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'Contains some strong language and some scenes which some viewers may find upsetting.' | 0:00:02 | 0:00:06 | |
Below London's streets exists another world. | 0:00:06 | 0:00:09 | |
The madness is my swimming pool. I'm at home in that kind of water. | 0:00:10 | 0:00:14 | |
Every day, 20,000 workers | 0:00:15 | 0:00:18 | |
struggle to keep four million people on the move. | 0:00:18 | 0:00:21 | |
There's a customer asleep on the platform. Get him on a train. | 0:00:23 | 0:00:26 | |
And it's not easy when the Tube is undergoing the biggest upgrade in its history. | 0:00:26 | 0:00:30 | |
You've got five minutes. I want this site cleared! | 0:00:30 | 0:00:34 | |
Now cameras will reveal an underground world we've never fully seen before. | 0:00:34 | 0:00:39 | |
10,421 mobiles since April. | 0:00:39 | 0:00:42 | |
Listen to what I'm saying, pay as you go. | 0:00:42 | 0:00:45 | |
You just went. | 0:00:45 | 0:00:47 | |
This guy running up the stairs, you need to stop him. | 0:00:47 | 0:00:52 | |
'We're just the underground part of the city.' | 0:00:53 | 0:00:55 | |
London comes down here every single day. | 0:00:55 | 0:00:59 | |
It is part of their world. | 0:00:59 | 0:01:01 | |
It is part of everyone's world. | 0:01:01 | 0:01:02 | |
I love you. | 0:01:02 | 0:01:05 | |
There's always one. | 0:01:17 | 0:01:19 | |
Every day at 5:00am, 600 drivers clock on at 15 depots across London. | 0:01:19 | 0:01:24 | |
This is a test. Testing, one, two, three, three, two, one. | 0:01:24 | 0:01:28 | |
Dylan Glenister is picking up his train | 0:01:29 | 0:01:31 | |
at the west end of the Piccadilly Line at Acton. | 0:01:31 | 0:01:34 | |
OK, this train is ready to depart. | 0:01:34 | 0:01:37 | |
Stand clear of this train, please. | 0:01:37 | 0:01:40 | |
That's just for the benefit of any cleaners or anything that might be about to jump out. | 0:01:40 | 0:01:44 | |
As you can see, it's absolutely creeping along at the moment | 0:01:47 | 0:01:50 | |
because this one carriage is trying to pull all the others... | 0:01:50 | 0:01:53 | |
and now you can hear it go back on-line again. | 0:01:53 | 0:01:55 | |
Here we go, off and away. | 0:01:55 | 0:01:58 | |
It's a great job, it really is. | 0:01:58 | 0:02:01 | |
It is one of those jobs where you wake up in the morning | 0:02:01 | 0:02:04 | |
and you don't resent the fact that you have to go into work. | 0:02:04 | 0:02:07 | |
It's not a case of, "Oh, God, I've got to go and drive trains all day." It's, "Cup of tea and go to work." | 0:02:07 | 0:02:12 | |
It's nice to be part of the bigger picture of the Underground. It's the lifeblood of London. | 0:02:12 | 0:02:17 | |
Train's ready to depart. Mind the closing doors, please. | 0:02:18 | 0:02:21 | |
London Underground employ 3,200 drivers, | 0:02:23 | 0:02:26 | |
each one dedicated to one of the eleven lines. | 0:02:26 | 0:02:30 | |
It's one of these jobs I don't think everyone could do. | 0:02:30 | 0:02:33 | |
You've got to be...in a way, be able to deal with your own company. | 0:02:33 | 0:02:37 | |
Hello! | 0:02:37 | 0:02:40 | |
-Hi, honey! -Good morning, madam(!) | 0:02:40 | 0:02:43 | |
You can sit here and be bored if you want | 0:02:43 | 0:02:46 | |
or you can get on with it, enjoy it and talk to people. | 0:02:46 | 0:02:49 | |
I've been doing it a while now. | 0:02:49 | 0:02:51 | |
It's been about 31 years so... | 0:02:51 | 0:02:55 | |
I've seen quite a few things. | 0:02:55 | 0:02:58 | |
Some good, some bad. | 0:02:59 | 0:03:00 | |
It's not what we do that we get paid for. | 0:03:00 | 0:03:03 | |
Probably most people can drive a train. | 0:03:03 | 0:03:06 | |
It's knowing what to do when it all goes very badly wrong. | 0:03:06 | 0:03:09 | |
And it can go so easily wrong. | 0:03:09 | 0:03:11 | |
It can be dangerous and the things you see people do... | 0:03:11 | 0:03:15 | |
It's mind-boggling, some of the things - some people leave their brain outside. | 0:03:15 | 0:03:19 | |
Every year there are 4,000 incidents | 0:03:22 | 0:03:24 | |
of passengers being injured on the Tube. | 0:03:24 | 0:03:27 | |
2,500 involve people falling down stairs and escalators. | 0:03:27 | 0:03:32 | |
Nearly 500 happen on platforms, | 0:03:32 | 0:03:35 | |
including 40 serious accidents involving trains. | 0:03:35 | 0:03:39 | |
The Network Operations Centre responds to all emergencies | 0:03:42 | 0:03:46 | |
across the 274 stations and 526 trains. | 0:03:46 | 0:03:51 | |
OK, we've got a male, 49, conscious, breathing and not all that alert. | 0:03:51 | 0:03:55 | |
Our primary role is command and control function. | 0:03:55 | 0:03:58 | |
We come into things when things go wrong. | 0:03:58 | 0:04:01 | |
He suspects he's having a heart attack. | 0:04:01 | 0:04:03 | |
It's either abject boredom or organised chaos. | 0:04:03 | 0:04:06 | |
There's nothing happening and everything's quiet | 0:04:06 | 0:04:10 | |
and then someone's thrown themselves in front of a train. | 0:04:10 | 0:04:13 | |
A person under a train is commonly referred to | 0:04:13 | 0:04:16 | |
as a "one under" by Tube staff. | 0:04:16 | 0:04:17 | |
It's the most distressing and disruptive incident the network has to face. | 0:04:17 | 0:04:22 | |
The Network Operations Centre have their own emergency response units | 0:04:29 | 0:04:33 | |
covering the entire Tube system 24 hours a day. | 0:04:33 | 0:04:36 | |
Two small air bags, two large air bags. | 0:04:36 | 0:04:40 | |
Two hammers, large bolt cutters. | 0:04:40 | 0:04:43 | |
There are four emergency response centres across the city. | 0:04:43 | 0:04:46 | |
The busiest cover central and northern London. | 0:04:46 | 0:04:49 | |
Tube stops gate frame, four wheels. | 0:04:49 | 0:04:53 | |
We're doing our daily checks. | 0:04:53 | 0:04:56 | |
We've just started our shift so we generally like to come in, | 0:04:56 | 0:05:02 | |
go through all the vehicles, all the equipment... | 0:05:02 | 0:05:04 | |
Watch out for this, Paul. | 0:05:04 | 0:05:07 | |
Any emergency on the Underground, | 0:05:07 | 0:05:09 | |
anything that could put passengers in danger, | 0:05:09 | 0:05:12 | |
we basically get called out to. | 0:05:12 | 0:05:14 | |
A set of burning hoses, burning box, skate bag, TSR bag. | 0:05:14 | 0:05:18 | |
We're a longstanding team. | 0:05:18 | 0:05:20 | |
We've been together for probably about ten years now. | 0:05:20 | 0:05:23 | |
There's not a lot that can shock us. | 0:05:23 | 0:05:26 | |
Two body bags. | 0:05:26 | 0:05:29 | |
Let's hope we don't need them both today. | 0:05:29 | 0:05:31 | |
PHONE RINGS | 0:05:37 | 0:05:39 | |
-Hello. -Hi, it's Theresa. Who's that? | 0:05:39 | 0:05:41 | |
-It's John. -John, we've got a "one under" northbound, Northern Line. | 0:05:41 | 0:05:45 | |
-Northbound, Northern Line? -Yes. -OK, my love. -Thank you. | 0:05:45 | 0:05:49 | |
The Emergency Response Unit have been called to help deal with a woman who has been hit by a train. | 0:05:51 | 0:05:56 | |
There's not a lot there, is there? | 0:06:00 | 0:06:03 | |
There's a shoe. And there's... I don't know what that paper is down there. | 0:06:03 | 0:06:08 | |
Just so that we can clear all that up, if we can get the juice off...five or ten minutes. | 0:06:08 | 0:06:13 | |
A lady had fallen down or jumped, we don't know, | 0:06:13 | 0:06:17 | |
down between, stuck between the train and the platform edge. | 0:06:17 | 0:06:21 | |
On our arrival, the fire brigade had just released her, so... | 0:06:21 | 0:06:25 | |
that's all that we know. | 0:06:25 | 0:06:27 | |
The woman is 20 years old and has been taken to hospital in a critical condition. | 0:06:28 | 0:06:33 | |
-Have you got a time that the body was actually out? -Yeah, just come up here. | 0:06:33 | 0:06:37 | |
Every year, the Emergency Response Unit deal with around 40 people | 0:06:37 | 0:06:41 | |
who have fallen or jumped in front of a train. | 0:06:41 | 0:06:43 | |
About half don't survive. | 0:06:43 | 0:06:46 | |
Even though this is an unexpected incident, er... | 0:06:47 | 0:06:51 | |
it's not out of our remit. | 0:06:51 | 0:06:55 | |
It's something we do, not every day, but when it occurs, | 0:06:55 | 0:06:59 | |
and we have to deal with it. | 0:06:59 | 0:07:01 | |
Northern Line driver Peter Capper is one of London Underground's trauma-trained counsellors. | 0:07:07 | 0:07:13 | |
He's been taken off his shift and called to attend the scene. | 0:07:13 | 0:07:18 | |
