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This week, we are plunging you into the chaotic | 0:00:03 | 0:00:05 | |
and exhilarating heart of the world's busiest railway. | 0:00:05 | 0:00:09 | |
Eight million passengers use these trains each day, | 0:00:11 | 0:00:15 | |
packed in more tightly than anywhere else on the planet. | 0:00:15 | 0:00:20 | |
Welcome to Mumbai. | 0:00:20 | 0:00:22 | |
Behind us is CST, the Chhatrapati Shivaji Terminus - | 0:00:22 | 0:00:26 | |
Mumbai's most important railway station | 0:00:26 | 0:00:28 | |
and the heart of the suburban train network, | 0:00:28 | 0:00:30 | |
carrying commuters to and from work. | 0:00:30 | 0:00:32 | |
But it's a system under enormous pressure. | 0:00:32 | 0:00:35 | |
The Mumbai suburban rail network | 0:00:35 | 0:00:37 | |
carries eight million passengers a day. | 0:00:37 | 0:00:40 | |
And on these lines alone, | 0:00:40 | 0:00:41 | |
they're expecting a 50% increase over the next six years. | 0:00:41 | 0:00:44 | |
So you've got to ask, | 0:00:44 | 0:00:46 | |
how will this super-stressed transport hub cope with the demand? | 0:00:46 | 0:00:50 | |
That's what we'll be finding out tonight. Here's what's coming up. | 0:00:50 | 0:00:53 | |
We've already witnessed a daily reality of commuting here in Mumbai | 0:00:55 | 0:00:59 | |
and discovered how this station links the city to the rest of India. | 0:00:59 | 0:01:03 | |
In this final show, it's all about the future. | 0:01:05 | 0:01:09 | |
I go on a train that could revolutionise the travel | 0:01:09 | 0:01:12 | |
experience here in Mumbai. | 0:01:12 | 0:01:14 | |
Ah, air-conditioned, spacious. Might even take a seat. | 0:01:16 | 0:01:20 | |
We reveal how the railways cope with extraordinary challenges | 0:01:23 | 0:01:26 | |
like the annual monsoon floods. | 0:01:26 | 0:01:29 | |
I meet one of the heroes of the 2008 terror attacks. | 0:01:30 | 0:01:34 | |
And we examine the efforts being made to change passenger behaviour | 0:01:42 | 0:01:46 | |
and keep people off the tracks. | 0:01:46 | 0:01:48 | |
It might look funny, it might look rather grotesque, | 0:01:48 | 0:01:52 | |
but it does the job. | 0:01:52 | 0:01:54 | |
Welcome to the world's busiest railway. | 0:01:56 | 0:01:59 | |
More than 17 million people live in Mumbai, | 0:02:20 | 0:02:23 | |
and every day that figure is going up, | 0:02:23 | 0:02:26 | |
as economic migrants are leaving rural India to seek their fortunes. | 0:02:26 | 0:02:29 | |
It really is the city of dreams. | 0:02:29 | 0:02:31 | |
Well, it might be. The trouble is, more people is more problems, | 0:02:31 | 0:02:34 | |
certainly for this railway. | 0:02:34 | 0:02:35 | |
How can a railway adapt to meet that increased demand? | 0:02:35 | 0:02:38 | |
The trouble is it's basically running at capacity already. | 0:02:38 | 0:02:41 | |
It's hard to see where the extra passenger seats will come from. | 0:02:41 | 0:02:43 | |
We have to remember that these train lines were | 0:02:43 | 0:02:46 | |
put in over 100 years ago. | 0:02:46 | 0:02:47 | |
That station was built in 1887, and you might say, | 0:02:47 | 0:02:50 | |
"Why don't we just stick in another couple of tracks?" | 0:02:50 | 0:02:52 | |
but there simply isn't the space. | 0:02:52 | 0:02:54 | |
And don't forget safety. | 0:02:54 | 0:02:55 | |
There are already big question marks about safety on the Indian railway. | 0:02:55 | 0:02:59 | |
By adding a lot more capacity to it, | 0:02:59 | 0:03:01 | |
is it going to be safety that's compromised? | 0:03:01 | 0:03:03 | |
Well, it's the thing on everybody's minds. | 0:03:03 | 0:03:05 | |
You talk to anyone about the railways here and they'll say, | 0:03:05 | 0:03:08 | |
"Ooh, people hanging out of trains, people crossing the tracks." | 0:03:08 | 0:03:11 | |
So you've got to ask, | 0:03:11 | 0:03:12 | |
what are the railways up against trying to keep their passengers safe? | 0:03:12 | 0:03:15 | |
The risks of travelling on this network are all too obvious. | 0:03:20 | 0:03:24 | |
Overcrowding, open doors and track crossing | 0:03:24 | 0:03:28 | |
create a health and safety nightmare. | 0:03:28 | 0:03:31 | |
Standing on a platform in morning rush hour, | 0:03:31 | 0:03:34 | |
I'm astonished that regular commuters seem oblivious to the perils. | 0:03:34 | 0:03:38 | |
They just don't seem to care. | 0:03:38 | 0:03:40 | |
I've never seen anything like it. | 0:03:40 | 0:03:43 | |
I'm worried for your safety, I'm worried for your safety. | 0:03:44 | 0:03:47 | |
I want to find out from Central Railways' chief safety officer, | 0:03:49 | 0:03:53 | |
Rahul Jain, if it's as dangerous as it looks. | 0:03:53 | 0:03:57 | |
How many deaths do you have a day? | 0:03:57 | 0:03:58 | |
-It's about five to six deaths/injuries a day. -Five or six? | 0:03:58 | 0:04:02 | |
Five to six a day. | 0:04:02 | 0:04:03 | |
'Fatalities across the whole of Mumbai's suburban lines | 0:04:03 | 0:04:07 | |
'come to more than 3,000 a year. | 0:04:07 | 0:04:10 | |
'Over the same period, the London Underground reports fewer than 30. | 0:04:10 | 0:04:14 | |
'Track crossing is responsible for more than 50% of casualties.' | 0:04:14 | 0:04:18 | |
Tell me what the problems are. | 0:04:18 | 0:04:20 | |
What are the most dangerous things that people are doing? | 0:04:20 | 0:04:23 | |
There are people crossing the track right now. | 0:04:23 | 0:04:25 | |
TRAIN HOOTS | 0:04:25 | 0:04:27 | |
The trains are running at a speed of 40 to 50 kilometres an hour | 0:04:27 | 0:04:32 | |
and a person who's crossing the track just does not have the | 0:04:32 | 0:04:36 | |
kind of perception that it's coming in that fast, | 0:04:36 | 0:04:38 | |
so people do tend to get hit or run over by trains. | 0:04:38 | 0:04:41 | |
'It's trespassing and against the law, | 0:04:43 | 0:04:45 | |
'but it's so widespread it seems difficult to police.' | 0:04:45 | 0:04:48 | |
You have got a footbridge here. | 0:04:50 | 0:04:51 | |
We're standing on a footbridge and yet you've got people, | 0:04:51 | 0:04:54 | |
old and young... | 0:04:54 | 0:04:55 | |
Look at that old woman just walking along the railway. | 0:04:55 | 0:04:58 | |
So why aren't people using them? | 0:04:58 | 0:04:59 | |
Probably because they see the train coming | 0:04:59 | 0:05:01 | |
and they are in a hurry to catch the train and take a chance. | 0:05:01 | 0:05:06 | |
That is just... | 0:05:06 | 0:05:08 | |
I've never seen anything like it, apart from in India. | 0:05:08 | 0:05:10 | |
You have to see it to believe it. | 0:05:10 | 0:05:12 | |
You have to see it to believe it, you're absolutely right, | 0:05:12 | 0:05:14 | |
and also, when a train comes in, people jumping onto the train | 0:05:14 | 0:05:17 | |
whilst it's still moving, the doors are wide open. | 0:05:17 | 0:05:20 | |
That's a basic thing. It's not unique to India, I suppose. | 0:05:20 | 0:05:22 | |
It's a basic human psychological... | 0:05:22 | 0:05:24 | |
You see a bus, you'd rather catch it than wait for the next one | 0:05:24 | 0:05:27 | |
in ten minutes. | 0:05:27 | 0:05:29 | |
'One way the rail authorities are addressing this risk-taking behaviour | 0:05:29 | 0:05:34 | |
'is with shock tactics.' | 0:05:34 | 0:05:36 | |
We've used a picture of a man in the process of being run over by a train | 0:05:36 | 0:05:40 | |
and this has worked. | 0:05:40 | 0:05:42 | |
People, when they're tempted to cross, | 0:05:42 | 0:05:45 | |
if they see that poster, I would say seven out of ten pause, | 0:05:45 | 0:05:50 | |
evaluate what they're doing and probably use the foot over bridge. | 0:05:50 | 0:05:54 | |
It might look funny, it might look rather grotesque, | 0:05:54 | 0:05:57 | |
-but it does the job. -The shock is working? -The shock is working. | 0:05:57 | 0:06:00 | |
It's very dramatic. | 0:06:00 | 0:06:02 | |
TRAIN HOOTS | 0:06:02 | 0:06:04 | |
'This poster is featured across the network | 0:06:04 | 0:06:06 | |
'and, together with more footbridges over the tracks, | 0:06:06 | 0:06:09 | |
'it's reduced fatalities from 190 a month to 140. | 0:06:09 | 0:06:14 | |
'But it's clear there's a long way to go | 0:06:14 | 0:06:17 | |
'to change the behaviour of Mumbai's commuters.' | 0:06:17 | 0:06:20 | |
Are you satisfied with the safety as it is? | 0:06:21 | 0:06:23 | |
No, ma'am, I definitely am not. | 0:06:23 | 0:06:25 | |
