Browse content similar to Mad about the Buoys. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
BEEPING | 0:00:02 | 0:00:04 | |
Something's gone wrong. | 0:00:04 | 0:00:06 | |
-Er, Shane? -Yeah? | 0:00:07 | 0:00:09 | |
Come up here a minute. Something's gone wrong. | 0:00:09 | 0:00:12 | |
We lost our position but I don't know what's wrong with this. | 0:00:14 | 0:00:17 | |
It's not working. | 0:00:17 | 0:00:18 | |
BEEPING | 0:00:21 | 0:00:24 | |
It's back again. | 0:00:24 | 0:00:25 | |
Thank God for that. | 0:00:28 | 0:00:30 | |
I just turned the bloody light off, that's all. | 0:00:30 | 0:00:33 | |
MUSIC: "Somewhere At Sea" by Henry Hall | 0:00:35 | 0:00:40 | |
'I'm Timothy Spall and this is my wife Shane, | 0:00:40 | 0:00:43 | |
'and we're on the journey of a lifetime - | 0:00:43 | 0:00:47 | |
'circumnavigating the British Isles... | 0:00:47 | 0:00:49 | |
'..in a barge. | 0:00:50 | 0:00:51 | |
'So far this year, we've rounded most of Wales...' | 0:00:53 | 0:00:58 | |
The boat cut itself this lovely wash. It's poetry in motion, isn't it? | 0:00:58 | 0:01:02 | |
This could be the Greek Islands, | 0:01:05 | 0:01:07 | |
it could be the Caribbean or it could even be Wales. | 0:01:07 | 0:01:10 | |
'..and now, we're heading up to the northwest of England, | 0:01:10 | 0:01:13 | |
'through Merseyside...' | 0:01:13 | 0:01:15 | |
Whatever they've set him in, it's pretty bloody good. | 0:01:15 | 0:01:18 | |
Jimi Hendrix. I say. | 0:01:18 | 0:01:21 | |
'..and on to Lancashire...' | 0:01:21 | 0:01:23 | |
Now, how the hell do we get there? | 0:01:23 | 0:01:25 | |
'..one port at a time.' | 0:01:25 | 0:01:27 | |
You want one kipper? That won't get you very far. | 0:01:27 | 0:01:30 | |
# Somewhere at sea. # | 0:01:32 | 0:01:37 | |
'Today, we're crossing the border, | 0:01:42 | 0:01:45 | |
'as we leave Conwy, North Wales, | 0:01:45 | 0:01:47 | |
'and travel 60 nautical miles up the Irish Sea to Liverpool, England.' | 0:01:47 | 0:01:53 | |
Never been to Liverpool. Never been to Liverpool. | 0:01:53 | 0:01:56 | |
All the times I've worked in Manchester... | 0:01:56 | 0:01:59 | |
..worked up north - I've never been. | 0:02:01 | 0:02:03 | |
Because, you know, one of our great delights | 0:02:03 | 0:02:08 | |
is arriving in places we've never been before by sea... | 0:02:08 | 0:02:10 | |
..which, of course, is how everybody else used to do it. | 0:02:12 | 0:02:15 | |
That's a dredger, I think. | 0:02:20 | 0:02:22 | |
Oh, no, look, it's got a buoy, it's got a cardinal buoy on it. | 0:02:22 | 0:02:25 | |
-Ooh, how lovely! -He's putting a buoy. | 0:02:25 | 0:02:27 | |
-Take a picture. -Oh, I'm excited! | 0:02:27 | 0:02:28 | |
See that yellow thing on the front of it, there? | 0:02:28 | 0:02:31 | |
That is a north cardinal buoy, which they'll put down there somewhere. | 0:02:31 | 0:02:37 | |
That means it'll mark the northerly tip of a hazard or a channel. | 0:02:37 | 0:02:42 | |
You can tell it's north cardinal | 0:02:42 | 0:02:44 | |
because it's got... The two cones point upwards. | 0:02:44 | 0:02:48 | |
I hope they're not placing it on a hazard | 0:02:48 | 0:02:50 | |
that we're supposed to be avoiding! | 0:02:50 | 0:02:52 | |
'We'll be returning to buoys very soon. | 0:02:55 | 0:02:57 | |
'Ships enter Liverpool along a man-made channel. | 0:03:02 | 0:03:06 | |
'Between 1890 and 1900, | 0:03:07 | 0:03:10 | |
'7 million tonnes of the seabed | 0:03:10 | 0:03:13 | |
'were dredged out to create a 12-mile channel, | 0:03:13 | 0:03:16 | |
'deep enough for large shipping. | 0:03:16 | 0:03:18 | |
'It's another of the great Victorian feats of engineering | 0:03:18 | 0:03:23 | |
'and is named the Queen's Channel. | 0:03:23 | 0:03:24 | |
'It's marked out by numbered buoys. | 0:03:26 | 0:03:28 | |