It's not like a car, bus, or anything like that. | 0:07:18 | 0:07:21 | |
You can't swerve to avoid. You're stuck on rails. | 0:07:21 | 0:07:24 | |
All you can do is try and stop. | 0:07:24 | 0:07:26 | |
The weight of one of these, especially when it's fully laden, you're not going to stop it in time. | 0:07:26 | 0:07:31 | |
-This is the trauma support... -Hello, mate, I'm Peter. | 0:07:33 | 0:07:37 | |
Peter, nice to see you. | 0:07:37 | 0:07:38 | |
Peter has come to counsel the driver who was involved in the incident. | 0:07:38 | 0:07:43 | |
I've come close a few times and this weren't nice, but she's survived, innit. | 0:07:43 | 0:07:48 | |
Yeah, but it's liable that it could be a couple of days down the line, a couple of weeks... | 0:07:48 | 0:07:54 | |
This was a bit... | 0:07:54 | 0:07:56 | |
-a bit shaky. -You will be, mate. | 0:07:56 | 0:07:59 | |
It definitely was, because it was a bloody shock. | 0:07:59 | 0:08:02 | |
-At the moment you're going to have adrenaline running. -That's gone. | 0:08:02 | 0:08:06 | |
-It will kick in. -Nah, it's gone. | 0:08:06 | 0:08:08 | |
HE LAUGHS | 0:08:08 | 0:08:09 | |
Customer service assistant Siobhan French | 0:08:09 | 0:08:12 | |
was the first person to get to the woman under the train. | 0:08:12 | 0:08:16 | |
If you want to see anyone, we can arrange for you to have counselling or anything like that. | 0:08:16 | 0:08:22 | |
I know it wasn't a nice experience for you. | 0:08:22 | 0:08:25 | |
-I'll be OK. -It is the nature of the job. | 0:08:25 | 0:08:28 | |
-Definitely. -Unfortunately. You been on the job long? | 0:08:28 | 0:08:31 | |
-Erm, four years. -Four years? So it's your first incident? | 0:08:31 | 0:08:35 | |
The train was halfway pulled into the platform, | 0:08:35 | 0:08:39 | |
and I saw a body... | 0:08:39 | 0:08:41 | |
..underneath the train. | 0:08:43 | 0:08:45 | |
The top half of her torso was leaning onto the platform, erm, | 0:08:45 | 0:08:50 | |
so I was able to communicate with her and talk to her and try to keep her awake, keep her alive. | 0:08:50 | 0:08:55 | |
Just seeing her underneath the train is what replays | 0:08:55 | 0:08:59 | |
and...just her talking to me... | 0:08:59 | 0:09:03 | |
also. | 0:09:03 | 0:09:05 | |
A lot of them are not sure about counselling, you know, | 0:09:09 | 0:09:13 | |
especially, you tend to find the old-school drivers don't use the counselling side of it. | 0:09:13 | 0:09:17 | |
Guys who don't go for counselling straight away | 0:09:17 | 0:09:21 | |
don't realise it, but they're very short with their family, | 0:09:21 | 0:09:24 | |
their wife and kids - very snappy. | 0:09:24 | 0:09:27 | |
They tend not to sleep properly. | 0:09:27 | 0:09:31 | |
Erm, tend to...when they wake up, the first thing they think of is the incident, | 0:09:31 | 0:09:37 | |
and it can mess up a lot of people's lives, something like that. | 0:09:37 | 0:09:40 | |
That was my first one. | 0:09:41 | 0:09:44 | |
It's not something I would ever want to experience again. | 0:09:44 | 0:09:48 | |
Not at all. | 0:09:48 | 0:09:50 | |
Sadly, a week later, the woman died in hospital from her injuries. | 0:09:50 | 0:09:55 | |
Touch wood, I've never had anyone jump in front of my train. I've had two people attempted. | 0:09:58 | 0:10:05 | |
I've had a "one under" before. I never thought it would affect me, to tell you the truth. | 0:10:13 | 0:10:18 | |
I thought, if people want to jump, let them jump. | 0:10:18 | 0:10:22 | |
But when it actually happens to you, | 0:10:22 | 0:10:24 | |
it's a totally different kettle of fish. | 0:10:24 | 0:10:26 | |
I can hear and see him on the windscreen all the time. | 0:10:26 | 0:10:30 | |
I felt like a murderer. | 0:10:30 | 0:10:31 | |
And then, for ages afterwards, every train I saw, | 0:10:31 | 0:10:36 | |
I looked at, thinking, "I wonder how many people that's killed." | 0:10:36 | 0:10:40 | |
This is exactly where it happened, pulling in here. | 0:10:40 | 0:10:43 | |
I started to accelerate into the platform and that's where it happened. | 0:10:43 | 0:10:48 | |
You never forget it. | 0:10:48 | 0:10:49 | |
The worst thing I'd hate would be to have a "one under", | 0:10:56 | 0:10:59 | |
which is a person under a train. | 0:10:59 | 0:11:02 | |
Thank God... | 0:11:02 | 0:11:04 | |
I haven't come across that yet and I hope I never do. | 0:11:04 | 0:11:08 | |
Good morning. Our next station is Oxford Circus. | 0:11:10 | 0:11:14 | |
You can change here for the Central Line and Victoria Line. | 0:11:14 | 0:11:18 | |
And we have a very good service on all London Underground lines at the moment. | 0:11:18 | 0:11:23 | |
Hi. Excuse me. | 0:11:29 | 0:11:31 | |
-You can't use your flash. -Sorry. -That's OK. | 0:11:31 | 0:11:34 | |
It's 5:00pm at Oxford Circus and the beginning of the rush hour. | 0:11:34 | 0:11:38 | |
-Hello. -Fifty pound, please. -You're not normally this late. -No, not normally. | 0:11:38 | 0:11:43 | |
Dot Gleeson has worked on the Underground for eight years. | 0:11:43 | 0:11:46 | |
-King Pancras. -King's Cross? -Sorry, St Pancras Station. | 0:11:46 | 0:11:51 | |
-Return. -There you go. | 0:11:51 | 0:11:53 | |
Oh, we're getting busy now. | 0:11:53 | 0:11:55 | |
Got one of them? | 0:11:55 | 0:11:57 | |
-Another note, yeah. -Let me just give you a ten. | 0:11:57 | 0:11:59 | |
-That's it. -Yay! -Lovely. -We did it! | 0:11:59 | 0:12:02 | |
Sometimes you get people that are stroppy. | 0:12:02 | 0:12:05 | |
They don't, maybe, understand. | 0:12:05 | 0:12:07 | |
-Four pounds, please. -What? -That's how much it is, love. I don't set the prices. | 0:12:07 | 0:12:13 | |
OK. | 0:12:13 | 0:12:14 | |
When they walk in the Underground, their brain dies. | 0:12:14 | 0:12:17 | |
-Erm, there's a queue there, dear. -Sorry. | 0:12:17 | 0:12:20 | |
They just seem to lose all sense of understanding. | 0:12:20 | 0:12:24 | |
You must touch your card on the reader when you enter the station, | 0:12:24 | 0:12:28 | |
so it's charged you £6.50. | 0:12:28 | 0:12:31 | |
Maybe when some people are out of their normal environment, | 0:12:31 | 0:12:34 | |
they just go different, I don't know. | 0:12:34 | 0:12:36 | |
-Are you all right? -Yeah, man. | 0:12:38 | 0:12:40 | |
Are you going to carry them both down? | 0:12:40 | 0:12:44 | |
Mind the lead. Keep hold of them, yeah? | 0:12:44 | 0:12:46 | |
I think as soon as people walk into the Underground they go a bit crazy. | 0:12:48 | 0:12:52 | |
I'm on my guard all the time because you've got no idea what people might do to you. | 0:12:52 | 0:12:58 | |
Keeping an eye on the four million journeys we take every day | 0:12:58 | 0:13:01 | |
are 700 British Transport Police officers. | 0:13:01 | 0:13:04 | |
Hello. Hello. Hello. Can you do that outside the station? | 0:13:04 | 0:13:09 | |
On duty today are Kim Dight and Mike Scott. | 0:13:09 | 0:13:12 | |
You have no money? You have no money? | 0:13:12 | 0:13:15 | |
Let's go upstairs. | 0:13:15 | 0:13:17 | |
The British Transport Police work exclusively on railways across the UK | 0:13:17 | 0:13:22 | |
and the Tube network. | 0:13:22 | 0:13:24 | |
They have the same powers as any other police force. | 0:13:24 | 0:13:27 | |
Oxford Circus has a lot of...theft problems. A lot of pick-pockets. | 0:13:27 | 0:13:32 | |
That's the type of person we tend to look out for. | 0:13:32 | 0:13:35 | |
It's offering reassurance to the public, and members of staff, | 0:13:35 | 0:13:40 | |
considering, recently, we've had a staff member assaulted. | 0:13:40 | 0:13:43 | |
Any Eight Delta or Lima unit able to take an immediate call to Deptford Bridge, DLR. | 0:13:43 | 0:13:49 | |
Member of staff assaulted on Platform 1. Any unit respond. | 0:13:49 | 0:13:52 | |
Go ahead with the subject's details. | 0:13:52 | 0:13:54 | |
How tall was your subject? | 0:13:54 | 0:13:56 | |
The British Transport Police's control centre | 0:13:56 | 0:13:59 | |
responds to crimes on the Underground. | 0:13:59 | 0:14:01 | |
Could you ask whether your subject's got a tattoo on his chest? | 0:14:01 | 0:14:06 | |
It would be a face with snarling teeth, over. | 0:14:06 | 0:14:10 | |
Every year, they deal with 1,500 assaults and 6,500 robbery offences. | 0:14:10 | 0:14:16 | |
You've got two Eastern European males, both very drunk at the location. | 0:14:16 | 0:14:20 | |
One male is holding an open container of vodka. | 0:14:20 | 0:14:24 | |
