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'The seas around Britain can be terrifying.' | 0:00:01 | 0:00:05 | |
Want a sandwich? | 0:00:05 | 0:00:07 | |
'Over the last six years, I've been chugging through them in a barge. | 0:00:09 | 0:00:14 | |
'I'm Timothy Spall. | 0:00:18 | 0:00:19 | |
'With my wife Shane, I'm close to completing our odyssey | 0:00:19 | 0:00:23 | |
'around the British Isles. | 0:00:23 | 0:00:24 | |
'We've tackled some raging seas.' Hold on, Shane - hold on, hold on. | 0:00:26 | 0:00:32 | |
'Had some bumps and scrapes...' | 0:00:32 | 0:00:34 | |
BANGING | 0:00:34 | 0:00:35 | |
'We've travelled almost 2,000 miles, | 0:00:35 | 0:00:39 | |
'visiting every country in the United Kingdom. | 0:00:39 | 0:00:43 | |
'In this final leg, | 0:00:43 | 0:00:45 | |
'we're heading back home to London via the Thames Estuary. | 0:00:45 | 0:00:49 | |
'notorious for dangerous sandbanks and huge tankers.' | 0:00:49 | 0:00:53 | |
This is where we started out. | 0:00:53 | 0:00:55 | |
'It's an emotional journey as we return to the place where our adventures began.' | 0:00:55 | 0:01:01 | |
We're going round in a circle again! | 0:01:01 | 0:01:03 | |
'That's of course... if we can find it.' | 0:01:03 | 0:01:06 | |
-We heading for a big barge, Timmy - can you see that? -What? | 0:01:07 | 0:01:11 | |
CRASH | 0:01:11 | 0:01:13 | |
# Somewhere at sea. # | 0:01:13 | 0:01:17 | |
'We're only 100 miles from London, | 0:01:25 | 0:01:28 | |
'heading down the east coast of England towards the Thames Estuary.' | 0:01:28 | 0:01:33 | |
Just a gentle, lazy swell. To remind you that you're on the sea. | 0:01:33 | 0:01:39 | |
I asked for it, I prayed for it - I ordered this. I ordered it up. | 0:01:39 | 0:01:43 | |
I requested it. From above - please, please - give me just a gentle day. | 0:01:44 | 0:01:49 | |
'15 years ago, I was seriously ill with leukaemia - | 0:01:51 | 0:01:55 | |
'it nearly killed me. | 0:01:55 | 0:01:57 | |
'But in surviving, | 0:01:57 | 0:01:58 | |
'I was left with irresistible urge to live on the sea.' | 0:01:58 | 0:02:02 | |
It wasn't till I was ill, obviously, | 0:02:02 | 0:02:06 | |
that part of the keeping myself sane | 0:02:06 | 0:02:10 | |
during that was thinking about what I would do if and when I recovered. | 0:02:10 | 0:02:17 | |
That's when I started to feel the call of the sea. | 0:02:17 | 0:02:21 | |
The one thing I wish I had done though... | 0:02:21 | 0:02:24 | |
It's... | 0:02:24 | 0:02:26 | |
Cos it's a compulsion, | 0:02:26 | 0:02:27 | |
I just wish that my nerves hadn't increased in my experience. | 0:02:28 | 0:02:34 | |
I can't quite explain that. | 0:02:34 | 0:02:37 | |
It's probably as my mother said of her mother, "I can't help it, | 0:02:37 | 0:02:40 | |
"it's the way my mother put my hat on". | 0:02:40 | 0:02:43 | |
'The Thames Estuary is the part of the North Sea that feeds | 0:02:51 | 0:02:54 | |
'the River Thames. | 0:02:54 | 0:02:56 | |
'It's one of the largest estuaries in Britain and we're entering it | 0:02:56 | 0:03:01 | |
'at its northernmost tip - Felixstowe. | 0:03:01 | 0:03:05 | |
'Because the estuary is the entrance to one of Europe's biggest cities, | 0:03:08 | 0:03:12 | |
'it's a magnet for cargo ships.' | 0:03:12 | 0:03:14 | |
Look at that. Flipping Oxford Street going into port. | 0:03:16 | 0:03:19 | |
'Felixstowe docks - the busiest in Britain. | 0:03:21 | 0:03:24 | |
'40% of the country's imports and exports pass through here. | 0:03:24 | 0:03:29 | |
'They're even expanding the docks | 0:03:29 | 0:03:31 | |
'so they can take ships that carry 18,000 of those containers.' | 0:03:31 | 0:03:35 | |
Shotley Point Marina, Shotley Point Marina, | 0:03:35 | 0:03:38 | |
Shotley Point Marina, this is the Princess Matilda, over. | 0:03:38 | 0:03:42 | |