'But I'm going to stay just outside | 0:03:28 | 0:03:31 | |
'to make sure we avoid the huge tankers and ferries.' | 0:03:31 | 0:03:34 | |
Mersey Radio, Mersey Radio, this is Princess Matilda, over. | 0:03:39 | 0:03:42 | |
Yeah? What's your intentions, please? Over. | 0:03:43 | 0:03:47 | |
Mersey Radio, this is Princess Matilda. | 0:03:47 | 0:03:49 | |
Our intention is to enter the Mersey | 0:03:49 | 0:03:51 | |
and continue to Brunswick Marina, over. | 0:03:51 | 0:03:54 | |
Yeah, do you have charts with you? | 0:03:57 | 0:04:00 | |
Do I have charts with me? I have all sorts of charts and equipment, yeah. | 0:04:00 | 0:04:03 | |
We've just come from Conwy, over. | 0:04:03 | 0:04:05 | |
Yeah, and have you plotted your position on the charts | 0:04:07 | 0:04:10 | |
at this time, over? | 0:04:10 | 0:04:12 | |
Yes, I have a position on the charts. | 0:04:12 | 0:04:14 | |
I have a Garmin GPS map and a Raymarine and I have radar, over. | 0:04:14 | 0:04:20 | |
Yeah, erm... | 0:04:21 | 0:04:23 | |
On our radar here, you're well out of the channel at the moment, over. | 0:04:23 | 0:04:28 | |
Yes, I'm out of the channel because I'm avoiding the ferries, over. | 0:04:28 | 0:04:32 | |
Yeah, our advice would be to turn to starboard and head out to the west. | 0:04:33 | 0:04:39 | |
Rejoin the channel between Q3 and Q5 buoys, over. | 0:04:39 | 0:04:44 | |
OK, will do, Mersey Radio. | 0:04:44 | 0:04:46 | |
Thank you very much. This is Princess Matilda, over. | 0:04:46 | 0:04:49 | |
-Princess Matilda? -Hi, Mersey Radio, this is Princess Matilda, over. | 0:04:54 | 0:04:58 | |
Yes. Are you turning to starboard? Over. | 0:04:59 | 0:05:03 | |
I am turning to starboard now, over. | 0:05:03 | 0:05:05 | |
Yeah, we'd advise not to come any further north, captain. | 0:05:06 | 0:05:09 | |
Turn to starboard and proceed to the west, over. | 0:05:09 | 0:05:13 | |
Thank you very much, can I go through these, erm... | 0:05:13 | 0:05:16 | |
Can I go through these, erm, wind farms? Over. | 0:05:16 | 0:05:19 | |
Negative, no. Keep to the north of the wind farm, | 0:05:21 | 0:05:24 | |
keep north of the wind farm, over. | 0:05:24 | 0:05:26 | |
Keep north of the wind farm. OK, thank you. | 0:05:26 | 0:05:29 | |
And which way's north? | 0:05:30 | 0:05:31 | |
MUMBLED SPEECH ON RADIO | 0:05:31 | 0:05:34 | |
Right, right, I'm thoroughly confused. | 0:05:36 | 0:05:38 | |
Well, that's the main channel. | 0:05:38 | 0:05:40 | |
'For some reason, I'm being told to join the channel. | 0:05:40 | 0:05:44 | |
'Not only that, but I'm being sent miles backwards to do so. | 0:05:44 | 0:05:47 | |
'In all my years of sailing, | 0:05:49 | 0:05:50 | |
'every major port has told me to stay out of the shipping channel.' | 0:05:50 | 0:05:55 | |
So, he's sent us all the way back to join the channel | 0:05:55 | 0:05:58 | |
about five miles back there | 0:05:58 | 0:06:00 | |
when we were just about to turn into it. | 0:06:00 | 0:06:02 | |
'It would appear Mersey Radio don't allow you to enter Liverpool | 0:06:04 | 0:06:07 | |
'unless you're inside the Queen's Channel, | 0:06:07 | 0:06:11 | |
'and we've been told you have to join it between Q3 and Q5. | 0:06:11 | 0:06:16 | |
'We've just spent an hour going around in a circle.' | 0:06:17 | 0:06:21 | |
What a funny old journey that was. | 0:06:23 | 0:06:25 | |
Bloody hell, had a bit of everything, didn't it? | 0:06:25 | 0:06:27 | |
Anyway, we're here. | 0:06:27 | 0:06:29 | |
-Whoa! Bloody hell! Where did that come from? Nearly hit the bugger! -Oh, my God! | 0:06:30 | 0:06:35 | |
All right. | 0:06:35 | 0:06:36 | |
HE LAUGHS | 0:06:52 | 0:06:54 | |
No, Tim, it's not funny. | 0:06:54 | 0:06:55 | |
Tim, it's not funny! | 0:06:55 | 0:06:58 | |
'Liverpool is still a major British city. | 0:06:58 | 0:07:01 | |