Staff have asked the males to leave but they keep going in and out of the station, received. | 0:14:24 | 0:14:29 | |
All officers have a GPS tracking device | 0:14:29 | 0:14:32 | |
and their movements are monitored at the control centre. | 0:14:32 | 0:14:35 | |
This is Hainault depot. | 0:14:35 | 0:14:38 | |
And if I scroll out, you can see where the officers are. | 0:14:39 | 0:14:42 | |
This is two units. We've got 8C670, that's a PCSO, | 0:14:42 | 0:14:46 | |
and 8C73, I think, | 0:14:46 | 0:14:47 | |
and they're both at Woodford Green taking a statement. | 0:14:47 | 0:14:50 | |
You can see if they move. | 0:14:50 | 0:14:52 | |
They're making their way now to Hainault. We can track them. | 0:14:52 | 0:14:55 | |
If they get stuck you can say, "Turn left, turn right." | 0:14:55 | 0:14:59 | |
You can guide them in to where they need to go. | 0:14:59 | 0:15:02 | |
Especially with trespassers or people on the track. | 0:15:02 | 0:15:05 | |
They're not always going to be by a railway station | 0:15:05 | 0:15:09 | |
so you get the nearest road and guide them. | 0:15:09 | 0:15:11 | |
It's very clever. | 0:15:11 | 0:15:13 | |
I don't believe you're 15. Unless you can prove it to me... | 0:15:17 | 0:15:21 | |
It's not my problem. | 0:15:21 | 0:15:22 | |
Back at Oxford Circus, Kim Dight is dealing with a suspect fare evader. | 0:15:22 | 0:15:27 | |
-I'm going. I don't have time for this. -You're not going. -Don't touch me. | 0:15:27 | 0:15:31 | |
-Unless you can prove... -I don't have to prove nothing. | 0:15:31 | 0:15:35 | |
Yeah, you do. | 0:15:35 | 0:15:37 | |
He's clearly not a child. | 0:15:37 | 0:15:40 | |
And he's blaming a member of staff for selling him the wrong ticket. | 0:15:40 | 0:15:43 | |
It's exhausting. | 0:15:43 | 0:15:45 | |
Can you keep your hands out of your pockets, please? | 0:15:45 | 0:15:48 | |
Keep your hands out of your pockets, please. | 0:15:48 | 0:15:50 | |
Keep your hands out of your pockets. Both of them. | 0:15:50 | 0:15:53 | |
We don't know what's in them, that's why. | 0:15:53 | 0:15:55 | |
I know he's going to use a child ticket. | 0:15:55 | 0:15:58 | |
You can just tell people are going to do that because they hang around, | 0:15:58 | 0:16:02 | |
then see the police officers, they don't want to top up their Oyster cards, | 0:16:02 | 0:16:05 | |
so when they come through a little light shows up that they've got a child ticket. | 0:16:05 | 0:16:10 | |
They think you're stopping them because of what they look like. | 0:16:10 | 0:16:14 | |
That's what a lot of people do. They use that against you. | 0:16:14 | 0:16:17 | |
They say, "You're stopping me cos of the way I'm dressed." | 0:16:17 | 0:16:20 | |
"No, I'm stopping you because you're travelling on an incorrect ticket." | 0:16:20 | 0:16:24 | |
You've been arrested for travel fraud before, is that what you're saying? | 0:16:24 | 0:16:28 | |
-No, no. -Well, then, we wouldn't know you. | 0:16:28 | 0:16:31 | |
All of you know my name so of course you know me. | 0:16:31 | 0:16:34 | |
-It doesn't make any sense. -You don't make any sense. | 0:16:34 | 0:16:37 | |
I hate dishonesty. | 0:16:37 | 0:16:39 | |
I really do. It drives me mad. | 0:16:39 | 0:16:41 | |
I don't really want to be out there. | 0:16:41 | 0:16:43 | |
My worst experience is getting punched. | 0:16:43 | 0:16:47 | |
What happened then? | 0:16:47 | 0:16:49 | |
I'd only been on the job eight months | 0:16:49 | 0:16:52 | |
and up the other end, when we had the old manual gates, you had to open the gate to let them out. | 0:16:52 | 0:16:57 | |
There was a chap coming along with a pushchair so I got my arm on the gate ready - | 0:16:57 | 0:17:01 | |
that was the way he'd have to go. | 0:17:01 | 0:17:03 | |
And, erm, as he was walking across | 0:17:03 | 0:17:07 | |
he's..."Open the gate, get the effing gate open!" | 0:17:07 | 0:17:10 | |
"Can I see your ticket?" "Yes, I've got a ticket." | 0:17:10 | 0:17:13 | |
He didn't quite say that(!) | 0:17:13 | 0:17:15 | |
And, erm... | 0:17:15 | 0:17:17 | |
I said, "I need to see your ticket." | 0:17:17 | 0:17:20 | |
I didn't see it coming. He just punched me right in the chest. | 0:17:20 | 0:17:23 | |
I went flying back against the wall. A man with a kid in a pushchair. | 0:17:23 | 0:17:27 | |
Please move right down into the carriages, using all available spaces. | 0:17:31 | 0:17:36 | |
Keeping the city moving safely is already pushing the Tube to its limit. | 0:17:36 | 0:17:41 | |
But it also has to respond to the demands of passengers travelling | 0:17:42 | 0:17:46 | |
to an increasing number of events across the capital, | 0:17:46 | 0:17:50 | |
the biggest of which is Notting Hill Carnival in August every year... | 0:17:50 | 0:17:55 | |
The station is closed. | 0:17:55 | 0:17:57 | |
..where an extra one million people use the Tube. | 0:17:57 | 0:18:00 | |
You're going to get stations closed, stations open, one-way systems put in. | 0:18:00 | 0:18:04 | |
You get stations that are way out only, way in only. | 0:18:04 | 0:18:08 | |
Every timetable is changed. | 0:18:08 | 0:18:09 | |
You have spare trains - "hot spares" - sitting with drivers on, | 0:18:09 | 0:18:13 | |
ready to go, to be called out to clear platforms. | 0:18:13 | 0:18:16 | |
Pretty much the entire western side feels the impact. | 0:18:16 | 0:18:20 | |
Welcome to everybody this afternoon. | 0:18:20 | 0:18:22 | |
This is our pre-meeting for Notting Hill Carnival. | 0:18:22 | 0:18:25 | |
What we intend to do is to go through what is going to be, | 0:18:25 | 0:18:29 | |
I think and certainly others believe, | 0:18:29 | 0:18:31 | |
a slightly different Carnival... | 0:18:31 | 0:18:33 | |
The event is carefully planned by an emergency contingency group and the Transport Police. | 0:18:33 | 0:18:39 | |
'For any event of this proportion - a million people out on the streets of West London, | 0:18:39 | 0:18:44 | |
'that is a challenge just getting people there safely.' | 0:18:44 | 0:18:47 | |
We do, obviously, have to consider the civil disorder potential. | 0:18:47 | 0:18:52 | |
Prior to Carnival, we will be operating Operation Shield | 0:18:52 | 0:18:56 | |
to try and disrupt people, especially gang members, | 0:18:56 | 0:19:01 | |
with metal detection arches and dogs | 0:19:01 | 0:19:03 | |
to ensure we make the best available use of our search powers | 0:19:03 | 0:19:07 | |
to disrupt people coming into Carnival. | 0:19:07 | 0:19:10 | |
It's Bank Holiday Monday and more than one million people will be travelling to Carnival on the Tube. | 0:19:10 | 0:19:17 | |
This is a massive hub - King's Cross Station. | 0:19:17 | 0:19:19 | |
We've got lots of people coming in from all over London to change to go on the Hammersmith & City Line, | 0:19:19 | 0:19:25 | |
to Westbourne Park, Ladbroke Grove and most of the Carnival footprint on the Tube. | 0:19:25 | 0:19:29 | |
This is a knife arch. It's a metal detector. | 0:19:30 | 0:19:34 | |
Usually we'd be using it but, at the moment, there's a power in place | 0:19:34 | 0:19:38 | |
that allows us to stop and search individuals for weapons. | 0:19:38 | 0:19:42 | |
We're not actually using the arch itself at the moment. | 0:19:42 | 0:19:45 | |
We've also got Rufus, the drugs dog, to scan people as they're coming through, | 0:19:45 | 0:19:49 | |
to see if they've got any substances that may cause their behaviour to change. | 0:19:49 | 0:19:54 | |
Walk on through, guys. Thank you very much. Cheers. | 0:19:54 | 0:19:57 | |
The police have been given a special Section 60 power | 0:19:57 | 0:20:02 | |
to stop and search anyone. | 0:20:02 | 0:20:03 | |
All we're going for, really, truly, is to have fun, innit. | 0:20:04 | 0:20:09 | |
Obviously, they're doing their job. We hate it, I'm not gonna lie. | 0:20:09 | 0:20:13 | |
At the end of the day, they're just doing their job, to make London a safer place. | 0:20:13 | 0:20:17 | |
But no-one likes it really. | 0:20:17 | 0:20:20 | |
Every year it happens. You get stopped and searched. | 0:20:20 | 0:20:22 | |
No doubt, when we go there, the police are going to stop us again, but that's life, innit. | 0:20:22 | 0:20:27 | |
The Tube has implemented a special train timetable for the event. | 0:20:29 | 0:20:34 | |
I think the riots have... they've upset so many people. | 0:20:34 | 0:20:39 | |
People want to have a good time, | 0:20:39 | 0:20:41 | |
people want to put the riots behind them | 0:20:41 | 0:20:44 | |
