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For centuries | 0:00:02 | 0:00:03 | |
an exotic but forbidden land has captured our imagination. | 0:00:03 | 0:00:08 | |
Now for the first time | 0:00:17 | 0:00:19 | |
we can explore this place of myth and legend. | 0:00:19 | 0:00:22 | |
What we discover are extremes and surprises. | 0:00:28 | 0:00:33 | |
This is a place where the ancient past is colliding with the future. | 0:00:41 | 0:00:46 | |
But this land is also home to extraordinary wildlife. | 0:00:53 | 0:00:58 | |
This is the story of the animals and people of Arabia. | 0:01:12 | 0:01:16 | |
Sitting at the crossroads of the world, | 0:01:37 | 0:01:39 | |
Arabia is bounded on three sides by sea and ringed by rugged mountains. | 0:01:39 | 0:01:44 | |
But the story of Arabia must begin with her heartland - the desert. | 0:01:47 | 0:01:55 | |
This unforgiving wilderness covers 90% of Arabia. | 0:02:00 | 0:02:05 | |
From the rocky wastelands of the north to the south, | 0:02:05 | 0:02:09 | |
where the largest sand desert in the world smothers the land. | 0:02:09 | 0:02:14 | |
To understand how any life can survive here | 0:02:22 | 0:02:26 | |
we must take a journey through the dry heart of Arabia. | 0:02:26 | 0:02:30 | |
One animal above all embodies what it takes to survive | 0:02:47 | 0:02:50 | |
the Arabian desert. | 0:02:50 | 0:02:51 | |
The animal that inspired the myth of the unicorn. | 0:02:56 | 0:02:59 | |
The Arabian oryx. | 0:03:01 | 0:03:03 | |
These beautiful antelope are the ultimate desert survivors. | 0:03:12 | 0:03:16 | |
Getting all the moisture they need from the vegetation they eat. | 0:03:23 | 0:03:28 | |
Yet just 40 years ago, oryx were on the edge of extinction. | 0:03:34 | 0:03:39 | |
Victims of their own beauty, oryx were heavily hunted. | 0:03:39 | 0:03:43 | |
At one stage, only eight animals remained in the wild. | 0:03:43 | 0:03:46 | |
But intense efforts to protect them have been successful. | 0:03:48 | 0:03:52 | |
Today, over 500 roam once more in the deserts | 0:03:52 | 0:03:56 | |
of Saudi Arabia, Oman and The Emirates. | 0:03:56 | 0:03:59 | |
The key to oryx survival is keeping on the move. | 0:04:02 | 0:04:05 | |
They have an extraordinary ability to sniff out distant rain | 0:04:05 | 0:04:10 | |
and will walk hundreds of miles to find the vegetation it brings. | 0:04:10 | 0:04:14 | |
This same solution to desert survival was | 0:04:18 | 0:04:22 | |
adopted by the only people to have mastered life here. | 0:04:22 | 0:04:25 | |
The Bedouin nomads. | 0:04:28 | 0:04:30 | |
The Bedouin owe their success to a remarkable partnership. | 0:04:33 | 0:04:40 | |
Over 3,000 years ago, ancestors of the Bedouin tamed | 0:04:40 | 0:04:45 | |
the single-humped camel, the dromedary. | 0:04:45 | 0:04:49 | |
The camel is almost as well adapted to the desert as the oryx. | 0:04:52 | 0:04:56 | |
Able to travel 50 days without water. | 0:04:58 | 0:05:02 | |
And they carry their own food store to get through long desert journeys, | 0:05:05 | 0:05:09 | |
a hump made of energy-rich fat. | 0:05:09 | 0:05:12 | |
Although few Bedouin are now truly nomadic, | 0:05:24 | 0:05:28 | |
many still graze their camels in the desert. | 0:05:28 | 0:05:31 | |
But to find their animals enough food, | 0:05:33 | 0:05:35 | |
they must keep them on the move. | 0:05:35 | 0:05:37 | |
Salif bin Hamad Alwheebi grew up as a true desert nomad. | 0:05:50 | 0:05:55 | |
He watches for clues, like distant clouds, that might guide him | 0:05:58 | 0:06:02 | |
and his clan to fresh grazing. | 0:06:02 | 0:06:05 | |
Under the clear desert sky, the temperature plummets | 0:06:21 | 0:06:24 | |
cold enough for a campfire. | 0:06:24 | 0:06:26 | |
Storytelling is an ancient Bedouin tradition. | 0:06:36 | 0:06:39 | |
This is the land of 1,001 Arabian Nights. | 0:06:39 | 0:06:43 | |
Many stories are of the magical animals that avoid desert heat | 0:06:43 | 0:06:46 | |
by emerging after dark. | 0:06:46 | 0:06:48 | |
An Arabian wonder gecko, on the hunt for insects. | 0:06:54 | 0:06:58 | |
Large eyes are great for night vision, | 0:07:00 | 0:07:02 | |
but with no eyelids, a tongue is handy for keeping sand out. | 0:07:02 | 0:07:06 | |
