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This week, we are plunging you into the chaotic | 0:00:03 | 0:00:06 | |
and exhilarating heart of the world's busiest railway. | 0:00:06 | 0:00:09 | |
Eight million passengers use these trains each day, | 0:00:11 | 0:00:14 | |
packed in more tightly than anywhere else on the planet. | 0:00:14 | 0:00:19 | |
Welcome to India. We are in the heart of Mumbai. | 0:00:19 | 0:00:22 | |
We're standing in front of one of the most famous | 0:00:22 | 0:00:25 | |
stations in the world, the Chhatrapati Shivaji Terminus, | 0:00:25 | 0:00:29 | |
known affectionately by the locals as CST. | 0:00:29 | 0:00:31 | |
This really is a station running to the limits of what's possible. | 0:00:31 | 0:00:35 | |
This time, | 0:00:35 | 0:00:36 | |
we go behind the scenes of this incredible station to see how the | 0:00:36 | 0:00:39 | |
railway staff juggle the huge numbers of passengers, | 0:00:39 | 0:00:42 | |
the daily problems and, of course, those inevitable delays. | 0:00:42 | 0:00:46 | |
Here's what's coming up. | 0:00:46 | 0:00:48 | |
Over four programmes, we're revealing the organisational | 0:00:48 | 0:00:51 | |
wonders of this super-sized transport operation. | 0:00:51 | 0:00:54 | |
Tonight, we'll show you the side of the station passengers don't | 0:00:56 | 0:01:00 | |
get to see, | 0:01:00 | 0:01:02 | |
we witness a crisis in the control room... | 0:01:02 | 0:01:04 | |
..and discover the secret station workers who only come out at night. | 0:01:08 | 0:01:12 | |
Robert's unpacking the feats of engineering that keep this | 0:01:15 | 0:01:18 | |
place on track. Tonight, he visits a city-sized repair depot. | 0:01:18 | 0:01:23 | |
Everywhere you look, there's someone under a train, on a train, | 0:01:23 | 0:01:27 | |
in a train, it's just extraordinary. | 0:01:27 | 0:01:28 | |
Anita's checking out what life's like for Mumbai's commuters. | 0:01:30 | 0:01:34 | |
Now, that is an unique experience. | 0:01:34 | 0:01:36 | |
Tonight, she heads onto the roads of this crowded city. | 0:01:38 | 0:01:41 | |
-Is this a new road? -It's a new road, yes. | 0:01:41 | 0:01:45 | |
It's the worst new road I've ever... | 0:01:45 | 0:01:47 | |
And John Sergeant continues his exploration of the history | 0:01:49 | 0:01:52 | |
of Indian railways. | 0:01:52 | 0:01:54 | |
He discovers how a silver ball keeps passengers safe. | 0:01:54 | 0:01:59 | |
-Ah, we've got... -HE LAUGHS | 0:01:59 | 0:02:01 | |
Welcome to the world's busiest railway. | 0:02:03 | 0:02:06 | |
Mumbai is India's economic powerhouse, and this station, | 0:02:26 | 0:02:30 | |
CST, is the engine that drives it, | 0:02:30 | 0:02:33 | |
bringing commuters from the northern suburbs down to the southern | 0:02:33 | 0:02:37 | |
business district to work. | 0:02:37 | 0:02:39 | |
This station runs passenger trains 365 days a year, | 0:02:42 | 0:02:46 | |
21 hours a day, and for six of those hours, during the morning | 0:02:46 | 0:02:49 | |
and evening peak periods, the trains are so packed, they've come | 0:02:49 | 0:02:53 | |
up with a descriptive term for it - | 0:02:53 | 0:02:55 | |
it's called "super dense crush load". | 0:02:55 | 0:02:57 | |
And it's very apt. When you're on one of those trains, | 0:02:57 | 0:03:00 | |
it really does feel like the air is being crushed out of your body. | 0:03:00 | 0:03:04 | |
And the reason it's so busy? Well, it's a numbers game. | 0:03:04 | 0:03:07 | |
Mumbai grew incredibly fast as a city and now | 0:03:07 | 0:03:10 | |
eight million journeys are made on this rail network every working day. | 0:03:10 | 0:03:14 | |
And the railways are desperately trying to keep up with those figures. | 0:03:14 | 0:03:17 | |
They've scheduled more trains, they've made every train a third | 0:03:17 | 0:03:20 | |
longer and they are still trying to increase that capacity even more. | 0:03:20 | 0:03:23 | |
The trouble is, there's so little room for manoeuvre. | 0:03:23 | 0:03:26 | |
The controllers are responsible for getting these trains | 0:03:26 | 0:03:29 | |
in and out of these stations in the morning and the evening, | 0:03:29 | 0:03:32 | |
desperately juggle the schedule and space to try and ensure they don't | 0:03:32 | 0:03:36 | |
risk making hundreds of thousands of commuters very angry indeed. | 0:03:36 | 0:03:39 | |
Between five and eight o'clock at night, | 0:03:43 | 0:03:46 | |
all Mumbai's 5.5 million rail commuters care about is getting home. | 0:03:46 | 0:03:50 | |
The station is hot and very crowded. | 0:03:52 | 0:03:55 | |
Passengers are tired and need their trains to be on time. | 0:03:55 | 0:03:59 | |
We sent our cameras up into the nerve centre of the station, | 0:04:02 | 0:04:07 | |
the control room, just as rush hour was gearing up one evening, | 0:04:07 | 0:04:11 | |
to see how the controllers deal with this high-pressure part of the day. | 0:04:11 | 0:04:16 | |
Our guide is section controller Sachin Katika. | 0:04:16 | 0:04:19 | |
It's a very big responsibility we are having on our shoulder. | 0:04:19 | 0:04:22 | |
We have to take the decisions very cool and calmly. | 0:04:22 | 0:04:25 | |
We are doing our best and hoping for the best. | 0:04:25 | 0:04:29 | |
It's coming up to five o'clock. | 0:04:29 | 0:04:31 | |
Trains are running just 40 seconds apart. | 0:04:31 | 0:04:35 | |
And at the moment, the control team are responsible for more | 0:04:35 | 0:04:39 | |
than 60 trains on the lines in and out of the station. | 0:04:39 | 0:04:43 | |
There's so much traffic that the controllers must | 0:04:43 | 0:04:46 | |
rely on a computerised system to tell them where every train is. | 0:04:46 | 0:04:50 | |
This enormous board is a live | 0:04:50 | 0:04:52 | |
map of the tracks across 53km of Greater Mumbai. | 0:04:52 | 0:04:56 | |
The red dots indicate that a train is occupying the platform. See? | 0:04:56 | 0:05:01 | |
There is the one train on platform 15. | 0:05:01 | 0:05:03 | |
And the green dots, which are moving right now, | 0:05:03 | 0:05:06 | |
they show that a train is moving. | 0:05:06 | 0:05:08 | |
But when something goes wrong, | 0:05:08 | 0:05:10 | |
it's down to the skills of the controller to put it right. | 0:05:10 | 0:05:14 | |
So far, everything is running smoothly. | 0:05:16 | 0:05:19 | |
Trains are arriving and departing on time. | 0:05:19 | 0:05:22 | |
But almost 50,000 people are moving through the station when controllers | 0:05:22 | 0:05:27 | |
learn of a problem that could bring the whole system to a grinding halt. | 0:05:27 | 0:05:32 | |
There's a broken-down train sitting on the tracks, blocking | 0:05:43 | 0:05:46 | |
the high-speed route into Mumbai, and services are stacking up behind it. | 0:05:46 | 0:05:51 | |
These are the trains that commuters are waiting for at the station. | 0:05:51 | 0:05:55 | |
If they can't get into CST, | 0:05:55 | 0:05:57 | |
then the whole evening schedule will be delayed. | 0:05:57 | 0:06:00 | |
This could spell disaster for tonight's rush hour. | 0:06:00 | 0:06:04 | |
The controllers need to act quickly | 0:06:05 | 0:06:07 | |
and find a way to get trains into the station. | 0:06:07 | 0:06:10 | |
If a train has been delayed for 10, 15 minutes, all the things goes up. | 0:06:12 | 0:06:16 | |
It's the evening peak. | 0:06:16 | 0:06:19 | |
And a lot of passengers waiting for a train. | 0:06:19 | 0:06:22 | |
So if anything gets delayed, | 0:06:22 | 0:06:24 | |
then it's not a good thing for the people of India. | 0:06:24 | 0:06:29 | |
Chief controller for suburban punctuality Akhilesh Prasad, and his | 0:06:34 | 0:06:38 | |
team rely on their intimate knowledge of the complex mesh of tracks | 0:06:38 | 0:06:42 | |
to work out a diversion route. | 0:06:42 | 0:06:44 | |
Karjat 36, the first train behind the blockage, is the priority. | 0:06:55 | 0:06:59 | |
It's diverted onto a parallel line and back onto its original route | 0:06:59 | 0:07:03 | |
and Vidyavihar Station. | 0:07:03 | 0:07:05 | |
The remaining blocked trains are also sent this way. | 0:07:05 | 0:07:08 | |
We are diverting the trains and we are cancelling some locals, | 0:07:16 | 0:07:19 | |
so that...to maintain the punctuality of peak. | 0:07:19 | 0:07:22 | |
But this is only a temporary fix. | 0:07:25 | 0:07:27 | |
The train with the suspected fire on board is still blocking the line. | 0:07:27 | 0:07:32 | |
It's a small incident with the potential to have a big impact. | 0:07:39 | 0:07:43 | |
If controllers don't get the train off the line and the flow | 0:07:43 | 0:07:46 | |
of traffic back to normal, Mumbai's commuters will face long delays. | 0:07:46 | 0:07:50 | |
It takes 40 minutes to get the damaged train off the main line | 0:07:58 | 0:08:01 | |
and into a siding. | 0:08:01 | 0:08:04 | |
An event like this could have brought CST to a standstill, | 0:08:04 | 0:08:07 | |
but the quick-thinking controllers have averted disaster. | 0:08:07 | 0:08:11 | |
Here it was. This is the section. | 0:08:13 | 0:08:16 | |
Vikhroli. It was delayed. And now it is moving. | 0:08:16 | 0:08:20 | |
Now the line is clear, trains can revert to their pre-planned routes | 0:08:20 | 0:08:24 | |
