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Good morning! It's me again. | 0:00:02 | 0:00:04 | |
Below London's streets exists another world. | 0:00:06 | 0:00:09 | |
The madness is my swimming pool. | 0:00:09 | 0:00:11 | |
I'm at home in that kind of water - what can I say? | 0:00:11 | 0:00:14 | |
Every day, 20,000 workers struggle to keep four million people on the move. | 0:00:15 | 0:00:21 | |
What? There's a customer asleep on the platform? | 0:00:21 | 0:00:24 | |
Yeah, get him on a train. | 0:00:24 | 0:00:26 | |
It's not easy, when the Tube is undergoing the biggest upgrade in its history. | 0:00:26 | 0:00:29 | |
You've got five minutes. I want this site cleared. | 0:00:31 | 0:00:34 | |
Now, cameras will reveal an underground world we've never fully seen before. | 0:00:34 | 0:00:39 | |
10,421 mobiles since April. | 0:00:39 | 0:00:42 | |
Listen to what I'm saying. "Pay as you go," yeah? You just went! | 0:00:42 | 0:00:47 | |
This guy's running up the stairs. You need to stop him. | 0:00:47 | 0:00:51 | |
HORN BLARES | 0:00:53 | 0:00:54 | |
We're just the underground part of the city. London comes down here every single day. | 0:00:54 | 0:00:58 | |
It IS part of their world. | 0:00:58 | 0:01:01 | |
It is part of everyone's world. | 0:01:01 | 0:01:02 | |
I love you. | 0:01:02 | 0:01:05 | |
'A very pleasant good morning to you, ladies and gents.' | 0:01:11 | 0:01:15 | |
Welcome to Victoria Station. You have a very lovely and a prosperous day today. | 0:01:15 | 0:01:19 | |
Hope everything goes your way, according to plan. | 0:01:19 | 0:01:22 | |
Don't let no-one cramp your style. | 0:01:22 | 0:01:24 | |
Please move right down all cars, using all the space you can find. | 0:01:24 | 0:01:28 | |
Driver, do your thing. Have a good day yourself. | 0:01:28 | 0:01:31 | |
I like to see people looking happy. You know what I mean? Things are not so easy now. | 0:01:33 | 0:01:37 | |
Without these nice people coming through here, there'd be no us. | 0:01:37 | 0:01:42 | |
Hey, my brother. Yeah, man. How you doing? Have a good day. Respect, man. | 0:01:42 | 0:01:47 | |
Have a nice day. Oh, you're welcome, love. | 0:01:47 | 0:01:49 | |
Take it easy, my brother. Have a nice day. You're welcome. | 0:01:49 | 0:01:53 | |
You know, for such a small station, the amount of people we get in, | 0:01:54 | 0:01:58 | |
and the way we do it... We keep the system rolling. | 0:01:58 | 0:02:01 | |
But sadly, the system doesn't always roll that well. | 0:02:04 | 0:02:07 | |
'This is Victoria. Use all available doors to board this train and move right down inside of the cars.' | 0:02:07 | 0:02:13 | |
No. I won't play sardines. | 0:02:13 | 0:02:15 | |
Too many smelly armpits. | 0:02:15 | 0:02:17 | |
More people want to use the Underground than it can carry. | 0:02:18 | 0:02:22 | |
I do quite like my personal space. There's not a lot of personal space on the Tube. | 0:02:22 | 0:02:27 | |
Take your time, guys, going through. It's quite busy. | 0:02:29 | 0:02:32 | |
Yeah, take your time going through, guys. | 0:02:32 | 0:02:35 | |
It's always busy here. Even after the peak, there's loads of people. | 0:02:35 | 0:02:39 | |
It's mostly people that work in London - like, office folk. | 0:02:39 | 0:02:42 | |
At other stations, after about 9.30 it dies down, | 0:02:42 | 0:02:45 | |
but it's very touristy here. You get loads of tourists. | 0:02:45 | 0:02:48 | |
Step back a little bit for me. Step back a tiny bit, and try it again. There you go, my dear. | 0:02:48 | 0:02:52 | |
Sometimes it's quite hard to manage. | 0:02:54 | 0:02:56 | |
We've had a lot of fights here, | 0:02:56 | 0:02:57 | |
where someone's pushed in in front of someone else. | 0:02:57 | 0:03:00 | |
Step back for me. | 0:03:00 | 0:03:02 | |
'I call it Wacky Races.' | 0:03:02 | 0:03:03 | |
Everyone feels their position on the platform is more important than someone else's. | 0:03:03 | 0:03:07 | |
Take your time. The train comes every minute. | 0:03:07 | 0:03:09 | |
If you don't get on the first, you'll get on the next. It's not a problem. | 0:03:09 | 0:03:13 | |
In the last ten years, the number of passengers has gone up by a third. | 0:03:19 | 0:03:23 | |
Once again, ladies and gentlemen, when exiting the Victoria line platform area, | 0:03:23 | 0:03:27 | |
please use both sides of the up escalator. | 0:03:27 | 0:03:29 | |
Please walk up on the left and stand on the right. | 0:03:29 | 0:03:32 | |
And at Victoria Station, it's turning into a major problem. | 0:03:32 | 0:03:35 | |
This is the busiest station and it is probably the most stressful. | 0:03:40 | 0:03:44 | |
It's just the way it is. | 0:03:44 | 0:03:45 | |
The station was built, I think, 40-odd years ago. | 0:03:45 | 0:03:49 | |
It wasn't designed for what comes through - tens of thousands. | 0:03:49 | 0:03:53 | |
Let too many people down to the platforms | 0:04:02 | 0:04:05 | |
and someone could end up on the tracks. | 0:04:05 | 0:04:08 | |
Running the control room, | 0:04:08 | 0:04:10 | |
Lee is having to make instant crowd-control decisions. | 0:04:10 | 0:04:13 | |
We are getting busy at the bottom of the escalator, | 0:04:13 | 0:04:15 | |
so I might have to ask you to hold the next one. | 0:04:15 | 0:04:17 | |
Every few minutes, he has to decide the tipping point when the barriers have to be closed, | 0:04:17 | 0:04:22 | |
so no more people can get down to the platforms. | 0:04:22 | 0:04:25 | |
Oh, here we go. OK. | 0:04:25 | 0:04:27 | |
Base to Vic barrier. Vic barrier, can you hold them again? | 0:04:27 | 0:04:31 | |
If you can wait behind the gates for me, please. Wait there for me, please. | 0:04:31 | 0:04:34 | |
Wait there for me, please. | 0:04:34 | 0:04:36 | |
Yeah, just cos it's very busy downstairs. | 0:04:36 | 0:04:39 | |
Wait, please. Excuse me! Wait, please. | 0:04:39 | 0:04:42 | |
Next time, wait, OK? | 0:04:42 | 0:04:46 | |
Good morning. Do apologise. We'll ask you, just remain behind the barrier, just for a short while. | 0:04:46 | 0:04:51 | |
'Please remain behind the barrier, ladies and gentlemen.' | 0:04:51 | 0:04:54 | |
-Excuse me. I asked you to do something. Wait behind the gate. -Oh. -Yeah. | 0:04:54 | 0:04:57 | |
'Ladies and gentlemen, the London Fire Brigade investigation | 0:05:00 | 0:05:04 | |
'has temporarily closed Euston Underground Station.' | 0:05:04 | 0:05:07 | |
You can't guarantee when you'll get somewhere because of the overcrowding. | 0:05:07 | 0:05:11 | |
Even if you get to the station, you don't know you'll be allowed in. If I could walk, I definitely would. | 0:05:11 | 0:05:16 | |
Oh. | 0:05:16 | 0:05:17 | |
Base to one-six. Everything OK? | 0:05:20 | 0:05:22 | |
If they start blocking up, keep your eye on it. | 0:05:24 | 0:05:27 | |
Also keeping a watchful eye on the crowds | 0:05:27 | 0:05:30 | |
is the Tube's Network Operations Centre. | 0:05:30 | 0:05:32 | |
The system is under a lot of pressure, | 0:05:32 | 0:05:35 | |
given the amount of people we now take. | 0:05:35 | 0:05:37 | |
Over the last 10 or 15 years, | 0:05:37 | 0:05:39 | |
the increase in passenger traffic has been vastly disproportionate | 0:05:39 | 0:05:42 | |
to the amount of new building. | 0:05:42 | 0:05:44 | |
Every day, we, as a network, transport more people | 0:05:44 | 0:05:48 | |
than the rest of the UK rail network put together. | 0:05:48 | 0:05:50 | |
Back at Victoria, things are going from bad to worse. | 0:05:52 | 0:05:56 | |
Yeah, northbound might have a slight delay shortly. | 0:05:56 | 0:05:59 | |
-We've got a train detraining at... -Warren Street. | 0:05:59 | 0:06:01 | |
..at Warren Street at the moment, so you'll probably find the train will be held. Over. | 0:06:01 | 0:06:06 | |
'They're taking a train out of service at Warren Street.' | 0:06:06 | 0:06:08 | |
They try to hold the trains behind on the platform, instead of being stuck in the tunnel. | 0:06:08 | 0:06:14 | |
Obviously, we don't want people being stuck in the tunnel. | 0:06:14 | 0:06:17 | |
The trains aren't moving, | 0:06:17 | 0:06:18 | |