An Arabian jird, searches for grass seeds. | 0:07:10 | 0:07:14 | |
In times of plenty, jirds will gather up to ten kilos of seeds | 0:07:14 | 0:07:18 | |
to store in their burrows. | 0:07:18 | 0:07:20 | |
One of the desert's most poisonous snakes - a horned viper. | 0:07:31 | 0:07:36 | |
The horns are a form of camouflage amongst the desert grass. | 0:07:37 | 0:07:42 | |
Most vipers lie in wait for their prey, | 0:07:43 | 0:07:47 | |
but in the desert, where food is scarce, | 0:07:47 | 0:07:50 | |
they must travel great distances. | 0:07:50 | 0:07:54 | |
Side-winding helps grip soft sand. | 0:07:54 | 0:07:57 | |
Jirds aren't travellers, | 0:08:09 | 0:08:12 | |
they will not stray far from their stash of food. | 0:08:12 | 0:08:15 | |
This makes them vulnerable. | 0:08:21 | 0:08:22 | |
But tonight, the threat to this jird is not from the viper. | 0:08:24 | 0:08:29 | |
He's in someone else's territory and he's been spotted. | 0:08:29 | 0:08:33 | |
Food is so scarce here | 0:08:44 | 0:08:47 | |
jirds will fight viciously to defend their territory. | 0:08:47 | 0:08:50 | |
As dawn breaks, the story of the night's drama | 0:09:30 | 0:09:33 | |
is left written in the sand. | 0:09:33 | 0:09:36 | |
A lone scarab beetle is late for bed. | 0:09:40 | 0:09:44 | |
Coffee originated in Arabia. | 0:09:51 | 0:09:54 | |
But with water so sparse, | 0:09:56 | 0:09:58 | |
the Bedouin drink it low volume and high strength. | 0:09:58 | 0:10:02 | |
Salif wants his son, Hazar, to learn the skills of the Bedouin. | 0:10:11 | 0:10:16 | |
The most important of which is how to control a camel. | 0:10:19 | 0:10:24 | |
He's been training Hazar how to handle these difficult beasts. | 0:10:27 | 0:10:32 | |
Now it's time for a test. | 0:10:32 | 0:10:34 | |
Father and son are setting off on a journey to an annual festival | 0:10:43 | 0:10:47 | |
where they'll compete against the best camel riders in the land. | 0:10:47 | 0:10:51 | |
It's a journey that will take them | 0:10:56 | 0:10:58 | |
through some of the harshest landscapes in the world. | 0:10:58 | 0:11:00 | |
But journeying is what these people do. | 0:11:02 | 0:11:05 | |
Bedouin have ranged all over Arabia for thousands of years, | 0:11:07 | 0:11:11 | |
from the vast sand dunes of the south, | 0:11:11 | 0:11:14 | |
to the rocky wilderness of the north. | 0:11:14 | 0:11:16 | |
This is the desert first mapped by Lawrence of Arabia. | 0:11:23 | 0:11:27 | |
Stony canyons provide a sanctuary for animals | 0:11:41 | 0:11:44 | |
throughout the Middle East, | 0:11:44 | 0:11:47 | |
like Nubian ibex. | 0:11:47 | 0:11:50 | |
These wild goats can only survive here | 0:11:57 | 0:12:00 | |
because precious water bubbles to the surface in springs. | 0:12:00 | 0:12:04 | |
In summer, the females come to drink at these pools every day. | 0:12:08 | 0:12:12 | |
The pool is guarded by a male ibex. | 0:12:14 | 0:12:18 | |
He has exclusive access to the females who come here. | 0:12:18 | 0:12:22 | |
He tastes the air to see if any of them are ready to mate. | 0:12:27 | 0:12:30 | |
But this is such a prized spot that inevitably he has competition. | 0:12:36 | 0:12:41 | |
Getting the upper ground will be key. | 0:12:46 | 0:12:49 | |
The male's skulls are specially reinforced to take a battering. | 0:13:16 | 0:13:20 | |
They are evenly matched. The battle could last up to an hour. | 0:13:42 | 0:13:46 | |
But when a third male joins in, no-one seems to know who to fight. | 0:14:08 | 0:14:13 | |
The party is soon broken up by a tell-tale smell in the air. | 0:14:18 | 0:14:22 | |
The ibex are right to be skittish. | 0:14:32 | 0:14:34 | |
Bedouin have always been skilled hunters. | 0:14:36 | 0:14:39 | |
And there is an ancient guidebook to the best hunting grounds | 0:14:46 | 0:14:51 | |
written in stone. | 0:14:51 | 0:14:53 | |
For hundreds of years, | 0:14:55 | 0:14:57 | |
the Bedouin have scratched messages for fellow travellers. | 0:14:57 | 0:15:01 | |
Instructions on how to find grazing or herds of wild animals. | 0:15:01 | 0:15:06 | |
But in parts of Arabia, the rocks tell an even more astounding story. | 0:15:23 | 0:15:27 | |
These etchings are thousands of years old | 0:15:30 | 0:15:32 | |
