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John Thomson and Simon Day have been friends for over 20 years... | 0:00:02 | 0:00:05 | |
-Such a good holiday, though. -We're free spirits. -Very lonely. | 0:00:05 | 0:00:10 | |
..ever since they rose to fame as part of The Fast Show | 0:00:10 | 0:00:13 | |
in the early '90s. | 0:00:13 | 0:00:15 | |
What everyone's always wanted to do was build a robot that | 0:00:15 | 0:00:18 | |
-thinks like a human. -You mean it can't always make up its mind? -No. | 0:00:18 | 0:00:22 | |
Today they're both married with children, | 0:00:22 | 0:00:25 | |
enjoying lives of middle-aged responsibility. | 0:00:25 | 0:00:28 | |
But for three weeks, they've got the chance to become the free spirits | 0:00:28 | 0:00:31 | |
they once were, learning the ways of the gaucho in Argentina. | 0:00:31 | 0:00:36 | |
The rugged cowboy, national icon, symbol of freedom and courage. | 0:00:36 | 0:00:41 | |
The poncho of freedom. Hell yeah, I want to go there. | 0:00:44 | 0:00:47 | |
Unplugging yourself, no iPads, no iPhone. | 0:00:47 | 0:00:50 | |
It's a chance to get away from technology. | 0:00:50 | 0:00:52 | |
They've already had a week of intensive training | 0:00:52 | 0:00:55 | |
in the sub-tropical north. | 0:00:55 | 0:00:56 | |
We look like sort of security guards. | 0:00:56 | 0:01:00 | |
Now they're doing it for real in the wilds of Patagonia | 0:01:00 | 0:01:04 | |
on a three-day-and-night cattle drive. | 0:01:04 | 0:01:06 | |
With the correct embrocation, I'll be all right. | 0:01:08 | 0:01:11 | |
The journey from city slicker to macho gaucho will be testing... | 0:01:12 | 0:01:17 | |
-Right, honesty time, right? This is becoming hellish. -Yes. | 0:01:17 | 0:01:20 | |
..and not without peril... | 0:01:20 | 0:01:22 | |
..as two friends, two amigos, attempt to find the gaucho within. | 0:01:24 | 0:01:30 | |
# Short of leg and large of head | 0:01:30 | 0:01:32 | |
# Brave of heart and kind of soul | 0:01:32 | 0:01:35 | |
# John Thomson will meet his goal to ride a little horse. # | 0:01:35 | 0:01:39 | |
MUSIC: "Pass The Dutchie" by Musical Youth | 0:01:47 | 0:01:49 | |
# This generation rules the nation | 0:01:49 | 0:01:53 | |
# With iration | 0:01:53 | 0:01:55 | |
# Music happen to be the food of love | 0:01:57 | 0:02:00 | |
# Sounds to really make you rub and scrub... # | 0:02:00 | 0:02:04 | |
Argentina's newest gauchos are on their way to report for duty. | 0:02:05 | 0:02:09 | |
# I said pass the dutchie on the left hand side | 0:02:11 | 0:02:14 | |
# I said pass the dutchie on the left hand side... # | 0:02:14 | 0:02:16 | |
Can't wait to get back on a horse. | 0:02:18 | 0:02:21 | |
-Set up camp near a stream and all that. -I hope we do that, yeah. | 0:02:21 | 0:02:25 | |
I think we will. They'll know where looks good. | 0:02:25 | 0:02:28 | |
-They're not going to camp... -What, next to the road? | 0:02:28 | 0:02:31 | |
John and Simon are joining a team of tradition gauchos | 0:02:34 | 0:02:37 | |
to bring 200 cattle down a mountain pass over three days and nights. | 0:02:37 | 0:02:42 | |
It's a far cry from life back home. | 0:02:42 | 0:02:45 | |
You can't get him camping even in the back garden. | 0:02:45 | 0:02:49 | |
Walls would be good, though, if we were surrounded by walls. | 0:02:49 | 0:02:52 | |
-Torch. -HOWLS LIKE ANIMAL | 0:02:52 | 0:02:54 | |
The maximum he'll go to the park with the kids is an hour. | 0:02:54 | 0:02:58 | |
I don't know how good he is at roughing it, though. | 0:02:58 | 0:03:00 | |
He's never been away for three weeks before. | 0:03:00 | 0:03:02 | |
In fact, I think the longest he's been away is kind of | 0:03:02 | 0:03:06 | |
three nights, really, maybe five at the most. | 0:03:06 | 0:03:08 | |
Where's my glasses? | 0:03:08 | 0:03:09 | |
I need them to see. I can't see a thing, you know. | 0:03:09 | 0:03:12 | |
Never knew you wore glasses. We're old now, aren't we? | 0:03:12 | 0:03:16 | |
His beard is very white. | 0:03:16 | 0:03:18 | |
John's very camp, so it's going to be interesting to see him | 0:03:19 | 0:03:22 | |
in a kind of testosterone-filled environment. | 0:03:22 | 0:03:26 | |
-What do you think, guys? Is Daddy adventurous? -Pretty much, yeah. | 0:03:26 | 0:03:31 | |
-I need a wee, actually, soon. -Do you? I'll stop. | 0:03:31 | 0:03:33 | |
I said he won't survive without a phone probably, | 0:03:33 | 0:03:36 | |
but he said, "No, be one with nature and all that." | 0:03:36 | 0:03:39 | |
Wow! Looks like Iceland... but better. | 0:03:41 | 0:03:44 | |
From their training ranch in the north, | 0:03:48 | 0:03:50 | |
John and Simon have travelled 1,500 miles to the foothills | 0:03:50 | 0:03:54 | |
of the Andes Mountains in Argentina's southernmost region, | 0:03:54 | 0:03:58 | |
Patagonia, an area four times the size of the UK. | 0:03:58 | 0:04:02 | |
One of the last corners of the world to be colonised, | 0:04:03 | 0:04:06 | |
it doesn't get much more rugged than this. | 0:04:06 | 0:04:08 | |
Could be on our way to Chesterfield, across the peaks. | 0:04:12 | 0:04:14 | |
For centuries, it's been a place to escape to, | 0:04:16 | 0:04:18 | |
and 100 years before John and Simon another daring duo ventured here. | 0:04:18 | 0:04:24 | |
Butch Cassidy and the Sundance Kid. | 0:04:24 | 0:04:26 | |
I did say to my wife, I said, | 0:04:26 | 0:04:28 | |
"Oh, we're going to Butch Cassidy and the Sundance Kid's ranch." | 0:04:28 | 0:04:31 | |
She went, "No way!" Cos there are those out there that will | 0:04:31 | 0:04:34 | |
think that they were just Hollywood creations. | 0:04:34 | 0:04:37 | |
Oh. | 0:04:42 | 0:04:44 | |
Here we are. | 0:04:47 | 0:04:48 | |
-Hope it's not this. -No, I hope it's not that. | 0:04:50 | 0:04:54 | |
-That's just a hut. -This isn't it? -No. -Are you sure? | 0:04:54 | 0:04:57 | |
You couldn't get three people in there and a lot of weapons. | 0:04:57 | 0:05:01 | |
-It's down here, this way. -This isn't it? -Come on. | 0:05:01 | 0:05:05 | |
In 1901, having become America's most infamous criminals, | 0:05:08 | 0:05:14 | |
Robert Parker and Harry Longabaugh, | 0:05:14 | 0:05:16 | |
AKA Butch and Sundance, vanished in Patagonia. | 0:05:16 | 0:05:19 | |
Joined by Sundance's partner Etta, | 0:05:21 | 0:05:24 | |
they hid out at this low-key ranch near the town of Cholila. | 0:05:24 | 0:05:27 | |
Er, they left America and they came here | 0:05:32 | 0:05:34 | |
and they became folk heroes here. | 0:05:34 | 0:05:36 | |
They were very popular in the area, they did lots for the community. | 0:05:36 | 0:05:41 | |
They didn't do any robberies for quite a while and then | 0:05:41 | 0:05:44 | |
they started doing robberies, | 0:05:44 | 0:05:45 | |
but all criminals have a dream of going straight, don't they? | 0:05:45 | 0:05:48 | |
But of course, they never do. Well, some do. | 0:05:48 | 0:05:51 | |
IMITATES CREAKING DOOR | 0:05:51 | 0:05:54 | |
-Simple. -Simple. -Simple home. | 0:05:57 | 0:05:59 | |
There's a chair, there, look. Mud floor. | 0:05:59 | 0:06:01 | |
Bird poop. These are the... | 0:06:03 | 0:06:06 | |
This is where they hung their Le Creuset pots. | 0:06:06 | 0:06:09 | |
-Hey. -Oh, yeah, look. | 0:06:09 | 0:06:11 | |
-Look at that. -This hole is for resting a gun on. | 0:06:12 | 0:06:16 | |
Hollywood's 1969 retelling of the Butch and Sundance story | 0:06:16 | 0:06:20 | |
is revered by many as a classic | 0:06:20 | 0:06:22 | |
and, for some, a visit to their ranch is a pilgrimage. | 0:06:22 | 0:06:26 | |