Till you keep on having casualties, I would never be satisfied, | 0:06:25 | 0:06:28 | |
but I am satisfied with the direction that we have taken. | 0:06:28 | 0:06:31 | |
If I come back in five years' time, which I probably will, | 0:06:31 | 0:06:34 | |
will I still see people crossing the railway tracks like this? | 0:06:34 | 0:06:37 | |
Er, I wouldn't be able to guarantee that you won't see anybody. | 0:06:37 | 0:06:40 | |
The numbers will be far, far less, that much I can assure you. | 0:06:40 | 0:06:43 | |
But while Mr Jain is trying to keep passengers off the lines, | 0:06:47 | 0:06:51 | |
one group of safety workers have to risk their lives on them. | 0:06:51 | 0:06:55 | |
Every Sunday morning, teams spread out across the network | 0:06:58 | 0:07:02 | |
to inspect, repair and replace the tracks. | 0:07:02 | 0:07:06 | |
Supervisor Arpee Singh shows me | 0:07:09 | 0:07:12 | |
what his teams are up against on these busy routes. | 0:07:12 | 0:07:14 | |
So you've got this track in the middle that's having | 0:07:16 | 0:07:19 | |
the sleepers changed, but the track on that side, cos there's a | 0:07:19 | 0:07:22 | |
train there now, and this track that we're walking on, are still live? | 0:07:22 | 0:07:26 | |
Yes, it's clearly dangerous, | 0:07:26 | 0:07:28 | |
so we put speed restrictions on the existing tracks. | 0:07:28 | 0:07:32 | |
'Despite safety precautions, | 0:07:33 | 0:07:35 | |
'more than 20 rail workers are killed every year.' | 0:07:35 | 0:07:39 | |
The whistle's blowing. There's a green flag flying. | 0:07:39 | 0:07:41 | |
-That means a train is coming. -We need to get off. | 0:07:41 | 0:07:44 | |
I'll stand on this side. | 0:07:44 | 0:07:45 | |
TRAIN HOOTS | 0:07:45 | 0:07:47 | |
30 seconds ago we were standing right there. Yes, Mr Singh. | 0:07:47 | 0:07:51 | |
Let's be safe. | 0:07:55 | 0:07:58 | |
-Whoa! -Yeah. -Yes. | 0:07:58 | 0:08:00 | |
I've never been that close to a train before. That was quite incredible. | 0:08:02 | 0:08:06 | |
Terrifying. | 0:08:06 | 0:08:08 | |
-We keep on working, keep on working. -Yeah. | 0:08:13 | 0:08:16 | |
The sleepers, stone ballast and rails must all be renewed to ensure | 0:08:19 | 0:08:23 | |
the safety of the trains running on them. | 0:08:23 | 0:08:26 | |
The tiniest crack or flex in a track could cause a derailment. | 0:08:29 | 0:08:33 | |
Until recently, this work was done by hand, | 0:08:34 | 0:08:37 | |
but this track-laying machine works ten times faster | 0:08:37 | 0:08:40 | |
than muscle power alone. | 0:08:40 | 0:08:42 | |
SPEAKS PUNJABI | 0:08:43 | 0:08:45 | |
I think she thinks I'm mad. | 0:08:45 | 0:08:46 | |
'These workers are putting down rubber mats to stop the tracks | 0:08:46 | 0:08:50 | |
'bouncing on the sleepers.' | 0:08:50 | 0:08:52 | |
THEY CONVERSE | 0:08:54 | 0:08:55 | |
Rajasthan, right. | 0:08:55 | 0:08:58 | |
Her husband, her son, her daughter, they all work here. | 0:09:01 | 0:09:04 | |
She's called Pavni and she's 35 and she gets paid 250 rupees a day, | 0:09:04 | 0:09:08 | |
which is about £2.50, but there is equality. | 0:09:08 | 0:09:12 | |
The men and the women get paid the same. | 0:09:12 | 0:09:15 | |
We're on the move now. | 0:09:17 | 0:09:20 | |
It's going faster than I thought it would. | 0:09:21 | 0:09:24 | |
It's actually moving at quite a pace. | 0:09:25 | 0:09:28 | |
It's quite a weird sensation. I am being carried... Oh, God! | 0:09:30 | 0:09:35 | |
Oh, no, I forgot one! Quick! | 0:09:35 | 0:09:38 | |
I'm too busy talking. I missed it. | 0:09:38 | 0:09:40 | |
OK, all right, I've got backup. | 0:09:40 | 0:09:43 | |
Right, I can't be distracted. I've got a job to do. | 0:09:43 | 0:09:46 | |
TRAIN HOOTS | 0:09:46 | 0:09:49 | |
For a minute I forgot I was in the middle of two live railway lines. | 0:09:55 | 0:10:01 | |
It's essential to maintain the infrastructure of these lines, | 0:10:01 | 0:10:04 | |
not just here in Mumbai, | 0:10:04 | 0:10:06 | |
but across all 65,000 kilometres of railway in India. | 0:10:06 | 0:10:09 | |
Without the rail network, the country would grind to a halt. | 0:10:11 | 0:10:15 | |
This is dangerous, hard, physical work. | 0:10:17 | 0:10:21 | |
These men and women are risking their lives to ensure the safety of others. | 0:10:23 | 0:10:28 | |
TRAIN HOOTS | 0:10:30 | 0:10:33 | |
Constant reliable services are the name of the game here at CST. | 0:10:43 | 0:10:46 | |
Commuters rely on these trains to get to and from work. | 0:10:48 | 0:10:52 | |
At peak times, like now, first thing in the morning, | 0:10:52 | 0:10:55 | |
50,000 passengers flood through the station every hour, | 0:10:55 | 0:10:59 | |
and the team making sure they get to their offices on time | 0:10:59 | 0:11:03 | |
is perched in a tower high above the station. | 0:11:03 | 0:11:06 | |
This is the control room, and these controllers | 0:11:06 | 0:11:09 | |
and the technology in this room is responsible for getting all | 0:11:09 | 0:11:12 | |
the trains in and out of the station. | 0:11:12 | 0:11:14 | |
Now, it's currently just gone 9.30 in the morning, which is | 0:11:14 | 0:11:17 | |
one of the busiest periods of the day, the morning rush hour, | 0:11:17 | 0:11:20 | |
and there are currently over 80 trains in the system going in | 0:11:20 | 0:11:23 | |
and out of the station, | 0:11:23 | 0:11:25 | |
and you can see that clearly marked up here on this enormous board. | 0:11:25 | 0:11:28 | |
Now, each of these red lines you see up on the board here | 0:11:28 | 0:11:31 | |
represents a train, and the green lines that go in front of them, | 0:11:31 | 0:11:34 | |
that represents the route that is planned for them. | 0:11:34 | 0:11:37 | |
There's currently one, two, three, four, | 0:11:37 | 0:11:40 | |
five trains in the suburban platforms. | 0:11:40 | 0:11:42 | |
I can see that that one coming out of platform four, | 0:11:42 | 0:11:45 | |
that's heading on its way out of the station. | 0:11:45 | 0:11:47 | |
It's got a route planned for it ahead of it | 0:11:47 | 0:11:50 | |
and there's another train on the same line about two miles | 0:11:50 | 0:11:52 | |
out of the station, so they're really tightly packed in. | 0:11:52 | 0:11:56 | |
This system is automated, | 0:11:56 | 0:11:58 | |
but the controllers are here in case anything goes wrong, | 0:11:58 | 0:12:01 | |
which, of course, at this time of day they're really hoping | 0:12:01 | 0:12:03 | |
it doesn't, because it is very busy. | 0:12:03 | 0:12:05 | |
But also it's important to remember that each of those red lines | 0:12:05 | 0:12:08 | |
doesn't just represent a train. | 0:12:08 | 0:12:10 | |
It also represents thousands of people trying to get to work. | 0:12:10 | 0:12:14 | |
More than half of Mumbai's commuters travel by train each day, | 0:12:14 | 0:12:18 | |
with 5.5 million of them buying season tickets. | 0:12:18 | 0:12:22 | |
The average journey to work is 45 minutes and costs less than 20p. | 0:12:22 | 0:12:27 | |
We all tried the experience of travelling in these rush hour trains | 0:12:27 | 0:12:31 | |
for ourselves and were shocked at quite how tough it is. | 0:12:31 | 0:12:34 | |
But how do you cope when this is your daily reality? | 0:12:36 | 0:12:39 | |
Here's what it's like for one commuter. | 0:12:39 | 0:12:42 | |
I am Rita Bhat, | 0:12:47 | 0:12:50 | |
an architect born and brought up in Bombay. | 0:12:50 | 0:12:54 | |
Studied in Bombay, worked in Bombay and now old age in Bombay too. | 0:12:54 | 0:12:59 | |
I live with eight members of my family, two brothers, | 0:13:05 | 0:13:10 | |
my two sister-in-laws and kids and my mom in a two-bedroomed flat. | 0:13:10 | 0:13:15 | |
-All the best for your exams. Bye. -Bye. | 0:13:16 | 0:13:19 | |
Once I bid goodbye to my house, then it's a long walk to the station. | 0:13:21 | 0:13:26 | |
-ANNOUNCER: -'..expected on platform number two, the 9.30.' | 0:13:29 | 0:13:34 | |
The next train is at 9.30, so another four minutes to wait. | 0:13:34 | 0:13:38 | |
I don't like the rush hour trains at all. | 0:13:40 | 0:13:43 | |
I always prefer to take the trains after the rush hours. | 0:13:43 | 0:13:47 | |
Everybody seems to be competing with each other. | 0:13:55 | 0:13:58 | |
Already their saris are tucked up, their purses tight | 0:13:58 | 0:14:04 | |
and all ready to jump into the train. | 0:14:04 | 0:14:07 | |
Me, too, is part of that. | 0:14:09 | 0:14:12 | |