and say, "Look, that's not us. This is us having a good time, playing, partying." | 0:20:44 | 0:20:49 | |
And also you've got that much police there at the moment | 0:20:49 | 0:20:53 | |
that any sort of trouble is just going to be jumped on really fast. | 0:20:53 | 0:20:57 | |
Oi! What are you doing? | 0:20:57 | 0:21:00 | |
There's a bloody toilet over there. | 0:21:00 | 0:21:02 | |
-TANNOY: -Ladies and gentlemen, welcome to the station. | 0:21:02 | 0:21:05 | |
Whatever you're doing, chill out, relax and enjoy yourselves. | 0:21:05 | 0:21:09 | |
Control receiving you, DRM. Send your message, over. | 0:21:09 | 0:21:12 | |
At the Baker Street control room for the Circle and Hammersmith & City lines, | 0:21:12 | 0:21:16 | |
Dave Nottage and his team control the flow of trains to the Carnival area. | 0:21:16 | 0:21:21 | |
We expect trouble. That's what we're here for(!) | 0:21:21 | 0:21:24 | |
Anything - person under a train, signal failures, point failures. | 0:21:24 | 0:21:29 | |
The next eastbound train into Paddington Sub - train 224. | 0:21:29 | 0:21:33 | |
That's it, mate. Cheers, mate. | 0:21:33 | 0:21:35 | |
Train 224, which is going to arrive in this platform fairly shortly, | 0:21:35 | 0:21:39 | |
has got a passenger alarm operated. Could be an unattended bag, somebody's collapsed, | 0:21:39 | 0:21:44 | |
you know, robbery, mugging. | 0:21:44 | 0:21:46 | |
Or it could be nothing. It could be a little child's just pulled the big red handle | 0:21:46 | 0:21:50 | |
and seen what's happened. | 0:21:50 | 0:21:52 | |
This way for the carnival, please! | 0:21:52 | 0:21:54 | |
You all off now? | 0:21:54 | 0:21:57 | |
OK, it was accidental operation and you're now on the move. Thanks a lot, 224. | 0:21:57 | 0:22:02 | |
It's a lot busier than a normal rush hour. | 0:22:02 | 0:22:06 | |
You get a lot more people trying to get on at one stop, | 0:22:06 | 0:22:09 | |
trying to get off at another. | 0:22:09 | 0:22:11 | |
It's just manic. | 0:22:11 | 0:22:13 | |
Keep the customers all informed, not that most of them listen. | 0:22:17 | 0:22:22 | |
The joys of having iPhones and iPads and all sorts of electronic gizmos. | 0:22:22 | 0:22:29 | |
Sometimes I've even had them playing instruments. | 0:22:29 | 0:22:32 | |
HORNS | 0:22:32 | 0:22:35 | |
As part of the contingency plan, extra safety measures | 0:22:35 | 0:22:38 | |
have been put in place for trains coming into platforms. | 0:22:38 | 0:22:41 | |
The drivers have been instructed by the controller | 0:22:42 | 0:22:45 | |
to act on the duty manager's instructions, | 0:22:45 | 0:22:48 | |
so they're looking at me for hand signals | 0:22:48 | 0:22:50 | |
and I can hold the train in the platform or get him to leave as quickly as possible. | 0:22:50 | 0:22:54 | |
Bring it in a bit slower to allow the people on the platform to leave. | 0:22:57 | 0:23:01 | |
Cheers, Peter. | 0:23:01 | 0:23:03 | |
This train coming in slow is both providing protection for the customers on the platform, | 0:23:03 | 0:23:09 | |
but it's also allowing them to leave before this train empties out. | 0:23:09 | 0:23:14 | |
It's very busy now. | 0:23:14 | 0:23:15 | |
Sometimes the service is too good and that causes problems. | 0:23:15 | 0:23:19 | |
Just slow everything down in order to be able to keep things moving. | 0:23:19 | 0:23:23 | |
Driver's just back on to me at Paddington now | 0:23:25 | 0:23:28 | |
so I should have more information any second, over. | 0:23:28 | 0:23:31 | |
LOUD HORN | 0:23:31 | 0:23:34 | |
CHEERING | 0:23:36 | 0:23:39 | |
That's it. C'mon, guys. | 0:23:39 | 0:23:42 | |
-Make some noise, then. Make some noise for me! -CHEERING | 0:23:42 | 0:23:46 | |
-What have you got in there? -Pineapple juice. | 0:24:01 | 0:24:04 | |
That looks disgusting. | 0:24:04 | 0:24:07 | |
That didn't look like pineapple juice. | 0:24:07 | 0:24:09 | |
I love it. It's very busy. | 0:24:10 | 0:24:12 | |
It's very busy but it's great. It's great fun. | 0:24:12 | 0:24:16 | |
I would rather be out there though... | 0:24:16 | 0:24:19 | |
dancing. | 0:24:19 | 0:24:21 | |
It's great to see the crowds, isn't it? | 0:24:24 | 0:24:27 | |
I think it looks...it's great to have all those people out and about. | 0:24:27 | 0:24:30 | |
The other thing, you get all these lovely smells from the food cooking. | 0:24:30 | 0:24:35 | |
It makes me a bit jealous that I'm not there. | 0:24:36 | 0:24:39 | |
Actually, it makes me a lot jealous that I'm not there. | 0:24:39 | 0:24:42 | |
LOUD MUSIC | 0:24:42 | 0:24:45 | |
The Transport Police are still using their special | 0:24:51 | 0:24:54 | |
stop and search power in an attempt to find weapons and drugs. | 0:24:54 | 0:24:57 | |
There's a good atmosphere, I haven't seen problems. | 0:24:57 | 0:25:00 | |
We've got a few hoodies about but you're going to get them anyway. | 0:25:00 | 0:25:03 | |
Doesn't mean a hoody's a bad person but you wouldn't necessarily | 0:25:03 | 0:25:07 | |
search an old granny for weapons as opposed to a...a young man. | 0:25:07 | 0:25:10 | |
People who are getting stabbed and stabbing each other, | 0:25:10 | 0:25:14 | |
they're...of a certain profile. | 0:25:14 | 0:25:17 | |
They're the ones I always tend to go for. | 0:25:17 | 0:25:19 | |
People can complain about it but in a way it might be | 0:25:19 | 0:25:22 | |
saving your kids from getting stabbed. | 0:25:22 | 0:25:24 | |
It's near the end of the day and the Tube is gearing up | 0:25:30 | 0:25:33 | |
for transporting nearly a million people home. | 0:25:33 | 0:25:36 | |
Hello, Richie. Are we all set, again? | 0:25:36 | 0:25:39 | |
-Have you got my megaphone? Good! -I've got your megaphone! | 0:25:39 | 0:25:43 | |
Every Carnival, the Tube's boss comes to help out. | 0:25:43 | 0:25:47 | |
I can't think how many Notting Hill Carnivals. | 0:25:47 | 0:25:49 | |
I come here with the same duty managers. | 0:25:49 | 0:25:53 | |
What we do is, we do the return traffic. | 0:25:53 | 0:25:55 | |
I was brought up in Trinidad, spent several years there. | 0:25:55 | 0:25:58 | |
Carnival's in my blood somewhere. | 0:25:58 | 0:26:00 | |
Every year I think the volume goes up a bit. | 0:26:00 | 0:26:03 | |
POUNDING BEATS | 0:26:03 | 0:26:05 | |
-We've got a bin for the alcohol, two members of staff in position. -Good. | 0:26:14 | 0:26:18 | |
-So, we're ready to go? -Are you happy? Yeah? OK? | 0:26:20 | 0:26:24 | |
All day, Notting Hill Gate Station has been exit only | 0:26:24 | 0:26:27 | |
but now they're about to open the gates for the returning passengers. | 0:26:27 | 0:26:30 | |
Right up to the station, ladies and gents. | 0:26:30 | 0:26:33 | |
Keep moving. No alcohol in the station. | 0:26:33 | 0:26:35 | |
No alcohol in the station. Drop it in the bin here, please. | 0:26:35 | 0:26:39 | |
We now need to get all of these people from this area | 0:26:40 | 0:26:44 | |
into our Underground system. | 0:26:44 | 0:26:46 | |
If you can imagine a big funnel, they're all coming into this entrance here. | 0:26:46 | 0:26:50 | |
We need to be able to control this because we do not want | 0:26:50 | 0:26:53 | |
the Notting Hill Gate Station and the Underground to become too crowded. | 0:26:53 | 0:26:58 | |
We're dealing with minutes and seconds here. | 0:26:58 | 0:27:01 | |
A six-minute gap in the service means that this flow of customers | 0:27:01 | 0:27:07 | |
will fill that platform and we may need to do something about it. | 0:27:07 | 0:27:10 | |
OK, folks, keep walking down to the end of the platform. | 0:27:16 | 0:27:19 | |
Right down, all the way to the end of the platform, please, everyone. | 0:27:19 | 0:27:22 | |
Next year, we'll have a warmer Carnival. | 0:27:22 | 0:27:24 | |
This was a bit chilly, wasn't it? But we had a good time. | 0:27:24 | 0:27:27 | |
It was a nice Carnival and we look forward to having more like this! | 0:27:29 | 0:27:33 | |
Every train is now running to its full capacity of a thousand people. | 0:27:41 | 0:27:44 | |
Keep moving down the platform, please. | 0:27:44 | 0:27:48 | |
Extra staff have been brought in to help move 21 trains an hour | 0:27:48 | 0:27:51 | |
through the Central Line platform at Notting Hill Gate. | 0:27:51 | 0:27:55 | |
This train will be leaving in about 10 or 15 seconds. | 0:27:55 | 0:27:58 | |
Your next train is just one minute away. Stand clear of the doors, please. | 0:27:58 | 0:28:02 | |
I normally do a desk job but this is more exciting. | 0:28:02 | 0:28:06 | |