Yeah, the film was brilliant | 0:06:26 | 0:06:27 | |
and I queued around the block to see it with my dad. | 0:06:27 | 0:06:30 | |
-Got in to see it... -Saw it so long ago. -It was brilliant. | 0:06:30 | 0:06:33 | |
-I think I saw it one Christmas. -It was a little bit erotic. | 0:06:33 | 0:06:36 | |
-It was exciting. It was funny. -I'll have to see it again, you know. | 0:06:36 | 0:06:39 | |
Everything. Those two performances are enshrined in my childhood memory, | 0:06:39 | 0:06:43 | |
as much as Sean Connery being in Bond, as being perfect. | 0:06:43 | 0:06:45 | |
I was looking at stills from the film, | 0:06:45 | 0:06:47 | |
though, the ginger moustache on Robert Redford. | 0:06:47 | 0:06:49 | |
There is a little touch of Keith Lemon about him. | 0:06:49 | 0:06:51 | |
No. It's sacrilege for you to say that. | 0:06:53 | 0:06:56 | |
It was one of the best films I ever saw as a kid. | 0:06:57 | 0:07:00 | |
I might have a little ceremony over here in a minute. | 0:07:00 | 0:07:04 | |
I'm sure they'll do it again soon, Butch Cassidy and Sundance. | 0:07:04 | 0:07:06 | |
-Oh, I hope not. -Perhaps when someone sees this, it'll fire them up. | 0:07:06 | 0:07:09 | |
-What, you and me? -Let's try and sell that in Hollywood! | 0:07:09 | 0:07:12 | |
AMERICAN ACCENT: "These guys, they're too old, | 0:07:12 | 0:07:16 | |
"they're not buff, I don't get it!" | 0:07:16 | 0:07:19 | |
The renowned robbers eventually fled Argentina for Bolivia. | 0:07:19 | 0:07:23 | |
It's claimed they died in a shootout in 1908, | 0:07:23 | 0:07:25 | |
but their bodies were never found. | 0:07:25 | 0:07:28 | |
With the help of their translator, Gloria, | 0:07:28 | 0:07:31 | |
John and Simon recreate an iconic moment in Patagonia's history. | 0:07:31 | 0:07:35 | |
They press on and eventually reach the farming town of Trevelin, | 0:07:47 | 0:07:51 | |
where they'll meet the head gaucho who'll be leading the cattle drive. | 0:07:51 | 0:07:55 | |
-Trevelin. -There we are. Perfect. | 0:07:55 | 0:07:58 | |
It's a small town of 6,000, | 0:08:00 | 0:08:02 | |
similar to others in Patagonia in many respects, but with a twist. | 0:08:02 | 0:08:07 | |
It's Welsh. | 0:08:07 | 0:08:08 | |
In the 19th century, Argentina needed immigrants from Europe | 0:08:09 | 0:08:13 | |
to populate this desolate region. | 0:08:13 | 0:08:16 | |
In 1865, the first Welsh settlers arrived. | 0:08:16 | 0:08:19 | |
150 men, women and children seeking to create an enclave | 0:08:21 | 0:08:25 | |
on farming land they'd been told was similar to the Welsh lowlands. | 0:08:25 | 0:08:29 | |
In 1888, they founded Trevelin, Welsh for "mill town". | 0:08:31 | 0:08:37 | |
And by 1900, over 4,000 Welsh were in Patagonia. | 0:08:37 | 0:08:41 | |
The Celtic heritage continues. | 0:08:42 | 0:08:45 | |
10% of the population here have Welsh as their first language. | 0:08:45 | 0:08:49 | |
Many road names are Welsh and today it's even raining. | 0:08:49 | 0:08:53 | |
John and Simon's debut as working gauchos begins tomorrow | 0:08:55 | 0:08:58 | |
so, for now, it's their choice of R&R. | 0:08:58 | 0:09:01 | |
Breads with butter. | 0:09:05 | 0:09:06 | |
-Hot scones. -Hot scones? Oh, lovely. | 0:09:08 | 0:09:12 | |
Jam and chocolate cake, coffee cake, | 0:09:12 | 0:09:15 | |
apple cake, cream cake. | 0:09:15 | 0:09:18 | |
And Welsh cake. | 0:09:18 | 0:09:20 | |
-La cha? -Gracias. | 0:09:38 | 0:09:41 | |
-Oh, it's very moist. I didn't think... -Yeah, it's nice. | 0:09:42 | 0:09:46 | |
Oh, that is gorgeous. | 0:09:46 | 0:09:48 | |
"Will you marry me?" | 0:09:49 | 0:09:51 | |
You know me, I love my puddings. That's very nice. | 0:09:52 | 0:09:56 | |
We feel a bit Welsher now, with this weather. | 0:09:56 | 0:09:58 | |
-With the weather and the tea. -This looks interesting. | 0:09:58 | 0:10:01 | |
It's custard tart, it's what me nan used to call a wet nelly. | 0:10:01 | 0:10:04 | |
-It's cheesecake. There's cheese. What's wrong? -It's cream. | 0:10:10 | 0:10:15 | |
Excuse me. | 0:10:16 | 0:10:18 | |
It's so unlike you to do that. | 0:10:20 | 0:10:22 | |
John has ingested cream. A substance he neither likes nor ever eats. | 0:10:24 | 0:10:32 | |
You sure your nan didn't call you a wet nelly | 0:10:33 | 0:10:35 | |
after you've had a bit of cream? | 0:10:35 | 0:10:37 | |
See here, you won't get wet nellys much wetter than that. | 0:10:37 | 0:10:41 | |
A large plate of Welsh cakes is the last treat before they're | 0:10:41 | 0:10:44 | |
back in the saddle for three days riding in the mountains. | 0:10:44 | 0:10:48 | |
We can't wait. | 0:10:48 | 0:10:49 | |
Me and Simon were only just saying we can't wait to get | 0:10:49 | 0:10:51 | |
back on a horse and there's no irony or sarcasm in that comment. | 0:10:51 | 0:10:57 | |
Just before I left, I was in Wales, oddly enough. | 0:10:57 | 0:10:59 | |
There was about 12 people in the room and a bloke said, | 0:10:59 | 0:11:02 | |
"Have you ridden before?" | 0:11:02 | 0:11:03 | |
I said, "I've had two lessons." And he went, "You'll be fine." | 0:11:03 | 0:11:06 | |
And the whole place burst out laughing and everyone went... | 0:11:06 | 0:11:09 | |
And I was like, "Ha-ha... Hm, they're right, actually." | 0:11:09 | 0:11:12 | |
It's John and Simon's last night of comfort. | 0:11:14 | 0:11:18 | |
Tomorrow, their new boss will collect them at first light. | 0:11:18 | 0:11:22 | |
Wardrobe, wardrobe. Wardrobe. | 0:11:26 | 0:11:29 | |
-IN CAMP VOICE: -Sorry, Simon. Let me get the lint roller out. | 0:11:30 | 0:11:34 | |
Yeah, all right, John. That's done. You're done now. | 0:11:34 | 0:11:37 | |
So I've got some wipes in my bag. | 0:11:39 | 0:11:41 | |
There was a bit of a dilemma as what to take, because Simon went, | 0:11:41 | 0:11:44 | |
"Oh, I'll just have me toothbrush and me toothpaste." | 0:11:44 | 0:11:49 | |
But I just put the whole thing in but if I am going to moisturise, | 0:11:49 | 0:11:52 | |
it will be secret, and I will have to go behind a bush because I don't | 0:11:52 | 0:11:55 | |
think the gauchos will take too kindly to a man that moisturises. | 0:11:55 | 0:11:58 | |
What I've tried to do is leave everything from the 21st century | 0:11:58 | 0:12:02 | |
behind, with the exception of one phone to contact my family | 0:12:02 | 0:12:06 | |
if we're lucky enough to get a signal. | 0:12:06 | 0:12:08 | |
Your phone has the whole of the 21st century on it. | 0:12:08 | 0:12:10 | |
I've never seen a phone with so much on it. | 0:12:10 | 0:12:12 | |
It's literally, you can do anything on it. | 0:12:12 | 0:12:15 | |
You can ski on it, you can surfboard on it, it's got 20 different booths | 0:12:15 | 0:12:18 | |
which can change your face to a monkey, into a nun, into a vampire... | 0:12:18 | 0:12:22 | |
The head honcho who'll lead the drive is Alejandro Jones. | 0:12:22 | 0:12:26 | |
-He's very young. -A fifth-generation Welsh gaucho. -Bom dia. -Bom dia. | 0:12:26 | 0:12:32 | |
-Ola. -He's a young man. -Alejandro. -John. -John? -Yes. -Nice to meet you. | 0:12:35 | 0:12:38 | |
Nice to meet you. Hello. | 0:12:38 | 0:12:40 | |
-Simon. How you doing? -Alejandro. -Hi, how you doing? | 0:12:40 | 0:12:43 | |
-So what do you do for a living? -I'm an actor. -Actor? -Yeah. And comedian. | 0:12:50 | 0:12:54 | |
Yeah, you'd never know it, though. | 0:12:54 | 0:12:56 | |
THEY LAUGH | 0:12:56 | 0:12:58 | |
Alejandro drives John and Simon to the start of the cattle drive, | 0:12:59 | 0:13:03 | |
