old stock | 0:40:15 | 0:40:18 | |
is taken out of service and sent away to be scrapped. | 0:40:18 | 0:40:22 | |
I just wonder if you can help me. | 0:40:52 | 0:40:54 | |
I believe I may have left a novel on the train this morning. | 0:40:54 | 0:40:57 | |
I just wonder if you can check if it's been handed in this morning. | 0:40:57 | 0:41:00 | |
-Right, I'll see. What was the novel called? -The Associate. | 0:41:00 | 0:41:04 | |
John Grisham novel. | 0:41:04 | 0:41:05 | |
Every day on the underground, | 0:41:05 | 0:41:08 | |
over 1,000 people accidentally leave something behind. | 0:41:08 | 0:41:12 | |
All the lost items come here | 0:41:22 | 0:41:24 | |
to a basement underneath the lost property office at Baker Street. | 0:41:24 | 0:41:28 | |
It's different every day. You just don't know what's coming. | 0:41:30 | 0:41:33 | |
That's a rucksack, obviously. | 0:41:33 | 0:41:35 | |
iPhone is quite common now cos everyone's got one. | 0:41:35 | 0:41:39 | |
iPads. You wouldn't believe how many iPads we get. | 0:41:39 | 0:41:42 | |
iPad 2 come out, I think it got released on a Thursday or something, | 0:41:42 | 0:41:46 | |
whatever day it got released. | 0:41:46 | 0:41:48 | |
By the next Monday, we had two of them. | 0:41:48 | 0:41:51 | |
Handbags is a nightmare. | 0:41:51 | 0:41:54 | |
That's the worst. It's crazy. | 0:41:54 | 0:41:56 | |
I don't want to say anything about women, but, wow. | 0:41:56 | 0:42:00 | |
Some of the things we see in handbags. | 0:42:00 | 0:42:03 | |
Knickers that have been worn. It's just not cool. | 0:42:03 | 0:42:06 | |
I found, like, a broken crack pipe, I think, which, | 0:42:06 | 0:42:12 | |
when you saw the Oyster card, it was, like, an elderly lady. | 0:42:12 | 0:42:16 | |
I don't know how that works. People do some crazy things. | 0:42:16 | 0:42:21 | |
40 full time staff work at the lost property office, | 0:42:23 | 0:42:27 | |
looking after everything that London loses. | 0:42:27 | 0:42:29 | |
Wallets and purses on this side. | 0:42:29 | 0:42:33 | |
Keys. | 0:42:33 | 0:42:35 | |
On this side is your ops, your sunglasses, glasses. | 0:42:35 | 0:42:39 | |
Handbags, school bags | 0:42:39 | 0:42:42 | |
and small briefcases, attache cases and that. | 0:42:42 | 0:42:46 | |
Lunch boxes and make-up bags. | 0:42:46 | 0:42:49 | |
Buggies, we got them all over the place. | 0:42:49 | 0:42:52 | |
Mobile phones on this side. | 0:42:53 | 0:42:56 | |
That's an awful lot of mobile phones. | 0:42:56 | 0:43:00 | |
We've had 10,421 mobiles since April. | 0:43:00 | 0:43:05 | |
MOBILE PHONE RINGS | 0:43:05 | 0:43:07 | |
Some of them are still switched on, as you can hear! | 0:43:07 | 0:43:10 | |
Sometimes in a morning and there's alarms going off everywhere. | 0:43:10 | 0:43:13 | |
It scares you. | 0:43:13 | 0:43:14 | |
At any one time, | 0:43:14 | 0:43:16 | |
the basement at Baker Street holds 200,000 items of lost property. | 0:43:16 | 0:43:20 | |
This is something that come in. | 0:43:28 | 0:43:30 | |
We nearly sent this to charity, which would have been funny. | 0:43:30 | 0:43:34 | |
Samurai swords. | 0:43:34 | 0:43:36 | |
-Any embarrassing objects? -We had a couple. They'd been on holiday. | 0:43:36 | 0:43:40 | |
Opened the suitcase up and everything imaginable was in there. | 0:43:40 | 0:43:45 | |
Big ones, small ones, fat ones, thin ones. Gimp masks, the lot! | 0:43:45 | 0:43:49 | |
Did they come back and claim it? | 0:43:49 | 0:43:52 | |
Yeah, I think the guy sent his missus in for it, | 0:43:52 | 0:43:55 | |
