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OK, what I'm gonna do is what I usually do, right? | 0:00:02 | 0:00:05 | |
There's this, right? On. | 0:00:05 | 0:00:07 | |
'I'm Timothy Spall, and this is my wife, Shane.' | 0:00:09 | 0:00:13 | |
Pardon? | 0:00:13 | 0:00:15 | |
'We're on the trip of a lifetime. | 0:00:15 | 0:00:18 | |
'We're circumnavigating the British Isles in a barge. | 0:00:18 | 0:00:23 | |
'It's not the fastest boat on the water. | 0:00:24 | 0:00:27 | |
'We left London five years ago and we're not quite halfway around.' | 0:00:27 | 0:00:32 | |
Shall we give that lady a wave? | 0:00:33 | 0:00:36 | |
Hiya, darling, all right! | 0:00:36 | 0:00:39 | |
CLATTER | 0:00:41 | 0:00:43 | |
Have I damaged it? | 0:00:53 | 0:00:55 | |
'Last year we took on the Atlantic Ocean | 0:00:55 | 0:00:59 | |
'as we travelled from Cornwall to Wales. | 0:00:59 | 0:01:03 | |
We're Mr and Mrs Vasco de Gama-Magellan-Francis Drake-O'Columbus. | 0:01:03 | 0:01:08 | |
That's who we are. | 0:01:08 | 0:01:10 | |
The electric anchor's not working, so Tim's got to do it manually. | 0:01:10 | 0:01:13 | |
The anchor's broken. | 0:01:19 | 0:01:21 | |
You stay there and I'll do this. | 0:01:21 | 0:01:23 | |
I know what I'm doing, love. | 0:01:23 | 0:01:26 | |
I think we've run aground. | 0:01:26 | 0:01:28 | |
Yeah. | 0:01:28 | 0:01:29 | |
'This next phase will take us into the Irish Sea...' | 0:01:29 | 0:01:33 | |
Hold on, Shane, hold on! Sit down! | 0:01:33 | 0:01:36 | |
'..visiting every country in the United Kingdom...' | 0:01:39 | 0:01:41 | |
One kipper? That's not going to get you far, is it? | 0:01:41 | 0:01:44 | |
-Irish jig... -Don't spoil it! -Doing an Irish jig! | 0:01:44 | 0:01:49 | |
'..as we make our way up to Scotland...' | 0:01:49 | 0:01:53 | |
Come on, you old wallowing pig! | 0:01:53 | 0:01:55 | |
'..one port at a time.' | 0:01:55 | 0:01:57 | |
Come on, baby! | 0:01:57 | 0:01:59 | |
There you go. Hello, darling! | 0:01:59 | 0:02:01 | |
Whatever they've set him in, it's pretty bloody good. | 0:02:03 | 0:02:07 | |
Wahey! | 0:02:07 | 0:02:08 | |
Here I am! Another land conquered. | 0:02:08 | 0:02:11 | |
We've come here on our boat! | 0:02:11 | 0:02:12 | |
From the safety of Cardiff Marina, | 0:02:26 | 0:02:29 | |
it looks like a glorious morning | 0:02:29 | 0:02:32 | |
to continue our round-Britain adventure. | 0:02:32 | 0:02:35 | |
I'm glad to see somebody's captain. | 0:02:35 | 0:02:38 | |
He's in there. Give him a knock, Roy. | 0:02:38 | 0:02:40 | |
He's still in the arms of Morpheus, probably. | 0:02:40 | 0:02:42 | |
No, he's been out of Morpheus for a couple of hours now, believe me. | 0:02:42 | 0:02:46 | |
Roy Jones is a local marine electrician | 0:02:46 | 0:02:49 | |
and an experienced mariner. | 0:02:49 | 0:02:52 | |
As an extra safety measure, I've asked him to check my course. | 0:02:52 | 0:02:55 | |
I'm looking at these, erm... Do you want a cup of tea, Roy? | 0:02:55 | 0:02:58 | |
Oh, go on, but don't make one special. | 0:02:58 | 0:03:00 | |
I'm looking at these, erm... | 0:03:00 | 0:03:02 | |
As you get up round the corner here, it says it's got overfalls. | 0:03:02 | 0:03:06 | |
Do I have to take notice? | 0:03:06 | 0:03:08 | |
I mean, I have marked them and I'm trying to go south of them. | 0:03:08 | 0:03:12 | |