50 miles south, to land high in the mountains near Corcovado. | 0:13:03 | 0:13:08 | |
It's here that 200 cattle have been grazing on rich summer pastures | 0:13:09 | 0:13:13 | |
but, with winter coming, they must return to the sheltered land | 0:13:13 | 0:13:16 | |
of the family's 300-acre farm at Trevelin. | 0:13:16 | 0:13:19 | |
So, it's a two-hour drive to Corcavado, | 0:13:21 | 0:13:24 | |
but it will be a three-day ride back to Trevelin. | 0:13:24 | 0:13:27 | |
A rugged trail over mountain passes, crossing rivers | 0:13:27 | 0:13:31 | |
and camping in the wilderness. | 0:13:31 | 0:13:33 | |
-So does this land here belong to..? -To my family, yeah. | 0:13:35 | 0:13:39 | |
-Since my great-grandfather. -Wow. | 0:13:41 | 0:13:44 | |
Alejandro's ancestry goes back to the very first Welsh settlers. | 0:13:44 | 0:13:48 | |
His great-great-grandfather, John Daniel Evans, | 0:13:48 | 0:13:51 | |
was just five years old when he arrived. | 0:13:51 | 0:13:53 | |
Here we are. | 0:13:53 | 0:13:55 | |
The cattle drive is a vital part of Alejandro's livelihood | 0:13:58 | 0:14:02 | |
so he must be confident that John and Simon are up to the task. | 0:14:02 | 0:14:05 | |
First I'm going to see how they do by the horse. | 0:14:05 | 0:14:10 | |
IN AMERICAN ACCENT: You wanna see my ass? | 0:14:10 | 0:14:12 | |
I'll pass on that one. | 0:14:16 | 0:14:18 | |
They are going to help me or they are going to make me work. | 0:14:18 | 0:14:23 | |
-Let's saddle. -Saddle up. | 0:14:23 | 0:14:26 | |
-These horses have names? -Lobito. -Ah, they have names? | 0:14:26 | 0:14:29 | |
Yes, Lobito is little wolf. | 0:14:29 | 0:14:32 | |
-What's this horses name? -Oscuro. -Oscuro? -Oscuro. -Means dark. | 0:14:32 | 0:14:37 | |
They'll be riding on traditional gaucho saddles known as recardos. | 0:14:39 | 0:14:43 | |
-A welcome mat? -Colour coded. -Yeah. | 0:14:43 | 0:14:46 | |
Gauchos use two layers of sheepskin for extra comfort. | 0:14:47 | 0:14:51 | |
It's not uncommon to ride for ten hours a day. | 0:14:51 | 0:14:54 | |
I hope the horses are strong enough for them. | 0:14:56 | 0:15:00 | |
Because it depends. | 0:15:00 | 0:15:01 | |
I've seen many gauchos, big boys, and not slim at all. | 0:15:01 | 0:15:09 | |
We have tough horses and I hope they match. | 0:15:09 | 0:15:14 | |
Oh, you didn't put an assist stirrup on. OK. | 0:15:17 | 0:15:19 | |
-It's long. -I have short legs. | 0:15:22 | 0:15:25 | |
The helmets and back protectors, however, | 0:15:25 | 0:15:27 | |
are not standard-issue gaucho kit. | 0:15:27 | 0:15:30 | |
-It's against bullets? -Yes, as well from... | 0:15:30 | 0:15:33 | |
-It's good to be sure. -..snipers. -Yeah. | 0:15:33 | 0:15:37 | |
Come on, girl. | 0:15:40 | 0:15:42 | |
-Boy. -Boy. Sorry. | 0:15:42 | 0:15:43 | |
You must have the technique for riding to help the horse | 0:15:43 | 0:15:48 | |
and be as one thing, the horse, the saddle, the gaucho. | 0:15:48 | 0:15:51 | |
You don't have to be on the horse like a potato spack. | 0:15:54 | 0:16:01 | |
Say that again?! | 0:16:01 | 0:16:03 | |
-Oh, a potato sack! -Sack. Sorry, sack. | 0:16:03 | 0:16:05 | |
-Like a potato sack. -You know, like this. -Yes, I do. | 0:16:05 | 0:16:07 | |
-Oh, it started coming off. -What did? -The saddle. -Your saddle did? | 0:16:10 | 0:16:14 | |
It started slipping. | 0:16:14 | 0:16:15 | |
They need time in the saddle | 0:16:15 | 0:16:17 | |
and tomorrow we will have too much time all through the day. | 0:16:17 | 0:16:24 | |
Alejandro must collect a few cattle from the woods before the drive | 0:16:25 | 0:16:29 | |
can begin tomorrow so it's the first outing for his full team. | 0:16:29 | 0:16:34 | |
Experienced hands Wanny and Diego and newbies John and Simon. | 0:16:34 | 0:16:39 | |
It's like, "Oh, you've been trained. This is what you're doing." | 0:16:40 | 0:16:43 | |
There's no like, "You're holding your reins too long or do this, do that." | 0:16:43 | 0:16:47 | |
It's like, "You, as far as I'm concerned, are trained. | 0:16:47 | 0:16:50 | |
"Let's get busy." | 0:16:50 | 0:16:51 | |
But I'm just warning you now, don't expect any heroics. | 0:16:52 | 0:16:55 | |
GAUCHOS WHISTLE | 0:17:00 | 0:17:04 | |
DOGS BARK | 0:17:14 | 0:17:18 | |
COWS MOO | 0:17:19 | 0:17:22 | |
It's clear that their horses are more lively than the ones | 0:17:25 | 0:17:28 | |
they trained on in the north. | 0:17:28 | 0:17:31 | |
Hey, hey. | 0:17:31 | 0:17:33 | |
Whoa, whoa, whoa. | 0:17:33 | 0:17:35 | |
Horses are alive, you know. | 0:17:37 | 0:17:39 | |
You've got to lick them into shape, | 0:17:39 | 0:17:40 | |
otherwise they'll throw you off, man. | 0:17:40 | 0:17:42 | |
That was scary because two things happened. | 0:17:42 | 0:17:46 | |
It hears the dogs bark, it hears the other horses. It's used to going. | 0:17:46 | 0:17:51 | |
They don't know they've got two novices on their backs so soon as | 0:17:53 | 0:17:56 | |
they hear "Whayyyy" and "ruff ruff", off they go and they're like... | 0:17:56 | 0:18:00 | |
-I mean. -You've got holes like that, you've got uneven territory. | 0:18:00 | 0:18:03 | |
You've got giant moles here that are called tukka-tukka. | 0:18:03 | 0:18:05 | |
Giant moles that dig... Come here, look at this here. | 0:18:05 | 0:18:07 | |
-Yeah, show us some holes. -Come here. | 0:18:07 | 0:18:09 | |
Massive. | 0:18:11 | 0:18:12 | |
And what happens is the horse puts its foot in that and it goes, | 0:18:12 | 0:18:15 | |
it panics and goes straight into a gallop. | 0:18:15 | 0:18:17 | |
It's about balance, isn't it? And we haven't got that. | 0:18:17 | 0:18:20 | |
You've got to focus for a long time. | 0:18:20 | 0:18:23 | |
I just want to get the confidence I had in the Pampas here. | 0:18:23 | 0:18:27 | |
You won't get the confidence you had in the Pampas if a trail's like that. | 0:18:27 | 0:18:30 | |
We rode up a hill, smooth as smooth. | 0:18:30 | 0:18:34 | |
Rattled by the challenge that lies ahead, there's more disturbing news. | 0:18:34 | 0:18:39 | |
Tonight the sleeping arrangements involve | 0:18:39 | 0:18:41 | |
top and tailing with the herd. | 0:18:41 | 0:18:43 | |
-COWS MOO LOUDLY -Can you hear this? | 0:18:43 | 0:18:46 | |
I have a point of concern about the proximity of the beast... | 0:18:49 | 0:18:54 | |
-The gush urine. -..and the proximity of the ear | 0:18:54 | 0:18:58 | |
and the gushing...the gushing flow of the cow through the gap. | 0:18:58 | 0:19:04 | |
I don't really want to be urinated on in the middle of the night. | 0:19:04 | 0:19:08 | |
I'm really concerned though because on this terrain you've got to be | 0:19:09 | 0:19:13 | |
on a horse with all your functions working, all your senses. | 0:19:13 | 0:19:16 | |
If I don't get a night's sleep, I'm going to be very, | 0:19:16 | 0:19:18 | |
very scared on a horse tomorrow. | 0:19:18 | 0:19:20 | |
So after some lamb cooked asado, the traditional gaucho way over | 0:19:22 | 0:19:26 | |
an open fire, John and Simon decide to preserve their energy. | 0:19:26 | 0:19:30 | |
Tonight, they'll have one more good night's sleep in a nearby lodge. | 0:19:30 | 0:19:35 | |
So yeah, we're a bit chipper now | 0:19:35 | 0:19:36 | |
because it's our last night in a warm room. | 0:19:36 | 0:19:38 | |
But tomorrow night we will be sleeping al fresco. | 0:19:39 | 0:19:42 | |
COWS MOO LOUDLY | 0:19:42 | 0:19:44 | |
Early in the morning back at camp | 0:19:54 | 0:19:56 | |
