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|---|---|---|---|
This week, we're plunging you into the chaotic | 0:00:02 | 0:00:05 | |
and exhilarating heart of the world's busiest railway. | 0:00:05 | 0:00:07 | |
8 million passengers use these trains each day, | 0:00:11 | 0:00:14 | |
packed in more tightly than anywhere else on the planet. | 0:00:14 | 0:00:18 | |
Welcome to the Chhatrapati Shivaji Terminus in Mumbai. | 0:00:18 | 0:00:22 | |
Today, this magnificent railway station is | 0:00:22 | 0:00:24 | |
a UNESCO World Heritage Site. | 0:00:24 | 0:00:26 | |
It's also from here in 1853 that India's first passenger train | 0:00:26 | 0:00:31 | |
set off on its maiden journey. | 0:00:31 | 0:00:32 | |
The railways here really are on a staggering scale. | 0:00:32 | 0:00:36 | |
It's India's number one employer - | 0:00:36 | 0:00:38 | |
1.3 million people work for them. | 0:00:38 | 0:00:40 | |
So tonight, we're going to see how this station links Mumbai | 0:00:40 | 0:00:44 | |
to the rest of India. Here's what's coming up. | 0:00:44 | 0:00:46 | |
Over four programmes, we're revealing the organisational wonders | 0:00:46 | 0:00:50 | |
of this super-sized transport operation. | 0:00:50 | 0:00:53 | |
This time, we're travelling long-distance. | 0:00:56 | 0:00:59 | |
Anita's already faced crush loading on the commuter trains. | 0:01:00 | 0:01:04 | |
Tonight, she squashes onboard | 0:01:04 | 0:01:05 | |
one of India's most popular cross-country routes. | 0:01:05 | 0:01:09 | |
He's definitely got a good seat up there. | 0:01:09 | 0:01:12 | |
Morning! | 0:01:12 | 0:01:15 | |
I continue my examination of the history of train travel... | 0:01:15 | 0:01:18 | |
..as well as experiencing the super-sized tasks | 0:01:20 | 0:01:23 | |
facing the station's support teams. | 0:01:23 | 0:01:25 | |
How many dishes do you have to prepare every day? | 0:01:25 | 0:01:28 | |
-4,000. -4,000? | 0:01:28 | 0:01:31 | |
Oh, my goodness. | 0:01:31 | 0:01:33 | |
Robert is focusing on the engineering side of the station. | 0:01:33 | 0:01:36 | |
Tonight, he sees how they service | 0:01:36 | 0:01:38 | |
more than half a kilometre of train against the clock, | 0:01:38 | 0:01:42 | |
and discovers first-hand | 0:01:42 | 0:01:43 | |
why Indian train drivers earn seven times the national average. | 0:01:43 | 0:01:47 | |
That is really difficult. | 0:01:48 | 0:01:50 | |
And we find out how you travel if money's no object. | 0:01:50 | 0:01:55 | |
This will set you back £600 per person per night. | 0:01:55 | 0:01:59 | |
Welcome to the world's busiest railway. | 0:02:01 | 0:02:04 | |
This beautiful building is the departure point for | 0:02:25 | 0:02:27 | |
one and a half billion railway journeys every year. | 0:02:27 | 0:02:31 | |
Now, rail travel is incredibly good value in India. | 0:02:31 | 0:02:34 | |
The fares are kept deliberately low | 0:02:34 | 0:02:36 | |
to allow the lower paid to be able to travel around the country. | 0:02:36 | 0:02:39 | |
In fact, in India, you can travel further on the railways | 0:02:39 | 0:02:42 | |
for one pound than you can anywhere else in the world. | 0:02:42 | 0:02:45 | |
Here, one pound will buy you 94km of travel, | 0:02:45 | 0:02:49 | |
whereas back in the UK, it buys you a mere 15km. | 0:02:49 | 0:02:53 | |
But they are so much more than just a means of getting from A to B. | 0:02:53 | 0:02:57 | |
They really are the arteries of this country. | 0:02:57 | 0:03:00 | |
Millions of people rely on them | 0:03:00 | 0:03:02 | |
to be able to travel across this vast, beautiful nation. | 0:03:02 | 0:03:06 | |
India is criss-crossed by 65,000km of railway lines. | 0:03:07 | 0:03:13 | |
Mumbai is one of the most important hubs, | 0:03:13 | 0:03:16 | |
and this station, CST, is the start and end point | 0:03:16 | 0:03:20 | |
for more than 100 long-distance services every day. | 0:03:20 | 0:03:23 | |
We're going to show you the daily operation of this | 0:03:25 | 0:03:27 | |
side of the station, starting on the concourse, | 0:03:27 | 0:03:30 | |
where things are a mixture of high and low tech. | 0:03:30 | 0:03:34 | |
These are the wonderful, massive departure boards | 0:03:35 | 0:03:38 | |
for the long-distance trains that leave this station. | 0:03:38 | 0:03:42 | |
Now, there's no digital wizardry here. Look, they're all printed. | 0:03:42 | 0:03:44 | |
It doesn't change. This is a rigid timetable. | 0:03:44 | 0:03:47 | |
It remains steady throughout the year, constant, | 0:03:47 | 0:03:50 | |
and look at all these places you can go. | 0:03:50 | 0:03:52 | |
I'm almost overwhelmed, it's so exciting. | 0:03:52 | 0:03:54 | |
All the treasures of the subcontinent laid out before me. | 0:03:54 | 0:03:56 | |
It makes me want to travel. Here we go. | 0:03:56 | 0:03:58 | |
Let's see some of these trains. | 0:03:58 | 0:03:59 | |
This is a very popular one here, the 10111 to Goa. | 0:03:59 | 0:04:03 | |
It's where everyone around here goes for their holidays. | 0:04:03 | 0:04:05 | |
Beautiful seaside stretching for miles. | 0:04:05 | 0:04:07 | |
You get on the train at 11 o'clock at night, | 0:04:07 | 0:04:09 | |
and you wake up on the beach. Very popular, that one. | 0:04:09 | 0:04:12 | |
Where else have we got? Ooh, Bangalore. | 0:04:12 | 0:04:14 | |
I've always wanted to go to Bangalore. | 0:04:14 | 0:04:16 | |
Strangely, my brilliant old granny in her 90s was born in Bangalore. | 0:04:16 | 0:04:19 | |
It seems extraordinary. Different world. | 0:04:19 | 0:04:21 | |
Up there... Ooh, Varanasi. | 0:04:21 | 0:04:23 | |
Extremely important place, particularly for Hindus. | 0:04:23 | 0:04:26 | |
It's the place where Hindu families throw the ashes | 0:04:26 | 0:04:29 | |
of their recently departed relatives into the Ganges river. | 0:04:29 | 0:04:32 | |
A very sacred thing to do. A very popular destination as well. | 0:04:32 | 0:04:35 | |
And then we come down here... Ah, this one's very interesting. | 0:04:35 | 0:04:38 | |
This is the longest train you can get from this station. | 0:04:38 | 0:04:43 | |
The Kanyakumari Express to the Cape. | 0:04:43 | 0:04:46 | |
That goes to the very southern tip of India, a long way from here, | 0:04:46 | 0:04:51 | |
and that journey will take you 44 hours and 15 minutes. | 0:04:51 | 0:04:56 | |
These trains are the only way for many Indians | 0:04:57 | 0:05:00 | |
to travel across the country. | 0:05:00 | 0:05:02 | |
The passengers waiting here are some of the almost 280,000 | 0:05:02 | 0:05:06 | |
who'll start or end their journeys at CST today. | 0:05:06 | 0:05:09 | |
This part of the station is never quiet. | 0:05:16 | 0:05:18 | |
The first departure is at five in the morning, | 0:05:19 | 0:05:22 | |
and the last one goes at close to midnight. | 0:05:22 | 0:05:24 | |
One of the most popular routes is Mumbai to Kolkata, | 0:05:25 | 0:05:29 | |
a journey of nearly 2,000km that takes 33 hours. | 0:05:29 | 0:05:33 | |
Anita bought a ticket on this overnight service | 0:05:37 | 0:05:40 | |
to see what it's like onboard. | 0:05:40 | 0:05:42 | |
Here it is. This is my train. | 0:05:47 | 0:05:50 | |
Around 1,500 of us are travelling tonight, | 0:05:51 | 0:05:54 | |
but the experience will be very different | 0:05:54 | 0:05:56 | |
depending on which carriage we're in, and I'm one of the lucky ones. | 0:05:56 | 0:06:01 | |
I'm booked into first-class, air-conditioned, | 0:06:01 | 0:06:04 | |
so that I get a good night's sleep. | 0:06:04 | 0:06:06 | |
Here we go. So now I've got to find my name. | 0:06:09 | 0:06:11 | |
OK. Rani. And I'm in here. | 0:06:11 | 0:06:14 | |
This is what a first-class compartment looks like | 0:06:17 | 0:06:20 | |
on an Indian train. | 0:06:20 | 0:06:22 | |
A1, this is me. Looks OK. | 0:06:22 | 0:06:26 | |
This compartment's the most expensive on the train. | 0:06:27 | 0:06:30 | |
My ticket was £50, which is only affordable | 0:06:30 | 0:06:33 | |
for foreigners like me or well-off Indians. | 0:06:33 | 0:06:37 | |
Nice and cool. Right, well, no-one else's here, | 0:06:37 | 0:06:39 | |
so I'm going to take that one. | 0:06:39 | 0:06:41 | |
'My luxurious isolation is a world apart from the passengers | 0:06:41 | 0:06:45 | |
'cramming into the cheapest, unreserved carriages. | 0:06:45 | 0:06:48 | |
'They're still jumping onboard as we leave.' | 0:06:48 | 0:06:51 | |
We're off. | 0:06:56 | 0:06:57 | |
Goodbye, Mumbai. | 0:07:05 | 0:07:07 | |
First class isn't dissimilar to a sleeper in the UK. | 0:07:09 | 0:07:13 | |
Four bunks that could be occupied by strangers | 0:07:13 | 0:07:16 | |
of any age, male or female. | 0:07:16 | 0:07:18 | |
Tonight, only one other bed's been sold. | 0:07:18 | 0:07:21 | |
-I've been joined by my cabin mate, Arundhati. -Yeah. | 0:07:21 | 0:07:25 | |
-And where are you going, Arundhati? -Champa. | 0:07:25 | 0:07:28 | |
-How many hours are you travelling? -23 hours. -23? | 0:07:28 | 0:07:32 | |
-Do you always travel by train? -Yes, always, always. | 0:07:32 | 0:07:35 | |
We have no other mode, because we live in the interior. | 0:07:35 | 0:07:40 | |
-We live in Korba. It is 40km from Champa. -What do you do? | 0:07:40 | 0:07:44 | |
I'm running a school for the welfare of the municipal children. | 0:07:44 | 0:07:48 | |
-I have been here for a workshop. -In Mumbai? -Mumbai, yeah. -OK. | 0:07:48 | 0:07:52 | |