and the flow of trains into and back out of CST can run on schedule. | 0:08:24 | 0:08:28 | |
On the platforms, passengers are unaware that the controllers | 0:08:34 | 0:08:38 | |
have ensured they all get home on time tonight. | 0:08:38 | 0:08:41 | |
The control team breathe a sigh of relief. | 0:08:46 | 0:08:48 | |
It's under control and everything has been manageable, | 0:08:50 | 0:08:54 | |
and punctuality is up to the mark. | 0:08:54 | 0:08:57 | |
And there is no delay so far. | 0:08:57 | 0:09:00 | |
Everything is under control. | 0:09:00 | 0:09:01 | |
Rush hour is back on track. | 0:09:04 | 0:09:06 | |
So, the man in charge of the control room | 0:09:10 | 0:09:13 | |
is the senior divisional manager, KN Singh. | 0:09:13 | 0:09:16 | |
Mr Singh, from an outsider's point of view, it does | 0:09:16 | 0:09:18 | |
look like you're working absolutely at the limit of what is possible. | 0:09:18 | 0:09:22 | |
-Absolutely. -Would that be a fair assessment? | 0:09:22 | 0:09:25 | |
Absolutely, a fair assessment. | 0:09:25 | 0:09:27 | |
In peak hours, we are running with 100% capacity. | 0:09:27 | 0:09:29 | |
There is hardly any chance to add anything or to leave anything | 0:09:29 | 0:09:34 | |
-and there's no chance of any error. -Right. | 0:09:34 | 0:09:36 | |
And everyone that works here knows they've got to get the train | 0:09:36 | 0:09:39 | |
-there on time? -Everyone, all my technical team, | 0:09:39 | 0:09:41 | |
as well as those who are manning the team, they all are absolutely | 0:09:41 | 0:09:45 | |
working for the system to run at 100% punctuality. | 0:09:45 | 0:09:48 | |
So, what are your punctuality rates here? | 0:09:48 | 0:09:50 | |
We are having around 90%, 90% punctuality we are maintaining, | 0:09:51 | 0:09:56 | |
but in peak hours, that is the morning and evening peak, | 0:09:56 | 0:09:59 | |
-we do achieve 95-plus% of punctuality. -That's pretty amazing. | 0:09:59 | 0:10:03 | |
With the amount of trains that are coming in, it's extraordinary. | 0:10:03 | 0:10:06 | |
-We are trying to achieve 100%. -Right. | 0:10:06 | 0:10:08 | |
Trains must run on time with the kind of advancement | 0:10:08 | 0:10:11 | |
and signals and all the things... | 0:10:11 | 0:10:13 | |
In that film, | 0:10:13 | 0:10:15 | |
we saw a train that had actually broken down on one of the tracks | 0:10:15 | 0:10:18 | |
coming into the station, which clearly caused a bit of a problem. | 0:10:18 | 0:10:22 | |
What other problems do you face on a daily basis? | 0:10:22 | 0:10:25 | |
In such a big system, we have various types of failures, | 0:10:25 | 0:10:28 | |
like failures in train itself, which you saw. | 0:10:28 | 0:10:30 | |
There can be failure in old equipment, | 0:10:30 | 0:10:32 | |
there can be failure in track. | 0:10:32 | 0:10:34 | |
-There can be failure of signals. -Right. | 0:10:34 | 0:10:36 | |
So, there are various types of failure which can happen. | 0:10:36 | 0:10:39 | |
That is certainly something we do hear in the UK, signal failure - | 0:10:39 | 0:10:43 | |
you're sitting on a train and it's not moving - | 0:10:43 | 0:10:47 | |
but what is signal failure? | 0:10:47 | 0:10:49 | |
Signal failure is a generic term for a lot of failures with | 0:10:49 | 0:10:53 | |
the signals, like many times signal can go wrong. It can just go off. | 0:10:53 | 0:10:58 | |
There can be failures in the points, | 0:10:58 | 0:11:00 | |
which will not be able to divert trains from one line to another, | 0:11:00 | 0:11:03 | |
from platform one to another, and those things. | 0:11:03 | 0:11:06 | |
-That could be a signal failure as well. -Yeah, yeah. | 0:11:06 | 0:11:08 | |
There are a lot of reasons for that. | 0:11:08 | 0:11:10 | |
There can be failures in the circuitry itself. | 0:11:10 | 0:11:13 | |
There can be failures in the cable. Sometimes, people may... | 0:11:13 | 0:11:16 | |
A theft take place and they take all the cables. | 0:11:16 | 0:11:19 | |
You've got a lot of wires joined to a lot of tracks... | 0:11:19 | 0:11:21 | |
A lot of wires, a lot of trains going to the point. | 0:11:21 | 0:11:24 | |
Yes. So, what is the kind of rate of failures on a sort of average day? | 0:11:24 | 0:11:29 | |
How many failures do you get like that? | 0:11:29 | 0:11:31 | |
It used to happen a lot, | 0:11:31 | 0:11:33 | |
but now we have control of signal failure at a large extent, but still | 0:11:33 | 0:11:37 | |
it is around five to six failures a day in our entire system. | 0:11:37 | 0:11:42 | |
In the Mumbai suburban system, it is still a cause of concern | 0:11:42 | 0:11:45 | |
and we are trying to control it also. | 0:11:45 | 0:11:48 | |
We have kept our specialised men who can fix the signal very fast. | 0:11:48 | 0:11:54 | |
So, someone actually goes out, physically fixes it on the track? | 0:11:54 | 0:11:57 | |
Yeah, if there are any problems, | 0:11:57 | 0:11:59 | |
our men can set right within a few minutes. | 0:11:59 | 0:12:02 | |
-Thank you very much, Mr Singh. -Thank you, thank you. | 0:12:02 | 0:12:06 | |
It's early afternoon at the station. | 0:12:06 | 0:12:09 | |
A brief lull between the intensity of the morning | 0:12:09 | 0:12:12 | |
and evening rush hours. | 0:12:12 | 0:12:14 | |
But for one group of people, the pressure's always on. | 0:12:14 | 0:12:18 | |
140 drivers, known as motormen around here, are on shift today. | 0:12:18 | 0:12:24 | |
Driving is a responsible and stressful job, | 0:12:24 | 0:12:27 | |
getting crowded trains safely in and out of the station. | 0:12:27 | 0:12:31 | |
It's made more difficult by the behaviour of passengers | 0:12:31 | 0:12:34 | |
who frequently cross and walk on the lines. | 0:12:34 | 0:12:38 | |
This is an unavoidable hazard for drivers. | 0:12:38 | 0:12:40 | |
By the time they see someone on the track, it's too late to stop. | 0:12:40 | 0:12:45 | |
Nine people a day across Mumbai are killed when they are hit by trains. | 0:12:45 | 0:12:49 | |
And the motormen are at the sharp end of those figures. | 0:12:49 | 0:12:53 | |
We went on board with one to take in the view from the cab | 0:12:53 | 0:12:56 | |
and find out how he feels about his job. | 0:12:56 | 0:12:59 | |
My name is Sabu Anthony. I'm working for Central Railway as a motorman. | 0:13:04 | 0:13:08 | |
I've been working for the railways now for the past 24 years. | 0:13:08 | 0:13:12 | |
I like being a motorman because it's a very responsible job. | 0:13:20 | 0:13:24 | |
We have to be at that end of the platform before the train comes. | 0:13:29 | 0:13:33 | |
We have two sets of keys, so we have to check the warning system | 0:13:37 | 0:13:42 | |
and the brake system. | 0:13:42 | 0:13:44 | |
OK, we are ready to start. | 0:13:50 | 0:13:52 | |
Driving a train, it is much harder than it looks. | 0:14:00 | 0:14:04 | |
You see it as very easy because that person is just sitting | 0:14:04 | 0:14:07 | |
and moving the handle from here to there. | 0:14:07 | 0:14:10 | |
But it takes a lot on you mentally and physically, | 0:14:10 | 0:14:14 | |
doing the same thing again and again and again. | 0:14:14 | 0:14:17 | |
The motorman has to have very good concentration. | 0:14:20 | 0:14:23 | |
He has to be of a very tough mind and the third thing is, | 0:14:23 | 0:14:27 | |
he has to be very patient. | 0:14:27 | 0:14:29 | |
We are slowing down because we are going to stop at the next station. | 0:14:29 | 0:14:32 | |
During the peak hours, we take more precautions | 0:14:35 | 0:14:38 | |
because the trains are all getting jam-packed. | 0:14:38 | 0:14:41 | |
We are late by one minute. | 0:14:45 | 0:14:47 | |
We started two minutes late, so now we are one minute late. | 0:14:47 | 0:14:50 | |
We have made up one minute. | 0:14:50 | 0:14:52 | |
This train has a maximum speed of 100kph. | 0:15:02 | 0:15:05 | |
We are used to driving at that speed. | 0:15:05 | 0:15:08 | |
So you just concentrate on your job, because even a small | 0:15:08 | 0:15:12 | |
lapse of concentration can cost you very badly. | 0:15:12 | 0:15:14 | |
As a motorman, we used to get | 0:15:16 | 0:15:17 | |
nervous whenever anybody walks on the track. | 0:15:17 | 0:15:21 | |
Now it's like we are used to it, people walking on the tracks. | 0:15:21 | 0:15:25 | |
The only thing we have to do is keep on whistling out for them | 0:15:25 | 0:15:28 | |
to wander. | 0:15:28 | 0:15:30 | |
Trespassers are a norm. | 0:15:30 | 0:15:32 | |
There have been many suicide cases also. | 0:15:32 | 0:15:35 | |
It has happened many times to me. | 0:15:35 | 0:15:40 | |
In this 12 years, you can say about 25 to 30 cases. | 0:15:40 | 0:15:45 | |
Everybody wants to avoid that. | 0:15:45 | 0:15:47 | |
If you are on a high speed and you've got a trespasser quite | 0:15:51 | 0:15:55 | |
close to your train, you feel your heart beats a bit more higher, | 0:15:55 | 0:16:01 | |
because you are trying to save him and drive the train also. | 0:16:01 | 0:16:05 | |
If it is possible, we try our best to apply the emergency brake. | 0:16:05 | 0:16:10 | |
Other than that, we cannot do anything. | 0:16:10 | 0:16:13 | |
We are going to reach the last station, Thane. | 0:16:25 | 0:16:29 | |