Alejandro runs through what lies ahead for the first day's drive. | 0:19:56 | 0:20:00 | |
We are going, and then this path here... | 0:20:03 | 0:20:06 | |
Heading north through the forest, they'll follow a track | 0:20:06 | 0:20:09 | |
climbing higher all morning | 0:20:09 | 0:20:11 | |
before breaking onto a plateau, | 0:20:11 | 0:20:13 | |
on the far side of which lies the evening's camp. | 0:20:13 | 0:20:16 | |
Roughly a 20-mile trek all in. | 0:20:16 | 0:20:18 | |
That's a good number. | 0:20:19 | 0:20:21 | |
It's supposed a cow can walk eight leagues, | 0:20:21 | 0:20:26 | |
that's 40 kilometres. | 0:20:26 | 0:20:28 | |
OK. | 0:20:28 | 0:20:29 | |
They're pretty fit, them cows. | 0:20:29 | 0:20:31 | |
They know they are going to the better fields in winter. | 0:20:31 | 0:20:35 | |
They know they cannot stay here. | 0:20:35 | 0:20:37 | |
Sometimes we start from here with snow, and that's better | 0:20:37 | 0:20:40 | |
because they want to go. | 0:20:40 | 0:20:43 | |
-They're migrating. -Yeah. | 0:20:43 | 0:20:46 | |
20 miles. | 0:20:48 | 0:20:50 | |
I mean, I've been probably a mile on a pony trek with the kids | 0:20:50 | 0:20:54 | |
where we're led, if that. | 0:20:54 | 0:20:56 | |
All right? | 0:20:59 | 0:21:01 | |
Hey! | 0:21:01 | 0:21:02 | |
That feels comfy today. That's cos he's not moving yet, isn't it? | 0:21:08 | 0:21:11 | |
-Yeah, it's good. -Fine? -Yeah, yeah, good. | 0:21:17 | 0:21:19 | |
For the next three days, this will be John and Simon's world. | 0:21:28 | 0:21:32 | |
200 head of cattle | 0:21:34 | 0:21:36 | |
made up of 100 calves and 100 mums | 0:21:36 | 0:21:39 | |
will be persuaded back to Trevelin | 0:21:39 | 0:21:42 | |
by five horses, five gauchos and eight dogs. | 0:21:42 | 0:21:46 | |
Increasingly, farmers in this area use cattle trucks for such journeys. | 0:21:48 | 0:21:53 | |
Alejandro is one of the few | 0:21:53 | 0:21:55 | |
still moving his cattle | 0:21:55 | 0:21:56 | |
in the traditional way. | 0:21:56 | 0:21:58 | |
-Nice weather! -Yeah. | 0:22:02 | 0:22:04 | |
Yes, just like Manchester. | 0:22:04 | 0:22:05 | |
-So British, yeah! -Home from home! | 0:22:05 | 0:22:08 | |
SHOUTING | 0:22:20 | 0:22:22 | |
For the first few hours, all seems to be going to plan. | 0:22:22 | 0:22:26 | |
It's quite tranquil when you're trotting through. | 0:22:26 | 0:22:29 | |
And personally, I can imagine physically, | 0:22:29 | 0:22:32 | |
in terms of the legs, this time tomorrow | 0:22:32 | 0:22:35 | |
it'll be a different kettle of fish. | 0:22:35 | 0:22:37 | |
Yeah, I like when the scenery changes, though. | 0:22:44 | 0:22:47 | |
That track with the low bushes for ages and ages and ages | 0:22:47 | 0:22:50 | |
has become a little bit monotonous. | 0:22:50 | 0:22:52 | |
But it's almost quite meditative. | 0:22:52 | 0:22:54 | |
CATTLE LOW | 0:22:55 | 0:22:58 | |
Saddles need constant tightening. | 0:23:02 | 0:23:05 | |
John's is becoming loose. | 0:23:05 | 0:23:07 | |
It's going so well, isn't it? | 0:23:07 | 0:23:08 | |
I was keeping a few in line and I came off the bank | 0:23:09 | 0:23:12 | |
and I could feel the saddle go, whoop! | 0:23:12 | 0:23:13 | |
But they spot these things in time. | 0:23:13 | 0:23:16 | |
OK. | 0:23:20 | 0:23:21 | |
Simon, full gallop. | 0:23:27 | 0:23:28 | |
You what? | 0:23:28 | 0:23:29 | |
I'm on full gallop. | 0:23:29 | 0:23:31 | |
Cool. | 0:23:31 | 0:23:32 | |
So you know, when it does go to trot, | 0:23:32 | 0:23:34 | |
the impact on the old scrotum is... | 0:23:34 | 0:23:36 | |
Ha-ha! | 0:23:36 | 0:23:38 | |
..it's so full-on. | 0:23:38 | 0:23:40 | |
I have a very small scrotum so I don't have to worry about it. | 0:23:40 | 0:23:43 | |
I've had it shrunk. | 0:23:43 | 0:23:45 | |
For this very purpose. Freeze-dried. | 0:23:45 | 0:23:47 | |
Exactly! | 0:23:47 | 0:23:48 | |
Alejandro calls time for a stop. | 0:23:51 | 0:23:53 | |
MAN CALLS OUT IN SPANISH | 0:23:53 | 0:23:55 | |
Oh! | 0:24:12 | 0:24:13 | |
ALEJANDRO LAUGHS | 0:24:13 | 0:24:15 | |
Ah! | 0:24:15 | 0:24:16 | |
Oy! | 0:24:16 | 0:24:17 | |
Finito, si? | 0:24:22 | 0:24:24 | |
THEY LAUGH | 0:24:24 | 0:24:25 | |
We stay here? | 0:24:25 | 0:24:27 | |
Get wood, fire. | 0:24:27 | 0:24:28 | |
DOG'S BARK ECHOES | 0:24:30 | 0:24:31 | |
OK. | 0:24:33 | 0:24:34 | |
A quick gaucho head count reveals that the team has expanded. | 0:24:35 | 0:24:40 | |
One thing that I found very strange is, | 0:24:40 | 0:24:43 | |
a mystery gaucho would appear from nowhere, next to me. | 0:24:43 | 0:24:47 | |
I'd go, "Who are you?" | 0:24:47 | 0:24:48 | |
A guy who looked like Dom DeLuise appeared, who I'd never seen before, | 0:24:48 | 0:24:52 | |
and then the dogs started to, like, multiply. | 0:24:52 | 0:24:56 | |
I don't know. It's kind of like, "But where did he come from?" | 0:24:56 | 0:24:59 | |
Unlike the vast estancias in the north, | 0:24:59 | 0:25:01 | |
with many thousand head of cattle, | 0:25:01 | 0:25:03 | |
in the foothills of the Andes, cattle farms and their herds | 0:25:03 | 0:25:07 | |
are much smaller, usually just a few hundred. | 0:25:07 | 0:25:09 | |
The three-day cattle drive will go through seven farms in all, | 0:25:11 | 0:25:14 | |
the owners of which are the mystery gauchos, | 0:25:14 | 0:25:17 | |
catching up with Alejandro as he passes through. | 0:25:17 | 0:25:20 | |
It's just occurred to me... | 0:25:20 | 0:25:21 | |
-It's just sort of a neighbourly thing to do. -How lovely is that? | 0:25:21 | 0:25:25 | |
Not as you might get in the UK - | 0:25:25 | 0:25:28 | |
"Oi, you! Get off moi la-and!" | 0:25:28 | 0:25:31 | |
"Who's built a public footpath here? | 0:25:31 | 0:25:33 | |
"I should have a word with the council." | 0:25:33 | 0:25:36 | |
Alejandro, let me ask you, how are we doing so far? | 0:25:36 | 0:25:38 | |
Forget last night. How are we doing? | 0:25:38 | 0:25:41 | |
Yeah, I couldn't say about last night! | 0:25:41 | 0:25:43 | |
SIMON LAUGHS | 0:25:43 | 0:25:45 | |
I think you are doing OK. | 0:25:45 | 0:25:46 | |
Not bad, is he? | 0:25:46 | 0:25:48 | |
Tomorrow, about half morning, ten o'clock in the morning, | 0:25:48 | 0:25:51 | |
halfway, OK? Let's ride. | 0:25:51 | 0:25:54 | |
Let's ride! Yeah. | 0:25:54 | 0:25:55 | |
Oi! | 0:25:57 | 0:25:59 | |
Sh-sh-sh! | 0:25:59 | 0:26:00 | |
The trail is at its highest point. | 0:26:11 | 0:26:13 | |
At over 1,000 metres, snow is not rare at this time of year. | 0:26:13 | 0:26:17 | |
I'm getting used to the horse | 0:26:24 | 0:26:26 | |
and I think Simon's a bit more confident. | 0:26:26 | 0:26:28 | |
A few thigh problems, apart from that... | 0:26:30 | 0:26:32 | |
..we're all right. | 0:26:34 | 0:26:35 | |
The gauchos and horses keep up the momentum | 0:26:42 | 0:26:44 | |
but it's the noisy pack of dogs that do much of the legwork. | 0:26:44 | 0:26:48 | |
It's a different way of doing things to the gauchos up north | 0:26:48 | 0:26:51 | |
but the challenging terrain here | 0:26:51 | 0:26:53 | |
requires dogs to quickly go where a horse and gaucho can't. | 0:26:53 | 0:26:57 | |
If that dog was in a gang, he'd be the one that would start the fight. | 0:26:57 | 0:27:00 | |
The golden dog. | 0:27:00 | 0:27:03 | |
It nips, it goes for the ankles, and the cow kicks... | 0:27:03 | 0:27:07 | |
DOGS BARK | 0:27:07 | 0:27:08 | |
what if he comes at the horse? Might spook the horses. | 0:27:08 | 0:27:11 | |
He has, hasn't he? | 0:27:11 | 0:27:12 | |
Very aggressive, this one. | 0:27:12 | 0:27:14 | |
Really is. | 0:27:14 | 0:27:15 | |
