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Let's have a look where we are. There's the abbey. | 0:00:03 | 0:00:07 | |
We are heading straight for the abbey. | 0:00:07 | 0:00:11 | |
-That sounded a bit funny, didn't it? -No. | 0:00:11 | 0:00:14 | |
'I'm Timothy Spall.' | 0:00:15 | 0:00:17 | |
Don't like that. | 0:00:19 | 0:00:21 | |
'My wife and I, Shane, | 0:00:21 | 0:00:22 | |
'left London six years ago on a journey around Britain. | 0:00:22 | 0:00:27 | |
'So far, we've navigated almost 1,800 miles.' | 0:00:27 | 0:00:32 | |
That's not a nice noise. | 0:00:34 | 0:00:36 | |
'But now, I'm worried we won't get much further. | 0:00:38 | 0:00:41 | |
'We've got trouble. Engine trouble.' | 0:00:42 | 0:00:46 | |
-I don't like that noise. -It's fine. | 0:00:46 | 0:00:48 | |
I've heard that before... It's not fine. | 0:00:48 | 0:00:50 | |
'Whitby is in sight. | 0:00:50 | 0:00:52 | |
'With a nervous disposition, and a dodgy engine, | 0:00:52 | 0:00:56 | |
'we might as well be on the other side of the world.' | 0:00:56 | 0:01:00 | |
-Are we about four miles away? -Just don't worry about it. | 0:01:00 | 0:01:04 | |
I'm not worrying, I'm just asking you. | 0:01:04 | 0:01:07 | |
'Please don't fail us now, Matilda.' | 0:01:07 | 0:01:09 | |
# Somewhere at sea. # | 0:01:15 | 0:01:17 | |
Well, we've limped into Whitby. | 0:01:27 | 0:01:30 | |
Could this be where our journey ends this year? | 0:01:32 | 0:01:34 | |
Well done. | 0:01:34 | 0:01:37 | |
Thank you. | 0:01:37 | 0:01:38 | |
That was a bit of an event, that. | 0:01:38 | 0:01:41 | |
We are over three quarters of the way | 0:01:41 | 0:01:44 | |
around our great adventure. | 0:01:44 | 0:01:46 | |
Our plan is to be home in London | 0:01:46 | 0:01:48 | |
before the end of autumn, | 0:01:48 | 0:01:50 | |
but we won't be going anywhere until I get Matilda sorted out. | 0:01:50 | 0:01:54 | |
That's three times that's happened now. | 0:01:55 | 0:01:59 | |
I don't like it. | 0:02:02 | 0:02:04 | |
HE MIMICS ENGINE | 0:02:04 | 0:02:05 | |
An engineer will probably tell you what that is. | 0:02:06 | 0:02:09 | |
I've talked to a couple of people | 0:02:09 | 0:02:12 | |
and they reckon it might be, er, | 0:02:12 | 0:02:14 | |
something to do with the gearbox. | 0:02:14 | 0:02:17 | |
If it is gearbox, it's about lifting out of the boat, taking it out, | 0:02:19 | 0:02:24 | |
I don't know. | 0:02:24 | 0:02:26 | |
Oh, don't let it be that. | 0:02:26 | 0:02:28 | |
Still, there are worse places to be stranded. | 0:02:32 | 0:02:36 | |
Whitby is on the east coast of Yorkshire, | 0:02:36 | 0:02:39 | |
at the mouth of the River Esk. | 0:02:39 | 0:02:41 | |
In the Seventh Century, | 0:02:41 | 0:02:44 | |
Whitby Abbey was home to Cadman, | 0:02:44 | 0:02:45 | |
the earliest known English poet. | 0:02:45 | 0:02:47 | |
My fellow explorer and navigator, | 0:02:47 | 0:02:51 | |
Captain Cook, learned to sail here. | 0:02:51 | 0:02:54 | |
And as a big fan of Gothic novels, I couldn't be better off. | 0:02:54 | 0:02:57 | |
Much of Bram Stoker's Dracula takes place in Whitby. | 0:02:57 | 0:03:02 | |
But before we do any sightseeing, Matilda needs a doctor. | 0:03:04 | 0:03:08 | |
The source of Mr Spall's trouble. | 0:03:11 | 0:03:14 | |
-Very, very dirty fuel. -Is it? | 0:03:14 | 0:03:17 | |
This is Nick Thwaite, | 0:03:17 | 0:03:19 | |
a marine engineer, who has travelled down from Newcastle | 0:03:19 | 0:03:23 | |