'But back in the 19th century, it was a behemoth. | 0:07:02 | 0:07:06 | |
'40 per cent of the world's trade passed through their docks. | 0:07:06 | 0:07:10 | |
'The ensuing wealth is reflected in its buildings, | 0:07:13 | 0:07:17 | |
'like the magnificent Liver Building. | 0:07:17 | 0:07:20 | |
'It's been a bit of a journey, today. | 0:07:25 | 0:07:27 | |
'Being sent this way, then that way, | 0:07:28 | 0:07:30 | |
'then the other by Mersey Radio has rather knocked my confidence. | 0:07:30 | 0:07:35 | |
'I mean, partly, it was my fault because I didn't... | 0:07:35 | 0:07:38 | |
'You know, we left Conwy in a rush | 0:07:38 | 0:07:40 | |
'and I only researched the sea passage, | 0:07:40 | 0:07:43 | |
'I didn't research the passage in. | 0:07:43 | 0:07:46 | |
'I don't think we were in danger, | 0:07:46 | 0:07:48 | |
'he was just a very prescriptive radio controller.' | 0:07:48 | 0:07:52 | |
Get her on to a cleat as quick as you can. | 0:07:55 | 0:07:58 | |
Double it round. That's it, well done. | 0:07:58 | 0:08:00 | |
Perfect, perfect. We're in. Whoo! | 0:08:00 | 0:08:04 | |
Yeah, they're all there, look. | 0:08:16 | 0:08:18 | |
'There are many places to visit in Liverpool, | 0:08:18 | 0:08:21 | |
'but one place I've particularly been looking forward to | 0:08:21 | 0:08:24 | |
'is Crosby Beach. | 0:08:24 | 0:08:25 | |
'Shane's sister, Jac, and her friend, Margaret, have joined us.' | 0:08:26 | 0:08:30 | |
Look at that! And that! No wonder he put them here, look. With that. | 0:08:30 | 0:08:36 | |
-Look at that one there. -Yeah. | 0:08:36 | 0:08:38 | |
'Crosby Beach is home to Antony Gormley's | 0:08:40 | 0:08:43 | |
'Another Place installation. | 0:08:43 | 0:08:45 | |
'There are 100 cast-iron, life-size figures | 0:08:47 | 0:08:50 | |
'spread out along two miles of the shore | 0:08:50 | 0:08:53 | |
'and two thirds of a mile out to sea.' | 0:08:53 | 0:08:55 | |
This one's buried, look. Mind how you... | 0:09:00 | 0:09:03 | |
Do you think he was buried or has the sand just come up over him? | 0:09:03 | 0:09:07 | |
Well, it's hard to say because I think what he was doing | 0:09:07 | 0:09:11 | |
was putting them all at different levels. | 0:09:11 | 0:09:14 | |
Look, I mean... | 0:09:14 | 0:09:15 | |
But there's something absolutely beautiful. Look at them! | 0:09:15 | 0:09:19 | |
I can't ever remember seeing anything | 0:09:19 | 0:09:24 | |
quite so spectacular... | 0:09:24 | 0:09:26 | |
..as the loneliness and the simplicity | 0:09:28 | 0:09:30 | |
and almost the sinister quality of these figures. | 0:09:30 | 0:09:36 | |
'In November 2006, | 0:09:37 | 0:09:39 | |
'the statues were expected to move to New York. | 0:09:39 | 0:09:42 | |
'But after a successful appeal, | 0:09:43 | 0:09:45 | |
'they will now remain here permanently.' | 0:09:45 | 0:09:48 | |
Look at it. Oh, look. Look! | 0:09:51 | 0:09:53 | |
The beauty of that. That's another thing about why it's so good. | 0:09:54 | 0:09:57 | |
I love the way it's covered in all those crustaceans from the sea. | 0:09:58 | 0:10:02 | |
It's... Yeah. | 0:10:02 | 0:10:04 | |
'The statues have all been positioned so that they are facing out to sea. | 0:10:06 | 0:10:11 | |
'It's supposed to show the sentiments associated with emigration - | 0:10:11 | 0:10:16 | |
'the sadness at leaving, but the hope of a new future in Another Place.' | 0:10:16 | 0:10:23 | |
-It'll change. -They change every single day. | 0:10:23 | 0:10:26 | |
Whatever they've put him... Whatever they've set him in, | 0:10:26 | 0:10:29 | |
it's pretty bloody good. | 0:10:29 | 0:10:31 | |
-Look at that. -Yeah. -I bet it'll really... -Yeah. | 0:10:31 | 0:10:34 | |
And eventually, I mean, | 0:10:35 | 0:10:37 | |
if they're allowed to stay here for thousands of years, | 0:10:37 | 0:10:40 | |