cos there's no way I would have come in for it without wearing a mask. | 0:43:55 | 0:44:00 | |
Upstairs, it's the job of the front-of-house staff | 0:44:00 | 0:44:03 | |
to deal with the bereft customers. | 0:44:03 | 0:44:07 | |
I lost something on Sunday night. | 0:44:07 | 0:44:09 | |
All the things is some document. | 0:44:09 | 0:44:12 | |
-Like in a folder? -In a folder and in Chinese. | 0:44:12 | 0:44:15 | |
-Oh, so the documents in this folder are in Chinese? -Yes, right. | 0:44:15 | 0:44:19 | |
I'm inquiring whether something of mine has been found. | 0:44:19 | 0:44:22 | |
A computer carrier case like this. But there wasn't one in it. | 0:44:22 | 0:44:27 | |
I lost my wallet about a month ago now. | 0:44:27 | 0:44:30 | |
I had very shallow pockets that day and it just plum fell out. | 0:44:30 | 0:44:34 | |
Mr Speed? | 0:44:34 | 0:44:35 | |
And every day, | 0:44:35 | 0:44:37 | |
over 300 people are reunited with their precious belongings. | 0:44:37 | 0:44:41 | |
Ah, there it is. Memory stick. That was the important thing. | 0:44:41 | 0:44:45 | |
It's just my bag. It had my glasses in it. | 0:44:45 | 0:44:48 | |
A bit of a struggle navigating London cos I don't know the area, | 0:44:48 | 0:44:51 | |
so trying to see signs on the tube and in the street, | 0:44:51 | 0:44:54 | |
it's not been the easiest for me. | 0:44:54 | 0:44:56 | |
It's like seeing everything in HD. | 0:44:59 | 0:45:01 | |
What's in the bag? | 0:45:02 | 0:45:04 | |
Radio-controlled cars and a radio-controlled transmitter. | 0:45:04 | 0:45:07 | |
These are the cars. | 0:45:07 | 0:45:09 | |
There's like £400 here, so... | 0:45:09 | 0:45:12 | |
It was a huge loss. | 0:45:12 | 0:45:14 | |
My iPod, and I love my iPod. | 0:45:14 | 0:45:19 | |
I was getting off a train at Green Park to change | 0:45:19 | 0:45:23 | |
and the train lurched and I had two bags in my hand - | 0:45:23 | 0:45:26 | |
one had the iPod and my French book in there, to do my lessons, | 0:45:26 | 0:45:29 | |
and the other had my other thing, and when I got off, I realised | 0:45:29 | 0:45:33 | |
that with the lurching of the train, I had dropped the one bag. | 0:45:33 | 0:45:37 | |
-And the doors had just shut. -Oh, no! | 0:45:37 | 0:45:40 | |
So I knew immediately, you see. I couldn't get back on. | 0:45:40 | 0:45:43 | |
-Here's your bag. You check it. -Yeah, thank you. | 0:45:43 | 0:45:46 | |
I told you it wouldn't be. Somebody stole the iPod. | 0:45:46 | 0:45:49 | |
Well, they would, wouldn't they? | 0:45:49 | 0:45:51 | |
I've got the book. | 0:45:51 | 0:45:52 | |
Thank you. | 0:45:54 | 0:45:56 | |
At Ladbroke Grove station, | 0:46:05 | 0:46:08 | |
Ben and James are investigating another persistent fare-evader. | 0:46:08 | 0:46:12 | |
Since the Underground introduced Oyster cards | 0:46:12 | 0:46:15 | |
as a new method of paying for travel, | 0:46:15 | 0:46:18 | |
customers have discovered new ways of scamming the system. | 0:46:18 | 0:46:21 | |
We've come down, we need to have a look at some CCTV | 0:46:25 | 0:46:28 | |
and try to identify someone who's using this station. | 0:46:28 | 0:46:32 | |
It's Ben's speciality. | 0:46:32 | 0:46:34 | |
Why is it? | 0:46:35 | 0:46:37 | |
What James means is he's not very good with computers. | 0:46:37 | 0:46:40 | |
I know how to turn it on. | 0:46:40 | 0:46:41 | |
A central database records the activity | 0:46:41 | 0:46:44 | |
of all seven million Oyster cards currently in use across the city. | 0:46:44 | 0:46:48 | |