to find out what's going wrong. | 0:03:23 | 0:03:26 | |
What's the prognosis? | 0:03:27 | 0:03:29 | |
Change fuel filters regularly | 0:03:29 | 0:03:31 | |
is about the most convenient way of doing it, | 0:03:31 | 0:03:33 | |
-even though it means going down into the engine room. -Yes. | 0:03:33 | 0:03:36 | |
-Because having the tanks cleaned is an expensive business. -OK. | 0:03:36 | 0:03:39 | |
So you've got to teach sir how to change a filter, I think. | 0:03:39 | 0:03:42 | |
I do, yes. | 0:03:42 | 0:03:44 | |
I wish I was good at this stuff. | 0:03:47 | 0:03:50 | |
This thing has to be positioned in exactly the right spot. | 0:03:53 | 0:03:56 | |
Push that upwards, | 0:03:56 | 0:03:58 | |
that filter, just give it a little twist | 0:03:58 | 0:04:00 | |
and then a push up at the same time. | 0:04:00 | 0:04:02 | |
We've had Matilda for seven years | 0:04:02 | 0:04:06 | |
and this is the first filter I've ever changed. | 0:04:06 | 0:04:09 | |
I think that's it. | 0:04:12 | 0:04:14 | |
Now, I'll just check the pressure. | 0:04:14 | 0:04:18 | |
Out it comes, straight out. | 0:04:18 | 0:04:20 | |
Oops, straight down my armpit! | 0:04:20 | 0:04:23 | |
I think we'll now... | 0:04:25 | 0:04:26 | |
-Try and start her? -Yeah. | 0:04:26 | 0:04:29 | |
We'll pray. | 0:04:29 | 0:04:31 | |
HE STARTS ENGINE < Hurray! | 0:04:31 | 0:04:35 | |
It's actually started better than it has ever before. | 0:04:35 | 0:04:38 | |
Because it usually does a bit of "gulp, gulp" and then starts. | 0:04:38 | 0:04:41 | |
That would've been that, wouldn't it? | 0:04:41 | 0:04:45 | |
I always like it when the engine starts. | 0:04:45 | 0:04:49 | |
Matilda is all set for our next voyage. | 0:04:49 | 0:04:52 | |
We can relax now and enjoy Whitby. | 0:04:52 | 0:04:54 | |
I've got a bit of a penchant for Gothic novels | 0:04:55 | 0:04:59 | |
and I'm also the proud owner | 0:04:59 | 0:05:02 | |
of one of Bram Stoker's walking canes. | 0:05:02 | 0:05:05 | |
"To Bram Stoker Esquire | 0:05:05 | 0:05:08 | |
"from the crew of the USS Chicago, | 0:05:08 | 0:05:12 | |
"1894." | 0:05:12 | 0:05:15 | |
Bram Stoker's cane was given to me by an old friend of mine, | 0:05:17 | 0:05:22 | |
Daniel Farson, his great-nephew. | 0:05:22 | 0:05:26 | |
It's the perfect accessory for a jaunt to the hotel | 0:05:26 | 0:05:29 | |
where he stayed in the 1890s. | 0:05:29 | 0:05:32 | |
Well, here we are in the Royal. The Royal. | 0:05:32 | 0:05:36 | |
Here is a picture of Bram Stoker. | 0:05:36 | 0:05:39 | |
Let me put my glasses on. | 0:05:39 | 0:05:40 | |
"This portrait was presented to the management of the Royal Hotel on the | 0:05:40 | 0:05:45 | |
"occasion of the Dracula Society's visit to Whitby, as it was in Whitby | 0:05:45 | 0:05:48 | |
"that the vampire Count Dracula came ashore, | 0:05:48 | 0:05:51 | |
"in the shape of an immense dog. | 0:05:51 | 0:05:53 | |
"Whitby can truly be named Dracula country." | 0:05:53 | 0:05:57 | |
And there is his cane, | 0:05:57 | 0:05:59 | |
I'll put it in the position like he's holding it. | 0:05:59 | 0:06:02 | |
Well, that's probably about how tall he was, actually. | 0:06:02 | 0:06:04 | |
How tall does that make me? | 0:06:04 | 0:06:07 | |
-Five foot four? -Yeah. | 0:06:07 | 0:06:10 | |
There's another huge figure commemorated in Whitby. | 0:06:10 | 0:06:13 | |
A great explorer and historic navigator, | 0:06:15 | 0:06:18 | |
whose endeavours I am in awe of. | 0:06:18 | 0:06:21 | |