they'll go away - they'll just be eroded. | 0:10:40 | 0:10:42 | |
It's wonderful, isn't it? | 0:10:45 | 0:10:47 | |
'Liverpool's glorious industrial past | 0:10:49 | 0:10:51 | |
'earned it the moniker, the New York of Europe. | 0:10:51 | 0:10:56 | |
'But there's one thing, or rather four things, | 0:10:56 | 0:10:59 | |
'which really put it on the map - | 0:10:59 | 0:11:02 | |
'The Beatles.' | 0:11:02 | 0:11:03 | |
I must probably be the 18 millionth person ever to have done this. | 0:11:03 | 0:11:07 | |
There's John Lennon. The genius of John Lennon. | 0:11:09 | 0:11:13 | |
This is... This, as you see up there, | 0:11:13 | 0:11:16 | |
Cavern, Liverpool Pub, is The Cavern. | 0:11:16 | 0:11:20 | |
This is where The Beatles first played. | 0:11:20 | 0:11:22 | |
But it isn't, actually. Evidently, it was over there. | 0:11:22 | 0:11:25 | |
So, they've changed the location to here | 0:11:25 | 0:11:29 | |
and what they've done on this wall, as a tribute, | 0:11:29 | 0:11:33 | |
is every brick from the ground level | 0:11:33 | 0:11:36 | |
up to about 25 foot has all the names... | 0:11:36 | 0:11:40 | |
..of the people who played in The Cavern. | 0:11:41 | 0:11:43 | |
Cilla Black was the coat-check girl. | 0:11:43 | 0:11:45 | |
And look... | 0:11:45 | 0:11:46 | |
..Alan Price Set, Richie Havens, | 0:11:47 | 0:11:51 | |
The Hollies, John Lee Hooker. | 0:11:51 | 0:11:54 | |
Nazareth! | 0:11:54 | 0:11:56 | |
Jimi Hendrix. I say. | 0:11:56 | 0:11:59 | |
Ding, dong! | 0:11:59 | 0:12:00 | |
'Pilgrimage over and we're back on board. | 0:12:04 | 0:12:07 | |
'We're on our way to Glasson Dock, | 0:12:09 | 0:12:13 | |
'60 nautical miles up the coast into rural Lancashire, | 0:12:13 | 0:12:17 | |
'passing Blackpool along the way. | 0:12:17 | 0:12:19 | |
'After my fiasco getting into Liverpool, | 0:12:20 | 0:12:23 | |
'I'm determined to get it right today.' | 0:12:23 | 0:12:26 | |
You know, I've poured over that for two hours, | 0:12:26 | 0:12:29 | |
hoping I've got it right. | 0:12:29 | 0:12:30 | |
But I'm a bit worried about it. | 0:12:31 | 0:12:35 | |
'Glasson Dock sits at the mouth of the River Lune, | 0:12:35 | 0:12:39 | |
'which is so shallow that you can only enter it | 0:12:39 | 0:12:42 | |
'during a 45 minute window around high tide. | 0:12:42 | 0:12:46 | |
'At all other times, the gate is closed. | 0:12:46 | 0:12:48 | |
'My plan is to get us to the Lune River buoy | 0:12:50 | 0:12:53 | |
'and wait for high tide. | 0:12:53 | 0:12:55 | |
'What could possibly go wrong?' | 0:12:56 | 0:12:58 | |
I never thought I'd see Blackpool this way. | 0:12:58 | 0:13:00 | |
I'm afraid we can't go too close because there's a danger line there. | 0:13:01 | 0:13:05 | |
Yeah, that's where we're going, up there. | 0:13:11 | 0:13:14 | |
It's a lovely sea, absolutely beautiful. | 0:13:16 | 0:13:18 | |
-It's a lovely afternoon, isn't it? -Yeah. | 0:13:19 | 0:13:22 | |
I might put some baked potatoes on for our tea. | 0:13:28 | 0:13:31 | |
No, no, no, no, no! | 0:13:31 | 0:13:33 | |
I don't think we're going to get anything to eat in Glasson Dock. | 0:13:33 | 0:13:37 | |
No, neither do I, but it's only a five... | 0:13:37 | 0:13:39 | |
We won't get settled down till ten, anyway. | 0:13:39 | 0:13:42 | |
-Well, I'm going to put a baked potato on. -I don't want that. | 0:13:42 | 0:13:45 | |
Well, I'm going to have a baked potato. | 0:13:46 | 0:13:48 | |
-I can't see any other buoy out there. -No, I can't see anything at all. | 0:13:50 | 0:13:54 | |
I can't see any other buoys. That's the only one I can see. | 0:13:54 | 0:13:58 | |
Yeah, I can't see a name on it. | 0:13:59 | 0:14:01 | |
Oh, well, you will. It'll have Lune written on it. | 0:14:01 | 0:14:04 | |
-It's a big bugger. It's got to be it, isn't it? -It's got to be it. | 0:14:04 | 0:14:08 | |