and they reveal a fertile grassland, | 0:15:32 | 0:15:35 | |
filled with animals like lions and ostrich, | 0:15:37 | 0:15:41 | |
that no longer roam the Arabian landscape. | 0:15:41 | 0:15:45 | |
At the end of the last ice age, 10,000 years ago, | 0:15:57 | 0:16:01 | |
Arabia was green but she's been gradually drying out ever since. | 0:16:01 | 0:16:06 | |
And the drying of Arabia has played its part | 0:16:10 | 0:16:14 | |
in bringing down civilisations. | 0:16:14 | 0:16:16 | |
At Mada'in Saleh in Saudi Arabia and Petra in Jordan | 0:16:21 | 0:16:26 | |
are the breathtaking ruins of the Nabataean Empire. | 0:16:26 | 0:16:30 | |
Their civilisation was built on the trade of a precious substance | 0:16:40 | 0:16:45 | |
drawn from a desert plant. | 0:16:45 | 0:16:46 | |
The Nabataeans learnt that when cut, | 0:16:53 | 0:16:56 | |
this tree produces strong smelling resin. | 0:16:56 | 0:17:00 | |
At the height of their empire, this was more valuable than gold. | 0:17:00 | 0:17:05 | |
When burned, the resin produces an intoxicating aroma. | 0:17:07 | 0:17:11 | |
The sweet smell of frankincense. | 0:17:14 | 0:17:17 | |
The smoke has strong anti-depressant properties. | 0:17:20 | 0:17:24 | |
Perhaps that's why this humble sap became a religious obsession | 0:17:24 | 0:17:28 | |
from ancient Egypt to early Christianity, | 0:17:28 | 0:17:32 | |
and remains popular today throughout Arabia. | 0:17:32 | 0:17:36 | |
The Nabataean empire flourished on the trade of frankincense | 0:17:41 | 0:17:44 | |
but as the desert dried out around them, | 0:17:44 | 0:17:47 | |
the trade routes shifted and the empire fell into decline. | 0:17:47 | 0:17:51 | |
The Bedouin strategy of keeping on the move | 0:17:54 | 0:17:57 | |
became the only way to survive. | 0:17:57 | 0:18:00 | |
The rocky deserts of northern Arabia are constantly being | 0:18:08 | 0:18:11 | |
ground down by the heat and wind. | 0:18:11 | 0:18:14 | |
This creates the sand that is blown south to form | 0:18:23 | 0:18:26 | |
the vast sea of dunes known to Arabs as the Rub Al Khali, | 0:18:26 | 0:18:30 | |
or to Western explorers simply as the Empty Quarter. | 0:18:30 | 0:18:34 | |
This is a landscape entirely sculpted by wind. | 0:18:36 | 0:18:39 | |
Covering an area the size of France, | 0:18:48 | 0:18:50 | |
this is the largest expanse of sand in the world. | 0:18:50 | 0:18:54 | |
Individual dunes can be 100 miles long. | 0:18:56 | 0:19:00 | |
Salif and Hazar must cross just a corner of this hostile desert | 0:19:10 | 0:19:14 | |
to reach their goal. | 0:19:14 | 0:19:16 | |
This is where camels come into their own. | 0:19:26 | 0:19:29 | |
Feet the size of a dinner plate spread their weight | 0:19:32 | 0:19:34 | |
and prevent them sinking in to the soft sand. | 0:19:34 | 0:19:37 | |
Translucent eyelids keep sand out of the eyes. | 0:19:37 | 0:19:41 | |
The camels can walk on through the sandstorm | 0:19:45 | 0:19:48 | |
but they need their riders to navigate. | 0:19:48 | 0:19:51 | |
There are no landmarks here and the sand dunes Salif knew as a boy | 0:19:53 | 0:19:57 | |
have long been blown away and replaced. | 0:19:57 | 0:20:00 | |
The air temperatures here can reach 52 degrees Centigrade | 0:20:13 | 0:20:17 | |
and the surface of the sand can reach 70 degrees. | 0:20:20 | 0:20:24 | |
Hot enough to kill most animals. | 0:20:24 | 0:20:27 | |
The sleek scales and torpedo-shaped nose of this lizard are a clue | 0:20:32 | 0:20:36 | |
to its trick for escaping the heat. | 0:20:36 | 0:20:40 | |
But its name is the give-away. | 0:20:44 | 0:20:47 | |
The sandfish escapes cooking by swimming. | 0:20:49 | 0:20:53 | |
Stirred like this, hot sand takes on the properties of liquid. | 0:20:55 | 0:21:00 | |
Just 30 centimetres down, the sand is 30 degrees cooler. | 0:21:05 | 0:21:11 | |
The midday temperatures drive most animals deep underground. | 0:21:21 | 0:21:24 | |
In a special filming burrow deep in the desert | 0:21:26 | 0:21:29 | |
we can witness a strange relationship. | 0:21:29 | 0:21:31 | |
Dhub lizards share their burrows with scorpions. | 0:21:34 | 0:21:37 | |
The dhub lizard's skin is too thick to pierce, so he tolerates | 0:21:40 | 0:21:44 | |
the deadly tenant and the scorpion deters unwanted visitors. | 0:21:44 | 0:21:49 | |