Do you always travel in first AC? | 0:07:52 | 0:07:54 | |
No, not always. Whatever ticket we get. | 0:07:54 | 0:07:58 | |
Well, I'm glad I've got you to talk to, Arundhati. | 0:07:58 | 0:08:00 | |
-I was worried I was going to be here on my own. -Oh, no! -SHE LAUGHS | 0:08:00 | 0:08:03 | |
'Included in the price of a first-class ticket is a full dinner.' | 0:08:03 | 0:08:08 | |
Thank you. Thank you very much. | 0:08:08 | 0:08:11 | |
So this is my vegetarian feast. | 0:08:12 | 0:08:15 | |
Look at that! Perfect. | 0:08:15 | 0:08:18 | |
I've got rice, I've got dhal... | 0:08:18 | 0:08:21 | |
Mmm. Mmm. The paneer's really spicy. | 0:08:22 | 0:08:25 | |
I'm in heaven. SHE COUGHS | 0:08:25 | 0:08:28 | |
I'm also burning my mouth! | 0:08:28 | 0:08:30 | |
Excuse me a moment. | 0:08:30 | 0:08:31 | |
I am hardened to chilli, it's just gone down the wrong way. | 0:08:31 | 0:08:35 | |
'This isn't the fastest journey in the world. | 0:08:39 | 0:08:42 | |
'With an average speed of just 59km an hour, | 0:08:42 | 0:08:45 | |
'an hour in, we're still in Mumbai's suburbs. | 0:08:45 | 0:08:50 | |
'Time to get ready for bed.' | 0:08:50 | 0:08:51 | |
'I've got clean sheets, but it's pretty cosy in here.' | 0:08:51 | 0:08:55 | |
Sorry. | 0:08:55 | 0:08:57 | |
Sorry! THEY LAUGH | 0:08:58 | 0:09:01 | |
-It's just very tight. -Yeah. | 0:09:01 | 0:09:02 | |
We'll get to know each other very well, Arundhati! | 0:09:02 | 0:09:05 | |
I settle in for a comfortable night's sleep, | 0:09:11 | 0:09:14 | |
chugging along through 550km of India. | 0:09:14 | 0:09:18 | |
And in the morning, | 0:09:21 | 0:09:22 | |
I awake to a landscape that's rather different from Mumbai's. | 0:09:22 | 0:09:26 | |
TRAIN HORNS | 0:09:26 | 0:09:28 | |
As is obvious from the state of my face, I've just woken up, | 0:09:32 | 0:09:36 | |
but look! Tea has arrived. | 0:09:36 | 0:09:39 | |
All is well. | 0:09:39 | 0:09:41 | |
All is well. | 0:09:41 | 0:09:43 | |
And out there is a very different part of India. | 0:09:43 | 0:09:46 | |
Nearly 70% of Indians live in rural areas like this, | 0:09:47 | 0:09:51 | |
rather than in big cities. | 0:09:51 | 0:09:53 | |
Of course, Mumbai is India - developed, creative, modern, | 0:09:54 | 0:09:59 | |
fast-paced, wealthy. | 0:09:59 | 0:10:01 | |
But this is also very much India, the heartland. | 0:10:01 | 0:10:04 | |
Tiny villages dotted around in this beautiful landscape. | 0:10:04 | 0:10:09 | |
And you won't see many cars out here. | 0:10:09 | 0:10:11 | |
Which is why the railway is so essential. | 0:10:15 | 0:10:18 | |
For these rural residents, | 0:10:18 | 0:10:20 | |
it's the only effective way to travel long distance | 0:10:20 | 0:10:23 | |
and 400 million of them are on the move every year, | 0:10:23 | 0:10:27 | |
travelling from their birthplace to India's cities to find work. | 0:10:27 | 0:10:32 | |
It really is the story of the developing world, though, isn't it? | 0:10:32 | 0:10:35 | |
Rural migration, people leaving their farms behind for economic necessity. | 0:10:35 | 0:10:41 | |
My experience of train travel in the last 12 hours has been pretty | 0:10:43 | 0:10:47 | |
relaxing, but I know there'll be lots of economic migrants on this | 0:10:47 | 0:10:51 | |
train and I want to see how different conditions are for them. | 0:10:51 | 0:10:54 | |
But I'll only find them in the cheapest section of the train, | 0:10:54 | 0:10:58 | |
second class unreserved, which means getting | 0:10:58 | 0:11:01 | |
out of first at the next station and fighting my way on. | 0:11:01 | 0:11:04 | |
If I can get on. Looks like it's going to be quite busy. | 0:11:05 | 0:11:08 | |
This might be an issue. | 0:11:08 | 0:11:09 | |
Unlike the suburban trains where men and women travel separately, | 0:11:09 | 0:11:13 | |
here everyone is squashed in together. | 0:11:13 | 0:11:16 | |
This is the cheapest compartment. This is where people are cramming on. | 0:11:16 | 0:11:21 | |
Standing room only. | 0:11:21 | 0:11:23 | |
OK, so this, you can see, is a very different experience altogether. | 0:11:23 | 0:11:28 | |
The one thing we pride ourselves on in the UK is personal space. | 0:11:29 | 0:11:32 | |
In India, you don't have that privilege. | 0:11:32 | 0:11:35 | |
This guy has never met this guy before. | 0:11:35 | 0:11:37 | |
It's the first time they've met on this train. | 0:11:37 | 0:11:39 | |
But they've got to know each other very well. | 0:11:39 | 0:11:41 | |
It's a good job it's an open culture where people are prepared to talk to you, isn't it? | 0:11:41 | 0:11:45 | |
He's definitely got a good seat up there. | 0:11:45 | 0:11:48 | |
Morning. | 0:11:48 | 0:11:50 | |
These are the good seats, I think. | 0:11:50 | 0:11:53 | |
It's just a completely different experience, naturally, | 0:11:53 | 0:11:57 | |
to first class air conditioned, where I had an entire bunk to myself. | 0:11:57 | 0:12:02 | |
Here, it's every man and woman for himself. Squeeze in where you can. | 0:12:02 | 0:12:07 | |
Tickets in here cost about £4 from Mumbai to Kolkata. | 0:12:07 | 0:12:11 | |
It's a government subsidised fare to make it affordable. | 0:12:11 | 0:12:14 | |
It might sound cheap but for some of these people, | 0:12:14 | 0:12:17 | |
that could be two days' wages. | 0:12:17 | 0:12:19 | |
SHE SPEAKS HINDI | 0:12:19 | 0:12:23 | |
OK, so they work in Mumbai... They work in steel. Steelworks. | 0:12:23 | 0:12:28 | |
And they're going home for a month, back to Kolkata, | 0:12:28 | 0:12:31 | |
the other side of the country. | 0:12:31 | 0:12:33 | |
And then after a month, they'll go back to Bombay for five, | 0:12:33 | 0:12:36 | |
six months, a year, however long the contract is. | 0:12:36 | 0:12:39 | |
The smell, the heat, the crowding in here are pretty overwhelming. | 0:12:41 | 0:12:45 | |
I've never done that before. | 0:12:52 | 0:12:54 | |
I've never gone in to what is essentially third class. | 0:12:54 | 0:12:58 | |
It's the cheapest seats in the house. | 0:12:58 | 0:13:01 | |
And that is hard work, but that's the reality of...economic, | 0:13:01 | 0:13:05 | |
developing India. | 0:13:05 | 0:13:07 | |
Not too dissimilar to what my grandfather did. | 0:13:07 | 0:13:11 | |
Jumped on a ship and travelled all the way to Bradford. | 0:13:11 | 0:13:15 | |
And then brought over my grandmother. | 0:13:15 | 0:13:17 | |
And then had all his kids in the UK and a generation later, here I am. | 0:13:17 | 0:13:23 | |
A British born Indian exploring the country of my...forefathers. | 0:13:26 | 0:13:31 | |
It's often said that the railways are the lifelines of India. | 0:13:38 | 0:13:42 | |
And travelling on this train has convinced me | 0:13:42 | 0:13:45 | |
just how essential they are to the whole population and the economy. | 0:13:45 | 0:13:49 | |
In Mumbai, it's early afternoon. A busy time for departures at CST. | 0:13:57 | 0:14:03 | |
Long-distance trains arrive into the platforms around | 0:14:03 | 0:14:07 | |
30 minutes before they are due to depart. | 0:14:07 | 0:14:09 | |
This one is sitting at platform 14, getting ready to go. | 0:14:11 | 0:14:16 | |
Robert and I are going to show you what happens on the platform and | 0:14:16 | 0:14:20 | |
in the station control room in the final moments before a departure. | 0:14:20 | 0:14:24 | |
Now, this train is the two o'clock departure to Chennai. | 0:14:26 | 0:14:29 | |
The city used to be called Madras. Right on the other side of the country, on the east coast of India. | 0:14:29 | 0:14:34 | |
These people are going to be crossing the country in just a few minutes' time. | 0:14:34 | 0:14:37 | |
This is the rolling stock, these carriages here. Looking a little bit long in the tooth, | 0:14:37 | 0:14:41 | |
they've done some hard yards, but you can actually gauge precisely how old they are... | 0:14:41 | 0:14:45 | |
Come and have a look. If you're a geek like me, you can have a look at some of the clues on the outside. | 0:14:45 | 0:14:50 | |
These digits here - 98 shows it was built in 1998. | 0:14:50 | 0:14:54 | |
406 shows it was 406th carriage built in 1998, | 0:14:54 | 0:14:58 | |
so each carriage has got its own precise individual ID. | 0:14:58 | 0:15:01 | |
Now this is the unreserved carriage here. | 0:15:01 | 0:15:04 | |
These people got here nice and early. They're the lucky ones. | 0:15:04 | 0:15:07 | |
They're well organised. They've managed to get a seat, so they'll be guarding those seats very carefully. | 0:15:07 | 0:15:12 | |
Latecomers will be piling on to this train just before it takes off | 0:15:12 | 0:15:14 | |
and they're in for a potentially quite uncomfortable journey. | 0:15:14 | 0:15:18 | |
And for everyone, it is going to be a long journey. | 0:15:18 | 0:15:21 | |
But that journey won't start until the control room | 0:15:21 | 0:15:25 | |
and the controllers give it permission to go. | 0:15:25 | 0:15:28 | |
This is mission control for the entire station | 0:15:28 | 0:15:32 | |
and we can actually see Dan's train there on platform 14. | 0:15:32 | 0:15:35 | |
That red mark there signifies the train. | 0:15:35 | 0:15:38 | |
The circuits underneath that are sending a signal up here to the control room, | 0:15:38 | 0:15:41 | |
where they're displayed on this vast control room board here | 0:15:41 | 0:15:44 | |