'Matilda is no match for ships of that size. | 0:03:42 | 0:03:45 | |
'So we're heading across the bay to the relatively tranquil | 0:03:45 | 0:03:49 | |
'Shotley Marina.' | 0:03:49 | 0:03:51 | |
Hi, Thames coastguard - Princess Matilda, | 0:03:51 | 0:03:54 | |
as instructed, we're reporting our safe arrival in Shotley Marina. | 0:03:54 | 0:03:58 | |
-Thank you very much, Thames. Nice to be back in the Thames. -Hello, Thames! | 0:03:58 | 0:04:02 | |
Nice to be back in the Thames after our circumnavigation and this is | 0:04:02 | 0:04:06 | |
the first time I've called Thames, so thank you very much. Over. | 0:04:06 | 0:04:10 | |
'Thames, Roger. I do recognise the voice. OK then. Thames out. | 0:04:10 | 0:04:15 | |
Right. | 0:04:15 | 0:04:16 | |
-That was nice. -Yeah. | 0:04:16 | 0:04:18 | |
HE DOES IMPRESSION OF RADIO CONVERSATION | 0:04:18 | 0:04:22 | |
'Shotley was once the home to HMS Ganges - | 0:04:31 | 0:04:33 | |
'a wooden warship that was used as a training vessel for Navy recruits. | 0:04:33 | 0:04:37 | |
'At the turn of the century, the whole area was turned into | 0:04:37 | 0:04:40 | |
'a training ground until 1976, when it was closed and became this marina.' | 0:04:40 | 0:04:46 | |
This is all the Ganges site. | 0:04:46 | 0:04:48 | |
Behind those trees of the old mast, where the boys climb the top. | 0:04:48 | 0:04:54 | |
-You get the button boy at the top. -Really? | 0:04:54 | 0:04:57 | |
This is actually the old running track, | 0:04:57 | 0:05:00 | |
which was low and they just dug it out a bit more, built the lock, there you go. | 0:05:00 | 0:05:05 | |
'Over 150,000 Navy recruits learned their craft here. | 0:05:09 | 0:05:14 | |
'But today, we got our own recruit.' | 0:05:14 | 0:05:18 | |
Frankie! | 0:05:18 | 0:05:20 | |
-'Our dear friend, and fellow actor - Frances Barber.' -Morning! | 0:05:20 | 0:05:24 | |
-Where did the cab driver drop you off, Felixstowe? -At the shipwreck! | 0:05:24 | 0:05:28 | |
'She's never been on Matilda before, | 0:05:28 | 0:05:31 | |
'but she's enrolled to come with us all the way back to London.' | 0:05:31 | 0:05:34 | |
It's so much bigger than I imagined, because on the sea, | 0:05:34 | 0:05:38 | |
when you are passing huge boats, you look like a dinky toy. | 0:05:38 | 0:05:43 | |
Miniscule, I know. | 0:05:43 | 0:05:44 | |
Then when you're on it, it's actually enormous. | 0:05:44 | 0:05:47 | |
We're going to introduce you to the sea in a very light way, | 0:05:47 | 0:05:50 | |
were only going to go 7½ miles today. | 0:05:50 | 0:05:53 | |
We come out into the sea here, | 0:05:53 | 0:05:56 | |
go into a place called the Walton Backwaters. | 0:05:56 | 0:06:00 | |
-I want an idyll. -We want an idyll. | 0:06:00 | 0:06:03 | |
We want a bucolic, maritime idyll. | 0:06:03 | 0:06:07 | |
'The River Thames may be our final destination, | 0:06:16 | 0:06:20 | |
'but the estuary stretches across three counties.' | 0:06:20 | 0:06:24 | |
This is the Thames Estuary? | 0:06:24 | 0:06:26 | |
-The beginning of the Thames Estuary, yeah. -I thought we were in Suffolk. | 0:06:26 | 0:06:30 | |
We are. We're going to be in Essex in a minute. Look... | 0:06:30 | 0:06:34 | |
Where are we? | 0:06:35 | 0:06:37 | |
Up here. | 0:06:37 | 0:06:38 | |
-There's Margate. -Oh... -So we're here. | 0:06:39 | 0:06:43 | |
-That is the beginning of the Thames Estuary. -Wow! | 0:06:43 | 0:06:45 | |
We are a tiny little island, aren't we? | 0:06:45 | 0:06:48 | |
'The Walton Backwaters are a complete contrast to Felixstowe. | 0:06:49 | 0:06:53 | |
'There's 7,000 acres of mudflats with a protected nature reserve.' | 0:06:53 | 0:06:58 | |
Those are old wrecks, look. The old wrecks - barges, there. | 0:07:01 | 0:07:05 | |