Yeah, so you're coming out. | 0:03:12 | 0:03:14 | |
I'm coming out here. | 0:03:14 | 0:03:16 | |
Yeah. And out that way, so up there? | 0:03:16 | 0:03:19 | |
Off Nash you've got the rocks. | 0:03:19 | 0:03:22 | |
You can see it breaking there, so you want to come out. | 0:03:22 | 0:03:28 | |
'Nice! Rocks. | 0:03:28 | 0:03:30 | |
'As if I haven't got enough to worry about.' | 0:03:30 | 0:03:33 | |
Is it quite fresh out there? | 0:03:33 | 0:03:36 | |
Looks like it's doing about a three or a four? | 0:03:36 | 0:03:39 | |
It is. Yeah. | 0:03:39 | 0:03:40 | |
Oh, I'll come back. If it's horrible out there, I'll come back. | 0:03:40 | 0:03:44 | |
-Yeah, I say it's enjoyment, it's not a test. -Absolutely right. | 0:03:44 | 0:03:47 | |
Because I woke up worrying at half five, thinking, | 0:03:47 | 0:03:51 | |
"Right, I ain't been to sea for six months | 0:03:51 | 0:03:53 | |
-"and I'm going to go today, so er..." -It's always a bit apprehensive, isn't it? | 0:03:53 | 0:03:57 | |
-You've got to be nervous. -Yeah, yeah. | 0:03:57 | 0:03:59 | |
If you're not, you're not human. It's always an unknown, but it's an adventure. | 0:03:59 | 0:04:03 | |
-Yeah, exactly. -It's an adrenaline rush. | 0:04:03 | 0:04:05 | |
You've got it. You got it. | 0:04:05 | 0:04:08 | |
Bye, Roy! | 0:04:08 | 0:04:09 | |
My aim is to get us to Milford Haven, | 0:04:15 | 0:04:18 | |
100 nautical miles away, in just two days. | 0:04:18 | 0:04:22 | |
This marks the end of the Bristol Channel | 0:04:22 | 0:04:24 | |
and the start of the Irish Sea... | 0:04:24 | 0:04:27 | |
one of the world's most unpredictable seas. | 0:04:28 | 0:04:31 | |
'I don't suffer from stage fright, | 0:04:51 | 0:04:54 | |
'but I do suffer from sea fright.' | 0:04:54 | 0:04:58 | |
Right, this is it, then. | 0:04:58 | 0:04:59 | |
We're either going to go or we'll be back in here in about five minutes. | 0:05:01 | 0:05:06 | |
It'll take me at least an hour to get used to the waves again. | 0:05:06 | 0:05:10 | |
That's if there is any, but we'll see - let's have a look. | 0:05:10 | 0:05:14 | |
It's doing a fair old pace out there, that's for sure. | 0:05:16 | 0:05:20 | |
It doesn't look very nice to me. | 0:05:20 | 0:05:22 | |
It's fine. | 0:05:22 | 0:05:24 | |
Look at the way the buoy's moving about, love. That's not fine, is it? | 0:05:24 | 0:05:28 | |
Yes, it is, it's fine. | 0:05:28 | 0:05:29 | |
Yeah, it's lumpy. | 0:05:37 | 0:05:39 | |
OBJECTS CLATTER | 0:05:42 | 0:05:44 | |
It's all right, it's the change jar. | 0:05:45 | 0:05:47 | |
My guts are churning and my heart is beating. I feel like I'm going to die. | 0:05:49 | 0:05:54 | |
I'll be all right in a minute. | 0:05:54 | 0:05:56 | |
It's good. It's nice. | 0:05:56 | 0:05:57 | |
Especially when that great big ship goes past us. | 0:05:57 | 0:06:01 | |
Although I've navigated over 600 nautical miles, | 0:06:13 | 0:06:16 | |
at times I've been winging it a bit, learning as I go. | 0:06:16 | 0:06:20 | |
But with the unpredictable Irish Sea on the horizon, | 0:06:22 | 0:06:25 | |
I don't want to take any chances. | 0:06:25 | 0:06:27 | |
So I've had some new equipment fitted. | 0:06:27 | 0:06:30 | |
And it ain't cheap, this stuff. | 0:06:30 | 0:06:33 | |
All this shit, all this shit, all this technology... | 0:06:33 | 0:06:38 | |