and actually, you can see trains moving along these tracks here. | 0:15:44 | 0:15:47 | |
For instance, that is a train, going along this track here, and it's got a safe route cos it's green. | 0:15:47 | 0:15:52 | |
When it's green in front of it, that means that the route is open, it doesn't have to stop. | 0:15:52 | 0:15:56 | |
And that's what will happen to Dan's train in a moment. | 0:15:56 | 0:15:58 | |
It will have its route defined and it will head off and leave the | 0:15:58 | 0:16:02 | |
station, and as it's coming up to two o'clock, it's about time to set off. | 0:16:02 | 0:16:06 | |
TRAIN HORN SOUNDS | 0:16:07 | 0:16:12 | |
There it goes now. About one minute past two o'clock, pretty impressive. | 0:16:12 | 0:16:17 | |
Now, I can see that the train has set off | 0:16:17 | 0:16:19 | |
because the red block is now moving along the track. | 0:16:19 | 0:16:22 | |
The train is off and on its way. | 0:16:22 | 0:16:24 | |
A few latecomers jumping on board, just as it takes off very slowly. | 0:16:24 | 0:16:29 | |
No need to hurry, I suppose. They've got 1,200km to go. | 0:16:29 | 0:16:33 | |
A long journey. | 0:16:33 | 0:16:35 | |
Trains like this are more than half a kilometre long | 0:16:40 | 0:16:43 | |
and take five minutes to clear the station. | 0:16:43 | 0:16:47 | |
The control room staff will monitor them for the next 53km, | 0:16:47 | 0:16:51 | |
when they leave CST's control zone. | 0:16:51 | 0:16:54 | |
The controllers are among 3,500 employees here at the station. | 0:16:56 | 0:17:01 | |
Most of these people are invisible to passengers. | 0:17:01 | 0:17:04 | |
The majority are employed in essential | 0:17:04 | 0:17:07 | |
but unglamorous support roles, ensuring that each train is | 0:17:07 | 0:17:10 | |
restocked and ready for its next journey. | 0:17:10 | 0:17:13 | |
Dan's getting his hands dirty with one of those groups, | 0:17:13 | 0:17:16 | |
the train cleaning team. | 0:17:16 | 0:17:19 | |
This train is just finishing a very long journey, | 0:17:19 | 0:17:22 | |
over 1,500km from Varanasi. | 0:17:22 | 0:17:25 | |
And that means there is a lot of dirty laundry on board. | 0:17:25 | 0:17:29 | |
It's going in here. | 0:17:29 | 0:17:31 | |
Stripping sheets, pillows, | 0:17:46 | 0:17:48 | |
and blankets from 178 beds needs all hands on deck. | 0:17:48 | 0:17:53 | |
Loads of these guys, they all pile on to the train as soon as it | 0:17:53 | 0:17:56 | |
arrives, desperately getting all the dirty linen off. | 0:17:56 | 0:18:00 | |
We're in a bit of a hurry cos apparently we've got three or | 0:18:00 | 0:18:03 | |
four minutes and the train's going to go. | 0:18:03 | 0:18:06 | |
Preparing sleeper trains is a super-sized operation. | 0:18:07 | 0:18:11 | |
First, the used laundry is taken to be sorted, | 0:18:11 | 0:18:13 | |
before it leaves the station. | 0:18:13 | 0:18:16 | |
Every item is passed through an electronic sensor. | 0:18:16 | 0:18:19 | |
The reason they do this apparently is cos they count it going on | 0:18:19 | 0:18:23 | |
and the train manager is responsible for it and they count it all | 0:18:23 | 0:18:27 | |
coming off and if there's anything missing, he gets his pay docked. | 0:18:27 | 0:18:31 | |
Then it all gets taken to one of India's | 0:18:33 | 0:18:36 | |
biggest mechanised laundries. | 0:18:36 | 0:18:38 | |
Manager Amal Deshpanda is in charge. | 0:18:38 | 0:18:41 | |
This is a big pile of dirty laundry. How much comes in here every day? | 0:18:41 | 0:18:45 | |
Every day, around 25,000 bed sheets. | 0:18:45 | 0:18:47 | |
-And it's sheets, towels, pillow cases, everything. -Yeah, everything. | 0:18:47 | 0:18:51 | |
-25,000. -25,000. | 0:18:51 | 0:18:53 | |
This is washing on an industrial scale. | 0:18:55 | 0:18:58 | |
Hard to believe, until eight years ago, all this was done by hand. | 0:18:58 | 0:19:03 | |
Then, it took four days to process all the bedding from one train. | 0:19:03 | 0:19:09 | |
Now, it takes just four hours. | 0:19:09 | 0:19:11 | |
-This is the clean bed sheets. -Yeah. -These are partially wet. | 0:19:11 | 0:19:15 | |
After ironing, they get completely dried. | 0:19:15 | 0:19:18 | |
So before they go in the ironing machine, they have to be spread out. | 0:19:18 | 0:19:21 | |
Spread out and to have a look on the quality also. | 0:19:21 | 0:19:25 | |
OK, and those ones there have failed quality control. | 0:19:25 | 0:19:28 | |
-They failed the quality control. -They're going back through. | 0:19:28 | 0:19:30 | |
They will go back and washed specially. | 0:19:30 | 0:19:33 | |
If the marks won't come out, the sheets are thrown away. | 0:19:33 | 0:19:37 | |
What's the hardest thing to get out of these sheets? | 0:19:37 | 0:19:41 | |
The stains of their lunches. | 0:19:41 | 0:19:45 | |
-At times, there are stain marks of blood. -Blood? -Yeah. | 0:19:45 | 0:19:50 | |
-At times, grease and at times, shoe polish also. -OK. | 0:19:50 | 0:19:54 | |
Dirty laundry used to be one of the biggest complaints from passengers, | 0:19:56 | 0:20:00 | |
but since this mega laundry opened, | 0:20:00 | 0:20:03 | |
they've dropped by 77%. | 0:20:03 | 0:20:06 | |
That's got to go! | 0:20:06 | 0:20:07 | |
At best, each bed sheet will last a year and go through 60 washes. | 0:20:07 | 0:20:11 | |
Feels good when you get a pearly white... Look at that one, you see. | 0:20:11 | 0:20:14 | |
Perfect. | 0:20:14 | 0:20:16 | |
At the end of the process, they've been cleaned, they've been | 0:20:16 | 0:20:20 | |
dried, they've been quality checked, they've been folded and pressed. | 0:20:20 | 0:20:24 | |
They've even been stacked. | 0:20:24 | 0:20:26 | |
Ready to be sent back to CST. | 0:20:26 | 0:20:27 | |
This load will be back on board tonight. | 0:20:33 | 0:20:37 | |
As well as guaranteed clean sheets, | 0:20:37 | 0:20:40 | |
passengers also need feeding. | 0:20:40 | 0:20:42 | |
Each train used to have its own kitchen. | 0:20:46 | 0:20:50 | |
But fires were a persistent hazard so they're being phased out. | 0:20:50 | 0:20:54 | |
Instead, CST has opened its own giant kitchen to supply | 0:20:54 | 0:20:58 | |
hot food for passengers. | 0:20:58 | 0:21:00 | |
Manager Kushal Rawat is busy portioning out | 0:21:00 | 0:21:04 | |
the first 500 servings of dhal. | 0:21:04 | 0:21:07 | |
-Hello. -How are you doing? -I am fine. | 0:21:07 | 0:21:09 | |
You're in the middle of it here, aren't you? | 0:21:09 | 0:21:12 | |
Is all your food here vegetarian or is there meat as well? | 0:21:12 | 0:21:15 | |
Meat as well. Vegetarian, non-vegetarian. | 0:21:15 | 0:21:17 | |
The chefs use 70 kilos of chicken, 35 kilos of rice | 0:21:22 | 0:21:26 | |
and 40 kilos of onions every day. | 0:21:26 | 0:21:29 | |
And they're only cooking for one train service at the moment. | 0:21:29 | 0:21:34 | |
The ambition is to scale it up and cook for every long-distance train. | 0:21:34 | 0:21:38 | |
How many dishes do you have to prepare every day? | 0:21:38 | 0:21:42 | |
-4,000. -4,000. | 0:21:42 | 0:21:45 | |
-Oh, my goodness! -And it takes around two hours to cook. | 0:21:45 | 0:21:49 | |
-Two hours to cook this? -Yes. | 0:21:49 | 0:21:51 | |
It's a very well-oiled machine, this. | 0:21:51 | 0:21:53 | |
The lids are coming on, people are packing it up, | 0:21:53 | 0:21:56 | |
ready to ship it over to the train. It's impressive. | 0:21:56 | 0:21:59 | |
All the meals must be ready | 0:22:01 | 0:22:02 | |
and on board the train 30 minutes before departure. | 0:22:02 | 0:22:05 | |
Next stop, the linen, which has been laundered and is in the linen room. | 0:22:05 | 0:22:10 | |
Nothing automated about this part of the job. | 0:22:14 | 0:22:17 | |
It's all down to donkey work. And you've got to be fit. | 0:22:17 | 0:22:20 | |
OK, train's coming. We've been told to go quicker. | 0:22:24 | 0:22:26 | |
OK, here's good, here's good. | 0:22:32 | 0:22:34 | |
OK. | 0:22:34 | 0:22:36 | |
That's got a mind of its own. | 0:22:36 | 0:22:37 | |
1,000 meals and supplies of fresh bedding are heaved on board, | 0:22:41 | 0:22:44 | |
as the seat allocations go up and passengers climb in. | 0:22:44 | 0:22:49 | |
So exciting to think that train is now starting a journey that's | 0:22:57 | 0:23:00 | |
going to take them right across India. | 0:23:00 | 0:23:03 | |
The main thing is they're going to have clean linen and full bellies. | 0:23:03 | 0:23:07 | |
What more do you need? | 0:23:07 | 0:23:09 | |
These long-distance trains are workhorses, | 0:23:12 | 0:23:16 | |
designed to get as many people as possible on board. | 0:23:16 | 0:23:18 | |
But when this station opened, back in 1887, | 0:23:20 | 0:23:24 | |
first class travel was a more luxurious experience. | 0:23:24 | 0:23:27 | |
And today, there are some trains, run especially for tourists, | 0:23:30 | 0:23:34 | |
that hark back to that glamorous age. | 0:23:34 | 0:23:37 | |
Anita's having a look round one of them. | 0:23:37 | 0:23:39 | |
Welcome to the Deccan Odyssey. | 0:23:41 | 0:23:43 | |
This is high-end train travel, Indian style. | 0:23:43 | 0:23:46 | |
21 carriages of absolute luxury. | 0:23:46 | 0:23:49 | |
Now, they say you can spend as much or as little as you | 0:23:49 | 0:23:52 | |
like in this country. Well, this is definitely the "much" end. | 0:23:52 | 0:23:55 | |