We will be going to Thane platform number 1. We are on time. | 0:16:29 | 0:16:33 | |
Once you do your job correctly, without any incident and without | 0:16:35 | 0:16:39 | |
any delay, you feel very satisfied, I've done my job properly. | 0:16:39 | 0:16:43 | |
Sabu and his colleagues are under pressure every hour of the day, | 0:16:49 | 0:16:53 | |
although stress levels rise during rush hour, | 0:16:53 | 0:16:56 | |
when there's no wiggle room in the schedule. | 0:16:56 | 0:16:59 | |
But they do have a place where they can relax, | 0:16:59 | 0:17:02 | |
and Anita's got special permission to take us inside. | 0:17:02 | 0:17:06 | |
We're leaving the concourse and entering a restricted area. | 0:17:06 | 0:17:10 | |
This is where Sabu would hang out before he'd begin his shift to | 0:17:10 | 0:17:13 | |
drive the train. | 0:17:13 | 0:17:14 | |
It says quite clearly here - outsider's entry strictly prohibited. | 0:17:14 | 0:17:18 | |
We are going in for one time only to the motorman's lobby. | 0:17:18 | 0:17:22 | |
This is where the drivers hang out. Follow me. | 0:17:22 | 0:17:24 | |
Hello, gentlemen. Hello, hello. | 0:17:28 | 0:17:30 | |
So, the first thing the driver would do is clock in. | 0:17:30 | 0:17:33 | |
And the way he would do that is to sign the register. | 0:17:33 | 0:17:36 | |
Thank you. | 0:17:36 | 0:17:39 | |
Here's the register. | 0:17:39 | 0:17:40 | |
This is where he says - I'm here, ready for duty. | 0:17:40 | 0:17:43 | |
Second thing that happens, very important, is the breathalyser test | 0:17:43 | 0:17:46 | |
and they must not have had a drop of alcohol for at least eight hours. | 0:17:46 | 0:17:49 | |
Then they come over to the this area. This is the nerve centre. | 0:17:49 | 0:17:54 | |
Right here on the screen, | 0:17:54 | 0:17:56 | |
they have been fed information from the control room | 0:17:56 | 0:17:59 | |
about live train departures, what trains are coming in, | 0:17:59 | 0:18:03 | |
what platforms they're going to, what trains are going out, | 0:18:03 | 0:18:05 | |
so they can pick up all that information. | 0:18:05 | 0:18:08 | |
Then they make a trip to something that's ubiquitous all over India. | 0:18:08 | 0:18:11 | |
You have them in homes, in your car. | 0:18:11 | 0:18:13 | |
It is, of course, the all-important shrine. | 0:18:13 | 0:18:16 | |
And here we have a Hindu temple, with a selection of gods | 0:18:16 | 0:18:20 | |
that you can pray to to bless you | 0:18:20 | 0:18:21 | |
before you begin your day's work, very important. | 0:18:21 | 0:18:24 | |
The next thing they will do | 0:18:24 | 0:18:27 | |
is come to these blue files. | 0:18:27 | 0:18:28 | |
These blue files tell them what engineering works are taking place, | 0:18:28 | 0:18:32 | |
so they will know where the delays will be. | 0:18:32 | 0:18:34 | |
And then they can have a chill out. | 0:18:34 | 0:18:36 | |
This is their social area. Let's have a peek. | 0:18:36 | 0:18:38 | |
So you may have noticed quite a lot of men in here. | 0:18:40 | 0:18:43 | |
CROWD CHATTERS | 0:18:43 | 0:18:45 | |
That's because there are 733 motormen | 0:18:45 | 0:18:50 | |
and ONE motorwoman. | 0:18:50 | 0:18:52 | |
I can't imagine that she spends much time in here. | 0:18:52 | 0:18:55 | |
This is a very well-respected job. | 0:18:55 | 0:18:58 | |
They get paid seven times more than the national average salary | 0:18:58 | 0:19:02 | |
and they have to train for 13 years, that includes on-the-job experience. | 0:19:02 | 0:19:07 | |
Compare that to a train driver in the UK, who has to train for two years. | 0:19:07 | 0:19:10 | |
In here, you also have noticeboards, | 0:19:10 | 0:19:13 | |
these are telling them all about their union meetings. | 0:19:13 | 0:19:15 | |
Oh, we do have some women in here. Very official-looking women. | 0:19:15 | 0:19:18 | |
Hello, ladies. | 0:19:18 | 0:19:19 | |
Up there, you have the canteen. | 0:19:19 | 0:19:22 | |
Up here, you have their lockers. | 0:19:22 | 0:19:24 | |
And then they wait. They wait until their shift begins. | 0:19:24 | 0:19:27 | |
It's a six-hour shift, | 0:19:27 | 0:19:29 | |
which will consist of one long journey, one shorter journey. | 0:19:29 | 0:19:32 | |
The trains run for 21 hours, so, if they're on a very early shift, | 0:19:32 | 0:19:35 | |
there is a dormitory where they can have a nap. | 0:19:35 | 0:19:37 | |
These chaps work incredibly hard, but then so do the carriages. | 0:19:37 | 0:19:41 | |
They do 500 kilometres every day, | 0:19:41 | 0:19:44 | |
so after every 18 months, they have a complete overhaul. | 0:19:44 | 0:19:48 | |
MACHINE BLARES | 0:19:48 | 0:19:50 | |
Ten kilometres north of the station is the Matunga Workshop. | 0:19:52 | 0:19:56 | |
Over 7,000 people work at this 86-acre site, | 0:20:03 | 0:20:07 | |
inspecting and repairing carriages. | 0:20:07 | 0:20:09 | |
It's so amazingly huge here, it's just vast. | 0:20:11 | 0:20:15 | |
I've seen barely any of it. | 0:20:15 | 0:20:16 | |
Everywhere you look, there's someone under a train, | 0:20:16 | 0:20:18 | |
on a train, in a train, taking something out of a train, | 0:20:18 | 0:20:21 | |
putting something in a train. It's just extraordinary! | 0:20:21 | 0:20:24 | |
They overhaul more than 3,000 coaches here every year. | 0:20:26 | 0:20:30 | |
In charge of this mammoth undertaking | 0:20:30 | 0:20:33 | |
is chief mechanical engineer Amit Saurastri. | 0:20:33 | 0:20:36 | |
So, Amit, how many coaches are in here at one time? | 0:20:37 | 0:20:40 | |
It's... There's so many. | 0:20:40 | 0:20:42 | |
At any point of time, we have around some 200-odd coaches. | 0:20:42 | 0:20:46 | |
And so, how old are the coaches that you're looking after here? | 0:20:46 | 0:20:49 | |
A coach's life varies from around, say, two years to 25 years. | 0:20:49 | 0:20:53 | |
Oh, I see, so some of them can be quite new. | 0:20:53 | 0:20:55 | |
-You'd still check them to be sure? -Yeah. Yeah, yeah. | 0:20:55 | 0:20:58 | |
So you're checking everything on the coach? | 0:20:58 | 0:21:00 | |
-The brakes, the wheels, the bearings, the seats. -Yeah, yeah. | 0:21:00 | 0:21:03 | |
It seems to be everything you're doing. | 0:21:03 | 0:21:04 | |
-Absolutely, we can't take a chance. -Yeah. | 0:21:04 | 0:21:07 | |
Why do they need to be checked every 18 months? | 0:21:07 | 0:21:09 | |
It seems like a lot of checking. | 0:21:09 | 0:21:11 | |
In every train, around 1,000 persons are travelling, | 0:21:11 | 0:21:14 | |
so, to ensure the safety of every person, | 0:21:14 | 0:21:16 | |
it is mandatory to have these safety checks. | 0:21:16 | 0:21:18 | |
MACHINE BLARES | 0:21:18 | 0:21:21 | |
As soon as a carriage arrives, it gets stripped of its wheels. | 0:21:21 | 0:21:24 | |
There it goes, it's going up. | 0:21:26 | 0:21:27 | |
It actually looks remarkably simple. | 0:21:33 | 0:21:34 | |
CRANE WHIRS | 0:21:34 | 0:21:36 | |
Just a massive crane, with great big hooks | 0:21:36 | 0:21:39 | |
that lifts the whole thing up in the air. | 0:21:39 | 0:21:42 | |
THEY SHOUT | 0:21:42 | 0:21:43 | |
I've been round a few engineering works, | 0:21:45 | 0:21:47 | |
this is one of the most extreme. | 0:21:47 | 0:21:49 | |
It's pretty impressive. | 0:21:49 | 0:21:51 | |
'The wheel units, known as bogies, | 0:21:54 | 0:21:56 | |
'are wheeled out of the way for a separate inspection. | 0:21:56 | 0:22:00 | |
'Because these are the only parts of the train that touch the track, | 0:22:00 | 0:22:03 | |
'they are the most likely elements to cause an accident.' | 0:22:03 | 0:22:06 | |
Wow. So this is... Oh, my God, this is where all the wheels | 0:22:07 | 0:22:10 | |
-are sorted out. -Yeah. -Wow, it's huge! | 0:22:10 | 0:22:12 | |
Each wheel is removed from the bogie | 0:22:22 | 0:22:24 | |
before being spun on a lathe to make sure it's perfectly round. | 0:22:24 | 0:22:29 | |
But one of the most crucial jobs is carried out by hand. | 0:22:31 | 0:22:34 | |
Ah, so, what have we got here, Amit? | 0:22:38 | 0:22:41 | |
This guy's inspecting the bearing. | 0:22:41 | 0:22:43 | |
-Right. -Yeah. -So, can you tell me, what is a bearing, basically? | 0:22:43 | 0:22:47 | |
I mean, that is a bearing, but what is it? What's its job? | 0:22:47 | 0:22:49 | |
The bearing is a very important part of the wheel assembly. | 0:22:49 | 0:22:52 | |
It helps the wheel to rotate. | 0:22:52 | 0:22:53 | |
And all these small wheels do is allow it to spin round | 0:22:53 | 0:22:57 | |
-with less friction and less...? -Yeah. | 0:22:57 | 0:22:59 | |
This part rotates, along with the wheel. | 0:22:59 | 0:23:01 | |
These guys, whoever is inspecting the bearing here, | 0:23:01 | 0:23:04 | |
they are inspecting very thoroughly. | 0:23:04 | 0:23:06 | |
-Checking all the rollers. -Right. -One by one, one by one. | 0:23:06 | 0:23:08 | |
There shouldn't be any crack here. | 0:23:08 | 0:23:10 | |
What do you do if there is a very small crack in some part? | 0:23:10 | 0:23:12 | |
Even if the small crack is there, the bearing is rejected. | 0:23:12 | 0:23:15 | |
So the whole thing goes. You don't use it any more? | 0:23:15 | 0:23:18 | |
Yeah, we don't take even a 1% chance. | 0:23:18 | 0:23:19 | |