This is where my roots lie. | 0:28:06 | 0:28:08 | |
You can see this, this is adrenaline. I like this. | 0:28:08 | 0:28:11 | |
-Get down there. -Get off! | 0:28:14 | 0:28:16 | |
MOUTHS | 0:28:18 | 0:28:20 | |
SHOUTING | 0:28:21 | 0:28:23 | |
Do you want control from street level, base? | 0:28:24 | 0:28:26 | |
Do you want control from street level? | 0:28:26 | 0:28:28 | |
Just 20 minutes after opening, the station is full. | 0:28:28 | 0:28:31 | |
This is street level. Station control at street level. | 0:28:31 | 0:28:35 | |
No-one in at street level. | 0:28:35 | 0:28:37 | |
No-one comes in until these people are down to platform, yeah? | 0:28:37 | 0:28:40 | |
No, no, no! No! | 0:28:41 | 0:28:43 | |
No! No-one comes in until I say. Listen to me! | 0:28:43 | 0:28:47 | |
Take your time down the stairs, ladies and gents. | 0:28:53 | 0:28:56 | |
Someone's lost their flip-flop. | 0:28:56 | 0:28:58 | |
They're always tricky to put on when you've had a few. | 0:29:02 | 0:29:06 | |
Right down inside, please, folks. | 0:29:06 | 0:29:08 | |
Come on then, guys. | 0:29:08 | 0:29:10 | |
As Carnival comes to a close, | 0:29:11 | 0:29:13 | |
the police take a more hard-line approach to prevent disruption. | 0:29:13 | 0:29:16 | |
You lot with the blue hat searched me this morning already | 0:29:24 | 0:29:27 | |
when I came in. | 0:29:27 | 0:29:29 | |
I'm not getting a second search, no way! | 0:29:29 | 0:29:31 | |
I'm not going to lie! I'm through with that, fucking right now, mate. | 0:29:31 | 0:29:34 | |
SHOUTING | 0:29:34 | 0:29:37 | |
The British Transport Police made only 42 arrests | 0:29:49 | 0:29:52 | |
and there were no serious incidents. | 0:29:52 | 0:29:54 | |
Everybody on the platform, if you've got a whistle or horn, please blow it now. | 0:29:54 | 0:29:59 | |
WHISTLES AND HORNS | 0:29:59 | 0:30:00 | |
SHOUTS AND CHEERS | 0:30:02 | 0:30:03 | |
Good job done. Another year. | 0:30:06 | 0:30:09 | |
But just 20 minutes later, the party is brought to an abrupt halt. | 0:30:11 | 0:30:15 | |
We've had a report a person's fallen under a train | 0:30:17 | 0:30:19 | |
and that services have been suspended, | 0:30:19 | 0:30:21 | |
and until that person's removed and we find out what's happened, | 0:30:21 | 0:30:25 | |
the trains won't start again. | 0:30:25 | 0:30:26 | |
Relief and reform at Edgware Road into 2-4-6. | 0:30:26 | 0:30:30 | |
The incident is unconnected to the Carnival but it's in the same area | 0:30:30 | 0:30:33 | |
and will affect revellers trying to get home. | 0:30:33 | 0:30:36 | |
Line Control at Baker Street stop all trains on the western side | 0:30:37 | 0:30:41 | |
of the Circle and Hammersmith & City lines. | 0:30:41 | 0:30:43 | |
TANNOY: Service is suspended, Hammersmith to Edgware Road. | 0:30:44 | 0:30:49 | |
This is due to a person under a train. | 0:30:49 | 0:30:53 | |
Westbourne Park Station is on one of the affected lines | 0:30:53 | 0:30:55 | |
and is being evacuated. | 0:30:55 | 0:30:57 | |
We've had a person fallen under a train at about ten to nine. | 0:31:01 | 0:31:05 | |
We've had confirmation now that that person is deceased | 0:31:05 | 0:31:09 | |
and the act was non-suspicious so it's an unfortunate situation | 0:31:09 | 0:31:13 | |
but one we have to deal with here and it does happen from time to time. | 0:31:13 | 0:31:16 | |
The incident happened here on the eastbound. | 0:31:16 | 0:31:20 | |
What that effectively does is it shuts our railway down | 0:31:20 | 0:31:22 | |
from Hammersmith up to Edgware Road. | 0:31:22 | 0:31:24 | |
So nothing is moving along this section of the line. | 0:31:24 | 0:31:27 | |
The guys' job is to get any other trains in this section | 0:31:27 | 0:31:30 | |
into platforms and clear the customers off them. | 0:31:30 | 0:31:32 | |
Once the section is dead, if you like, we can keep trains moving | 0:31:32 | 0:31:36 | |
all around the Circle Line and keep the rest of London moving | 0:31:36 | 0:31:39 | |
while we're dealing with the incident. | 0:31:39 | 0:31:41 | |
So we're intending to terminate you at Edgware Road | 0:31:41 | 0:31:43 | |
and reverse you back towards Plaistow or Moorgate. | 0:31:43 | 0:31:46 | |
So at the moment we've moved the train back a little bit, | 0:31:46 | 0:31:49 | |
back from the body. | 0:31:49 | 0:31:51 | |
Current's been taken off and the guys are removing the body from the track. | 0:31:51 | 0:31:54 | |
Another 10 minutes, Ed? Another 10 minutes and we'll get it on a roll. | 0:31:54 | 0:31:58 | |
Hopefully, the ERU need a bit of a clean-up | 0:31:58 | 0:32:01 | |
but so long as the police... I suppose they can take their photos on the platform. | 0:32:01 | 0:32:05 | |
To control, because of the problems on the Hammersmith branch, | 0:32:05 | 0:32:08 | |
can you divert by the inner rail Circle on this trip, over. | 0:32:08 | 0:32:11 | |
We do treat everything with absolute respect on site because we have to do that | 0:32:11 | 0:32:15 | |
but we have to think about the rest of London as well. | 0:32:15 | 0:32:18 | |
We've got an awful lot of people trying to get home. | 0:32:18 | 0:32:20 | |
We've got to get the thing cleared as quick as possible, | 0:32:20 | 0:32:23 | |
with the greatest respect for the person on site and everything else. | 0:32:23 | 0:32:27 | |
Thank you. Is there a spare driver in place to move the incident train | 0:32:27 | 0:32:31 | |
back to Hammersmith via Edgware Road, over? | 0:32:31 | 0:32:33 | |
Traction current restored, that's all traction current restored. | 0:32:33 | 0:32:37 | |
Just to finally confirm, I'm intending to resume services fairly shortly, over. | 0:32:37 | 0:32:41 | |
Try and put it back together now. | 0:32:41 | 0:32:43 | |
At 10pm, just an hour after the incident, | 0:32:43 | 0:32:45 | |
the team have managed to get a full service back up and running. | 0:32:45 | 0:32:48 | |
All traction current has been recharged, therefore it is safe | 0:32:48 | 0:32:52 | |
to continue westbound towards Hammersmith, over. | 0:32:52 | 0:32:55 | |
TANNOY: Ladies and gentlemen, this is a customer service information message. | 0:33:00 | 0:33:05 | |
At present we have a good train service operating | 0:33:05 | 0:33:07 | |
on all London Underground lines. | 0:33:07 | 0:33:09 | |
Good morning. | 0:33:21 | 0:33:23 | |
Morning, sir. | 0:33:23 | 0:33:24 | |
Good morning. | 0:33:24 | 0:33:26 | |
Have a nice day. OK. | 0:33:28 | 0:33:29 | |
I feel that my role is really | 0:33:29 | 0:33:32 | |
to help people to connect. | 0:33:32 | 0:33:36 | |
How are you? Good morning. I know, massive change, isn't it? | 0:33:36 | 0:33:40 | |
I think people... they change their personality | 0:33:40 | 0:33:44 | |
when they come into the Underground. | 0:33:44 | 0:33:47 | |
They've got no point of reference as regards anything spiritual | 0:33:47 | 0:33:50 | |
or anything natural. | 0:33:50 | 0:33:52 | |
You don't ever see the sky, you don't hear the birds sing, | 0:33:53 | 0:33:57 | |
you don't see any greenery. | 0:33:57 | 0:33:59 | |
And for a lot of people, they might see a potted plant in their office | 0:33:59 | 0:34:02 | |
and they might see some lettuce in their sandwich. | 0:34:02 | 0:34:05 | |
That's the only thing that they'll see that's natural. | 0:34:05 | 0:34:08 | |
I think they forget how to interact, | 0:34:08 | 0:34:12 | |
they forget to behave as social creatures. | 0:34:12 | 0:34:15 | |
Good morning. | 0:34:16 | 0:34:18 | |
It's amazing how many people are leaving London. | 0:34:18 | 0:34:22 | |
-I hope you get out tomorrow. -Thank you. -OK, and have a nice weekend. | 0:34:22 | 0:34:27 | |
I think it's the most loveless city in the world, let's put it that way. | 0:34:28 | 0:34:31 | |
It's quite sapping, energy-wise. | 0:34:31 | 0:34:34 | |
I think if you're happy-go-lucky going to London | 0:34:34 | 0:34:36 | |
you come out of it feeling quite depressed, you know. I know I do. | 0:34:36 | 0:34:39 | |
Can I get a single to Islington, please? | 0:34:39 | 0:34:42 | |
Yes. Four pounds, please. | 0:34:42 | 0:34:45 | |
Thank you. | 0:34:45 | 0:34:46 | |
He looks sad. | 0:34:48 | 0:34:50 | |
You look at people on the platforms and, you know, | 0:34:50 | 0:34:53 | |
the only people I find happy are little kids when they go... | 0:34:53 | 0:34:56 | |
And you wave back at them and think, "Oh, bless him," | 0:34:57 | 0:35:00 | |
because that's the sort of thing I used to do. I'd wave at drivers. | 0:35:00 | 0:35:03 | |