And there's the man himself, Captain Cook. | 0:06:21 | 0:06:25 | |
This gives you a little bit of gen on him. | 0:06:25 | 0:06:28 | |
He was born not far from here, | 0:06:28 | 0:06:30 | |
just outside, er, a little village just outside Middlesbrough called Marton, | 0:06:30 | 0:06:35 | |
then they moved to Staithes. | 0:06:35 | 0:06:38 | |
He was the son of a local woman | 0:06:38 | 0:06:39 | |
and a Scottish farm labourer who became a farm manager. | 0:06:39 | 0:06:43 | |
The farm owner paid for him to go to school for five years. | 0:06:43 | 0:06:48 | |
Then he ended up apprenticed to a grocer in Staithes, | 0:06:48 | 0:06:51 | |
which is a small town up there. | 0:06:51 | 0:06:54 | |
Then he came here and took to the sea. | 0:06:54 | 0:06:57 | |
It would be ridiculous to compare myself to Captain Cook, | 0:06:57 | 0:07:02 | |
but his boat was flat bottomed, like mine. | 0:07:02 | 0:07:04 | |
And, like me, he taught himself how to navigate. | 0:07:04 | 0:07:09 | |
He also taught himself geometry and cartography. | 0:07:09 | 0:07:12 | |
How about that, then? | 0:07:12 | 0:07:14 | |
He went to sea in a flat-bottomed boat. | 0:07:14 | 0:07:17 | |
He mapped a lot of unmapped territory up | 0:07:17 | 0:07:20 | |
all the way on the east coast of America right up to Australia. | 0:07:20 | 0:07:25 | |
There he is, with his dividers in his hand, look. | 0:07:25 | 0:07:28 | |
I've got a pair of them. | 0:07:28 | 0:07:30 | |
When Captain Cook left Whitby, he took on the world. | 0:07:32 | 0:07:35 | |
When we leave Whitby tomorrow, | 0:07:35 | 0:07:38 | |
we'll be heading for Scarborough. | 0:07:38 | 0:07:40 | |
Yorkshire is a big place. | 0:07:41 | 0:07:44 | |
I wonder if Bram Stoker stood here with this stick? | 0:07:44 | 0:07:47 | |
Looking out to sea thinking, that boat coming in from the Baltics down here, | 0:07:47 | 0:07:52 | |
he must've looked at it imagining it, maybe even pointing with this stick going, | 0:07:52 | 0:07:57 | |
"Yes, I think the ship came in through there." | 0:07:57 | 0:08:00 | |
Through there, under its own power, | 0:08:00 | 0:08:03 | |
no-one on board. | 0:08:03 | 0:08:04 | |
Mysterious ship in the middle of the night, | 0:08:04 | 0:08:07 | |
somehow mooring itself up there, bang. | 0:08:07 | 0:08:09 | |
And then, straight up that hill, up there, along there, | 0:08:09 | 0:08:12 | |
up there, along there, and then the dog disappeared up there. | 0:08:12 | 0:08:16 | |
It's looking good for us to leave this lovely old town tomorrow. | 0:08:19 | 0:08:23 | |
But before we pack up, | 0:08:23 | 0:08:25 | |
I'm going to make the most of the late evening sun. | 0:08:25 | 0:08:28 | |
I've spent all my life doodling, really, | 0:08:32 | 0:08:35 | |
but I'm trying to learn how to draw properly. | 0:08:35 | 0:08:38 | |
I never, I never really drew things I saw, | 0:08:39 | 0:08:43 | |
I always drew things in my head. | 0:08:43 | 0:08:45 | |
It ain't much cop, but I'm learning. | 0:08:51 | 0:08:53 | |
I've only just started to mess about with coloured pencils, so... | 0:08:54 | 0:08:59 | |
I make a few mistakes. | 0:08:59 | 0:09:02 | |
I mean, that's, it's just an idea. | 0:09:02 | 0:09:06 | |
People sort of wax lyrical, don't they? | 0:09:08 | 0:09:11 | |
They sit in pubs in Tottenham and Lewisham | 0:09:11 | 0:09:13 | |
thinking, "One of these days, I'd love to go on a boat, | 0:09:13 | 0:09:17 | |
"sit on a boat and drink a glass of wine, | 0:09:17 | 0:09:20 | |