I'm in the presidential suite and this will set you | 0:23:55 | 0:23:58 | |
back £600 per person per night, but what do you get for your money? | 0:23:58 | 0:24:03 | |
Fantastic double bed. Very nicely air conditioned room. | 0:24:03 | 0:24:06 | |
In here, you've got a desk, you have a television, | 0:24:06 | 0:24:09 | |
and then through the corridor, you get one of two bathrooms. | 0:24:09 | 0:24:12 | |
If you have a look in there, | 0:24:12 | 0:24:14 | |
everything you would expect from a five-star hotel cos that's | 0:24:14 | 0:24:17 | |
what this is, this is five star on train tracks. | 0:24:17 | 0:24:21 | |
And then in here, once you've been outside | 0:24:21 | 0:24:24 | |
and you want to retreat from the chaos, | 0:24:24 | 0:24:26 | |
the mayhem and the magnificence of India out there, you can | 0:24:26 | 0:24:29 | |
come back to your very own lounge and live like a maharajah would. | 0:24:29 | 0:24:33 | |
And this is my favourite bit. | 0:24:33 | 0:24:34 | |
You've got your very own leather bound notebook where you can | 0:24:34 | 0:24:37 | |
write your memoirs whilst looking out across a beautiful sunset. | 0:24:37 | 0:24:41 | |
But what else does this train have to offer? | 0:24:41 | 0:24:43 | |
This carriage is the all-important bar. | 0:24:47 | 0:24:49 | |
There's also a spa, a gym, | 0:24:49 | 0:24:52 | |
a salon to get your hair done before dinner, two kitchens, | 0:24:52 | 0:24:55 | |
one for Western food, freshly baked bread, the other for Indian food. | 0:24:55 | 0:24:58 | |
And you getting cuisine matching the state that you're travelling through. | 0:24:58 | 0:25:03 | |
Two restaurant carriages, with beautiful fine dining crockery | 0:25:03 | 0:25:06 | |
and plates and whatnot, of which is this is one and this is Prem Devassy, | 0:25:06 | 0:25:10 | |
-the general manager. Pleased to meet you, sir. -Hello. Welcome aboard. -Thank you very much. | 0:25:10 | 0:25:14 | |
I'm sure I wouldn't normally find you | 0:25:14 | 0:25:16 | |
-lounging around in the restaurant carriage. -Not really. | 0:25:16 | 0:25:18 | |
A hotel, a hotel on wheels, so mostly on my skates, | 0:25:18 | 0:25:21 | |
rolling all over the place, making sure everything's all right. | 0:25:21 | 0:25:24 | |
-How many passengers are you normally running around after? -80 guests. | 0:25:24 | 0:25:29 | |
-And how many staff for your 80 guests? -44. -Wow. | 0:25:29 | 0:25:32 | |
So, that's very different to the 1,600 found on a normal | 0:25:32 | 0:25:36 | |
-long-distance train in India. -Slightly different. | 0:25:36 | 0:25:38 | |
COMPLETELY different! And where do people go on this train? | 0:25:38 | 0:25:41 | |
-Where are you taking them? -Well, we have an itinerary. | 0:25:41 | 0:25:43 | |
A seven day itinerary, right from Goa to the western part of | 0:25:43 | 0:25:46 | |
India to the palaces of Rajasthan, to the jungle, to the Taj Mahal. | 0:25:46 | 0:25:51 | |
So, people are getting a REAL sense of India in the most luxurious way. | 0:25:51 | 0:25:56 | |
-Absolutely, mm. -And where are your tourists coming from? | 0:25:56 | 0:25:59 | |
A lot of Brits, Europeans, Australians, Americans, Russians | 0:25:59 | 0:26:04 | |
-and Indians, of course. -And who spends the most money? | 0:26:04 | 0:26:07 | |
The Russians. | 0:26:07 | 0:26:10 | |
-Any strange requests? -Where do we start? With the strange requests... | 0:26:10 | 0:26:14 | |
Food and beverage requests, grapefruit | 0:26:14 | 0:26:16 | |
when it's not in season, a vintage wine, a swimming pool onboard, | 0:26:16 | 0:26:21 | |
a tiger, "Make sure we see a tiger in the jungle." | 0:26:21 | 0:26:25 | |
And did you make the tiger happen? | 0:26:25 | 0:26:26 | |
This particular time, yes, I was lucky. | 0:26:26 | 0:26:28 | |
I was fortunate that they did. | 0:26:28 | 0:26:30 | |
You should just keep one onboard, that you could just wheel out... | 0:26:30 | 0:26:33 | |
-That's a good idea, like a softie. -So, you can make most things happen? | 0:26:33 | 0:26:36 | |
-Absolutely. -My only request would be Wi-Fi? -Yes, indeed. | 0:26:36 | 0:26:39 | |
And I spend a lot of time on the trains in the UK. | 0:26:39 | 0:26:42 | |
-Could I make a sustained phone call on your train? -You absolutely will. | 0:26:42 | 0:26:46 | |
Prem, that is music to my ears. Well, absolute pleasure to meet you, sir. | 0:26:46 | 0:26:49 | |
-Thank you very much! -Welcome aboard! | 0:26:49 | 0:26:51 | |
'This kind of luxury travel is unimaginable for the passengers | 0:26:54 | 0:26:57 | |
'spread out on the concourse here at CST this afternoon.' | 0:26:57 | 0:27:01 | |
Well, these people are waiting for their trains. | 0:27:01 | 0:27:03 | |
And they might have a bit of an adventure ahead of them | 0:27:03 | 0:27:06 | |
before they get to their destinations. | 0:27:06 | 0:27:07 | |
But they can be certain of one thing, that their train will have been | 0:27:07 | 0:27:10 | |
through a comprehensive set of tests to make sure it's safe to travel. | 0:27:10 | 0:27:15 | |
BIRDS SQUAWK | 0:27:17 | 0:27:20 | |
'This is Wadi-Bunder, an enormous maintenance site, | 0:27:23 | 0:27:26 | |
'with four train pits, where the carriages from long-distance trains are checked over. | 0:27:26 | 0:27:31 | |
'Trains can be made up of 24 carriages, so each pit is more than 500 metres long.' | 0:27:31 | 0:27:37 | |
These trains are so long. It's absolutely extraordinary. | 0:27:39 | 0:27:44 | |
And as it pulls in, the clock starts ticking. | 0:27:45 | 0:27:49 | |
Staff have just six hours before this train has to be returned to service. | 0:27:49 | 0:27:53 | |
That might sound generous but with half a kilometre of carriages | 0:27:53 | 0:27:57 | |
to check, there is no time to waste. | 0:27:57 | 0:27:59 | |
They come in here mainly to be safety checked, | 0:27:59 | 0:28:02 | |
to make sure all the running gear and the brakes are safe | 0:28:02 | 0:28:04 | |
and then to have a bit of clean-up. | 0:28:04 | 0:28:07 | |
As soon as the train comes to a halt... | 0:28:09 | 0:28:12 | |
..a team of the depot's 270 workers springs into action. | 0:28:13 | 0:28:17 | |
While one group tackle cleaning, inside and out, | 0:28:18 | 0:28:22 | |
another are at work underneath, performing safety checks. | 0:28:22 | 0:28:25 | |
Senior section engineer, Anto John, is talking me | 0:28:28 | 0:28:32 | |
through the most important of all these inspections. | 0:28:32 | 0:28:35 | |
So, what goes on here, Mr John? This is very exciting. | 0:28:35 | 0:28:38 | |
Here, we do the air brake testing. | 0:28:38 | 0:28:41 | |
Ah, so this whole train is stopped by air brakes. | 0:28:41 | 0:28:43 | |
-Yeah, the air pressure is connected to the train from one end to the other end. -Right. | 0:28:43 | 0:28:48 | |
So, here we check the effectiveness of the brakes in each | 0:28:48 | 0:28:51 | |
-and every coach. -How does that actually work? | 0:28:51 | 0:28:54 | |
-We charge the system with the air pressure. -Yeah. | 0:28:54 | 0:28:56 | |
-And when we REDUCE the pressure, the brakes are applied. -Ah, right! | 0:28:56 | 0:28:59 | |
-And when we restore the pressure to the original... -It pushes the brakes off. -Yes. | 0:28:59 | 0:29:04 | |
-Right, so, if there is a failure, the brakes will automatically come on. -Yeah. | 0:29:04 | 0:29:07 | |
-So, can we see them going on and off? Is it possible to...? -Yeah. | 0:29:07 | 0:29:11 | |
RADIO: Mr Pandar, apply the brakes, please. | 0:29:12 | 0:29:16 | |
AIR PRESSURE HISSES | 0:29:17 | 0:29:19 | |
-Oh, wow! So, straight away they're on. -Yeah. | 0:29:19 | 0:29:22 | |
And what he's done then is release the pressure in the system. | 0:29:22 | 0:29:25 | |
-Yes, he has reduced the pressure... -Yeah. -And the brakes are applied. -Right. | 0:29:25 | 0:29:29 | |
Likewise, we will check each and every coach. | 0:29:29 | 0:29:32 | |
Right, so these breaks are on every wheel in all the carriages? | 0:29:32 | 0:29:35 | |
To ensure the effectiveness of the breaking. | 0:29:35 | 0:29:37 | |
-Cos it's a lot of wheels! -Yeah, yeah. -On a train this big. | 0:29:37 | 0:29:40 | |
We have to check through the 24 coaches, into four... | 0:29:40 | 0:29:43 | |
-Right, yes, I can't do the maths but it's a lot of wheels. -THEY LAUGH | 0:29:43 | 0:29:46 | |
'It's not just the braking mechanism that needs checking on every wheel... | 0:29:48 | 0:29:51 | |
AIR PRESSURE HISSES | 0:29:51 | 0:29:54 | |
'..but the brake pads themselves. | 0:29:54 | 0:29:56 | |
'If a brake pad is too thin, | 0:29:56 | 0:29:58 | |
'the metal of the brake shoe rubs against the metal of the wheel.' | 0:29:58 | 0:30:02 | |
So, these guys are replacing a brake pad here, | 0:30:03 | 0:30:06 | |
which is, I can see, quite badly worn. Right, that's the old one. | 0:30:06 | 0:30:11 | |
Kind of obvious, if it's worn down, you want really good brakes on | 0:30:11 | 0:30:14 | |
a train that's got thousands of people on it, you know, just to keep it safe. | 0:30:14 | 0:30:18 | |
The structural integrity of every carriage is also thoroughly inspected - | 0:30:22 | 0:30:27 | |
using a rather basic method. | 0:30:27 | 0:30:31 | |
This is amazing. | 0:30:31 | 0:30:32 | |
So, this guy's working his way all the way along the train, | 0:30:32 | 0:30:35 | |
tapping things. If it makes a good ringing sound, that means it's OK. | 0:30:35 | 0:30:38 | |