-Oh, actually, I've got this wrong. -Why? | 0:14:11 | 0:14:14 | |
That's the Lune Deep. I should be going... | 0:14:16 | 0:14:18 | |
I should be there - River Lune. | 0:14:18 | 0:14:20 | |
Now, how the hell do we get there? | 0:14:21 | 0:14:23 | |
Yeah, I don't know where I am, actually. | 0:14:25 | 0:14:27 | |
'I've only gone and messed up again. | 0:14:32 | 0:14:35 | |
'We're supposed to be at the Lune River buoy. | 0:14:35 | 0:14:37 | |
'Instead, I've taken us to the Lune Deep buoy. | 0:14:37 | 0:14:41 | |
'Oh, bloody hell!' | 0:14:43 | 0:14:45 | |
-There it is. -Got it? -There it is. | 0:14:45 | 0:14:48 | |
Bloody miles from it. | 0:14:50 | 0:14:51 | |
'It's now a race against time | 0:14:51 | 0:14:54 | |
'to catch high tide and make that 45 minute window.' | 0:14:54 | 0:14:57 | |
MUSIC: "Shout For Happiness" by Al Bowlly | 0:15:01 | 0:15:04 | |
At last! | 0:15:08 | 0:15:10 | |
Right. | 0:15:12 | 0:15:13 | |
Glasson Dock, Glasson Dock, this is The Princess Matilda. Over. | 0:15:14 | 0:15:18 | |
Hi, Glasson Dock. | 0:15:22 | 0:15:23 | |
Yeah, we've just made a complete tit of ourselves. | 0:15:23 | 0:15:26 | |
We've now found the Lune River buoy. | 0:15:26 | 0:15:30 | |
Will we have enough time to get up and get into your lock? Over. | 0:15:31 | 0:15:35 | |
Princess Matilda, this is Glasson Dock. | 0:15:35 | 0:15:38 | |
What speed can you make? Over. | 0:15:38 | 0:15:40 | |
Well, at the moment, we're doing 8.8 knots through the water, over. | 0:15:42 | 0:15:46 | |
I'm sorry, | 0:15:47 | 0:15:49 | |
we don't have enough time, now, to get you into the dock. | 0:15:49 | 0:15:54 | |
'Oh, great. That's the last thing I wanted to hear. | 0:15:57 | 0:16:00 | |
'The harbour master has just said we won't make it, | 0:16:00 | 0:16:04 | |
'so that leaves us only one option. | 0:16:04 | 0:16:06 | |
'We're going to have to anchor in the bay overnight.' | 0:16:07 | 0:16:10 | |
Thank you very much, over. Thank you. | 0:16:11 | 0:16:13 | |
Hello, is that Tim, by the way? Over. | 0:16:13 | 0:16:15 | |
Yes, this is Tim Spall, Tim and Shane Spall, yeah. | 0:16:17 | 0:16:20 | |
Doing our round Britain tour and getting it wrong every now and again. | 0:16:21 | 0:16:25 | |
HE LAUGHS | 0:16:25 | 0:16:27 | |
Well, this'll be our first night ever anchoring. | 0:16:29 | 0:16:32 | |
I feel like such a tit! | 0:16:32 | 0:16:35 | |
It should hold. | 0:16:43 | 0:16:45 | |
Jellyfish coming to say hello. | 0:16:45 | 0:16:47 | |
-Pretty place, isn't it? -Are we holding, Timmy? | 0:16:51 | 0:16:54 | |
I think so. | 0:16:54 | 0:16:56 | |
-Cheers. -Cheers, darling. -Here's to our first night at anchor. | 0:17:02 | 0:17:06 | |
We ain't done it yet. | 0:17:06 | 0:17:07 | |
We might end up on a bloody sandbank or being rammed by a German U-boat. | 0:17:07 | 0:17:11 | |
No, we'll be fine. We knew we'd have to do it one day. | 0:17:11 | 0:17:14 | |
I don't think any of the bigger ships will come over here - | 0:17:25 | 0:17:28 | |
it's too shallow. | 0:17:28 | 0:17:30 | |
Oh, it's really handsome, isn't it? | 0:17:39 | 0:17:42 | |
It's lovely. | 0:17:42 | 0:17:44 | |
'Well, we've survived our first night at anchor. | 0:17:44 | 0:17:47 | |
'Although I must have been up about five times | 0:17:48 | 0:17:50 | |
'just checking we hadn't drifted out to sea.' | 0:17:50 | 0:17:53 | |
Last night was a mixture of... | 0:17:54 | 0:17:56 | |
..fun and horror. | 0:17:57 | 0:17:59 | |
Fun-orror, fun-orror. | 0:18:02 | 0:18:04 | |
It's a new word to do with boating. | 0:18:04 | 0:18:07 | |
'The route in is prone to shifting sands. | 0:18:10 | 0:18:13 | |
'We could easily run aground. | 0:18:13 | 0:18:16 | |
'I've thrown in the towel. | 0:18:16 | 0:18:18 | |
'I'm being lead in by a pilot boat.' | 0:18:18 | 0:18:20 | |
