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John Thomson and Simon Day have been friends for over 20 years... | 0:00:02 | 0:00:05 | |
Oh, that is gorgeous! | 0:00:07 | 0:00:08 | |
..ever since they rose to fame as part of The Fast Show | 0:00:08 | 0:00:11 | |
in the early '90s. | 0:00:11 | 0:00:13 | |
What I always wanted to do was to build a robot | 0:00:13 | 0:00:15 | |
that thinks like a human. | 0:00:15 | 0:00:17 | |
-You mean it can't always make up its mind? -No. | 0:00:17 | 0:00:20 | |
Now these two comedians with soft hands are about to embark | 0:00:20 | 0:00:25 | |
on a very different journey. | 0:00:25 | 0:00:27 | |
It's a bit Curiosity Killed The Cat! | 0:00:27 | 0:00:29 | |
For three weeks they'll learn the ways of the gaucho in Argentina, | 0:00:29 | 0:00:34 | |
the rugged cowboy, national icon, symbol of freedom and courage. | 0:00:34 | 0:00:39 | |
Whoa! I thought stand-up was terrifying until I saw this. | 0:00:41 | 0:00:44 | |
This is a manly man's world. | 0:00:44 | 0:00:47 | |
I am going to moisturise. It will be a secret. | 0:00:47 | 0:00:50 | |
As novice riders, | 0:00:50 | 0:00:51 | |
they'll be the greenest gauchos Argentina has ever seen. | 0:00:51 | 0:00:55 | |
We look like security guards at a Basque separatists' rally. | 0:00:55 | 0:00:58 | |
The journey from city slicker to macho gaucho will be testing... | 0:00:58 | 0:01:03 | |
Right, honesty time - this is becoming hellish. | 0:01:03 | 0:01:06 | |
..and not without peril... | 0:01:06 | 0:01:08 | |
..as two friends, two amigos, attempt to find the gaucho within. | 0:01:10 | 0:01:15 | |
# Short of leg and large of head | 0:01:15 | 0:01:17 | |
# Brave of heart and kind of soul | 0:01:17 | 0:01:20 | |
# John Thomson will meet his goal | 0:01:20 | 0:01:22 | |
# To ride a little horse. # | 0:01:22 | 0:01:24 | |
THEY LAUGH | 0:01:24 | 0:01:27 | |
John and Simon leave for Argentina in a matter of days, | 0:01:34 | 0:01:37 | |
so an introduction to riding seems like a good idea. | 0:01:37 | 0:01:41 | |
Especially as they're not natural horsemen. | 0:01:41 | 0:01:44 | |
My experience of horse riding is donkeys on | 0:01:45 | 0:01:48 | |
Blackheath Common around 1971. | 0:01:48 | 0:01:51 | |
I grew up quite rurally, outside of Preston, | 0:01:51 | 0:01:54 | |
and there was a riding school, spitting distance from my house, | 0:01:54 | 0:01:58 | |
so I learned to ride as a child and got as far as canter. | 0:01:58 | 0:02:02 | |
-So I can... -Is that a place? -No... | 0:02:02 | 0:02:06 | |
Did you wear jodhpurs? | 0:02:06 | 0:02:07 | |
Don't remember wearing jodhpurs, I remember wearing maybe a pair of | 0:02:07 | 0:02:11 | |
brown flares, because it was the 1970s, of course. | 0:02:11 | 0:02:17 | |
You must have looked lovely. | 0:02:17 | 0:02:20 | |
Are you holding the stirrup? | 0:02:20 | 0:02:21 | |
Yeah, left foot into the stirrup, | 0:02:21 | 0:02:23 | |
OK, right hand on the back of the saddle, at the side. | 0:02:23 | 0:02:28 | |
They're old buddies, they went to Florida many moons ago, | 0:02:28 | 0:02:32 | |
so for them, I think it's nice for them just to | 0:02:32 | 0:02:36 | |
be kind of riding off into the sunset | 0:02:36 | 0:02:38 | |
as old men. SHE LAUGHS | 0:02:38 | 0:02:41 | |
-Shall I press play? -Yeah, OK. | 0:02:41 | 0:02:43 | |
John and Simon have travelled together before, 20 years ago. | 0:02:43 | 0:02:48 | |
Turn it up. | 0:02:48 | 0:02:49 | |
Do they getting resounding thumbs down from us or what? | 0:02:49 | 0:02:52 | |
I think they do, John. | 0:02:52 | 0:02:53 | |
Am I smoking?! I can't believe it! I'm having a fag at the hotel. | 0:02:53 | 0:02:58 | |
This is early '90s, John and I went to Florida on holiday | 0:02:58 | 0:03:00 | |
when we were poverty stricken actors, or I was. | 0:03:00 | 0:03:03 | |
I had been to America before, but I hadn't been with a mate. | 0:03:03 | 0:03:06 | |
We were single, weren't we? | 0:03:06 | 0:03:07 | |
The idea was to meet ladies as well, but... | 0:03:07 | 0:03:10 | |
Nah, we just talked to each other. | 0:03:10 | 0:03:12 | |
Well, do you know what our theme song was on this holiday after | 0:03:12 | 0:03:15 | |
we realised that the lady situation wasn't going to happen? | 0:03:15 | 0:03:18 | |
It was You're Never Gonna Get It. | 0:03:18 | 0:03:21 | |
Such a good holiday though - we were free spirits...very lonely! | 0:03:21 | 0:03:27 | |
Our relationship is exactly the same as when we met, | 0:03:27 | 0:03:29 | |
it's not really altered. | 0:03:29 | 0:03:30 | |
I think essentially, he makes me laugh | 0:03:30 | 0:03:33 | |
and very few people make me laugh. | 0:03:33 | 0:03:34 | |
I am here with Roger Moore, English film star, in some | 0:03:34 | 0:03:38 | |
undergrowth at the Wet 'n' Wild theme park in Orlando. | 0:03:38 | 0:03:42 | |
Mr Moore, are you enjoying yourself here today? | 0:03:42 | 0:03:44 | |
-AS ROGER MOORE: -It's exceptional. I enjoyed every minute of it. | 0:03:44 | 0:03:47 | |
The slides were exuberant and thrilling. | 0:03:47 | 0:03:49 | |
But I do take exception to being called "dude". | 0:03:49 | 0:03:52 | |
THEY LAUGH | 0:03:52 | 0:03:53 | |
Hi, this is Ted down the car lot at the resort hotel - let's rock! | 0:03:53 | 0:03:58 | |
This is Simon's driving lesson. | 0:03:58 | 0:04:00 | |
No license, but I let him drive anyway. | 0:04:00 | 0:04:02 | |
This is wicked. | 0:04:03 | 0:04:04 | |
We're very good for each other, as far as keeping each other's | 0:04:06 | 0:04:09 | |
spirits up. We're like a married couple. | 0:04:09 | 0:04:12 | |
Look at that, we were snogging at this point... | 0:04:12 | 0:04:14 | |
It begs the question... has time been kind? | 0:04:14 | 0:04:19 | |
Well, it's slightly odd, some bits I remember and some bits I don't. | 0:04:19 | 0:04:24 | |
We didn't have a care in the world, we didn't have | 0:04:24 | 0:04:27 | |
a worry in the world then. | 0:04:27 | 0:04:29 | |
Today, John and Simon are both married with children, | 0:04:29 | 0:04:33 | |
embroiled in the responsibilities of family life. | 0:04:33 | 0:04:36 | |
Conversations revolve around, "Did you get the milk?" "Yeah." | 0:04:36 | 0:04:39 | |
"What, blue or green?" "Blue." "What size?" | 0:04:39 | 0:04:43 | |
You know, you've got family, | 0:04:43 | 0:04:45 | |
do all those things you never thought you'd do, | 0:04:45 | 0:04:47 | |
I've got two small children who are more selfish than me | 0:04:47 | 0:04:50 | |
and more childish than me, and no matter how pathetic I want to be, | 0:04:50 | 0:04:56 | |
you can't do it with your own kids, you can't behave like that. | 0:04:56 | 0:04:59 | |
But for three weeks, they're going to escape the pressures | 0:04:59 | 0:05:02 | |
of modern-day life and reconnect | 0:05:02 | 0:05:04 | |
with the free spirits they once were, | 0:05:04 | 0:05:07 | |
in Argentina, land of the gaucho, | 0:05:07 | 0:05:10 | |
land of the free-range man. | 0:05:10 | 0:05:12 | |
The poncho of freedom. Hell, yeah, I want to go there! | 0:05:12 | 0:05:15 | |
Just sit quietly... | 0:05:15 | 0:05:17 | |
To get back that carefree man I was. | 0:05:17 | 0:05:19 | |
To really relax, just for a little bit. | 0:05:19 | 0:05:21 | |
It's a chance to get away from the creeping bindweed | 0:05:24 | 0:05:27 | |
of technology - unplugging yourself, no iPad, no iPhone. | 0:05:27 | 0:05:30 | |
You won't see gauchos sitting down, watching Morse | 0:05:30 | 0:05:36 | |
with eight cats on them, eating chocolates. | 0:05:36 | 0:05:39 | |
The cowboy alpha male thing. | 0:05:39 | 0:05:40 | |