It's no problem. | 0:30:38 | 0:30:40 | |
All OK? Very good. Everything OK so far. | 0:30:41 | 0:30:45 | |
I think it's fair to say that working conditions | 0:30:50 | 0:30:52 | |
here are fairly challenging. | 0:30:52 | 0:30:54 | |
Now, I've just noticed a very strong increase in the general odour | 0:30:55 | 0:30:59 | |
down here under the trains and that's because the cleaners upstairs | 0:30:59 | 0:31:02 | |
have been pressure washing the toilets and that flushes straight down this tube | 0:31:02 | 0:31:06 | |
and onto the track, which means it's got a little bit fruity around here. | 0:31:06 | 0:31:10 | |
Unlike most UK trains, everything that we release in the toilet | 0:31:10 | 0:31:14 | |
comes straight down this tube. | 0:31:14 | 0:31:16 | |
'If a carriage has a serious problem or is too badly damaged | 0:31:20 | 0:31:23 | |
'to be repaired within the six hours, it will be pulled out of service and replaced. | 0:31:23 | 0:31:28 | |
'It is then known as a "sick carriage".' | 0:31:28 | 0:31:31 | |
A replacement comes from a nearby yard, | 0:31:32 | 0:31:35 | |
where there are 15 coaches ready to come into service. | 0:31:35 | 0:31:38 | |
Just think what a pain it would be if this was a sick carriage. | 0:31:39 | 0:31:43 | |
What an absolute nightmare, | 0:31:43 | 0:31:44 | |
because what you've got to do then is uncouple that part there, | 0:31:44 | 0:31:47 | |
drag all those carriages miles away, out the way, | 0:31:47 | 0:31:50 | |
then you've got to come back, uncouple this carriage, | 0:31:50 | 0:31:53 | |
drag that out the way, then bring in a new carriage, couple it up, | 0:31:53 | 0:31:55 | |
then bring ALL those carriages back, join it all together again... | 0:31:55 | 0:31:59 | |
And you've got to do all this in under six hours! | 0:31:59 | 0:32:01 | |
'To avoid needing to replace a carriage, | 0:32:05 | 0:32:08 | |
'any repairs that can be done in situ are done immediately.' | 0:32:08 | 0:32:12 | |
Looks like the door's been vandalised. | 0:32:12 | 0:32:14 | |
They're just fixing it. | 0:32:14 | 0:32:15 | |
'Carriages can be up to 25 years old, | 0:32:17 | 0:32:20 | |
'meaning repairs like these are commonplace. | 0:32:20 | 0:32:22 | |
'As the clock ticks down, running repairs are completed. | 0:32:25 | 0:32:29 | |
'And the exterior gets a final wash and brush up.' | 0:32:29 | 0:32:32 | |
I've been asking why they still wash the trains by hand, | 0:32:43 | 0:32:46 | |
and apparently they can do a more thorough job, | 0:32:46 | 0:32:48 | |
getting in all the little nooks and crannies, | 0:32:48 | 0:32:50 | |
because these trains get really filthy | 0:32:50 | 0:32:52 | |
on incredibly long journeys. | 0:32:52 | 0:32:54 | |
Time's up and the inspector's on-board to check the work. | 0:32:55 | 0:32:59 | |
The train is ready to be returned to service at the station. | 0:33:02 | 0:33:07 | |
That's it. The train's recoupled to a locomotive. | 0:33:07 | 0:33:10 | |
All the carriages have been inspected, | 0:33:10 | 0:33:12 | |
they've been signed off, | 0:33:12 | 0:33:13 | |
they're safe, ready for the next journey. | 0:33:13 | 0:33:16 | |
-TRAIN HORN BLASTS -There we go. | 0:33:16 | 0:33:18 | |
Everything here at CST in Mumbai is on a huge scale, | 0:33:30 | 0:33:34 | |
including the ticketing operation. | 0:33:34 | 0:33:37 | |
They sell 7,000 tickets a day across 30 counters. | 0:33:37 | 0:33:41 | |
And with demand outstripping supply, | 0:33:41 | 0:33:44 | |
managing customers can be a tricky business. | 0:33:44 | 0:33:46 | |
I'm in a long-distance ticketing office | 0:33:55 | 0:33:57 | |
with a very important lady - the Chief Reservation Supervisor. | 0:33:57 | 0:34:02 | |
What is the system for getting a ticket? | 0:34:02 | 0:34:06 | |
You can book your tickets 120 days prior. | 0:34:06 | 0:34:09 | |
And it can be done online, as well as on the counters. | 0:34:09 | 0:34:12 | |
So the tickets are released 120 days before the train departs | 0:34:12 | 0:34:17 | |
and people can book online or come and get the tickets from here. | 0:34:17 | 0:34:20 | |
And how quickly do those tickets sell out? | 0:34:20 | 0:34:22 | |
As fast as 18 seconds. | 0:34:22 | 0:34:24 | |
18 seconds! That's faster than Glastonbury tickets. | 0:34:24 | 0:34:27 | |
Why are they so popular? | 0:34:27 | 0:34:30 | |
Because the demand is more, | 0:34:30 | 0:34:32 | |
as well as this is the cheapest mode of transport today in India. | 0:34:32 | 0:34:35 | |
So you must be hugely oversubscribed if they're selling out that fast. | 0:34:35 | 0:34:39 | |
Yeah, sometimes when the confirmed tickets get exhausted, | 0:34:39 | 0:34:42 | |
we try to give them a waiting list ticket | 0:34:42 | 0:34:44 | |
in the hope that they get confirmed. | 0:34:44 | 0:34:46 | |
How long are those waiting lists? | 0:34:46 | 0:34:48 | |
-The waiting list is as far as 400 to 500. -400 people?! | 0:34:48 | 0:34:52 | |
What is the hope of ticket waiting list number 355 | 0:34:52 | 0:34:56 | |
getting on the train? | 0:34:56 | 0:34:57 | |
Yeah, sometimes we do add an extra carriage to clear the rush. | 0:34:57 | 0:35:00 | |
-You can do that? -Yes. | 0:35:00 | 0:35:02 | |
And that's been done in the past? | 0:35:02 | 0:35:04 | |
But what if you have an emergency and you need to get a ticket | 0:35:04 | 0:35:07 | |
like that, because you have to get somewhere? Is that possible? | 0:35:07 | 0:35:10 | |
Yes, it's possible. You can book the ticket one day before, | 0:35:10 | 0:35:13 | |
it's called the Tatkal Saver. | 0:35:13 | 0:35:15 | |
Tatkal Saver, what does that mean? | 0:35:15 | 0:35:17 | |
That is an emergency ticket, it can be booked one day before in advance | 0:35:17 | 0:35:20 | |
in the morning at ten o'clock with an identification card, that's all. | 0:35:20 | 0:35:23 | |
And is that what we're seeing behind us? Some of these chaps here | 0:35:23 | 0:35:26 | |
will be here getting their last-minute tickets? | 0:35:26 | 0:35:28 | |
And does everybody need to have a seat and a ticket on the train? | 0:35:28 | 0:35:32 | |
Yes, for a reserved compartment, you need a reserved ticket. | 0:35:32 | 0:35:36 | |
And what about the unreserved compartment? Talk to me about that. | 0:35:36 | 0:35:40 | |
Unreserved, yes, people do travel in unreserved compartment | 0:35:40 | 0:35:43 | |
with an unreserved ticket. It's for the people who are travelling | 0:35:43 | 0:35:46 | |
at the last minute who don't get a reservation, | 0:35:46 | 0:35:48 | |
they just have to manage for themselves. There's no seat, no but. | 0:35:48 | 0:35:52 | |
Does everybody get on to the unreserved compartment? | 0:35:52 | 0:35:55 | |
Yes, most of the time, they do get. | 0:35:55 | 0:35:56 | |
They just have to manage for themselves. | 0:35:56 | 0:35:58 | |
Yes, if you've got to get somewhere, you've got to get on that train. | 0:35:58 | 0:36:01 | |
I've experienced it myself when I did the overnight, | 0:36:01 | 0:36:03 | |
unreserved was crowds. | 0:36:03 | 0:36:04 | |
There were people just jammed in anywhere they could get in. | 0:36:04 | 0:36:07 | |
Women with babies and suitcases, but it felt very cooperative. | 0:36:07 | 0:36:10 | |
It's like people knew that this train is going a long way, | 0:36:10 | 0:36:13 | |
so we must help everybody get on. | 0:36:13 | 0:36:15 | |
-It happens like that. -What if... | 0:36:15 | 0:36:20 | |
And it could happen, if you're a tourist, | 0:36:20 | 0:36:22 | |
you turn up or you're a backpacker | 0:36:22 | 0:36:24 | |
and you want your long distance train journey in India experience. | 0:36:24 | 0:36:27 | |
How would I get a ticket? | 0:36:27 | 0:36:29 | |
My country is taking care of the foreign tourists very well. | 0:36:29 | 0:36:32 | |
We have a separate counter to Mumbai Viti and Mumbai Central, | 0:36:32 | 0:36:36 | |
for the tourists just, where we have confirmed tickets | 0:36:36 | 0:36:39 | |
for the foreigners. Even if the train is running a waiting list, | 0:36:39 | 0:36:43 | |
we give them a confirmed ticket. | 0:36:43 | 0:36:44 | |
-So are foreigners given priority over Indians? -They are given... | 0:36:44 | 0:36:48 | |
There are some procedures for the tourists. | 0:36:48 | 0:36:50 | |
I mean, how many seats are reserved for the tourists? | 0:36:50 | 0:36:52 | |
It depends upon the demand of the train. | 0:36:52 | 0:36:55 | |
It depends upon the destination, like, if it's a Goa-bound train, | 0:36:55 | 0:36:58 | |
then there are more seats available. | 0:36:58 | 0:37:00 | |
And that's just the facts, people come to India to go to Goa. | 0:37:00 | 0:37:02 | |
So let's talk about the price, then. | 0:37:02 | 0:37:04 | |
If I did want to go from Mumbai to Goa, how much would it cost in | 0:37:04 | 0:37:07 | |
first-class air-conditioned and how much would it cost in unreserved? | 0:37:07 | 0:37:11 | |
First-AC will cost you something around 2,600 rupees | 0:37:11 | 0:37:14 | |
and the unreserved something around 210 rupees. | 0:37:14 | 0:37:17 | |
It's a huge difference, so about £26 in first-class AC | 0:37:17 | 0:37:21 | |
and £2.10 in unreserved. | 0:37:21 | 0:37:23 | |
So it just depends what experience you want on the train. | 0:37:23 | 0:37:26 | |
-Manisha, thank you very much. -You're welcome. | 0:37:26 | 0:37:29 | |
13 million people travel across this country every day on the railways. | 0:37:30 | 0:37:35 | |