Keep me away from him. | 0:27:15 | 0:27:16 | |
Hey, hey, hey. | 0:27:17 | 0:27:20 | |
Hey, hey, hey, hoi! | 0:27:20 | 0:27:22 | |
-ALL: -Hey! Ho! Hey! Ho! | 0:27:22 | 0:27:27 | |
MUSIC: "Hip Hop Hooray" by Naughty By Nature | 0:27:27 | 0:27:30 | |
# Hey! Ho! | 0:27:30 | 0:27:32 | |
# Hey! Ho! | 0:27:32 | 0:27:35 | |
# Hey! Ho!... # | 0:27:35 | 0:27:36 | |
HORSE WHINNIES | 0:27:37 | 0:27:40 | |
Horse started to trot. | 0:27:40 | 0:27:41 | |
I came up here... | 0:27:41 | 0:27:43 | |
and the saddle went, and I came off. | 0:27:43 | 0:27:46 | |
On my shoulder. | 0:27:46 | 0:27:48 | |
-HORSE NEIGHS -Ssh, ssh! | 0:27:48 | 0:27:50 | |
I was just winded, that's all. | 0:27:50 | 0:27:52 | |
Yeah, I was lucky I didn't land on a rock, though. | 0:27:52 | 0:27:54 | |
Bit of adrenaline going, through there. | 0:27:57 | 0:28:00 | |
Let's hope that's the last one. | 0:28:00 | 0:28:01 | |
HE GRUNTS WITH EFFORT | 0:28:03 | 0:28:05 | |
Oh, hang on. | 0:28:09 | 0:28:10 | |
-Muchas gracias. -No, de nada. | 0:28:11 | 0:28:13 | |
Where you been? You all right? | 0:28:17 | 0:28:19 | |
I had the wind knocked out of me. | 0:28:19 | 0:28:21 | |
The saddle slipped, I fell off. | 0:28:21 | 0:28:23 | |
And then, he's tightened the saddle, I'm back on now. | 0:28:23 | 0:28:27 | |
MAN WHISTLES | 0:28:27 | 0:28:28 | |
So it did its job. | 0:28:28 | 0:28:29 | |
Did its job, back protector. Yeah. | 0:28:31 | 0:28:34 | |
I landed on my shoulder. | 0:28:34 | 0:28:37 | |
Just knocked me for six, though. | 0:28:37 | 0:28:39 | |
Bet it did. | 0:28:39 | 0:28:40 | |
DOGS BARK | 0:28:40 | 0:28:42 | |
The scenery. That's another thing that keeps spurring you on. | 0:29:05 | 0:29:08 | |
You hit the brow of a hill then you get to the other side | 0:29:08 | 0:29:10 | |
and then there's this incredible plateau | 0:29:10 | 0:29:12 | |
or an amazing valley | 0:29:12 | 0:29:14 | |
or there's snow-capped mountains | 0:29:14 | 0:29:16 | |
or some amazing, you know, autumnal colours in a forest. | 0:29:16 | 0:29:19 | |
Those kind of things keep you going. | 0:29:19 | 0:29:21 | |
I tell you what, it looked amazing. I was at the back there. | 0:29:25 | 0:29:28 | |
And then the black of the cows | 0:29:28 | 0:29:31 | |
and the russets and the burgundies | 0:29:31 | 0:29:33 | |
and the almost lime-greens of the foliage | 0:29:33 | 0:29:36 | |
and then seeing the riders, and it was great! | 0:29:36 | 0:29:38 | |
John and Simon have been riding today for ten hours. | 0:29:59 | 0:30:03 | |
With the correct embrocation I'll be all right. | 0:30:03 | 0:30:06 | |
Ooh! | 0:30:09 | 0:30:11 | |
-After a well-deserved supper... -It's just sausage. I just love sausages. | 0:30:17 | 0:30:22 | |
..they muck in with the chores, | 0:30:22 | 0:30:23 | |
building a good fire for the night. | 0:30:23 | 0:30:25 | |
-It's a bit green that, innit? -Yeah. | 0:30:27 | 0:30:29 | |
A mixture of live and dead, wasn't it, that one? | 0:30:29 | 0:30:33 | |
It's kind of like a zombie tree. | 0:30:33 | 0:30:35 | |
All five gauchos will share a home-made tent tonight, as is | 0:30:35 | 0:30:39 | |
their way, constructed from a large stick and some tarpaulin. | 0:30:39 | 0:30:42 | |
No, it doesn't look particularly appealing... | 0:30:42 | 0:30:45 | |
Oh, I just want to lie down somewhere. | 0:30:45 | 0:30:46 | |
-I know, so do I. -I'm so tired. | 0:30:46 | 0:30:48 | |
I'm just going to do it here. | 0:30:50 | 0:30:52 | |
-It's quite comfy. -Anything's comfy. | 0:30:54 | 0:30:57 | |
When I was...semi-homeless, I slept on an engine in a car. | 0:30:57 | 0:31:00 | |
I was so tired. I'd been walking and walking. | 0:31:00 | 0:31:03 | |
I got into a Bedford van and there was really no room. | 0:31:03 | 0:31:06 | |
There was an old engine and I just lay on top of the engine, | 0:31:06 | 0:31:09 | |
the carburettor. Like that. I slept for about an hour. It's horrible. | 0:31:09 | 0:31:12 | |
You think people are going to come out and go, "What are you doing?" | 0:31:12 | 0:31:14 | |
-Really? -I slept in a garage once and a bloke came to get his car | 0:31:14 | 0:31:17 | |
and I went, "Morning," like that. Just walked out. | 0:31:17 | 0:31:20 | |
-What, did he chase you? -No. He just stared at me. "Morning." | 0:31:20 | 0:31:24 | |
-You expect to see a tramp. Not a -BEEP -22-year-old | 0:31:24 | 0:31:27 | |
in Levi's Sta-Prest and moccasins. | 0:31:27 | 0:31:30 | |
I went, "Morning," and just strolled off. | 0:31:30 | 0:31:32 | |
So, you'd think this would be a piece of piss for me. | 0:31:32 | 0:31:35 | |
Gauchos use every part of their saddles to make comfortable beds. | 0:31:38 | 0:31:41 | |
Couldn't get... Couldn't get Mo Farah on that. | 0:31:43 | 0:31:46 | |
LAUGHTER | 0:31:46 | 0:31:48 | |
This is a truly traditional cattle drive. | 0:31:49 | 0:31:52 | |
But as modern herding with trucks becomes the norm, | 0:31:52 | 0:31:55 | |
ancient gaucho customs are in decline. | 0:31:55 | 0:31:58 | |
For now, Alejandro | 0:31:58 | 0:31:59 | |
and his team still do things the old-fashioned way. | 0:31:59 | 0:32:02 | |
Comrades around the campfire at the end of a long day in the saddle. | 0:32:02 | 0:32:06 | |
HE SINGS: | 0:32:23 | 0:32:25 | |
APPLAUSE | 0:33:20 | 0:33:21 | |
-Blimey. -Follow that. -Yes, exactly, we won't be singing. | 0:33:21 | 0:33:24 | |
LAUGHTER | 0:33:24 | 0:33:25 | |
-Fantastic. -Very good. -Very passionate. | 0:33:25 | 0:33:28 | |
Good...good voice as well. | 0:33:28 | 0:33:30 | |
That kind of song that you don't... you lose that in the cities. | 0:33:30 | 0:33:33 | |
You have to go back to people like the Pearly Kings, | 0:33:33 | 0:33:36 | |
who are Cockneys. They would sing "Maybe it's because I'm a Londoner." | 0:33:36 | 0:33:41 | |
You have to go back to the war. The communities in... | 0:33:41 | 0:33:44 | |
It doesn't really exist, that kind of pride. | 0:33:44 | 0:33:47 | |
If it was like this we might have the songs still but... | 0:33:47 | 0:33:50 | |
you know what I mean? | 0:33:50 | 0:33:52 | |
-Yeah, I know. -Which is a shame, but... | 0:33:52 | 0:33:54 | |
-That's the way it is rarely. -Do you know Mah Na Mah Na? | 0:33:56 | 0:33:59 | |
The Muppets? | 0:33:59 | 0:34:01 | |
Do you know Mah Na Mah Na...boo-boo ba-doo-ba. | 0:34:02 | 0:34:05 | |
# Mah na mah na, boo-boo da-boo | 0:34:05 | 0:34:07 | |
# Mah na mah na, boo-boo ba-do-do... # | 0:34:07 | 0:34:10 | |
-There you go. -You know this? -It's a bit different. | 0:34:10 | 0:34:13 | |
He sang a song about place, passion and pride. | 0:34:14 | 0:34:18 | |
And you're singing a puppet song! | 0:34:18 | 0:34:20 | |
Well, I'm trying to kind of put hands across the ocean. | 0:34:20 | 0:34:23 | |
I'm just trying...I'm just seeing how well travelled the Muppets are, and they are. | 0:34:23 | 0:34:27 | |
LAUGHTER | 0:34:27 | 0:34:29 | |
Do you want that, Tom? Here we go. | 0:34:36 | 0:34:40 | |
Ooh, it's a bit chilly. | 0:34:40 | 0:34:42 | |
If I snore...too bad. | 0:34:48 | 0:34:50 | |
-Because I can't hear myself. You must tell me. -I'll nudge you. | 0:34:51 | 0:34:55 | |
I don't know where to go from here so I'll just nudge you. | 0:34:55 | 0:34:58 | |
-Good night. -Good night, Simon. -Good night, John-Boy, and all that. | 0:34:58 | 0:35:01 | |
Good night, Jim Bob. | 0:35:01 | 0:35:02 | |
LAUGHTER It's like Glasto, isn't it? | 0:35:04 | 0:35:07 | |
It gets cold in the Andes at this time of year. | 0:35:17 | 0:35:20 | |
Last night it was minus four degrees centigrade. | 0:35:20 | 0:35:23 | |