Don't get me wrong, I'm still quite macho, | 0:05:40 | 0:05:43 | |
but I don't really buy into the, "Woaarrgghh!" | 0:05:43 | 0:05:47 | |
I would love him to come back as a real rough and ready... | 0:05:47 | 0:05:51 | |
yeah, South American, who will just pick me up on his shoulders | 0:05:51 | 0:05:54 | |
and, you know, "Grr! Come on!" | 0:05:54 | 0:05:57 | |
My wife has been actually quite, er, "You do that." | 0:05:57 | 0:06:02 | |
And trot on. | 0:06:02 | 0:06:03 | |
He's going to Argentina, | 0:06:03 | 0:06:06 | |
doing this cowboy thing, and he's riding horses | 0:06:06 | 0:06:11 | |
and farting, like cowboys do. | 0:06:11 | 0:06:14 | |
He's not an outdoors type of guy. | 0:06:14 | 0:06:17 | |
He likes his manicures and he likes his pedicures, | 0:06:17 | 0:06:20 | |
he likes his eyelash tints, he likes his facials. | 0:06:20 | 0:06:23 | |
..keeping that lower leg underneath you. | 0:06:23 | 0:06:25 | |
Ha-ha, Jesus and Mary! | 0:06:25 | 0:06:29 | |
I don't know how good he is at roughing it though, | 0:06:29 | 0:06:32 | |
and he doesn't like bugs and, you know, mosquito bites, | 0:06:32 | 0:06:36 | |
that sort of thing, does he? | 0:06:36 | 0:06:38 | |
Obviously, I am on camera and I'll be trying to fight. | 0:06:38 | 0:06:41 | |
With the family, I'd be going, "Oh, I've got a mosquito bite, oh, I'm chafing, oh, it's so hot, | 0:06:41 | 0:06:45 | |
"oh, it's too cold!" But on camera, I'll be trying to behave like Clint Eastwood. | 0:06:45 | 0:06:49 | |
It will be interesting to see how long that veneer lasts until it starts to crack. | 0:06:49 | 0:06:54 | |
Just a little up, down, up, down... | 0:06:54 | 0:06:57 | |
Maybe he will act like a cowboy, | 0:06:57 | 0:07:03 | |
but in a real life, he's not a cowboy. | 0:07:03 | 0:07:05 | |
I hope all the wild animals | 0:07:05 | 0:07:08 | |
don't come into his tent | 0:07:08 | 0:07:11 | |
and eat all his food. | 0:07:11 | 0:07:12 | |
And he's pretty funny, so I don't know if cowboys are funny or not. | 0:07:12 | 0:07:18 | |
POSH VOICE: Well, I can't afford both of them. | 0:07:18 | 0:07:22 | |
I'd very much like to buy this one for my daughter, and if this chap | 0:07:22 | 0:07:27 | |
could come along in a two-in-one deal, that would be marvellous. | 0:07:27 | 0:07:31 | |
This is a lady too. | 0:07:31 | 0:07:33 | |
Ah, of course she is... | 0:07:33 | 0:07:34 | |
Any worries about going away for three weeks to Argentina? | 0:07:34 | 0:07:37 | |
Maybe a wild horse throwing me, | 0:07:37 | 0:07:39 | |
being gored, maybe, disembowelled by a steer's horns, | 0:07:39 | 0:07:44 | |
or falling off a horse and being paralysed for life, really, that's the worst. | 0:07:44 | 0:07:48 | |
Glad I brought it up(!) | 0:07:48 | 0:07:49 | |
For 300 years, Argentina's cowboys - gauchos - | 0:07:53 | 0:07:58 | |
have tended livestock across this vast country. | 0:07:58 | 0:08:00 | |
From the tropics of the North to the mighty Andes Mountains in the South. | 0:08:04 | 0:08:09 | |
These colourful and nomadic horsemen encapsulate the rugged spirit | 0:08:09 | 0:08:13 | |
of every boyhood dream. | 0:08:13 | 0:08:15 | |
It's here that John and Simon will taste the freedom | 0:08:16 | 0:08:19 | |
of the traditional gaucho way of life. | 0:08:19 | 0:08:21 | |
But first, they arrive in the capital, Buenos Aires - | 0:08:25 | 0:08:28 | |
known as the Paris of South America. | 0:08:28 | 0:08:31 | |
See, these streets are all the same. Little gems hidden away. | 0:08:35 | 0:08:40 | |
Look, there's a lovely little fruit stall. That looks nice. | 0:08:40 | 0:08:43 | |
Shiny apple, conference pear. | 0:08:43 | 0:08:45 | |
There's a very handsome boy there with silky blue shorts on. | 0:08:45 | 0:08:50 | |
-Simon, you sound like Noel Coward. -How do you speak Noel Coward? | 0:08:50 | 0:08:52 | |
-PLUMMY ACCENT: -Noel Coward? -There is a very handsome boy... | 0:08:52 | 0:08:56 | |
I believe he spoke very quickly... | 0:08:56 | 0:08:59 | |
You've got how many years on me? Five? | 0:09:00 | 0:09:02 | |
How old am I? I am 51. | 0:09:02 | 0:09:04 | |
-Are you 51? -52 in May. | 0:09:04 | 0:09:07 | |
You've got seven years on me. | 0:09:07 | 0:09:09 | |
So iconic is the gaucho in Argentina | 0:09:10 | 0:09:13 | |
that Buenos Aires, with nary a cow in sight, | 0:09:13 | 0:09:16 | |
has many high-end shops where rich cosmopolitans can at least | 0:09:16 | 0:09:19 | |
dress like a gaucho. | 0:09:19 | 0:09:21 | |
This would be over £100 sterling, about £120 sterling, so... | 0:09:22 | 0:09:27 | |
With gaucho training imminent, | 0:09:27 | 0:09:29 | |
John's need for a good pair of boots is legit. | 0:09:29 | 0:09:32 | |
How can I help you? | 0:09:32 | 0:09:33 | |
Er, in England, seven and a half. | 0:09:38 | 0:09:41 | |
Over here, that's a 44. | 0:09:41 | 0:09:43 | |
And very high instep. | 0:09:43 | 0:09:44 | |
Of course, I brought my own Hermes saddle with me on the plane, | 0:09:46 | 0:09:49 | |
which I bought in the '90s, and I have been waxing it. | 0:09:49 | 0:09:53 | |
I refused to sell it, although I lost everything else. | 0:09:53 | 0:09:55 | |
Finally come in handy! | 0:09:55 | 0:09:58 | |
Ah, yes! | 0:10:00 | 0:10:02 | |
These are the ones - all ready for panto! | 0:10:04 | 0:10:07 | |
Over three weeks, our gauchos-to-be will first get a training | 0:10:13 | 0:10:17 | |
crash course in the northern Corrientes province, | 0:10:17 | 0:10:20 | |
before heading 1,500 miles south to the region of Patagonia, | 0:10:20 | 0:10:25 | |
where they'll join traditional gauchos on a real cattle drive - | 0:10:25 | 0:10:29 | |
bringing 200 cattle down a mountain pass, | 0:10:29 | 0:10:32 | |
50 miles of riding over three days and nights. | 0:10:32 | 0:10:37 | |
But for today, their simple task is to get an hour's drive | 0:10:37 | 0:10:40 | |
out of the capital, for a local gaucho festival. | 0:10:40 | 0:10:43 | |
We're going to Pilar, which is a suburb of Buenos Aires, BA. | 0:10:43 | 0:10:47 | |
It's not that difficult, we're in Recoleta, | 0:10:47 | 0:10:51 | |
we go through Barrio Norte, above Palermo, past the zoo. | 0:10:51 | 0:10:55 | |
I know it's a zoo, because there's a picture of a lion, | 0:10:55 | 0:10:58 | |
the universal sign of the zoo. A lion. | 0:10:58 | 0:11:00 | |
Airport is to the right - we're not going there, are we? | 0:11:05 | 0:11:07 | |
This is the section of the film my mum would enjoy the most. | 0:11:10 | 0:11:13 | |
"Oh, God, he's navigating!" | 0:11:13 | 0:11:15 | |
"Ohh, I felt sorry for John then." | 0:11:15 | 0:11:17 | |
Even though we've got huge landmarks left and right, | 0:11:17 | 0:11:21 | |
I have absolutely no idea where we are. | 0:11:21 | 0:11:23 | |
Right, I'll give you an idea. Look for a road. | 0:11:23 | 0:11:26 | |
You see, there's a signpost there, like in New York. | 0:11:26 | 0:11:29 | |
The cross sections. | 0:11:29 | 0:11:30 | |
It's similar to New York, it's a grid system. | 0:11:30 | 0:11:32 | |
I got lost there too. | 0:11:32 | 0:11:34 | |
I got lost there with you once, didn't I? | 0:11:34 | 0:11:37 | |
The way they drive here - they don't even indicate! | 0:11:37 | 0:11:40 | |
What you doing!? | 0:11:40 | 0:11:41 | |
Oh, sh...! | 0:11:43 | 0:11:45 | |
Come on. You're all right, go. Are you all right? | 0:11:45 | 0:11:47 | |
He's going to go on the inside too, what nutcases! | 0:11:47 | 0:11:50 | |
You can see why I didn't volunteer to drive, can't you? | 0:11:50 | 0:11:53 | |
We would be dead by now. | 0:11:53 | 0:11:54 | |
DISCO MUSIC PLAYS ON STEREO | 0:11:54 | 0:11:56 | |