But passengers are just one of the things onboard most trains. | 0:37:35 | 0:37:40 | |
Three million tonnes of freight are moved by rail every day in India. | 0:37:40 | 0:37:45 | |
Of course, most of that is transported | 0:37:45 | 0:37:47 | |
by dedicated freight trains. | 0:37:47 | 0:37:50 | |
But long-distance trains, like this one, | 0:37:50 | 0:37:52 | |
also have compartments for moving goods in. | 0:37:52 | 0:37:54 | |
And this is an invaluable service | 0:37:54 | 0:37:56 | |
for all the small businesses in Mumbai. | 0:37:56 | 0:37:59 | |
This place is India's economic capital. | 0:38:05 | 0:38:08 | |
It contributes more to the country's wealth than any other city. | 0:38:08 | 0:38:12 | |
Much of that cash comes from thousands of small businesses, | 0:38:12 | 0:38:16 | |
selling everything from fish to flowers to jewellery. | 0:38:16 | 0:38:21 | |
Tight margins and tight delivery deadlines mean that, | 0:38:21 | 0:38:24 | |
for most of these businesses, | 0:38:24 | 0:38:26 | |
the only way to get their goods to their customers is by rail. | 0:38:26 | 0:38:31 | |
Here's how it works for one of those businessmen. | 0:38:31 | 0:38:34 | |
I'm Nisarg Chheda. I'm working in Rangeela Brothers. | 0:38:35 | 0:38:39 | |
We are wholesalers of fashion jewellery. | 0:38:39 | 0:38:42 | |
Those are the earrings. Stone earrings. | 0:38:42 | 0:38:45 | |
The customer looking for all the pieces over there... | 0:38:46 | 0:38:50 | |
When she finalises it, then we'll make a bill | 0:38:50 | 0:38:53 | |
and cart it to the final shipment. | 0:38:53 | 0:38:56 | |
This is the bill of the customer. | 0:38:56 | 0:38:58 | |
In this, from number 37 till number 42, | 0:38:58 | 0:39:01 | |
all of these pieces are in this box. | 0:39:01 | 0:39:04 | |
We get customers from all over India and all over the world. | 0:39:04 | 0:39:08 | |
Since past six to seven months, | 0:39:08 | 0:39:09 | |
online business has come in and we are just trying to | 0:39:09 | 0:39:12 | |
go in the online part also and keep on track with our customers. | 0:39:12 | 0:39:16 | |
In India, all types of business uses the railways. | 0:39:20 | 0:39:24 | |
Only 90% of the goods are parcelled from the railways, | 0:39:24 | 0:39:27 | |
like maybe fashion jewellery, maybe for watches, | 0:39:27 | 0:39:31 | |
maybe for textiles, dresses... Each and everything. | 0:39:31 | 0:39:35 | |
All these are final cartons, packed cartons. | 0:39:35 | 0:39:38 | |
And then Monday, our labourer will come and collect it. | 0:39:38 | 0:39:41 | |
We ship out around 15 to 20 parcels in a day. | 0:39:43 | 0:39:48 | |
That might exceed to 40 or 50 parcels a day. | 0:39:48 | 0:39:50 | |
MAN YELLS | 0:39:50 | 0:39:53 | |
We have six to seven labourers that work only for us, | 0:39:53 | 0:39:55 | |
for our three companies. | 0:39:55 | 0:39:57 | |
This is for the parcels to get collected from the shop. | 0:39:57 | 0:40:00 | |
They carry 15 or 20 parcels on their trolley. | 0:40:00 | 0:40:03 | |
There are many trains going in all the cities, | 0:40:05 | 0:40:08 | |
railways go in each and every corner of India. | 0:40:08 | 0:40:11 | |
We use it on a massive scale just because it is quick | 0:40:11 | 0:40:14 | |
and it is safe also than other transports, | 0:40:14 | 0:40:18 | |
because by air, it is too costly and by roadway, it is too slow. | 0:40:18 | 0:40:22 | |
There are four to five trains in a day that goes to Delhi, | 0:40:25 | 0:40:28 | |
so if another customer from Delhi says, | 0:40:28 | 0:40:31 | |
"I wanted parcel right now," we can ship it in the evening also. | 0:40:31 | 0:40:34 | |
The train has roughly around seven to eight bogies of goods only. | 0:40:41 | 0:40:47 | |
So roughly around 70 to 80 cartons can be packed in one bogey, | 0:40:49 | 0:40:53 | |
so that brings around 400, 500 parcels a day in one train. | 0:40:53 | 0:40:57 | |
Railways are very important because if the railways don't work | 0:40:59 | 0:41:03 | |
for one day, my business will be shut for that entire day. | 0:41:03 | 0:41:05 | |
TRAIN HORN BLOWS | 0:41:08 | 0:41:11 | |
This is the goods sorting area at CST. | 0:41:14 | 0:41:16 | |
Packages come in here from all over the city, ready to be shipped out. | 0:41:16 | 0:41:20 | |
Now, there are 60 porters who work here 24 hours a day, | 0:41:20 | 0:41:24 | |
shifting all these bags, sorting them out, | 0:41:24 | 0:41:26 | |
making sure they get to their right destination. | 0:41:26 | 0:41:28 | |
As you can see, they're fairly big, most of these packages. | 0:41:28 | 0:41:31 | |
And you may have noticed, there's no forklift trucks around. | 0:41:31 | 0:41:34 | |
All of this movement is done manually. | 0:41:34 | 0:41:36 | |
And when you see the size and the weight of these packages, | 0:41:36 | 0:41:39 | |
it's quite extraordinary that's how they work. | 0:41:39 | 0:41:41 | |
Now, all of them, as you can see, not all of them | 0:41:41 | 0:41:43 | |
but a lot of them, are sewn into the same wrapping material. | 0:41:43 | 0:41:46 | |
They are hand-sewn into this material. | 0:41:46 | 0:41:48 | |
And that is mainly to anonymise them, so that, say, this bag here | 0:41:48 | 0:41:52 | |
could be 10,000 pairs of socks | 0:41:52 | 0:41:54 | |
and this package here could be expensive jewellery, | 0:41:54 | 0:41:57 | |
but nobody knows the difference and that reduces pilfering. | 0:41:57 | 0:42:00 | |
Of course, it's not just packages like this, | 0:42:00 | 0:42:02 | |
all kinds of things get shipped around the country. | 0:42:02 | 0:42:05 | |
Goats - not this dog, he just lives here - | 0:42:05 | 0:42:09 | |
there's a chair over there, fridges, motorbikes, all sorts of things. | 0:42:09 | 0:42:12 | |
And every now and then you can really tell what is in the packages | 0:42:12 | 0:42:15 | |
even though it doesn't necessarily say on the outside. | 0:42:15 | 0:42:17 | |
For instance, I'm very confident that in these packages | 0:42:17 | 0:42:20 | |
there's a large amount of fish. | 0:42:20 | 0:42:22 | |
That is basically information that's going in through my nose. | 0:42:22 | 0:42:25 | |
That is quite an intense smell there. | 0:42:25 | 0:42:27 | |
And, of course, this is perishable products, | 0:42:27 | 0:42:29 | |
this needs to be shipped out as quickly as possible. | 0:42:29 | 0:42:32 | |
You don't really want to open a package with week-old fish | 0:42:32 | 0:42:34 | |
just as you don't want to open a package with week-old newspapers. | 0:42:34 | 0:42:37 | |
So, they have to get them there on time. | 0:42:37 | 0:42:39 | |
Now, to send a package like this it costs about £2 for 30kg. | 0:42:39 | 0:42:45 | |
That's fairly cheap and it's a vital part of Mumbai business. | 0:42:45 | 0:42:48 | |
If you want to send it by air, | 0:42:48 | 0:42:50 | |
the same package would cost you ten times more than that. | 0:42:50 | 0:42:53 | |
Rail is a cheap and efficient way to send goods around this vast country. | 0:42:54 | 0:42:59 | |
Although most of India's freight doesn't travel on passenger trains like these. | 0:42:59 | 0:43:03 | |
But enormous dedicated freight trains. | 0:43:04 | 0:43:07 | |
Rail freight brings in £12 billion each year for the Indian government. | 0:43:08 | 0:43:13 | |
There's no question that freight makes a huge contribution to Indian Railways. | 0:43:15 | 0:43:18 | |
I'm lucky enough to be joined now by Mr Nigam | 0:43:18 | 0:43:21 | |
who is the divisional railway manager here. | 0:43:21 | 0:43:23 | |
He used to run this station until early 2015. Thanks for joining us. | 0:43:23 | 0:43:27 | |
Just how important is freight for Indian Railways? | 0:43:27 | 0:43:29 | |
Freight contributes for 70% of our revenues. | 0:43:29 | 0:43:32 | |
So freight is extremely important. | 0:43:32 | 0:43:34 | |
We run about 18,000 trains every day, | 0:43:34 | 0:43:37 | |
out of which about 12,500 are passenger carrying trains | 0:43:37 | 0:43:40 | |
and 6,000 trains are running | 0:43:40 | 0:43:42 | |
and using the same infrastructure as that of the passenger trains. | 0:43:42 | 0:43:46 | |
-Does that help to subsidise the passenger travel? -It does. | 0:43:46 | 0:43:49 | |
In fact, as 70% of revenues are coming from freight traffic, | 0:43:49 | 0:43:54 | |
these revenues are... | 0:43:54 | 0:43:55 | |
subsidising the losses that we are making in the passenger traffic. | 0:43:55 | 0:43:59 | |
The importance of freight on Indian Railways is immense. | 0:43:59 | 0:44:03 | |
And what are the main things that these freight trains are carrying? | 0:44:03 | 0:44:07 | |
Predominately it carries coal and... | 0:44:07 | 0:44:10 | |
other commodities like, I don't know, iron and steel. | 0:44:10 | 0:44:14 | |
We are also carrying fertilisers. | 0:44:14 | 0:44:16 | |
I mean, it shows, interestingly, cos, of course, | 0:44:16 | 0:44:18 | |
the history of the Indian Railways was exploiting the interior, | 0:44:18 | 0:44:22 | |
bringing those goods out from the heart of India to the coastal ports. | 0:44:22 | 0:44:26 | |
-And Indian Railways are still doing that job today. -You are very right. | 0:44:26 | 0:44:29 | |
In fact, most of our power generation | 0:44:29 | 0:44:32 | |
is coal-based or thermal-based | 0:44:32 | 0:44:34 | |