Right. So what's the condition of this particular bearing, Amit? | 0:23:19 | 0:23:22 | |
Is this one all right? | 0:23:22 | 0:23:24 | |
Er, let me see. I think here's a scratching... | 0:23:24 | 0:23:27 | |
-Yeah, no, no. This particular roller has gone. -Ah, no! | 0:23:27 | 0:23:30 | |
The roller flaking is there, yeah. | 0:23:30 | 0:23:32 | |
So there's a tiny crack in that, which you can barely see, | 0:23:32 | 0:23:34 | |
-it's not a big crack. -Yep. | 0:23:34 | 0:23:36 | |
So what would happen if you didn't replace this? What could go wrong? | 0:23:36 | 0:23:39 | |
-It can lead to bearing failure, out of heat generation. -Right. | 0:23:39 | 0:23:42 | |
So it still keeps spinning, | 0:23:42 | 0:23:43 | |
-because the train is...? -It keeps on rotating. -Yeah. | 0:23:43 | 0:23:46 | |
It keeps on rotating, it generates high temperature | 0:23:46 | 0:23:48 | |
-and it can cause fire, also. -Right. -And a fire in a moving train... | 0:23:48 | 0:23:51 | |
..is not a good thing. | 0:23:51 | 0:23:52 | |
That's why this bearing inspection is a very, very important task. | 0:23:52 | 0:23:56 | |
CLATTERING | 0:23:58 | 0:24:00 | |
'After the wheels, it's the bodywork that needs attention | 0:24:00 | 0:24:04 | |
'and the method here... | 0:24:04 | 0:24:06 | |
'is surprisingly low-tech.' | 0:24:06 | 0:24:09 | |
-I'm going to have a go. -TAPPING | 0:24:09 | 0:24:11 | |
-Sounds good, yeah. -TAPPING | 0:24:11 | 0:24:14 | |
It might sound like they're just making music on a train carriage, | 0:24:14 | 0:24:17 | |
but what they're actually doing is they're listening | 0:24:17 | 0:24:19 | |
-to the sound the tap makes. -TAPPING | 0:24:19 | 0:24:22 | |
That sounds very, very solid. | 0:24:22 | 0:24:24 | |
So they can tell if it's got corrosion, if it's got holes. | 0:24:24 | 0:24:27 | |
They're checking for rust holes and damage like that, | 0:24:27 | 0:24:30 | |
then they mark it with a bit of chalk | 0:24:30 | 0:24:31 | |
so that the repair team come in and mend it, basically. | 0:24:31 | 0:24:35 | |
HISSING | 0:24:35 | 0:24:37 | |
ROBERT LAUGHS | 0:24:37 | 0:24:38 | |
Right, that's a very good example. | 0:24:38 | 0:24:41 | |
-That's not good. -No. -Not good? -Not good. -Yeah. | 0:24:41 | 0:24:43 | |
So here there's some actual corrosion. | 0:24:43 | 0:24:46 | |
And they've found it, they've marked it off with chalk, | 0:24:46 | 0:24:48 | |
so this has got to be repaired, this is a problem. | 0:24:48 | 0:24:51 | |
So that has definitely got some, erm... | 0:24:51 | 0:24:54 | |
-HE LAUGHS -It's not very... | 0:24:54 | 0:24:56 | |
-Yeah. Oh, that's all right there. -Yeah. -It's here. | 0:24:56 | 0:24:59 | |
-It's bad. -Yeah, very bad. | 0:24:59 | 0:25:00 | |
Heavily corroded areas, like this one, | 0:25:02 | 0:25:05 | |
have new steel plates welded into place | 0:25:05 | 0:25:07 | |
to extend the life of the carriage. | 0:25:07 | 0:25:09 | |
And the reconditioned bogies are locked back into place. | 0:25:11 | 0:25:15 | |
LOCKS CLANG | 0:25:15 | 0:25:17 | |
Structural integrity sorted, | 0:25:17 | 0:25:19 | |
it's time to move on to some cosmetic improvements. | 0:25:19 | 0:25:23 | |
The interiors of the carriages are inspected for wear and tear. | 0:25:24 | 0:25:28 | |
Any seats that are worn or torn get reupholstered. | 0:25:28 | 0:25:31 | |
There's quite a few seats here. | 0:25:31 | 0:25:33 | |
The team here can re-cover 400 seats a day. | 0:25:33 | 0:25:37 | |
First they strip them and re-pad them... | 0:25:37 | 0:25:40 | |
..before newly sewn covers are glued on. | 0:25:42 | 0:25:45 | |
I don't want to mess this up, that's really nice. | 0:25:45 | 0:25:48 | |
Believe it or not, I've used these machines before. | 0:25:48 | 0:25:51 | |
'I used to be a shoemaker, | 0:25:53 | 0:25:54 | |
'so I'm hoping the same principles apply here.' | 0:25:54 | 0:25:57 | |
SEWING MACHINE WHIRS | 0:25:57 | 0:25:59 | |
Oh, I've gone off! | 0:26:02 | 0:26:04 | |
I thought I'd be better than this. | 0:26:05 | 0:26:07 | |
Now round the corner is so hard. Oh, Lord! | 0:26:07 | 0:26:10 | |
HE LAUGHS | 0:26:10 | 0:26:11 | |
How do you do that? | 0:26:15 | 0:26:18 | |
That's a little gap there? OK, that's a mistake. | 0:26:18 | 0:26:20 | |
All right, I admit that. I admit that that's bad. | 0:26:20 | 0:26:23 | |
OK, but this bit... Look, let me just show you this bit. | 0:26:23 | 0:26:25 | |
That bit, there... | 0:26:25 | 0:26:27 | |
..that's not too bad. | 0:26:28 | 0:26:29 | |
'Once the new seats are in, the final step is a coat of paint. | 0:26:35 | 0:26:38 | |
'It takes a total of five days to paint each carriage, | 0:26:39 | 0:26:43 | |
'and everything is done by hand.' | 0:26:43 | 0:26:46 | |
It is extraordinary that there's actual people | 0:26:46 | 0:26:48 | |
painting the trains with brushes. | 0:26:48 | 0:26:50 | |
I guess I assumed spray guns in the paint shop, | 0:26:50 | 0:26:52 | |
but, no, it's done by brush. | 0:26:52 | 0:26:55 | |
Even the fine stuff, that's amazing. | 0:26:55 | 0:26:57 | |
As soon as the paint's dry, | 0:27:01 | 0:27:03 | |
the carriage is ready to go back into service. | 0:27:03 | 0:27:05 | |
The final step is a stencil to say its service is complete. | 0:27:07 | 0:27:10 | |
That place looked fantastic. | 0:27:18 | 0:27:19 | |
In fact, I was particularly jealous of you | 0:27:19 | 0:27:21 | |
getting those mallets and whacking the side of those trains. | 0:27:21 | 0:27:24 | |
It is always fun smashing stuff with a big hammer, I have to say, yeah. | 0:27:24 | 0:27:27 | |
But it's also fun coming up here, | 0:27:27 | 0:27:28 | |
great bird's-eye view of the whole of CST. | 0:27:28 | 0:27:32 | |
-Absolutely. Well, it's vast. -It is. | 0:27:32 | 0:27:34 | |
Well, it's over 70 acres in total, the total site. | 0:27:34 | 0:27:37 | |
And just to give some idea of our location, | 0:27:37 | 0:27:39 | |
that over there is the dome | 0:27:39 | 0:27:41 | |
that's right at the front of the old station. | 0:27:41 | 0:27:43 | |
And in front of that, right in front of us there, | 0:27:43 | 0:27:45 | |
is the seven suburban platforms. | 0:27:45 | 0:27:47 | |
And then, over there, so I guess you can see, | 0:27:47 | 0:27:50 | |
-just beyond those blue trains there... -Yep. | 0:27:50 | 0:27:52 | |
..those are the inter-city, long-distance platforms. | 0:27:52 | 0:27:54 | |
-TRAIN HORN BLARES -They are for the trains that are | 0:27:54 | 0:27:57 | |
going to go right the way across India. | 0:27:57 | 0:27:59 | |
-And they are particularly long, those ones. -Yeah. | 0:27:59 | 0:28:01 | |
One of those platforms is over half a kilometre long. | 0:28:01 | 0:28:04 | |
And to give you a sense of the scale, compared to the UK, | 0:28:04 | 0:28:06 | |
a train in the UK going from between, say, Manchester and London | 0:28:06 | 0:28:09 | |
might be about 11 carriages. | 0:28:09 | 0:28:12 | |
One of those trains could be up to 26 carriages in length. | 0:28:12 | 0:28:16 | |
-So it's just... -It's incredible, isn't it? | 0:28:16 | 0:28:18 | |
-It just dwarfs stuff in the UK, really. -Yeah. | 0:28:18 | 0:28:20 | |
And as a passenger, of course, you don't see all of this. | 0:28:20 | 0:28:23 | |
We are getting a real privileged view up here. | 0:28:23 | 0:28:25 | |
As a passenger, you just come in and out of the station. | 0:28:25 | 0:28:27 | |
But over there, there are maintenance yards, | 0:28:27 | 0:28:29 | |
where all the locomotives are given a locomotive MOT. | 0:28:29 | 0:28:32 | |
There's another load of sidings beyond that, | 0:28:32 | 0:28:34 | |
with all the spare carriages in for those enormous, long trains. | 0:28:34 | 0:28:36 | |
It's funny, we just glimpse that out the window of a train | 0:28:36 | 0:28:39 | |
as you pass, but it's like an iceberg. | 0:28:39 | 0:28:40 | |
-There's so much hidden under the surface. -Yep. | 0:28:40 | 0:28:43 | |
So much required, in terms of support and logistics, | 0:28:43 | 0:28:46 | |
-to keep this going. -Yeah. -TRAIN HORN BLARES | 0:28:46 | 0:28:48 | |
Well, it's a complex system for one very good reason | 0:28:48 | 0:28:50 | |
and that is for safety, to stop trains bashing into each other, | 0:28:50 | 0:28:54 | |
which I think, on the whole, is a good idea. | 0:28:54 | 0:28:56 | |
-Yeah, that is not a good thing, when they hit each other. -No. | 0:28:56 | 0:28:58 | |
But, of course, it's... Over the years, it's those crashes | 0:28:58 | 0:29:02 | |
and the response to them that's given us our modern safety systems. | 0:29:02 | 0:29:06 | |
-Yep. -We've made incremental improvements, | 0:29:06 | 0:29:08 | |
we've introduced new technology, and that's how, round the world, | 0:29:08 | 0:29:11 | |
we've managed to get railways running pretty safely nowadays. | 0:29:11 | 0:29:14 | |
But in some parts of India, | 0:29:14 | 0:29:15 | |
what's fascinating, in some parts of rural India, | 0:29:15 | 0:29:17 | |
those historic safety systems have been frozen in time, | 0:29:17 | 0:29:21 | |
and John Sergeant's been exploring some of them to see them in action. | 0:29:21 | 0:29:25 | |
Two trains on the same track, | 0:29:28 | 0:29:31 | |
and there's only one possible outcome. | 0:29:31 | 0:29:33 | |