And when the fat ladies try to get inside, they'll be like pushing | 0:14:16 | 0:14:19 | |
somebody or the other and there will be a fight in the train. | 0:14:19 | 0:14:23 | |
Half of the time I'm standing and half of the time I get seats. | 0:14:25 | 0:14:29 | |
I've been travelling for more than 30 years by this local train. | 0:14:34 | 0:14:40 | |
Earlier it used to be a lot of noisy and a lot of chatting. | 0:14:40 | 0:14:45 | |
These days everybody has earphones plugged in | 0:14:45 | 0:14:49 | |
and they're all into music | 0:14:49 | 0:14:51 | |
and the phones or the tabs, they're all busy with those kinds of things. | 0:14:51 | 0:14:55 | |
And now the new generation is all in trousers, you know. | 0:14:57 | 0:15:01 | |
All the latest dresses. Saris you see very less in the trains. | 0:15:01 | 0:15:06 | |
People find it a little difficult to travel in the trains with saris. | 0:15:06 | 0:15:10 | |
The railways are my best friends in Mumbai. | 0:15:23 | 0:15:26 | |
They are really my best friends... | 0:15:26 | 0:15:29 | |
..because I feel really it's like a small 45-minute home for me, | 0:15:31 | 0:15:35 | |
as if I'm in a theatre or somewhere, watching everything happening. | 0:15:35 | 0:15:41 | |
When I get out of the train, I literally feel like I'm out of a hive | 0:15:51 | 0:15:55 | |
and we are all bees - zzzz, get out of the train! | 0:15:55 | 0:16:00 | |
Everybody's in a hurry. A fast running speed out of the station. | 0:16:00 | 0:16:04 | |
Railways are the lifeline of Mumbai. | 0:16:06 | 0:16:10 | |
Bombay is whatever it is because of its beautiful railway lines. | 0:16:10 | 0:16:14 | |
We saw Rita get on a ladies-only carriage there, | 0:16:17 | 0:16:20 | |
which is unusual for us, but perfectly normal here. | 0:16:20 | 0:16:24 | |
They were introduced just over 20 years ago when the Indian | 0:16:24 | 0:16:26 | |
economy opened up and they were a response to the changing society. | 0:16:26 | 0:16:30 | |
More and more women were going out to work | 0:16:30 | 0:16:31 | |
and now 25% of commuters in Mumbai are women. | 0:16:31 | 0:16:35 | |
One of whom is Marisha, who works in digital media. | 0:16:35 | 0:16:38 | |
Marisha, tell me about your commute. Where do you travel in from? | 0:16:38 | 0:16:40 | |
So I live in Badlapur, | 0:16:40 | 0:16:43 | |
that's a satellite township outside of Bombay. | 0:16:43 | 0:16:46 | |
So it's about an hour-and-a-half from door to door | 0:16:46 | 0:16:49 | |
and 60 minutes on the train. | 0:16:49 | 0:16:50 | |
I've tried getting on one of these trains. It took me a few attempts. | 0:16:50 | 0:16:53 | |
It's really tough. | 0:16:53 | 0:16:55 | |
What tactics do you employ if you're doing this on a daily basis? | 0:16:55 | 0:16:58 | |
Yeah, it's tough on a daily basis, | 0:16:58 | 0:17:00 | |
so I generally have these markers on platforms, | 0:17:00 | 0:17:04 | |
so I'll remember the fan or a board or hoarding and I try | 0:17:04 | 0:17:08 | |
and be on the left side and kind of close when the train comes. | 0:17:08 | 0:17:10 | |
I know it's not safe but that's what we have to do to get in first. | 0:17:10 | 0:17:14 | |
-Are you one of these headphones in, head down... -No, absolutely not. | 0:17:14 | 0:17:18 | |
I would tell all my friends, other girls who do it, | 0:17:18 | 0:17:20 | |
because it's just not safe in a crowded... | 0:17:20 | 0:17:22 | |
Nobody's looking out for you. | 0:17:22 | 0:17:24 | |
You're going to get your head yanked, | 0:17:24 | 0:17:25 | |
or your hair pulled or your bag pulled, so that's a no-no. | 0:17:25 | 0:17:28 | |
-That violent? -Absolutely. Everybody just wants to get on to the train, | 0:17:28 | 0:17:31 | |
which is going to leave in the next 30 seconds, so, yeah. | 0:17:31 | 0:17:33 | |
So, once you're on this train, how do you get a seat? | 0:17:33 | 0:17:35 | |
OK, so if you're travelling long distance, you really want to sit, | 0:17:35 | 0:17:38 | |
so you just go round asking people, "Where are you getting off?" | 0:17:38 | 0:17:41 | |
And if they're getting off somewhere close by, next station or two | 0:17:41 | 0:17:44 | |
stations later, you just say, "OK, I'm sitting next." | 0:17:44 | 0:17:46 | |
-You're booking a seat. -Why do you travel in a ladies-only compartment? | 0:17:46 | 0:17:50 | |
That's the safest and that's the most comfortable way of travelling | 0:17:50 | 0:17:54 | |
because, during peak hours, | 0:17:54 | 0:17:55 | |
there are just too many people in that compartment, | 0:17:55 | 0:17:58 | |
so it's very uncomfortable being stuck head-to-toe with a guy. | 0:17:58 | 0:18:02 | |
Just a purely physically uncomfortable experience. | 0:18:02 | 0:18:05 | |
Is it socially unacceptable to be that close? | 0:18:05 | 0:18:08 | |
Absolutely, and you wouldn't want to be. | 0:18:08 | 0:18:10 | |
You wouldn't want to be that close to a stranger. Why would you? | 0:18:10 | 0:18:12 | |
Even with a woman it's kind of uncomfortable | 0:18:12 | 0:18:14 | |
but you somehow manage. | 0:18:14 | 0:18:16 | |
-But with a guy definitely not, and they stink. -And they stink! | 0:18:16 | 0:18:19 | |
-Yes, more deodorant. You said that, not me. -Absolutely. | 0:18:19 | 0:18:23 | |
Now, you mentioned safety there. Safety is a concern here. | 0:18:23 | 0:18:25 | |
There are posters, I've seen them around the station telling women - | 0:18:25 | 0:18:28 | |
"It's not a compliment. You're giving me the creeps. | 0:18:28 | 0:18:31 | |
"Don't stay silent." Have you ever been harassed or, | 0:18:31 | 0:18:33 | |
as you euphemistically call it here, Eve-teasing? | 0:18:33 | 0:18:37 | |
Um, yeah, there have been the odd brushes, | 0:18:37 | 0:18:40 | |
where you get off a train onto a crowded platform, you have the | 0:18:40 | 0:18:44 | |
brush against your thigh or somebody tries and cups you from behind. | 0:18:44 | 0:18:49 | |
A few of my friends have had that experience too. | 0:18:49 | 0:18:52 | |
I mean, it's kind of part of my experience of commuting | 0:18:52 | 0:18:57 | |
for the last five years. | 0:18:57 | 0:18:58 | |
And why are we hearing so much about it now? | 0:18:58 | 0:19:01 | |
Obviously because people like me, who were born in the 21st century, | 0:19:01 | 0:19:04 | |
I feel I'm better than most guys out there because I'm educated. | 0:19:04 | 0:19:07 | |
Yeah, and I'm earning more than them, | 0:19:07 | 0:19:09 | |
so I don't think you have the right to do that. | 0:19:09 | 0:19:11 | |
I don't have the right to go and touch a guy, | 0:19:11 | 0:19:13 | |
so why do you think you are entitled to do that? | 0:19:13 | 0:19:16 | |
What would improve your commute? | 0:19:16 | 0:19:18 | |
More trains. More trains on these tracks, absolutely. | 0:19:18 | 0:19:21 | |
Too many people, too few trains on these tracks. | 0:19:21 | 0:19:23 | |
-Marisha, thank you very much. -Thank you. | 0:19:23 | 0:19:26 | |
Now, more than 600,000 people like Marisha use this station every | 0:19:26 | 0:19:30 | |
single day and it's because of the crucial part it plays in the | 0:19:30 | 0:19:33 | |
lives of Mumbaikars that it was the target of a terrorist attack in 2008. | 0:19:33 | 0:19:38 | |
Good evening. | 0:19:43 | 0:19:44 | |
There's been a major terrorist attack in the Indian city of Mumbai. | 0:19:44 | 0:19:48 | |
As many as 80 people have been killed after | 0:19:48 | 0:19:50 | |
teams of heavily armed gunmen stormed different locations, | 0:19:50 | 0:19:54 | |
including two luxury hotels and the main railway station. | 0:19:54 | 0:19:57 | |
It was around 9.30 when two men from a Pakistani terror group | 0:20:00 | 0:20:04 | |
arrived at the station. | 0:20:04 | 0:20:06 | |
Local tea-seller Mohammed Tofiq Shikh got caught up | 0:20:06 | 0:20:10 | |
in what happened next. | 0:20:10 | 0:20:12 | |
'Station announcer Mr Chendi was coming towards the end of his shift | 0:20:27 | 0:20:31 | |
'in the control room.' | 0:20:31 | 0:20:32 | |
When did you first know that something was going on, | 0:20:32 | 0:20:34 | |
an attack was under way? | 0:20:34 | 0:20:36 | |
And did you see out these windows all the things happening? | 0:20:46 | 0:20:49 | |
Mr Chendi carried on making urgent announcements, | 0:21:20 | 0:21:23 | |
directing passengers away from the gunmen | 0:21:23 | 0:21:26 | |
who were now heading towards Mohammed. | 0:21:26 | 0:21:29 | |