'Sunken barges like these were the inspiration for Arthur Ransome, | 0:07:05 | 0:07:09 | |
'author of Swallows And Amazons, | 0:07:09 | 0:07:10 | |
'to set some of his children's books here.' | 0:07:11 | 0:07:14 | |
We're on. We're here. | 0:07:14 | 0:07:15 | |
'He sailed around the Walton Backwaters in his cutter, | 0:07:15 | 0:07:19 | |
'the Nancy Blackett, in 1938 | 0:07:19 | 0:07:23 | |
'and very little has changed here since then.' | 0:07:23 | 0:07:26 | |
I think it's lovely. I think it's a really interesting place. | 0:07:26 | 0:07:30 | |
And the interesting thing about the estuary... | 0:07:31 | 0:07:35 | |
This is all the entrance to one of the biggest metropolises... | 0:07:35 | 0:07:39 | |
Don't forget London, 100 years ago, was the centre of the world. | 0:07:39 | 0:07:43 | |
All these little places here, all these places - Felixstowe, | 0:07:43 | 0:07:48 | |
where we've just been, Margate... | 0:07:48 | 0:07:50 | |
All these places have made their name and have created | 0:07:50 | 0:07:53 | |
their wealth through being the gateway | 0:07:53 | 0:07:56 | |
to the largest city of the Empire. | 0:07:56 | 0:07:58 | |
'Soon, we'll be going back to London too. | 0:07:59 | 0:08:02 | |
'But while we're here, I want to walk along the prom.' | 0:08:02 | 0:08:06 | |
'We're leaving Matilda to explore Walton on the Naze, | 0:08:08 | 0:08:12 | |
'which in Victorian times was a rival to Blackpool.' | 0:08:12 | 0:08:15 | |
Someone braving the sea! | 0:08:17 | 0:08:18 | |
'People flocked here | 0:08:20 | 0:08:22 | |
'to sample the fresh air and one of the longest piers in Britain. | 0:08:22 | 0:08:26 | |
'When the war came, it was heavily bombed | 0:08:26 | 0:08:29 | |
'and the pier almost destroyed. | 0:08:29 | 0:08:32 | |
'By the time it had got back on its feet, | 0:08:32 | 0:08:34 | |
'people were holidaying abroad.' | 0:08:34 | 0:08:36 | |
Look, I mean... It's August. | 0:08:36 | 0:08:41 | |
It's the middle of the English tourist season, | 0:08:41 | 0:08:44 | |
the kids are on holiday. | 0:08:44 | 0:08:47 | |
It's like... It's like Dodge City after everybody's gone. | 0:08:47 | 0:08:51 | |
Do you think when the sun comes out, there's people in there, | 0:08:51 | 0:08:54 | |
going, "ha ha!" | 0:08:54 | 0:08:56 | |
It's a lovely place, but what is very encouraging is the sea - | 0:08:58 | 0:09:02 | |
it looks good to me. | 0:09:02 | 0:09:04 | |
I want to get back and get going. | 0:09:07 | 0:09:09 | |
'We're heading just 25 miles down the coast to Brightlingsea, Essex. | 0:09:19 | 0:09:24 | |
'We're passing a town that reminds me of my seaside holidays.' | 0:09:24 | 0:09:29 | |
Clacton used to have Butlins holiday camp. | 0:09:29 | 0:09:32 | |
I've still got a badge somewhere in a drawer, | 0:09:32 | 0:09:36 | |
19...62 or something. | 0:09:36 | 0:09:40 | |
'Four years earlier, in 1958, | 0:09:42 | 0:09:44 | |
'the Butlins here is where Cliff Richard played his first gig. | 0:09:44 | 0:09:48 | |
'Shame I missed it. | 0:09:48 | 0:09:50 | |
'Mind you, I was just a baby then, | 0:09:50 | 0:09:53 | |
'so my mum would have left me in the chalet.' | 0:09:53 | 0:09:56 | |
They had nannies who cycled around the chalets and listened. | 0:09:56 | 0:10:01 | |
There was a thing in the corner - it would come up | 0:10:01 | 0:10:06 | |
and say, "baby crying in chalet six". | 0:10:06 | 0:10:09 | |
"Excuse me, excuse me... I think that's us." | 0:10:09 | 0:10:13 | |
It's amazing. When you think of what an innocent age we lived in. | 0:10:13 | 0:10:18 | |
Innocent Clacton, gone for ever. | 0:10:18 | 0:10:22 | |
Just before. | 0:10:34 | 0:10:36 | |
SEAGULLS CRY | 0:10:50 | 0:10:52 | |
'Before we went to sea, we were moored in Chatham, | 0:10:56 | 0:11:00 | |
'on the banks of the River Medway in Kent. | 0:11:00 | 0:11:03 | |