It's a useful relationship, although good manners are optional. | 0:21:53 | 0:21:59 | |
If the dhub can cope with the midday heat, | 0:22:03 | 0:22:06 | |
he'll have the desert to himself and he has a strategy for just that. | 0:22:06 | 0:22:11 | |
As a reptile, he needs to warm up. | 0:22:13 | 0:22:17 | |
He flattens his body to absorb the sun's rays. | 0:22:18 | 0:22:22 | |
Black is the most effective colour for absorbing heat, | 0:22:22 | 0:22:26 | |
soaking up 90% of the sun's energy. | 0:22:26 | 0:22:29 | |
But on the scorching hot desert floor, | 0:22:37 | 0:22:40 | |
the lizard reaches operating temperature in minutes. | 0:22:40 | 0:22:43 | |
Rapid panting prevents his brain overheating | 0:22:43 | 0:22:46 | |
while he plays his most extraordinary trick. | 0:22:46 | 0:22:49 | |
The dhub's body is now undergoing a radical transformation. | 0:22:54 | 0:22:58 | |
The black pigment drains away from his scales. | 0:23:01 | 0:23:05 | |
His new pale skin now reflects most of the sun's rays. | 0:23:11 | 0:23:16 | |
Making the dhub the coolest lizard under the sun. | 0:23:21 | 0:23:25 | |
Only one animal shares the midday desert with the dhub | 0:23:35 | 0:23:40 | |
and it uses a similar strategy. | 0:23:40 | 0:23:42 | |
The pure white coat of the oryx reflects heat. | 0:23:50 | 0:23:53 | |
While black markings protect its eyes | 0:23:56 | 0:23:59 | |
from the brilliant glare of the sun. | 0:23:59 | 0:24:02 | |
Oryx can travel even longer without water than camels | 0:24:05 | 0:24:08 | |
but even they must eventually sniff out distant rain to survive. | 0:24:10 | 0:24:15 | |
One male is dominant, and has sole breeding rights with the females. | 0:24:22 | 0:24:27 | |
But this male has become weak through lack of food, | 0:24:27 | 0:24:32 | |
and a rival makes a challenge. | 0:24:32 | 0:24:34 | |
The dominant male has been driven out. | 0:24:54 | 0:24:57 | |
The herd moves on without him. | 0:25:00 | 0:25:02 | |
The deposed male is old and must now try to survive alone. | 0:25:10 | 0:25:15 | |
In this brutal place, he may not last long. | 0:25:24 | 0:25:28 | |
With food so scarce, many desert animals live a solitary existence. | 0:25:43 | 0:25:47 | |
Using special filming techniques | 0:25:51 | 0:25:54 | |
we can recreate the drama of their lives. | 0:25:54 | 0:25:57 | |
A lesser jerboa. | 0:26:04 | 0:26:06 | |
A hunter needs super senses to find such small, sparse prey. | 0:26:23 | 0:26:29 | |
The Rueppell's desert fox has ears 20 times more sensitive | 0:26:32 | 0:26:36 | |
than our own. | 0:26:36 | 0:26:38 | |
The jerboa tries to hide, but the hole's not deep enough. | 0:26:38 | 0:26:43 | |
The fox's sensitive nose tells him exactly where to dig. | 0:26:48 | 0:26:52 | |
There's a sneaky back door. | 0:26:57 | 0:26:59 | |
If he can squeeze through. | 0:27:03 | 0:27:06 | |
Time for the jerboa to reveal his own secret weapon. | 0:27:08 | 0:27:12 | |
Leg's like a kangaroo. | 0:27:15 | 0:27:17 | |
The jerboa can hop more than ten times its own body length. | 0:27:25 | 0:27:29 | |
But long legs don't make it easy to hide. | 0:27:36 | 0:27:39 | |
They come into their own when the only option left is to run for it. | 0:27:42 | 0:27:47 | |
Sometimes getting over is tough. | 0:28:01 | 0:28:04 | |
Better to go under. | 0:28:06 | 0:28:08 | |
The jerboa's quick but the fox is quicker. | 0:28:09 | 0:28:13 | |
The jerboa's only hope is to out-manoeuvre | 0:28:14 | 0:28:17 | |
and he has one last trick up his sleeve. | 0:28:17 | 0:28:20 | |
Hairy feet. | 0:28:30 | 0:28:33 | |
A shock of hair on the sole of his feet | 0:28:33 | 0:28:35 | |
grips the sand for a quick turn. | 0:28:35 | 0:28:37 | |
Desert survival requires sensible footwear. | 0:28:43 | 0:28:46 | |
Tonight, the desert fox goes hungry. | 0:28:59 | 0:29:02 | |
The jerboa's not the only one with special powers | 0:29:09 | 0:29:11 | |
to survive the desert. | 0:29:11 | 0:29:13 | |
The Arabian fat-tailed scorpion. | 0:29:17 | 0:29:20 | |
Growing up to 15 centimetres long, | 0:29:21 | 0:29:24 | |
her powerful neurotoxins kill several humans every year. | 0:29:24 | 0:29:28 | |
She's hunting for beetles. | 0:29:34 | 0:29:36 | |