"and maybe draw a picture, | 0:09:20 | 0:09:22 | |
"with the sun going down and the seagulls. | 0:09:22 | 0:09:26 | |
"One of these days..." I suppose we're actually doing it! | 0:09:26 | 0:09:29 | |
We are actually doing it. | 0:09:29 | 0:09:30 | |
What we are doing | 0:09:30 | 0:09:32 | |
is what a lot of people would like to do, | 0:09:32 | 0:09:34 | |
and we are lucky enough to be doing it. | 0:09:34 | 0:09:38 | |
This is a beautiful place. | 0:09:38 | 0:09:42 | |
Good fish and chips an' all. | 0:09:42 | 0:09:45 | |
Our next destination is only 20 nautical miles away, | 0:10:01 | 0:10:04 | |
down the Yorkshire coast. | 0:10:04 | 0:10:07 | |
Just far enough to ease Matilda's engines back into action, | 0:10:07 | 0:10:10 | |
after her recent minor medical procedure. | 0:10:10 | 0:10:13 | |
Sandwiches of Shane Spall. | 0:10:19 | 0:10:22 | |
This one's particularly good. | 0:10:22 | 0:10:24 | |
It's got crisps in it. | 0:10:24 | 0:10:26 | |
A lovely smooth journey, | 0:10:46 | 0:10:49 | |
we don't get too many of them. | 0:10:49 | 0:10:51 | |
Oh, Scarborough. | 0:10:53 | 0:10:55 | |
It's an original Victorian, | 0:10:55 | 0:10:58 | |
or late Georgian almost, | 0:10:58 | 0:11:01 | |
seaside town, | 0:11:01 | 0:11:03 | |
but it's split by a ravine there, | 0:11:03 | 0:11:05 | |
there's a bridge across it, like a crevasse. | 0:11:05 | 0:11:08 | |
There's some really beautiful old hotels, | 0:11:10 | 0:11:13 | |
where the well-to-do used to come. | 0:11:13 | 0:11:16 | |
Scarborough was Britain's first seaside resort. | 0:11:19 | 0:11:23 | |
It's nice. | 0:11:24 | 0:11:26 | |
'It came to prominence in the 17th century, | 0:11:26 | 0:11:29 | |
'with the discovery of a natural spring rich in minerals. | 0:11:29 | 0:11:33 | |
'In Victorian times, the middle class believed the fresh sea air | 0:11:33 | 0:11:37 | |
'could cure all manner of illnesses. | 0:11:37 | 0:11:40 | |
'The influx of new visitors | 0:11:40 | 0:11:42 | |
'led to the construction of the Grand Hotel | 0:11:42 | 0:11:45 | |
'in 1867. | 0:11:45 | 0:11:47 | |
'At the time, it was one of the largest hotels in the world. | 0:11:47 | 0:11:51 | |
'But we're not checking in there. | 0:11:52 | 0:11:53 | |
'We visit new places, | 0:11:53 | 0:11:55 | |
'and we bring our home with us.' | 0:11:55 | 0:11:58 | |
You know, it's a classic example of what this trip brings out, isn't it? | 0:11:58 | 0:12:02 | |
23 miles from another seaside town, | 0:12:02 | 0:12:06 | |
and it's got a completely different feel to it. | 0:12:06 | 0:12:09 | |
And the accent has changed slightly. | 0:12:09 | 0:12:12 | |
We've gone from Hartlepool, | 0:12:13 | 0:12:15 | |
Hartlypoo-ool, | 0:12:15 | 0:12:17 | |
to North Yorkshire. | 0:12:17 | 0:12:19 | |
Hey up! | 0:12:19 | 0:12:20 | |
And the accent has started thinning out a bit here. | 0:12:20 | 0:12:22 | |
Then when we get past Lincolnshire, | 0:12:22 | 0:12:24 | |
we'll be going from Lincolnshire | 0:12:24 | 0:12:27 | |
to No-rfolk. | 0:12:27 | 0:12:28 | |
Notice I didn't do the Lincolnshire accent, | 0:12:28 | 0:12:31 | |
because I can't do it! | 0:12:31 | 0:12:33 | |
Then it will be Suffolk. | 0:12:33 | 0:12:36 | |
Where my family comes from, | 0:12:36 | 0:12:38 | |
and Cambridge, | 0:12:38 | 0:12:39 | |
where some of my family come from. | 0:12:39 | 0:12:42 | |
Essex. Then we're up Father Thames. | 0:12:42 | 0:12:46 | |
Yeah. | 0:12:46 | 0:12:47 | |