This is exciting, isn't it? | 0:18:25 | 0:18:27 | |
-It's a blessed relief. -Yeah. | 0:18:28 | 0:18:31 | |
-Look at those swans coming out of the lock. -Blimey, yeah! | 0:18:31 | 0:18:35 | |
Hundreds of them. | 0:18:37 | 0:18:38 | |
'The Lune river has always been a problem for ships | 0:18:39 | 0:18:43 | |
'getting up into Lancaster, | 0:18:43 | 0:18:44 | |
'so in 1787, they built Glasson Dock. | 0:18:44 | 0:18:48 | |
'For boat lovers like us, it's a dream location, | 0:18:51 | 0:18:55 | |
'as the Irish Sea, the Lune Estuary | 0:18:55 | 0:18:58 | |
'and the Lancashire canal network all come together right here.' | 0:18:58 | 0:19:02 | |
There we go. | 0:19:06 | 0:19:07 | |
See? I mean, we live in 2010. | 0:19:08 | 0:19:12 | |
2010! | 0:19:12 | 0:19:14 | |
And people still opening and shutting gates with windlasses. | 0:19:14 | 0:19:17 | |
I used to hate doing that when I was on the canals. | 0:19:19 | 0:19:21 | |
Hiya, mate! | 0:19:24 | 0:19:25 | |
'Before Shane and I set off on this wonderful adventure, | 0:19:27 | 0:19:30 | |
'we'd spent years on narrowboats on the canals. | 0:19:30 | 0:19:34 | |
'This is the first time we'll have been back on one in six years.' | 0:19:34 | 0:19:38 | |
You want to get in this side? | 0:19:38 | 0:19:40 | |
It's your wallet. Your wallet's sinking! | 0:19:41 | 0:19:44 | |
Your wallet's sinking! Oh! | 0:19:44 | 0:19:46 | |
Got it! | 0:19:46 | 0:19:47 | |
Do you want to put it in there, darling? You do it every time. | 0:19:49 | 0:19:52 | |
There's a five pound... Wet five pound note. | 0:19:52 | 0:19:56 | |
-Wet dollar, that's always in there... -All right, give us it here. | 0:19:56 | 0:19:59 | |
..and the rest of my bloody, er... | 0:19:59 | 0:20:01 | |
-Well spotted, love. -It's cos I've seen it before. | 0:20:02 | 0:20:04 | |
-Here, have a fiver for your trouble. -Thank you. | 0:20:04 | 0:20:08 | |
Oh, no, no, no, no! | 0:20:16 | 0:20:17 | |
Oh! | 0:20:17 | 0:20:18 | |
-Sorry. Whoa! -Windy. | 0:20:20 | 0:20:23 | |
Yeah, it is windy, isn't it? | 0:20:23 | 0:20:25 | |
-Very pleasant. -Isn't it beautiful? | 0:20:38 | 0:20:42 | |
Gosh, Tim, it's really shallow there. | 0:20:42 | 0:20:44 | |
Our boat was about that size, the other one. | 0:20:44 | 0:20:46 | |
Canals dip in the middle. | 0:20:46 | 0:20:47 | |
The deepest part of the canal is the middle, | 0:20:47 | 0:20:50 | |
so you always keep to the centre. | 0:20:50 | 0:20:52 | |
Do you know how the canals came about? | 0:20:59 | 0:21:01 | |
They worked out... | 0:21:01 | 0:21:04 | |
..that one horse... | 0:21:06 | 0:21:07 | |
..could pull three times the amount of cargo | 0:21:09 | 0:21:12 | |
than six horses could on a cart. | 0:21:12 | 0:21:14 | |
They were all privately owned. | 0:21:14 | 0:21:15 | |
They started in the Midlands... | 0:21:15 | 0:21:17 | |
..which then became the Grand Union Canal. | 0:21:18 | 0:21:21 | |
-It's very bucolic. -Yeah. | 0:21:21 | 0:21:23 | |
Very, er, benign. | 0:21:23 | 0:21:26 | |
But you don't get the same sense of achievement | 0:21:27 | 0:21:30 | |
as you do when you come round Land's End. | 0:21:30 | 0:21:33 | |
-How are you going to get off? -Same way you did. | 0:21:41 | 0:21:43 | |
'Before the dock was built, | 0:21:44 | 0:21:46 | |
'this area was no more than a few farm buildings | 0:21:46 | 0:21:50 | |
'and a small fishing community known as Old Glasson and Brows-Saltcote.' | 0:21:50 | 0:21:55 | |
So, where we are is Glasson Basin Marina. | 0:21:56 | 0:22:01 | |
This is actually Glasson Dock. | 0:22:01 | 0:22:04 | |
This is the sea dock. | 0:22:04 | 0:22:06 | |
Would you like to get some kippers? | 0:22:07 | 0:22:09 | |
Do me some kippers for the morning. | 0:22:09 | 0:22:11 | |
-Do me a kipper. -All right, then. | 0:22:11 | 0:22:14 | |