The data is carefully controlled and only held for eight weeks. | 0:46:48 | 0:46:51 | |
Suspicious patterns of use are passed on to the revenue department. | 0:46:51 | 0:46:54 | |
This is a recent report, that was given to us yesterday, wasn't it? | 0:46:54 | 0:47:00 | |
The database gives information about where and when | 0:47:00 | 0:47:03 | |
the suspect Oyster card was used, but not who was using it. | 0:47:03 | 0:47:07 | |
They need to search CCTV footage to match the card to its user. | 0:47:07 | 0:47:12 | |
On 5th August, | 0:47:12 | 0:47:14 | |
the person we're looking for came in at Ladbroke Grove at 16:28. | 0:47:14 | 0:47:20 | |
So now what we'll do is we'll look at 5th August for that specific gate, | 0:47:20 | 0:47:24 | |
gate number 41 and 42, at Ladbroke Grove, | 0:47:24 | 0:47:27 | |
and see if we can identify the person who's doing it. | 0:47:27 | 0:47:30 | |
-No idea what they look like? -Absolutely none. Could be a male, | 0:47:30 | 0:47:34 | |
-could be female. -Sorry, James. Just got it. -OK. | 0:47:34 | 0:47:38 | |
-Who are we looking at? The guy in blue? -Yeah, | 0:47:38 | 0:47:40 | |
the guy in a blue T-shirt, big headphones on. | 0:47:40 | 0:47:43 | |
He's touching in on the entry gate with an Oyster card. | 0:47:43 | 0:47:46 | |
He goes in through that gate. | 0:47:46 | 0:47:48 | |
-Watch the paddles on the way out. -He's turning, | 0:47:48 | 0:47:50 | |
and he's reaching towards the way-out Oyster card reader. | 0:47:50 | 0:47:53 | |
He touches on there and this gate is seen to open, | 0:47:53 | 0:47:56 | |
so he's touched in and then touched out, and now he turns | 0:47:56 | 0:48:00 | |
away from the gate and comes up the stairs towards the platform. | 0:48:00 | 0:48:03 | |
By touching the entry and then the exit reader at the same station, | 0:48:03 | 0:48:08 | |
the customer fools the Oyster system into not charging him | 0:48:08 | 0:48:10 | |
the full amount for his journey. | 0:48:10 | 0:48:12 | |
So he should be walking up the stairs towards this camera. | 0:48:14 | 0:48:17 | |
Let's hope so. Here he comes. | 0:48:17 | 0:48:20 | |
He's smiling. Busted. | 0:48:20 | 0:48:23 | |
Do you think they know that you can see them? | 0:48:23 | 0:48:26 | |
No. | 0:48:26 | 0:48:27 | |
No. Most people are not aware that all their movements | 0:48:28 | 0:48:32 | |
with Oyster are recorded and kept. | 0:48:32 | 0:48:35 | |
Now they have a face and a regular pattern of travel, | 0:48:35 | 0:48:39 | |
Ben and James will return to Ladbroke Grove | 0:48:39 | 0:48:41 | |
to try and find the customer. | 0:48:41 | 0:48:44 | |
If we come down to try and intercept him, | 0:48:44 | 0:48:46 | |
I bet he's wearing the same big red headphones. | 0:48:46 | 0:48:48 | |
If you listen to music on the train, you'll do that... | 0:48:48 | 0:48:51 | |
-..all the time. -Yeah, as a habit. | 0:48:51 | 0:48:54 | |
On the Metropolitan Line, | 0:48:58 | 0:49:01 | |
the new train from Derby is almost ready for service. | 0:49:01 | 0:49:04 | |
It's being given a final test run. | 0:49:04 | 0:49:08 | |
For the train operators who work on this line, | 0:49:08 | 0:49:11 | |
new trains mean learning to drive all over again. | 0:49:11 | 0:49:14 | |
I say it's like a new mobile phone, you know? | 0:49:14 | 0:49:17 | |
Once you get used to it, they're very easy. I find them great. | 0:49:17 | 0:49:22 | |
Joe Breslin is one of a team of instructors | 0:49:22 | 0:49:26 | |
coaching all 303 Metropolitan drivers | 0:49:26 | 0:49:29 | |
on how to handle these state-of-the-art machines. | 0:49:29 | 0:49:32 | |