London is getting closer. | 0:12:54 | 0:12:57 | |
We're halfway down the English east coast, | 0:12:57 | 0:12:59 | |
just 250 miles from home. | 0:12:59 | 0:13:02 | |
We're mooring about there? | 0:13:06 | 0:13:09 | |
I can't understand that, that's a road map, love. | 0:13:12 | 0:13:16 | |
We're on our way to Spurn Head, | 0:13:16 | 0:13:19 | |
at the mouth of the Humber Estuary. | 0:13:19 | 0:13:23 | |
Once we get there, we'll be faced with one of the few things | 0:13:23 | 0:13:26 | |
that threatens to destroy an otherwise happy marriage. | 0:13:26 | 0:13:28 | |
Trying to attach the boat to a swing buoy. | 0:13:30 | 0:13:33 | |
We can be frivolous now, but when it's... | 0:13:35 | 0:13:38 | |
Yeah, when we get the swing buoy, | 0:13:38 | 0:13:40 | |
you've got to allow me to do it and then I shall call you. | 0:13:40 | 0:13:43 | |
You will see it on there. You know I can snag it. | 0:13:45 | 0:13:47 | |
Listen to me, listen to me. | 0:13:47 | 0:13:50 | |
I'm listening. | 0:13:50 | 0:13:51 | |
My feeling is that the buoy, | 0:13:51 | 0:13:54 | |
if it's an RNLI one, | 0:13:54 | 0:13:59 | |
will have a massive chain or a hawser on it. | 0:13:59 | 0:14:01 | |
So all you've got to do is get the float. | 0:14:01 | 0:14:06 | |
Yeah, that's what I will do. | 0:14:06 | 0:14:07 | |
Give me a kiss. | 0:14:07 | 0:14:09 | |
Spurn Head doesn't have a harbour, or a marina, | 0:14:11 | 0:14:14 | |
but the lifeboat crew there have given us permission | 0:14:14 | 0:14:17 | |
to moor on their swing buoy overnight. | 0:14:17 | 0:14:20 | |
That should be Bull Sand Fort there. | 0:14:20 | 0:14:23 | |
-OK. -Quite grim looking. | 0:14:23 | 0:14:28 | |
Slightly... | 0:14:30 | 0:14:32 | |
Something a touch science fiction about it. It's a bit weird. | 0:14:33 | 0:14:37 | |
The Humber has two forts, | 0:14:39 | 0:14:42 | |
Haile Sand Fort and Bull Sand Fort. | 0:14:42 | 0:14:45 | |
Their construction began in 1915, | 0:14:45 | 0:14:48 | |
to defend against a German invasion. | 0:14:48 | 0:14:51 | |
However, they took four years to build. | 0:14:51 | 0:14:54 | |
By that time, the war was already over. | 0:14:54 | 0:14:57 | |
Still, they were 20 years early for World War II. | 0:14:57 | 0:15:01 | |
We've got to get the right buoy, because some of them are pilot buoys | 0:15:03 | 0:15:07 | |
-and some of them are... -Is it marked? -It's a yellow buoy. | 0:15:07 | 0:15:13 | |
-There's a yellow buoy there. -Just have a look round... | 0:15:13 | 0:15:21 | |
-Tides are high, it's slack. -All right. | 0:15:21 | 0:15:25 | |
I'm going to go. | 0:15:25 | 0:15:27 | |
Just hold on. Hold on. | 0:15:27 | 0:15:29 | |
I think, depending which way the tide is going, we're going to get that buoy over there, | 0:15:36 | 0:15:42 | |
with the boat hook. | 0:15:42 | 0:15:45 | |
Hopefully, it's got a float, but it doesn't look like it's got a float, | 0:15:45 | 0:15:48 | |
so it's going to be quite difficult. | 0:15:48 | 0:15:50 | |
So, yes, Tim and I will row. | 0:15:50 | 0:15:53 | |
Because the way I do it is better than his. | 0:15:54 | 0:15:57 | |
If I've got a rope. Give me the end of the rope quickly. | 0:16:10 | 0:16:13 | |
The sea appears calm, | 0:16:23 | 0:16:24 | |
but there's still a significant tidal rip down there. | 0:16:24 | 0:16:28 | |
I might take up knitting. | 0:16:37 | 0:16:39 | |
I wonder if my trusty first mate | 0:16:39 | 0:16:41 | |