She can't move fast, but she's got some special features. | 0:29:36 | 0:29:40 | |
Highly-sensitive hairs can detect the faintest of movements. | 0:29:44 | 0:29:48 | |
And like something borrowed from the Batmobile, | 0:29:53 | 0:29:56 | |
she sweeps the sand with delicate chest combs, | 0:29:56 | 0:29:59 | |
picking up chemical signals left by her quarry. | 0:29:59 | 0:30:02 | |
She doesn't need to make a kill very often. | 0:30:07 | 0:30:10 | |
She can survive up to a year between meals. | 0:30:10 | 0:30:14 | |
But the scorpion is prey as well as predator. | 0:30:21 | 0:30:25 | |
The desert fox is still hungry and not afraid to take on a scorpion. | 0:30:27 | 0:30:32 | |
When the moon rises, he'll have more light to hunt | 0:30:32 | 0:30:36 | |
and he'll have the upper hand. | 0:30:36 | 0:30:38 | |
The scorpion has a trick to avoid being eaten. | 0:30:39 | 0:30:42 | |
To see it ourselves we must enter the ultraviolet spectrum. | 0:30:42 | 0:30:46 | |
In the hour before moonrise | 0:30:55 | 0:30:57 | |
the air is filled with ultraviolet rays, invisible to the fox. | 0:30:57 | 0:31:04 | |
And the scorpion has an early-warning system | 0:31:04 | 0:31:08 | |
to tell her that moonlight is on its way. | 0:31:08 | 0:31:11 | |
Chemicals in the scorpion's skin are reacting to the UV rays. | 0:31:11 | 0:31:16 | |
Every millimetre of the scorpion has now become a UV sensor. | 0:31:16 | 0:31:20 | |
Right down to her pincers, | 0:31:21 | 0:31:23 | |
she is feeling the strong UV rays that are invisible to the fox. | 0:31:23 | 0:31:27 | |
This tells her a full moon is on its way. | 0:31:32 | 0:31:35 | |
It's going to be a risky night to be out. | 0:31:35 | 0:31:38 | |
Her dinner can wait. | 0:31:41 | 0:31:43 | |
It's time to find shelter. | 0:31:47 | 0:31:50 | |
At dawn, Salif faces Mecca for morning prayer. | 0:32:11 | 0:32:16 | |
He and his son Hazar have nearly completed their journey. | 0:32:25 | 0:32:29 | |
For Hazar, his first camel festival sounds ominous. | 0:32:55 | 0:33:00 | |
They may be desert people, | 0:33:09 | 0:33:11 | |
but even Bedouin can't survive long in the sand sea. | 0:33:11 | 0:33:15 | |
Their supplies are limited | 0:33:27 | 0:33:29 | |
and ultimately, they must always find fresh water. | 0:33:29 | 0:33:33 | |
Luckily, Salif and Hazar are approaching their goal | 0:33:37 | 0:33:41 | |
near the edge of the desert. | 0:33:41 | 0:33:44 | |
Beyond, the land rises abruptly into towering mountains, | 0:33:46 | 0:33:50 | |
some over 3,000 metres high. | 0:33:50 | 0:33:53 | |
Here lies a secret that helps maintain life. | 0:33:53 | 0:33:58 | |
This natural barrier catches the clouds | 0:34:06 | 0:34:09 | |
and stops their moisture reaching the heartland of Arabia. | 0:34:09 | 0:34:12 | |
But this water isn't lost. | 0:34:16 | 0:34:19 | |
It filters down, deep underground and if you know where to look, | 0:34:19 | 0:34:24 | |
you can find it. | 0:34:24 | 0:34:27 | |
Zahir bin Hamad is eight kilometres inside a mountain, | 0:34:35 | 0:34:40 | |
cleaning a waterway dug by his ancestors over 2,000 years ago. | 0:34:40 | 0:34:45 | |
But this water is not for use in the mountains, | 0:35:27 | 0:35:31 | |
its destiny lies far inland. | 0:35:31 | 0:35:33 | |
Channelled over 30 miles, | 0:35:51 | 0:35:52 | |
this water is bringing life to the desert. | 0:35:52 | 0:35:55 | |
An oasis. | 0:35:57 | 0:35:59 | |
This water is precious. | 0:36:08 | 0:36:10 | |
And wherever there is treasure, there will be conflict. | 0:36:10 | 0:36:14 | |
Zahir is the referee. | 0:36:14 | 0:36:17 | |
He controls the flow of water to each farm | 0:36:22 | 0:36:25 | |
using a system devised by his ancestors. | 0:36:25 | 0:36:28 | |
He uses a sundial to decide who gets what and when. | 0:36:30 | 0:36:34 | |
Each rock marks a share of only 15 minutes. | 0:36:53 | 0:36:56 | |
Not long, Zahir must get it spot on. | 0:36:57 | 0:37:00 | |
Everyone trusts Zahir's time-keeping. | 0:37:02 | 0:37:05 | |
After all, he's relying on a celestial authority. | 0:37:05 | 0:37:08 | |
As the sun-dial shadow swings into position, | 0:37:09 | 0:37:13 | |
Zahir releases the treasure. | 0:37:13 | 0:37:16 | |
Water that fell as rain over 30,000 years ago | 0:37:26 | 0:37:30 | |