the platforms are getting crowded and people are still flooding into the station. | 0:06:18 | 0:06:22 | |
'Yeah, message received.' | 0:06:24 | 0:06:26 | |
Lee has to take drastic action. | 0:06:26 | 0:06:28 | |
RADIO BLEEPS | 0:06:28 | 0:06:29 | |
Oh, come on. Yeah, all stair. | 0:06:29 | 0:06:31 | |
Kent, Wilt and Sussex, can you close, please? | 0:06:31 | 0:06:34 | |
In the middle of the morning rush hour, | 0:06:36 | 0:06:38 | |
the gates to the Underground's busiest station have to close. | 0:06:38 | 0:06:42 | |
Sorry about this, guys. We're just a bit busy. | 0:06:42 | 0:06:44 | |
We've got minor delays downstairs. | 0:06:44 | 0:06:46 | |
But it shouldn't be too long, hopefully. | 0:06:46 | 0:06:48 | |
I know it's been bad all week. I'm very sorry. | 0:06:48 | 0:06:51 | |
The Tube has been here before. | 0:07:01 | 0:07:04 | |
REPORTER: Every big city has its transport problem. | 0:07:08 | 0:07:12 | |
London is no exception. | 0:07:12 | 0:07:14 | |
At the peak hours, overloading and congestion have grown more and more serious. | 0:07:14 | 0:07:18 | |
40 years ago, they thought they had solved the problem, | 0:07:19 | 0:07:22 | |
by building the brand-new Victoria line to end congestion once and for all. | 0:07:22 | 0:07:27 | |
Something has been going on under London. | 0:07:29 | 0:07:31 | |
With trains running automatically, with completely up-to-date rolling stock, | 0:07:31 | 0:07:35 | |
the line, in March 1969, was ready for anything. | 0:07:35 | 0:07:40 | |
But they were wrong. Today, London has again outgrown its Tube system. | 0:07:41 | 0:07:46 | |
Hi, morning. All right, I'll see you later, yeah? Cheers. Thanks. | 0:07:50 | 0:07:54 | |
One man thinks he has the answer - | 0:07:54 | 0:07:57 | |
David Waboso, London Underground's Capital Programmes Director. | 0:07:57 | 0:08:01 | |
He's spending £10 billion modernising stations, tracks and trains. | 0:08:01 | 0:08:06 | |
-It's the... What time? 9.32, did you say? -9.30 train. -9.30? | 0:08:09 | 0:08:14 | |
But his solution is creating its own logistical nightmare. | 0:08:15 | 0:08:19 | |
A very good analogy of this is if you're in a house and you want a huge amount of work done. | 0:08:19 | 0:08:24 | |
We don't have an option of moving out - we've got to move four million people every day. | 0:08:24 | 0:08:28 | |
London depends on us - we don't have that option. | 0:08:28 | 0:08:31 | |
This is like doing that huge upgrade with everybody living in the house. | 0:08:31 | 0:08:35 | |
It is, because what you can't do is shut it down. | 0:08:35 | 0:08:38 | |
I love it. It's a privilege. | 0:08:40 | 0:08:42 | |
It genuinely is a privilege | 0:08:42 | 0:08:45 | |
to get to do such fantastic once-in-a-lifetime things. | 0:08:45 | 0:08:49 | |
Very humbled by it. Very humbled. | 0:08:49 | 0:08:52 | |
Today, David is finding out what his money is buying him, | 0:08:54 | 0:08:58 | |
at a test track in Leicestershire. | 0:08:58 | 0:09:00 | |
Somebody once described modern trains as "Boeings on wheels". | 0:09:02 | 0:09:05 | |
Hugely complicated, | 0:09:05 | 0:09:06 | |
so there's a lot of stuff on here that needs to be tested. | 0:09:06 | 0:09:10 | |
This is the, er... sensitive edge on these doors. | 0:09:10 | 0:09:14 | |
It's one of those things you just need to keep an eye on. | 0:09:14 | 0:09:18 | |
Basically, one of the problems you have on any train is that | 0:09:19 | 0:09:22 | |
it's a steel wheel on a steel rail. | 0:09:22 | 0:09:24 | |
And clearly, if it's wet or you get leaves on the line, | 0:09:24 | 0:09:27 | |
or ice or snow, the trains can slip. | 0:09:27 | 0:09:31 | |
So, what we have are various means of managing that interface between the wheel and the rail. | 0:09:31 | 0:09:35 | |
One of them is fairly basic stuff but very, very good - it works - | 0:09:35 | 0:09:39 | |
which is to inject some sand | 0:09:39 | 0:09:41 | |
in front of a certain number of wheels at the right time. | 0:09:41 | 0:09:45 | |
-But the proof is in the driving. -Am I going to be able to have a go? | 0:09:51 | 0:09:55 | |
-If you want to. -Yeah, thanks. I'd like to see if I can stop it in the right place. | 0:09:55 | 0:09:59 | |
David wants to know what his new train set feels like from behind the wheel. | 0:10:00 | 0:10:06 | |
-Have you driven a train before? -Yeah, yeah, yeah. Yeah. | 0:10:07 | 0:10:10 | |
OK, David, you can increase to 100. | 0:10:11 | 0:10:14 | |
WHISTLE BLOWS | 0:10:20 | 0:10:21 | |
Tottenham Court Road Station in central London. | 0:10:27 | 0:10:31 | |
When it opened in 1900, it carried 20,000 passengers a day. | 0:10:31 | 0:10:36 | |
Today, it's 150,000. It's being rebuilt to become six times bigger. | 0:10:36 | 0:10:42 | |
First, though, the Underground must do the unthinkable - | 0:10:42 | 0:10:46 | |
closing off the station's connection to the Northern line for seven months. | 0:10:46 | 0:10:50 | |
Victoria isn't the only busy interchange where passengers are feeling the pain of modernisation. | 0:10:52 | 0:10:57 | |
Here at Tottenham Court Road, | 0:10:57 | 0:10:59 | |
the Northern line platforms will close until December. | 0:10:59 | 0:11:03 | |
'No Northern line interchange until the end of November.' | 0:11:06 | 0:11:11 | |
-Hiya. It's closed. -Closed? -Yeah, Northern line. Where are you going? | 0:11:12 | 0:11:17 | |
-Would you like some help? -Where's the Northern line? | 0:11:17 | 0:11:20 | |
It's not working for seven months from here, now, but where do you want to go? | 0:11:20 | 0:11:24 | |
-It's all right, I'll get the bus. -You sure? -Yeah. -OK. | 0:11:24 | 0:11:27 | |
Deep below the station, | 0:11:32 | 0:11:34 | |
engineers are in the early stages of this ambitious project. | 0:11:34 | 0:11:37 | |
They're starting with the most challenging task | 0:11:38 | 0:11:41 | |
of carving out new tunnels right under the city. | 0:11:41 | 0:11:44 | |
Basically, we're building passenger tunnels | 0:11:47 | 0:11:50 | |
to ease the congestion on the Central line, cos the Central line | 0:11:50 | 0:11:54 | |
is just about three metres past that side wall there. | 0:11:54 | 0:11:56 | |
So, instead of having to go up, through the tunnel, | 0:11:56 | 0:11:59 | |
through the ticket hall, you just come off the Central line, | 0:11:59 | 0:12:02 | |
straight through here and down into the Northern line. | 0:12:02 | 0:12:05 | |
Building a new passenger tunnel 30 metres under the ground | 0:12:07 | 0:12:10 | |
in London's soft clay is not without its challenges. | 0:12:10 | 0:12:14 | |
When you take out ground, | 0:12:15 | 0:12:18 | |
the natural desire is for the ground to want to come down and fill the void. | 0:12:18 | 0:12:22 | |
So, we dig away a little bit and then we reinforce it. | 0:12:22 | 0:12:25 | |
By reinforcing it, I mean we spray the shotcrete lining, | 0:12:25 | 0:12:29 | |
which is the reinforcement to hold the ground back. | 0:12:29 | 0:12:32 | |
Working 30 metres down means getting equipment in, and rubble out, is a tricky operation. | 0:12:44 | 0:12:50 | |
My job is banksman and slinger. Slinger - that's what I do. | 0:12:53 | 0:12:56 | |
Put it this way - I'm the eye to the crane driver, because he can't see everything here. | 0:12:56 | 0:13:01 | |
So, I'm to direct the crane driver, what to do, and I'm here | 0:13:01 | 0:13:04 | |
to take the loads off, materials down again, to service the shaft. | 0:13:04 | 0:13:08 | |
That's what that means. | 0:13:08 | 0:13:09 | |
INDISTINCT | 0:13:09 | 0:13:12 | |
When I grow old, one day I'll walk around the station and say, | 0:13:15 | 0:13:18 | |
"I was in this shaft. I was in that shaft." You understand? | 0:13:18 | 0:13:22 | |
As well as building a brand-new customer walkway, | 0:13:26 | 0:13:28 | |
connecting the Central line to the Northern line, | 0:13:28 | 0:13:31 | |
the engineers also have the much more difficult job of improving access to the existing platforms. | 0:13:31 | 0:13:37 | |
And to do this, | 0:13:39 | 0:13:40 | |
they've had to temporarily take over part of the station. | 0:13:40 | 0:13:44 | |
Beep-beep. | 0:13:44 | 0:13:45 | |