quite understands what a trial this is? | 0:16:41 | 0:16:44 | |
Why don't you let me steer towards the buoy? | 0:16:54 | 0:16:56 | |
-Because you can't do it... -OK. -I'll just ease it towards you. -All right. -All right? | 0:16:56 | 0:17:02 | |
Just be quiet and wait, please. | 0:17:02 | 0:17:05 | |
'A captain's life is never easy.' | 0:17:08 | 0:17:14 | |
-Just hold that still. -OK. | 0:17:14 | 0:17:16 | |
Got it. | 0:17:41 | 0:17:42 | |
Well done, love. | 0:17:42 | 0:17:44 | |
'And that, as they say, is how you do it.' | 0:17:44 | 0:17:47 | |
Let's just relish the moment for a second. Christ! | 0:17:49 | 0:17:52 | |
-I've got cramp though. Cramp. -Do you want to put another one on? | 0:17:58 | 0:18:02 | |
Another lovely day at sea! | 0:18:07 | 0:18:09 | |
Ah, the relaxation, the joy, the fun. | 0:18:09 | 0:18:12 | |
The arguments. | 0:18:12 | 0:18:14 | |
The joy. | 0:18:15 | 0:18:17 | |
The beautiful Spurn Head | 0:18:18 | 0:18:19 | |
is a narrow strip of land | 0:18:19 | 0:18:21 | |
three-and-a-half miles long | 0:18:21 | 0:18:23 | |
which forms the north bank of the Humber Estuary. | 0:18:23 | 0:18:27 | |
We'll moor here tonight, ready for a big journey tomorrow. | 0:18:28 | 0:18:31 | |
I love these swing moorings. | 0:18:37 | 0:18:39 | |
It's like being... | 0:18:39 | 0:18:42 | |
completely cut adrift, but safe. | 0:18:42 | 0:18:47 | |
I'll just go and check that rope. | 0:18:49 | 0:18:51 | |
Today, we're going to go across The Wash | 0:19:01 | 0:19:05 | |
and into Wells-next-the-Sea, in Norfolk. | 0:19:05 | 0:19:07 | |
To get there safely, | 0:19:07 | 0:19:09 | |
I need to leave on a fair tide, | 0:19:09 | 0:19:11 | |
catch the flood down the coast | 0:19:11 | 0:19:13 | |
and arrive at high tide. | 0:19:13 | 0:19:15 | |
I've got to get my calculations absolutely spot-on. | 0:19:15 | 0:19:19 | |
But not until we've dropped some locals into a pan of boiling water. | 0:19:19 | 0:19:25 | |
-How big is it, Timmy? -Smaller. You need hands! | 0:19:25 | 0:19:30 | |
Come on, Timmy, don't mess with it, just put it in the bloody pan. | 0:19:30 | 0:19:33 | |
-Don't do that! -Fine. | 0:19:33 | 0:19:36 | |
-Oh... -Put your leg down, mate. | 0:19:42 | 0:19:44 | |
HE LAUGHS | 0:19:44 | 0:19:46 | |
-It was waving goodbye! -Timmy, it was not. Next. | 0:19:46 | 0:19:50 | |
-It was waving good night... That's it. -There's another bag in there. | 0:19:50 | 0:19:54 | |
We don't need to cook three of them. | 0:19:54 | 0:19:57 | |
No, cook them now. I don't want to look in the freezer and find things. | 0:19:57 | 0:20:01 | |
We've met quite a few lifeboat crews on our travels, | 0:20:02 | 0:20:06 | |
but the Spurn Head crew is unique. | 0:20:06 | 0:20:09 | |
It's the only one in Britain where the crew | 0:20:09 | 0:20:13 | |
and their families live full time at the station. | 0:20:13 | 0:20:17 | |
And it's been this way since it was formed in 1810. | 0:20:17 | 0:20:20 | |
This crew look after the area we are about to navigate. | 0:20:22 | 0:20:25 | |
The Humber is the third busiest estuary in Europe. | 0:20:28 | 0:20:32 | |
More than 80 ships a day pass Spurn Head. | 0:20:32 | 0:20:35 | |
This journey has got me, once again, a bit nervous. | 0:20:38 | 0:20:42 | |
It's reckoned there are at least 150 wrecks | 0:20:43 | 0:20:46 | |
within 15 miles of Wells-next-the-Sea. | 0:20:46 | 0:20:49 | |
Thankfully, the boss of the lifeboat crew | 0:20:52 | 0:20:55 | |