is now turning the heart of Arabia green once more. | 0:37:30 | 0:37:34 | |
Every oasis is a haven for wildlife. | 0:38:29 | 0:38:32 | |
Herons and greenshanks feed in the pools. | 0:38:36 | 0:38:39 | |
Thirsty travellers migrating between Europe and Africa | 0:38:43 | 0:38:47 | |
come to drink, including Imperial eagles. | 0:38:47 | 0:38:51 | |
Asiatic honeybees also come to drink daily. | 0:38:58 | 0:39:02 | |
But their journey to the water is fraught with danger. | 0:39:10 | 0:39:14 | |
Blue-cheeked bee-eaters are on the look-out. | 0:39:19 | 0:39:22 | |
The bee-eaters arrive at the oasis each spring | 0:39:51 | 0:39:53 | |
with one thing on their mind. | 0:39:53 | 0:39:55 | |
Breeding. | 0:39:55 | 0:39:57 | |
Males try to win the females' favour by offering insect titbits. | 0:40:04 | 0:40:07 | |
If she's suitably impressed, he gets his reward. | 0:40:28 | 0:40:31 | |
Oasis villages also provide one vital ingredient that has fuelled | 0:40:45 | 0:40:49 | |
every Bedouin journey for thousands of years. | 0:40:49 | 0:40:52 | |
A fruit so valuable that expert pickers risk 20-metre climbs. | 0:41:00 | 0:41:05 | |
Dates. | 0:41:09 | 0:41:11 | |
Dates hold six times the energy content of other fruits | 0:41:17 | 0:41:20 | |
and preserve so well that they last for months. | 0:41:20 | 0:41:24 | |
The annual date harvest is | 0:41:24 | 0:41:26 | |
the busiest time of the year in every oasis. | 0:41:26 | 0:41:29 | |
Bedouin women come in from the surrounding desert to help. | 0:41:36 | 0:41:40 | |
Without this simple fruit the Bedouin would never have been | 0:41:43 | 0:41:46 | |
able to make their epic desert crossings. | 0:41:46 | 0:41:49 | |
And oases play another crucial role. | 0:41:50 | 0:41:54 | |
Filling stations. | 0:41:56 | 0:41:58 | |
After a long desert journey, | 0:42:10 | 0:42:12 | |
a camel will drink up to 200 litres of water. | 0:42:12 | 0:42:15 | |
Oasis towns provide a meeting point for far-flung Bedouin clans. | 0:42:23 | 0:42:27 | |
Salif and Hazar have arrived in the Omani desert town of Al Mintarib | 0:42:36 | 0:42:41 | |
for the Eid camel festival. | 0:42:41 | 0:42:44 | |
The whole town has come out to watch as rival clans compete | 0:42:46 | 0:42:50 | |
to show off their camel-riding skills. | 0:42:50 | 0:42:53 | |
Few youngsters these days grow up learning | 0:42:57 | 0:43:00 | |
the ancient art of camel control. | 0:43:00 | 0:43:02 | |
And the camels don't exactly respond well to an inexperienced hand. | 0:43:07 | 0:43:11 | |
So far, the competition doesn't look too strong. | 0:43:27 | 0:43:30 | |
But soon the premier riders get going. | 0:43:41 | 0:43:45 | |
This is not a race, | 0:43:45 | 0:43:47 | |
it's a competition to show off your control. | 0:43:47 | 0:43:50 | |
The goal is to ride camels in synchronized pairs, side by side. | 0:43:50 | 0:43:55 | |
Running your camels in a straight line. | 0:43:55 | 0:43:57 | |
Hazar has never had to control a camel in such a frenzied atmosphere. | 0:44:06 | 0:44:11 | |
But Salif knows just how to calm their animals down. | 0:44:15 | 0:44:20 | |
Everything Salif has taught his son | 0:44:26 | 0:44:29 | |
will be tested in the next few minutes. | 0:44:29 | 0:44:33 | |
Salif reaches out his arm to show the crowd | 0:45:36 | 0:45:39 | |
how close he and Hazar ride. | 0:45:39 | 0:45:41 | |
Father and son win the day. | 0:45:54 | 0:45:56 | |
MUSIC PLAYS | 0:46:03 | 0:46:04 | |
The ancient Bedouin knowledge | 0:46:09 | 0:46:12 | |
has been passed on to another generation. | 0:46:12 | 0:46:14 | |
Now it's time to party desert-style. | 0:46:17 | 0:46:20 | |
The relationship between man and camel | 0:46:31 | 0:46:35 | |
has proved an enduring strategy for desert survival. | 0:46:35 | 0:46:39 | |
But the Bedouin can't claim to be the true masters of the desert. | 0:46:44 | 0:46:48 | |
Without oases to sustain them | 0:46:53 | 0:46:56 | |
they would never survive their journeys through the hostile dunes. | 0:46:56 | 0:47:00 | |
Surely the master of desert survival is the animal that came | 0:47:08 | 0:47:12 | |
so close to disappearing for ever from this landscape, the oryx. | 0:47:12 | 0:47:20 | |
Their ability to keep moving through the blistering heat, | 0:47:25 | 0:47:29 | |