Not a bad system, is it? | 0:11:56 | 0:11:57 | |
19... what year? | 0:11:59 | 0:12:01 | |
# ..smoking mountains, nothing new... # | 0:12:01 | 0:12:03 | |
-I think it's... -Yes? | 0:12:03 | 0:12:06 | |
# ..to the mountaintop... # | 0:12:06 | 0:12:07 | |
'82? | 0:12:07 | 0:12:10 | |
Yes! | 0:12:10 | 0:12:11 | |
THEY LAUGH | 0:12:13 | 0:12:15 | |
MUSIC: "Walking on Sunshine" by Rockers Revenge | 0:12:15 | 0:12:19 | |
# Uhhh... # | 0:12:21 | 0:12:22 | |
It's like that, isn't it? | 0:12:22 | 0:12:24 | |
# Uh-h-h-h!# | 0:12:24 | 0:12:26 | |
# We work until it's time to stop | 0:12:26 | 0:12:28 | |
# Oh, baby | 0:12:28 | 0:12:29 | |
# You're mine, you're mine, you're | 0:12:29 | 0:12:32 | |
# Walking on sunshine... # | 0:12:32 | 0:12:35 | |
Turn it off, here's the toll. | 0:12:35 | 0:12:36 | |
-How much is it? -12. -They will tell you. | 0:12:36 | 0:12:39 | |
Gracias. | 0:12:40 | 0:12:42 | |
There must be a film somewhere... An independent film about a guy having a relationship | 0:12:42 | 0:12:45 | |
with someone who works in a toll booth. | 0:12:45 | 0:12:47 | |
-Can you imagine? -Brilliant idea, Simon! Yeah. | 0:12:47 | 0:12:51 | |
Italian film, every day, "Hello!" | 0:12:51 | 0:12:53 | |
So they drive around? | 0:12:53 | 0:12:55 | |
No, it slowly builds | 0:12:55 | 0:12:57 | |
and one day there is an accident or whatever and they fall in love. | 0:12:57 | 0:12:59 | |
The next day he goes back and she's been fired. | 0:12:59 | 0:13:02 | |
-There's an old bloke in there. -She's not there any more. | 0:13:02 | 0:13:05 | |
Yes, he starts asking and all the traffic's building up. | 0:13:05 | 0:13:07 | |
"Where is the lady?" he's screaming. | 0:13:07 | 0:13:10 | |
We'd go to America and they'd say yes. London - no. | 0:13:10 | 0:13:14 | |
No, I love it. Toll booth romance. | 0:13:14 | 0:13:18 | |
Toll booth romance. I bet it's been done. | 0:13:18 | 0:13:20 | |
"Aah, we gotta couple of toll booth romance films | 0:13:20 | 0:13:22 | |
"in production already, get outta here!" | 0:13:22 | 0:13:26 | |
Surely we should be there by now. | 0:13:28 | 0:13:30 | |
-There you go, Pilar. -Hey-y-y! | 0:13:30 | 0:13:32 | |
For one day a year, over 10,000 gauchos | 0:13:34 | 0:13:37 | |
and gaucho fans come together. | 0:13:37 | 0:13:40 | |
By horse - or by car - they travel from all over Argentina. | 0:13:40 | 0:13:45 | |
They look fantastic. They've all got their colours on - they're like jockeys. | 0:13:46 | 0:13:49 | |
They're here to promote their traditional culture, | 0:13:49 | 0:13:53 | |
which stretches back to its heyday in the 19th century, | 0:13:53 | 0:13:56 | |
when 200,000 gauchos roamed free, | 0:13:56 | 0:13:59 | |
taming wild horses, hunting and gathering cattle. | 0:13:59 | 0:14:03 | |
As the land was carved up into huge estancias or ranches, | 0:14:03 | 0:14:07 | |
they became hired hands and their numbers began to decline. | 0:14:07 | 0:14:12 | |
Today, there are only 20,000 working gauchos, | 0:14:12 | 0:14:16 | |
so the festival's a great place to wave a flag for their heritage, | 0:14:16 | 0:14:19 | |
and a good excuse for everyone else to have a picnic. | 0:14:19 | 0:14:24 | |
John and Simon are joined by Gloria, who'll be on hand | 0:14:26 | 0:14:29 | |
to translate for them whenever needed. | 0:14:29 | 0:14:31 | |
And to help them buy sausages. | 0:14:31 | 0:14:34 | |
How do you buy it, Gloria? | 0:14:34 | 0:14:35 | |
SHE SPEAKS SPANISH | 0:14:35 | 0:14:38 | |
That's incredible. | 0:14:42 | 0:14:43 | |
The man to know here is Carlos Beretta. | 0:14:45 | 0:14:48 | |
This is Carlos, which is the voice of the parade. | 0:14:48 | 0:14:52 | |
Muchas gracias. | 0:15:05 | 0:15:06 | |
Several hours of parading leaves plenty of time for shopping. | 0:15:15 | 0:15:19 | |
It suits you like this. | 0:15:19 | 0:15:20 | |
Back off a bit. There's a mirror, isn't there? | 0:15:23 | 0:15:26 | |
It's a bit Curiosity Killed The Cat! | 0:15:26 | 0:15:29 | |
I seem to remember Lisa Stansfield wearing one of them in the '80s. | 0:15:29 | 0:15:32 | |
-I don't look anything like a gaucho, do I? -No. | 0:15:32 | 0:15:35 | |
ANNOUNCEMENTS IN SPANISH OVER PA | 0:15:35 | 0:15:40 | |
What are these? Just for decoration? | 0:15:42 | 0:15:44 | |
-No, those are boleadoras. -Oh, for the... -Exactly. | 0:15:44 | 0:15:49 | |
Are they called bolos? | 0:15:49 | 0:15:50 | |
Boleadoras. | 0:15:51 | 0:15:53 | |
That's the hardest thing to learn, isn't it? | 0:15:53 | 0:15:55 | |
You throw it like this, to hit it on the temple? | 0:15:59 | 0:16:02 | |
Yeah, exactly. | 0:16:04 | 0:16:05 | |
These ones are very beautiful, because they are marble made. | 0:16:05 | 0:16:08 | |
Shopping over, it's time for John and Simon to watch some serious | 0:16:08 | 0:16:13 | |
gaucho sport, in a traditional competition called La Doma. | 0:16:13 | 0:16:17 | |
BELL RINGS | 0:16:19 | 0:16:22 | |
COMMENTARY IN SPANISH OVER PA | 0:16:22 | 0:16:25 | |
The skills of Doma are part of the horse taming process - | 0:16:27 | 0:16:30 | |
everyday work for the gaucho, | 0:16:30 | 0:16:32 | |
but in competitions like this they use the most aggressive wild horses. | 0:16:32 | 0:16:37 | |
Stay within the bells, one bell rings, you stay on the horse, | 0:16:42 | 0:16:44 | |
the bell rings, you stayed in. | 0:16:44 | 0:16:47 | |
Some of the best riders in the world are here, | 0:16:47 | 0:16:50 | |
competing for big cash prizes. | 0:16:50 | 0:16:51 | |
But there's a very obvious down side. | 0:16:55 | 0:16:57 | |
APPLAUSE | 0:17:06 | 0:17:10 | |
-In his eye? -His eye socket. | 0:17:15 | 0:17:17 | |
Extraordinary - it's the most exciting thing I have seen live. | 0:17:23 | 0:17:26 | |
I thought stand-up was terrifying until I saw this. | 0:17:26 | 0:17:29 | |
The way the horse literally gets on his hind legs, | 0:17:29 | 0:17:33 | |
-and goes back... It's unbelievable! -It was quite incredible. | 0:17:33 | 0:17:36 | |
-Unbelievable! -The guts! | 0:17:36 | 0:17:38 | |
They are only young kids as well who are doing it, generally. | 0:17:38 | 0:17:40 | |
The guts they must have to get up there. Simon said to me, how much? I said, a million! | 0:17:40 | 0:17:44 | |
There was one, he rode it and as he came past, | 0:17:50 | 0:17:52 | |
I threw my boxer shorts at him and he caught them in his teeth. | 0:17:52 | 0:17:56 | |
He wrung them out and gave them to his father. | 0:17:56 | 0:17:58 | |
It was quite emotional. | 0:17:58 | 0:17:59 | |
Bono estente! | 0:18:01 | 0:18:03 | |
KNOCK ON DOOR Security! | 0:18:09 | 0:18:12 | |
Morning, mate. Funny night. | 0:18:12 | 0:18:14 | |
Mozzie went like "bzzzz" in my ear and I got paranoid, | 0:18:14 | 0:18:17 | |
so I started chasing it around the room. | 0:18:17 | 0:18:19 | |
I didn't get it. | 0:18:19 | 0:18:20 | |
John, give us the Mick Jagger. | 0:18:20 | 0:18:22 | |
We've got a new... | 0:18:22 | 0:18:23 | |
The Mick Jagger move. | 0:18:23 | 0:18:25 | |
Celebrity mosquito catching. | 0:18:25 | 0:18:27 | |
Mosquitoes are becoming a slight problem, so we've got the Mick... | 0:18:27 | 0:18:31 | |
the Mick Jagger... 'Ere! ..catch the mozzie move! | 0:18:31 | 0:18:34 | |
There's one. | 0:18:34 | 0:18:36 | |
'Ere! | 0:18:36 | 0:18:37 | |
We have in front of us a ten-hour drive. | 0:18:38 | 0:18:42 | |
That's with stops, not continuous, | 0:18:42 | 0:18:45 | |
so it's a bit of a road trip today, bit of a slog. | 0:18:45 | 0:18:48 | |
It's quite exciting using a map again. | 0:18:48 | 0:18:51 | |
I do find that often, sat nav can fill you with fear. | 0:18:51 | 0:18:56 | |