is all fantastic. | 0:06:38 | 0:06:42 | |
But at the end of the day, it's an approximation. | 0:06:42 | 0:06:46 | |
It's 15 grand's worth of approximation, | 0:06:46 | 0:06:51 | |
because I knew we'd be knocked about a bit. | 0:06:51 | 0:06:54 | |
That don't tell you, that don't tell you. | 0:06:54 | 0:06:57 | |
The only people that tell you is the coastguard and they'll say, | 0:06:57 | 0:07:00 | |
"Slight or moderate sea, rough or moderate sea, rough or slight or smooth sea." | 0:07:00 | 0:07:05 | |
You never know, because you're at sea. | 0:07:05 | 0:07:09 | |
We're in the Bristol Channel, which some people consider as a river, | 0:07:09 | 0:07:14 | |
but it's ferocious, you know? | 0:07:14 | 0:07:16 | |
After an overnight stay in Swansea, | 0:07:29 | 0:07:31 | |
we're back on track for Milford Haven. | 0:07:31 | 0:07:34 | |
And, thankfully, the Bristol Channel is behaving itself. Today, anyway. | 0:07:36 | 0:07:43 | |
It's always different, every single journey is different. | 0:07:43 | 0:07:46 | |
And you can never predict what might happen. Anything might happen. | 0:07:48 | 0:07:54 | |
This adventure we're on, this odyssey, | 0:07:56 | 0:08:00 | |
it's not something I could have dreamed up until I got ill. | 0:08:00 | 0:08:04 | |
It was 14 years ago, while I was recovering from leukaemia... | 0:08:04 | 0:08:10 | |
..that I first began to dream about living on the water. | 0:08:10 | 0:08:13 | |
Just watching the boat cut itself through this lovely wash, | 0:08:15 | 0:08:20 | |
it's poetry in motion, isn't it? | 0:08:20 | 0:08:24 | |
But you know, it's a mixture with me. | 0:08:27 | 0:08:29 | |
I'm both... I'm not scared of this. This is lovely. | 0:08:29 | 0:08:33 | |
But you just never know what's going to happen. | 0:08:34 | 0:08:38 | |
Those two white apparitions there, | 0:08:38 | 0:08:42 | |
they look like yachts that have just come out of Milford Haven Harbour. | 0:08:42 | 0:08:47 | |
So that looks like our passage into Milford Haven. | 0:08:47 | 0:08:52 | |
Sir William Hamilton, a wealthy Scotsman, | 0:08:53 | 0:08:56 | |
founded Milford Haven in 1793. | 0:08:56 | 0:09:00 | |
He invited seven Quaker families from America to settle here | 0:09:00 | 0:09:04 | |
and develop a whaling fleet. | 0:09:04 | 0:09:06 | |
A few years later, he persuaded the Navy | 0:09:06 | 0:09:10 | |
to build a dockyard here, making warships. | 0:09:10 | 0:09:14 | |
Today, it's a thriving port for oil companies. | 0:09:14 | 0:09:19 | |
Look at it. I mean, it's an extraordinary place. | 0:09:19 | 0:09:23 | |
I love it, it's beautiful. | 0:09:24 | 0:09:28 | |
-I love it. -This is just my cup of tea, | 0:09:28 | 0:09:30 | |
this mixture of industry and physical beauty. | 0:09:30 | 0:09:34 | |
I love it, love it! | 0:09:36 | 0:09:39 | |
The sea's like silk, no wind. | 0:09:39 | 0:09:42 | |
Sun was out, it was wonderful. | 0:09:42 | 0:09:45 | |
Yeah, we don't get many of those. | 0:09:45 | 0:09:47 | |
The first time I'd heard of Milford Haven, | 0:09:47 | 0:09:50 | |
I was 21 and playing a part in Shakespeare's Cymbeline. | 0:09:50 | 0:09:54 | |
It always makes me think of Judi Dench. | 0:09:55 | 0:09:58 | |
Because she played the character Imogen in Cymbeline, | 0:09:58 | 0:10:03 | |
where she ran off with somebody from Milford Haven. | 0:10:03 | 0:10:09 | |