I did, one morning, have a woman and she was obviously very upset. | 0:35:03 | 0:35:08 | |
I just said, "Are you all right?" | 0:35:08 | 0:35:11 | |
And f... Well, not funnily, but she'd just been told she'd got breast cancer. | 0:35:11 | 0:35:15 | |
And then I just went like that and she went, "Oh, have you had it?" | 0:35:15 | 0:35:19 | |
I talked to her for about 15 minutes and she felt a lot better after that. | 0:35:19 | 0:35:23 | |
-Him. Just want to watch him for a minute. -Yeah, yeah. | 0:35:23 | 0:35:27 | |
He's completely lost. | 0:35:29 | 0:35:31 | |
-You all right? -Which way's Waterloo? I'm not from around here. | 0:35:32 | 0:35:36 | |
-I want to get back to Aldershot. -Hold on, hold on. All right. | 0:35:36 | 0:35:39 | |
-Have you had quite a lot to drink? -A lot to drink. | 0:35:39 | 0:35:42 | |
I left all me mates. I just want to go back home. | 0:35:42 | 0:35:45 | |
-I think you're too drunk to travel. -Nah. -Yeah, you are. -Trust me. | 0:35:45 | 0:35:49 | |
Believe me. | 0:35:49 | 0:35:51 | |
'You get a lot of people that are drunk, that travel.' | 0:35:51 | 0:35:54 | |
Yes, I've arrested people for being intoxicated on the railway | 0:35:54 | 0:35:58 | |
or being drunk in a public place. | 0:35:58 | 0:36:01 | |
Go outside, get yourself a coffee, sober up. | 0:36:01 | 0:36:03 | |
Give yourself half an hour, 40 minutes, and then you can come back. | 0:36:03 | 0:36:07 | |
-And go to Waterloo. -Look, you need to come home. -You're wasted. | 0:36:07 | 0:36:11 | |
'They're a danger to themselves.' | 0:36:11 | 0:36:13 | |
It's not about criminalising somebody, | 0:36:13 | 0:36:15 | |
it's about making sure they're safe. | 0:36:15 | 0:36:17 | |
I would rather arrest somebody, put them in a cell, | 0:36:17 | 0:36:21 | |
let them sober up and then they get home safely. | 0:36:21 | 0:36:24 | |
I don't want to phone your missus saying he's fallen under a train. | 0:36:24 | 0:36:28 | |
-I ain't done nothing. -I know you haven't. | 0:36:28 | 0:36:30 | |
We're trying to prevent it from happening. | 0:36:30 | 0:36:32 | |
-It's your welfare I'm concerned about. -You talk to my missus then. | 0:36:32 | 0:36:36 | |
Let's go outside. We've got no signal here. | 0:36:36 | 0:36:39 | |
I know. I'll phone your missus, don't worry, I'll tell her for you. | 0:36:39 | 0:36:43 | |
Many people, especially at night, you get the kids, they've been drinking. | 0:36:44 | 0:36:49 | |
They pretend to push their friend onto a track. | 0:36:49 | 0:36:53 | |
We had that incident ages ago at Earls Court | 0:36:53 | 0:36:56 | |
where there were three or two lads on the platform messing around | 0:36:56 | 0:36:59 | |
pretending to push people over the platform. | 0:36:59 | 0:37:02 | |
The guy pushed his mate too hard and he went over the edge. | 0:37:02 | 0:37:05 | |
As he went over, he grabbed his mate who in turn | 0:37:05 | 0:37:08 | |
grabbed an innocent bystander and the three of them got killed. | 0:37:08 | 0:37:12 | |
Hello? | 0:37:13 | 0:37:15 | |
Yeah. He's very drunk. He's at Oxford Circus. | 0:37:15 | 0:37:20 | |
All I'm trying to do, I don't want to arrest him, | 0:37:20 | 0:37:23 | |
all I'm trying to do is keep him safe. | 0:37:23 | 0:37:25 | |
I'll tell him what you've said. | 0:37:25 | 0:37:29 | |
OK. He's just walked away without his phone, actually. | 0:37:30 | 0:37:33 | |
His girlfriend said to me, "He's paralytic, | 0:37:33 | 0:37:35 | |
"please don't let him travel." | 0:37:35 | 0:37:37 | |
I've said I don't want him to travel, he's too drunk to travel. | 0:37:37 | 0:37:41 | |
Purely from a welfare point of view, she's pregnant, | 0:37:41 | 0:37:43 | |
I don't want to be scraping him from the tracks where he's fallen over. | 0:37:43 | 0:37:47 | |
Listen. I'm sure your baby wants a father. | 0:37:47 | 0:37:51 | |
That's why I decided to leave my friends and go home. | 0:37:51 | 0:37:55 | |
-But I want you to go home alive! -I'm going to go home alive! | 0:37:57 | 0:38:00 | |
You're too drunk. | 0:38:00 | 0:38:01 | |
It's Wednesday morning, just after the rush hour, | 0:38:23 | 0:38:27 | |
and the Emergency Response Unit have been called to a fox on the track | 0:38:27 | 0:38:31 | |
on the Metropolitan Line. | 0:38:31 | 0:38:33 | |
Hello, guv, it's the ERU. | 0:38:33 | 0:38:34 | |
We've got a report of a fox on the southbound from Finchley Road | 0:38:34 | 0:38:37 | |
to Baker Street by Lords Disused. | 0:38:37 | 0:38:39 | |
Yeah, what we do, guv'nor, we need to pick him up, right, and | 0:38:40 | 0:38:43 | |
we need to use one of your trains as protection while we're doing it. | 0:38:43 | 0:38:47 | |
A fox has been hit by a train. | 0:38:47 | 0:38:49 | |
It's causing an obstruction so they need to remove it from the track. | 0:38:49 | 0:38:53 | |
That's it. | 0:38:53 | 0:38:54 | |
It's from Finchley Road to Baker Street | 0:38:54 | 0:38:57 | |
but Lords Disused is a disused station half way between. | 0:38:57 | 0:39:01 | |
I think this is our train coming in now | 0:39:02 | 0:39:04 | |
so I'll have a word with the driver. | 0:39:04 | 0:39:06 | |
Hi, guv, I've had a word with the line controller. | 0:39:07 | 0:39:10 | |
We've got a dead fox from here to Lords Disused towards Baker Street. | 0:39:10 | 0:39:14 | |
The only way for Frank to get to the dead animal | 0:39:14 | 0:39:18 | |
is to use a passenger train that is still in service. | 0:39:18 | 0:39:21 | |
-I'll get it going and shout when we're rolling. -All right. Lovely job. | 0:39:22 | 0:39:26 | |
Have the passengers been informed we're looking for a fox? | 0:39:30 | 0:39:32 | |
No. You don't tell the passengers. You get it a couple of times a week. | 0:39:32 | 0:39:36 | |
Then you might not get it for a month or whatever. | 0:39:38 | 0:39:41 | |
You've got the canal running here. They can get in here, see. | 0:39:42 | 0:39:46 | |
The Grand Union Canal here | 0:39:46 | 0:39:47 | |
and they can jump over. They'll wander along the track then. | 0:39:47 | 0:39:52 | |
It's just looking for food. | 0:39:52 | 0:39:55 | |
Right, this is Marlborough. | 0:39:57 | 0:39:59 | |
It's around here somewhere. I don't want to go over... | 0:40:02 | 0:40:04 | |
Are you sure it weren't just a kip? He's got up and gone home. | 0:40:04 | 0:40:08 | |
He's playing games with us. | 0:40:08 | 0:40:10 | |
Hold it there, guv, hold it there. No, that's not him. Up a bit more. | 0:40:12 | 0:40:16 | |
ALL: There he is. See, right in front of that signal. | 0:40:18 | 0:40:21 | |
Right there. Slow it down, there, now. If you stop her here, guv. | 0:40:21 | 0:40:25 | |
There he is. Right, if you go to the side, Gary. | 0:40:25 | 0:40:29 | |
-Why don't you go down first and hand me the stuff? -Yeah, yeah. | 0:40:29 | 0:40:32 | |
Watch your head. | 0:40:32 | 0:40:33 | |
To minimise disruption to the service, the electricity is kept on. | 0:40:33 | 0:40:37 | |
But as part of a safety procedure, | 0:40:37 | 0:40:39 | |
the driver hands his train keys to Frank. | 0:40:39 | 0:40:42 | |
-Got the bag there. -Hold the bag, Gary. | 0:40:42 | 0:40:45 | |
Would like to apologise for this delay, | 0:40:45 | 0:40:48 | |
we'll be on the move pretty soon. Just something on the track. | 0:40:48 | 0:40:52 | |
Couple of minutes, we'll be on the move. | 0:40:52 | 0:40:55 | |
-Lovely job. -You all right? -Lovely job. | 0:40:58 | 0:41:01 | |
So what are you going to do with him now, then? | 0:41:01 | 0:41:04 | |
-We'll take him back. -Give him a burial. | 0:41:04 | 0:41:07 | |
We've got a fridge back there for dead animals. | 0:41:07 | 0:41:09 | |
Here we are. | 0:41:20 | 0:41:22 | |
You've got one, two, three, four, five. | 0:41:23 | 0:41:29 | |
It's probably a little part of an animal, there. | 0:41:29 | 0:41:32 | |
Mainly we've got foxes, but you could have a badger. | 0:41:32 | 0:41:36 | |
A few muntjac deers, small little deers, up on the Central Line. | 0:41:36 | 0:41:40 | |
You could get them out in Amersham. | 0:41:40 | 0:41:42 | |
The problem is you've got the Underground in the city, | 0:41:42 | 0:41:45 | |
and you've got so many animals. | 0:41:45 | 0:41:48 | |
You get the foxes, urban foxes after the food and the heat, | 0:41:48 | 0:41:51 | |
but matey didn't realise what time the trains run, so... | 0:41:51 | 0:41:55 | |
obviously the train hit him this morning. | 0:41:55 | 0:41:59 | |
Every year, the Underground remove more than 100 dead animals | 0:42:02 | 0:42:05 | |