Disaster. | 0:29:35 | 0:29:36 | |
This stunt was staged in America in 1913. | 0:29:38 | 0:29:42 | |
But in the early days of rail travel, | 0:29:42 | 0:29:44 | |
serious accidents like this were all too common. | 0:29:44 | 0:29:47 | |
This one in Northern India killed 20 people. | 0:29:49 | 0:29:52 | |
At many country stations, local trains use a single track | 0:29:53 | 0:29:58 | |
and more than 100 years ago, a British engineer based in India, | 0:29:58 | 0:30:02 | |
a Mr Neale, perfected a system to make sure | 0:30:02 | 0:30:06 | |
that only one train was on the track at any given moment. | 0:30:06 | 0:30:10 | |
Amazingly, the old system is still being used at this station. | 0:30:10 | 0:30:15 | |
I'm in Palasdari, 70 kilometres east of Mumbai. | 0:30:18 | 0:30:22 | |
This quiet, rural line runs to the village of Koppole | 0:30:22 | 0:30:26 | |
and to ensure there's only ever one train on the line, they have | 0:30:26 | 0:30:30 | |
what's called a token system. MACHINE RINGS | 0:30:30 | 0:30:33 | |
It relies on the transfer of a tiny silver ball. | 0:30:33 | 0:30:36 | |
THEY TALK | 0:30:36 | 0:30:37 | |
Ah, we've got it! THEY LAUGH | 0:30:38 | 0:30:40 | |
-Right, so the ball has now come through, right? -Uh-huh. | 0:30:40 | 0:30:44 | |
JOHN LAUGHS | 0:30:44 | 0:30:45 | |
'This silver ball is a permit to travel on the line. | 0:30:45 | 0:30:49 | |
'Any driver coming through this station | 0:30:49 | 0:30:51 | |
'needs to have it in his possession before leaving.' | 0:30:51 | 0:30:55 | |
Right, we have the ball. Now we take the ball to the driver. | 0:30:55 | 0:30:58 | |
-Yeah. -Right, we've got the ball. | 0:30:58 | 0:31:00 | |
'Normally, the station master would do this, but I'm having a go.' | 0:31:00 | 0:31:04 | |
We have to... We have to put the ball... | 0:31:04 | 0:31:07 | |
We have to put the ball in the bag, OK? | 0:31:07 | 0:31:10 | |
Right. | 0:31:10 | 0:31:12 | |
Shall I give it to the driver? | 0:31:12 | 0:31:14 | |
Thank you. Safe journey. | 0:31:14 | 0:31:16 | |
With the ball safely on board, the driver is allowed to set off. | 0:31:18 | 0:31:22 | |
The machine only issues one ball at a time | 0:31:22 | 0:31:25 | |
and then locks shut. | 0:31:25 | 0:31:27 | |
It also sends a signal to its partner machine at Koppole Station... | 0:31:27 | 0:31:31 | |
MACHINE RINGS ..telling it that the line is busy. | 0:31:31 | 0:31:34 | |
MACHINE RINGS | 0:31:34 | 0:31:35 | |
No more balls can now be removed from either machine, | 0:31:38 | 0:31:42 | |
which means that no further trains can enter the track. | 0:31:42 | 0:31:46 | |
It's a guarantee of safety for everyone on board. | 0:31:46 | 0:31:49 | |
Now, I know that this train... HORN BLARES | 0:31:51 | 0:31:53 | |
..I know that this train will not collide with another train | 0:31:53 | 0:31:57 | |
going in the opposite direction, | 0:31:57 | 0:31:59 | |
because the driver has that metal ball. | 0:31:59 | 0:32:02 | |
This particular system was invented by Mr Neale | 0:32:04 | 0:32:07 | |
and is still called Neale's Token System. | 0:32:07 | 0:32:10 | |
At one time, it was being used on more than 10,000 kilometres | 0:32:12 | 0:32:16 | |
of the Indian rail network. | 0:32:16 | 0:32:18 | |
This is one of the very last lines to use it, | 0:32:19 | 0:32:22 | |
carrying thousands of passengers each day. | 0:32:22 | 0:32:25 | |
Now I've reached Koppole Station, | 0:32:27 | 0:32:30 | |
I need to get the ball back into the system, | 0:32:30 | 0:32:32 | |
so that the next train is allowed to travel. | 0:32:32 | 0:32:35 | |
Right, so we've got the pouch. | 0:32:35 | 0:32:37 | |
Yeah? | 0:32:37 | 0:32:39 | |
CROWD CHATTERS OK. Off we go. | 0:32:39 | 0:32:40 | |
-Hello. -Hi. -Right, well, we've brought the ball. | 0:32:47 | 0:32:51 | |
-I'm going to put it in the machine. -Yes. | 0:32:51 | 0:32:53 | |
Put it under the top. | 0:32:53 | 0:32:56 | |
-Under there, OK. -Yeah. | 0:32:56 | 0:32:57 | |
MACHINE RINGS 'With the ball back in the machine, | 0:33:00 | 0:33:02 | |
'the system unlocks. | 0:33:02 | 0:33:03 | |
'The line is clear and ready for the next train.' | 0:33:03 | 0:33:06 | |
Done. | 0:33:07 | 0:33:08 | |
Token systems like this were only ever suitable | 0:33:08 | 0:33:11 | |
for sections of single track. HORN BLARES | 0:33:11 | 0:33:14 | |
They were installed in the early | 0:33:14 | 0:33:16 | |
and less complicated days of rail travel. | 0:33:16 | 0:33:18 | |
When there were many more trains on different lines | 0:33:20 | 0:33:23 | |
and being moved into sidings, | 0:33:23 | 0:33:25 | |
they needed a more sophisticated system | 0:33:25 | 0:33:28 | |
to make sure that the trains ended up in the right place. | 0:33:28 | 0:33:32 | |
TRACKS CLICK | 0:33:32 | 0:33:33 | |
The answer was to lock together points, | 0:33:35 | 0:33:38 | |
which set the route a train takes | 0:33:38 | 0:33:40 | |
with the signals, which tell the driver it's safe to proceed. | 0:33:40 | 0:33:44 | |
WHIRRING AND CLICKING | 0:33:44 | 0:33:46 | |
Here at Lonavla Freight Yard, 80 kilometres from Mumbai, | 0:33:48 | 0:33:53 | |
they're still using a system that, in the 1860s, | 0:33:53 | 0:33:56 | |
was at the cutting edge of railway technology. | 0:33:56 | 0:33:59 | |
The chief yardmaster, Mr Deshpande, shows me how it works. | 0:34:00 | 0:34:04 | |
-Hello, how are you? -I am fine, thank you. | 0:34:06 | 0:34:08 | |
-Now, this just looks terrific. -Mm-hm. | 0:34:08 | 0:34:10 | |
-And this is all mechanical? -Yes. | 0:34:10 | 0:34:12 | |
'This lever bed controls 48 different points and signals across the yard.' | 0:34:14 | 0:34:21 | |
So when the lever is pulled there, | 0:34:21 | 0:34:24 | |
these rods will then move here, is that right? | 0:34:24 | 0:34:26 | |
-Yes. -And that will change the points? -Yes, yes. | 0:34:26 | 0:34:28 | |
-So ask him to pull the lever, let's just see what happens. -OK. | 0:34:28 | 0:34:31 | |
HE TRANSLATES | 0:34:31 | 0:34:32 | |
PHONE RINGS IN BACKGROUND | 0:34:32 | 0:34:34 | |
-CLICKING -Mm-hm. | 0:34:34 | 0:34:36 | |
CLICKING | 0:34:36 | 0:34:38 | |
OK? | 0:34:38 | 0:34:40 | |
'Pulling this lever moves a series of metal rods, | 0:34:40 | 0:34:43 | |
'stretching over 100 metres, to change the points. | 0:34:43 | 0:34:47 | |
'Each lever has a number. | 0:34:47 | 0:34:49 | |
'There are set routes, and the team here know the numbers | 0:34:49 | 0:34:53 | |
'that correspond to each of them.' | 0:34:53 | 0:34:54 | |
So what have we got to do? A freight train is going to come out? | 0:34:56 | 0:34:59 | |
HORN BLARES IN BACKGROUND | 0:35:02 | 0:35:04 | |
So what are we doing...? | 0:35:05 | 0:35:06 | |
'I'm setting the route for a freight train | 0:35:06 | 0:35:08 | |
'to join the main line to Mumbai.' | 0:35:08 | 0:35:10 | |
-Pull that one here? OK. -With both hands, both hands. | 0:35:10 | 0:35:13 | |
-Both hands, all right. -Uh-huh. -It's heavy, isn't it? -Mmm. | 0:35:13 | 0:35:17 | |
Right. | 0:35:17 | 0:35:18 | |
-Ah, yes. -Yes? -Yes, it is correctly set now. | 0:35:19 | 0:35:22 | |
OK, what else do we need to pull? | 0:35:22 | 0:35:24 | |
So pull that, right? Pull that first. | 0:35:24 | 0:35:25 | |
-Whoops! -Mind your fingers here. -OK. | 0:35:25 | 0:35:28 | |
'The points are set, but to tell the driver he can proceed, | 0:35:28 | 0:35:32 | |
'now I need to set the signals.' | 0:35:32 | 0:35:34 | |
-Now, what about the signal, right? -Yes. -OK, where's that? | 0:35:34 | 0:35:37 | |
HE MUTTERS | 0:35:37 | 0:35:38 | |
-Signal. -39. -39? OK, right. | 0:35:38 | 0:35:41 | |
-Yeah. Oh, well, that's much easier, isn't it? -Lights one is easier. | 0:35:41 | 0:35:45 | |
'Pulling this lever operates an electrical switch | 0:35:45 | 0:35:48 | |
'that changes the signal lights.' | 0:35:48 | 0:35:50 | |
Second signal, let's push 27. | 0:35:52 | 0:35:54 | |
27, right. OK. | 0:35:54 | 0:35:57 | |
CLICKING AND CREAKING | 0:35:58 | 0:36:00 | |
-If anybody tried to wind back... -Yes? | 0:36:00 | 0:36:04 | |
..after lowering the signal to the train, it will not go. You just try. | 0:36:04 | 0:36:07 | |
-OK. I can't, because it's locked. -Ah, yes. | 0:36:07 | 0:36:11 | |
Yes, that is called interlocking. | 0:36:11 | 0:36:13 | |
-Interlocking? -Yes. It is... -And that is for safety? -Yes. | 0:36:13 | 0:36:16 | |
'Interlocking describes the way the levers are mechanically connected. | 0:36:16 | 0:36:21 | |
'It's physically impossible to pull the wrong lever.' | 0:36:21 | 0:36:25 | |
HORN BLARES | 0:36:25 | 0:36:26 | |
'Two trains cannot be sent onto the same section of line. | 0:36:26 | 0:36:30 | |
'Over the years, thousands of lives have been saved as a result.' | 0:36:32 | 0:36:37 | |
-So, in the yards, the trains aren't moving very fast... -Yes, there is... | 0:36:46 | 0:36:49 | |
-..and there aren't many of them. -Mm-hm. | 0:36:49 | 0:36:51 | |
-So you can still use the trusty old system? -Oh, yes, yes. | 0:36:51 | 0:36:54 | |
It is very... Actually, it is very safe. | 0:36:54 | 0:36:57 | |
Yes. No, I can see it's very safe. | 0:36:57 | 0:36:58 | |
'Watching these systems in operation is like stepping back in time. | 0:37:00 | 0:37:05 | |