'We spent many months here, daring ourselves to go out into the sea. | 0:11:04 | 0:11:09 | |
'Six years later, I'm preparing to return there | 0:11:11 | 0:11:14 | |
'and complete my circumnavigation of Britain.' | 0:11:14 | 0:11:17 | |
We used to go out into this body of water here. All this is water. | 0:11:17 | 0:11:23 | |
These dark bits are sandbanks - loads of them. | 0:11:23 | 0:11:27 | |
It's up here where we first ran aground. | 0:11:27 | 0:11:30 | |
'I need to plan this route carefully and quickly. | 0:11:30 | 0:11:33 | |
'I don't want to get there in the dark.' | 0:11:33 | 0:11:35 | |
Ship ahoy, darling. | 0:11:35 | 0:11:38 | |
'But I have more to worry about than plotting the route. | 0:11:39 | 0:11:43 | |
'For this special journey, we've enlisted another recruit.' | 0:11:43 | 0:11:46 | |
-Here he is. -Where's the Spall? Darling! | 0:11:48 | 0:11:52 | |
'Rennie is my best and one of my oldest friends. | 0:11:54 | 0:11:57 | |
'While it's great to see him, I've got to get planning.' | 0:11:57 | 0:12:00 | |
-I'm going to ignore you, cos I've got things to do. -Don't look at him. | 0:12:00 | 0:12:04 | |
'Not so easy with so many people on board.' | 0:12:04 | 0:12:06 | |
-I don't know where I got it from. -I thought it was the beginning of a tattoo or something. | 0:12:06 | 0:12:11 | |
Cos it looks very sort of symmetrical. | 0:12:12 | 0:12:14 | |
My godson. | 0:12:14 | 0:12:17 | |
Who is a Hollywood star-to-be. | 0:12:17 | 0:12:20 | |
Did you have a nice time, darling? | 0:12:20 | 0:12:22 | |
-I did. -Stop talking to Rennie, Tim. | 0:12:22 | 0:12:25 | |
-Don't talk to me. -We'll have a drink. | 0:12:29 | 0:12:32 | |
'I've not had enough time to plot the last part of my course. | 0:12:32 | 0:12:35 | |
'We should have left half an hour ago.' | 0:12:35 | 0:12:39 | |
-This is driving me nuts, all I've got to do is this. -Right, we're getting ready to roll. | 0:12:39 | 0:12:44 | |
'As we head off for the last leg, right on cue, | 0:12:49 | 0:12:53 | |
'my fear of the sea kicks in.' | 0:12:53 | 0:12:55 | |
HE LAUGHS HYSTERICALLY | 0:12:55 | 0:12:58 | |
I'm at the end of my tether, I'm nearly gone. | 0:13:00 | 0:13:03 | |
I've got about that much... Only Shane is keeping... | 0:13:05 | 0:13:09 | |
Only Shane is keeping my nerve. | 0:13:09 | 0:13:11 | |
'The good news is that it's only 40 miles | 0:13:14 | 0:13:18 | |
'from Brightlingsea to Chatham.' | 0:13:18 | 0:13:20 | |
Don't want any big ships coming in or out... | 0:13:22 | 0:13:24 | |
'The bad news is, | 0:13:24 | 0:13:26 | |
'I have to get my timing spot-on to stand any chance of beating the tide. | 0:13:26 | 0:13:31 | |
'This estuary has some of the fastest tidal movements in Britain, | 0:13:31 | 0:13:36 | |
'which can catch unwary mariners by surprise.' | 0:13:36 | 0:13:40 | |
That out there - those eerie-looking masts sticking out of the water, | 0:13:40 | 0:13:44 | |
surrounded by buoys. | 0:13:44 | 0:13:46 | |
That's the wreck of the USS General Montgomery. | 0:13:46 | 0:13:50 | |
Not only is it a very eerie thing, it's very bloody dangerous. | 0:13:50 | 0:13:55 | |
It's got 1,800 tonnes of unexploded bombs on it | 0:13:55 | 0:13:58 | |
from the Second World War. | 0:13:58 | 0:13:59 | |
Evidently, if it went up, | 0:13:59 | 0:14:01 | |
it would take a quarter of the Isle of Sheppey with it! | 0:14:01 | 0:14:04 | |
They leave it where it is because it keeps it cool. | 0:14:04 | 0:14:07 | |
Too dangerous to move. | 0:14:07 | 0:14:09 | |
'The mouth of the Medway is a centre of industry, | 0:14:20 | 0:14:24 | |
'with huge power stations and considerable shipping traffic.' | 0:14:24 | 0:14:28 | |
I cannot believe, Shane... | 0:14:28 | 0:14:30 | |
-I cannot BELIEVE... -What? -We are actually back here. | 0:14:30 | 0:14:35 | |