God bless you, Jude. | 0:10:09 | 0:10:10 | |
The Princess Matilda might not look like a seafaring boat, | 0:10:12 | 0:10:16 | |
but that's exactly what she is. | 0:10:16 | 0:10:19 | |
She's a 35-ton flat-bottomed seagoing barge | 0:10:19 | 0:10:23 | |
with a hull specially designed for heavy weather. | 0:10:23 | 0:10:28 | |
Which we're going to need | 0:10:28 | 0:10:30 | |
as the rest of the summer will be on the Irish Sea. | 0:10:30 | 0:10:32 | |
The Irish Sea, it's one of those places that's got... | 0:10:34 | 0:10:37 | |
You can see Snowdonia, you know? | 0:10:37 | 0:10:39 | |
So you've got seas and you've got mountains, you know? | 0:10:39 | 0:10:43 | |
It's going to be like a Lord Of The Rings sort of environment. | 0:10:43 | 0:10:47 | |
It's going to be magical and terrifying once again. | 0:10:47 | 0:10:51 | |
Why am I doing this? I've no idea! | 0:10:51 | 0:10:54 | |
Tomorrow we'll set off for Fishguard | 0:10:55 | 0:10:59 | |
and our most dangerous journey so far. | 0:10:59 | 0:11:02 | |
'Between Milford Haven and Fishguard are 60 nautical miles...' | 0:11:03 | 0:11:09 | |
Afternoon. Lovely day. | 0:11:09 | 0:11:12 | |
'..and all manner of dangerous obstacles. | 0:11:12 | 0:11:15 | |
'The infamous islands of Skokholm and Skomer, | 0:11:15 | 0:11:19 | |
'St David's Head, and The Bishops. | 0:11:19 | 0:11:22 | |
'I'm going to need all my wits about me | 0:11:24 | 0:11:27 | |
'if I'm going to take on the Irish Sea and get us there safely.' | 0:11:27 | 0:11:32 | |
I'm about to skipper a barge into the Irish Sea for the first time, | 0:11:52 | 0:11:56 | |
but it hasn't started terribly well. | 0:11:56 | 0:12:00 | |
What I've worked out is, because there was conflicting opinions | 0:12:00 | 0:12:04 | |
in the guide books, | 0:12:04 | 0:12:07 | |
that I've left probably two hours too late | 0:12:07 | 0:12:13 | |
to use the full benefit of the tide | 0:12:13 | 0:12:17 | |
to take us all the way round. | 0:12:17 | 0:12:19 | |
So I reckon we'll get there about 8pm. | 0:12:19 | 0:12:23 | |
I'm banking on the fact that we'll get there before dark. | 0:12:23 | 0:12:28 | |
The forecast for the sea is slight. | 0:12:38 | 0:12:41 | |
But I've got a feeling no-one's told the sea. | 0:12:41 | 0:12:44 | |
Oh, blimey! Whoa, that's a good one! | 0:12:46 | 0:12:49 | |
Yep. Hold on. Oh, Jesus! | 0:12:51 | 0:12:55 | |
That's a good one, whoop! | 0:12:55 | 0:12:57 | |
And another. | 0:12:57 | 0:12:59 | |
I think this might be the Irish Sea, love. | 0:12:59 | 0:13:03 | |
Unless it's like, we don't go out unless it's flat calm, | 0:13:04 | 0:13:08 | |
this is going to be it. | 0:13:08 | 0:13:10 | |
'I thought the trip to Swansea was bad, but this is something else. | 0:13:15 | 0:13:20 | |
'These must be eight or nine-foot swells.' | 0:13:20 | 0:13:24 | |
Look at my house. My house is a mess. My house is a mess. | 0:13:25 | 0:13:31 | |
'Not only are we taking a battering, but two of our fenders | 0:13:33 | 0:13:36 | |
'have been washed overboard and there's a rope loose in the sea. | 0:13:36 | 0:13:40 | |
'If that rope chews up around my propeller, | 0:13:40 | 0:13:42 | |
'the bloody engine will stop.' | 0:13:42 | 0:13:44 | |
You might be able to stick your hand out of one of the windows and... | 0:13:44 | 0:13:47 | |