Simon's map reading can't. | 0:18:57 | 0:19:00 | |
It's a drive of 350 miles from Pilar to their training ranch | 0:19:03 | 0:19:08 | |
at Esquina, in the northern region of Corrientes. | 0:19:08 | 0:19:11 | |
Gracias. | 0:19:12 | 0:19:13 | |
Gracias! | 0:19:13 | 0:19:15 | |
-You can be the keeper of the... -Si! | 0:19:19 | 0:19:22 | |
-We are off to Esquina, to the... -Corrientes province. | 0:19:22 | 0:19:26 | |
Yes, where we will meet the gauchos and start our training. | 0:19:26 | 0:19:30 | |
Our wonderful fixer, Gloria, who is a native of Argentina, | 0:19:30 | 0:19:34 | |
she was telling us last night about the giant wasps. | 0:19:34 | 0:19:38 | |
She said, "They don't sting, they take a bite out of you." | 0:19:38 | 0:19:41 | |
Yeah, the double whammy. | 0:19:41 | 0:19:43 | |
My main concern is mosquitoes. | 0:19:43 | 0:19:45 | |
But once we get on the horses, our main concern is staying alive. | 0:19:45 | 0:19:48 | |
John and Simon pass through the vast area of Las Pampas, | 0:19:52 | 0:19:55 | |
traditionally the gauchos' heartland, | 0:19:55 | 0:19:58 | |
where for centuries they produced the finest beef cattle in the world. | 0:19:58 | 0:20:02 | |
But in recent decades, | 0:20:03 | 0:20:04 | |
wealthy industrial farmers have grown soya to raise | 0:20:04 | 0:20:07 | |
their cattle in huge feedlots, squeezing out the skilful gauchos. | 0:20:07 | 0:20:12 | |
-Are you drifting? -No, I'm just enjoying it. -No, he is. | 0:20:16 | 0:20:20 | |
It's difficult to know whether to drift. | 0:20:20 | 0:20:22 | |
As the light begins to fade, they're well behind schedule, | 0:20:25 | 0:20:29 | |
still 180 miles from the ranch. | 0:20:29 | 0:20:32 | |
John's driving shift is over, so it's time for Simon to take | 0:20:32 | 0:20:35 | |
the wheel - a man who only passed his test in his mid-40s. | 0:20:35 | 0:20:38 | |
Right-hand side of the road, yeah? | 0:20:40 | 0:20:43 | |
Yeah, it's just the first thing. First rule. | 0:20:43 | 0:20:45 | |
-Are you ready? -I don't know. | 0:20:47 | 0:20:49 | |
One problem I have is the key knocks against my knee. | 0:20:49 | 0:20:52 | |
You have that problem? | 0:20:52 | 0:20:53 | |
No, I'm short of leg. | 0:20:53 | 0:20:55 | |
# Short of leg and large of head | 0:20:55 | 0:20:57 | |
# Brave of heart and kind of soul | 0:20:57 | 0:21:00 | |
# John Thomson will meet his goal | 0:21:00 | 0:21:02 | |
# To ride a little horse. # | 0:21:02 | 0:21:05 | |
THEY LAUGH | 0:21:05 | 0:21:07 | |
Freestyler! | 0:21:07 | 0:21:10 | |
-And you're off. -I'm rolling. | 0:21:10 | 0:21:12 | |
Now, when I hit my clipboard, Mr Day... | 0:21:12 | 0:21:14 | |
OK, little update for everybody. | 0:21:16 | 0:21:18 | |
We have decided to come on a road | 0:21:18 | 0:21:22 | |
that is in terrible disrepair | 0:21:22 | 0:21:24 | |
with the biggest potholes. | 0:21:24 | 0:21:26 | |
I mean, like axle-cracking pot holes. | 0:21:26 | 0:21:28 | |
-"Axle-Crackin' Potholes!" -There's one. A little one. | 0:21:28 | 0:21:31 | |
You will witness one in a minute. | 0:21:31 | 0:21:33 | |
So, we are a little bit up against it, | 0:21:33 | 0:21:35 | |
because it's gonna go dark here. | 0:21:35 | 0:21:37 | |
And when it goes dark along here, | 0:21:37 | 0:21:39 | |
there is absolutely no street lighting. | 0:21:39 | 0:21:42 | |
RUMBLING AND RATTLING | 0:21:42 | 0:21:44 | |
BLEEP! | 0:21:44 | 0:21:45 | |
Oh-ho-ho-ho-ho! | 0:21:48 | 0:21:50 | |
It was like a shallow grave, not just a pothole! | 0:21:50 | 0:21:53 | |
There's many bad holes around where we live. | 0:21:53 | 0:21:55 | |
Apparently it's something to do with the ice and snow. | 0:21:55 | 0:21:58 | |
-BLEEP -sake! | 0:22:00 | 0:22:02 | |
Did you not see them? | 0:22:03 | 0:22:04 | |
There's one! | 0:22:07 | 0:22:08 | |
How are you feeling, John? | 0:22:10 | 0:22:12 | |
Ooh! | 0:22:16 | 0:22:17 | |
OK, sorry. | 0:22:17 | 0:22:18 | |
We are all right, I think. | 0:22:18 | 0:22:20 | |
You turned the engine off, mid driving...? | 0:22:20 | 0:22:23 | |
No, I knocked it with my thing - my knee. I know... | 0:22:23 | 0:22:26 | |
What am I supposed to do? My knee is right on the key. | 0:22:26 | 0:22:30 | |
Overtaking, as it gets dark, | 0:22:30 | 0:22:31 | |
is not something I'm particularly going to... | 0:22:31 | 0:22:34 | |
Come over a bit, you're on the rough bit. | 0:22:34 | 0:22:37 | |
It's like you when we were driving into the gaucho place. | 0:22:37 | 0:22:39 | |
Don't answer back! | 0:22:39 | 0:22:42 | |
Oh, no? Sorry! | 0:22:42 | 0:22:45 | |
RUMBLING AND RATTLING | 0:22:45 | 0:22:47 | |
-I'm gonna knock you out of this -BLEEP -car if you do that one more time. | 0:22:47 | 0:22:51 | |
-DEEP VOICE: -You will have to pass before the sun goes down, my friend. | 0:22:51 | 0:22:56 | |
Ha-ha, stay on the road. | 0:22:56 | 0:22:57 | |
Very dangerous out there. You don't know. | 0:22:57 | 0:23:00 | |
You don't speak the language. | 0:23:00 | 0:23:02 | |
Biblical clouds out here. | 0:23:02 | 0:23:04 | |
Amazing. | 0:23:04 | 0:23:05 | |
Nice bit of low sun coming from the left. | 0:23:05 | 0:23:07 | |
Ooooh. Whoa, whoa, whoa! | 0:23:11 | 0:23:14 | |
Ha-ha, sorry about that. | 0:23:14 | 0:23:16 | |
As the evening grows darker, the road gets smaller. | 0:23:22 | 0:23:25 | |
And by 10pm, a full 12 hours after | 0:23:28 | 0:23:31 | |
they left, it's pitch black and hardly a road at all. | 0:23:31 | 0:23:35 | |
Finally, they reach the gates of La Pelada, | 0:23:37 | 0:23:40 | |
their home for the next five days. | 0:23:40 | 0:23:42 | |
It's really lovely. | 0:23:51 | 0:23:53 | |
Spanish style. | 0:23:54 | 0:23:57 | |
That has to be one of the longest drives - I mean, driveways. | 0:23:57 | 0:24:01 | |
Would you show us to our rooms, please? | 0:24:01 | 0:24:03 | |
-Yes. -Our room. | 0:24:03 | 0:24:05 | |
Simon, he wants it to be quite sparse and monasterial. | 0:24:07 | 0:24:10 | |
Yeah, I want whitewashed floors, | 0:24:10 | 0:24:12 | |
two very small twin beds, crucifix, that's it. | 0:24:12 | 0:24:16 | |
There's our room, look, I told you. | 0:24:16 | 0:24:18 | |
-Come have a look in here. -That might not be yours. | 0:24:18 | 0:24:21 | |
I told you what the room would be like. I predicted it. | 0:24:22 | 0:24:25 | |
Look! | 0:24:25 | 0:24:27 | |
-That is spooky. -I didn't see it! | 0:24:27 | 0:24:30 | |
That is a bit spooky. | 0:24:33 | 0:24:35 | |
Now, this is probably too big for me, this bed. | 0:24:35 | 0:24:38 | |
Good night, John. | 0:24:38 | 0:24:39 | |
JOHN LAUGHS | 0:24:39 | 0:24:41 | |
Estancia La Pelada, on the banks of the Corrientes River, | 0:24:47 | 0:24:51 | |
is a working farm of 5,000 hectares, | 0:24:51 | 0:24:54 | |
deep within the campo, the countryside. | 0:24:54 | 0:24:58 | |
A dozen gauchos work here, taming and training wild horses, | 0:24:58 | 0:25:02 | |
and tending over 6,000 head of cattle. | 0:25:02 | 0:25:04 | |
The head honcho is Dario Gallardo, and today | 0:25:05 | 0:25:09 | |
he has two fresh recruits to introduce. | 0:25:09 | 0:25:12 | |
Apparently the only way to bond with new gaucho chums | 0:25:13 | 0:25:16 | |
is a hot cup of mate. | 0:25:16 | 0:25:18 | |
Made from a plant a bit like holly, it's not just a drink, | 0:25:18 | 0:25:21 | |
it's a ritual. | 0:25:21 | 0:25:23 | |
It's OK. | 0:25:26 | 0:25:27 | |
Yeah. It's like a very stewed tea. | 0:25:27 | 0:25:30 | |
It's a vitamin supplement... | 0:25:42 | 0:25:44 | |
..for a meat-heavy diet. | 0:25:46 | 0:25:47 | |
Maybe later, you will decide to stop giving us mate. | 0:25:58 | 0:26:01 | |