and coal is produced in the east whereas most of our thermal plants, | 0:44:34 | 0:44:40 | |
thermal power plants, are located in the north and the east. | 0:44:40 | 0:44:43 | |
So for the generation of electricity, the role of Indian Railways | 0:44:43 | 0:44:47 | |
and the freight traffic in particular is extremely important. | 0:44:47 | 0:44:50 | |
So your trains are literally keeping the lights on, | 0:44:50 | 0:44:53 | |
-they're powering this economic miracle that's going on in India? -Yes. | 0:44:53 | 0:44:57 | |
Thank you very much, Mr Nigam. Fascinating stuff. | 0:44:57 | 0:44:59 | |
Now, no trains, passenger or freight, | 0:44:59 | 0:45:01 | |
are going anywhere without a very important group of people - | 0:45:01 | 0:45:04 | |
the drivers. | 0:45:04 | 0:45:05 | |
In fact, they're so important that their salary is about seven times | 0:45:05 | 0:45:09 | |
the average salary here in Mumbai. | 0:45:09 | 0:45:11 | |
430km north-east of Mumbai is the Bhusawal Railway Training Institute. | 0:45:15 | 0:45:21 | |
This is one of nine schools spread across the country | 0:45:26 | 0:45:29 | |
where students learn to pilot trains. | 0:45:29 | 0:45:31 | |
The 1,200 students learn about locomotion controls | 0:45:35 | 0:45:38 | |
and signalling systems. | 0:45:38 | 0:45:39 | |
HORN BLARES | 0:45:41 | 0:45:42 | |
As well as the practical mechanics of locomotives. | 0:45:46 | 0:45:49 | |
HE SPEAKS IN HIS OWN LANGUAGE | 0:45:49 | 0:45:51 | |
Entry requirements are A-level equivalent | 0:45:54 | 0:45:57 | |
and it takes a minimum of 12 years of classroom lessons | 0:45:57 | 0:46:01 | |
and on-the-job experience before freshers students | 0:46:01 | 0:46:04 | |
can pilot a passenger train on their own. | 0:46:04 | 0:46:07 | |
But once they are fully qualified, | 0:46:09 | 0:46:11 | |
they can look forward to a salary of around £7,000. | 0:46:11 | 0:46:14 | |
I'm being given some accelerated private lessons. | 0:46:18 | 0:46:21 | |
First, it's signalling. | 0:46:21 | 0:46:23 | |
School principal Mr Krishnan is guiding me through | 0:46:24 | 0:46:27 | |
the basics on this rather fantastic model. | 0:46:27 | 0:46:31 | |
This is an accurate representation of the trains in Mumbai? | 0:46:31 | 0:46:35 | |
This is a miniature version of the EMU trains that run in Mumbai. | 0:46:35 | 0:46:38 | |
Responding correctly to signals is essential for loco drivers | 0:46:42 | 0:46:46 | |
because the stopping distances of trains are enormous. | 0:46:46 | 0:46:49 | |
To bring a 1,500 tonne long-distance passenger train | 0:46:51 | 0:46:56 | |
to a stop can take over 1km. | 0:46:56 | 0:46:58 | |
The signals are just like traffic lights on roads. | 0:47:00 | 0:47:03 | |
Green means go, | 0:47:04 | 0:47:06 | |
red means stop | 0:47:06 | 0:47:08 | |
and yellow slow down. | 0:47:08 | 0:47:10 | |
All simple enough but I'm also expected to understand | 0:47:13 | 0:47:16 | |
the theory behind signal control - | 0:47:16 | 0:47:19 | |
automatic block system. | 0:47:19 | 0:47:21 | |
The normal aspect of the signal is green. | 0:47:22 | 0:47:26 | |
As the train approaches the signal the driver knows that he has | 0:47:26 | 0:47:31 | |
to pass with the normal speed. | 0:47:31 | 0:47:34 | |
As he passes the signal, the aspect of the signal return to red | 0:47:34 | 0:47:40 | |
and will not allow the subsequent train | 0:47:40 | 0:47:44 | |
to enter this signalling section. | 0:47:44 | 0:47:46 | |
Right, so then if I was coming in the train behind that one, | 0:47:46 | 0:47:49 | |
this is what I would see, then. These signals. | 0:47:49 | 0:47:52 | |
The yellow light, it indicates to the driver you should be ready | 0:47:52 | 0:47:56 | |
to stop at the next signal which is red. | 0:47:56 | 0:47:59 | |
So, as you see here, | 0:48:00 | 0:48:02 | |
the signals are controlled by the movement of the train. | 0:48:02 | 0:48:05 | |
Right. | 0:48:05 | 0:48:06 | |
To allow a very high frequency of trains to run on the tracks | 0:48:13 | 0:48:17 | |
around CST, the distance between them can be as little as 400 metres. | 0:48:17 | 0:48:21 | |
It's imperative that drivers obey the signals. | 0:48:24 | 0:48:27 | |
So, if a driver ignores the red signal and keeps on going, what happens then? | 0:48:28 | 0:48:33 | |
If you pass the signal at red, the auxiliary warning system will | 0:48:33 | 0:48:36 | |
automatically apply brakes and put your train to halt. | 0:48:36 | 0:48:40 | |
Passing a red light can be, however, a sackable offence. | 0:48:41 | 0:48:45 | |
The next step is to learn how to control a locomotive. | 0:48:50 | 0:48:54 | |
Thankfully, this isn't on the real thing. | 0:48:54 | 0:48:57 | |
The school has a hi-tech diesel engine simulator. | 0:48:57 | 0:49:01 | |
It has hydraulics to mimic the physical sensations of driving | 0:49:01 | 0:49:05 | |
and a video screen showing exactly what the driver sees. | 0:49:05 | 0:49:09 | |
This is the train driving stimulator. | 0:49:09 | 0:49:11 | |
I will show you how to drive the train. | 0:49:11 | 0:49:13 | |
My instructor, Muhammad, is confident | 0:49:13 | 0:49:15 | |
I can master the complicated looking controls quickly. | 0:49:15 | 0:49:19 | |
-This is the driving seat. -The driving seat! And there's the... | 0:49:19 | 0:49:22 | |
-There's the track! -Yeah. These are the brakes. | 0:49:22 | 0:49:24 | |
-This brake is for train. -Right. | 0:49:26 | 0:49:28 | |
This is the independent brake only for the locomotive. | 0:49:28 | 0:49:31 | |
-So this is for the whole train? -Yeah, yeah. | 0:49:31 | 0:49:34 | |
-And this is throttle. -Throttle. -To accelerate the train. | 0:49:34 | 0:49:38 | |
-At present, signal is? -Red. -Red. OK, as soon as the signal... | 0:49:38 | 0:49:42 | |
-Signal is now green. -Now it's green, now you can start. | 0:49:42 | 0:49:44 | |
First you have to? Press the horn. | 0:49:44 | 0:49:46 | |
HORN BLARES | 0:49:46 | 0:49:48 | |
When we start from the station, public should know, | 0:49:48 | 0:49:50 | |
so for their purpose we are sounding the horn. | 0:49:50 | 0:49:53 | |
-Now you release the brakes. -Now we release the brakes. -Release. | 0:49:53 | 0:49:56 | |
Oh, there we go. | 0:49:56 | 0:49:58 | |
-How about it! -Now it's moving. -We're moving! -Yeah. You can see? | 0:49:59 | 0:50:04 | |
Yes. | 0:50:04 | 0:50:05 | |
-So, it's very gentle. -The passengers sitting inside... | 0:50:05 | 0:50:08 | |
-They don't want to be thrown around. -..they should not feel a jerk. | 0:50:08 | 0:50:11 | |
'This kind of train has a maximum speed of 110km per hour.' | 0:50:11 | 0:50:17 | |
-We are running at a speed of 58km. -58km. | 0:50:17 | 0:50:20 | |
You have to watch the track, | 0:50:21 | 0:50:24 | |
you have to watch the signals as well as the...? | 0:50:24 | 0:50:27 | |
-Speed. -Speed. | 0:50:27 | 0:50:28 | |
'It's all rather overwhelming | 0:50:30 | 0:50:32 | |
'and there are also the complicated gauges to keep my eye on, as well. | 0:50:32 | 0:50:36 | |
'These monitor brake pressure and engine power.' | 0:50:36 | 0:50:39 | |
-We're coming up to a station now. -Now we are going through a station. | 0:50:39 | 0:50:42 | |
-Then that's when we have to sound... -OK. | 0:50:42 | 0:50:44 | |
HORN BLARES | 0:50:44 | 0:50:46 | |
So it is a warning for them to move away from the track. | 0:50:46 | 0:50:49 | |
So, if I did need to stop now... | 0:50:49 | 0:50:51 | |
-First you have to decelerate this. -So you go right to idle there. | 0:50:51 | 0:50:55 | |
-Then you can apply the brakes. -And this is the train brakes? | 0:50:55 | 0:50:57 | |
This is the train brake. | 0:50:57 | 0:50:59 | |
When you are applying the brakes the pressure is reduced. | 0:50:59 | 0:51:03 | |
Initially, it was up to 5kg. Now it has come down to 4kg. | 0:51:03 | 0:51:07 | |
-You are applying the brake of 1kg. -Right. | 0:51:07 | 0:51:11 | |
'It's all pretty intense.' | 0:51:11 | 0:51:13 | |
Must keep an eye on the speed, another train coming the other way. | 0:51:13 | 0:51:16 | |
So it's pretty constant the things you have to do. | 0:51:16 | 0:51:18 | |
HORN BLARES | 0:51:18 | 0:51:19 | |
You're not just sitting here. | 0:51:19 | 0:51:21 | |
Because you're not steering, you know, you don't do steering | 0:51:22 | 0:51:26 | |
but you have to really keep an eye on what's going on all the time. | 0:51:26 | 0:51:30 | |
-We're on idle. -HIGH-PITCHED BEEPING | 0:51:32 | 0:51:34 | |
Everything's good. | 0:51:34 | 0:51:36 | |
That is really difficult. That isn't... | 0:51:38 | 0:51:40 | |
It felt really simple to start with until it got really difficult | 0:51:40 | 0:51:44 | |
and then it proved to be very difficult. | 0:51:44 | 0:51:46 | |
I'm beginning to understand quite how much there is to learn | 0:51:48 | 0:51:52 | |
and why it takes 12 years to qualify as a passenger train driver. | 0:51:52 | 0:51:56 | |
Well, that was my first go in the simulator | 0:51:59 | 0:52:01 | |
and it might have looked really easy, you know, | 0:52:01 | 0:52:03 | |
just sitting there, pull a couple of levers, sound the horn, off you go, | 0:52:03 | 0:52:06 | |
but it requires an enormous amount of concentration and focus. | 0:52:06 | 0:52:09 | |
There's so many things going on when you're a train driver. | 0:52:09 | 0:52:12 | |
I did get to have a go on my own | 0:52:12 | 0:52:13 | |