Mohammed ducked into the ticket office and locked the door, | 0:21:41 | 0:21:44 | |
telling the staff to take cover. | 0:21:44 | 0:21:47 | |
Mr Chendi also came face-to-face with the attackers. | 0:22:08 | 0:22:12 | |
But, as suddenly as they had arrived, | 0:22:52 | 0:22:55 | |
the gunmen turned and walked away. | 0:22:55 | 0:22:58 | |
They left a scene of devastation behind them. | 0:22:59 | 0:23:03 | |
The killing spree had lasted an hour-and-a-half. | 0:23:45 | 0:23:49 | |
It left 52 people dead and more than 100 others seriously wounded. | 0:23:49 | 0:23:53 | |
A combination of passengers and railway staff. | 0:23:53 | 0:23:57 | |
The scars of those events in 2008 | 0:24:00 | 0:24:03 | |
are still visible around the station, | 0:24:03 | 0:24:05 | |
but Mumbaikars like Mr Chendi take a philosophical view. | 0:24:05 | 0:24:09 | |
This is the memorial to all those who were killed | 0:24:44 | 0:24:47 | |
on that terrible day. | 0:24:47 | 0:24:49 | |
It was built in 2009. | 0:24:49 | 0:24:51 | |
It's got the names of those who died inscribed along the front | 0:24:51 | 0:24:55 | |
and it's always spotless. | 0:24:55 | 0:24:56 | |
It's always perfectly maintained. | 0:24:56 | 0:24:58 | |
It sits here in the heart of the station, | 0:24:58 | 0:25:00 | |
right in the middle of the concourse and, actually, right in the middle | 0:25:00 | 0:25:03 | |
of where some of the worst killing actually took place that day. | 0:25:03 | 0:25:06 | |
It's a permanent reminder of what went on here. | 0:25:06 | 0:25:09 | |
A permanent reminder of those who lost their lives | 0:25:09 | 0:25:12 | |
and the suffering of this station and this city as a whole. | 0:25:12 | 0:25:15 | |
It's not the only reminder here. | 0:25:15 | 0:25:17 | |
There are now X-ray machines and metal detectors at every | 0:25:17 | 0:25:20 | |
entrance and exit, and there's a heavy police presence. | 0:25:20 | 0:25:24 | |
Heavily-armed officers patrol this station 24 hours a day. | 0:25:24 | 0:25:28 | |
But what's amazing about Mumbai, very much like London after 7/7, | 0:25:28 | 0:25:32 | |
is that the day following those terrible attacks, | 0:25:32 | 0:25:35 | |
trains were running normally in and out of this station. | 0:25:35 | 0:25:38 | |
There was an absolute determination not to let the terrorists win, | 0:25:38 | 0:25:41 | |
to get back on their feet and keep things going as normal. | 0:25:41 | 0:25:44 | |
A determination not to be beaten. | 0:25:44 | 0:25:47 | |
And, actually, | 0:25:47 | 0:25:49 | |
that determination is reflected in the history of Indian railways. | 0:25:49 | 0:25:52 | |
When engineers and builders first arrived here, | 0:25:52 | 0:25:54 | |
they were faced with overwhelming challenges in this vast land, | 0:25:54 | 0:25:59 | |
and John Sergeant has been to see a stretch of track that, at | 0:25:59 | 0:26:03 | |
the time it was built, was nothing less than an engineering miracle. | 0:26:03 | 0:26:07 | |
60 kilometres east of Mumbai is one of India's greatest mountain ranges, | 0:26:10 | 0:26:16 | |
the Western Ghats. | 0:26:16 | 0:26:19 | |
They form a natural barrier between Mumbai | 0:26:19 | 0:26:23 | |
and the south and east of India. | 0:26:23 | 0:26:26 | |
Victorian railway engineers had to find a route through | 0:26:26 | 0:26:29 | |
the mountains in order to connect Mumbai to the rest of the country. | 0:26:29 | 0:26:34 | |
A 21-kilometre section called the Bhorghat Pass | 0:26:34 | 0:26:38 | |
was the hardest challenge. | 0:26:38 | 0:26:41 | |
This was the most difficult, | 0:26:41 | 0:26:42 | |
the most complicated railway project in the whole of India. | 0:26:42 | 0:26:47 | |
To keep the overall length and the number of tunnels down to | 0:26:47 | 0:26:50 | |
a minimum, the tracks had to be as steep as possible. | 0:26:50 | 0:26:54 | |
The most severe gradient was about 1 in 40. | 0:26:54 | 0:26:58 | |
You go along 40 metres and up a metre, | 0:26:58 | 0:27:01 | |
and if you got it wrong, the steam engines would simply slide backwards. | 0:27:01 | 0:27:05 | |
Even today, parts of the line are so steep that additional engines | 0:27:08 | 0:27:13 | |
called bankers have to be attached to each train. | 0:27:13 | 0:27:17 | |
These help to push them up the hill. | 0:27:17 | 0:27:20 | |
'I'm hitching a ride on one of these banker engines | 0:27:26 | 0:27:29 | |
'with driver Jayant Ramadasi.' | 0:27:29 | 0:27:32 | |
So why do we need these extra engines? | 0:27:32 | 0:27:35 | |
Right, so the couplings would break? | 0:27:42 | 0:27:45 | |
The couplings would break naturally. | 0:27:45 | 0:27:46 | |
-So the train would start going backwards? -Exactly. -Yeah. | 0:27:46 | 0:27:49 | |
Hello. | 0:27:50 | 0:27:52 | |
And there are the mountains here, aren't they? | 0:28:02 | 0:28:04 | |
Yeah, this is Bhore Ghat. | 0:28:04 | 0:28:06 | |
-And Bhore Ghat is the way through the mountains, isn't it? -Yeah. | 0:28:06 | 0:28:10 | |
It may not look steep but, for trains, | 0:28:12 | 0:28:16 | |
these gradients are hard work. | 0:28:16 | 0:28:18 | |
TRAIN HOOTS | 0:28:22 | 0:28:25 | |
That's good. | 0:28:25 | 0:28:27 | |
Actually, we are supposed to press the horn | 0:28:27 | 0:28:28 | |
-while entering every tunnel... -Oh, right. | 0:28:28 | 0:28:31 | |
..to warn the staff working there that some train is approaching. | 0:28:31 | 0:28:34 | |
-OK, well, if you tell me, I'll press the horn... -Sure. | 0:28:34 | 0:28:37 | |
-..all right, when we go through the next tunnel. -Yeah. | 0:28:37 | 0:28:40 | |
HORN HOOTS | 0:28:40 | 0:28:43 | |
Work on this section of line began in 1856. | 0:28:45 | 0:28:50 | |
At one point, 42,000 workers were employed here. | 0:28:50 | 0:28:55 | |
In less than ten years, they built eight huge viaducts, | 0:28:55 | 0:28:59 | |
dozens of massive embankments and 25 tunnels. | 0:28:59 | 0:29:04 | |
They hacked out the rocks with picks and shovels. | 0:29:04 | 0:29:07 | |
HORN HOOTS | 0:29:08 | 0:29:11 | |
It cost in today's money more than £100 million, | 0:29:11 | 0:29:16 | |
but the cost in human terms was far more than that. | 0:29:16 | 0:29:20 | |
More than 25,000 construction workers died here. | 0:29:22 | 0:29:27 | |
That's more than 1,000 for every kilometre of track. | 0:29:27 | 0:29:31 | |
The loss of life in the building of this engineering marvel obviously | 0:29:31 | 0:29:35 | |
nowadays would be completely unacceptable, | 0:29:35 | 0:29:38 | |
but in those days it was argued the human cost would be balanced | 0:29:38 | 0:29:43 | |
by the enormous practical gain. | 0:29:43 | 0:29:46 | |
Now, in our day, | 0:29:46 | 0:29:47 | |
the very least we can do is to celebrate their achievement. | 0:29:47 | 0:29:51 | |
HORN HOOTS | 0:29:51 | 0:29:53 | |
And this was a great engineering achievement, | 0:29:53 | 0:29:56 | |
an astonishing example of determination and skill. | 0:29:56 | 0:30:00 | |
This drawing shows where the original tracks used to run. | 0:30:02 | 0:30:06 | |
It's a reversing station, | 0:30:06 | 0:30:08 | |
an elegant way to get trains round a hairpin bend. | 0:30:08 | 0:30:13 | |
A rail historian, Apurva Bahadur, explains how it worked. | 0:30:13 | 0:30:18 | |
This is how it came up from the bottom of the Ghats. | 0:30:18 | 0:30:21 | |
It came up here. This is the old route and it reached here. | 0:30:21 | 0:30:27 | |
-There was a big problem. -What was that? | 0:30:27 | 0:30:31 | |
The big problem was that this curvature, | 0:30:31 | 0:30:34 | |
it now goes in this direction, is too sharp to follow. | 0:30:34 | 0:30:38 | |
So it couldn't go round here? | 0:30:38 | 0:30:39 | |
It couldn't go round here so they built a yard down there, | 0:30:39 | 0:30:44 | |
and the train would go here and it would reverse and go along that way | 0:30:44 | 0:30:49 | |
on the other side of the mountain to Khandala. | 0:30:49 | 0:30:51 | |
The train entered the yard on the lower line | 0:30:52 | 0:30:54 | |
and then reversed up the upper line, manoeuvring round the corner. | 0:30:54 | 0:30:59 | |
Today, with new tunnels and electric trains, | 0:31:03 | 0:31:06 | |
they don't need a reversing station. | 0:31:06 | 0:31:09 | |
But it's not just getting trains up the incline that's difficult. | 0:31:12 | 0:31:16 | |
Getting trains down safely also isn't easy. | 0:31:16 | 0:31:20 | |
Brake failure could result in a runaway train, | 0:31:20 | 0:31:24 | |