This is where we started out. | 0:14:36 | 0:14:38 | |
'We're entering what feels like a big lake - | 0:14:39 | 0:14:43 | |
'10 square miles of water surrounded by land. | 0:14:43 | 0:14:47 | |
'I need to find Chatham on the narrow part of the river... | 0:14:47 | 0:14:51 | |
'But the light is fading fast.' | 0:14:53 | 0:14:55 | |
It's such a huge place, you can't actually see where you're heading. | 0:14:56 | 0:15:01 | |
I didn't put this part of our journey into my navigation system. | 0:15:01 | 0:15:06 | |
It's all about memory now... which doesn't seem to be working. | 0:15:06 | 0:15:11 | |
It's been six years since we've been here. I can't remember it. | 0:15:11 | 0:15:14 | |
Yes, you can. | 0:15:14 | 0:15:16 | |
That's Gillingham up there. | 0:15:16 | 0:15:20 | |
-So, we're going to be going that way. -Are you sure? | 0:15:20 | 0:15:23 | |
No. It's totally alien, basically. | 0:15:23 | 0:15:26 | |
-But we used to live here! -I know! -Now, I can't remember where we are. | 0:15:26 | 0:15:29 | |
Well, it says... It says, "You're here." | 0:15:29 | 0:15:33 | |
Yeah, we are here! | 0:15:33 | 0:15:35 | |
'I'm starting to get even more nervous. | 0:15:37 | 0:15:39 | |
'I don't know where we are but I do recognise this feeling of dread.' | 0:15:39 | 0:15:45 | |
Right, now, I've got to really keep my wits about me, now. | 0:15:45 | 0:15:49 | |
I'm being very careful | 0:15:49 | 0:15:51 | |
because there are massive sandbanks either side of here. | 0:15:51 | 0:15:55 | |
'It feels pretty close to where we once ran aground, | 0:15:55 | 0:15:59 | |
'too close for comfort.' | 0:15:59 | 0:16:00 | |
Right, OK, OK. Right. | 0:16:00 | 0:16:03 | |
Where are you going now, Tim? You're going backwards. | 0:16:03 | 0:16:07 | |
'I don't want the sea to beat me right at the end of this adventure. | 0:16:07 | 0:16:11 | |
'I just need five minutes to plot a course and we'll be out of here in no time.' | 0:16:11 | 0:16:16 | |
Concentrate. | 0:16:16 | 0:16:18 | |
Concentrate. | 0:16:20 | 0:16:25 | |
I am lost, actually. | 0:16:29 | 0:16:30 | |
Right, well, let's call the Coastguard, love, | 0:16:30 | 0:16:33 | |
and get someone to take us to Chatham, shall we? | 0:16:33 | 0:16:35 | |
Before it is too late. We're going around in circles. | 0:16:35 | 0:16:39 | |
We're getting totally confused, darling. | 0:16:39 | 0:16:41 | |
I always said we would never call the Coastguard, | 0:16:41 | 0:16:44 | |
we'd never call the bloody lifeboat out, didn't I? | 0:16:44 | 0:16:47 | |
I've always said that. | 0:16:47 | 0:16:48 | |
Because we have been going around in circles for an hour and a half. | 0:16:48 | 0:16:52 | |
Yeah, but if you just be quiet, I'll try and work it out. | 0:16:52 | 0:16:55 | |
We've been trying to work it out, Timmy, for an hour and a half. | 0:16:55 | 0:16:59 | |
-No, we haven't. -It's getting dark. Just call the Coastguard. | 0:16:59 | 0:17:02 | |
What do you want we to do? Call the Coastguard... | 0:17:02 | 0:17:05 | |
-Hold that for a second, please. -..please. | 0:17:05 | 0:17:07 | |
If I follow the lights on the buoys, | 0:17:07 | 0:17:09 | |
maybe they will guide me towards Chatham. | 0:17:09 | 0:17:11 | |
-That light, there. -Yes, that light. -No, this light? | 0:17:11 | 0:17:16 | |
Yes, straight ahead. | 0:17:16 | 0:17:17 | |
'The problem is, there are too many blinking lights.' | 0:17:18 | 0:17:22 | |
I'm completely confused. Where am I? | 0:17:22 | 0:17:25 | |
I don't know what I'm doing here. | 0:17:25 | 0:17:28 | |
-Why isn't this working? -I don't know, I don't know, we're confused. | 0:17:28 | 0:17:33 | |
There's too many lights. We're completely confused. | 0:17:34 | 0:17:38 | |
Follow the yacht. | 0:17:38 | 0:17:40 | |