at stations and on the tracks. | 0:42:05 | 0:42:08 | |
I had a swan here, right here on the track once. | 0:42:08 | 0:42:12 | |
I don't know how it got there. And I couldn't move the train | 0:42:13 | 0:42:17 | |
because its neck was hanging over the track, over the railing. | 0:42:17 | 0:42:21 | |
I had to get out of the train and shoo him back in. | 0:42:22 | 0:42:25 | |
It had a sore foot, cos when I kind of shooed it across, it was limping. | 0:42:25 | 0:42:32 | |
It was lame. So, I think it hurt itself when it landed. | 0:42:32 | 0:42:36 | |
Why it landed on the track, I don't know. | 0:42:36 | 0:42:38 | |
Good morning. It's the end of the week. | 0:42:45 | 0:42:47 | |
-And you've got the long weekend? -I'm so excited. | 0:42:47 | 0:42:50 | |
-And where are you off to? -New York. -Very nice. Just for the weekend? | 0:42:50 | 0:42:54 | |
'I've been here six years, | 0:42:54 | 0:42:56 | |
'so over that course of time I've got to know a lot of the regulars.' | 0:42:56 | 0:42:59 | |
And these are called fascinators. Why are they called fascinators? | 0:42:59 | 0:43:03 | |
-I don't get it. -Cos they're fascinating! | 0:43:03 | 0:43:06 | |
'We're Londoners, we're supposed to be a little bit cold. | 0:43:06 | 0:43:09 | |
'It's hard for us to perhaps overcome these barriers.' | 0:43:09 | 0:43:12 | |
There you go. No worries. | 0:43:12 | 0:43:14 | |
'One of the things about London' | 0:43:14 | 0:43:17 | |
is that it attracts a lot of single people. | 0:43:17 | 0:43:20 | |
'They get into perhaps a busy work schedule, | 0:43:20 | 0:43:23 | |
'they don't have time to make friends. | 0:43:23 | 0:43:25 | |
'There's a lot of lonely people in London, | 0:43:25 | 0:43:28 | |
'and the way I see it is that, standing here in the mornings, | 0:43:28 | 0:43:31 | |
'I might be the first person | 0:43:31 | 0:43:33 | |
'that some people get to talk to in the morning. | 0:43:33 | 0:43:36 | |
'I might be the first smile that they see. | 0:43:36 | 0:43:39 | |
'And I feel that's important, to actually give a friendly greeting,' | 0:43:39 | 0:43:47 | |
to give a friendly face to somebody's day. | 0:43:47 | 0:43:50 | |
Might just be the difference between them having an OK day | 0:43:50 | 0:43:53 | |
and having a really terrible day. | 0:43:53 | 0:43:57 | |
It's nice to get the tail end of the evening rush hour, | 0:44:12 | 0:44:17 | |
and see the evening drawing. | 0:44:17 | 0:44:19 | |
The best part, this time of year, is seeing the sunset. | 0:44:19 | 0:44:23 | |
Some of the sunsets are absolutely gorgeous. | 0:44:23 | 0:44:26 | |
It's lovely to come out of the tunnel after 50 minutes | 0:44:26 | 0:44:29 | |
and just see the sky, just a blaze of purple or yellow and orange. | 0:44:29 | 0:44:33 | |
It's just, wow, it's like the sky's on fire. | 0:44:33 | 0:44:36 | |
I love sunsets anyway, but you do get some spectacular ones on the Pic. | 0:44:37 | 0:44:43 | |
I love the Pic, I've got a real fondness for it. | 0:44:45 | 0:44:48 | |
I get fiery when people say, "The Piccadilly Line's rubbish, | 0:44:48 | 0:44:51 | |
"it's shit. The trains are old, they're falling apart." | 0:44:51 | 0:44:54 | |
I say, whoa, whoa, hold on a minute. | 0:44:54 | 0:44:57 | |
Every time every other line goes up the wall, | 0:44:57 | 0:44:59 | |
doing weekend engineering works, what line is always running | 0:44:59 | 0:45:02 | |
to carry the burden? The Piccadilly. The premiere, perfect Piccadilly. | 0:45:02 | 0:45:07 | |
The Metropolitan Line's a bit brash, "I'm the Metropolitan Line, | 0:45:07 | 0:45:12 | |
"I go to Amersham and through the city. | 0:45:12 | 0:45:15 | |
The Circle Line's: "You're nothing, mate! | 0:45:15 | 0:45:17 | |
"I'll go round and round the city and all that." | 0:45:17 | 0:45:21 | |
I'd say the Central Line is probably a librarian, | 0:45:21 | 0:45:24 | |
quite sort of, "Ooh, here we are. West Acton, da-da-da." | 0:45:24 | 0:45:29 | |
But the Piccadilly Line, if it was a mate of yours, | 0:45:29 | 0:45:32 | |
it'd be a mate where you'd say, "He doesn't say a lot, he's very cool, | 0:45:32 | 0:45:38 | |
"but when the shit hits the fan, he pulls it out of the bag all the time. | 0:45:38 | 0:45:43 | |
"He's really slick." Look at the trains. | 0:45:43 | 0:45:45 | |
Look at the faces of those trains. | 0:45:45 | 0:45:48 | |
They just smile at you, they're cute, they're streamlined, they're classy. | 0:45:48 | 0:45:52 | |
Without trying. | 0:45:52 | 0:45:54 | |
I have to do something here, now, cos there's a graveyard there. | 0:45:56 | 0:46:01 | |
Sorry. Right, there we go. | 0:46:01 | 0:46:04 | |
Do you always make the sign of the cross when you go past a graveyard? | 0:46:04 | 0:46:08 | |
-Yeah, you have to. -Why? -It's a religious thing. I'm a Catholic. | 0:46:08 | 0:46:12 | |
And... | 0:46:12 | 0:46:14 | |
..it's... | 0:46:16 | 0:46:18 | |
for penance. It makes me feel good, too. | 0:46:18 | 0:46:21 | |
It's ten to four on a Wednesday afternoon, | 0:46:28 | 0:46:30 | |
and the Tube is gearing up for rush hour. | 0:46:30 | 0:46:33 | |
-LU? -Hello, who's that? | 0:46:34 | 0:46:37 | |
-Chris. -Hello, Chris. It's John. -All right? | 0:46:37 | 0:46:39 | |
Hello, mate. Can I view Southbound? We've got a "one under" there. | 0:46:39 | 0:46:43 | |
There's a person under a train at one of the busiest stations | 0:46:43 | 0:46:47 | |
in Central London, and the Victoria Line has been suspended. | 0:46:47 | 0:46:51 | |
-Down, is it? -Well, the Tube's, yeah, | 0:46:53 | 0:46:55 | |
it's been a person under a train, I'm afraid. | 0:46:55 | 0:46:58 | |
-The trains are not stopping here, that's all? -The station is closed. | 0:46:58 | 0:47:01 | |
There's been a person under a train at the moment, I'm afraid. | 0:47:01 | 0:47:04 | |
-What, here? -Yes, here. | 0:47:04 | 0:47:07 | |
There's an element of excitement, | 0:47:09 | 0:47:11 | |
not knowing what you're going to come across. | 0:47:11 | 0:47:14 | |
It could be someone alive and trapped, | 0:47:14 | 0:47:16 | |
so it's like, can you get them out? | 0:47:16 | 0:47:18 | |
When I did my first one, I got a massive adrenaline rush, | 0:47:18 | 0:47:23 | |
but it wasn't an adrenaline rush of excitement. | 0:47:23 | 0:47:26 | |
There's a massive difference. It was an adrenaline rush of fear, | 0:47:26 | 0:47:30 | |
of not knowing what I'm going to come up against. | 0:47:30 | 0:47:33 | |
When I go to them now, it's just an adrenaline rush. | 0:47:33 | 0:47:37 | |
I don't have fear of going down there. | 0:47:37 | 0:47:40 | |
The Victoria Line's down at the moment. OK, where do you want to go? | 0:47:40 | 0:47:44 | |
The police, fire brigade and paramedics are already on the scene. | 0:47:46 | 0:47:51 | |
The Emergency Response Unit arrive to find the body of a man | 0:47:51 | 0:47:55 | |
is under the train. | 0:47:55 | 0:47:57 | |
The plan is now to switch a current back on, as this guy's deceased, | 0:47:57 | 0:48:01 | |
move the train away, turn the current back off. | 0:48:01 | 0:48:05 | |
Emergency Response Unit staff will get down there, clear the body | 0:48:05 | 0:48:08 | |
and get the trains running again. | 0:48:08 | 0:48:10 | |
-Have we got a train driver on site? -En route, apparently. I'm not sure if we've got one on-site. | 0:48:10 | 0:48:15 | |
But there is a problem. | 0:48:15 | 0:48:16 | |
As the current has been turned off here, | 0:48:16 | 0:48:19 | |
they're stuck on trains further back in the tunnel. | 0:48:19 | 0:48:22 | |
So, they need to get those passengers off those trains, | 0:48:22 | 0:48:25 | |
back on to the platform. | 0:48:25 | 0:48:27 | |
So we have to wait until that's completed | 0:48:27 | 0:48:29 | |
until they can recharge current here, | 0:48:29 | 0:48:32 | |
and then move the train away so we can access the deceased. | 0:48:32 | 0:48:36 | |
One stop down the line at the next station, | 0:48:36 | 0:48:39 | |
the last of the 1,200 passengers are being led out of the tunnel | 0:48:39 | 0:48:43 | |
through a train in a platform. | 0:48:43 | 0:48:45 | |
-Is there another place? -Where do you want to go? | 0:48:47 | 0:48:51 | |
-I need the Northern one up to High Barnet. -High Barnet. | 0:48:51 | 0:48:54 | |
Your best bet is to walk along to King's Cross and get it from there. | 0:48:54 | 0:48:58 | |
-Why are the trains closed? -There's a person under a train, I'm afraid. | 0:48:58 | 0:49:02 | |
-What's happening? -There's been a person under a train, love. | 0:49:02 | 0:49:06 | |