and this safety route, called a catch siding, | 0:31:24 | 0:31:27 | |
has always been a crucial part of the line. | 0:31:27 | 0:31:30 | |
So tell me about this catch siding. How did it work? | 0:31:32 | 0:31:35 | |
So you could imagine the emergency could be for brake failure, | 0:31:35 | 0:31:39 | |
and a train is gathering speed, so it'll come faster and faster | 0:31:39 | 0:31:43 | |
down these tracks, and the gradient will arrest any further movement. | 0:31:43 | 0:31:48 | |
It's an incredible hill, though, isn't it? Why is it needed? | 0:31:48 | 0:31:52 | |
They need that gradient to break the momentum and come to a stop. | 0:31:52 | 0:31:55 | |
But if it didn't have this catch siding? | 0:31:55 | 0:31:58 | |
If you don't have this then it would go onto the main tracks | 0:31:58 | 0:32:01 | |
at a fast speed, possibly derailed. | 0:32:01 | 0:32:03 | |
A lot of people would be killed. | 0:32:03 | 0:32:06 | |
But how often has it been used? | 0:32:06 | 0:32:08 | |
Almost never. Maybe once or twice in its entire history of 165 years... | 0:32:08 | 0:32:14 | |
-Really? -..and the tracks are busy 24 hours a day. | 0:32:14 | 0:32:18 | |
This line is a crucial one in the history of Indian railways. | 0:32:20 | 0:32:24 | |
30 years after it opened, | 0:32:29 | 0:32:31 | |
the network was carrying 500 million passengers | 0:32:31 | 0:32:37 | |
and millions of tonnes of freight. | 0:32:37 | 0:32:40 | |
It helped India, and particularly Mumbai, | 0:32:40 | 0:32:43 | |
to become the industrial powerhouse it is today. | 0:32:43 | 0:32:47 | |
And that route along the Western Ghats is still essential to | 0:32:54 | 0:32:57 | |
this day, as it links Mumbai to the south and the east of the country and | 0:32:57 | 0:33:01 | |
this train coming in right now, the 12124 from Pune, has used that route. | 0:33:01 | 0:33:07 | |
It's a very special train. | 0:33:07 | 0:33:09 | |
It has a very special place in the hearts of people of this city and all | 0:33:09 | 0:33:15 | |
train fans, and they affectionately call it the Deccan Queen. | 0:33:15 | 0:33:18 | |
One of those train fans is Ashish Kobilka. | 0:33:18 | 0:33:21 | |
Why is the Deccan Queen so special? | 0:33:21 | 0:33:23 | |
It is the most-loved train of Indian railways. | 0:33:23 | 0:33:27 | |
So much so that, every year, those who travel regularly, they celebrate | 0:33:27 | 0:33:31 | |
its birthday with fun and pomp, and they cut a cake | 0:33:31 | 0:33:35 | |
and they have bands running in the background | 0:33:35 | 0:33:38 | |
and it's a fun atmosphere to celebrate its birth. | 0:33:38 | 0:33:42 | |
'It may look like an ordinary train, which it is, | 0:33:42 | 0:33:45 | |
'but this 10.25 arrival each morning has a historical significance | 0:33:45 | 0:33:50 | |
'for rail fans like Ashish.' | 0:33:50 | 0:33:52 | |
This train started its operation on June 1st 1930, | 0:33:52 | 0:33:56 | |
and since then it has been running. | 0:33:56 | 0:33:58 | |
Earlier, it was meant to be only for Britishers | 0:33:58 | 0:34:02 | |
and it would run on weekends. | 0:34:02 | 0:34:03 | |
In 1943, Indians were allowed | 0:34:03 | 0:34:06 | |
and that's where the number of commuters started increasing. | 0:34:06 | 0:34:10 | |
There were so many commuters getting on it from Pune | 0:34:10 | 0:34:13 | |
that they actually gave it a special name, didn't they? | 0:34:13 | 0:34:15 | |
Yes, earlier it was called the Husband Special because the men | 0:34:15 | 0:34:19 | |
would travel to work to Mumbai and then go back to Pune by this train. | 0:34:19 | 0:34:23 | |
And it's not just husbands now. | 0:34:23 | 0:34:25 | |
-There are plenty of wives and single people that use this train... -Yes. | 0:34:25 | 0:34:29 | |
..because society changed and the technology changed. What happened? | 0:34:29 | 0:34:32 | |
Yeah, when the technology changed, earlier the trains used to be run by | 0:34:32 | 0:34:36 | |
steam and they would take about six hours to come from Pune to Mumbai. | 0:34:36 | 0:34:43 | |
Now it is run by electric trains, electric engines, | 0:34:43 | 0:34:47 | |
and, as a result, the time has been cut down to only three hours. | 0:34:47 | 0:34:51 | |
-Three-hour journey, so more and more people use the train? -Yes. | 0:34:51 | 0:34:54 | |
Do they still use it to commute? | 0:34:54 | 0:34:56 | |
Yes, there are businessmen who travel every day morning | 0:34:56 | 0:35:00 | |
and there are office-goers who come for work to Mumbai | 0:35:00 | 0:35:04 | |
and then go back to Pune. | 0:35:04 | 0:35:06 | |
-And you live in Pune yourself? -Yes, I do. | 0:35:06 | 0:35:09 | |
And how do you get to Mumbai? | 0:35:09 | 0:35:11 | |
Every time I get a chance to travel to Mumbai, | 0:35:11 | 0:35:13 | |
there's no alternative but to take the Deccan Queen. | 0:35:13 | 0:35:15 | |
You genuinely love this train! | 0:35:15 | 0:35:18 | |
-How excited are you that this train is right behind you? -Yeah, it's... | 0:35:18 | 0:35:22 | |
I can't express in words. | 0:35:22 | 0:35:24 | |
It's really great to travel by the Deccan Queen, | 0:35:24 | 0:35:26 | |
every time I get the chance. | 0:35:26 | 0:35:29 | |
And can anybody become a rail fan? | 0:35:29 | 0:35:31 | |
No. It has to be in our blood. | 0:35:31 | 0:35:33 | |
You can't convert anybody into a rail fan, rail fans are born. | 0:35:33 | 0:35:37 | |
-Rail fans are born. Ashish, thank you so much. -Thank you. | 0:35:37 | 0:35:40 | |
Well, of course, no train's going anywhere without a driver. | 0:35:42 | 0:35:45 | |
Here, in India, it's a very prestigious job. | 0:35:45 | 0:35:47 | |
Indian Railways employs 90,000 drivers. | 0:35:47 | 0:35:51 | |
It's highly skilled, and requires years of intensive training. | 0:35:51 | 0:35:55 | |
But to Robert, those are just details. | 0:35:55 | 0:35:57 | |
Nothing was going to stop him having a go. | 0:35:57 | 0:35:59 | |
I've been having an intensive series of train-driving lessons | 0:36:02 | 0:36:06 | |
at the Bhusawal Railway Training Institute. | 0:36:06 | 0:36:09 | |
I've got the basics of signalling. | 0:36:09 | 0:36:11 | |
So, I would know if I was coming along, | 0:36:12 | 0:36:14 | |
I can keep going there, it's green. | 0:36:14 | 0:36:15 | |
Yellow, I've got to be careful, get ready to stop. | 0:36:15 | 0:36:17 | |
Red, stop. | 0:36:17 | 0:36:18 | |
'And I've successfully negotiated my first lesson in a simulator.' | 0:36:19 | 0:36:24 | |
-Now, it's moving. You can see. -We're moving! | 0:36:24 | 0:36:27 | |
HE CHUCKLES | 0:36:27 | 0:36:28 | |
'But now, my instructor Muhammed Itsar is setting me a test | 0:36:28 | 0:36:31 | |
'to see if I'm good enough to be let loose on a real locomotive.' | 0:36:31 | 0:36:35 | |
'He retires to a safe distance, | 0:36:36 | 0:36:38 | |
'while I try to remember everything I've been taught.' | 0:36:38 | 0:36:41 | |
OK. Right, throttle on idle... | 0:36:42 | 0:36:44 | |
Er... Locomotive brake on. | 0:36:46 | 0:36:48 | |
Train brake off. | 0:36:48 | 0:36:49 | |
'This simulator is letting me experience what it's like | 0:36:50 | 0:36:53 | |
'to drive a 24-carriage diesel train with 1,500 passengers onboard.' | 0:36:53 | 0:36:58 | |
-Mr Robert? -Yes. -When I will give you the signal green, | 0:37:00 | 0:37:02 | |
-then you start your train, OK? -Waiting for a green signal. | 0:37:02 | 0:37:05 | |
I have a green signal. | 0:37:05 | 0:37:07 | |
I didn't... I didn't sound the horn. | 0:37:09 | 0:37:11 | |
HORN BLARES | 0:37:11 | 0:37:12 | |
-ROBERT LAUGHS -I forgot the horn! | 0:37:12 | 0:37:14 | |
'Drivers have to sound their horn as they leave the station | 0:37:14 | 0:37:18 | |
'to warn passengers on the platform.' | 0:37:18 | 0:37:20 | |
'Failing to do this | 0:37:21 | 0:37:22 | |
'means I'm already falling short of what's expected.' | 0:37:22 | 0:37:25 | |
Increase the speed. | 0:37:25 | 0:37:26 | |
I'm looking for my next signal light. | 0:37:28 | 0:37:30 | |
Yeah, there it is, it's green. That's good. | 0:37:30 | 0:37:33 | |
'As well as watching for hazards ahead, and controlling the loco, | 0:37:33 | 0:37:37 | |
'I've also got dials | 0:37:37 | 0:37:39 | |
'displaying brake pressure, engine power, and speed. | 0:37:39 | 0:37:42 | |
'All have to be constantly monitored.' | 0:37:42 | 0:37:45 | |
I think that is a level crossing coming up. | 0:37:45 | 0:37:47 | |
'As if there wasn't enough to worry about, | 0:37:48 | 0:37:50 | |