'But, surprisingly, the principles behind this old technology | 0:37:05 | 0:37:09 | |
'are still just as relevant today in modern stations.' | 0:37:09 | 0:37:12 | |
HORNS BEEP | 0:37:14 | 0:37:16 | |
At CST in Mumbai, you won't find any lever rooms. | 0:37:16 | 0:37:20 | |
They've been replaced by automated electrical switches. | 0:37:20 | 0:37:24 | |
But these do the same jobs as the levers in Lonavla, | 0:37:24 | 0:37:27 | |
guaranteeing a clear route for each train through the station. | 0:37:27 | 0:37:30 | |
TANNOY ANNOUNCEMENT | 0:37:30 | 0:37:32 | |
It's just before 3pm. | 0:37:32 | 0:37:34 | |
Although the pressure's temporarily off, | 0:37:35 | 0:37:37 | |
the smooth running of this place | 0:37:37 | 0:37:39 | |
relies on thousands of well-rehearsed routines. | 0:37:39 | 0:37:42 | |
One staff swap-over has been designed to make sure | 0:37:43 | 0:37:46 | |
that trains can get in and out in under four minutes. | 0:37:46 | 0:37:50 | |
Robert and I are seeing how it works. | 0:37:50 | 0:37:53 | |
So we're making our final approach now into Mumbai CST. | 0:37:53 | 0:37:56 | |
Driver Sajit here is at the controls. | 0:37:56 | 0:37:59 | |
Now, I wanted to show you the really time-dependent activity | 0:37:59 | 0:38:03 | |
that goes on here. This is really important to get these trains | 0:38:03 | 0:38:06 | |
in and out as quickly as possible. | 0:38:06 | 0:38:07 | |
This is one of the standard electric trains on the suburban line, | 0:38:07 | 0:38:11 | |
and there is obviously a driver's cab at the front, as you'd expect, | 0:38:11 | 0:38:14 | |
And there's a guard's van at the back, if you want to call it that. | 0:38:14 | 0:38:17 | |
But because the trains can't turn round, | 0:38:17 | 0:38:19 | |
cos this is a dead-end station, all they do is swap over. | 0:38:19 | 0:38:21 | |
The guard comes in here, and the driver goes up to the other end, | 0:38:21 | 0:38:24 | |
so we're nearly coming to a stop. | 0:38:24 | 0:38:26 | |
I don't know how he does that, that is brilliant. | 0:38:26 | 0:38:28 | |
That's really hard to do that, beautifully done. | 0:38:28 | 0:38:30 | |
Well done, excellent. | 0:38:30 | 0:38:31 | |
So that's it. Dan is up the other end of the platform. | 0:38:31 | 0:38:35 | |
Yes, here I am, at what was the back of the train, | 0:38:37 | 0:38:39 | |
the guard's just getting out now. | 0:38:39 | 0:38:41 | |
And I'm just waiting for the driver who is... | 0:38:41 | 0:38:44 | |
coming up the platform now. | 0:38:44 | 0:38:45 | |
So now all that happens... The train's stopped. | 0:38:45 | 0:38:49 | |
Everything's turned off. | 0:38:49 | 0:38:51 | |
Takes the keys out of the ignition, just like in your car, | 0:38:51 | 0:38:54 | |
and no-one can nick it, he's got the keys, they can't run off with it. | 0:38:54 | 0:38:57 | |
Hello, sir. Good to see you. | 0:38:57 | 0:38:59 | |
The guard's jumped out, this is the new driver arriving now, | 0:38:59 | 0:39:02 | |
he's going to get in, he's going to do some checks, | 0:39:02 | 0:39:04 | |
get his logbook out, turn a couple of switches, | 0:39:04 | 0:39:06 | |
change the destination on the front of the train, | 0:39:06 | 0:39:08 | |
make sure the headlights are working, and then he's good to go. | 0:39:08 | 0:39:12 | |
Just wait for that signal, till it goes yellow, and he's good to go. | 0:39:12 | 0:39:16 | |
The guard has just arrived now, | 0:39:16 | 0:39:17 | |
so the guard is now going to go through his basic safety checks, | 0:39:17 | 0:39:21 | |
just checking everything. | 0:39:21 | 0:39:23 | |
He's getting everything nice for himself. There we go. | 0:39:23 | 0:39:26 | |
Yep, basic safety checks. | 0:39:26 | 0:39:27 | |
So what he will do, at some point, is communicate with the driver | 0:39:27 | 0:39:30 | |
and he will stay in communication with the driver | 0:39:30 | 0:39:32 | |
for the whole journey. | 0:39:32 | 0:39:34 | |
It's all part of the whole safety procedure of the train. | 0:39:34 | 0:39:37 | |
WHISTLE BLOWS | 0:39:39 | 0:39:40 | |
HORN BLARES | 0:39:40 | 0:39:41 | |
And they're off. | 0:39:44 | 0:39:45 | |
So nothing too technologically advanced about that process. | 0:39:51 | 0:39:55 | |
Just well-trained people being in the right place at the right time, | 0:39:55 | 0:39:58 | |
doing the right thing. And off they go. | 0:39:58 | 0:40:00 | |
Not too busy, it's the middle of the day. | 0:40:00 | 0:40:02 | |
As we saw earlier, these trains during rush hour | 0:40:02 | 0:40:04 | |
can get incredibly busy. | 0:40:04 | 0:40:06 | |
But that's not a problem that's unique to Mumbai railways. | 0:40:06 | 0:40:09 | |
The road system, too, here is very overstretched. | 0:40:09 | 0:40:12 | |
Mumbai's traffic problems are notorious. | 0:40:15 | 0:40:18 | |
There are more than 700,000 cars on the roads. | 0:40:18 | 0:40:23 | |
Add into that more than two million public buses, rickshaws | 0:40:24 | 0:40:28 | |
and motorbikes, and you've got a transport nightmare. | 0:40:28 | 0:40:31 | |
To see quite how bad things are on the roads, | 0:40:38 | 0:40:41 | |
I'm making a 16km journey | 0:40:41 | 0:40:44 | |
from the suburb of Kurla to CST. | 0:40:44 | 0:40:48 | |
OK, I'm crossing the road. Hello, right, I'm on. | 0:40:48 | 0:40:51 | |
I'm on it, we're doing it, we're doing it. | 0:40:51 | 0:40:53 | |
Oh, my... OK, stop. We're in. | 0:40:53 | 0:40:56 | |
Hello. Pleased to meet you... | 0:40:59 | 0:41:01 | |
'Taxi driver Surinder Singh is one of around 40,000 cabbies in Mumbai.' | 0:41:01 | 0:41:06 | |
Off we go. | 0:41:06 | 0:41:08 | |
Seatbelt on? | 0:41:09 | 0:41:11 | |
-No. -No? I'm going to put it on anyway. | 0:41:11 | 0:41:15 | |
How long do you think it's going to take us? | 0:41:17 | 0:41:20 | |
In this peak hour, it takes sometimes one hour, | 0:41:20 | 0:41:22 | |
sometimes it takes two hours or so. | 0:41:22 | 0:41:24 | |
And during monsoon it's very bad, two hours here... | 0:41:24 | 0:41:27 | |
So could be one hour, could be two hours. | 0:41:27 | 0:41:28 | |
-In monsoon, how long...? -In monsoon, it can take three hours, four hours, | 0:41:28 | 0:41:32 | |
-because Bombay gets flooded. -Three or four hours? | 0:41:32 | 0:41:34 | |
Oh, yeah, you have to wait patiently. | 0:41:34 | 0:41:36 | |
This journey would take 20 minutes on the train, which is | 0:41:39 | 0:41:43 | |
why more than half of Mumbai's commuters travel by rail. | 0:41:43 | 0:41:47 | |
'This gridlocked traffic is the result of just 8% | 0:41:48 | 0:41:51 | |
'of them taking to the roads, which aren't in great nick.' | 0:41:51 | 0:41:55 | |
-Is this a new road? -Yeah, this is a new road. See this condition? | 0:41:55 | 0:41:59 | |
This is the worst new road I've... | 0:41:59 | 0:42:01 | |
-See, this is a new road. -Sack the road builders. | 0:42:01 | 0:42:03 | |
-Yeah, see these are the conditions of the roads. -This is not even flat. | 0:42:03 | 0:42:06 | |
Yeah, they've not levelled it properly. | 0:42:06 | 0:42:08 | |
Look, not levelled it? I mean, really, that... | 0:42:08 | 0:42:11 | |
My mum could have done a better job. | 0:42:11 | 0:42:13 | |
The government has spent £149 million over the last eight years | 0:42:16 | 0:42:22 | |
trying to improve the roads to cope with the increase in traffic. | 0:42:22 | 0:42:26 | |
But Surinder's not impressed. | 0:42:26 | 0:42:28 | |
-Feels like someone needs to plan it. -Yeah, plan it properly. | 0:42:41 | 0:42:45 | |
What would you do? If you were the King of Bombay? | 0:42:45 | 0:42:48 | |
If I had been... There's no roads where the... I would have widened | 0:42:48 | 0:42:52 | |
the roads first... and build new bridges, new flyovers. | 0:42:52 | 0:42:56 | |
-But they're doing those things, aren't they, slowly? -Very, very slow. | 0:42:56 | 0:43:00 | |
It's very slow, very slow. | 0:43:00 | 0:43:01 | |
-Not fast enough for a cab driver? -No, no. | 0:43:01 | 0:43:03 | |
'There are also huge problems with road safety. | 0:43:05 | 0:43:09 | |
'In 2013, there were 23,500 road accidents in Greater Mumbai | 0:43:09 | 0:43:14 | |
'and nearly 500 deaths. | 0:43:14 | 0:43:16 | |
'That's almost four times as many as in London.' | 0:43:17 | 0:43:20 | |
-So, where are we now? -This is called Dadar. -Dadar. And is this halfway? | 0:43:20 | 0:43:24 | |
It's halfway. | 0:43:24 | 0:43:26 | |
'We've been going over half an hour. | 0:43:26 | 0:43:28 | |
'Our average speed is about ten kilometres per hour, | 0:43:28 | 0:43:31 | |
'which compares badly even to central London, | 0:43:31 | 0:43:34 | |
'where it's closer to 15. | 0:43:34 | 0:43:36 | |
'But travelling by road is giving me | 0:43:36 | 0:43:38 | |
'a brilliant view of the evolving landscape of Mumbai.' | 0:43:38 | 0:43:42 | |
-So, this used to be the textile area. Lots of mills. -Yeah, lots of mills. | 0:43:42 | 0:43:46 | |
-Run by the British. -And now those mills have disappeared, have they? | 0:43:46 | 0:43:49 | |
Yeah, they've disappeared. Only you can find the chimneys there. | 0:43:49 | 0:43:52 | |
'Dadar used to be an industrial area packed with cotton mills, | 0:43:52 | 0:43:56 | |
'but today, like so much of Mumbai, | 0:43:56 | 0:43:59 | |