We're on the Northern line platform, | 0:13:46 | 0:13:48 | |
so the trains are running outside this hoarding. | 0:13:48 | 0:13:52 | |
So, we've closed off a section of the platform | 0:13:52 | 0:13:55 | |
to do our work behind, but the trains are running in the meantime. | 0:13:55 | 0:14:00 | |
The only way of creating the space necessary to construct | 0:14:01 | 0:14:04 | |
better access points to the platforms is to reshape the original tunnel walls. | 0:14:04 | 0:14:09 | |
We're turning, basically, the two tubes - the two circles - into C's. | 0:14:12 | 0:14:16 | |
We're taking the curved section out... | 0:14:16 | 0:14:19 | |
..between the two running tunnels, | 0:14:20 | 0:14:22 | |
and replacing it with straight props. | 0:14:22 | 0:14:25 | |
And then there'll be stairwells in-between. | 0:14:25 | 0:14:28 | |
There's a lot of hand work - hand mining, hand excavating. | 0:14:28 | 0:14:32 | |
There's no real machines or anything, cos it's just all very old-fashioned, sort of traditional mining, I guess. | 0:14:32 | 0:14:38 | |
And the concrete itself is 100 years old, so it's rock hard. It's... | 0:14:38 | 0:14:43 | |
When the men have been jackhammering, | 0:14:43 | 0:14:46 | |
the concrete is so hard that there's sparks. | 0:14:46 | 0:14:48 | |
There's actually sparks flying, so... | 0:14:48 | 0:14:51 | |
We've set up little mini railways, just to get the materials out, | 0:14:52 | 0:14:56 | |
cos you don't have the luxuries on a big site, where you've just got a crane overhead all day. | 0:14:56 | 0:15:01 | |
You've got to keep going, keep fighting. | 0:15:08 | 0:15:12 | |
Keep nagging at the men, driving them on. That's the name of the game. | 0:15:12 | 0:15:16 | |
That's what we get paid for. | 0:15:16 | 0:15:18 | |
I've been down holes 44 years. | 0:15:18 | 0:15:22 | |
I'll probably die in one, you know? | 0:15:24 | 0:15:27 | |
That's the way it is. | 0:15:27 | 0:15:29 | |
This is Tottenham Court Road. | 0:15:29 | 0:15:31 | |
There is no Northern line service at this station. | 0:15:31 | 0:15:34 | |
No Northern line interchange until the end of November. | 0:15:34 | 0:15:38 | |
Elsewhere in the station, customers wanting to use the Northern line | 0:15:38 | 0:15:41 | |
are having to be redirected. | 0:15:41 | 0:15:43 | |
Customer service assistant Barry Griffiths has worked here for 16 years | 0:15:43 | 0:15:47 | |
and this is the biggest disruption for passengers he's seen. | 0:15:47 | 0:15:50 | |
So, Liverpool Street? Come over here, I'll show you. | 0:15:50 | 0:15:54 | |
So, you go from us, Liverpool Street, and see the little... | 0:15:54 | 0:15:57 | |
See the pink line? | 0:15:57 | 0:15:58 | |
-Yeah. -Hammersmith & City, just change there. | 0:15:58 | 0:16:01 | |
-Thank you. -Nice to meet you. Cheers. | 0:16:01 | 0:16:03 | |
The power of the map, very important tool. | 0:16:03 | 0:16:06 | |
You know, because we've got people | 0:16:06 | 0:16:08 | |
from every part of the world who don't speak English. | 0:16:08 | 0:16:11 | |
They always say, "Do you speak Spanish? French? Italian?" "No." | 0:16:11 | 0:16:15 | |
But you bring them to the map. | 0:16:15 | 0:16:17 | |
You go, "You're here." They go, "What? Que?" You go, "You're here." | 0:16:17 | 0:16:22 | |
Then you ask them the direction. It's not, "Direction?" | 0:16:22 | 0:16:24 | |
It's, "Direzione?" | 0:16:24 | 0:16:26 | |
Never say "destination", they don't know what that means. | 0:16:26 | 0:16:29 | |
Men are the same, they all want to be leaders. | 0:16:29 | 0:16:33 | |
They're with their families. They never know where they're going. | 0:16:33 | 0:16:37 | |
Would you like some help, sir? | 0:16:37 | 0:16:39 | |
Would you like some help? | 0:16:39 | 0:16:41 | |
The Tube is not just getting bigger stations to cope with demand. | 0:16:46 | 0:16:50 | |
More than £2 billion is being spent on tracks and signals as well. | 0:16:50 | 0:16:54 | |
As part of these works, the Victoria line has been out of action | 0:16:54 | 0:16:58 | |
over a Bank Holiday weekend while a new signal was put in. | 0:16:58 | 0:17:03 | |
But when the line opens the next day, | 0:17:03 | 0:17:05 | |
it's clear that new equipment creates its own headaches. | 0:17:05 | 0:17:10 | |
We've got a signal failure between Seven Sisters | 0:17:10 | 0:17:13 | |
and Highbury & Islington. | 0:17:13 | 0:17:15 | |
It's creating delays on all Victoria line services this evening. | 0:17:15 | 0:17:19 | |
The new signal hasn't been fitted properly, | 0:17:20 | 0:17:23 | |
and so in the heat of August, the Tube suffers what its bosses dread most. | 0:17:23 | 0:17:28 | |
We have to stop everyone, otherwise it'll get congested. | 0:17:28 | 0:17:30 | |
A line suspension. | 0:17:30 | 0:17:33 | |
At the Network Operations Centre, | 0:17:36 | 0:17:38 | |
the Tube's controllers are racing against the clock. | 0:17:38 | 0:17:41 | |
This morning, about seven o'clock, | 0:17:41 | 0:17:43 | |
we had a signal failure and that's a big problem for us. | 0:17:43 | 0:17:47 | |
But we got it fixed and it was OK, then it failed again. | 0:17:47 | 0:17:51 | |
It is now, as you can see, 17.30. | 0:17:51 | 0:17:53 | |
We were hoping to get this back before the evening peak. | 0:17:53 | 0:17:57 | |
It hasn't turned out that way. | 0:17:57 | 0:17:59 | |
So, what we've done is a hard choice. | 0:17:59 | 0:18:02 | |
We've decided to suspend the Vic | 0:18:02 | 0:18:06 | |
so we can go and fix it. | 0:18:06 | 0:18:08 | |
So, you're under a lot of pressure at this moment? | 0:18:08 | 0:18:11 | |
London's under a lot of pressure. The Victoria line carries a lot of people. | 0:18:11 | 0:18:15 | |
Ladies and gentlemen, | 0:18:18 | 0:18:20 | |
we don't have a northbound Victoria line service at present. | 0:18:20 | 0:18:24 | |
So, if you can use alternative routes, please do so. | 0:18:24 | 0:18:27 | |
-How do I get to Vauxhall. -Vauxhall? | 0:18:27 | 0:18:30 | |
You might be better to use the bus, because we won't let anyone down. | 0:18:30 | 0:18:34 | |
-Where do you want to go? -Brixton. -Vauxhall. | 0:18:34 | 0:18:37 | |
For Vauxhall, all I can advise you to do is get the bus from upstairs. | 0:18:37 | 0:18:40 | |
-All right. -I ain't getting the bus! | 0:18:40 | 0:18:43 | |
Person who's going to Brixton, you'll have to do the same, unfortunately. | 0:18:43 | 0:18:47 | |
Andy? | 0:18:52 | 0:18:55 | |
-Back up? Chris? -They're waiting... | 0:18:55 | 0:18:58 | |
They've done all the work they're supposed to do, yeah? | 0:18:58 | 0:19:01 | |
All we're waiting for is replace the track fuses in the signal relay room | 0:19:01 | 0:19:05 | |
and then they're going to give an all-clear. | 0:19:05 | 0:19:07 | |
Right, OK. So, the moment of truth, then, is minutes away. | 0:19:07 | 0:19:12 | |
-Seconds. -Seconds away? Right. | 0:19:12 | 0:19:15 | |
So, you've got all-clear and normal signalling? Excellent. | 0:19:17 | 0:19:21 | |
OK, then. Thanks so much. We've got normal signalling | 0:19:23 | 0:19:26 | |
and about to send the first train through from Seven Sisters. | 0:19:26 | 0:19:31 | |
Brilliant. The problem is between Seven Sisters and Finsbury Park, about there. | 0:19:31 | 0:19:35 | |
But just when they think it's fixed, | 0:19:36 | 0:19:39 | |
the signal fails again. | 0:19:39 | 0:19:41 | |
So, the track dropped and picked up as it should've done, | 0:19:41 | 0:19:45 | |
-but they didn't have full signalling. -Yeah. | 0:19:45 | 0:19:47 | |
The question is, what made it bob? | 0:19:47 | 0:19:49 | |
-I want to go to Highbury & Islington. -There's not... | 0:19:57 | 0:20:00 | |
VOICES ON RADIO | 0:20:00 | 0:20:02 | |
Over an hour later, there's finally some better news. | 0:20:04 | 0:20:08 | |
So, in terms of the second train, which is train 73, | 0:20:08 | 0:20:11 | |
that's now gone through as a passenger train. | 0:20:11 | 0:20:14 | |
Great. So, we've resumed, basically. We've resumed the train service. | 0:20:14 | 0:20:18 | |
All we've got to do now is build it into something | 0:20:18 | 0:20:21 | |
that can do something, can shift people. | 0:20:21 | 0:20:24 | |