'Muhammed decides to introduce the odd hazard.' | 0:37:50 | 0:37:53 | |
-Oh, there's a cow! Oh, my God! -HORN BLARES | 0:37:54 | 0:37:56 | |
There is a cow! | 0:37:56 | 0:37:57 | |
There's a cow on the line! What do I do? I can't stop. | 0:37:58 | 0:38:01 | |
Go on! You could move? | 0:38:01 | 0:38:02 | |
No, it's not going to move. Very distressing! | 0:38:03 | 0:38:06 | |
HE LAUGHS | 0:38:06 | 0:38:08 | |
What you have done, Mr Robert? | 0:38:08 | 0:38:10 | |
You have killed one cow! | 0:38:10 | 0:38:11 | |
I was sounding my horn. | 0:38:11 | 0:38:12 | |
If it had any sense, it would have got out of the way. | 0:38:12 | 0:38:15 | |
'It might be India's sacred animal, | 0:38:15 | 0:38:17 | |
'but momentum means these trains can take over a kilometre to stop.' | 0:38:17 | 0:38:21 | |
'By the time a train driver sees a hazard on the track, | 0:38:22 | 0:38:25 | |
'it's too late to put the brakes on.' | 0:38:25 | 0:38:28 | |
Now, a yellow signal is approaching. | 0:38:29 | 0:38:31 | |
You have to reduce your train speed. | 0:38:31 | 0:38:32 | |
'I now have to bring this huge train to a halt, | 0:38:34 | 0:38:36 | |
'as we approach the station.' | 0:38:36 | 0:38:38 | |
That's a yellow signal, so I really need to have the brake on now. | 0:38:38 | 0:38:41 | |
We're slowing down pretty good. | 0:38:41 | 0:38:43 | |
You have to stop the train on the platform. | 0:38:43 | 0:38:47 | |
HIGH-PITCHED WHINE | 0:38:47 | 0:38:48 | |
Aah! I've stopped the train too soon! | 0:38:48 | 0:38:49 | |
HE LAUGHS | 0:38:49 | 0:38:51 | |
To actually stop something this big and this heavy, | 0:38:53 | 0:38:56 | |
at a specific point like a station, | 0:38:56 | 0:38:59 | |
I have already discovered is very difficult. | 0:38:59 | 0:39:01 | |
'I'm hoping that Muhammad was impressed with my efforts.' | 0:39:03 | 0:39:06 | |
-So... -HE LAUGHS | 0:39:06 | 0:39:08 | |
-Mr Robert. How was the drive? -How did I do? | 0:39:08 | 0:39:10 | |
It was terrifying, but wonderful. Really exciting. | 0:39:10 | 0:39:12 | |
-Did you learn something? -I think I learned... | 0:39:12 | 0:39:14 | |
I learned how hard it is to drive a train, if nothing else. | 0:39:14 | 0:39:17 | |
But what I found hard was to stop at the station. | 0:39:17 | 0:39:20 | |
-Stopping is difficult... -Yeah. | 0:39:20 | 0:39:22 | |
..because you have to see what is the load, how is the gradient, | 0:39:22 | 0:39:26 | |
and where you have to stop the train, | 0:39:26 | 0:39:28 | |
what is the speed of the train, | 0:39:28 | 0:39:29 | |
and, as per that, you have to apply the brakes. | 0:39:29 | 0:39:31 | |
And you have to stop the train on the particular spot, | 0:39:31 | 0:39:34 | |
-before the signal, not after the signal. -No. You're right. | 0:39:34 | 0:39:37 | |
-So, starting a train is very easy. -It's very easy. | 0:39:37 | 0:39:40 | |
-Stopping a train... -Yeah. -Very hard, yes. | 0:39:40 | 0:39:42 | |
Actually, the loco pilots are paid for stopping the train. | 0:39:42 | 0:39:44 | |
-For stopping the train! -Not for driving the train! | 0:39:44 | 0:39:47 | |
'I must've done something right, | 0:39:49 | 0:39:51 | |
'because I've been told to report to the shunting yard.' | 0:39:51 | 0:39:54 | |
'It normally takes more than seven years of training | 0:39:55 | 0:39:58 | |
'before drivers are let loose on real locos, | 0:39:58 | 0:40:01 | |
'but I've been given special permission to have a go.' | 0:40:01 | 0:40:04 | |
Oh, my God. There it is. It's huge! | 0:40:04 | 0:40:07 | |
My first proper Indian diesel locomotive. | 0:40:09 | 0:40:12 | |
'This is the Indian-built, diesel-powered, 3,100 horsepower, | 0:40:13 | 0:40:18 | |
'Shakti WDG3A shunting engine. | 0:40:18 | 0:40:22 | |
'It's a workhorse of the Indian railways. | 0:40:23 | 0:40:26 | |
'Looking after me is Chief Loco Inspector Ramesh Kakade.' | 0:40:27 | 0:40:31 | |
-Hello, Ramesh. -Hello, sir! -Hello. -How are you? Come in! -Very good. | 0:40:31 | 0:40:34 | |
-Can I sit down? -You're driving, yes! | 0:40:34 | 0:40:35 | |
Oh, my own train. This is very exciting. | 0:40:35 | 0:40:39 | |
'Now to see if I can remember everything Muhammad taught me | 0:40:40 | 0:40:43 | |
'in the simulator.' | 0:40:43 | 0:40:44 | |
-So, Ramesh, this is the throttle? -Yes, yes. | 0:40:44 | 0:40:46 | |
Open the throttle. One notch. And release loco brake. | 0:40:46 | 0:40:50 | |
Release loco brake. | 0:40:50 | 0:40:51 | |
TRAIN HISSES | 0:40:51 | 0:40:53 | |
-Oh, we're moving! -HE LAUGHS EXCITEDLY | 0:40:56 | 0:40:58 | |
Now we're going. | 0:40:58 | 0:41:00 | |
But once again I've forgotten something crucial. | 0:41:00 | 0:41:03 | |
-Horn, horn. -Oh, yeah. Horn. This one? -Push, push, push. | 0:41:04 | 0:41:07 | |
HORN BLASTS | 0:41:07 | 0:41:09 | |
-Release, release... -Take it down? -Yes. Good. | 0:41:11 | 0:41:14 | |
Bit of a tree, there. | 0:41:17 | 0:41:18 | |
-Engine up one notch. -One notch? -Yes. -OK. -Yes. | 0:41:18 | 0:41:21 | |
Oh, feel that acceleration! Wow! | 0:41:22 | 0:41:25 | |
I think I might have done two notches. | 0:41:25 | 0:41:27 | |
'Within this huge machine, speed is deceptive.' | 0:41:27 | 0:41:30 | |
So, we're just going at... | 0:41:31 | 0:41:32 | |
-Ooh, we're going a bit more than ten, yeah. -Oh. -Oh. | 0:41:32 | 0:41:35 | |
'Just like in the simulator, | 0:41:36 | 0:41:38 | |
'there appear to be some hazards on the line. | 0:41:38 | 0:41:40 | |
TREES RASP ON METAL | 0:41:40 | 0:41:43 | |
THEY CHATTER AND LAUGH AS TREES SCRAPE ON TRAIN | 0:41:43 | 0:41:46 | |
-One notch. -One notch, yes? -Yes. -OK. | 0:41:49 | 0:41:51 | |
Give it another notch. | 0:41:51 | 0:41:53 | |
RAMESH CHATS IN HIS OWN LANGUAGE | 0:41:54 | 0:41:56 | |
We're basically driving into a wood. | 0:41:56 | 0:41:58 | |
TREES SCRAPE AGAIN BOTH: Ooh! | 0:41:58 | 0:42:00 | |
'We're fast approaching the end of the track, | 0:42:00 | 0:42:02 | |
'and I'm mindful of Muhammed's advice | 0:42:02 | 0:42:04 | |
'that good drivers are good at stopping.' | 0:42:04 | 0:42:06 | |
-So, shall I put the brakes on now, Ramesh? -Yes. | 0:42:06 | 0:42:08 | |
-Time for the brake, time for the brake. -Ah. -Yes? Push. Push, push. | 0:42:08 | 0:42:12 | |
-Push? -Yes. | 0:42:12 | 0:42:14 | |
Whoa! Whoa! | 0:42:14 | 0:42:17 | |
BRAKES GROAN | 0:42:17 | 0:42:18 | |
THEY CHUCKLE | 0:42:18 | 0:42:20 | |
-Wow. -Good. | 0:42:24 | 0:42:26 | |
-Train stopped. -Good. Yes. | 0:42:26 | 0:42:27 | |
-Thank you so much. -Good job. -Right, that was very good. | 0:42:27 | 0:42:30 | |
-Am I a good driver? -Very good. Best driver. -Best driver! | 0:42:30 | 0:42:33 | |
RAMESH LAUGHS | 0:42:33 | 0:42:35 | |
I think it'll be a while | 0:42:35 | 0:42:36 | |
before Robert's ready to join the ranks of CST's train drivers. | 0:42:36 | 0:42:40 | |
It's just after 11 o'clock here, | 0:42:43 | 0:42:44 | |
a pause between the chaos of morning and evening rush hours. | 0:42:44 | 0:42:48 | |
But even at this time, | 0:42:48 | 0:42:49 | |
it's busy by the standards of other world stations. | 0:42:49 | 0:42:52 | |
Since the 1990s, | 0:42:53 | 0:42:55 | |
the station has introduced a series of measures | 0:42:55 | 0:42:58 | |
to cope with rapidly-increasing passenger numbers. | 0:42:58 | 0:43:01 | |
This has included so-called double discharge platforms, | 0:43:01 | 0:43:05 | |
and extending the length of trains. | 0:43:05 | 0:43:08 | |
But, as more and more people move to Mumbai, | 0:43:08 | 0:43:10 | |
the railway's managers are coming up with new ideas to expand capacity, | 0:43:10 | 0:43:14 | |
and improve the travel experience for commuters. | 0:43:14 | 0:43:17 | |
I'm joined now by Mukesh Nigam, | 0:43:19 | 0:43:20 | |
who was the man in charge of this network from 2012 to 2015. | 0:43:20 | 0:43:25 | |
Mr Nigam, you have 1,500 trains, they are currently running to capacity. | 0:43:25 | 0:43:30 | |
In the next six years, | 0:43:30 | 0:43:31 | |
your passengers are going to increase by 50%. | 0:43:31 | 0:43:34 | |
How are you going to cope? | 0:43:34 | 0:43:36 | |
It should be possible to run longer trains, | 0:43:36 | 0:43:38 | |
and that will account for 33% of additional capacity. | 0:43:38 | 0:43:42 | |
Instantly, just by adding more carriages, you can increase by 33%? | 0:43:42 | 0:43:45 | |
-Yes. -That's quite a lot. -Yes. | 0:43:45 | 0:43:47 | |
The second approach is to augment the infrastructure capacity | 0:43:47 | 0:43:51 | |