They're all outside. Here, I'll show you them. | 0:22:14 | 0:22:17 | |
-OK. -It's two pairs for £5. -OK. -They're just outside. | 0:22:17 | 0:22:20 | |
-So, that's locally done? -It is. These are local kippers. | 0:22:20 | 0:22:23 | |
-Did you catch them? -No, I catch wild salmon and sea trout. -OK, you do? | 0:22:23 | 0:22:28 | |
-Oh, my God. Look at that. -There we go. | 0:22:29 | 0:22:32 | |
So, which one do you want, Tim? | 0:22:32 | 0:22:33 | |
Well, I don't know, am I allowed to buy one? | 0:22:33 | 0:22:35 | |
-You want one kipper? -Yeah. -That's not going to get you far. | 0:22:35 | 0:22:38 | |
Well, we're going to have to turn the fridge off in the boat. | 0:22:38 | 0:22:42 | |
-No, we can leave the fridge on because... -You don't need a fridge. -Don't you? -No. | 0:22:42 | 0:22:46 | |
-Shall we have a couple, then? -Two pairs? | 0:22:46 | 0:22:48 | |
-Yeah, two pairs. -Two pairs, yes. -Four kippers. -Yeah, lovely. | 0:22:48 | 0:22:51 | |
-So, what is a kipper? -It's a mackerel, isn't it? | 0:22:51 | 0:22:56 | |
-Herring. -Herring. That's it, yeah. | 0:22:57 | 0:23:00 | |
-Once smoked, it becomes a kipper. -That's it. | 0:23:00 | 0:23:02 | |
Where's next? Workington? | 0:23:02 | 0:23:04 | |
-Er, well... -We don't know. | 0:23:04 | 0:23:06 | |
We were going to go to Whitehaven | 0:23:06 | 0:23:08 | |
but we might go up to Piel Island and have a look up there. | 0:23:08 | 0:23:11 | |
-You should do that. -Is it nice? | 0:23:11 | 0:23:14 | |
-Only 60 miles from here. -Is it? | 0:23:14 | 0:23:16 | |
Oh, my God! These are wild salmon, are they? | 0:23:16 | 0:23:19 | |
Wild salmon and sea trout. | 0:23:19 | 0:23:21 | |
-Good God. -That's your salmon, that's your sea trout. | 0:23:21 | 0:23:24 | |
-Sea trout's... -Flipping hell! | 0:23:24 | 0:23:26 | |
-Beautiful fish. -You've got a lovely stock here. | 0:23:26 | 0:23:28 | |
I mean, I'm going to get out of here before I spend any more money! | 0:23:28 | 0:23:32 | |
See you! | 0:23:33 | 0:23:35 | |
'Now, I've met a few important people in my time, | 0:23:49 | 0:23:51 | |
'but never a king. | 0:23:51 | 0:23:54 | |
'However, today, that might just change.' | 0:23:54 | 0:23:56 | |
We're aiming to go to Piel Island, | 0:23:57 | 0:23:59 | |
which is a funny little island... | 0:23:59 | 0:24:02 | |
..on the way to Barrow-in-Furness, | 0:24:06 | 0:24:08 | |
tucked in the Barrow Channel behind Walney Island. | 0:24:08 | 0:24:13 | |
The thing about Piel Island, what is it? The governor of the pub? | 0:24:13 | 0:24:16 | |
-He's their king. -The governor of the pub is the king of the island. | 0:24:16 | 0:24:19 | |
Officially. It's true. | 0:24:19 | 0:24:22 | |
'This is probably the shortest journey we'll make | 0:24:22 | 0:24:25 | |
'on our round-Britain adventure. | 0:24:25 | 0:24:28 | |
'It's only 12 miles across Morecambe Bay, | 0:24:28 | 0:24:32 | |
'but it ain't half lumpy.' | 0:24:32 | 0:24:34 | |
Hold on, Shane! Hold on, hold on! Sit down! | 0:24:35 | 0:24:38 | |
'I hope this king thing is worth it. | 0:24:42 | 0:24:44 | |
'It's hard to believe, | 0:24:50 | 0:24:51 | |
'but this is the same Irish Sea we anchored in overnight. | 0:24:51 | 0:24:55 | |
'Thank God it wasn't like this.' | 0:24:55 | 0:24:58 | |
'Piel Island is a mere 50 acres in size. | 0:25:09 | 0:25:13 | |
'It has a population of four | 0:25:13 | 0:25:16 | |
'and most of them run the 18th century Ship Inn. | 0:25:16 | 0:25:19 | |
'Tradition has it that whoever takes up the landlordship | 0:25:20 | 0:25:23 | |
'becomes the King of Piel. | 0:25:23 | 0:25:25 | |
'There's also a magnificent ruined castle | 0:25:27 | 0:25:29 | |
'which, when it was built in 1327, | 0:25:29 | 0:25:32 | |
'was the largest of its kind in northwest England. | 0:25:32 | 0:25:35 | |
'We're being picked up by the king's daughter, | 0:25:39 | 0:25:43 | |