I ain't doing nothing. | 0:13:47 | 0:13:49 | |
It's just hanging by one of the windows here! You'll see it. Look! | 0:13:49 | 0:13:53 | |
Over here. Look. | 0:13:53 | 0:13:55 | |
It's going all over my carpet. | 0:14:07 | 0:14:10 | |
Should have done it in the first place, stupid! | 0:14:19 | 0:14:22 | |
Fortunately, I keep rope in my handbag as well as lipstick. | 0:14:24 | 0:14:29 | |
Right... | 0:14:32 | 0:14:35 | |
That should do it. | 0:14:35 | 0:14:37 | |
There you go, that's what I was saying about the elements, you know. | 0:14:37 | 0:14:40 | |
This is when they remind you that they're the boss... | 0:14:40 | 0:14:43 | |
Whoo! | 0:14:43 | 0:14:45 | |
..and they're not there for your, not for your delectation. | 0:14:45 | 0:14:51 | |
Although they can be enjoyed | 0:14:51 | 0:14:55 | |
and worshipped and feared in equal proportions. | 0:14:55 | 0:14:58 | |
Somewhere along the line, | 0:15:00 | 0:15:02 | |
that's what I think I'm sort of doing at the moment. | 0:15:02 | 0:15:04 | |
'Right now, the tide is going directly against us | 0:15:07 | 0:15:10 | |
'at about five knots. | 0:15:10 | 0:15:13 | |
'I'm doing five knots in the other direction, | 0:15:13 | 0:15:17 | |
'which means... | 0:15:17 | 0:15:19 | |
'we're actually going nowhere.' | 0:15:19 | 0:15:22 | |
Well, at least the sun's out. | 0:15:24 | 0:15:26 | |
After the worst voyage of our lives, it's an absolute delight | 0:15:39 | 0:15:44 | |
to see Strumblehead Lighthouse, the guardian angel of Fishguard. | 0:15:44 | 0:15:50 | |
We've been pounded all day, but we're not finished yet. | 0:15:50 | 0:15:54 | |
I've got to find our bloody mooring. | 0:15:54 | 0:15:58 | |
It's near the lifeboat station somewhere. | 0:15:58 | 0:16:01 | |
There's the crane, there's the lifeboat station. | 0:16:01 | 0:16:05 | |
Where's the lifeboat station? | 0:16:05 | 0:16:07 | |
Well, I reckon where that... | 0:16:07 | 0:16:08 | |
It doesn't even say it on the map, does it? | 0:16:08 | 0:16:11 | |
Yeah. It says "station". | 0:16:11 | 0:16:14 | |
No, we're heading towards a sort of... | 0:16:14 | 0:16:18 | |
a sort of place where it dries out. | 0:16:18 | 0:16:21 | |
Well, don't go over there, go over this way. | 0:16:21 | 0:16:23 | |
No! No, that's where we're heading, to a place where it dries out. | 0:16:23 | 0:16:27 | |
This is really relaxing. | 0:16:32 | 0:16:34 | |
It's what we do to relax. We come into strange ports in the dark | 0:16:34 | 0:16:40 | |
after being hours and hours at sea. | 0:16:40 | 0:16:44 | |
And there's another rope in the water there. | 0:16:44 | 0:16:46 | |
That's the hardest day at sea I've ever had, easily, | 0:16:52 | 0:16:56 | |
because it was so long | 0:16:56 | 0:16:58 | |
and so unpredictable, and so many hazards, er... | 0:16:58 | 0:17:04 | |
And here we are in a place that isn't very relaxing! | 0:17:08 | 0:17:12 | |
Timmy, you go to the back. | 0:17:12 | 0:17:15 | |
Look, it's just... We're here now, we're here now. | 0:17:15 | 0:17:18 | |
-I know, but you go and see to the back, darling. -We're here now, right. | 0:17:18 | 0:17:22 | |
You can't do it all. | 0:17:22 | 0:17:23 | |
In just a few days since we've left Cardiff, | 0:17:30 | 0:17:33 | |
we've covered 160 nautical miles. | 0:17:33 | 0:17:36 | |