Before their training can begin, | 0:26:05 | 0:26:07 | |
John and Simon need some authentic gaucho kit, | 0:26:07 | 0:26:09 | |
so a drive into town is the first job of the day. | 0:26:09 | 0:26:13 | |
He says the Creole are real horses. | 0:26:23 | 0:26:25 | |
My mother's family are from the countryside, | 0:26:34 | 0:26:36 | |
so I used to go every weekend. | 0:26:36 | 0:26:38 | |
Not like this. Country, but not like this. | 0:26:38 | 0:26:41 | |
I grew up around small villages, which were mainly agricultural. | 0:26:41 | 0:26:46 | |
You're very good with a plough, aren't you? | 0:26:46 | 0:26:48 | |
Just a one-man plough. With a yoke. | 0:26:48 | 0:26:51 | |
In Esquina, Dario knows just place to get John and Simon kitted out. | 0:26:55 | 0:26:59 | |
Yes. | 0:27:06 | 0:27:08 | |
Blue? | 0:27:08 | 0:27:10 | |
Multi bene. Perfecto! | 0:27:14 | 0:27:18 | |
-Bueno? -Bueno. | 0:27:18 | 0:27:20 | |
It's good? | 0:27:20 | 0:27:22 | |
There you go. | 0:27:28 | 0:27:29 | |
Gracias, perfecto! | 0:27:29 | 0:27:31 | |
This is like Mr Benn! | 0:27:31 | 0:27:32 | |
Mr Benn. And as if by magic, a gaucho appeared! | 0:27:33 | 0:27:39 | |
Aaah. | 0:27:43 | 0:27:44 | |
Tight, it's tight. | 0:27:47 | 0:27:48 | |
Oi-oi-oi. | 0:27:51 | 0:27:54 | |
Where's the old mirror? Let's have a look. | 0:27:55 | 0:27:57 | |
Are these neckerchiefs? | 0:28:12 | 0:28:13 | |
Do you get a woggle? | 0:28:13 | 0:28:14 | |
Porta panuelo. | 0:28:18 | 0:28:19 | |
-Porta paniolo? -Panuelo. | 0:28:19 | 0:28:21 | |
Paniolio? | 0:28:21 | 0:28:23 | |
Pan-uel-o! | 0:28:23 | 0:28:25 | |
Panuelo! Porta panuelo! | 0:28:25 | 0:28:27 | |
This, in England, is for the Cub Scouts, this porta... | 0:28:27 | 0:28:32 | |
Porta panuelo. | 0:28:32 | 0:28:34 | |
-Porta panuelo... is called a "woggle". -A woggle. | 0:28:34 | 0:28:39 | |
Oh, it's quite Catholic, John, I like it. | 0:28:41 | 0:28:43 | |
You're sitting by a church in Northern Spain. | 0:28:43 | 0:28:46 | |
# Ay-ay-ay-aaay-y-y-y-y! # | 0:28:51 | 0:28:53 | |
Back at the estancia, our gauchos-to-be gather themselves | 0:28:59 | 0:29:02 | |
for their first training session. | 0:29:02 | 0:29:05 | |
As novice riders, they've got some extra kit. | 0:29:05 | 0:29:08 | |
-This is a... -Standard issue... -BETA approved.... | 0:29:09 | 0:29:14 | |
British...Equine...Travel... | 0:29:14 | 0:29:18 | |
You all right? Do you need some help? | 0:29:18 | 0:29:20 | |
Just zip me up. | 0:29:20 | 0:29:22 | |
Sure this is open? | 0:29:22 | 0:29:23 | |
I can do it. Just hold me neckerchief. | 0:29:25 | 0:29:28 | |
I'll hold it, you do it. | 0:29:30 | 0:29:31 | |
Don't tickle me! | 0:29:33 | 0:29:34 | |
-That's it. -Done. There you go. | 0:29:34 | 0:29:37 | |
Right, well, I lost mine last night in a game of cards, | 0:29:37 | 0:29:40 | |
so I will just have to wear a cardigan. | 0:29:40 | 0:29:42 | |
-Do you want John to hold your woggle? -No. | 0:29:50 | 0:29:53 | |
INAUDIBLE CHATTER | 0:29:53 | 0:29:57 | |
Good, that's it. | 0:29:57 | 0:29:58 | |
Done yours? That's why you couldn't get yours on, it's already done up! | 0:29:58 | 0:30:02 | |
We look like sort of security guards at a Basque separatist rally. | 0:30:02 | 0:30:06 | |
-Undercover. -Some kind of like, er... | 0:30:06 | 0:30:10 | |
Vatican protection league for the Pope. | 0:30:10 | 0:30:12 | |
-No comprende. -No, no! | 0:30:13 | 0:30:17 | |
No entrada. No! Salida! | 0:30:17 | 0:30:20 | |
Si! See, I'm learning a bit. | 0:30:20 | 0:30:23 | |
It's absolutely perfect weather conditions. | 0:30:26 | 0:30:28 | |
A light breeze. I'd say it's about 19, maybe 18½... | 0:30:28 | 0:30:33 | |
Um, for me, I can only speak for myself. | 0:30:33 | 0:30:36 | |
They head for the corral, | 0:30:39 | 0:30:40 | |
where Dario's horses are prepared for the working day. | 0:30:40 | 0:30:44 | |
That's yours. | 0:30:44 | 0:30:45 | |
-Hi! -TONGUE CLICKS | 0:30:45 | 0:30:47 | |
This is where it all begins, viewers. This is where we begin our training. | 0:30:53 | 0:30:56 | |
We've got about four or five days training, but we won't need more | 0:30:56 | 0:30:59 | |
than two or four hours a day tops and then we go on a cattle drive. | 0:30:59 | 0:31:02 | |
Full-on Bonanza. Embedded in over 600,000 head of cattle. | 0:31:02 | 0:31:07 | |
Sweeping down across the Pampas. | 0:31:07 | 0:31:09 | |
-Dario... -Yeah. -..he is the handsome leader. | 0:31:09 | 0:31:12 | |
-He used to be special forces. -He's a Gaucho paramilitary. | 0:31:12 | 0:31:17 | |
I tell you what he is.. He's really cool. | 0:31:17 | 0:31:19 | |
-He's one for the ladies, isn't he? -Oh, absolutely! | 0:31:19 | 0:31:21 | |
-It's good, because we're not... -We're not that easy on the eye. | 0:31:21 | 0:31:25 | |
-Not...not any more. -No. -There was a time. | 0:31:25 | 0:31:28 | |
Hola! | 0:31:32 | 0:31:33 | |
-Si? -Si. Si. | 0:31:33 | 0:31:34 | |
Ah! | 0:31:43 | 0:31:44 | |
We now have to take off our Gaucho, er, berets and put on these... | 0:32:05 | 0:32:10 | |
-Off we go. -..because of BBC safety regulations, which is a shame. | 0:32:10 | 0:32:14 | |
Which we find would probably... I don't think the locals really | 0:32:14 | 0:32:19 | |
-think it's a bit... -Let the comedy commence! -I think the locals think | 0:32:19 | 0:32:22 | |
we're a couple of nellies, but we've no choice. | 0:32:22 | 0:32:25 | |
What's his name? | 0:32:26 | 0:32:28 | |
-They have 150 horses, so... -HE LAUGHS | 0:32:37 | 0:32:39 | |
Perfect. | 0:32:42 | 0:32:43 | |
Unbelievably responsive. | 0:32:46 | 0:32:48 | |
It takes a full year to train a wild horse into a working animal. | 0:32:50 | 0:32:54 | |
One fit for a gaucho... of any ability! | 0:32:54 | 0:32:58 | |
Compared to English horses, it's like the difference between | 0:32:58 | 0:33:01 | |
-a push-bike and a Porsche. It's like that! -I know! | 0:33:01 | 0:33:04 | |
-It's like a pen! -That was the most difficult... -It's like using a pen! | 0:33:05 | 0:33:09 | |
It's just like... | 0:33:09 | 0:33:10 | |
Incredible! | 0:33:10 | 0:33:12 | |
-OK? He's relaxed? -Yeah! -The horse. -Yeah. | 0:33:15 | 0:33:19 | |
-OK... -CLICKS TONGUE | 0:33:33 | 0:33:35 | |
Yeah, OK? Yes. | 0:33:37 | 0:33:40 | |
-Come on, John. -JOHN CLICKS HIS TONGUE | 0:33:40 | 0:33:43 | |
OK, John? Go on. | 0:33:43 | 0:33:45 | |
-Amazing. -Incredible, innit? -Yeah. | 0:33:50 | 0:33:52 | |
-Relax. Huh? -Sorry. -JOHN LAUGHS | 0:33:52 | 0:33:54 | |
Come. | 0:33:54 | 0:33:55 | |
OK? | 0:33:56 | 0:33:58 | |
The Teapot Express(!) | 0:33:58 | 0:34:00 | |
'The horses, because they don't live in small little stables | 0:34:14 | 0:34:17 | |
'and travel around in little horse boxes, and they live free, | 0:34:17 | 0:34:20 | |
'they have a totally different personality.' | 0:34:20 | 0:34:24 | |
'They're amazing. | 0:34:24 | 0:34:25 | |
'There's something to be said for kind of free-range.' | 0:34:25 | 0:34:28 | |
Oi, oi! Oi, oi! | 0:34:31 | 0:34:33 | |
Taking your eye off the ball, that's the worrying... | 0:34:33 | 0:34:35 | |
As John said, it became so easy, until something happens, | 0:34:35 | 0:34:37 | |
and then you see how good you are as a rider, isn't it? | 0:34:37 | 0:34:40 | |
Until John goes like that with one of those saplings | 0:34:40 | 0:34:43 | |
-and it goes "Whoa-tish!" -Whip? -Ha! | 0:34:43 | 0:34:46 | |
'It's an idyllic setting, but here nature is up close | 0:34:46 | 0:34:49 | |
'and can get personal, | 0:34:49 | 0:34:51 | |
'especially the mosquitoes.' | 0:34:51 | 0:34:53 | |
-What's happened? -I've been absolutely eaten alive in there. | 0:34:53 | 0:34:57 | |