It was quite nice having all the bodies by the side of me, | 0:35:23 | 0:35:27 | |
believe it or not. I got a bit cold and John snored a bit. | 0:35:27 | 0:35:32 | |
Then it would come and go and I would lie awake trying not to snore | 0:35:32 | 0:35:35 | |
by going... | 0:35:35 | 0:35:38 | |
I have slept. | 0:35:38 | 0:35:39 | |
And I don't ache as much as I thought I would from the horses. | 0:35:39 | 0:35:42 | |
I may hurt here when I get on. | 0:35:42 | 0:35:44 | |
Luckily I feel OK, but I have taken 12 Temazepam. | 0:35:44 | 0:35:47 | |
It's time to hit the trail. | 0:35:52 | 0:35:54 | |
Last night's singing gaucho is the hot topic of the morning. | 0:35:54 | 0:35:58 | |
-Alejandro took to the guitar. -Basically like Cat Stevens. | 0:35:58 | 0:36:02 | |
And sang his own original compositions which completely | 0:36:02 | 0:36:06 | |
blew everybody away. | 0:36:06 | 0:36:08 | |
Are you all right, Simon? Lean back into it. | 0:36:20 | 0:36:24 | |
IMITATING RACING COMMENTATOR: Here he comes, it's Lobito ridden by Simon Day. Coming through between... | 0:36:24 | 0:36:30 | |
THEY LAUGH | 0:36:32 | 0:36:33 | |
Everybody seems more relaxed today. | 0:36:33 | 0:36:35 | |
-Sorry? -The cows seem more relaxed. | 0:36:36 | 0:36:38 | |
Oh, they're tired, right. | 0:36:39 | 0:36:41 | |
LAUGHTER | 0:36:45 | 0:36:46 | |
Today will be the most challenging section of the drive. | 0:36:55 | 0:36:59 | |
There are another 20 miles to travel and ahead of them | 0:36:59 | 0:37:02 | |
lie a swamp, the Bagillt river, and a steep descent to the campsite. | 0:37:02 | 0:37:06 | |
-Go together and they'll be more confident. -It's Laurel And Hardy. | 0:37:07 | 0:37:11 | |
With the sun beaming, the mood is good | 0:37:18 | 0:37:20 | |
and the gauchos are enjoying the ride. | 0:37:20 | 0:37:22 | |
-Of course. -Both John and Simon are recovering alcoholics. | 0:37:36 | 0:37:40 | |
John's been dry for seven years, Simon for just six months. | 0:37:40 | 0:37:44 | |
I'm not drinking at all so that... that's not something I'm particularly comfortable with | 0:37:44 | 0:37:48 | |
when I'm abroad because normally when I go abroad I smash myself to pieces. | 0:37:48 | 0:37:51 | |
Exactly. | 0:37:55 | 0:37:56 | |
Yeah? | 0:37:59 | 0:38:00 | |
The problem is, with going away, | 0:38:41 | 0:38:43 | |
you've kind of got the freedom to stray. | 0:38:43 | 0:38:46 | |
So, it's a lot tougher, especially in early recovery, | 0:38:46 | 0:38:49 | |
to behave yourself. But I think Simon's doing exceptionally well. | 0:38:49 | 0:38:54 | |
I mean, when I stop drinking, I don't... | 0:38:54 | 0:38:56 | |
I'm never going to do it again, but it is a daily thing and if you don't | 0:38:56 | 0:39:00 | |
do it daily, at some point you will maybe have a drink, who knows? | 0:39:00 | 0:39:04 | |
The trail is challenging, at times steep, uneven and boggy. | 0:39:11 | 0:39:18 | |
But Alejandro's newest gauchos are starting to gain in confidence. | 0:39:21 | 0:39:25 | |
For someone who, two days ago, was terrified of the new terrain, | 0:39:27 | 0:39:32 | |
I speak for me and Simon, I think we're doing remarkably well really. | 0:39:32 | 0:39:37 | |
I'm very much aware that I'll always get a bit cocky | 0:39:37 | 0:39:39 | |
and fall off the horse, which I don't want to do. | 0:39:39 | 0:39:43 | |
I want to get through without falling off a horse. | 0:39:43 | 0:39:47 | |
I'm a better horseman than I was. | 0:39:47 | 0:39:49 | |
What I've started to do is to kind of break it up a bit, | 0:39:49 | 0:39:54 | |
is get a bit more maverick and go... | 0:39:54 | 0:39:57 | |
go all the places where the senior gauchos go, | 0:39:57 | 0:40:00 | |
in the bushes and get scratched a bit, you know? | 0:40:00 | 0:40:04 | |
Just to break it really. | 0:40:06 | 0:40:08 | |
You get those moments where you go, wow, look at this, | 0:40:11 | 0:40:13 | |
it's incredible, we're so lucky, it's amazing. | 0:40:13 | 0:40:16 | |
And then you have sort of an hour or 15 minutes of just... | 0:40:16 | 0:40:20 | |
a trench and the horses and the cows. | 0:40:20 | 0:40:22 | |
You've actually got to focus and concentrate. It's very tiring. | 0:40:22 | 0:40:25 | |
If you didn't have to concentrate it wouldn't be as tiring. | 0:40:25 | 0:40:28 | |
It's one o'clock. | 0:40:30 | 0:40:32 | |
They're scheduled to stop for lunch in half an hour | 0:40:32 | 0:40:34 | |
but suddenly they hit marshland. | 0:40:34 | 0:40:37 | |
Cows become trapped and start to panic. | 0:40:38 | 0:40:40 | |
HORSE WHINNIES | 0:40:44 | 0:40:45 | |
And even experienced riders like Diego struggle to keep | 0:40:48 | 0:40:51 | |
their horses safe. | 0:40:51 | 0:40:52 | |
The point where we got stuck today was in a bog. | 0:40:58 | 0:41:02 | |
Massive swamp marsh type thing. | 0:41:02 | 0:41:06 | |
And I saw a cow go, "moo". Up to its neck. | 0:41:06 | 0:41:10 | |
And then I realised, for a novice gaucho, this is not | 0:41:14 | 0:41:19 | |
the kind of place I should be venturing. | 0:41:19 | 0:41:21 | |
Hey, don't pass there. It's a broken bridge. | 0:41:26 | 0:41:29 | |
As more and more cows get into trouble, they start to scatter. | 0:41:41 | 0:41:46 | |
Separated from the herd and spooked, | 0:41:46 | 0:41:48 | |
the gauchos have a massive job to bring them back under control. | 0:41:48 | 0:41:52 | |
Be really quiet, please. | 0:41:53 | 0:41:55 | |
It's been a terrible couple of hours. | 0:42:11 | 0:42:14 | |
The animals and gauchos are exhausted. | 0:42:14 | 0:42:17 | |
Drastically behind schedule, they finally roll in for lunch. | 0:42:17 | 0:42:20 | |
Has it changed from a lovely adventure to hard work? | 0:42:26 | 0:42:30 | |
Erm... | 0:42:30 | 0:42:32 | |
Yeah. | 0:42:32 | 0:42:33 | |
HE LAUGHS | 0:42:36 | 0:42:38 | |
That hiccup in the swamp kind of just pushed things | 0:42:38 | 0:42:43 | |
just that bit too long. | 0:42:43 | 0:42:46 | |
No, it's hard work, yeah. | 0:42:46 | 0:42:48 | |
But, you know, it's part of the... | 0:42:48 | 0:42:50 | |
it was part of the... It was in the brochure. | 0:42:50 | 0:42:53 | |
I didn't study the brochure that hard, which is probably | 0:42:53 | 0:42:56 | |
one of my failings in life. | 0:42:56 | 0:42:58 | |
Now I'm really starting to hate cows with a vengeance. | 0:42:58 | 0:43:02 | |
I really don't like them. | 0:43:02 | 0:43:04 | |
Plus we're not sleeping. | 0:43:04 | 0:43:06 | |
I mean, last night I was next to John, who readily admits | 0:43:06 | 0:43:11 | |
snores quite a lot. | 0:43:11 | 0:43:12 | |
I'm a very light sleeper. | 0:43:12 | 0:43:14 | |
My wife will be laughing about this bit. | 0:43:14 | 0:43:17 | |
He's being put in a tent away from everyone else because of his snoring. | 0:43:17 | 0:43:20 | |
I think he's feeling really bad about that. | 0:43:20 | 0:43:21 | |
I'm going to be there with a ruler. At least 12 foot. | 0:43:21 | 0:43:25 | |
I don't think that's enough. | 0:43:25 | 0:43:27 | |
Tonight's campsite is still eight miles away | 0:43:27 | 0:43:30 | |
and daylight is in short supply. Even Alejandro's getting tense. | 0:43:30 | 0:43:35 | |
We have four hours to go | 0:43:35 | 0:43:37 | |
and it's already four o'clock in the afternoon | 0:43:37 | 0:43:40 | |
so, we'll be arriving, without problems, by eight, | 0:43:40 | 0:43:44 | |
so it's getting dark at seven, so we are late. | 0:43:44 | 0:43:50 | |
Oy! | 0:43:53 | 0:43:54 | |
It's already dusk as they near the biggest river | 0:43:58 | 0:44:01 | |