has come over to check my route. | 0:20:55 | 0:20:58 | |
Please come aboard. Have a look, have a cup of tea. | 0:20:58 | 0:21:01 | |
I didn't know you could get a small craft folio for our bit of the coast. | 0:21:01 | 0:21:06 | |
-Yeah, yeah. -It's the perfect size for us. | 0:21:06 | 0:21:09 | |
-That's the route I've put in, along there, across the bank there. -Yeah. | 0:21:09 | 0:21:13 | |
-Down there. To there, down there, along there. -Yeah. | 0:21:13 | 0:21:17 | |
-This bit here, I would definitely come out here. -Yeah. | 0:21:17 | 0:21:22 | |
And basically, if you can parallel until you get past this, | 0:21:22 | 0:21:26 | |
-because this gets very, very shallow. -Does it? | 0:21:26 | 0:21:28 | |
With the tide, you'll only have a metre and a half, | 0:21:28 | 0:21:30 | |
-two metres on that bit. -So keep right... | 0:21:30 | 0:21:31 | |
'It's really reassuring to have an experienced lifeboatman | 0:21:31 | 0:21:35 | |
'check your route.' | 0:21:35 | 0:21:37 | |
This place here, we've had some really horrendous collisions on the Humber... | 0:21:37 | 0:21:40 | |
'That's not particularly reassuring.' | 0:21:40 | 0:21:43 | |
Before, they never used to bother, they just used to bomb up and down... | 0:21:43 | 0:21:46 | |
-Don't they look at their radar? -Yeah, but there's a bit up the top end, there's a cardinal buoy, | 0:21:46 | 0:21:53 | |
and then it's a fairly tightish turn, and you go past... | 0:21:53 | 0:21:57 | |
Two ships just literally smack-bang into each other in dense fog. | 0:21:57 | 0:22:00 | |
Ooh, dear. | 0:22:00 | 0:22:02 | |
I'm not sure if the lifeboat meeting has made me feel better or worse. | 0:22:02 | 0:22:08 | |
It's nine turbulent hours until we reach | 0:22:10 | 0:22:13 | |
Wells-next-the-Sea, in Norfolk. | 0:22:13 | 0:22:15 | |
-Careful. -Here we go. | 0:22:18 | 0:22:21 | |
Baptism of fire. | 0:22:21 | 0:22:24 | |
If I didn't know the lifeboatmen were only 600 yards away, | 0:22:24 | 0:22:28 | |
I would have fallen over and gibbered on the floor. | 0:22:28 | 0:22:33 | |
Maybe some lobster will help. | 0:22:38 | 0:22:41 | |
Oh, oh... | 0:22:46 | 0:22:49 | |
Oh. I know it's a terrible thing to say, | 0:22:56 | 0:22:59 | |
but they were alive only about eight hours ago, | 0:22:59 | 0:23:03 | |
the freshness of it... | 0:23:03 | 0:23:07 | |
is unbelievable. | 0:23:07 | 0:23:09 | |
This journey marks the crossing of another border. | 0:23:11 | 0:23:15 | |
We're leaving the North of England to enter the South of England. | 0:23:15 | 0:23:20 | |
It's yet another big moment on our round-Britain adventure. | 0:23:21 | 0:23:26 | |
It seems I got the calculations correctly and Wells is in sight, | 0:23:40 | 0:23:45 | |
but the journey is far from over. | 0:23:45 | 0:23:47 | |
These waters are full of hidden sandbanks. | 0:23:48 | 0:23:51 | |
-RADIO: -'Yeah, keep following me. | 0:23:51 | 0:23:55 | |
'We're going to go out of the channel, take a short cut. | 0:23:55 | 0:23:58 | |
'Just follow me across.' | 0:23:58 | 0:24:00 | |
All right, Wells, understood. | 0:24:00 | 0:24:02 | |
'And thankfully, I've got a pilot boat to guide me in.' | 0:24:02 | 0:24:05 | |
'I don't want to sound rude, but can you go any quicker, or is that it?' | 0:24:05 | 0:24:09 | |
No, I can do another three or four knots, no problem, over. | 0:24:09 | 0:24:13 | |
'If you could. I'd just like to get there before it gets dark, that's all.' | 0:24:13 | 0:24:16 | |