-What yacht? -The one with the light on. -The yacht there. | 0:17:40 | 0:17:44 | |
What yacht? You don't know where he's going. | 0:17:44 | 0:17:46 | |
We're heading for a big barge. Timmy, can you see that? | 0:17:46 | 0:17:50 | |
-What? What? -We're heading for a big barge. -What barge? -There! | 0:17:50 | 0:17:54 | |
Will you please call the Coastguard? | 0:17:57 | 0:18:00 | |
'As captain of the ship, I know what is best. And it's time for action.' | 0:18:00 | 0:18:04 | |
-Right, OK, I'm going to take a decision now. -Good. | 0:18:04 | 0:18:08 | |
Right, I've made a decision, now. | 0:18:08 | 0:18:11 | |
Thames Coastguard, Thames Coastguard, | 0:18:11 | 0:18:14 | |
Thames Coastguard, this is the Princess Matilda over. | 0:18:14 | 0:18:17 | |
'Princess Matilda, this is Thames coastguard.' | 0:18:17 | 0:18:20 | |
We're a little bit lost, actually. | 0:18:20 | 0:18:23 | |
We're in the Medway and we're trying to find our way down to, | 0:18:23 | 0:18:27 | |
-um, uh... -Chatham. -Chatham Marina. | 0:18:27 | 0:18:32 | |
We got a bit lost and we're, uh,... | 0:18:32 | 0:18:34 | |
-And it's dark. -It's dark and we've... My wife said it is dark. | 0:18:34 | 0:18:38 | |
'We've requested a boat to come and assist you | 0:18:38 | 0:18:43 | |
'so they can guide you towards Chatham.' | 0:18:43 | 0:18:46 | |
'The lifeboat is coming to rescue us.' | 0:18:46 | 0:18:49 | |
Have you got glasses? Glasses, anybody? | 0:18:49 | 0:18:53 | |
'I should be as happy as Frankie and Shane | 0:18:53 | 0:18:57 | |
'but my heart feels as if it has just hit a sandbank.' | 0:18:57 | 0:19:02 | |
My one desire, never to call the lifeboat out, | 0:19:02 | 0:19:05 | |
has just been completely destroyed. | 0:19:05 | 0:19:08 | |
I used to think I knew what I was doing. | 0:19:08 | 0:19:11 | |
Hello, guys. I'm so sorry to call you out. | 0:19:11 | 0:19:16 | |
I said I would never do this. | 0:19:16 | 0:19:19 | |
I don't know what it is. | 0:19:19 | 0:19:21 | |
I'm either an idiot or I don't know where I'm going. | 0:19:21 | 0:19:25 | |
-Well, we can't comment on that one! -Oh, you can't comment on that! | 0:19:25 | 0:19:29 | |
'One of the crew comes on board and shows me | 0:19:29 | 0:19:31 | |
'just how far off course I am. | 0:19:31 | 0:19:34 | |
'So far off course, they're not taking us to Chatham. | 0:19:34 | 0:19:37 | |
'Instead, we're going to nearby Queenborough.' | 0:19:37 | 0:19:40 | |
I mean, I don't mind making a dick of myself | 0:19:40 | 0:19:43 | |
but I don't like to inconvenience people. | 0:19:43 | 0:19:45 | |
So, I do appreciate your wonderful work | 0:19:45 | 0:19:48 | |
and I'm sorry I had to call you out. | 0:19:48 | 0:19:51 | |
The positive side of it is that we met you. | 0:19:51 | 0:19:54 | |
We met you and you're lovely people. | 0:19:54 | 0:19:56 | |
That's where we... That's where we got lost. | 0:20:05 | 0:20:08 | |
And do you know, interestingly enough, | 0:20:08 | 0:20:11 | |
we got lost there | 0:20:11 | 0:20:14 | |
and the first time I ever ran aground was there. | 0:20:14 | 0:20:18 | |
I just lost it, I lost it. | 0:20:18 | 0:20:20 | |
-It was dark. -I lost it, Shane, I was useless. -There were too many lights. | 0:20:20 | 0:20:24 | |
It was disconcerting. We were going around in circles, we were lost. | 0:20:24 | 0:20:28 | |
'The plan is to get Matilda to Chatham today. | 0:20:28 | 0:20:31 | |
'It's only five miles away but it feels like 500.' | 0:20:31 | 0:20:35 | |
I don't think I've got it in me, Shane. | 0:20:35 | 0:20:37 | |
-Yes, you have. -I haven't. I've had enough. | 0:20:37 | 0:20:39 | |
No, love, you're going to get us to London. | 0:20:39 | 0:20:41 | |
-I've had enough. -When you get us to London, you can have enough. Not now. | 0:20:41 | 0:20:46 | |
You're going to take us to Chatham. | 0:20:46 | 0:20:48 | |