find food and ultimately thrive in this harshest of landscapes | 0:47:29 | 0:47:34 | |
is truly extraordinary. | 0:47:34 | 0:47:36 | |
Hopefully, now that they have returned to the desert | 0:47:45 | 0:47:48 | |
where they belong, oryx will remain the living emblem | 0:47:48 | 0:47:53 | |
of this mighty sea of sand long into the future. | 0:47:53 | 0:47:57 | |
Filming in the desert posed many challenges for the Wild Arabia crew. | 0:48:13 | 0:48:17 | |
Blistering heat and blinding sand storms played havoc | 0:48:17 | 0:48:21 | |
with their equipment. | 0:48:21 | 0:48:23 | |
But their greatest challenge came from filming cantankerous camels. | 0:48:26 | 0:48:30 | |
CAMEL GROWLS | 0:48:32 | 0:48:35 | |
Just getting to the Bedouin's camp, deep in the deserts of Oman, | 0:48:38 | 0:48:41 | |
threw up their first hurdle. | 0:48:41 | 0:48:44 | |
The thing is, I'm an excellent driver. | 0:48:44 | 0:48:46 | |
-Are you going to drive it? -Yeah. | 0:48:46 | 0:48:49 | |
There's very little that could go wrong. | 0:48:49 | 0:48:51 | |
This is Toby's ninth attempt at crossing the sand dune. | 0:48:56 | 0:48:59 | |
Oh no! | 0:49:02 | 0:49:04 | |
Never been so embarrassed in my life. | 0:49:06 | 0:49:08 | |
I'm handing over the driving to a ten-year-old. No! | 0:49:08 | 0:49:12 | |
But this is no normal ten-year-old. | 0:49:12 | 0:49:15 | |
This is Hazar and he knows these dunes like the back of his hand. | 0:49:15 | 0:49:19 | |
CAR BEEPS | 0:49:22 | 0:49:25 | |
This is the team's first clue that they won't get very far | 0:49:28 | 0:49:32 | |
in this desert without the help of their Bedouin hosts. | 0:49:32 | 0:49:35 | |
They arrive at dusk | 0:49:38 | 0:49:39 | |
in time to see the camels being brought back to camp for the night. | 0:49:39 | 0:49:43 | |
Salif, the best camel rider in the land, is a man of few words. | 0:49:45 | 0:49:51 | |
Toby tries to break the ice by offering him a coffee | 0:49:53 | 0:49:56 | |
made with his new-fangled coffee making machine. | 0:49:56 | 0:49:59 | |
Hazar, will you grind for me? | 0:49:59 | 0:50:01 | |
Perfect grinding, Hazar. | 0:50:07 | 0:50:09 | |
Coffee originated in Arabia, perhaps this is a way to impress. | 0:50:10 | 0:50:15 | |
Then again, perhaps not. | 0:50:23 | 0:50:26 | |
Salif and Hazar's race is less than a week away. | 0:50:30 | 0:50:33 | |
And the team know they'll only get one chance to film the action. | 0:50:36 | 0:50:41 | |
The next day they head to a practice run to get | 0:50:47 | 0:50:50 | |
a feel for what lies ahead. | 0:50:50 | 0:50:52 | |
It's mayhem at the start line. | 0:50:58 | 0:51:00 | |
And it seems the team are attracting unwanted attention. | 0:51:03 | 0:51:07 | |
Filming these races is not going to be as easy as the crew had hoped. | 0:51:09 | 0:51:13 | |
There's a lot more people, a lot more camels, | 0:51:13 | 0:51:16 | |
and there's a lot more tension, and I'm only able to sit right back. | 0:51:16 | 0:51:19 | |
I can't seem to get close, because it's...the local guys are saying | 0:51:19 | 0:51:23 | |
I'm skitting out the camels by my presence. | 0:51:23 | 0:51:27 | |
So I don't know what to do. We need to find a solution. | 0:51:27 | 0:51:30 | |
This practice session has not gone well. | 0:51:31 | 0:51:34 | |
The team decide to take the locals' advice. | 0:51:34 | 0:51:36 | |
We're clutching at straws now, we're getting desperate. | 0:51:36 | 0:51:39 | |
So I'm going to dress up like the local guys to see if that helps. | 0:51:39 | 0:51:43 | |
This is perfect. This is like what Salif wears. | 0:51:44 | 0:51:47 | |
What you think, guys? | 0:51:50 | 0:51:52 | |
They may be dressed for the task, | 0:51:55 | 0:51:57 | |
but to fully blend in on race day they want to gain a better | 0:51:57 | 0:52:01 | |
understanding of the Bedouin and their camels. | 0:52:01 | 0:52:04 | |
They're invited to camp with their hosts. | 0:52:04 | 0:52:07 | |
INDISTINCT SPEECH | 0:52:07 | 0:52:10 | |
Bedouin are famous for their hospitality. | 0:52:22 | 0:52:25 | |
To survive in the desert, you need to look out for each other. | 0:52:25 | 0:52:28 | |
HE SINGS | 0:52:30 | 0:52:32 | |
Male bonding in the outdoor kitchen is coming along nicely. | 0:52:38 | 0:52:43 | |