All right, then. Just take your time. | 0:49:32 | 0:49:35 | |
VOICE OVER RADIO - INDISTINCT | 0:49:35 | 0:49:37 | |
-VOICE OVER RADIO: -'...west-bound at this time. | 0:49:37 | 0:49:40 | |
'A slight delay while we divert a defective train into Margate Bay Road...' | 0:49:40 | 0:49:45 | |
Some gentlemen retired early because they were too scared of this train. | 0:49:45 | 0:49:51 | |
They decided it was their time to go. | 0:49:51 | 0:49:53 | |
Some of our drivers have been on the line for 40-odd years, you know? | 0:49:53 | 0:49:57 | |
And having to go back to school and learn all over again. | 0:49:57 | 0:50:00 | |
They decided not to. They cashed in their chips and left. | 0:50:00 | 0:50:04 | |
TRAIN TOOTS | 0:50:04 | 0:50:06 | |
Unlike the old models, just one control runs these trains, | 0:50:06 | 0:50:10 | |
setting the speed and activating the brakes. | 0:50:10 | 0:50:13 | |
Known as the dead man's handle, the driver must keep hold of it | 0:50:13 | 0:50:16 | |
at all times, or the train will automatically stop. | 0:50:16 | 0:50:20 | |
OK, you're stopping... | 0:50:20 | 0:50:22 | |
The new trains are also two metres longer | 0:50:22 | 0:50:25 | |
and lining them up on the platforms isn't easy. | 0:50:25 | 0:50:28 | |
Spot-on, you're in. These trains are much more advanced. | 0:50:28 | 0:50:32 | |
They'll help you along. If you've got a problem it'll tell you. | 0:50:32 | 0:50:35 | |
Technology wise, it's light years ahead. | 0:50:35 | 0:50:39 | |
The old train is like a dragon. | 0:50:39 | 0:50:42 | |
You can hear it breathe and sigh and make noises and bang around. | 0:50:42 | 0:50:45 | |
This one seems to...just be quiet. | 0:50:45 | 0:50:49 | |
This is nice. It's the way of the future, man. | 0:50:50 | 0:50:53 | |
At £8 million a train, | 0:50:53 | 0:50:56 | |
the new fleet is costing London Underground £1.5 billion. | 0:50:56 | 0:51:00 | |
Quite expensive. | 0:51:01 | 0:51:03 | |
If you look at the Underground itself, it's 100 years old plus. | 0:51:03 | 0:51:07 | |
It has to continuously... | 0:51:07 | 0:51:09 | |
You have to decide what you want. Either you want to run a... | 0:51:09 | 0:51:13 | |
-a railway or not. -Passenger numbers are increasing every year. -Yep. | 0:51:13 | 0:51:18 | |
The Olympics coming up. | 0:51:18 | 0:51:19 | |
I think we carry something like 20... | 0:51:19 | 0:51:22 | |
Is it 24 million customers a week? | 0:51:22 | 0:51:25 | |
Let's just say, "Let's not spend any more money," and the whole thing will just fall apart. | 0:51:25 | 0:51:30 | |
In their office next to Baker Street station, | 0:51:41 | 0:51:43 | |
Ben and James are on the trail of the man with the red headphones. | 0:51:43 | 0:51:47 | |
How long is it going to take him to go from Homerton | 0:51:47 | 0:51:50 | |
-to Highbury and Islington and from there to King's Cross? -It should take about 20 to 25 minutes. | 0:51:50 | 0:51:56 | |
Right, he's going to have to be somewhere along the line | 0:51:56 | 0:51:59 | |
-or at Ladbroke Grove. -Yep. | 0:51:59 | 0:52:01 | |
We're just sort of debating our best tactics | 0:52:01 | 0:52:04 | |
for catching up with the user of this Oyster card. | 0:52:04 | 0:52:06 | |
It's been fairly consistent for the last three weeks | 0:52:06 | 0:52:09 | |
that they've made the journey starting in the Homerton, Hackney area | 0:52:09 | 0:52:13 | |
at around about 7:15 to 7:40, and exiting Ladbroke Grove | 0:52:13 | 0:52:19 | |
any time before just before 8:00 till about 8:30. | 0:52:19 | 0:52:22 | |