And is the train on its way, yeah? | 0:20:24 | 0:20:27 | |
The signal has been repaired | 0:20:31 | 0:20:32 | |
and trains are starting to run again, with massive delays. | 0:20:32 | 0:20:37 | |
It's been quite horrendous since about quarter to eight this morning. | 0:20:37 | 0:20:42 | |
We are gradually getting service back. | 0:20:42 | 0:20:46 | |
I don't see us being able to run | 0:20:46 | 0:20:47 | |
a normal service before the close of traffic tonight. | 0:20:47 | 0:20:50 | |
But the Victoria line, it's... | 0:20:50 | 0:20:52 | |
It's a bit like being Forrest Gump. | 0:20:52 | 0:20:54 | |
You never know what you're going to get! | 0:20:54 | 0:20:57 | |
London wouldn't function without the Tube. | 0:21:13 | 0:21:16 | |
The difficulty for the people who run it is how little of it | 0:21:17 | 0:21:20 | |
any of us can really see. | 0:21:20 | 0:21:22 | |
Apart from the train, everything else you don't see. | 0:21:26 | 0:21:29 | |
You don't see the power, the track, the control system, the signalling, | 0:21:29 | 0:21:33 | |
the radio, you don't see any of that as a customer. | 0:21:33 | 0:21:37 | |
People just take it as part of life, part of the furniture. | 0:21:37 | 0:21:40 | |
It's something people are familiar with and take for granted. | 0:21:40 | 0:21:44 | |
The fact that we have to take it away from people sometimes | 0:21:44 | 0:21:47 | |
when we do this work is a huge inconvenience, | 0:21:47 | 0:21:49 | |
because they've built their lives around it. | 0:21:49 | 0:21:52 | |
At Tube headquarters, | 0:22:00 | 0:22:02 | |
a postmortem on the Victoria line shutdown is under way. | 0:22:02 | 0:22:06 | |
David Waboso wants to hear | 0:22:07 | 0:22:09 | |
from those responsible for the signal failure. | 0:22:09 | 0:22:12 | |
We all present and correct? | 0:22:13 | 0:22:16 | |
I have to say, we really need to understand the issues | 0:22:16 | 0:22:20 | |
with the track circuits and make sure they don't happen again. | 0:22:20 | 0:22:23 | |
We've had a special workshop this week | 0:22:23 | 0:22:26 | |
that was looking at what used to be called Black Tuesday | 0:22:26 | 0:22:30 | |
until we had Apocalyptic Black Tuesday the following one. | 0:22:30 | 0:22:32 | |
We went through each and every disturbance, | 0:22:32 | 0:22:35 | |
looking at what could we have done better, | 0:22:35 | 0:22:39 | |
because we were swamped with reaction. | 0:22:39 | 0:22:41 | |
Well, we should all look at that and weep. | 0:22:41 | 0:22:44 | |
One lady missed her exam. | 0:22:44 | 0:22:46 | |
Another lady missed her train | 0:22:46 | 0:22:48 | |
and then had to go and buy a full purchase of a new ticket. | 0:22:48 | 0:22:52 | |
People saying, you know, | 0:22:52 | 0:22:54 | |
we were deprived of the service for three whole days | 0:22:54 | 0:22:57 | |
over the Bank Holiday and then effectively the following day. | 0:22:57 | 0:23:01 | |
You can just feel the pain and the rage. | 0:23:02 | 0:23:05 | |
We really don't want to be there again. | 0:23:05 | 0:23:07 | |
It's not going anywhere till I am personally assured | 0:23:07 | 0:23:12 | |
why it went wrong and why it will never happen again. | 0:23:12 | 0:23:15 | |
Understood. | 0:23:15 | 0:23:17 | |
You have a product that you didn't understand, | 0:23:17 | 0:23:20 | |
that was being installed, and this must be an issue for you. | 0:23:20 | 0:23:24 | |
-Absolutely. -You need to explain that to me. -Yeah, absolutely. | 0:23:24 | 0:23:28 | |
I could go into some definition of that now, | 0:23:28 | 0:23:30 | |
but now's probably not the time | 0:23:30 | 0:23:32 | |
because we've had to do a lot of review around that | 0:23:32 | 0:23:35 | |
and those changes are being implemented now. | 0:23:35 | 0:23:37 | |
And I want a name, yeah? | 0:23:37 | 0:23:39 | |
A name against who is accountable in this room for fixing it. | 0:23:39 | 0:23:43 | |
You going to be all right on the escalator? Be careful. | 0:23:48 | 0:23:51 | |
-It's all right, I know. -Yeah? Be careful. | 0:23:51 | 0:23:53 | |
-Hi. Is he going to be all right on the escalator? -Yeah. | 0:23:53 | 0:23:57 | |
You sure? All right, just be careful, OK? | 0:23:57 | 0:24:00 | |
Especially with his fur and that, be careful. All right? | 0:24:00 | 0:24:04 | |
At Victoria Station, the congestion is getting worse, | 0:24:04 | 0:24:07 | |
even outside rush hour. | 0:24:07 | 0:24:09 | |
An escalator is being replaced. Thanks to the upgrade, | 0:24:09 | 0:24:13 | |
all Victoria line passengers here now have just two escalators. | 0:24:13 | 0:24:17 | |
This is now ten o'clock in the morning, it's well past rush hour. | 0:24:18 | 0:24:22 | |
There's people now going down two on every step with their bags | 0:24:22 | 0:24:26 | |
and as they step to get off and pull the handle out | 0:24:26 | 0:24:29 | |
on their little travel luggage, people pile up behind them. | 0:24:29 | 0:24:32 | |
You can see that one stumble and people are on top of each other. | 0:24:32 | 0:24:35 | |
It does now mean that if one of these fails, | 0:24:35 | 0:24:38 | |
we'd have to close the station. | 0:24:38 | 0:24:40 | |
You can't run the station without those escalators. It's that critical. | 0:24:40 | 0:24:45 | |
The repair team will take three months to replace the escalator. | 0:24:50 | 0:24:53 | |
Graeme wants to make sure they're on track. | 0:24:53 | 0:24:56 | |
I'm just at your back, watching. | 0:24:56 | 0:24:59 | |
Don't stop for me. | 0:24:59 | 0:25:00 | |
That enough? | 0:25:00 | 0:25:02 | |
Bit more? | 0:25:02 | 0:25:04 | |
I'm basically taking out | 0:25:04 | 0:25:06 | |
almost the entire machine | 0:25:06 | 0:25:09 | |
and replacing it with brand-new parts, so extend its life | 0:25:09 | 0:25:12 | |
by another 20, 40 years, depending on how much it gets used. | 0:25:12 | 0:25:16 | |
Like my knees, it's tired and they need new ones. | 0:25:16 | 0:25:19 | |
When you look at it, see how that's bent? | 0:25:19 | 0:25:23 | |
-Goodness me. -Yeah? | 0:25:23 | 0:25:25 | |
-You ready for the next step? -Yeah. -Here it comes. | 0:25:25 | 0:25:29 | |
Each of the escalator's 104 steps | 0:25:29 | 0:25:32 | |
has to be installed one by one. | 0:25:32 | 0:25:35 | |
Down a bit. | 0:25:35 | 0:25:37 | |
A lot of the physical works you can see | 0:25:44 | 0:25:46 | |
will be complete inside five or six, seven weeks. | 0:25:46 | 0:25:49 | |
Then it's the other bits and pieces. It's getting the alignments. | 0:25:49 | 0:25:53 | |
It's like you've taken out the entire contents of your car | 0:25:53 | 0:25:56 | |
and you're putting it back in and make sure it's all perfectly aligned | 0:25:56 | 0:25:59 | |
and it runs smoothly for the next 40 years. | 0:25:59 | 0:26:02 | |
The tolerances are down to millimetres either side, | 0:26:02 | 0:26:05 | |
in-between the gaps on the steps | 0:26:05 | 0:26:08 | |
so people can't get their fingers in the steps or trapped in the sides. | 0:26:08 | 0:26:11 | |
It's technically challenging. | 0:26:11 | 0:26:13 | |
-Everyone clear? -Yeah. | 0:26:13 | 0:26:15 | |
-Are you going as fast as you can? -Yeah. | 0:26:17 | 0:26:22 | |
Well, I think I am. | 0:26:22 | 0:26:25 | |
Other people might not, but I do. | 0:26:25 | 0:26:27 | |
-TANNOY: -Ladies and gentlemen, | 0:26:27 | 0:26:29 | |
the Circle and District lines are partially closed... | 0:26:29 | 0:26:33 | |
We've had a complaint letter before, | 0:26:33 | 0:26:36 | |
are we building it with Guatemalan pygmies because it takes so long? | 0:26:36 | 0:26:40 | |
"I could do it myself in a weekend with some friends." | 0:26:40 | 0:26:43 | |
The temptation to write back and say "Oh, really?" is enormous. | 0:26:43 | 0:26:46 | |
The biggest single improvement to the Victoria line can be found | 0:26:52 | 0:26:55 | |
at Northumberland Park Depot in northeast London. | 0:26:55 | 0:26:58 | |
It's home to all 43 existing trains on the line... | 0:26:58 | 0:27:01 | |
..and from now on, the Tube's great new hope. | 0:27:06 | 0:27:08 | |
47 new trains are being delivered, one carriage at a time, | 0:27:15 | 0:27:20 | |