This time last year, it took us over three months to do that. | 0:17:36 | 0:17:40 | |
It's a compulsion that drives us on just to keep moving on and on. | 0:17:47 | 0:17:52 | |
And fair weather, and you just make the most of it. | 0:17:52 | 0:17:55 | |
You just bang on and go as far as you can | 0:17:55 | 0:17:58 | |
when you've got nice weather. | 0:17:58 | 0:18:00 | |
The next port is Aberystwyth. | 0:18:03 | 0:18:06 | |
Tucked into the middle of Cardigan Bay, | 0:18:07 | 0:18:09 | |
it's a safe shelter from the extremes of the Irish Sea. | 0:18:09 | 0:18:12 | |
Aberystwyth sits at the confluence of two rivers, | 0:18:24 | 0:18:28 | |
the Rheidol and the Ystwyth. | 0:18:28 | 0:18:30 | |
In Victorian times, it boomed as a tourist town | 0:18:30 | 0:18:34 | |
and was billed as the Biarritz of Wales. | 0:18:34 | 0:18:37 | |
For Shane, this is more than just a quick stop for supplies. | 0:18:41 | 0:18:45 | |
Ages before we met, she lived here, | 0:18:47 | 0:18:49 | |
but she hasn't been back for 36 years. | 0:18:49 | 0:18:53 | |
She's off for a walk down memory lane, and to get the shopping in. | 0:18:55 | 0:19:00 | |
I arrived in Wales when I was, I don't know, about 18, a little hippy. | 0:19:00 | 0:19:06 | |
I recognise this here, so I think if we go right here, | 0:19:06 | 0:19:10 | |
then we should come to...Northgate, | 0:19:10 | 0:19:14 | |
where I used to live. | 0:19:14 | 0:19:16 | |
While Shane's out and about, | 0:19:19 | 0:19:21 | |
it gives me a chance to have a look around our lovely old tub. | 0:19:21 | 0:19:26 | |
Oh, she ain't half picking up some rust. | 0:19:26 | 0:19:29 | |
That's the anchor, so where you're pulling it as well, | 0:19:29 | 0:19:33 | |
it's worn the paint off and the rust has got in there. | 0:19:33 | 0:19:37 | |
I wish I could get the bugger up straight, though. | 0:19:43 | 0:19:46 | |
It keeps getting caught on that bar there. | 0:19:46 | 0:19:49 | |
Have another go. | 0:19:49 | 0:19:51 | |
Shane wouldn't be letting me do this if she was here! | 0:19:55 | 0:19:59 | |
If I can... | 0:20:00 | 0:20:03 | |
If I can get that up there... | 0:20:04 | 0:20:07 | |
No, it's not working. | 0:20:07 | 0:20:08 | |
God, it's all so much smaller than I remember. | 0:20:13 | 0:20:16 | |
I just remember this being really, really long streets. | 0:20:16 | 0:20:20 | |
I lived in one of these rooms up here, with a big bay window, | 0:20:20 | 0:20:26 | |
and there was quite a lot of us living in there. | 0:20:26 | 0:20:30 | |
Maybe if I can get that...up and round... | 0:20:30 | 0:20:34 | |
I'm trying to get it so it doesn't stick out. | 0:20:36 | 0:20:38 | |
Yahey! | 0:20:53 | 0:20:54 | |
Done it! Talk about adding rust. | 0:20:56 | 0:20:59 | |
And just in the nick of time. | 0:21:00 | 0:21:03 | |
The final leg of our first phase | 0:21:15 | 0:21:19 | |
would take us around the Lleyn Peninsula and up into north Wales. | 0:21:19 | 0:21:22 | |
Holyhead coastguard, Holyhead coastguard, this is Princess Matilda. | 0:21:26 | 0:21:30 | |
We're heading towards, er... | 0:21:30 | 0:21:32 | |
I'm afraid I can't pronounce it the way you can. | 0:21:32 | 0:21:37 | |
Porthdinllaen via Bardsey Sound, over. | 0:21:37 | 0:21:40 | |
'This is Holyhead. | 0:21:40 | 0:21:43 | |
'What's your ETA, over?' | 0:21:43 | 0:21:46 | |