Ben is monitoring the Oyster system. | 0:52:25 | 0:52:28 | |
When the customer begins his journey at Homerton, | 0:52:28 | 0:52:31 | |
they'll head to Ladbroke Grove, hoping to intercept him. | 0:52:31 | 0:52:34 | |
OK in Homerton, 7:40. | 0:52:34 | 0:52:36 | |
So we need to get moving. | 0:52:36 | 0:52:40 | |
We actually can't show you the way that we normally get down there. | 0:52:40 | 0:52:43 | |
We have these, like, poles. | 0:52:43 | 0:52:45 | |
-RESEARCHER LAUGHS -But... | 0:52:45 | 0:52:49 | |
I'm just getting on the train now. I'm on my way there. | 0:52:51 | 0:52:54 | |
I'll be there in about ten minutes, | 0:52:54 | 0:52:56 | |
but we know the individual we're looking for | 0:52:56 | 0:52:58 | |
is definitely on his way there. | 0:52:58 | 0:53:00 | |
Three units down there already. | 0:53:01 | 0:53:03 | |
The customer's destination is only ten minutes away, | 0:53:05 | 0:53:07 | |
allowing Ben and James to get into position before he arrives. | 0:53:07 | 0:53:12 | |
-You're wearing the same outfits again. -Yeah. | 0:53:14 | 0:53:18 | |
He's a higher rank. He has three stripes. He's a sergeant. | 0:53:18 | 0:53:22 | |
I'm only a corporal. | 0:53:22 | 0:53:23 | |
-OK. -Just have a look at the loading. | 0:53:28 | 0:53:30 | |
-Let's have a little look. -I'll just wait along here, Ben. -Yeah, yeah. | 0:53:30 | 0:53:34 | |
Spotting their man at the station is going to be a long shot. | 0:53:34 | 0:53:37 | |
Although they're certain that his card has touched into the system, there's no guarantee | 0:53:37 | 0:53:42 | |
he'll come to his usual station or that they'll see him in the crowds. | 0:53:42 | 0:53:47 | |
-Want to check them all? -Yeah, they're all all right. | 0:53:47 | 0:53:51 | |
In the images we've got of him, he's wearing big red headphones. | 0:53:51 | 0:53:55 | |
If it's too busy, Ben, anyone who looks similar, we'll do a stop on. | 0:54:01 | 0:54:06 | |
All right? | 0:54:06 | 0:54:08 | |
Hello, sir. Ticket inspector for London Underground. | 0:54:10 | 0:54:14 | |
Could I just check your Oyster card, please? Thanks, mate. | 0:54:14 | 0:54:17 | |
OK. Yeah, can you just take your Oyster card out? | 0:54:17 | 0:54:20 | |
I just want to check it's the Oyster card that I want to find. | 0:54:20 | 0:54:24 | |
-Watch it - you're going to drop money. -Yeah, it is this one. OK. | 0:54:26 | 0:54:29 | |
-Where have you travelled from this morning? -Homerton. -OK. | 0:54:29 | 0:54:33 | |
-Have you got any other tickets that you're using today? -No. -OK. | 0:54:33 | 0:54:36 | |
-I need to get your name and address. -Why's that? | 0:54:36 | 0:54:39 | |
Because I'm investigating suspected offences using this Oyster card. | 0:54:39 | 0:54:43 | |
I gave my Oyster card to my friend to use as well. | 0:54:43 | 0:54:45 | |
-You shouldn't be doing that. -If I'm not going on the train | 0:54:45 | 0:54:48 | |
-and he wants to use it... -No. -It's not transferable. | 0:54:48 | 0:54:51 | |
I think you know this Oyster card hasn't been used correctly | 0:54:51 | 0:54:54 | |
and that's why you're trying to say someone else has been using it. | 0:54:54 | 0:54:57 | |
-OK. -Is that right? -That's not right. -OK. | 0:54:57 | 0:55:00 | |
Shall we move back from the platform edge? | 0:55:00 | 0:55:02 | |
At the moment he's saying he lost the card and someone else had it | 0:55:02 | 0:55:06 | |
but he won't tell Ben who it was but the CCTV and everything else that | 0:55:06 | 0:55:09 | |
we've got proves totally different to that, so we'll see how we go. | 0:55:09 | 0:55:13 | |