by road from the factory in Derby. | 0:27:20 | 0:27:22 | |
The 40-year-old trains are like your old ZX Spectrum, yeah? | 0:27:29 | 0:27:33 | |
This is like your new iPad, yeah? | 0:27:33 | 0:27:34 | |
Basically, they're faster, and with that | 0:27:34 | 0:27:37 | |
you get more trains through the stations. | 0:27:37 | 0:27:39 | |
More trains an hour, yeah? | 0:27:39 | 0:27:42 | |
More passengers being taken down on the line. | 0:27:42 | 0:27:45 | |
-So, do you think they're better? -I think they're better, yeah. | 0:27:45 | 0:27:49 | |
The old trains are given one last job before retiring. | 0:27:54 | 0:27:58 | |
They're being used to push the three-tonne new carriages into the depot. | 0:27:58 | 0:28:02 | |
TRAIN WHISTLE BLOWS | 0:28:09 | 0:28:12 | |
Once all eight carriages are delivered to the depot, | 0:28:14 | 0:28:17 | |
the train will be ready to join the 30 other new ones already in service. | 0:28:17 | 0:28:22 | |
And the old model will no longer be needed. | 0:28:23 | 0:28:27 | |
What will happen to the old train now? | 0:28:34 | 0:28:38 | |
Um... Well, we'll say goodbye to it. It'll be going down for scrap. | 0:28:38 | 0:28:42 | |
We'll set up trip cocks on it and then it'll be sent down to Acton | 0:28:42 | 0:28:46 | |
and from then on, off to scrap. | 0:28:46 | 0:28:49 | |
Good afternoon, ladies and gents. This train will depart | 0:28:54 | 0:28:57 | |
in approximately two minutes. Thank you. | 0:28:57 | 0:29:00 | |
Oh, Mum? Yeah. Can I have carrots instead of peas? Yeah. | 0:29:01 | 0:29:05 | |
And just the bacon just slightly crispy on the edge. Thanks. | 0:29:05 | 0:29:09 | |
I do love this part of the line. It's just... I don't know why. | 0:29:13 | 0:29:17 | |
TRAIN WHISTLE BLOWS | 0:29:17 | 0:29:20 | |
You can feel all that grey, horrible, | 0:29:20 | 0:29:23 | |
suburban, utilitarian, post-apocalyptic concrete rubbish | 0:29:23 | 0:29:27 | |
just disappearing in the background. | 0:29:27 | 0:29:29 | |
You can just feel the warmth of the city, just throbbing. | 0:29:29 | 0:29:32 | |
I would love to preserve one of these when they're going. | 0:29:36 | 0:29:40 | |
Really. Seriously. | 0:29:40 | 0:29:42 | |
If not the whole carriage then just the cab | 0:29:42 | 0:29:44 | |
and the missus, she's well up for, she said, | 0:29:44 | 0:29:46 | |
"If that's what you want to do, you do it. I know it means a lot to you." | 0:29:46 | 0:29:50 | |
Just the cab section, that's all. Stick it in the front room somewhere | 0:29:50 | 0:29:53 | |
and just paint a big black circle around it. | 0:29:53 | 0:29:56 | |
While she's watching The X Factor I can sit here... | 0:29:56 | 0:29:58 | |
"Oh, look! I used to drive these!" | 0:29:58 | 0:30:01 | |
At Northumberland Park Depot, | 0:30:09 | 0:30:12 | |
all the new trains have now been delivered. | 0:30:12 | 0:30:15 | |
But before heading to the scrap yard, | 0:30:15 | 0:30:17 | |
the very last 1967 train is being given a ceremonial send-off. | 0:30:17 | 0:30:21 | |
Last '67 stock on the Victoria line | 0:30:22 | 0:30:24 | |
going out today. | 0:30:24 | 0:30:26 | |
And it's the end of the old girl. | 0:30:26 | 0:30:28 | |
It is an honour to drive the last one out, so yeah, | 0:30:28 | 0:30:31 | |
bringing it out the depot for the last journey, | 0:30:31 | 0:30:34 | |
bit of an emotional day. | 0:30:34 | 0:30:35 | |
HORN TOOTS | 0:30:35 | 0:30:37 | |
This is the last of the trains which started this whole revolution | 0:30:51 | 0:30:57 | |
of automatic train operation in the world. | 0:30:57 | 0:30:59 | |
Let's not forget these were the first trains to run | 0:30:59 | 0:31:03 | |
without a driver driving it, so it's good to see them go | 0:31:03 | 0:31:07 | |
because it's the next step of the upgrade of the Underground. | 0:31:07 | 0:31:10 | |
How we doing, all right? | 0:31:12 | 0:31:16 | |
What time is 247 due? | 0:31:16 | 0:31:18 | |
Through here I believe just before quarter to seven. | 0:31:18 | 0:31:21 | |
-I work on the District line at West Brompton. -Right. -And I've come from work. | 0:31:21 | 0:31:27 | |
So, you're going to have a ride on this? | 0:31:27 | 0:31:30 | |
-I went on the first ever Brixton train from here... -Really? | 0:31:30 | 0:31:35 | |
-..when the line opened. -What, in 1960... When was that? '71? -'71. | 0:31:35 | 0:31:40 | |
You've got to be guest of honour tonight. | 0:31:40 | 0:31:42 | |
We're building up quite a crowd now. | 0:31:42 | 0:31:44 | |
'Ladies and gentlemen, this is the driver speaking.' | 0:31:44 | 0:31:48 | |
This is the last 1967 stop on the Victoria line. | 0:31:48 | 0:31:52 | |
Those of you leaving us, I hope you've enjoyed your journey. | 0:31:52 | 0:31:55 | |
Can you just show me what you're putting up? | 0:32:04 | 0:32:06 | |
It's a home-made poster by Ken over there. | 0:32:06 | 0:32:10 | |
And it's to notify people that it is the last train, | 0:32:10 | 0:32:14 | |
in the hope that they will understand and realise | 0:32:14 | 0:32:17 | |
that an important part of London transport's going for good today. | 0:32:17 | 0:32:22 | |
-Do you all know each other here? ALL: -Yes. | 0:32:22 | 0:32:25 | |
Er, I'm 16. | 0:32:25 | 0:32:27 | |
How old are you all? | 0:32:27 | 0:32:29 | |
-16. -I'm 15. | 0:32:29 | 0:32:31 | |
The average age is sort of 16, so... | 0:32:31 | 0:32:33 | |
-And I'm the senior man at 18. -THEY ALL LAUGH | 0:32:33 | 0:32:36 | |
I suppose the stereotype is old men with big books who sit on the end of a platform, | 0:32:36 | 0:32:40 | |
but there are younger people about as well. | 0:32:40 | 0:32:42 | |
-We do this often, like every weekend. -Really? -Yeah. | 0:32:42 | 0:32:46 | |
After school, after college, we do it quite often. | 0:32:46 | 0:32:49 | |
-Why do you do it? -It's enjoyable. | 0:32:49 | 0:32:51 | |
It's a hobby, really. | 0:32:51 | 0:32:53 | |
People have places in their heart for footballers and musicians, | 0:32:53 | 0:32:56 | |
and some people have it for trains - it's just different, you know? | 0:32:56 | 0:33:01 | |
-It's just not socially accepted. -Yeah. | 0:33:01 | 0:33:03 | |
Just think, when this train came out of the production line | 0:33:08 | 0:33:11 | |
there was the Mark II Cortina was just being announced. | 0:33:11 | 0:33:14 | |
You know, who has one of those on their drive? | 0:33:14 | 0:33:17 | |
Is there one still left? | 0:33:17 | 0:33:18 | |
-Here it is. -Yes, yes. | 0:33:21 | 0:33:23 | |
Give that door a bit of a shove. Its last day today! | 0:33:30 | 0:33:34 | |
-You've never had such a full train, have you? -No, not round this time of night! | 0:33:44 | 0:33:48 | |
Anyhow, well done. Thank you very much for doing that. | 0:33:48 | 0:33:51 | |
OK, thanks, ladies and gentlemen. | 0:33:55 | 0:33:57 | |
Last '67 goes to the depot. | 0:33:57 | 0:33:59 | |
Thanks, everyone, for coming along. It's been a fantastic afternoon. | 0:33:59 | 0:34:03 | |
I hope you've enjoyed it as much as we have. | 0:34:03 | 0:34:06 | |
And looking forward to our new trains doing the service that these have done. | 0:34:06 | 0:34:10 | |
HORN TOOTS | 0:34:10 | 0:34:12 | |
APPLAUSE AND CHEERING | 0:34:12 | 0:34:15 | |
Three cheers for the '67 stock! | 0:34:16 | 0:34:17 | |
-Hip-hip! -Hooray! | 0:34:17 | 0:34:20 | |
-Hip-hip! -Hooray! | 0:34:20 | 0:34:22 | |
-Hip-hip! -Hooray! | 0:34:22 | 0:34:23 | |
-And one for luck. Hip-hip! -Hooray! | 0:34:23 | 0:34:26 | |
At Tottenham Court Road Station, | 0:34:51 | 0:34:53 | |
the Northern line platforms are meant to be opening soon | 0:34:53 | 0:34:56 | |
and the engineers are starting to feel the pressure. | 0:34:56 | 0:34:59 | |
That's the granules, yeah? | 0:34:59 | 0:35:01 | |
The tunnels have been re-shaped, gaining the engineers the critical | 0:35:01 | 0:35:05 | |
extra two feet of space they need to build bigger passenger walkways. | 0:35:05 | 0:35:08 | |
-Still doing it upside down, Frank? -Yeah! | 0:35:08 | 0:35:11 | |
-Yeah? -Yeah. | 0:35:11 | 0:35:13 | |
Now the platform has to be got ready for the public again. | 0:35:14 | 0:35:18 | |