ETA approximately 12 noon, over. | 0:21:46 | 0:21:50 | |
'Passage for your safe arrival, over.' | 0:21:50 | 0:21:55 | |
Thank you very much, Holyhead coastguard, | 0:21:55 | 0:21:58 | |
this is the Princess Matilda, out. | 0:21:58 | 0:22:00 | |
'We're heading to a port I've never heard of. | 0:22:00 | 0:22:04 | |
'Not only that, I can't even say it.' | 0:22:04 | 0:22:07 | |
Porthdillian, Dillian. Dillin. | 0:22:07 | 0:22:11 | |
So Llan...Dillan, Dillan! | 0:22:11 | 0:22:15 | |
Perhaps that's it, Dilthan. | 0:22:15 | 0:22:18 | |
I think that must be it, that isthmus that comes out there. | 0:22:18 | 0:22:23 | |
I think that's the edge of, erm...Dinllaen, that's what it is. | 0:22:23 | 0:22:29 | |
'Every so often I ask myself, "Why am I doing this?" | 0:22:29 | 0:22:34 | |
'And sometimes I get little clues.' | 0:22:34 | 0:22:37 | |
He's escorting us into harbour. | 0:22:37 | 0:22:40 | |
Look, he is, he's flying above us. | 0:22:40 | 0:22:43 | |
He's an angel. That's amazing. | 0:22:43 | 0:22:46 | |
He's flying right there, right on the bow, showing us which way to go. | 0:22:47 | 0:22:52 | |
'It's leading us into | 0:22:52 | 0:22:54 | |
'one of the most beautiful places I've ever seen. | 0:22:54 | 0:22:58 | |
'It's like the land that time forgot. | 0:22:58 | 0:23:01 | |
'This beautiful cove was once a major sea port. | 0:23:01 | 0:23:06 | |
'In the 19th century, it was used for bringing trade into north Wales, | 0:23:06 | 0:23:11 | |
'and it had a big fishing industry. | 0:23:11 | 0:23:13 | |
'But now their biggest catch is a Dutch barge | 0:23:13 | 0:23:18 | |
'and two English mariners.' | 0:23:18 | 0:23:19 | |
Have you got it? | 0:23:19 | 0:23:21 | |
No. | 0:23:21 | 0:23:23 | |
-Right. -Yeah! I got it. | 0:23:23 | 0:23:24 | |
Right, you ain't gonna be able to pick that up, because that's heavy. | 0:23:24 | 0:23:28 | |
Right, get it on the boat. | 0:23:28 | 0:23:30 | |
That'll be it. | 0:23:36 | 0:23:37 | |
Well done, you got it. | 0:23:39 | 0:23:41 | |
-Right, so we're on. -Yeah. | 0:23:41 | 0:23:45 | |
Welcome to Porthdinllaen! | 0:23:45 | 0:23:47 | |
-How do you say it? -Porth-incline. -Porthdinllaen. -Porth-en-cline. -Porthdinllaen. | 0:23:47 | 0:23:52 | |
-Porthdinllaen. -Yes. -Porthdinllaen. | 0:23:52 | 0:23:54 | |
The pub's on the beach that featured in the film, Half Light Half Moon. | 0:23:54 | 0:24:01 | |
-Oh, right. -With Demi Moore. -Oh, right. | 0:24:01 | 0:24:03 | |
-OK. -If you go in, you'll get your picture on the wall with her. | 0:24:03 | 0:24:06 | |
Oh, right! | 0:24:06 | 0:24:08 | |
'That was helpful. Did he just mention Demi Moore?' | 0:24:08 | 0:24:11 | |
Right, Porth...din...kline. | 0:24:11 | 0:24:16 | |
As in Kevin! | 0:24:16 | 0:24:17 | |
'As soon as I saw it on the map, I thought, "That's got to be done," | 0:24:26 | 0:24:31 | |
'because you have to remember that what we're doing isn't a race. | 0:24:31 | 0:24:37 | |
'It's about discovering.' | 0:24:37 | 0:24:40 | |
I just love it, I love it. | 0:24:40 | 0:24:42 | |
This could be the Greek islands, it could be the Caribbean, | 0:24:42 | 0:24:45 | |
it could be South America, or it could even be Wales! | 0:24:45 | 0:24:49 | |
So that gentleman was right. | 0:25:02 | 0:25:05 | |
There she is, Demi Moore. | 0:25:05 | 0:25:07 | |