I've lost faith in myself so many times in these six years at sea | 0:21:01 | 0:21:05 | |
but somehow, Shane never seems to. | 0:21:05 | 0:21:08 | |
My first instinct this morning was, no, let him stay in bed, | 0:21:08 | 0:21:13 | |
let him stay in bed and he'd fester and he would worry | 0:21:13 | 0:21:17 | |
and have a nervous breakdown. | 0:21:17 | 0:21:20 | |
So, I thought it was best for us to get back out | 0:21:20 | 0:21:23 | |
and up on the river and get back him into the saddle. | 0:21:23 | 0:21:25 | |
Things like this knock his confidence | 0:21:25 | 0:21:28 | |
but he's done the whole of the British Isles, you know. | 0:21:28 | 0:21:32 | |
He's made one mistake, once. We've only had one shout. | 0:21:32 | 0:21:35 | |
SHE KNOCKS ON WOOD | 0:21:35 | 0:21:36 | |
We were just dazzled. | 0:21:36 | 0:21:38 | |
'In the light of day, I recognise everything so clearly. | 0:21:42 | 0:21:46 | |
'This is where my favourite writer Charles Dickens set the meeting | 0:21:46 | 0:21:50 | |
'between Pip and Magwitch in his classic Great Expectations.' | 0:21:50 | 0:21:55 | |
You can feel it in his writing, this area. | 0:21:55 | 0:21:58 | |
It's full of demons and poltergeists | 0:21:58 | 0:22:01 | |
and wicked fairies and kind fairies. | 0:22:01 | 0:22:04 | |
The ultimate example of that is Magwitch, isn't he? | 0:22:04 | 0:22:09 | |
He is both good and bad because he's like the criminal | 0:22:09 | 0:22:13 | |
but the one you fear and loathe as a child | 0:22:13 | 0:22:16 | |
turns out to be his benefactor. | 0:22:16 | 0:22:19 | |
'It's exactly the type of scenery that inspired me | 0:22:21 | 0:22:24 | |
'to explore my country in the first place.' | 0:22:24 | 0:22:27 | |
The mix between rural beauty and industrial endeavour. | 0:22:28 | 0:22:35 | |
There's something so... quintessentially British about it. | 0:22:35 | 0:22:40 | |
But if it wasn't for hulking great boats like that | 0:22:40 | 0:22:44 | |
and power stations like that and, you know, | 0:22:44 | 0:22:48 | |
erm... rivers like this, | 0:22:48 | 0:22:49 | |
we wouldn't be the international success that we are, | 0:22:49 | 0:22:52 | |
punching way above our weight, would we? | 0:22:52 | 0:22:55 | |
That's what makes Britain a wonderful place. | 0:22:55 | 0:22:57 | |
# I'm in hopes you'll think it over | 0:22:57 | 0:23:02 | |
# And perhaps be satisfied | 0:23:02 | 0:23:06 | |
# With a simple sort of person | 0:23:06 | 0:23:10 | |
# On the sentimental side. # | 0:23:10 | 0:23:13 | |
There's Chatham. | 0:23:13 | 0:23:15 | |
'As we approach Chatham, more memories come flooding back.' | 0:23:17 | 0:23:23 | |
'It's so full of maritime history here. | 0:23:25 | 0:23:28 | |
'It's the birthplace of so many famous and heroic ships.' | 0:23:28 | 0:23:32 | |
Chatham Historical Dockyard, there. | 0:23:34 | 0:23:37 | |
-That is where they built the HMS Victory. -Is it? | 0:23:37 | 0:23:40 | |
-This is where Nelson left before the Battle of Trafalgar. -Really? | 0:23:40 | 0:23:44 | |
And this is St Mary's Island which was a prison colony. | 0:23:44 | 0:23:49 | |
It's a place of melancholy and misery. | 0:23:49 | 0:23:53 | |
Later on, maybe we'll have a walk. | 0:23:53 | 0:23:56 | |
'For Shane and me, | 0:24:00 | 0:24:02 | |
'this place has an extra special and personal heritage. | 0:24:02 | 0:24:07 | |
'When we left here all that time ago, | 0:24:07 | 0:24:10 | |
'I never dreamt we'd actually do it.' | 0:24:10 | 0:24:14 | |
Are you all right? | 0:24:14 | 0:24:15 | |
Yeah. No, it's just really emotional because we just spent | 0:24:15 | 0:24:19 | |
so much time here and knew it so well | 0:24:19 | 0:24:23 | |
and now, we're back, now. | 0:24:23 | 0:24:26 | |
We used to come along this jetty every night | 0:24:26 | 0:24:29 | |