and eventually have a go in a real locomotive | 0:52:13 | 0:52:16 | |
and that's coming up in the next programme. | 0:52:16 | 0:52:18 | |
But right now, here at CST long-distance departure concourse, | 0:52:18 | 0:52:22 | |
you can see that the time has just gone three o'clock in the afternoon. | 0:52:22 | 0:52:25 | |
There, up on the departure board, are all the trains | 0:52:25 | 0:52:27 | |
that are leaving in the next couple of hours. | 0:52:27 | 0:52:30 | |
All around me are people waiting for the trains. | 0:52:30 | 0:52:32 | |
Now they arrive here hours and hours early, all sorts of people, | 0:52:32 | 0:52:36 | |
and they arrive here early because they want to make sure | 0:52:36 | 0:52:39 | |
they get a seat on the trains. There's a bit of a rush | 0:52:39 | 0:52:41 | |
when the train comes in | 0:52:41 | 0:52:42 | |
and all these people are going all over India. | 0:52:42 | 0:52:44 | |
Some really, really long journeys they're going to be going on. | 0:52:44 | 0:52:47 | |
They're going to visit relatives, friends and family. | 0:52:47 | 0:52:50 | |
There's some people on business trips, | 0:52:50 | 0:52:51 | |
there's people on religious pilgrimages, | 0:52:51 | 0:52:53 | |
and they're all waiting in here in the noise and chaos of CST. | 0:52:53 | 0:52:57 | |
It's absolutely extraordinary and over and above all this noise | 0:52:57 | 0:53:00 | |
and movement, there is this constant supply of announcements | 0:53:00 | 0:53:03 | |
and they are coming from the announcer's office | 0:53:03 | 0:53:06 | |
which is up there. | 0:53:06 | 0:53:08 | |
Everyone up here is hard at work making sure the passengers | 0:53:08 | 0:53:11 | |
have all the information they require for their trains. | 0:53:11 | 0:53:14 | |
This here is the all-important train management system. | 0:53:14 | 0:53:18 | |
It's a live link from the control room. | 0:53:18 | 0:53:20 | |
They're seeing exactly what they're seeing in the control room. | 0:53:20 | 0:53:23 | |
We've got platforms number 18 all the way to 11 | 0:53:23 | 0:53:27 | |
and these red lines denote that there is a train in the platform. | 0:53:27 | 0:53:30 | |
This one has just set off. This is Sushma. | 0:53:30 | 0:53:33 | |
She has the all-important job of making the announcements. | 0:53:33 | 0:53:36 | |
I will let you into a little secret. They're pre-recorded. | 0:53:36 | 0:53:39 | |
So let's see how we make them go live. | 0:53:39 | 0:53:42 | |
So Sushma-ji, please show me how you punch in some numbers | 0:53:42 | 0:53:45 | |
and do what you do. | 0:53:45 | 0:53:46 | |
Every train has a number, they appear on the PC only. | 0:53:46 | 0:53:50 | |
We just feed that number... | 0:53:50 | 0:53:53 | |
-1140. -No, 16381. -OK. So basic... | 0:53:54 | 0:54:01 | |
Wait one second. Don't press that button. Let's explain it. | 0:54:01 | 0:54:03 | |
16381, that is... | 0:54:03 | 0:54:05 | |
The corresponding number is on the board | 0:54:05 | 0:54:07 | |
outside in the departures lounge so all the passengers can see it. | 0:54:07 | 0:54:11 | |
It says Kanyakumari Express. | 0:54:11 | 0:54:13 | |
It's due to depart from platform nine at 15.45. | 0:54:13 | 0:54:17 | |
Kanyakumari is right at the tip of India, the very bottom point, | 0:54:17 | 0:54:20 | |
so why don't we make it go live? | 0:54:20 | 0:54:22 | |
-Let's press that button. -Just press enter. | 0:54:22 | 0:54:25 | |
TANNOY ANNOUNCEMENT IS MADE | 0:54:25 | 0:54:26 | |
Every announcement is made in English, Hindi | 0:54:29 | 0:54:32 | |
and the local language, Marathi. | 0:54:32 | 0:54:34 | |
'..from Mumbai, the Kanyakumari Express | 0:54:34 | 0:54:37 | |
'will leave from platform number nine at 3.45.' | 0:54:37 | 0:54:41 | |
When you're down the platform, it's very difficult to understand, | 0:54:41 | 0:54:44 | |
-but in here that was quite clear. -Yes. | 0:54:44 | 0:54:46 | |
Now, sometimes, believe it or not, things can go wrong, | 0:54:46 | 0:54:49 | |
-can't they, Sushma? -Yes. -Sometimes you have delays. | 0:54:49 | 0:54:52 | |
Yes, sometimes we have delays. | 0:54:52 | 0:54:54 | |
And when that happens they have the option here to override | 0:54:54 | 0:54:57 | |
the system and make a live announcement. | 0:54:57 | 0:55:00 | |
I'm very excited because Robert Llewellyn got to drive | 0:55:00 | 0:55:03 | |
a train in India and I also get to live out a dream | 0:55:03 | 0:55:07 | |
and make an announcement in a train station in Mumbai. | 0:55:07 | 0:55:10 | |
So let's check the board, Sushma. Are there any delays? | 0:55:10 | 0:55:14 | |
-No, there is no delay today. All the trains are coming today. -No delays? | 0:55:14 | 0:55:19 | |
-No delay. Today is a beautiful day. -Today is a beautiful day. | 0:55:19 | 0:55:22 | |
-What a wonderful thing. -Wonderful. | 0:55:22 | 0:55:24 | |
So I get to make a positive announcement. | 0:55:24 | 0:55:26 | |
Do I go for broad Yorkshire? Probably not. | 0:55:26 | 0:55:29 | |
-So, I hit the mic button. -Yes, mic. -Shall we do this? | 0:55:29 | 0:55:32 | |
Here we go. | 0:55:32 | 0:55:33 | |
'Good afternoon, ladies and gentlemen, | 0:55:35 | 0:55:37 | |
'in the departures lounge of the Chhatrapati Shivaji Terminus.' | 0:55:37 | 0:55:44 | |
We are delighted to announce that there are currently no delays | 0:55:44 | 0:55:47 | |
to any of our services so please have a wonderful journey | 0:55:47 | 0:55:50 | |
and do remember to allow passengers off the train before boarding. | 0:55:50 | 0:55:54 | |
Thank you. | 0:55:54 | 0:55:56 | |
-Yes! -Yes. -Yes. -Good job. -Good job. Do I get a job? -Yeah. | 0:55:57 | 0:56:02 | |
Is there room for two of us up here? | 0:56:02 | 0:56:04 | |
-Yeah, yeah, sure, sure. -That was fun. | 0:56:04 | 0:56:07 | |
Announcing and all the other operations we've seen this time | 0:56:09 | 0:56:13 | |
are crucial here at CST, | 0:56:13 | 0:56:15 | |
part of the mechanics of this super-sized operation | 0:56:15 | 0:56:18 | |
and, without them, no-one would be going anywhere. | 0:56:18 | 0:56:22 | |
Wow! I mean, this station truly is amazing. | 0:56:23 | 0:56:25 | |
There were so many trains, so many people going through it and then so | 0:56:25 | 0:56:28 | |
much going on behind-the-scenes that the average passenger doesn't see. | 0:56:28 | 0:56:31 | |
I mean, I had no idea that up until very recently | 0:56:31 | 0:56:33 | |
they still washed the sheets by hand here. | 0:56:33 | 0:56:35 | |
Some hotels, Robert, still do. There's an entire area, | 0:56:35 | 0:56:39 | |
quite an incredible place in Mumbai | 0:56:39 | 0:56:41 | |
dedicated to hand-washing called Dhobhi Ghat. | 0:56:41 | 0:56:44 | |
The times are changing, we've seen that since we been here, | 0:56:44 | 0:56:46 | |
and it does feel like the railways are going to come under huge pressure | 0:56:46 | 0:56:49 | |
-from new technology. -Well, I mean, flights are increasing all the time, | 0:56:49 | 0:56:52 | |
internal flights in India | 0:56:52 | 0:56:54 | |
getting very popular with the new middle-class. | 0:56:54 | 0:56:56 | |
I mean, you can fly from here to Delhi in two hours, cost you £70, | 0:56:56 | 0:57:00 | |
and it takes 16 hours on the train, so, you know, it makes sense. | 0:57:00 | 0:57:03 | |
Why don't you fly? | 0:57:03 | 0:57:04 | |
Well, millions of people do, because they can afford it, | 0:57:04 | 0:57:06 | |
but 55% of the population in this city still live in slums | 0:57:06 | 0:57:10 | |
and the average wage is £100 a month, | 0:57:10 | 0:57:13 | |
so you're not going to spend that on a flight, | 0:57:13 | 0:57:15 | |
-you're going to get the train. -Yes. | 0:57:15 | 0:57:16 | |
That's exactly the point. | 0:57:16 | 0:57:18 | |
There's that huge proportion of the Indian population | 0:57:18 | 0:57:20 | |
who do rely on cheap rail transport. | 0:57:20 | 0:57:22 | |
I don't think that's going to change that quickly. | 0:57:22 | 0:57:24 | |
Rail's been here for a long time. | 0:57:24 | 0:57:26 | |
It doesn't look like it's going anywhere in the short-term. | 0:57:26 | 0:57:28 | |
Definitely not. Well, there's still so much to learn | 0:57:28 | 0:57:31 | |
about this astonishing station. | 0:57:31 | 0:57:32 | |
Here's what we've got coming up next time. | 0:57:32 | 0:57:34 | |
Tonight, we've explored the long-distance operation at CST. | 0:57:36 | 0:57:40 | |
Tomorrow, we turn our attention to the suburban services. | 0:57:42 | 0:57:46 | |
We head back to the control room and witness | 0:57:47 | 0:57:49 | |
the pressures of getting Mumbai's commuters home on time. | 0:57:49 | 0:57:53 | |
Robert tries his hand at refurbishing a carriage... | 0:57:56 | 0:57:59 | |
Oh, I've gone off! Argh! | 0:57:59 | 0:58:02 | |
There we go. | 0:58:02 | 0:58:03 | |
..Anita checks out alternatives to rail travel... | 0:58:03 | 0:58:05 | |
Is this a new road? | 0:58:05 | 0:58:07 | |
-Yes, this is a new road. -This is the worst new road I've ever... | 0:58:07 | 0:58:10 | |
This is a new road. | 0:58:10 | 0:58:12 | |
..John Sergeant discovers how a silver ball | 0:58:12 | 0:58:14 | |
is the secret of safety on the line... | 0:58:14 | 0:58:17 | |
..and we reveal the station workers who only come out at night. | 0:58:18 | 0:58:22 | |
That's all still to come. | 0:58:23 | 0:58:26 | |
-Thanks the joining us here in Mumbai. Goodbye. -Bye. -Bye-bye. | 0:58:26 | 0:58:29 |