they'll cross in the three days. The Bagillt river. | 0:44:01 | 0:44:04 | |
Oi. Your horse just booted me. Come on. | 0:44:11 | 0:44:15 | |
Hey! This way. | 0:44:15 | 0:44:17 | |
But soon there's yet another unscheduled stop | 0:44:41 | 0:44:44 | |
and frustration builds. | 0:44:44 | 0:44:46 | |
What's happening? They never tell you what's happening. | 0:44:46 | 0:44:49 | |
-It's not mine. -Oh, they're separating? | 0:44:52 | 0:44:56 | |
As the drive passes through other farmers' land, | 0:44:56 | 0:44:59 | |
it's easy to pick up a tag-along. | 0:44:59 | 0:45:01 | |
We need another man, two more men. | 0:45:01 | 0:45:03 | |
But extracting the unwanted cow from Alejandro's 200 takes half an hour. | 0:45:03 | 0:45:08 | |
-Right, it's honesty time, right. This is becoming hellish. -Yes. | 0:45:10 | 0:45:13 | |
-It really is. -You told us... | 0:45:13 | 0:45:15 | |
The thought of, like, how long we're out here for, | 0:45:15 | 0:45:17 | |
it's like when you go deep sea fishing and you see | 0:45:17 | 0:45:20 | |
a marlin on the wall and you go, "What if we catch one of those?" | 0:45:20 | 0:45:23 | |
They went, "It takes 24 hours to land it," and you go, | 0:45:23 | 0:45:25 | |
"What if we're in the boat?" They go... | 0:45:25 | 0:45:27 | |
-BLOWS RASPBERRY -That's what it's like. | 0:45:27 | 0:45:29 | |
I like to know exactly what's happening. | 0:45:30 | 0:45:33 | |
I like to know if we're going through a river. | 0:45:33 | 0:45:35 | |
I don't like surprises, hate them. | 0:45:35 | 0:45:37 | |
Hate surprises. | 0:45:37 | 0:45:38 | |
And then Alejandro's head count of the herd reveals they're one down. | 0:45:38 | 0:45:43 | |
-One missing. -Oh, no. -Yeah. | 0:45:43 | 0:45:46 | |
-What do we do? -We just leave, we are late. | 0:45:46 | 0:45:50 | |
-We leave it? -Yes. | 0:45:50 | 0:45:53 | |
The cow is left behind but, with only 200 in the entire herd, | 0:46:06 | 0:46:10 | |
any lost represent a sizeable financial hit. | 0:46:10 | 0:46:14 | |
Around £500. | 0:46:14 | 0:46:16 | |
-Do you know what, Alejandro? I hate these -BLEEP -cows now. | 0:46:16 | 0:46:20 | |
HE LAUGHS | 0:46:20 | 0:46:22 | |
Soon it's pitch black. | 0:46:23 | 0:46:25 | |
And night vision is the only way to see the cattle drive. | 0:46:28 | 0:46:31 | |
There's a bit of jeopardy involved now. | 0:46:31 | 0:46:34 | |
MEN WHISTLE AND CALL | 0:46:34 | 0:46:37 | |
Stop doing the thistles! | 0:46:39 | 0:46:42 | |
Tomorrow's finish line at Trevelin is temptingly in the distance... | 0:46:51 | 0:46:55 | |
..but it's still 12 miles and another night outdoors away. | 0:46:56 | 0:47:00 | |
Two hours later, they finally reach tonight's campsite. | 0:47:07 | 0:47:11 | |
-That wasn't scary. -No. | 0:47:11 | 0:47:13 | |
That was fun. | 0:47:13 | 0:47:14 | |
You know me, I'm a self-deprecating man, | 0:47:14 | 0:47:16 | |
we have both really come on as riders. | 0:47:16 | 0:47:19 | |
We have, and that's that. | 0:47:19 | 0:47:22 | |
Oi! Oi, oi, oi, oi! | 0:47:33 | 0:47:36 | |
11 hours in the saddle. | 0:47:38 | 0:47:39 | |
It doesn't feel like it. | 0:47:39 | 0:47:40 | |
It's been a gruelling day, even for the real gauchos. | 0:47:46 | 0:47:50 | |
How is your body? | 0:47:52 | 0:47:54 | |
-My body is old. -Old. Your brain? | 0:47:54 | 0:47:56 | |
-My brain is confused. -Confused. | 0:47:56 | 0:48:00 | |
-Yeah, but sorry about your cow, I hope we'll find it. -Yes, I hope so. | 0:48:00 | 0:48:04 | |
I just think I heard the calf calling the mother. | 0:48:04 | 0:48:09 | |
-Oh, really? -In the corral. | 0:48:09 | 0:48:11 | |
-Wow! -Yeah. -Thank you, mate. -Good night, sleep well. | 0:48:11 | 0:48:14 | |
-Thank you, everybody. -Thank you for today. -Chaps, good night. | 0:48:14 | 0:48:17 | |
Sleep well. | 0:48:17 | 0:48:19 | |
Three weeks away | 0:48:19 | 0:48:21 | |
and a marathon of a day have taken their toll on Simon. | 0:48:21 | 0:48:24 | |
I miss my family, I miss the kids, I miss my missus. | 0:48:24 | 0:48:27 | |
You don't miss your water until your well runs dry, as they say. | 0:48:27 | 0:48:31 | |
Love, I suppose it is. You're missing that, aren't you? | 0:48:31 | 0:48:35 | |
-Good night, Simon. -Good night, John. | 0:48:36 | 0:48:38 | |
-Good night. -Thanks very much. Sleep well. -Sleep well. | 0:48:38 | 0:48:40 | |
For the benefit of Simon, who hasn't slept for almost 40 hours, | 0:48:40 | 0:48:44 | |
tonight he's in his own tent. | 0:48:44 | 0:48:47 | |
Also in his own tent, a full 12 feet away, | 0:48:47 | 0:48:50 | |
is John Thompson. | 0:48:50 | 0:48:52 | |
Good night. Hopefully I'll sleep well. | 0:48:52 | 0:48:54 | |
COWS MOO | 0:48:56 | 0:48:58 | |
SNORING | 0:49:00 | 0:49:03 | |
Soon the only sounds are a snoring gaucho | 0:49:03 | 0:49:07 | |
and a calf in the corral, | 0:49:07 | 0:49:09 | |
calling for its missing mother. | 0:49:09 | 0:49:11 | |
But in the dead of night she arrives. | 0:49:13 | 0:49:15 | |
Finally calf and mum are reunited. | 0:49:26 | 0:49:29 | |
At first light the time has come for Simon | 0:49:42 | 0:49:45 | |
to deal with a pressing concern, | 0:49:45 | 0:49:48 | |
one he's been putting off for a while. | 0:49:48 | 0:49:51 | |
What if it doesn't come out? | 0:49:51 | 0:49:52 | |
You can tell by the way he's walking. | 0:49:54 | 0:49:56 | |
I don't know if that is from the riding or the need to go. | 0:49:57 | 0:50:00 | |
Today is the final stage of the cattle drive. | 0:50:03 | 0:50:06 | |
Confidence is high but both John and Simon know | 0:50:06 | 0:50:09 | |
there hasn't always been great faith in their gaucho potential. | 0:50:09 | 0:50:13 | |
You know the, er... the gaucho in Corrientes, | 0:50:14 | 0:50:19 | |
the guy who taught us, he said "They won't be able to do it." | 0:50:19 | 0:50:22 | |
He said we won't do this. | 0:50:22 | 0:50:23 | |
-He said we wouldn't make it. -We won't make it. | 0:50:23 | 0:50:25 | |
Well, I would say the same thing two days before. | 0:50:25 | 0:50:29 | |
-Really? -Yes. | 0:50:29 | 0:50:31 | |
When I saw you the first time on the horses... | 0:50:31 | 0:50:36 | |
-Yes. -Yes. -You were worried? | 0:50:36 | 0:50:38 | |
Yes. And you didn't come with me, yes... | 0:50:38 | 0:50:42 | |
to get the cows the first time. | 0:50:42 | 0:50:45 | |
I was worried about the ending. | 0:50:45 | 0:50:49 | |
We were worried! | 0:50:49 | 0:50:51 | |
-That is too much thinking and not enough riding. -Yes, too much this. | 0:50:51 | 0:50:55 | |
Not enough that. | 0:50:55 | 0:50:57 | |
-But I think you did great. -So far, so good. | 0:50:57 | 0:51:01 | |
-Yes. -Not finished yet. -No. Almost there. | 0:51:01 | 0:51:04 | |
There are still ten miles to go | 0:51:19 | 0:51:21 | |
before the cattle is safely home in Trevelin. | 0:51:21 | 0:51:24 | |
And after the exertions of yesterday, | 0:51:25 | 0:51:28 | |
and another night outdoors, our heroes are running on empty. | 0:51:28 | 0:51:32 | |
I think we've just worn each other out, really. | 0:51:32 | 0:51:35 | |
It's hard to come up with a topic that kind of | 0:51:35 | 0:51:38 | |
holds mutual interest any more. | 0:51:38 | 0:51:40 | |
Do you know if you go to Southend-on-Sea, | 0:51:40 | 0:51:43 | |
there's four Wimpys. | 0:51:43 | 0:51:44 | |
-Are there? -Yes, four. | 0:51:44 | 0:51:47 | |
One minute he's doing funny voices and doing bits out of films | 0:51:47 | 0:51:51 | |
and I'm like, "Oh, God! I just want to be quiet." | 0:51:51 | 0:51:53 | |