and go to that pub over there. | 0:24:29 | 0:24:32 | |
So, it's a bit weird. | 0:24:32 | 0:24:34 | |
You're in tears. | 0:24:40 | 0:24:44 | |
We're back. | 0:25:05 | 0:25:08 | |
We're here now. We've done it, we're back! | 0:25:08 | 0:25:11 | |
'Shane and I have travelled nearly two and a half thousand miles | 0:25:20 | 0:25:25 | |
'around the United Kingdom.' | 0:25:25 | 0:25:27 | |
I feel like Marco Polo, Francis Drake, Dame Ellen MacArthur. | 0:25:27 | 0:25:32 | |
'We've moored in 91 ports, visited four countries | 0:25:32 | 0:25:35 | |
'and made it back in one piece. | 0:25:35 | 0:25:38 | |
'Just about.' | 0:25:38 | 0:25:40 | |
Look, a dolphin! | 0:25:40 | 0:25:41 | |
-Where? -Look! -He's got it! | 0:25:41 | 0:25:44 | |
'At the end of this wonderful journey, there is one last stop. | 0:25:44 | 0:25:50 | |
'Back home to London.' | 0:25:50 | 0:25:53 | |
To the right of Canary Wharf. We can see the Dome! | 0:25:53 | 0:25:56 | |
We can see the Dome! | 0:25:56 | 0:25:58 | |
Skip with this lovely old bugger around Britain. | 0:26:01 | 0:26:05 | |
You know, a lot has happened in that time. | 0:26:05 | 0:26:08 | |
Two of our kids have got married. One has had a baby. | 0:26:08 | 0:26:12 | |
They have both bought their own houses. | 0:26:12 | 0:26:15 | |
Shane has written a book, she's got a publishing deal. | 0:26:15 | 0:26:18 | |
I've gone insane. | 0:26:18 | 0:26:20 | |
It's quite a lot to take on. | 0:26:20 | 0:26:21 | |
But it's been astounding. | 0:26:21 | 0:26:25 | |
Baptism of fire every day, to a certain degree. | 0:26:26 | 0:26:29 | |
The one thing that, erm, I didn't fully realise, | 0:26:32 | 0:26:37 | |
how connected it is, | 0:26:37 | 0:26:41 | |
how absolutely connected it is to what happened to me when I was ill. | 0:26:41 | 0:26:44 | |
What happened to me 15 years ago, going on 16, | 0:26:44 | 0:26:47 | |
is still with me in my soul. | 0:26:47 | 0:26:51 | |
And this, with Shane, | 0:26:51 | 0:26:53 | |
and our friends and with you has either been a celebration | 0:26:53 | 0:26:59 | |
of life or two fingers up to the fact that it tried to go away. | 0:26:59 | 0:27:02 | |
It is both a celebration | 0:27:02 | 0:27:05 | |
and a spit in the eye of the audacity of fate trying to kill me. | 0:27:05 | 0:27:11 | |
So we went out and tried to kill ourselves! | 0:27:11 | 0:27:13 | |
# Heaven | 0:27:13 | 0:27:15 | |
# I'm in heaven | 0:27:15 | 0:27:18 | |
# And my heart beats so that I can hardly speak | 0:27:18 | 0:27:25 | |
# And I seem to find the happiness I seek | 0:27:25 | 0:27:32 | |
# When we're out together dancing cheek to cheek. # | 0:27:32 | 0:27:36 | |
Waiting to greet us are close friends and family, | 0:27:36 | 0:27:42 | |
including our granddaughter Matilda. | 0:27:42 | 0:27:46 | |
With an audience on the pontoon, I better not cock this up. | 0:27:46 | 0:27:51 | |
Now do that. Now press that button. | 0:27:53 | 0:27:56 | |
There. | 0:27:56 | 0:27:58 | |
THEY CHEER | 0:27:58 | 0:28:01 | |
'We've taken the temperature of the British Isles. | 0:28:08 | 0:28:12 | |
'The British people and the feeling of the place | 0:28:12 | 0:28:15 | |
'is still incredibly healthy.' | 0:28:15 | 0:28:18 | |
Ooh! | 0:28:18 | 0:28:19 | |
'It's a great place and I wouldn't want to live anywhere else.' | 0:28:19 | 0:28:24 | |
-Cheers. -Just don't tell your mum. -Cheers, cheers, cheers. | 0:28:24 | 0:28:27 | |
-Cheers. -Cheers. -Cheers. | 0:28:27 | 0:28:28 | |
# When shall I see my lover come home from the sea? | 0:28:35 | 0:28:41 | |
# Hurry to me, great liner | 0:28:41 | 0:28:45 | |
# For you can make my dreams come true | 0:28:45 | 0:28:52 | |
# Wherever you be | 0:28:52 | 0:28:55 | |
# Answer my plea | 0:28:55 | 0:28:59 | |
# Somewhere at sea. # | 0:28:59 | 0:29:03 |