by adding the lines. | 0:43:51 | 0:43:53 | |
The work on fifth and sixth lines is already complete, by about 60%, | 0:43:53 | 0:43:58 | |
and we expect in a couple of years the fifth and sixth lines | 0:43:58 | 0:44:01 | |
to come in, right up to CST, | 0:44:01 | 0:44:03 | |
which will give a major boost for running additional suburban trains | 0:44:03 | 0:44:08 | |
as well as long-distance trains. | 0:44:08 | 0:44:09 | |
-What about modernising? Any plans? -Yes. | 0:44:09 | 0:44:13 | |
There are several schemes of modernisation, | 0:44:13 | 0:44:15 | |
that is a continuous process. | 0:44:15 | 0:44:18 | |
We are also trying to improve our ticket vending system. | 0:44:18 | 0:44:22 | |
We have just introduced a mobile ticketing system | 0:44:22 | 0:44:26 | |
where it is possible for the suburban commuter | 0:44:26 | 0:44:28 | |
to buy his ticket on the mobile. | 0:44:28 | 0:44:30 | |
What about the trains themselves? | 0:44:30 | 0:44:32 | |
Yes. We have plans to modernise the trains, the interiors of the trains. | 0:44:32 | 0:44:38 | |
There would be stainless steel bars, | 0:44:38 | 0:44:40 | |
there would be more ergonomic designs in the coaches themselves. | 0:44:40 | 0:44:44 | |
There's also plans for the introduction of AC trains. | 0:44:44 | 0:44:48 | |
-Air-conditioned? -Air-conditioned trains. | 0:44:48 | 0:44:50 | |
Air-conditioned trains, that will give major relief, | 0:44:50 | 0:44:53 | |
and that will be in keeping with Metro systems across the globe. | 0:44:53 | 0:44:56 | |
-You'll have to close the doors if you have air-conditioned carriages? -Yes. | 0:44:56 | 0:45:00 | |
How will your travellers here in Mumbai react to that? | 0:45:00 | 0:45:03 | |
Will they be open to that change? | 0:45:03 | 0:45:04 | |
At the moment, they're used to jumping on and off, | 0:45:04 | 0:45:07 | |
having the wind blow through their hair. | 0:45:07 | 0:45:09 | |
Across the globe, in the suburban networks, the doors are shut. | 0:45:09 | 0:45:12 | |
I think it's just a matter of getting used to | 0:45:13 | 0:45:18 | |
and it's a matter of time, but if you want air-conditioning | 0:45:18 | 0:45:21 | |
in your coaches, the doors have to be shut. | 0:45:21 | 0:45:23 | |
If you close the doors, | 0:45:23 | 0:45:24 | |
won't that mean you can fit fewer people on your trains | 0:45:24 | 0:45:27 | |
and also, the time it takes to get the trains in and out of the stations | 0:45:27 | 0:45:31 | |
will obviously increase? | 0:45:31 | 0:45:32 | |
It's not the numbers. | 0:45:32 | 0:45:33 | |
We have several suburban networks which carry | 0:45:33 | 0:45:36 | |
the same number of passengers but with the doors that are shut. | 0:45:36 | 0:45:40 | |
I'm sure with the closure of doors, not only will we have air-condition | 0:45:40 | 0:45:45 | |
facilities that are coming, but it will also save some lives. | 0:45:45 | 0:45:48 | |
-Do you sometimes feel you're fighting a losing battle here? -No, it is not. | 0:45:48 | 0:45:51 | |
I am sure our commuters will realise that with each passing year, | 0:45:51 | 0:45:55 | |
the control of the railways over running of trains is improving. | 0:45:55 | 0:45:59 | |
Thank you very much. | 0:45:59 | 0:46:01 | |
Now, capacity is just one of the challenges faced here. | 0:46:01 | 0:46:04 | |
In the UK, we had an infamous issue with railways unable to cope | 0:46:04 | 0:46:08 | |
with leaves on the line. | 0:46:08 | 0:46:10 | |
Here, the weather has something far more drastic in its arsenal. | 0:46:10 | 0:46:14 | |
June is the start of Mumbai's monsoon, the annual rainy season. | 0:46:16 | 0:46:22 | |
The deluge of water can be catastrophic for this coastal city. | 0:46:23 | 0:46:28 | |
Fallen trees, collapsing houses and | 0:46:28 | 0:46:31 | |
landslides are all to be expected, | 0:46:31 | 0:46:35 | |
along with cancelled buses and trains. | 0:46:35 | 0:46:38 | |
It's disruptive, though not disastrous. | 0:46:42 | 0:46:45 | |
But one year, the monsoon crippled the railways and shut the city down. | 0:46:45 | 0:46:50 | |
On the afternoon of Tuesday 26th July 2005, | 0:46:52 | 0:46:57 | |
almost a metre of rain fell - | 0:46:57 | 0:47:01 | |
a year's worth of water in one day. | 0:47:01 | 0:47:04 | |
Drains and sewage outlets were blocked with plastic bags | 0:47:08 | 0:47:12 | |
and rubbish. The water had nowhere to go. | 0:47:12 | 0:47:15 | |
The city and its transport hubs quickly | 0:47:15 | 0:47:18 | |
disappeared below flash floods. | 0:47:18 | 0:47:21 | |
As water swept up and over the railway tracks, | 0:47:28 | 0:47:31 | |
submerging the electrical circuits that control the trains, | 0:47:31 | 0:47:35 | |
the authorities were forced to cancel every service. | 0:47:35 | 0:47:39 | |
Millions of Mumbaikars couldn't get to work. | 0:47:42 | 0:47:45 | |
150,000 passengers were stranded. | 0:47:45 | 0:47:48 | |
No-one could get anywhere. | 0:47:48 | 0:47:51 | |
Since then, the railways have implemented a package of | 0:47:56 | 0:47:59 | |
measures to ensure they can keep the trains operating during the rains. | 0:47:59 | 0:48:04 | |
Tonight and every night, a special team of night workers called | 0:48:08 | 0:48:12 | |
muck pickers will be out picking litter. | 0:48:12 | 0:48:14 | |
This rubbish could block the drains during monsoon. | 0:48:14 | 0:48:17 | |
And because the normal electrical signalling systems stop working | 0:48:19 | 0:48:23 | |
once the water reaches track level, | 0:48:23 | 0:48:25 | |
they've installed axle counters that count the wheels on the trains. | 0:48:25 | 0:48:29 | |
This means that the signals can keep on working. | 0:48:29 | 0:48:33 | |
And the trains can keep running in up to 10cm of water. | 0:48:33 | 0:48:36 | |
It's clear that the team here at the station are working hard to | 0:48:42 | 0:48:45 | |
cope with extreme weather, overcrowding | 0:48:45 | 0:48:48 | |
and ever-increasing passenger numbers. | 0:48:48 | 0:48:51 | |
New trains and new lines will help, | 0:48:51 | 0:48:53 | |
but it's not going to be a quick fix. | 0:48:53 | 0:48:55 | |
This place is a victim of its own success. | 0:48:55 | 0:48:58 | |
It's been providing an effective service, | 0:48:58 | 0:49:01 | |
moving commuters round the city, for more than 120 years. | 0:49:01 | 0:49:05 | |
But it's running out of space to expand | 0:49:05 | 0:49:08 | |
and that's the same story all over the city. | 0:49:08 | 0:49:12 | |
Mumbai is India's honey pot. | 0:49:17 | 0:49:19 | |
More billionaires live here than anywhere else in the country. | 0:49:19 | 0:49:22 | |
And every day, more people move here, hoping to make their fortunes. | 0:49:22 | 0:49:27 | |
It's home to more than 17 million people and counting. | 0:49:27 | 0:49:32 | |
The big question for the future is how can the public transport | 0:49:32 | 0:49:37 | |
system keep pace with the needs of this growing population? | 0:49:37 | 0:49:42 | |
I'm in the northern suburb of Andheri with Siva Sriraman, | 0:49:42 | 0:49:46 | |
professor of transport economics at Mumbai University. | 0:49:46 | 0:49:49 | |
He explains that part of the problem is the city's geography. | 0:49:49 | 0:49:52 | |
So, here we are in the suburbs. | 0:49:54 | 0:49:57 | |
And beyond this, we have exiting suburbs too | 0:49:57 | 0:49:59 | |
and we have a transport system, | 0:49:59 | 0:50:01 | |
public transport system which goes through that, | 0:50:01 | 0:50:04 | |
but only in a north-south direction, not necessarily in the east-west, | 0:50:04 | 0:50:08 | |
because east-west connections have hardly been built. | 0:50:08 | 0:50:11 | |
-So, too many people and the trains are in the wrong place. -Yes. | 0:50:11 | 0:50:14 | |
Mumbai's main road and rail arteries run north-south, | 0:50:14 | 0:50:19 | |
leaving most of the suburbs stranded without east-west connections. | 0:50:19 | 0:50:24 | |
Has there been investment | 0:50:24 | 0:50:25 | |
in creating a public transport system here over the last decade? | 0:50:25 | 0:50:28 | |
Virtually nothing. In the past three, four decades, | 0:50:28 | 0:50:32 | |
nothing has been done on that front. | 0:50:32 | 0:50:34 | |
More roads have been built | 0:50:34 | 0:50:36 | |
and they have catered to the individuals, | 0:50:36 | 0:50:39 | |
rather than the mass transit-moving public. | 0:50:39 | 0:50:42 | |