I think this arm's bad. I think... Can you see? | 0:34:57 | 0:35:01 | |
And then, the other one here. | 0:35:01 | 0:35:03 | |
Be kind when you edit this. I'm a shadow of my former self. | 0:35:04 | 0:35:09 | |
I thoroughly enjoyed today. Totally different from English horse riding | 0:35:10 | 0:35:14 | |
and you just do this - left, right, that's it. | 0:35:14 | 0:35:17 | |
Left, right, stop. | 0:35:17 | 0:35:19 | |
And then, there's a kind of move that we can make it reverse a bit. | 0:35:19 | 0:35:22 | |
I'm loving the horse work, but I can't believe | 0:35:22 | 0:35:25 | |
something so small could potentially ruin this whole trip. | 0:35:25 | 0:35:29 | |
Next morning, and after John and Simon | 0:35:49 | 0:35:51 | |
have made themselves less delicious to the mosquitoes, | 0:35:51 | 0:35:55 | |
it's time for breakfast... | 0:35:55 | 0:35:56 | |
..and more mate with Dario and his right-hand man Gaston. | 0:35:58 | 0:36:02 | |
It's also a chance for gauchos to compare their most important tool - | 0:36:02 | 0:36:06 | |
their facon, their knife, handed down from generation to generation. | 0:36:06 | 0:36:11 | |
Or, in John's case, bought for £3.50. | 0:36:11 | 0:36:14 | |
-Rites of passage! -LAUGHTER | 0:36:14 | 0:36:16 | |
Before today's riding lesson, | 0:36:19 | 0:36:21 | |
Dario takes his students on a short cultural outing. | 0:36:21 | 0:36:24 | |
Do gauchos ever go on a holiday abroad? | 0:36:24 | 0:36:27 | |
Do they ever travel to another country? | 0:36:27 | 0:36:30 | |
Gauchos are folk heroes in Argentina. | 0:36:42 | 0:36:45 | |
Even in a country that's predominantly Catholic, | 0:36:45 | 0:36:47 | |
there are many roadside shrines dedicated to one in particular. | 0:36:47 | 0:36:52 | |
Born and bred here in Corrientes in the 1840s - Gauchito Gil. | 0:36:52 | 0:36:56 | |
He's saying thank you and was asking, er... | 0:36:59 | 0:37:04 | |
for work, health, food and protection for the family. | 0:37:04 | 0:37:10 | |
I'm going to pray. | 0:37:24 | 0:37:25 | |
I just said no more mozzies, please. | 0:37:28 | 0:37:30 | |
And I've noticed, since we started filming, you know, | 0:37:30 | 0:37:33 | |
-Will, you were attacked, weren't you? Quite severely in the eye. -Yes. | 0:37:33 | 0:37:37 | |
I said, "Please, Gaucho Gil..." "H-il!" sorry, Gaucho H-il, | 0:37:37 | 0:37:42 | |
"Gauchito H-il, no more mozzies," and since we've stopped... | 0:37:42 | 0:37:46 | |
since I said that, you haven't been bothered? | 0:37:46 | 0:37:49 | |
I haven't. Have you been bothered again? | 0:37:49 | 0:37:52 | |
Have you? | 0:37:52 | 0:37:53 | |
-You're not... -Because I haven't asked anything. -Keep the faith! | 0:37:53 | 0:37:57 | |
Come on, come on! Live it, breathe it! | 0:37:57 | 0:37:59 | |
MOOING | 0:38:01 | 0:38:03 | |
Argentina is the third largest exporter of beef in the world, | 0:38:03 | 0:38:07 | |
and gauchos still manage 55 million head of cattle. | 0:38:07 | 0:38:11 | |
Herding is their stock-in-trade, and that's the lesson today. | 0:38:11 | 0:38:15 | |
With extra spice provided by the lagoon, | 0:38:15 | 0:38:17 | |
full of caiman - a type of crocodile - and piranhas. | 0:38:17 | 0:38:21 | |
-Crocodiles, piranhas. -Mm-hm. | 0:38:22 | 0:38:25 | |
Um, these are two animals that were not mentioned to us | 0:38:25 | 0:38:28 | |
-when we agreed to do this trip. -Not at all. No, not at all. | 0:38:28 | 0:38:31 | |
-OK. -OK, -si. OK. -Perfect! | 0:38:53 | 0:38:56 | |
HE SPEAKS SPANISH | 0:38:56 | 0:38:58 | |
Amazing! | 0:39:24 | 0:39:26 | |
Wey-hey! | 0:39:28 | 0:39:29 | |
'It was unbelievable. It was a very freeing experience. | 0:39:42 | 0:39:46 | |
'I thoroughly enjoyed it and really started to get the hang of it. | 0:39:46 | 0:39:48 | |
'The saddles are so comfortable, the horses are so responsive. | 0:39:48 | 0:39:51 | |
'We're both very pleased.' | 0:39:51 | 0:39:53 | |
Doesn't get much better than that, | 0:39:55 | 0:39:57 | |
like a real-life Marlboro advert, without the fags. | 0:39:57 | 0:39:59 | |
I was getting the loose ones at the end and everything. | 0:39:59 | 0:40:02 | |
They're just great horses. It's as easy as... | 0:40:02 | 0:40:04 | |
falling off a horse, as they say, but... | 0:40:04 | 0:40:07 | |
obviously, you know, the gauchos did all the proper... | 0:40:07 | 0:40:11 | |
If it was just been us, | 0:40:11 | 0:40:12 | |
I think you would've seen quite a different result. | 0:40:12 | 0:40:15 | |
We probably would've got one each. | 0:40:15 | 0:40:17 | |
Training's gone well, but in two days' time, | 0:40:28 | 0:40:31 | |
there's a real job to be done. | 0:40:31 | 0:40:33 | |
It's one of the biggest days of the year for Dario and his team - | 0:40:33 | 0:40:36 | |
rounding up 300 calves and loading them onto trucks bound for market. | 0:40:36 | 0:40:40 | |
I would imagine he's a very good boss to work with. There is nothing | 0:41:10 | 0:41:13 | |
he ever does that discourages you, he doesn't kind of go, "Oh...why?!" | 0:41:13 | 0:41:17 | |
There's no negativity, there's no kind of... | 0:41:17 | 0:41:20 | |
He wants you to do well and he constantly reinforces that, | 0:41:20 | 0:41:23 | |
so you're always getting that reinforcement from him | 0:41:23 | 0:41:26 | |
that makes you want to do well. | 0:41:26 | 0:41:27 | |
It's like Brian Clough, but nicer. | 0:41:27 | 0:41:30 | |
The players who played for Brian Clough wanted to play for him. | 0:41:30 | 0:41:33 | |
They wanted to achieve things for him. | 0:41:33 | 0:41:34 | |
I said, um, "Do they go on holiday?" | 0:41:34 | 0:41:36 | |
And they said, no, they don't. They're quite happy here. | 0:41:36 | 0:41:39 | |
And they're not aspirational, so they're very content and they've got | 0:41:39 | 0:41:43 | |
a great gratitude for what they have, which is very simple. | 0:41:43 | 0:41:47 | |
Which is a kind of very Zen, Buddhist kind of approach. | 0:41:47 | 0:41:51 | |
So they're kind of at one with nature, and they love their work. | 0:41:51 | 0:41:54 | |
They don't even go to the pictures, I don't think. | 0:41:54 | 0:41:56 | |
Well, you don't imagine he goes to the pictures. | 0:41:56 | 0:41:58 | |
He did ask me whether the new Muppet film's any good. | 0:42:00 | 0:42:02 | |
JOHN LAUGHS | 0:42:02 | 0:42:05 | |
I said I haven't seen it. | 0:42:05 | 0:42:07 | |
He took me aside, he said, "Ride with me." | 0:42:07 | 0:42:09 | |
I rode with him for about 100 miles | 0:42:09 | 0:42:11 | |
until I was literally dead tired. I mean, I fell off the horse | 0:42:11 | 0:42:14 | |
and he bathed me, then started asking me about the second Muppet film. | 0:42:14 | 0:42:18 | |
I'm starting to ease into this kind of, you know, | 0:42:18 | 0:42:21 | |
manana relaxed kind of state of being in, it's kind of very nice. | 0:42:21 | 0:42:26 | |
You know, I think it's a great way to live, you know. | 0:42:26 | 0:42:28 | |
You just need a bit of company, shelter and food... | 0:42:28 | 0:42:32 | |
-And ride like the wind. -And ride like the wind, yeah. | 0:42:32 | 0:42:35 | |
TORRENTIAL RAINFALL | 0:42:39 | 0:42:42 | |
The ranch is on the edge of a sub-tropical zone, | 0:42:42 | 0:42:45 | |
so, when it rains hard, gaucho school is out. | 0:42:45 | 0:42:49 | |
The teacher kicks back | 0:42:52 | 0:42:54 | |
and the students do too. | 0:42:54 | 0:42:55 | |
HE CHATTERS IN SPANISH | 0:42:55 | 0:42:58 | |
HE EXCLAIMS IN SPANISH Si! Deflectos! | 0:43:00 | 0:43:02 | |
Ah, mucho fruitos! | 0:43:02 | 0:43:04 | |
Ay-eh! | 0:43:04 | 0:43:06 | |