But perhaps the most sensitive task | 0:52:43 | 0:52:45 | |
will be engaging the women in the family. | 0:52:45 | 0:52:48 | |
No-one is better placed to do this than camerawomen, Sue Gibson. | 0:52:51 | 0:52:55 | |
So I'll hold that there, OK. I'm not doing my job properly. | 0:52:59 | 0:53:02 | |
This is a rare opportunity to discover | 0:53:03 | 0:53:06 | |
a more intimate side of Bedouin life. | 0:53:06 | 0:53:09 | |
Long time? | 0:53:09 | 0:53:10 | |
Salif wants Toby and Chadden to understand what it takes | 0:53:12 | 0:53:16 | |
to ride a camel. | 0:53:16 | 0:53:17 | |
We're supposed to learn how to run these camels. | 0:53:19 | 0:53:22 | |
I don't think I've ever ridden on a camel let alone raced it. | 0:53:22 | 0:53:25 | |
And do we need to make a special noise? | 0:53:25 | 0:53:27 | |
Sort of like an angry frog, isn't it? | 0:53:30 | 0:53:33 | |
HE MIMICS A CAMEL | 0:53:33 | 0:53:35 | |
Abdullah, what's the name of my camel? | 0:53:35 | 0:53:39 | |
-The name is Samha. -Samha? -Samha. | 0:53:39 | 0:53:42 | |
Samha. | 0:53:42 | 0:53:43 | |
I've just had the names interpreted and my one means fast and strong | 0:53:43 | 0:53:49 | |
and Chadden's means broken tractor. | 0:53:49 | 0:53:51 | |
Oooh, he's off! Oh, Lordy. | 0:53:56 | 0:53:59 | |
Salif is yet to be impressed. | 0:54:01 | 0:54:03 | |
Walking is one thing, he decides to up the ante. | 0:54:03 | 0:54:07 | |
TOBY AND CHADDEN LAUGH | 0:54:10 | 0:54:12 | |
Ah, time to get down. Oh, yeah. | 0:54:19 | 0:54:23 | |
Shukran. Shukran. Well done. | 0:54:23 | 0:54:26 | |
The day's duties are not yet over. | 0:54:28 | 0:54:30 | |
Tomorrow is race day and the stars of the show | 0:54:30 | 0:54:34 | |
are booked into the salon. | 0:54:34 | 0:54:35 | |
I've never spent as much time doing my own hair as I just | 0:54:38 | 0:54:41 | |
spent doing hers, but I think she appreciates it. | 0:54:41 | 0:54:44 | |
The crew are settling into their Bedouin lifestyle. | 0:54:44 | 0:54:48 | |
Who better to share stories with on a warm Arabian night. | 0:54:48 | 0:54:52 | |
It's really lovely to get a moment like this to sit round the fire, | 0:54:53 | 0:54:57 | |
and have some coffee, share some dates, | 0:54:57 | 0:55:00 | |
and just spend some time with these guys who've been so kind to us. | 0:55:00 | 0:55:03 | |
So it's these moments that make it really special. | 0:55:03 | 0:55:07 | |
Tomorrow is race day. | 0:55:08 | 0:55:11 | |
Hundreds of camels and their riders are here to compete | 0:55:21 | 0:55:24 | |
in the grand finale of the Eid festival. | 0:55:24 | 0:55:27 | |
But will the team's decision to blend in pay off? | 0:55:31 | 0:55:35 | |
Since we've started wearing the headgear and the dish-dash, | 0:55:35 | 0:55:38 | |
I know it sounds ridiculous but it really does seem as though | 0:55:38 | 0:55:43 | |
we've been accepted more and there's a lot more intimacy with | 0:55:43 | 0:55:46 | |
the men we are working around. | 0:55:46 | 0:55:48 | |
Even the camels seem to startle less and be more accepting of us. | 0:55:48 | 0:55:52 | |
I think that was a really good call. | 0:55:52 | 0:55:54 | |
Salif and Hazar's moment has arrived | 0:56:06 | 0:56:09 | |
and Toby gets himself into prime position. | 0:56:09 | 0:56:11 | |
For the crew, it's a thrill to witness this spectacle. | 0:56:15 | 0:56:19 | |
And everyone's pleased to see Hazar ride so well. | 0:56:23 | 0:56:28 | |
But it's only back at the camp | 0:56:30 | 0:56:32 | |
that they get to share in the family's success. | 0:56:32 | 0:56:35 | |
And their hosts get a chance to see some action replays. | 0:56:35 | 0:56:39 | |
The team have made new friends in the Arabian desert | 0:56:51 | 0:56:55 | |
and even Salif is pleased with their results. | 0:56:55 | 0:56:59 | |
THEY ALL LAUGH | 0:57:05 | 0:57:07 | |
Next time on Wild Arabia... | 0:57:15 | 0:57:18 | |
We journey into the mysterious waters | 0:57:18 | 0:57:21 | |
and rich mountains on Arabia's southern coast. | 0:57:21 | 0:57:25 | |
There is more life here than anywhere else in Arabia. | 0:57:25 | 0:57:29 | |
Life that's sustained by a magical secret. | 0:57:30 | 0:57:34 | |
Subtitles by Red Bee Media Ltd | 0:57:53 | 0:57:56 |