The pub is also a sort of museum to the local lifeboat station. | 0:25:07 | 0:25:12 | |
It was the tragic shipwrecks on the Irish Sea | 0:25:12 | 0:25:16 | |
which led to the Royal National Lifeboat Institute being formed. | 0:25:16 | 0:25:20 | |
They wouldn't take money for the food? | 0:25:22 | 0:25:26 | |
No, so I put ten quid in the RNLI. | 0:25:26 | 0:25:28 | |
'We're both huge admirers of the people who crew the lifeboats, | 0:25:28 | 0:25:34 | |
'and we want to go and visit the guys here.' | 0:25:34 | 0:25:37 | |
Hiya, Tim. Hello, mate, hiya. | 0:25:37 | 0:25:39 | |
'They're encouraging me to take their precious lifeboat for a spin.' | 0:25:39 | 0:25:44 | |
'Oh, good lord, it looks a long way down there.' | 0:25:49 | 0:25:53 | |
Right, when we touch the water, when I tell you, full on. | 0:25:53 | 0:25:57 | |
-Oh, right, really? -Yeah. OK? | 0:25:57 | 0:25:59 | |
HORN BELLOWS | 0:25:59 | 0:26:01 | |
Here we go, here we go. | 0:26:01 | 0:26:05 | |
This would have taken us about 25 minutes! | 0:26:24 | 0:26:27 | |
Look at the wash, look at that! | 0:26:29 | 0:26:33 | |
I mean, that's like... It's absolutely fantastic! | 0:26:33 | 0:26:37 | |
It's wonderful! It's wonderful! | 0:26:41 | 0:26:45 | |
How long has there been a lifeboat station here? | 0:26:47 | 0:26:51 | |
The first one was built in 1864. | 0:26:51 | 0:26:54 | |
1864, bloody hell! | 0:26:54 | 0:26:55 | |
Look at these birds, are they guillemots, no? I thought they were, yeah. | 0:27:00 | 0:27:04 | |
'This beautiful bay has one more surprise. | 0:27:04 | 0:27:08 | |
'A cliff full of nesting guillemots. Thousands of 'em! | 0:27:08 | 0:27:13 | |
'They live on the North Atlantic, but come here every May | 0:27:13 | 0:27:17 | |
'to lay a single egg, then return to the ocean after it hatches.' | 0:27:17 | 0:27:23 | |
It's like hundreds and hundreds and hundreds of guillemots and all their chicks, | 0:27:23 | 0:27:28 | |
they must be a few days old, | 0:27:28 | 0:27:29 | |
and they're nesting on the ledges, and now they're all taking off | 0:27:29 | 0:27:33 | |
because the engines have scared them. | 0:27:33 | 0:27:35 | |
It's amazing, I've never seen a sight like it in my life. | 0:27:35 | 0:27:38 | |
Finding places like Porthdinllaen | 0:27:38 | 0:27:42 | |
just reminds me why we're doing this. | 0:27:42 | 0:27:45 | |
These are the hidden gems of the British coastline, | 0:27:45 | 0:27:48 | |
and I'm really looking forward to discovering many more | 0:27:48 | 0:27:51 | |
when we get back aboard the Princess Matilda and continue on our journey. | 0:27:51 | 0:27:56 | |
Never been to Liverpool, | 0:28:03 | 0:28:05 | |
I've always wanted to go. | 0:28:05 | 0:28:06 | |
Jimi Hendrix! I say! Ding-dong! | 0:28:09 | 0:28:12 | |
Look at him, ah, look, look. Look at the beauty of that. | 0:28:12 | 0:28:16 | |
Whoa, bloody hell! Where did that come from? Nearly hit the bugger! | 0:28:16 | 0:28:20 | |
Tim, it's not funny... | 0:28:20 | 0:28:23 | |
Timmy, it's not funny! | 0:28:23 | 0:28:25 | |
# Somewhere at sea | 0:28:25 | 0:28:27 | |
# A liner is somewhere at sea | 0:28:27 | 0:28:31 | |
# Bringing to me | 0:28:31 | 0:28:34 | |
# A traveller who | 0:28:34 | 0:28:36 | |
# Will fill my life anew | 0:28:36 | 0:28:42 | |
# He's out on the sea | 0:28:42 | 0:28:46 | |
# Somewhere at sea. # | 0:28:46 | 0:28:48 |