What you normally do is you touch in at Homerton, | 0:55:13 | 0:55:16 | |
then you immediately touch out at Homerton, | 0:55:16 | 0:55:19 | |
and then you get on the train | 0:55:19 | 0:55:21 | |
and then the next time you touch out is here at Ladbroke Grove. | 0:55:21 | 0:55:23 | |
-You remember doing that? -So, is that a bad thing, then? | 0:55:23 | 0:55:26 | |
-Sorry? -Is that a bad thing? -Yes. | 0:55:26 | 0:55:29 | |
Basically, there's no reason for doing what you're doing | 0:55:29 | 0:55:31 | |
unless you know it saves you money by avoiding paying for Zone One. | 0:55:31 | 0:55:35 | |
-There's no explanation for doing that. -I've answered your question the best as I can. | 0:55:35 | 0:55:40 | |
I've been naive. I was silly. Check my record. I'm a clean boy. | 0:55:40 | 0:55:43 | |
I've been to university. I've done all of that. | 0:55:43 | 0:55:46 | |
POLICEMAN SPEAKS - INDISTINCT | 0:55:46 | 0:55:48 | |
You've got at least a £10 note in your wallet. I saw that. | 0:55:48 | 0:55:51 | |
The customer eventually gives his details | 0:55:51 | 0:55:53 | |
and is later prosecuted in court and fined £110 plus costs. | 0:55:53 | 0:55:58 | |
I have more sympathy with people that really can't afford it | 0:55:58 | 0:56:01 | |
and are just doing it because they... | 0:56:01 | 0:56:03 | |
They're honest with you and they say, "I just can't afford it. It's too expensive." | 0:56:03 | 0:56:07 | |
Compared to someone who you deal with and you know pretty well that they can afford it, but they just... | 0:56:07 | 0:56:12 | |
Personal greed - they want to save money. | 0:56:12 | 0:56:15 | |
It looks good. "Love hurts more than hate." | 0:56:31 | 0:56:34 | |
It is a lot of love. It's Friday, the weekend. People might feel happy. | 0:56:34 | 0:56:38 | |
Hello? | 0:56:41 | 0:56:43 | |
-Hi. I'm from St Pancras... -Yes? | 0:56:43 | 0:56:46 | |
I paid £3.70. | 0:56:46 | 0:56:49 | |
Right. The fares did go up. | 0:56:49 | 0:56:51 | |
Since I've been working here they've been gone up every year | 0:56:51 | 0:56:54 | |
but people still pay it. | 0:56:54 | 0:56:57 | |
They have to get around London somehow. The quickest route is the Underground. | 0:56:57 | 0:57:02 | |
The new trains, they're fantastic. They're bigger, they're spacious, they're well lit. | 0:57:10 | 0:57:15 | |
-It's better than before, definitely. -It's the best. The best, definitely. | 0:57:15 | 0:57:19 | |
I think it's cleaner. | 0:57:19 | 0:57:22 | |
It's smarter. | 0:57:22 | 0:57:24 | |
But it wobbles a bit. | 0:57:24 | 0:57:25 | |
Yeah, they do look different. | 0:57:28 | 0:57:29 | |
They look streamlined and they look acceptable. | 0:57:29 | 0:57:33 | |
A train is a train. | 0:57:33 | 0:57:35 | |
Once you've seen one train, you've seen them all, basically! | 0:57:35 | 0:57:39 | |
Good morning, revenue control. | 0:57:41 | 0:57:43 | |
Tickets and passes, please. Thank you very much. | 0:57:43 | 0:57:46 | |
If you don't touch in, or touch out, it is a penalty today, of £25. | 0:57:46 | 0:57:51 | |
They get caught in the end. They all get caught in the end. | 0:57:51 | 0:57:54 | |
And we tend to think, "Oh, horrible place, horrible people." | 0:57:54 | 0:57:58 | |
But it isn't! | 0:57:58 | 0:58:00 | |
I think the majority of Londoners are nice people, | 0:58:00 | 0:58:03 | |
they're honest people. | 0:58:03 | 0:58:05 | |
This is definitely the best city in the world. | 0:58:05 | 0:58:08 | |
Subtitles by Red Bee Media Ltd | 0:58:30 | 0:58:33 |