'Gaucho boys learn the vital skill of lassoing | 0:43:45 | 0:43:47 | |
'as soon as they can walk. | 0:43:47 | 0:43:49 | |
'John and Simon did not.' | 0:43:49 | 0:43:52 | |
I'd stand back, if I were you. | 0:43:52 | 0:43:53 | |
-Oi... -Oh, aye-up. | 0:43:58 | 0:44:01 | |
The wrist? | 0:44:02 | 0:44:03 | |
LAUGHTER | 0:44:06 | 0:44:08 | |
Unlucky. | 0:44:10 | 0:44:11 | |
-Yes! -You've done it! | 0:44:16 | 0:44:18 | |
'Having caught a large stick, they graduate to the next pen. | 0:44:18 | 0:44:23 | |
'Here, the targets are moving.' | 0:44:23 | 0:44:26 | |
Ooh! Sorry, John! | 0:44:26 | 0:44:28 | |
DARIO SHOUTS You all right? | 0:44:28 | 0:44:30 | |
Come on, they're sitting ducks there! | 0:44:33 | 0:44:34 | |
WHISTLING | 0:44:34 | 0:44:36 | |
'It's a good introduction to the lasso, | 0:44:44 | 0:44:46 | |
'but when used for real, there are many more factors to consider.' | 0:44:46 | 0:44:51 | |
That's yours. | 0:45:01 | 0:45:02 | |
'Elevenses at La Pelada.' | 0:45:06 | 0:45:08 | |
-Hot! -LAUGHTER | 0:45:08 | 0:45:11 | |
Tea and biscuits are replaced by yet more mate and the local delicacy - | 0:45:11 | 0:45:16 | |
deep-fried piranha, plentiful in the nearby Corrientes River. | 0:45:16 | 0:45:20 | |
I tell you what. That's all right. | 0:45:20 | 0:45:23 | |
It's not a fishy fish. You know, some people go, | 0:45:23 | 0:45:26 | |
-"Oh, it's a bit fishy," but it's kind of soft. -Yeah. -Mmm! | 0:45:26 | 0:45:30 | |
In a bid to repay the hospitality of their hosts, | 0:45:33 | 0:45:36 | |
John and Simon have offered to cook this evening, | 0:45:36 | 0:45:39 | |
their last night at La Pelada. | 0:45:39 | 0:45:41 | |
But as they head for the shops, | 0:45:41 | 0:45:43 | |
the hard week of training seems to be taking its toll. | 0:45:43 | 0:45:46 | |
-I'll make a spag bol, all right? -You know what you're doing? | 0:45:46 | 0:45:49 | |
-What do you think? -I don't know, I'm asking you! | 0:45:49 | 0:45:52 | |
By the time they reach the supermarket, | 0:45:54 | 0:45:56 | |
the air is thick with some rather un-gaucho-like tension. | 0:45:56 | 0:46:00 | |
-I'd go for chopped fresh tomatoes... -You're doing the pudding, aren't you? | 0:46:00 | 0:46:03 | |
-Yeah. But you want to just buy your own ingredients? -Yeah. | 0:46:03 | 0:46:06 | |
-You don't want me to interfere? -I'll buy the ingredients. | 0:46:06 | 0:46:08 | |
-You buy the pudding. -If something's missing, can I suggest it? | 0:46:08 | 0:46:11 | |
-Yes, you can. -Thank you. -I'm sure you will. | 0:46:11 | 0:46:14 | |
Do you have stock? Beef stock? | 0:46:17 | 0:46:19 | |
-Good point. Do we have beef stock? -We will need bouillon. | 0:46:19 | 0:46:22 | |
I don't put bouillon in my spag bol. | 0:46:22 | 0:46:26 | |
My wife does, she puts an Oxo cube in, but I don't. | 0:46:26 | 0:46:28 | |
-I, er... -I just use the meat and the bacon and the wine. | 0:46:28 | 0:46:31 | |
-You might do in an English spag bol, mate. -What? | 0:46:34 | 0:46:38 | |
-Nothing. -My recipe. If you want me to do the crumble, | 0:46:38 | 0:46:41 | |
-I will. You should leave it to me. -Leave it to you! | 0:46:41 | 0:46:44 | |
Italians don't put Oxo in their ragu, | 0:46:44 | 0:46:46 | |
and they certainly don't put red peppers in it. | 0:46:46 | 0:46:49 | |
'There was a misunderstanding about this dinner thing. I was trying' | 0:46:52 | 0:46:55 | |
to make some suggestions about how I would do it | 0:46:55 | 0:46:58 | |
and he was kind of quite bombastic. | 0:46:58 | 0:47:00 | |
I'm very much aware that I must be an absolute nightmare | 0:47:00 | 0:47:03 | |
in different ways, my various neuroses, and, um... | 0:47:03 | 0:47:05 | |
So I'm trying to... | 0:47:05 | 0:47:08 | |
be aware of the fact that I am a nightmare. | 0:47:08 | 0:47:11 | |
-Aw! -We made up. We had a tiff. -Yeah, we had a little falling out. -Yeah. | 0:47:11 | 0:47:15 | |
Performers, comedians, actors, whatever you want to call it - | 0:47:15 | 0:47:18 | |
we're children, essentially, aren't we? | 0:47:18 | 0:47:20 | |
'But like I say, two comics. You know, it's that thing of, | 0:47:20 | 0:47:23 | |
'you know, I'd get on my own nerves, you know.' | 0:47:23 | 0:47:26 | |
Spag bol-gate is laid to rest, | 0:47:26 | 0:47:29 | |
which is good, because news is just in from the kitchen. | 0:47:29 | 0:47:33 | |
We've just discovered that | 0:47:33 | 0:47:34 | |
the lady of the house is making spaghetti Bolognese.. | 0:47:34 | 0:47:37 | |
JOHN LAUGHS ..for lunch with fresh pasta. | 0:47:37 | 0:47:40 | |
Which kind of knocks my dry pasta ragu into a cocked hat. | 0:47:40 | 0:47:44 | |
-We can change it. -OK. -We can do a shepherd's pie. | 0:47:44 | 0:47:47 | |
-You could make chilli con carne. -I'd rather do shepherd's pie, | 0:47:47 | 0:47:50 | |
-cos I've made that. Cottage pie, shepherd's pie. -Yeah. | 0:47:50 | 0:47:53 | |
Why don't I just make the spaghetti Bolognese and go, "Whose is best? | 0:47:53 | 0:47:56 | |
"Whose is best? Whose is best?" I could do that. | 0:47:56 | 0:47:59 | |
It's John and Simon's last training session | 0:48:05 | 0:48:08 | |
and, with 300 calves to face tomorrow, | 0:48:08 | 0:48:11 | |
Dario's exercises get a tad more demanding. | 0:48:11 | 0:48:14 | |
AS RON MANAGER: "Ryan Giggsy, with a drop of the shoulder. Marvellous!" | 0:48:19 | 0:48:23 | |
Si. | 0:48:25 | 0:48:26 | |
Slowly trotting, maybe. | 0:48:28 | 0:48:30 | |
'The only fear I have is hurting the animal, | 0:48:34 | 0:48:36 | |
'but I think that they're really trained really hard. | 0:48:36 | 0:48:38 | |
'I think, what I think is hard, they're used to a lot harder.' | 0:48:38 | 0:48:41 | |
When it goes into trot, I really want to gallop. | 0:48:41 | 0:48:44 | |
'I must have to give it a bit more.' | 0:48:44 | 0:48:46 | |
I'm quite happy with my riding, considering how scared I was. | 0:48:48 | 0:48:52 | |
But the stakes are raised again for the galloping lesson. | 0:48:53 | 0:48:57 | |
A true gaucho must keep a hand free for lassoing, | 0:48:57 | 0:48:59 | |
which means only one hand on the reins. | 0:48:59 | 0:49:02 | |
You make it sound easy. | 0:49:24 | 0:49:26 | |
-This is rather like ride the rhythm. -Exactly. -Like a reggae track. | 0:49:32 | 0:49:36 | |
-Ride the rhythm is right. -Ride the rhythm. -Yeah! | 0:49:36 | 0:49:38 | |
-Oh, this way? -Yeah! -DARIO LAUGHS | 0:49:41 | 0:49:43 | |
MUSIC: "Jamming" by Bob Marley and the Wailers | 0:49:46 | 0:49:49 | |
Yeah, perfect! | 0:49:49 | 0:49:51 | |
# Ooh, yeah... | 0:49:52 | 0:49:55 | |
# All right! | 0:50:00 | 0:50:01 | |
# We're jammin' | 0:50:01 | 0:50:03 | |
# I wanna jam it with you... # | 0:50:06 | 0:50:08 | |
DARIO LAUGHS # We're jammin'... # | 0:50:08 | 0:50:10 | |
Chop my hand off now. | 0:50:10 | 0:50:12 | |
The thing is, Dario, he constantly re-enforces you, | 0:50:12 | 0:50:15 | |
cos he's always complimenting you and high-fives. | 0:50:15 | 0:50:17 | |
-Excellent. -Nice work, Si. | 0:50:22 | 0:50:24 | |
'Every day has been a leap into the unknown. | 0:50:26 | 0:50:28 | |
'I've already done things I didn't think I'd be able to do.' | 0:50:28 | 0:50:31 | |
-Perfect! -'One of the best things I've ever done.' | 0:50:31 | 0:50:34 | |
Stop. | 0:50:36 | 0:50:37 | |
And with that, the training phase | 0:50:40 | 0:50:42 | |
of Argentina's newest gauchos comes to an end. | 0:50:42 | 0:50:45 | |
As the Bolognese begins its transformation into shepherd's pie, | 0:50:51 | 0:50:55 | |
John's apple crumble masterclass is a sell-out. | 0:50:55 | 0:50:58 | |
What you do is leave it as crumbs and put the crumbs on the apple. | 0:51:00 | 0:51:04 | |