'Princess Nicola.' | 0:25:43 | 0:25:44 | |
-The kingdom of Piel! -The kingdom of Piel. | 0:25:45 | 0:25:48 | |
I was reading an old book... A book about five years old, | 0:25:48 | 0:25:51 | |
that says there's no longer a king | 0:25:51 | 0:25:53 | |
and I thought, "Oh, that's a shame". | 0:25:53 | 0:25:55 | |
And then, we spoke to somebody in Glasson | 0:25:55 | 0:25:57 | |
-and they said, "The king has returned". -Yeah. | 0:25:57 | 0:26:00 | |
"A new king is born." | 0:26:00 | 0:26:02 | |
So, you're actually a princess, aren't you? | 0:26:02 | 0:26:04 | |
'Nicola's parents, Steve and Sheila Chattaway, | 0:26:09 | 0:26:12 | |
'took over the pub in 2007, | 0:26:12 | 0:26:15 | |
'making Steve the king.' | 0:26:15 | 0:26:17 | |
-Welcome to Piel Island. -Hello. How are you, your majesty? | 0:26:19 | 0:26:21 | |
-Hi. -This is queenie. | 0:26:21 | 0:26:23 | |
'The crowning takes place in this ancient chair, | 0:26:23 | 0:26:27 | |
'where the new king, | 0:26:27 | 0:26:28 | |
'wearing a helmet and holding a sword, | 0:26:28 | 0:26:31 | |
'is drenched in booze. | 0:26:31 | 0:26:32 | |
'I hope he kept his mouth open.' | 0:26:32 | 0:26:34 | |
Oh, did you? Great. Fantastic. | 0:26:36 | 0:26:38 | |
-Too late. I'm in it. -That's... | 0:26:38 | 0:26:41 | |
Oh, well. Usurper! | 0:26:41 | 0:26:43 | |
I tell you what, it's not bad, is it? It's actually... | 0:26:47 | 0:26:50 | |
-Do you not feel...? -Do you not get a weird feeling? | 0:26:50 | 0:26:53 | |
-Like pressure? -Just, just... -I do actually, yeah. | 0:26:53 | 0:26:56 | |
-On your shoulders. -Really heavy. | 0:26:56 | 0:26:58 | |
-It's actually... -It's really weird, it's very strange. | 0:26:58 | 0:27:02 | |
-Down here? -It's got a lot of history in it. | 0:27:02 | 0:27:05 | |
I'll get out of this. I don't want to outstay my welcome. | 0:27:05 | 0:27:08 | |
-What a wonderful thing. -It's priceless. | 0:27:08 | 0:27:11 | |
-It means so much to the local people. -Well, it's a museum piece, isn't it? | 0:27:11 | 0:27:14 | |
That'll have to be in a Lancashire heritage museum. | 0:27:14 | 0:27:18 | |
You're a museum piece. | 0:27:18 | 0:27:19 | |
Here you go, here's the regalia. | 0:27:19 | 0:27:23 | |
-Oh, all right. Shall I put that on? -No, you're not the king. | 0:27:23 | 0:27:26 | |
No, you can't. Of course you can't. | 0:27:26 | 0:27:28 | |
-I'll have a look at that. -It used to have a plume on it. | 0:27:28 | 0:27:31 | |
It's an old cavalry helmet. | 0:27:31 | 0:27:32 | |
Yes, it is, isn't it? | 0:27:33 | 0:27:35 | |
There was a big plume on the top - it was fantastic. | 0:27:35 | 0:27:38 | |
'The first-ever recording of this crowning | 0:27:39 | 0:27:42 | |
'is in the early 18th century, | 0:27:42 | 0:27:45 | |
'but no-one is quite sure when it actually started.' | 0:27:45 | 0:27:48 | |
-It rather... No, it does rather become you, actually. -Fetching. You've got to the... | 0:27:48 | 0:27:53 | |
'One thing's for sure, though. | 0:27:53 | 0:27:55 | |
'As long as Steve is the landlord, he'll be King of Piel.' | 0:27:55 | 0:27:59 | |
-Thank you. I'm going to just do this. -Oh! | 0:28:03 | 0:28:06 | |
-Bye! -Bye! | 0:28:08 | 0:28:10 | |
England, Scotland, | 0:28:17 | 0:28:19 | |
Northern Ireland, Wales, coo! | 0:28:19 | 0:28:23 | |
RUMBLING | 0:28:23 | 0:28:24 | |
Oh, there we go again. | 0:28:24 | 0:28:26 | |
We're just moving into a firing range area | 0:28:28 | 0:28:30 | |
and we heard some firing. | 0:28:30 | 0:28:33 | |
# Somewhere at sea | 0:28:33 | 0:28:36 | |
# Bringing to me | 0:28:36 | 0:28:39 | |
# A traveller who will build my life anew | 0:28:39 | 0:28:47 | |
# He's out on the sea... # | 0:28:47 | 0:28:50 | |
Subtitles by Red Bee Media Ltd | 0:28:50 | 0:28:53 | |
E-mail [email protected] | 0:28:53 | 0:28:57 |