'it's being redeveloped to create offices and homes for the rich.' | 0:43:59 | 0:44:03 | |
-A multistorey apartment is coming now. -Oh, look at that! | 0:44:04 | 0:44:08 | |
How much would it cost to live here? | 0:44:08 | 0:44:10 | |
If I wanted to buy a two-bedroom flat in this developed | 0:44:10 | 0:44:13 | |
suburb in one of these nice apartments - | 0:44:13 | 0:44:15 | |
that looks pretty swish to me, that big high-rise... | 0:44:15 | 0:44:18 | |
More than five gross. | 0:44:18 | 0:44:19 | |
-£500,000? -Yes, £500,000, yeah. -Half a million pounds?! -Million pounds. | 0:44:19 | 0:44:24 | |
Who can afford that here? | 0:44:24 | 0:44:26 | |
Businesspeople are buying, politicians are buying. | 0:44:26 | 0:44:28 | |
Politicians, businesspeople... | 0:44:28 | 0:44:30 | |
Some investors are there. | 0:44:30 | 0:44:32 | |
And how do you feel about these amazing flats that you can't afford? | 0:44:32 | 0:44:36 | |
Actually, we can't think about that, because we cannot afford one. | 0:44:36 | 0:44:39 | |
We can't think about that money. | 0:44:39 | 0:44:40 | |
We're not going to make that much money in our life. | 0:44:40 | 0:44:42 | |
It's not possible for us. | 0:44:42 | 0:44:44 | |
'The average wage in Mumbai is just over £1,000 a year, | 0:44:44 | 0:44:48 | |
'but it's also home to 30 billionaires.' | 0:44:48 | 0:44:52 | |
-If you've got money in Bombay, you've got mega money. -Mega money. | 0:44:52 | 0:44:55 | |
-Some people have mega money. -They're minted money. -They're minted! | 0:44:55 | 0:44:59 | |
Yeah, they're minted money. | 0:44:59 | 0:45:01 | |
Bombay is changing under our noses. | 0:45:01 | 0:45:03 | |
And there we go, a Range Rover. | 0:45:03 | 0:45:05 | |
And to buy a Range Rover or a BMW - in fact, any imported car - | 0:45:05 | 0:45:09 | |
is not the same as in the UK, because here the import duty is | 0:45:09 | 0:45:13 | |
so high that it would cost you, basically, double what it costs us. | 0:45:13 | 0:45:17 | |
'We're now just over eight kilometres from our starting point, Kurla.' | 0:45:17 | 0:45:22 | |
-We have been in the car for over an hour. -One hour. | 0:45:22 | 0:45:27 | |
-So, how long is it going to take us? -One day, I did half an hour... | 0:45:27 | 0:45:30 | |
Give me the bad news. Don't worry, you don't have to sugar-coat it. | 0:45:30 | 0:45:33 | |
I'm in this now. Tell me, really, how long do you think it could take? | 0:45:33 | 0:45:37 | |
It will take at least 30 minutes to 40 minutes towards the CST. | 0:45:37 | 0:45:41 | |
Sometimes it can take more, also - 40, 45 minutes. | 0:45:41 | 0:45:45 | |
It's just at this time we can't say anything about the traffic. | 0:45:45 | 0:45:47 | |
-30 or 40 or 50! Indian time. -Indian time. | 0:45:47 | 0:45:51 | |
SHE LAUGHS Indian time is fluid. | 0:45:51 | 0:45:55 | |
'Travelling by road here is | 0:45:55 | 0:45:56 | |
'just as frustrating as in any other megacity, | 0:45:56 | 0:46:00 | |
'but with another 2,000 new vehicles registered each week, | 0:46:00 | 0:46:03 | |
'it's only going to get worse here in Mumbai.' | 0:46:03 | 0:46:06 | |
-Here we are. This is CST now. -That's quite some journey! -Yes. | 0:46:07 | 0:46:11 | |
I recognise this beautiful building. | 0:46:11 | 0:46:13 | |
OK, sir, if you could stop the meter... | 0:46:13 | 0:46:16 | |
-Yes. -269 rupees, which is £2.69. | 0:46:16 | 0:46:21 | |
It took us an hour and 35 minutes, but we made it! | 0:46:21 | 0:46:25 | |
-Yes, made it. -Thank you! | 0:46:25 | 0:46:27 | |
Bye-bye. | 0:46:28 | 0:46:30 | |
So, that journey then cost £2.69 in the taxi, but the same journey | 0:46:32 | 0:46:36 | |
would have cost 10p on the train, so it feels like a bit of a no-brainer. | 0:46:36 | 0:46:39 | |
-I'd get the train. -You'd think, but there are a lot of people in this | 0:46:39 | 0:46:42 | |
city of 17 million who have a lot of money. | 0:46:42 | 0:46:45 | |
And that's the middle classes. And this middle class is growing | 0:46:45 | 0:46:48 | |
all over India, and they can quite easily | 0:46:48 | 0:46:49 | |
afford to use a taxi, and they do, because it's just more comfortable. | 0:46:49 | 0:46:53 | |
'And let me tell you, | 0:46:53 | 0:46:54 | |
'comfort is in short supply here on rush hour trains. | 0:46:54 | 0:46:58 | |
'This is me tussling to get on board one morning.' | 0:46:58 | 0:47:00 | |
It's a fight! What is happening?! | 0:47:00 | 0:47:03 | |
SHE SHRIEKS | 0:47:03 | 0:47:05 | |
I'm on! We made it! | 0:47:05 | 0:47:07 | |
'It was the same story for me.' | 0:47:07 | 0:47:09 | |
-HE LAUGHS -Ow! Ow! | 0:47:11 | 0:47:14 | |
I think the one thing I'm not worried about is falling over. | 0:47:16 | 0:47:19 | |
'So I'm keen to see what a carriage looks like without quite | 0:47:19 | 0:47:22 | |
'so many people on board.' | 0:47:22 | 0:47:24 | |
-I didn't even realise there were seats until just now. -Let's hop on. | 0:47:24 | 0:47:27 | |
-This is a men's only carriage. -Right. | 0:47:27 | 0:47:29 | |
Women are allowed on, they just choose not to travel. | 0:47:29 | 0:47:31 | |
So you generally wouldn't go on this. But you're on! | 0:47:31 | 0:47:34 | |
-Lots of places to hold on. -Hundreds of places to hold on. -You'd need to. | 0:47:34 | 0:47:37 | |
And the fans, I have to say, saved me when I was squashed in here. | 0:47:37 | 0:47:40 | |
Actually standing by the door, or, if you sit... Let's have a seat. | 0:47:40 | 0:47:44 | |
-OK. -The best seat in the house is that one right there. -Oh, | 0:47:44 | 0:47:48 | |
so right next to the window, or there. | 0:47:48 | 0:47:49 | |
-Yes, where this gentleman here is. -He's got the right seat. | 0:47:49 | 0:47:52 | |
You've got the right seat, sir, right by the window, nice and comfortable. | 0:47:52 | 0:47:55 | |
When I took a train once, I was sitting there | 0:47:55 | 0:47:58 | |
and a woman was eyeballing me to say, "When you get off, I'm getting on," | 0:47:58 | 0:48:01 | |
because that's the tactics they use to bag a seat. | 0:48:01 | 0:48:03 | |
So she wasn't trying to get your seat, it was just for when you left. | 0:48:03 | 0:48:06 | |
That was the thing when I was squashed. | 0:48:06 | 0:48:08 | |
I was sort of standing about there, absolutely squashed in. | 0:48:08 | 0:48:11 | |
The atmosphere round me was friendly. | 0:48:11 | 0:48:13 | |
Everyone was grinning and saying hello and waving. It was nice, | 0:48:13 | 0:48:16 | |
even though you were scrunched together. | 0:48:16 | 0:48:18 | |
And I just thought if that same situation happened | 0:48:18 | 0:48:20 | |
on a commuter train in England, | 0:48:20 | 0:48:21 | |
there'd be a lot of passive-aggressive tutting, | 0:48:21 | 0:48:24 | |
people would be shaking their copies of the Telegraph. | 0:48:24 | 0:48:27 | |
"Grr, move down the carriage!" You know? | 0:48:27 | 0:48:29 | |
Here, it seemed incredibly friendly. | 0:48:29 | 0:48:30 | |
Well, things CAN get extreme, and they did in January 2015. | 0:48:30 | 0:48:34 | |
It was the first day back to work, | 0:48:34 | 0:48:36 | |
and you could say there was a major problem in the control room. | 0:48:36 | 0:48:40 | |
They had an electrical issue and there were severe delays, | 0:48:40 | 0:48:43 | |
which meant that the trains came to a standstill. | 0:48:43 | 0:48:46 | |
-NEWS REPORT: -Shortly after 7am Friday morning. | 0:48:48 | 0:48:50 | |
Train services from CST to Diva in suburban Mumbai were stalled | 0:48:51 | 0:48:56 | |
due to a technical snag, | 0:48:56 | 0:48:57 | |
leaving office goers stranded for more than five hours. | 0:48:57 | 0:49:01 | |
ANGRY SHOUTING | 0:49:01 | 0:49:03 | |
Now, 16,000 people rioted in the suburb of Diva. | 0:49:04 | 0:49:08 | |
They took out to the streets, they blocked the tracks, | 0:49:08 | 0:49:12 | |
they injured a driver and they damaged ten trains. | 0:49:12 | 0:49:16 | |
So it shows you, when things go wrong here, | 0:49:16 | 0:49:18 | |
Indians can get very angry indeed. | 0:49:18 | 0:49:21 | |
Those riots were very unusual, | 0:49:21 | 0:49:22 | |
but perhaps because of that, they certainly were big news | 0:49:22 | 0:49:25 | |
around here, and many people took them to be symptomatic | 0:49:25 | 0:49:28 | |
of a more general frustration with how the railways sometimes worked. | 0:49:28 | 0:49:32 | |
Now, the man who until recently was in charge of dealing with that | 0:49:32 | 0:49:34 | |
frustration is the former divisional railway manager. | 0:49:34 | 0:49:38 | |
Mr Nigam, thanks for joining us. | 0:49:38 | 0:49:40 | |
You used to be in charge of this place, till early 2015. | 0:49:40 | 0:49:43 | |
What was it like putting up with occasionally quite angry commuters? | 0:49:43 | 0:49:48 | |
If you have to run 2,000 trains every day and you carry more than | 0:49:48 | 0:49:53 | |
four million passengers every day, it's a tough ask. | 0:49:53 | 0:49:56 | |
Mumbaikars, our commuters, | 0:49:58 | 0:50:00 | |
are very emotionally attached to suburban trains. | 0:50:00 | 0:50:03 | |
I mean, they relate to its performance | 0:50:03 | 0:50:06 | |
and its activities in a very emotional manner. | 0:50:06 | 0:50:09 | |
So there are chances of emotional outbursts. | 0:50:09 | 0:50:12 | |