I thought they were going slow. | 0:24:16 | 0:24:18 | |
I thought you were going slow because of the tide. | 0:24:18 | 0:24:22 | |
You go and I'll follow you. I can do about six, seven knots, over. | 0:24:22 | 0:24:25 | |
This channel we're following is full of twists and turns. | 0:24:32 | 0:24:35 | |
I wouldn't fancy doing this on my own. | 0:24:35 | 0:24:37 | |
-Welcome to Wells. -Thank you. | 0:24:51 | 0:24:54 | |
Tomorrow morning, when we leave at 8:30, this will be full. | 0:25:03 | 0:25:09 | |
The tide will be above all that, | 0:25:09 | 0:25:12 | |
and that's the channel out there, you see. | 0:25:12 | 0:25:16 | |
These sands shift all the time around here, | 0:25:16 | 0:25:19 | |
so they have to keep dredging and changing the channel. | 0:25:19 | 0:25:22 | |
So that's the channel, you know... In the morning, you think, "Ah, | 0:25:22 | 0:25:27 | |
"I'll just go straight across there," but no, | 0:25:27 | 0:25:30 | |
because that's the channel, there, round there, | 0:25:30 | 0:25:35 | |
you'll snake, and we'll snake, and snake our way out. | 0:25:35 | 0:25:40 | |
Wells is one of Britain's hidden gems. | 0:25:41 | 0:25:43 | |
It's blessed with natural beauty. | 0:25:46 | 0:25:49 | |
Yet we've never heard of it before. | 0:25:49 | 0:25:52 | |
Look at it. There, look. | 0:25:52 | 0:25:56 | |
That could be us, there, that could be our barge. Stranded. | 0:25:56 | 0:26:00 | |
There he is waiting, staring down, waiting. | 0:26:00 | 0:26:04 | |
No, he's got a couple of hours yet. | 0:26:04 | 0:26:06 | |
Oi, oi! I'll be doing that in the morning. | 0:26:07 | 0:26:11 | |
Can't wait, can't wait to get up and have a run. | 0:26:14 | 0:26:17 | |
Although it's called Wells-next-the-Sea, | 0:26:17 | 0:26:21 | |
the main town is a mile inland. | 0:26:21 | 0:26:23 | |
500 years ago, this would have been underwater. | 0:26:23 | 0:26:27 | |
The strong tides of the North Sea pushed silt | 0:26:29 | 0:26:31 | |
and sand onto the Norfolk Coast, placing towns like Wells inland. | 0:26:31 | 0:26:36 | |
What a wonderful, wonderful, oasis. | 0:26:36 | 0:26:43 | |
Look at it, | 0:26:43 | 0:26:44 | |
and look at that, that amazing beach. | 0:26:44 | 0:26:48 | |
All these huts that have been there for years and years, evidently. | 0:26:48 | 0:26:53 | |
To buy one of them, they're about 90 grand, or £60,000. | 0:26:53 | 0:26:57 | |
But look at it, it's like an Indian... | 0:26:57 | 0:27:00 | |
If you squint your eyes, it could be like some strange settlers' | 0:27:00 | 0:27:05 | |
encampment, couldn't it? | 0:27:05 | 0:27:09 | |
Or some tepee. It's wonderful. | 0:27:09 | 0:27:13 | |
What more do you need to know about how beautiful a country we live in? | 0:27:22 | 0:27:26 | |
Please, please give me just a gentle day. | 0:27:33 | 0:27:36 | |
I don't know what I'm doing here! Why isn't this working? | 0:27:36 | 0:27:39 | |
-I don't know. We're going round in circles. -I am lost, actually. | 0:27:39 | 0:27:44 | |
Well, let's call the coastguard. | 0:27:44 | 0:27:47 | |
We're going to Chatham. | 0:27:47 | 0:27:49 | |
I always said we'd never call the coastguard. | 0:27:49 | 0:27:51 | |
I think it's both a celebration | 0:27:54 | 0:27:56 | |
and a spit in the eye of the audacity of fate trying to kill me. | 0:27:56 | 0:27:59 | |
So we went out and tried to kill ourselves. | 0:27:59 | 0:28:02 | |
-Oh! -Hurray! | 0:28:05 | 0:28:09 | |
Subtitles by Red Bee Media Ltd | 0:28:20 | 0:28:23 |