This mince is a lot finer than you would expect | 0:51:18 | 0:51:20 | |
in a cottage pie in the Home Counties. | 0:51:20 | 0:51:22 | |
-Hello there! -Hello, Chef Day. | 0:51:22 | 0:51:25 | |
I tell you, I have no idea what I'm doing. | 0:51:25 | 0:51:27 | |
It needs a great big lump of meaty gravy, doesn't it? | 0:51:35 | 0:51:38 | |
It needs something. | 0:51:44 | 0:51:45 | |
Hey! EVERYONE CHATTERS | 0:51:46 | 0:51:49 | |
-Salute! -To our gaucho friends! -To the gauchos! | 0:51:53 | 0:51:57 | |
-And to all our friends at La Pelada. -Si, gracias. -Thank you. | 0:51:57 | 0:52:01 | |
'The final day of reckoning is upon us tomorrow.' | 0:52:04 | 0:52:07 | |
The herding of the cattle in the corral. | 0:52:07 | 0:52:10 | |
'There's an air of keenness to get on the horse,' | 0:52:10 | 0:52:12 | |
but there's an air of sadness too that we're leaving the campo. | 0:52:12 | 0:52:15 | |
It's my kind of pudding. | 0:52:15 | 0:52:17 | |
BIRDS CALL | 0:52:23 | 0:52:25 | |
The final morning. | 0:52:26 | 0:52:28 | |
The lorries have arrived and await their cargo. | 0:52:28 | 0:52:31 | |
Despite the threat of industrial farming, gauchos can still | 0:52:33 | 0:52:36 | |
make a living from delivering free-range cattle to market. | 0:52:36 | 0:52:40 | |
You see, everybody's very calm, but, effectively, | 0:52:41 | 0:52:44 | |
we're going to be slap bang in the middle of a stampede. | 0:52:44 | 0:52:47 | |
WESTERN-STYLE MUSIC | 0:52:47 | 0:52:51 | |
Dario leads John and Simon to meet up | 0:52:53 | 0:52:56 | |
with the rest of the gauchos and the calves. | 0:52:56 | 0:52:58 | |
JOHN AND SIMON: Hey, hey, hey! | 0:52:58 | 0:53:01 | |
Hey, hey! | 0:53:01 | 0:53:03 | |
Hey, hey! | 0:53:06 | 0:53:07 | |
Hey, hey! | 0:53:15 | 0:53:17 | |
WHISTLING | 0:53:28 | 0:53:31 | |
WHISTLING AND SHOUTING | 0:53:34 | 0:53:37 | |
MOOING | 0:53:40 | 0:53:42 | |
Once they reach the corral, | 0:53:50 | 0:53:51 | |
the work for the gauchos, and the calves, intensifies. | 0:53:51 | 0:53:55 | |
It looks quite difficult, you've got to hold your horse | 0:53:55 | 0:53:58 | |
and use your horses' body and your feet | 0:53:58 | 0:54:00 | |
-to sort of kick them up, er, the ladder. -Kick them. -And I don't... | 0:54:00 | 0:54:04 | |
I'm not desperate enough to appear that macho on television. | 0:54:04 | 0:54:07 | |
I don't think my children would appreciate me | 0:54:07 | 0:54:09 | |
-whipping baby cows... -Yeah. -..on TV, to be honest. | 0:54:09 | 0:54:12 | |
It's a bit intense. | 0:54:13 | 0:54:15 | |
Are you saw what they did with that calf down there. They're not shy. | 0:54:15 | 0:54:19 | |
The reality of gaucho life kicks in. | 0:54:19 | 0:54:22 | |
It's not for the squeamish city slicker. | 0:54:22 | 0:54:24 | |
Think about that when you're eating beef-burgers, everyone. | 0:54:24 | 0:54:27 | |
Think about this. | 0:54:27 | 0:54:29 | |
So glad that you didn't have a go, cos then I'd have to have a go too. | 0:54:30 | 0:54:34 | |
Young man's game, innit? Young man's game. | 0:54:40 | 0:54:42 | |
LOUD MOOING | 0:54:44 | 0:54:46 | |
We got to the sharp end of it today. | 0:54:46 | 0:54:48 | |
It all... The whole landscape, driven... | 0:54:48 | 0:54:51 | |
As John said, beautiful, free-range thing - | 0:54:51 | 0:54:53 | |
all went whoosh into a very narrow channel. | 0:54:53 | 0:54:56 | |
At the end of the day, the gaucho, | 0:54:58 | 0:54:59 | |
we sort of romanticised about the fact that, you know, | 0:54:59 | 0:55:02 | |
they're these free spirits who don't really answer to anybody | 0:55:02 | 0:55:05 | |
and all they need is the horse, the knife and the song. | 0:55:05 | 0:55:08 | |
The cow ceases to be an entity, like a living thing. | 0:55:08 | 0:55:12 | |
It's more of a commodity and, at the end of the day, it's their wage. | 0:55:12 | 0:55:16 | |
Meat is...is money in this case. | 0:55:16 | 0:55:18 | |
-"Meat is money" rather than "meat is murder". -Murder! | 0:55:18 | 0:55:20 | |
John and Simon's gaucho apprenticeship | 0:55:24 | 0:55:27 | |
-has come to an end. -Gracias. -Gracias. | 0:55:27 | 0:55:30 | |
It's great to come here where everyone's like... | 0:55:48 | 0:55:51 | |
food, horse, sleep. | 0:55:51 | 0:55:53 | |
You know, it's a genuinely... | 0:55:53 | 0:55:55 | |
-The simple life. -..refreshing change. | 0:55:55 | 0:55:58 | |
-SIMON LAUGHS: Yeah, man. -Thank you. -Mate, we will return. | 0:55:59 | 0:56:03 | |
-Si. -Si? Si. | 0:56:07 | 0:56:09 | |
-Ooh! -Oh, wow! DARIO LAUGHS | 0:56:13 | 0:56:15 | |
BOTH: Gracias. | 0:56:18 | 0:56:21 | |
-Amazing! -Oh, we've graduated. -Look at that. -Look at that! | 0:56:21 | 0:56:24 | |
-Now we fight! -"And now we fight!" -LAUGHTER | 0:56:27 | 0:56:30 | |
-No, no! -It's true that I've not truly, um... | 0:56:33 | 0:56:37 | |
become a gaucho in my thinking and mentality, | 0:56:37 | 0:56:40 | |
cos I was, like, "Oh, I hope I get the one with the handle," | 0:56:40 | 0:56:43 | |
with the other handle. I went, "Oh, well, I'll have this one." | 0:56:43 | 0:56:47 | |
JOHN LAUGHS That's...that is the western mindset. | 0:56:47 | 0:56:50 | |
-I'll swap. -Will you? | 0:56:50 | 0:56:51 | |
-That's the true way of the gaucho. -I'm starting to like this one now. | 0:56:51 | 0:56:55 | |
-I'm prepared... I'm happy to trade with you. -I'm not sure! -Go on! -OK. | 0:56:55 | 0:56:58 | |
There you go. | 0:56:58 | 0:57:00 | |
-How's that? -Gracias! | 0:57:00 | 0:57:01 | |
-Si! That's all right, I don't mind. -He's learned! -I've learned the way. | 0:57:01 | 0:57:05 | |
This one's worth £10,000! This one's worth a quid! | 0:57:12 | 0:57:16 | |
It's almost extinct tree wood, which is called "saint's stick". | 0:57:16 | 0:57:20 | |
It's delicious, smell it. | 0:57:20 | 0:57:21 | |
Oh, yeah. | 0:57:22 | 0:57:24 | |
(I want it back!) | 0:57:26 | 0:57:27 | |
-It changes the colour... -Yeah? -..with the weather. | 0:57:27 | 0:57:30 | |
-It's blue when it rains. -What?! | 0:57:30 | 0:57:33 | |
-Wow! -What?! | 0:57:33 | 0:57:34 | |
-DARIO LAUGHS -Hey! | 0:57:34 | 0:57:36 | |
-LIKE A GANGSTER: -You had your chance! -LAUGHTER | 0:57:36 | 0:57:39 | |
-I mean, you know what you could do? -With Dario? -Yeah, you could do | 0:57:41 | 0:57:44 | |
-Crocodile Dundee here in Buenos Aires. -Remake it here. | 0:57:44 | 0:57:48 | |
-Well, no, he goes into the town, isn't he? -Into the city. -Yeah. | 0:57:48 | 0:57:51 | |
-And he has a big knife. -The women fall in love with him. | 0:57:51 | 0:57:54 | |
That's right, and he, um, he can charm animals. | 0:57:54 | 0:57:58 | |
-Yeah, then a mugger attacks him and he pulls out his knife. -That's right. | 0:57:58 | 0:58:01 | |
-Yeah. -And, er... -We've got to do our tollbooth film first, though, | 0:58:01 | 0:58:04 | |
-haven't we? -We have! Tollbooth romance! -Don't forget that. -Yes. | 0:58:04 | 0:58:08 | |
Next time, with training over, | 0:58:09 | 0:58:12 | |
it's off to work for John and Simon, | 0:58:12 | 0:58:15 | |
as they join a team of gauchos in remote Patagonia, | 0:58:15 | 0:58:19 | |
bringing 200 cattle down a mountain pass. | 0:58:19 | 0:58:22 | |
50 miles of riding into the unknown. | 0:58:22 | 0:58:25 | |
I don't like surprises. Hate them! | 0:58:25 | 0:58:27 | |
Three days and nights exposed to the elements... | 0:58:27 | 0:58:29 | |
-Yeah, good night, John Boy, and all of that. -Good night, Jim Bob. | 0:58:29 | 0:58:32 | |
An adventure of a lifetime. | 0:58:32 | 0:58:35 | |
Whoa, whoa, whoa! | 0:58:35 | 0:58:37 | |
That was scary! | 0:58:37 | 0:58:38 |