If I were you, I'd get really annoyed, because most of the time | 0:50:12 | 0:50:15 | |
the train works well and commuters get to work, | 0:50:15 | 0:50:17 | |
and then, when it doesn't, they all blame you. | 0:50:17 | 0:50:19 | |
They never thank you when times are good, do they? | 0:50:19 | 0:50:21 | |
No, I mean, whoever is in the service sector, it is | 0:50:21 | 0:50:24 | |
the customer who's the king, and whatever he says, you have to take | 0:50:24 | 0:50:29 | |
it to a logical conclusion, | 0:50:29 | 0:50:31 | |
and that's what we are there for, you know. | 0:50:31 | 0:50:33 | |
When you were the boss here, | 0:50:33 | 0:50:35 | |
what were the main complaints that would land on your desk? | 0:50:35 | 0:50:39 | |
First of all is relating to the overcrowding. | 0:50:39 | 0:50:43 | |
Overcrowding is a very serious issue, because especially | 0:50:43 | 0:50:45 | |
at intermediate stations it's very difficult to get on the trains. | 0:50:45 | 0:50:49 | |
You know, for that we need to run longer trains. | 0:50:49 | 0:50:52 | |
There's also an issue of modernisation of the network. | 0:50:52 | 0:50:55 | |
People would like more and more amenities. | 0:50:55 | 0:50:57 | |
They would like to see escalators at stations, | 0:50:57 | 0:51:00 | |
they would like to have better ticket vending machines, | 0:51:00 | 0:51:03 | |
they would like to have better trains, | 0:51:03 | 0:51:05 | |
they would like to have air conditioning in the trains. | 0:51:05 | 0:51:08 | |
And the third issue is with regard to disruptions. | 0:51:08 | 0:51:11 | |
They would...they would not tolerate any disruptions. | 0:51:11 | 0:51:14 | |
I mean, I find that the Mumbaikar, an average Mumbaikar, | 0:51:14 | 0:51:18 | |
he's never satisfied with the service that we offer, | 0:51:18 | 0:51:20 | |
but when he goes and leaves the city | 0:51:20 | 0:51:22 | |
and, you know, when he's gone to meet a relative in another city, | 0:51:22 | 0:51:26 | |
-he would praise the system no end. -Yeah. | 0:51:26 | 0:51:29 | |
It sounds like we commuters are the same everywhere in the world. | 0:51:29 | 0:51:32 | |
You know, railway jobs...world over | 0:51:32 | 0:51:35 | |
which are dealing with operations, | 0:51:35 | 0:51:36 | |
you know, because railway operations are a 24-hour exercise, | 0:51:36 | 0:51:40 | |
are, you know, very engaging jobs. | 0:51:40 | 0:51:42 | |
It is said that, you know, you can't ride the tiger for too long. | 0:51:42 | 0:51:45 | |
But, you know, when you are over here, | 0:51:45 | 0:51:48 | |
you have to shoulder the responsibility | 0:51:48 | 0:51:50 | |
because suburban network is the lifeline of the city. | 0:51:50 | 0:51:52 | |
There are four billion passengers | 0:51:52 | 0:51:54 | |
who look up to you for your performance. | 0:51:54 | 0:51:56 | |
Thank you very much. | 0:51:56 | 0:51:58 | |
Now, this place can feel, I'm sure you would agree with this, | 0:51:58 | 0:52:00 | |
insatiable, unstoppable at times. | 0:52:00 | 0:52:02 | |
But there are three hours every night when the trains fall silent. | 0:52:02 | 0:52:07 | |
They're still. And we had a look around the station | 0:52:07 | 0:52:09 | |
during those magical night-time hours. | 0:52:09 | 0:52:12 | |
It's 10pm. | 0:52:16 | 0:52:18 | |
And the station is winding down for the day. | 0:52:23 | 0:52:26 | |
The suburban platforms are quiet. | 0:52:33 | 0:52:35 | |
But in the control room, it's business as usual. | 0:52:37 | 0:52:40 | |
There are still eight long-distance services to send on their way. | 0:52:40 | 0:52:44 | |
UPBEAT MUSIC PLAYS | 0:52:45 | 0:52:47 | |
The pressure is on for the platform staff. | 0:52:49 | 0:52:52 | |
Come on, man. Come on. There you go. | 0:52:54 | 0:52:56 | |
Porters hurry fresh fish and other local produce onto the trains | 0:52:56 | 0:53:00 | |
just in time for their departure slots. | 0:53:00 | 0:53:02 | |
Worth £6 million to the local economy, | 0:53:07 | 0:53:10 | |
it's essential that these goods are on sale | 0:53:10 | 0:53:12 | |
at markets across the country by morning. | 0:53:12 | 0:53:15 | |
Once the last intercity service leaves the station at 11.45, | 0:53:18 | 0:53:23 | |
the focus in the control room turns to the suburban platforms. | 0:53:23 | 0:53:26 | |
77220. | 0:53:26 | 0:53:28 | |
Midnight strikes. | 0:53:33 | 0:53:35 | |
And the city's last travellers are heading for the last trains home. | 0:53:35 | 0:53:39 | |
The final service leaves at 12.45. | 0:53:42 | 0:53:44 | |
Last suburban local, are you ready to depart from the CST? | 0:53:47 | 0:53:51 | |
There won't be another until 4am. | 0:53:51 | 0:53:54 | |
SOOTHING MUSIC PLAYS | 0:53:54 | 0:53:56 | |
But once the passenger trains have departed, | 0:54:10 | 0:54:13 | |
the control room has just three hours to do the overnight housekeeping. | 0:54:13 | 0:54:18 | |
This is their only window for fixing anything that's gone wrong today | 0:54:18 | 0:54:22 | |
to ensure that tomorrow will run smoothly. | 0:54:22 | 0:54:24 | |
Safety workers are given permission | 0:54:28 | 0:54:30 | |
to move onto the empty tracks to do repairs. | 0:54:30 | 0:54:33 | |
Other trains are repositioned and shunted into place. | 0:54:34 | 0:54:37 | |
At 2.20, one rather unusual train is given permission to run. | 0:54:49 | 0:54:53 | |
The Muck-Special is used to remove | 0:54:55 | 0:54:57 | |
10,000 tonnes of building waste and household refuse | 0:54:57 | 0:55:00 | |
that threatens to block the sewers by the railway tracks. | 0:55:00 | 0:55:04 | |
Picked and packed during the day, the workers, called Muck-Pickers, | 0:55:06 | 0:55:09 | |
return at night to load 3,000 bags of waste onto this train. | 0:55:09 | 0:55:14 | |
This is back-breaking work | 0:55:16 | 0:55:19 | |
for pay of £2.50 a day. | 0:55:19 | 0:55:22 | |
If left to build up, this rubbish would block the drains, | 0:55:27 | 0:55:30 | |
and when the monsoon rains arrive, this would mean instant flooding, | 0:55:30 | 0:55:34 | |
cancelled trains and disaster on the lines. | 0:55:34 | 0:55:37 | |
Overnight maintenance completed, | 0:55:46 | 0:55:49 | |
the controllers gear up for the start of the morning shift. | 0:55:49 | 0:55:52 | |
Trains are waiting, the tracks are clear | 0:55:57 | 0:56:00 | |
and the drivers head to their services. | 0:56:00 | 0:56:02 | |
The all clear is given for the 4am departure. | 0:56:04 | 0:56:07 | |
And the first train of today's 1,500 services sets off. | 0:56:11 | 0:56:15 | |
Another day in Mumbai on the world's busiest railway begins. | 0:56:19 | 0:56:23 | |
This station is such an important part of downtown, noisy Mumbai. | 0:56:27 | 0:56:31 | |
It has a crucial place in the heart of Mumbaikars. | 0:56:31 | 0:56:34 | |
But it is like all these complex systems. | 0:56:34 | 0:56:36 | |
The more you understand how all the parts work together, | 0:56:36 | 0:56:39 | |
the more you begin to really appreciate it. | 0:56:39 | 0:56:40 | |
And I think it's amazing | 0:56:40 | 0:56:42 | |
that they get so many people on so many trains every day. | 0:56:42 | 0:56:45 | |
If you're on a train that's stuck and not going anywhere, | 0:56:45 | 0:56:48 | |
you'd probably end up being a bit moody. | 0:56:48 | 0:56:49 | |
But I think that is the point. Because there are big problems here. | 0:56:49 | 0:56:52 | |
The passengers feel like they're on edge. | 0:56:52 | 0:56:55 | |
They are crushed to bits every morning and every evening. | 0:56:55 | 0:56:57 | |
And they all know that even a small problem can lead to massive delays. | 0:56:57 | 0:57:01 | |
It just feels like there isn't any wiggle room in the system, | 0:57:01 | 0:57:03 | |
there's no contingency. | 0:57:03 | 0:57:04 | |
It's like an intense relationship, filled with love and hate. | 0:57:04 | 0:57:07 | |
They love it when it works, they hate it when it doesn't. | 0:57:07 | 0:57:10 | |
Tonight, we've immersed you | 0:57:14 | 0:57:16 | |
in the extraordinary daily life of this station. | 0:57:16 | 0:57:19 | |
Next time, in our final visit, | 0:57:20 | 0:57:22 | |
I see what the future holds for this megacity's rail network. | 0:57:22 | 0:57:26 | |
Ah! Air conditioned, spacious. | 0:57:27 | 0:57:31 | |
I don't get nutted every time I move. | 0:57:31 | 0:57:33 | |
Forget leaves, try floods on the line. | 0:57:35 | 0:57:38 | |
We find out how they keep trains running through the monsoon. | 0:57:38 | 0:57:42 | |
And I meet one of the heroes of the 2008 terror attack. | 0:57:42 | 0:57:47 | |
Anita goes out on the line with the teams keeping the network safe. | 0:57:56 | 0:58:00 | |
KLAXON BLARES | 0:58:00 | 0:58:01 | |
Oh, we're on the move now. | 0:58:01 | 0:58:03 | |
For a minute, I forgot I was in the middle of two live railway lines. | 0:58:05 | 0:58:09 | |
And we reflect on the affection Mumbaikars have for their railway. | 0:58:09 | 0:58:14 | |
Bombay is whatever it is because of its beautiful railway lines. | 0:58:14 | 0:58:18 | |
Railways are the lifeline of Mumbai. | 0:58:18 | 0:58:21 | |
That's all still to come. | 0:58:21 | 0:58:23 | |
Thanks for joining us here in Mumbai. See you next time. | 0:58:25 | 0:58:28 | |
-Bye! -Bye-bye. -Bye-bye. | 0:58:28 | 0:58:29 |