How are you feeling at this point in the process? | 0:35:18 | 0:35:20 | |
Stressed. Not unduly, just stressed. | 0:35:20 | 0:35:22 | |
Personal pressure on my shoulders | 0:35:22 | 0:35:25 | |
to progress the work safely. | 0:35:25 | 0:35:29 | |
The days are counting down. | 0:35:29 | 0:35:30 | |
When I get my teeth into a job, and I like a job, | 0:35:30 | 0:35:33 | |
and I can see the end of a job, | 0:35:33 | 0:35:35 | |
I want my managers to be happy | 0:35:35 | 0:35:37 | |
and I want to walk away from here feeling also like, job well done. | 0:35:37 | 0:35:40 | |
It's organised chaos and it gets done. Everyone works hard. | 0:35:43 | 0:35:48 | |
I'm scratch coating at the moment, | 0:35:49 | 0:35:52 | |
building that top ready for the curve, on the top of the wall. | 0:35:52 | 0:35:56 | |
This will take tiling in the end, so it's got to be spot-on. | 0:35:56 | 0:36:01 | |
Excuse me, come right round, please. | 0:36:01 | 0:36:03 | |
We're empty round here, come round. Far side... | 0:36:03 | 0:36:06 | |
On the station concourse, | 0:36:06 | 0:36:07 | |
Barry Griffiths always keeps the public moving any way he can. | 0:36:07 | 0:36:11 | |
Keep pushing, keep pushing, push! | 0:36:11 | 0:36:14 | |
Push, you need to push! | 0:36:14 | 0:36:16 | |
No, too late. Come back, then, mate. Come back, come back. Come back! | 0:36:16 | 0:36:19 | |
If you can't push, come back. That's it. | 0:36:19 | 0:36:23 | |
Sir, we have a door for you next time! | 0:36:25 | 0:36:28 | |
I'm looking for The Tottenham pub. | 0:36:28 | 0:36:30 | |
-Everybody is! It's just there - upstairs, immediate left. It's just there. -Great, thank you. | 0:36:30 | 0:36:35 | |
-Would you like some directions? -Please. | 0:36:35 | 0:36:38 | |
-Where do you want to go? -Shaftsbury Avenue. -To see the show? | 0:36:38 | 0:36:41 | |
It's good, it feels good cos they're all happy. | 0:36:45 | 0:36:48 | |
All happy, all dressed up, all going somewhere, | 0:36:48 | 0:36:51 | |
been somewhere, been shopping... | 0:36:51 | 0:36:53 | |
probably going to a party or out for a drink. | 0:36:53 | 0:36:56 | |
See all these girls dressed up, they're probably going somewhere, look. All over there, looking good. | 0:36:56 | 0:37:01 | |
I can see by their appearance... They're from the Midlands. | 0:37:01 | 0:37:04 | |
Londoners are different. | 0:37:04 | 0:37:07 | |
They dress differently. | 0:37:07 | 0:37:08 | |
Different haircuts, different styles. | 0:37:08 | 0:37:11 | |
Different type of shoes. | 0:37:11 | 0:37:12 | |
Afternoon! | 0:37:14 | 0:37:16 | |
Tourist! | 0:37:16 | 0:37:17 | |
Well, obviously the theatre's turning out, so I know | 0:37:21 | 0:37:24 | |
it's roughly about 10.15, 10.20, | 0:37:24 | 0:37:27 | |
and we'll get busy now for about another 25 minutes. | 0:37:27 | 0:37:31 | |
Then a bit quiet, a bit of a lull then, | 0:37:31 | 0:37:33 | |
then we get the people out of the pubs then till 11.30, 11.45. | 0:37:33 | 0:37:37 | |
Then we get the people who've forgotten it's the last trains and start running, | 0:37:37 | 0:37:41 | |
but they can't get in. | 0:37:41 | 0:37:43 | |
Up go the clubbers. There you go - just see them going up there. | 0:37:43 | 0:37:48 | |
They'll be out all night now. | 0:37:48 | 0:37:49 | |
-Did you hear that? -Yeah. -Mop and bucket. | 0:37:54 | 0:37:56 | |
-Was it toilet? -Wee, he had a wee. -Wee-wee. | 0:37:56 | 0:37:59 | |
Wee-wee. Someone's had a wee-wee on the platform. | 0:37:59 | 0:38:03 | |
We have had number twos as well, I can assure you. We used to have the secret crapper. | 0:38:03 | 0:38:07 | |
Yeah! | 0:38:07 | 0:38:09 | |
On this platform, right at the end. Every week, different day. | 0:38:09 | 0:38:12 | |
Never caught them. | 0:38:12 | 0:38:13 | |
We don't think they did it... | 0:38:13 | 0:38:15 | |
We think they brought it in their pocket and dumped it. | 0:38:15 | 0:38:18 | |
From midnight onwards, | 0:38:22 | 0:38:24 | |
the last trains start coming through the station. | 0:38:24 | 0:38:26 | |
And it's Barry's job to make sure that customers don't miss them. | 0:38:26 | 0:38:31 | |
What are you doing up this time of night?! | 0:38:31 | 0:38:33 | |
Getting a sherbet? Getting a drink? | 0:38:33 | 0:38:35 | |
-I'm pissed, I'm so pissed. -HE LAUGHS | 0:38:35 | 0:38:37 | |
Are you really? Are you going to get home all right? | 0:38:37 | 0:38:39 | |
Don't hang about, and don't fall asleep on the train! | 0:38:39 | 0:38:42 | |
-Where'd you go? Where've you been? -Lovely to see you. | 0:38:42 | 0:38:45 | |
Haven't seen you for ages. | 0:38:45 | 0:38:46 | |
-Are you going home now? Got far to go? -Erm, Morden. | 0:38:46 | 0:38:49 | |
Oh, nice, be careful. Don't talk to strange people, all right? | 0:38:49 | 0:38:52 | |
Night. I love you. | 0:38:52 | 0:38:54 | |
Have a nice one. | 0:38:54 | 0:38:55 | |
Cheers. Cheers, Tone. | 0:38:55 | 0:38:57 | |
I treat these people like my friends, like mum and dad, like my best mates. | 0:38:57 | 0:39:01 | |
Everybody needs help and everybody's OK. | 0:39:01 | 0:39:04 | |
There's very few people who are rubbish, or horrible. | 0:39:04 | 0:39:08 | |
Vast majority of people, 99% of people are great. | 0:39:08 | 0:39:12 | |
Hurry up, hurry up! | 0:39:14 | 0:39:15 | |
For some drivers, the arrival of new trains | 0:39:52 | 0:39:55 | |
is making them think about their future. | 0:39:55 | 0:39:58 | |
Good morning, our next station is Stonebridge Park. | 0:39:58 | 0:40:02 | |
-Do you like the Bakerloo line? -I do. | 0:40:03 | 0:40:07 | |
It's old. | 0:40:07 | 0:40:09 | |
It's old stock, it's '72 stock. | 0:40:09 | 0:40:11 | |
There's no computers on it. | 0:40:11 | 0:40:13 | |
If anything goes wrong, you've got to use your brain. | 0:40:13 | 0:40:16 | |
It's a challenge and I like that. | 0:40:16 | 0:40:19 | |
Whereas I believe, the new trains like the Northern, Victoria, Jubilee, | 0:40:19 | 0:40:25 | |
they have computers and computers tell you what the problem is. | 0:40:25 | 0:40:32 | |
What will happen when they automate these trains? | 0:40:32 | 0:40:35 | |
I hope to be retired by then! | 0:40:35 | 0:40:38 | |
Victoria line train operator Boz Gunduz is starting his shift. | 0:40:45 | 0:40:49 | |
He feels the new trains are already making his life easier. | 0:40:49 | 0:40:53 | |
Ladies and gentlemen, this train is now ready to depart. | 0:40:53 | 0:40:57 | |
Please stand clear of the closing doors. | 0:40:57 | 0:40:59 | |
Stand clear of the closing doors, please. | 0:40:59 | 0:41:01 | |
As you can see, these are much nicer to drive. | 0:41:06 | 0:41:08 | |
One-handed operation. | 0:41:11 | 0:41:13 | |
Easy on the elbows and shoulders. I remember driving the '67 stock, | 0:41:15 | 0:41:19 | |
the old stock, and you had to have one hand on the dead man handle, | 0:41:19 | 0:41:22 | |
holding that down, while the other hand held the traction break controller, | 0:41:22 | 0:41:26 | |
and had to move it up and down and break and accelerate. | 0:41:26 | 0:41:29 | |
When I was a little boy, I wanted to be an astronaut. | 0:41:30 | 0:41:33 | |
Totally honest with you, I wanted to be an astronaut. | 0:41:33 | 0:41:36 | |
I wanted to go to space, but, erm... | 0:41:36 | 0:41:40 | |
instead of going up, I've gone down! | 0:41:40 | 0:41:42 | |
Instead of going up in the air, I've gone underground. | 0:41:42 | 0:41:45 | |
What's the answer to all this congestion? | 0:41:45 | 0:41:48 | |
I'd love to say, "Yeah, let's get more trains." | 0:41:48 | 0:41:51 | |
The problem is, you put more trains on the line... | 0:41:51 | 0:41:54 | |
It's like a road, it's like any road with a car. | 0:41:54 | 0:41:57 | |
You can put more cars on it, you can carry more people, but eventually | 0:41:57 | 0:42:01 | |
it'll start slowing down as there's too many cars to move around. | 0:42:01 | 0:42:05 | |
Ladies and gentlemen, just remaining on the platform | 0:42:08 | 0:42:11 | |
for a few moments to regulate service in front and behind of this train. | 0:42:11 | 0:42:15 | |
Ladies and gentlemen, this train is now ready to depart. | 0:42:15 | 0:42:18 | |