And the next minute he's been quiet and I'm going, "You all right?" | 0:51:53 | 0:51:56 | |
It's been 20 years since John and Simon have been away together for this long. | 0:51:56 | 0:52:00 | |
We're both the same, we're both very childish, | 0:52:00 | 0:52:02 | |
we're both a bit moany. | 0:52:02 | 0:52:04 | |
It'd be the same with anyone, anyone you go away with, | 0:52:04 | 0:52:07 | |
the bad parts of their personality come up. | 0:52:07 | 0:52:10 | |
So what do you do if you're filming with someone | 0:52:10 | 0:52:12 | |
and you get absolutely sick of them? | 0:52:12 | 0:52:14 | |
-And you just, "I don't want to hear another word out of his -BLEEP -mouth," | 0:52:14 | 0:52:17 | |
-what do you do then? -You stop swearing. | 0:52:17 | 0:52:19 | |
What do you mean? | 0:52:19 | 0:52:21 | |
Don't worry about me swearing on camera, John! | 0:52:21 | 0:52:23 | |
-You worry about a lot of things I do. -You do! | 0:52:23 | 0:52:25 | |
Well, don't worry about it. | 0:52:25 | 0:52:26 | |
I don't want you to come over as some sort of yobbo. | 0:52:26 | 0:52:28 | |
-Don't worry about how I come over, John. -OK, mate. | 0:52:28 | 0:52:31 | |
I don't like to be told anything about myself, OK? | 0:52:31 | 0:52:33 | |
-I go to meetings for that. Nor do you. -I don't mind. -You do. | 0:52:33 | 0:52:37 | |
-Like what? -Well, I don't want to do it because you'll get upset. -Go on. | 0:52:37 | 0:52:41 | |
No, it's not my job to do that. It is not my job to judge you. | 0:52:41 | 0:52:44 | |
-You've changed, mate. -Have I? | 0:52:44 | 0:52:46 | |
-Yes, you've changed, mate. -How? | 0:52:46 | 0:52:47 | |
A bright young man to a drug addict. | 0:52:47 | 0:52:49 | |
THEY LAUGH | 0:52:49 | 0:52:50 | |
Me and Simon's friendship is safe. | 0:52:50 | 0:52:52 | |
Don't get me wrong, it's not John. Sometimes John's been my salvation. | 0:52:52 | 0:52:56 | |
One, two, three, four. | 0:52:56 | 0:53:00 | |
# This town | 0:53:00 | 0:53:01 | |
# Ah-ah | 0:53:01 | 0:53:02 | |
# It's coming like a ghost town | 0:53:02 | 0:53:05 | |
# All the clubs have been closed down | 0:53:05 | 0:53:10 | |
# This place | 0:53:10 | 0:53:11 | |
# It's coming like a ghost town | 0:53:11 | 0:53:13 | |
# Bands won't play no more | 0:53:14 | 0:53:18 | |
# Too much fighting on the dance floor | 0:53:18 | 0:53:20 | |
# Aaah-aah-aaah | 0:53:20 | 0:53:23 | |
# Aah-aah, aah-aah, aah-aah | 0:53:23 | 0:53:26 | |
# Aaah-aaah | 0:53:26 | 0:53:29 | |
# Ah-na-na-na-na, na-na... # | 0:53:29 | 0:53:31 | |
As they reach the outskirts of Trevelin, | 0:53:31 | 0:53:34 | |
the trail becomes smoother and it's downhill all the way. | 0:53:34 | 0:53:38 | |
The gaucho way is that. | 0:53:38 | 0:53:40 | |
-Or that. -That's the show, that. | 0:53:40 | 0:53:42 | |
This? What, this? | 0:53:42 | 0:53:43 | |
It's just this. Right. | 0:53:43 | 0:53:45 | |
COWS MOO | 0:53:47 | 0:53:48 | |
There's now only half a mile to go. | 0:53:48 | 0:53:51 | |
THEY SPEAK IN SPANISH | 0:53:58 | 0:54:00 | |
Hey! Hey! | 0:54:00 | 0:54:03 | |
-Hey-hey-hey! -Hey! | 0:54:03 | 0:54:05 | |
'It's not really hit me yet. | 0:54:15 | 0:54:16 | |
'It's incredible what we've done, really. | 0:54:16 | 0:54:19 | |
'It's amazing what we've achieved.' | 0:54:19 | 0:54:21 | |
'It took a lot out of me, the actual ride. | 0:54:21 | 0:54:25 | |
'I was running on bravado and sort of adrenaline towards the end.' | 0:54:25 | 0:54:29 | |
Hey! Hey! | 0:54:29 | 0:54:32 | |
After three days and 50 miles, | 0:54:36 | 0:54:40 | |
the cows have come home to the sheltered winter pastures | 0:54:40 | 0:54:43 | |
of the family's farm. | 0:54:43 | 0:54:45 | |
I'm tired but I feel good. Happy. | 0:54:51 | 0:54:55 | |
We've finished! | 0:54:56 | 0:54:57 | |
-Very good. -Thank you. -Very good. | 0:54:59 | 0:55:01 | |
When we got that field, I had no idea. | 0:55:01 | 0:55:03 | |
I thought we'd be at a big farm and it'd be... | 0:55:03 | 0:55:06 | |
# There'll be a welcome in the hillside... # | 0:55:06 | 0:55:08 | |
You know, people... | 0:55:08 | 0:55:09 | |
A male voice choir singing, and Welsh cakes presented to us | 0:55:09 | 0:55:14 | |
and it was just... an ordinary field. | 0:55:14 | 0:55:18 | |
No finish line, no cheers, nothing. | 0:55:18 | 0:55:21 | |
WHISTLING | 0:55:24 | 0:55:27 | |
-Here we are, done it. -Here we are. | 0:55:27 | 0:55:29 | |
Let's go back. Let's go back, yeah? | 0:55:29 | 0:55:30 | |
-To the beginning and do it all again. -Yeah. | 0:55:30 | 0:55:33 | |
'The only thing that saved the final...arrival at the field | 0:55:33 | 0:55:38 | |
'was me dismounting. | 0:55:38 | 0:55:41 | |
'And being trodden on.' | 0:55:45 | 0:55:46 | |
That's good telly, innit? | 0:55:47 | 0:55:49 | |
-You all good? -Yeah, I'm fine. | 0:55:49 | 0:55:51 | |
-And the leg? -Yeah, it's all right. | 0:55:51 | 0:55:52 | |
-No, it didn't hurt. -OK. -It's OK. | 0:55:52 | 0:55:55 | |
Yeah, mate. Thanks very much, Lobito. | 0:55:55 | 0:55:58 | |
You are what they call a rock. | 0:55:58 | 0:56:00 | |
Oscuro, my four-legged friend. | 0:56:00 | 0:56:03 | |
The horses did everything for us. | 0:56:03 | 0:56:04 | |
They're remarkable animals. | 0:56:04 | 0:56:06 | |
To do that, to take two lumps like us, with very little training, | 0:56:06 | 0:56:11 | |
and carry us for 26 hours, they were remarkable. | 0:56:11 | 0:56:14 | |
See you then, my friend. | 0:56:14 | 0:56:16 | |
He made up for all our deficiencies. | 0:56:17 | 0:56:19 | |
What I want to know is how he could do all that - | 0:56:19 | 0:56:22 | |
all he ate was about 12 thistles. | 0:56:22 | 0:56:25 | |
And he... Where do they get the muscles from? | 0:56:25 | 0:56:27 | |
Just proves the vegetarian diet works, doesn't it? | 0:56:27 | 0:56:31 | |
-Thank you much. -Yes, I'll see you later. -Yeah. | 0:56:31 | 0:56:34 | |
-Fantastic, thank you. -Well... -It's the best thing I've ever done. | 0:56:34 | 0:56:38 | |
-No, it was. -Thank you. | 0:56:38 | 0:56:39 | |
-I think you did great. -Thank you. | 0:56:39 | 0:56:42 | |
-All the best, mate. Thanks. -You're welcome. | 0:56:42 | 0:56:45 | |
You're a big boy, yes. | 0:56:45 | 0:56:47 | |
THEY LAUGH | 0:56:47 | 0:56:48 | |
For John and Simon, it's the end of their gaucho adventure. | 0:56:50 | 0:56:54 | |
LAUGHTER | 0:56:56 | 0:56:57 | |
# Ai-ai-ai... # | 0:56:57 | 0:56:58 | |
'I found parts of this journey quite spiritual, really. | 0:56:58 | 0:57:03 | |
'To be in the mountains, it's nice just to... | 0:57:03 | 0:57:07 | |
'be at one with nature.' | 0:57:07 | 0:57:08 | |
'It's enjoyable, living that lifestyle, | 0:57:10 | 0:57:13 | |
'and I was amazed how much I enjoyed being round the animals, | 0:57:13 | 0:57:15 | |
'cos I'm not really a big animal person. | 0:57:15 | 0:57:17 | |
'If you certainly asked people, they'd say, | 0:57:17 | 0:57:19 | |
'"Ooh, no, he's not an animal person, he doesn't even like dogs."' | 0:57:19 | 0:57:22 | |
HE LAUGHS | 0:57:22 | 0:57:23 | |
'I think it's done me a power of good. | 0:57:24 | 0:57:26 | |
'I'd like to go home and hope my dear wife and family | 0:57:26 | 0:57:30 | |
'sort of see a kind of positive change, you know?' | 0:57:30 | 0:57:32 | |
'You know, they do live a very, very traditional lifestyle. | 0:57:33 | 0:57:37 | |
'They have their horses, they have their work. | 0:57:39 | 0:57:41 | |
'You know, I felt it was very real, they love that life. | 0:57:41 | 0:57:45 | |
'They didn't want to be anywhere else.' | 0:57:45 | 0:57:47 | |
SINGING IN SPANISH: | 0:57:50 | 0:57:52 |