I think they've accepted it. | 0:49:06 | 0:49:09 | |
Most people who travel to London have seen it before, unfortunately! | 0:49:09 | 0:49:14 | |
There should be a coroner, which would hopefully just take the body. | 0:49:16 | 0:49:21 | |
Stand back. The train is moving. | 0:49:22 | 0:49:24 | |
The guy who's deceased has gone right there, | 0:49:47 | 0:49:50 | |
it's actually called a Suicide Pit. | 0:49:50 | 0:49:53 | |
So it's in a pit about that deep. Once they confirm the current's off, | 0:49:53 | 0:49:57 | |
I'm going to put this self-testing CRID, and it will test the current. | 0:49:57 | 0:50:01 | |
VOICES SPEAK AT ONCE | 0:50:03 | 0:50:07 | |
What we'll do, we'll pick him up, so we could probably do with | 0:50:23 | 0:50:27 | |
another couple of people just to hold the body bag open. | 0:50:27 | 0:50:30 | |
'I found that it was one thing to actually see the body | 0:50:33 | 0:50:36 | |
'or the massive injuries,' | 0:50:36 | 0:50:38 | |
but another massive step to actually get hands-on, if you like. | 0:50:38 | 0:50:45 | |
For now, just get him on there and jiggle it into the bag. | 0:50:45 | 0:50:50 | |
If you can't do it, then basically you're no good. | 0:50:50 | 0:50:54 | |
You're no good to the guys you're working with. | 0:50:54 | 0:50:57 | |
'It is a determination to get past the mental side of it | 0:50:57 | 0:51:02 | |
'and do what you need to do.' | 0:51:02 | 0:51:03 | |
I can't get down there. | 0:51:03 | 0:51:06 | |
If it...if it helps, yeah. | 0:51:08 | 0:51:12 | |
'I try not to bring my work home.' | 0:51:12 | 0:51:16 | |
We speak to each other, if anything, but it's not the sort of thing | 0:51:16 | 0:51:20 | |
you really want to speak to over the dinner table. | 0:51:20 | 0:51:23 | |
You know, "I was picking up a body today." | 0:51:23 | 0:51:25 | |
Yeah. That's it. | 0:51:28 | 0:51:31 | |
A little while ago, a family friend actually did it. | 0:51:31 | 0:51:35 | |
So, that kind of brought it home as well, | 0:51:38 | 0:51:41 | |
that it's not just members of the public. | 0:51:41 | 0:51:44 | |
Up and over, now, yeah? | 0:51:44 | 0:51:45 | |
Well done, lads. | 0:51:49 | 0:51:51 | |
'Makes it all the more real for me, cos I know exactly what' | 0:51:51 | 0:51:55 | |
that scene would have been like, so even more horrific. It's very sad. | 0:51:55 | 0:52:00 | |
The last person to see the man alive was the train driver, Tony Barrett. | 0:52:05 | 0:52:09 | |
The man was captured on CCTV, waiting on the platform. | 0:52:12 | 0:52:17 | |
The first thing you expect to see | 0:52:17 | 0:52:19 | |
is the platform on your right hand side there, | 0:52:19 | 0:52:23 | |
but before I even focused on that, | 0:52:23 | 0:52:27 | |
this man was jumping right across. | 0:52:27 | 0:52:31 | |
He just floated over and down. | 0:52:34 | 0:52:36 | |
Despite the man going under the train, | 0:52:42 | 0:52:45 | |
most passengers on the platform were oblivious to what happened. | 0:52:45 | 0:52:50 | |
There was de-training, taking people off the train | 0:52:50 | 0:52:54 | |
and just closing the doors. | 0:52:54 | 0:52:56 | |
I did that just to do something routine and just to help. | 0:52:56 | 0:53:00 | |
I didn't really know what to do at the time, | 0:53:00 | 0:53:02 | |
but I didn't want people to get back on the train. | 0:53:02 | 0:53:05 | |
Although I did try to stop the train as quickly as possible, | 0:53:06 | 0:53:10 | |
I mean, there was nothing I could do. | 0:53:10 | 0:53:13 | |
Once you're in the cab, you realise it is a possibility. | 0:53:13 | 0:53:16 | |
One day, during your normal working life, | 0:53:16 | 0:53:20 | |
someone's going to either be pushed or jump in front of your train. | 0:53:20 | 0:53:24 | |
You know, it's a hazard, and you can't escape that. | 0:53:24 | 0:53:27 | |
But people have been around, on the job 25, 30 years, | 0:53:27 | 0:53:31 | |
they've not had one. | 0:53:31 | 0:53:33 | |
But other people, shorter time, they've had two or three. | 0:53:33 | 0:53:37 | |
While the Emergency Response Unit clean the track, | 0:53:41 | 0:53:43 | |
the police attempt to identify the man. | 0:53:43 | 0:53:47 | |
I think granules, scoop and then we'll go for bio. | 0:53:50 | 0:53:56 | |
The team use an absorbent powder which makes it easier | 0:54:00 | 0:54:03 | |
to clean the track. | 0:54:03 | 0:54:05 | |
We're just trying to get these last bits up. | 0:54:05 | 0:54:09 | |
Time's getting on, you're coming into the rush hour. | 0:54:09 | 0:54:12 | |
It's just getting this cleared up, so we get the passengers home. | 0:54:12 | 0:54:15 | |
The body is taken away to be examined by the coroner. | 0:54:23 | 0:54:27 | |
So, I'll take protection up then, and we're clear. | 0:54:27 | 0:54:31 | |
It's not a nice job. | 0:54:34 | 0:54:35 | |
You ready to take the SCD up? | 0:54:35 | 0:54:39 | |
Guys, thank you very much for your help, fellas. | 0:54:39 | 0:54:42 | |
We'll see you again, yeah? Take it easy. | 0:54:42 | 0:54:44 | |
It's going to be running in 10 minutes' time, | 0:54:44 | 0:54:46 | |
with my latest information. | 0:54:46 | 0:54:49 | |
-Where are you going to? -Waterloo. -Warren Street. | 0:54:49 | 0:54:52 | |
Warren Street, the Northern Line from there, yeah. | 0:54:52 | 0:54:55 | |
Nearly two hours after the incident, | 0:55:00 | 0:55:03 | |
the Emergency Response Unit head back to base. | 0:55:03 | 0:55:07 | |
You never get used to "one unders" We've done so many over the years. | 0:55:07 | 0:55:11 | |
I mean, you've just lost count of them. | 0:55:11 | 0:55:13 | |
You never get used to them. | 0:55:13 | 0:55:15 | |
We can't dwell on it cos we know we're going to get loads more. | 0:55:15 | 0:55:18 | |
They will come. | 0:55:20 | 0:55:21 | |
There will be another 40 people this year, 50, that'll do this. | 0:55:21 | 0:55:25 | |
Thank you for your patience, ladies and gentlemen. Thank you. | 0:55:25 | 0:55:28 | |
The only ones I think I've ever thought about | 0:55:33 | 0:55:36 | |
was when we did the bombings. The terrorist attacks. | 0:55:36 | 0:55:40 | |
That was probably because it was in the news, | 0:55:40 | 0:55:44 | |
so you had no choice but to put a face to the victims | 0:55:44 | 0:55:49 | |
that you were surrounded by whilst you were at work. | 0:55:49 | 0:55:52 | |
Because the incidents that we go to at the moment, | 0:55:54 | 0:55:57 | |
on the Underground, they're not really publicised. | 0:55:57 | 0:56:00 | |
You very rarely see them in the national press and on the news. | 0:56:00 | 0:56:05 | |
So, it's quite easy to detach yourself. | 0:56:05 | 0:56:08 | |
You're never going to forget, | 0:56:12 | 0:56:14 | |
particularly as you go through the same station every day. | 0:56:14 | 0:56:18 | |
It has left that bit on my life, which...probably won't ever forget | 0:56:21 | 0:56:26 | |
although I'm not sort of over-morbid about it. | 0:56:26 | 0:56:32 | |
It's an occupational hazard. | 0:56:32 | 0:56:34 | |
Good morning, it's me again. | 0:56:43 | 0:56:45 | |
There's only one working lift at Regent's Park, | 0:56:45 | 0:56:48 | |
so you may have a little while in waiting. | 0:56:48 | 0:56:52 | |
You could stay on this train with me, | 0:56:52 | 0:56:54 | |
and we can go to Baker Street and then you could go overground. | 0:56:54 | 0:56:59 | |
Take a walk back down towards Regent's Park, it's not that far. | 0:56:59 | 0:57:03 | |
And if you have time, you may stop for a cup of tea. And a biscuit. | 0:57:03 | 0:57:07 | |
I don't mind what type of customer gets on my train, | 0:57:07 | 0:57:10 | |
as long as they respect me, polite to me, we'll get along famously. | 0:57:10 | 0:57:17 | |
There you go. Come and get it. There you are. | 0:57:18 | 0:57:23 | |
Hell-o, come and see me. | 0:57:23 | 0:57:26 | |
-Hello. -Can I put £5 on there, please. | 0:57:26 | 0:57:29 | |
Thank you. | 0:57:29 | 0:57:30 | |
He was nice! | 0:57:30 | 0:57:32 | |
I don't look for fellas. Been there, done that. Got divorced. | 0:57:32 | 0:57:36 | |
I'm just happy with me cats and me charity work, that keeps me busy! | 0:57:36 | 0:57:41 | |
I don't think the Underground's a grim place. I think it's lovely. | 0:57:44 | 0:57:48 | |
You either love it or you hate it. It's like Marmite, isn't it? | 0:57:48 | 0:57:52 | |
I can't stand Marmite, but I love the Underground, so... | 0:57:52 | 0:57:56 | |
Subtitles by Red Bee Media Ltd | 0:57:59 | 0:58:02 |