Please stand clear of the closing doors. | 0:42:18 | 0:42:20 | |
The new trains do carry more passengers, | 0:42:22 | 0:42:25 | |
but the Victoria line controllers still face a fundamental problem. | 0:42:25 | 0:42:30 | |
At any one point, we have more trains than we do platforms, | 0:42:30 | 0:42:32 | |
so if we were to get stuck now, we've got 31 trains... | 0:42:32 | 0:42:36 | |
we haven't got enough platforms to put them all into, | 0:42:36 | 0:42:38 | |
so if something goes wrong, very quickly you've got trains stacking up all over the place. | 0:42:38 | 0:42:43 | |
General message from Seven Sisters signals | 0:42:43 | 0:42:46 | |
to trains between Seven Sisters and Kings Cross on the southbound. | 0:42:46 | 0:42:49 | |
We've just been advised we've got a train with door problems. | 0:42:49 | 0:42:53 | |
It maybe has to hold in platforms and be delayed departure, et cetera. | 0:42:53 | 0:42:57 | |
Just bear with us, we will get you on the move as soon as possible. | 0:42:57 | 0:43:01 | |
At Seven Sisters Station, at the north end of the Victoria line, | 0:43:02 | 0:43:06 | |
one of the new trains has suddenly stopped dead. | 0:43:06 | 0:43:10 | |
Its driver is forced to get out of his cab and investigate. | 0:43:10 | 0:43:14 | |
The train's doors are fitted with a sensitive edge | 0:43:14 | 0:43:17 | |
which automatically stops the train if something is caught in them. | 0:43:17 | 0:43:21 | |
But they're just too sensitive, causing frequent delays. | 0:43:21 | 0:43:24 | |
The sensitive edges are a major issue at the moment, | 0:43:25 | 0:43:28 | |
where the doors close if you get something caught into it. | 0:43:28 | 0:43:31 | |
It can be something silly like somebody leaning against the door or a bag strap caught | 0:43:31 | 0:43:35 | |
and people pulling at the bag strap, things like that. | 0:43:35 | 0:43:38 | |
He then has to go and investigate, and if it's the last car, | 0:43:38 | 0:43:41 | |
he's got to shut his train down, walk all the way to the end of the platform, | 0:43:41 | 0:43:44 | |
find out what it is, and it can be something as silly as a piece of paper | 0:43:44 | 0:43:48 | |
caught in the door which stops the mechanism from closing, | 0:43:48 | 0:43:51 | |
but it's these things which slow you right down, cost you 2, 3, 4 minutes. | 0:43:51 | 0:43:54 | |
Are you the driver? | 0:43:54 | 0:43:56 | |
I'm the driver. What happened? | 0:43:56 | 0:43:58 | |
While the driver makes his checks, | 0:43:58 | 0:44:00 | |
the train at Seven Sisters remains on the platform. | 0:44:00 | 0:44:03 | |
And all the trains behind it are stuck as well. | 0:44:05 | 0:44:09 | |
This isn't good. | 0:44:09 | 0:44:11 | |
OK, so if you look at Green Park. | 0:44:12 | 0:44:15 | |
This is your southbound. You ideally should have the next train here. | 0:44:15 | 0:44:19 | |
But it's not, your next train is way down there. | 0:44:19 | 0:44:22 | |
Oxford Circus is six stations away from the stopped train | 0:44:22 | 0:44:26 | |
on the Victoria line, and they know it's about to affect them. | 0:44:26 | 0:44:30 | |
I've just had a report of sensitive edge doors. | 0:44:32 | 0:44:35 | |
In most cases, if he can't reset the doors, | 0:44:35 | 0:44:39 | |
he'll have to detrain that train, take it out of service and... | 0:44:39 | 0:44:43 | |
we've got trains stacked up behind it, | 0:44:43 | 0:44:45 | |
so we need to get that train on the move pretty sharpish. | 0:44:45 | 0:44:49 | |
A minute more and we'll end up having to shut. | 0:44:49 | 0:44:55 | |
Ladies and gentlemen, I apologise for having to stop in the tunnel. | 0:44:58 | 0:45:01 | |
Just a little bit of congestion on the line ahead of us is causing this. | 0:45:01 | 0:45:05 | |
We're just waiting here for the platform ahead to become available, | 0:45:05 | 0:45:08 | |
and hopefully we'll be on the move fairly soon. | 0:45:08 | 0:45:12 | |
It's things like this that overall congestion can cause. | 0:45:12 | 0:45:16 | |
I don't know what the cause is ahead of us, | 0:45:16 | 0:45:18 | |
but obviously, we've got too many trains in this section now, | 0:45:18 | 0:45:21 | |
we haven't got a clear run to the next platform, we're having to wait at this signal. | 0:45:21 | 0:45:25 | |
We're all now piled up like a big traffic jam. | 0:45:25 | 0:45:28 | |
At Oxford Circus, crowds of people are still flowing into the station. | 0:45:31 | 0:45:37 | |
But the trains aren't coming through regularly enough to clear them. | 0:45:37 | 0:45:41 | |
The northbound Victoria line services are being held at the platform for a short while. | 0:45:41 | 0:45:46 | |
This is to regulate the train service. | 0:45:46 | 0:45:49 | |
People trying to exit the platform, then these ones, | 0:45:51 | 0:45:55 | |
they want to get on the train. | 0:45:55 | 0:45:59 | |
-Sometimes, that can get quite scary. -3-5 on platform one. | 0:45:59 | 0:46:02 | |
3-5, are you receiving? | 0:46:02 | 0:46:04 | |
Suddenly, the balance tips. In the middle of rush hour, the decision is made to shut | 0:46:04 | 0:46:08 | |
all the station entrances before it becomes dangerously overcrowded. | 0:46:08 | 0:46:13 | |
Staff, can we man the gates, please? Can we man the gates, please? | 0:46:13 | 0:46:17 | |
Sorry, sorry. | 0:46:21 | 0:46:23 | |
It's a decision that's never popular with customers. | 0:46:36 | 0:46:40 | |
Listen, don't swear at me! | 0:46:40 | 0:46:43 | |
I don't have to have you swear at me. You want to swear, go elsewhere. | 0:46:43 | 0:46:46 | |
I've had people who will stick their feet in the door | 0:46:48 | 0:46:51 | |
and try and shove you out the way. | 0:46:51 | 0:46:52 | |
You're like, "We're closing the gates, you're not coming in." | 0:46:52 | 0:46:55 | |
Within minutes, a crowd of hundreds has built up outside the station. | 0:46:57 | 0:47:02 | |
It's part of the travelling. | 0:47:05 | 0:47:07 | |
If you get upset about it, you'll end up blowing your top. | 0:47:07 | 0:47:11 | |
If you have to use the station, you have to use the station. What else? | 0:47:11 | 0:47:14 | |
I have come to expect it. But...there's not a lot you can do about it. It's just frustrating. | 0:47:14 | 0:47:21 | |
Most times, we'll try and suggest alternative routes. | 0:47:22 | 0:47:26 | |
A lot of them are just lost if you ask them | 0:47:26 | 0:47:28 | |
to go to any other station, so most of them just stand there, | 0:47:28 | 0:47:31 | |
come rain, come sun, come snow, whatever it is. | 0:47:31 | 0:47:35 | |
So, yeah. They will stay there until we open. | 0:47:36 | 0:47:40 | |
After six minutes, the train at Seven Sisters is moving again. | 0:47:42 | 0:47:45 | |
And three miles away, the customers at Oxford Circus are finally let back into the station. | 0:47:45 | 0:47:50 | |
-Next customer, please. -Hello. -Good afternoon. Where are you going? | 0:47:57 | 0:48:02 | |
-Victoria Station. -£4. -£4. -Expensive. | 0:48:02 | 0:48:06 | |
I've been on the job now 31 years. 31 years, in September past. | 0:48:08 | 0:48:14 | |
Quite a long time, but I do like it. I like meeting the people, you know? | 0:48:14 | 0:48:18 | |
A bit of camp in-between, but that's life. | 0:48:18 | 0:48:21 | |
Hello there, next customer, please. Pop in your little card, please. | 0:48:21 | 0:48:27 | |
And your secret PIN number, please. Your balance is 5.20. Do you need a shiny holder? | 0:48:27 | 0:48:34 | |
-Listen, take care. -Thank you. | 0:48:34 | 0:48:36 | |
Bye-bye. | 0:48:36 | 0:48:38 | |
David Waboso wants a conference call with the factory making their new trains. | 0:48:43 | 0:48:47 | |
Problems with doors have caused almost a quarter of all | 0:48:47 | 0:48:50 | |
the Victoria line's delays this week. | 0:48:50 | 0:48:52 | |
But there are also headaches with new trains on other lines. | 0:48:52 | 0:48:56 | |
A software glitch has been discovered. | 0:48:56 | 0:48:58 | |
How did that get through factory testing? | 0:48:58 | 0:49:00 | |
How did we only see this in service? | 0:49:00 | 0:49:03 | |
'It's the irregularity... the frequency of which the fault will occur | 0:49:03 | 0:49:07 | |
'and it doesn't fall within the time span of the work we do here or the testing we do.' | 0:49:07 | 0:49:13 | |
Well, then it means we have to do more testing. | 0:49:13 | 0:49:16 | |
We cannot afford to bring this kit in service in this way. | 0:49:16 | 0:49:19 | |
We've had these discussions time and time and time again. | 0:49:19 | 0:49:23 | |
It's just not acceptable. | 0:49:23 | 0:49:24 | |
'What we're doing is identifying the root cause and fixing the root to it.' | 0:49:24 | 0:49:28 | |
I know that's what we're doing, but we're doing it in service. | 0:49:28 | 0:49:31 | |
'OK. | 0:49:33 | 0:49:34 | |
'Peter, there's an outstanding engineering justification | 0:49:34 | 0:49:38 | |
'that related to a sensitive edge door rubbers being a bit proud. | 0:49:38 | 0:49:44 | |
-'We were promised that last Friday. -This is the 3mm, 4mm. -Yeah. | 0:49:44 | 0:49:48 | |
'I'm sure they are looking at it today.' | 0:49:48 | 0:49:50 | |
-Well, can you share that with me, please? -'Sure.' | 0:49:50 | 0:49:53 | |
In a very clear way what needs to be fixed. | 0:49:53 | 0:49:55 | |
You know, I go back to basic engineering here - what is the design reliability? | 0:49:55 | 0:50:00 | |
Is it meeting it? | 0:50:00 | 0:50:01 | |
What was the testing regime to validate that, and why is it failing in service? | 0:50:01 | 0:50:05 | |
It's going to become like a cracked record - I'll say it every time. | 0:50:05 | 0:50:08 | |
-'Yup.' -Thank you. | 0:50:08 | 0:50:11 | |
To be honest, the core issue is how much we continue accepting these trains with this volume of defects. | 0:50:11 | 0:50:16 | |
Luckily, in the Victoria line train shed, | 0:50:27 | 0:50:30 | |
engineers think they have a solution to their door problem. | 0:50:30 | 0:50:34 | |
Can we do two more? | 0:50:34 | 0:50:36 | |
Before we close it, can I have the right angle? | 0:50:37 | 0:50:40 | |
These are too safe. | 0:50:42 | 0:50:44 | |
It brings down the reliability of the train. | 0:50:44 | 0:50:47 | |
And that's why we are trying to make it intelligent. | 0:50:47 | 0:50:50 | |
If you look at the old kind of sensor, | 0:50:50 | 0:50:53 | |
when there's clothing trapped between the doors | 0:50:53 | 0:50:57 | |
and someone pulls it from inside, it doesn't do anything, | 0:50:57 | 0:51:00 | |
it doesn't activate the sensitive edge. But when the pulling is from outside, | 0:51:00 | 0:51:04 | |
it's intelligent enough to understand the pulling is from outside, | 0:51:04 | 0:51:08 | |
and activate the sensitive edge and puts the emergency brake on. | 0:51:08 | 0:51:11 | |
It is called intelligent sensitive edge, as opposed to sensitive edge. | 0:51:13 | 0:51:17 | |
Replacing the door edges is going to cost £3 million and take six months. | 0:51:19 | 0:51:23 | |
In the meantime, the trains will still run with delays. | 0:51:23 | 0:51:27 | |
It's 4am at Tottenham Court Road Station. | 0:51:37 | 0:51:39 | |
Time for engineers to hand the Northern line platforms back to the public. | 0:51:39 | 0:51:43 | |
What do you think the customers will think? | 0:51:54 | 0:51:57 | |
From a public's perspective, a bit of a disappointment, | 0:51:57 | 0:52:02 | |
but from our perspective, it's going to look absolutely wonderful | 0:52:02 | 0:52:05 | |
compared to what it has been through, this environment. | 0:52:05 | 0:52:09 | |
It already... To me, that looks...like art. | 0:52:09 | 0:52:12 | |
The only evidence of the massive construction work | 0:52:16 | 0:52:20 | |
is three blue hoardings, hiding new platform entrances | 0:52:20 | 0:52:23 | |
which will eventually join to the passenger walkways. | 0:52:23 | 0:52:28 | |
An hour later, it's time for the station to open. | 0:52:32 | 0:52:35 | |
Customer services assistant Barry Griffiths is on the early shift. | 0:52:35 | 0:52:39 | |
It's very exciting. It's very exciting, yeah. | 0:52:39 | 0:52:43 | |
It's lovely to have it back. | 0:52:43 | 0:52:45 | |
Fantastic. | 0:52:47 | 0:52:48 | |
The great thing is they've kept all the murals, which is lovely. | 0:52:53 | 0:52:58 | |
They actually look really good. They look great. | 0:52:58 | 0:53:01 | |
I think customers will be expecting a lot more. | 0:53:03 | 0:53:06 | |
They'll think it's going to have been completely refurbished, | 0:53:06 | 0:53:09 | |
ie, you know, it's up top spec. | 0:53:09 | 0:53:12 | |
What they don't realise is this is the start of it, this is the prelim, | 0:53:12 | 0:53:15 | |
when they're just getting it ready to do the big...the big bit. | 0:53:15 | 0:53:19 | |
Bang on time at 5.42, a train rolls into the station. | 0:53:21 | 0:53:26 | |
It's the first time in seven months that a train has stopped at this platform. | 0:53:26 | 0:53:30 | |
There's the dust. | 0:53:32 | 0:53:34 | |
Is it finished? | 0:53:38 | 0:53:40 | |
All that's happened so far is that you've ripped off the...tiles. | 0:53:40 | 0:53:45 | |
I expect something else is going to happen. | 0:53:45 | 0:53:47 | |
Oh, I expected it to be more complete, definitely, yes. I did. | 0:53:47 | 0:53:52 | |
It's just the relief of not having to take three trains to get to Hampstead. | 0:53:52 | 0:53:56 | |
For the renewal of Tottenham Court Road, it's only the end of the beginning. | 0:54:03 | 0:54:09 | |
Above ground, behind the hoardings, the vast new station is just starting to take shape. | 0:54:09 | 0:54:14 | |
David Waboso and Howard Collins are visiting the site. | 0:54:29 | 0:54:34 | |
I could spend all day here. It's so exciting, this place, you know. | 0:54:34 | 0:54:37 | |
I love it. | 0:54:37 | 0:54:38 | |
You can just see the tops of the buses, | 0:54:40 | 0:54:43 | |
but behind that hoarding are people marching up and down Oxford Street. | 0:54:43 | 0:54:47 | |
If you go down five metres, behind that brick-glaze wall there, | 0:54:47 | 0:54:53 | |
are people walking into my ticket hall. | 0:54:53 | 0:54:55 | |
It will be another four years before Tottenham Court Road is finished. | 0:55:10 | 0:55:15 | |
The new station is designed for 200,000 passengers a day. | 0:55:18 | 0:55:23 | |
But even that may not be big enough. | 0:55:23 | 0:55:26 | |
The Tube, in a sense, generates its own traffic. | 0:55:30 | 0:55:33 | |
As soon as you upgrade something, as soon as you put in another | 0:55:33 | 0:55:36 | |
couple of trains per hour, you find that the capacity is taken up. | 0:55:36 | 0:55:40 | |
I mean, we were talking four or five years ago about four million passengers a day in 2016. | 0:55:44 | 0:55:50 | |
Guess what? Last year, back end of 2011, four million passengers a day. | 0:55:50 | 0:55:54 | |
So, we're now thinking five million passengers a day. | 0:55:54 | 0:55:58 | |
And the more you expand, the more people use it. | 0:55:58 | 0:56:02 | |
As soon as you fix this congested point, there's another one | 0:56:11 | 0:56:14 | |
along the line somewhere else to fix, so it's a never-ending task. | 0:56:14 | 0:56:19 | |
What we have to sometimes do is deliver, | 0:56:19 | 0:56:22 | |
I think, sometimes the impossible. | 0:56:22 | 0:56:24 | |
At Victoria Station, at least one part of the upgrade IS finished. | 0:56:42 | 0:56:46 | |
'Ladies and gentlemen, when using the escalator down | 0:56:46 | 0:56:49 | |
'to the Victoria line platform level, can you please stand on the right...' | 0:56:49 | 0:56:53 | |
It makes you think, how did we survive with just two? | 0:56:53 | 0:56:56 | |
When you see all the people coming down. Especially with their bags. | 0:56:56 | 0:57:00 | |
Some days we say to each other, "It's busy today." | 0:57:03 | 0:57:06 | |
It definitely is getting busier. That's why we close them all. | 0:57:06 | 0:57:09 | |
More people are coming. | 0:57:09 | 0:57:11 | |
We're a good team. People who work here know the score, they know how difficult it is. | 0:57:13 | 0:57:17 | |
They'll adapt, cos we always do. | 0:57:17 | 0:57:20 | |
We always do, we always manage it, somehow or another. | 0:57:20 | 0:57:22 | |
Fingers crossed. | 0:57:22 | 0:57:24 | |
Subtitles by Red Bee Media Ltd | 0:58:00 | 0:58:03 |