So, first of all, what is the solution? | 0:50:42 | 0:50:44 | |
I suppose the solution is only to go underground, | 0:50:44 | 0:50:47 | |
or go over, by way of elevated. | 0:50:47 | 0:50:50 | |
But then, this is a very expensive solution. | 0:50:50 | 0:50:54 | |
Expensive or not, | 0:50:55 | 0:50:57 | |
elevated lines are the plan for the future of Mumbai's railways | 0:50:57 | 0:51:01 | |
and the first new metro line is already in action. | 0:51:01 | 0:51:04 | |
'I'm joining the passengers here in Andheri | 0:51:06 | 0:51:09 | |
'to see what it's like.' | 0:51:09 | 0:51:10 | |
Funded by public-private partnership, | 0:51:13 | 0:51:15 | |
the line runs 11.5 kilometres, east to west, | 0:51:15 | 0:51:18 | |
between Ghatkopar and Versova. | 0:51:18 | 0:51:20 | |
Wow. | 0:51:23 | 0:51:25 | |
It's like a different city. | 0:51:25 | 0:51:28 | |
Brand-new, | 0:51:28 | 0:51:30 | |
ultramodern railway. | 0:51:30 | 0:51:32 | |
But it's come at a price. | 0:51:36 | 0:51:38 | |
It was meant to cost a quarter of a billion pounds. | 0:51:38 | 0:51:42 | |
Construction and regulation delays doubled this to half a billion | 0:51:42 | 0:51:46 | |
by the time it opened in 2014. | 0:51:46 | 0:51:49 | |
The platforms couldn't be more different to the suburban railway, | 0:51:50 | 0:51:53 | |
there's a yellow line, everyone stands behind it, | 0:51:53 | 0:51:55 | |
people get off in an orderly fashion and everyone else gets on. | 0:51:55 | 0:51:58 | |
-Ah. -BEEPING | 0:52:01 | 0:52:03 | |
Air-conditioned, spacious. | 0:52:03 | 0:52:05 | |
I won't get nutted every time I move. | 0:52:05 | 0:52:07 | |
And look at these maps. | 0:52:07 | 0:52:08 | |
Little maps telling you exactly where you are, | 0:52:08 | 0:52:11 | |
with little lights that blink and off. | 0:52:11 | 0:52:13 | |
I might even take a seat. | 0:52:13 | 0:52:15 | |
'Before the Metro, this journey involved heading into the city | 0:52:20 | 0:52:23 | |
'and back out again, and took over an hour. | 0:52:23 | 0:52:26 | |
'This more direct route takes just 21 minutes.' | 0:52:26 | 0:52:30 | |
It costs up to 40 rupees, | 0:52:33 | 0:52:36 | |
double the normal train fare, | 0:52:36 | 0:52:38 | |
but that hasn't put off close to 300,000 people, | 0:52:38 | 0:52:42 | |
who use it every day. | 0:52:42 | 0:52:44 | |
Do you like this train? | 0:52:44 | 0:52:45 | |
We feel like we're travelling in a car, not a train. | 0:52:45 | 0:52:48 | |
-It's like being in a car. -Yes. -Is it expensive? | 0:52:48 | 0:52:51 | |
No, not that expensive, normally. | 0:52:51 | 0:52:53 | |
Do you think it should extend much further around Mumbai? | 0:52:54 | 0:52:57 | |
Of course it should. | 0:52:57 | 0:52:58 | |
-It should be at least ten times this. -Ten times? -Yes. | 0:52:58 | 0:53:01 | |
It's actually extremely well kept and clean. | 0:53:01 | 0:53:05 | |
It provides a connectivity we didn't have earlier, | 0:53:05 | 0:53:08 | |
the east end, west end, central. | 0:53:08 | 0:53:10 | |
The government has pledged heavy investment | 0:53:12 | 0:53:14 | |
in Mumbai's transport infrastructure, | 0:53:14 | 0:53:17 | |
including, despite the expense, two more Metro lines. | 0:53:17 | 0:53:21 | |
But some experts have reservations. | 0:53:21 | 0:53:24 | |
How are you doing? Good to see you. | 0:53:24 | 0:53:25 | |
Rishi Aggarwal is a member of the Mumbai Transport Forum. | 0:53:25 | 0:53:30 | |
We are happy the Metro is coming | 0:53:30 | 0:53:31 | |
and a new mass transport option is coming to the city, | 0:53:31 | 0:53:34 | |
but you really need to understand that the Metro is way too late. | 0:53:34 | 0:53:38 | |
I mean, the first plan for a Metro in Mumbai was the 1940s. | 0:53:38 | 0:53:41 | |
And by now, huge amounts of Mumbaians populate it | 0:53:41 | 0:53:45 | |
and it's going to be extremely difficult | 0:53:45 | 0:53:47 | |
to be able to carry out the construction work. | 0:53:47 | 0:53:49 | |
They say it will be ready in five to six years, | 0:53:49 | 0:53:51 | |
but it will take a good ten years before the Metro is ready. | 0:53:51 | 0:53:54 | |
So, you're saying it's too late, | 0:53:54 | 0:53:55 | |
it's too short and it's too expensive. | 0:53:55 | 0:53:57 | |
Yes, it's extremely expensive. Line two and line three together | 0:53:57 | 0:54:00 | |
will cost almost 15 billion US dollars in today's cost. | 0:54:00 | 0:54:05 | |
What can be done in the short-term to try and sort this out? | 0:54:05 | 0:54:08 | |
We can invest heavily in air-conditioned buses. | 0:54:08 | 0:54:11 | |
We already have an existing road network, | 0:54:11 | 0:54:13 | |
which we are utilising very inefficiently and cars are growing, | 0:54:13 | 0:54:17 | |
like a very rapid rate. Because of that, roads are getting choked up, | 0:54:17 | 0:54:20 | |
but if you introduced thousands of air-conditioned buses on the road | 0:54:20 | 0:54:23 | |
and create the necessary political leadership and fund for that, | 0:54:23 | 0:54:26 | |
then we will be able to provide an immediate solution to Mumbaians. | 0:54:26 | 0:54:29 | |
That's the immediate solution, | 0:54:29 | 0:54:31 | |
but ultimately is Mumbai always going to be trying to catch up? | 0:54:31 | 0:54:33 | |
I would think it is clearly possible | 0:54:33 | 0:54:36 | |
to quickly, simultaneously prepare plans | 0:54:36 | 0:54:39 | |
for five or six different things | 0:54:39 | 0:54:41 | |
which can help solve Mumbai's problems in a decade. | 0:54:41 | 0:54:43 | |
It is the politicians who need to decide to set up the institutions, | 0:54:43 | 0:54:46 | |
and then solutions, like Transport For London, etc, | 0:54:46 | 0:54:49 | |
which can plan for the long-term future of Mumbai. | 0:54:49 | 0:54:51 | |
The Metro certainly looks like a vision for the future, | 0:54:53 | 0:54:56 | |
but we'll have to wait and see | 0:54:56 | 0:54:57 | |
if this mega-city's transport systems | 0:54:57 | 0:54:59 | |
can keep pace with the speed of its expansion. | 0:54:59 | 0:55:03 | |
What Mumbai is dealing with is all the big issues | 0:55:03 | 0:55:05 | |
that are confronting other great cities in the world at the moment. | 0:55:05 | 0:55:09 | |
The historic shape of the city makes it difficult to develop, | 0:55:09 | 0:55:12 | |
an increasing population... | 0:55:12 | 0:55:14 | |
It's sort of hard to see where the extra capacity's going to go, | 0:55:14 | 0:55:17 | |
what choices they have. | 0:55:17 | 0:55:18 | |
The bottom line is there's just too many people | 0:55:18 | 0:55:20 | |
who want to travel too far, too fast every year. | 0:55:20 | 0:55:23 | |
The problem that seems special to India | 0:55:23 | 0:55:25 | |
is that there doesn't seem to be an integrated transport plan, | 0:55:25 | 0:55:29 | |
like London's Crossrail, where they're investing a load of money. | 0:55:29 | 0:55:32 | |
Here, everything's a bit piecemeal. | 0:55:32 | 0:55:34 | |
You've got a road here, a Metro station there, | 0:55:34 | 0:55:36 | |
but none of it links up | 0:55:36 | 0:55:38 | |
and you can't ultimately get to where you want to be. | 0:55:38 | 0:55:40 | |
You mentioned it there, you've got a load of money, that's the thing, | 0:55:40 | 0:55:43 | |
Crossrail's costing 15 billion quid. | 0:55:43 | 0:55:45 | |
There just isn't the money to come up with those grand plans. | 0:55:45 | 0:55:49 | |
It's clearly a system that's working | 0:55:49 | 0:55:51 | |
at the very edge of what can be considered possible. | 0:55:51 | 0:55:54 | |
But what astonishes me is that people put up with it, | 0:55:54 | 0:55:57 | |
that they cram onto these trains every day. | 0:55:57 | 0:55:59 | |
I mean, it's just overwhelming, | 0:55:59 | 0:56:01 | |
-the amount of people that get on the trains. -Well, | 0:56:01 | 0:56:03 | |
we have loved our time here, | 0:56:03 | 0:56:05 | |
particularly getting to explore that incredible building behind us. | 0:56:05 | 0:56:09 | |
Personally, my highlight | 0:56:09 | 0:56:10 | |
was getting to travel on a long-distance train. | 0:56:10 | 0:56:12 | |
I think my favourite, I have to say, boyhood dream - | 0:56:12 | 0:56:15 | |
actually driving a proper locomotive. 65 tonnes of power. | 0:56:15 | 0:56:19 | |
-Yes, we've heard a lot about that! -THEY LAUGH | 0:56:19 | 0:56:21 | |
Mine was definitely rush-hour. | 0:56:21 | 0:56:23 | |
I thought, how bad can it be, I'm a Londoner, I'm used to busy trains, | 0:56:23 | 0:56:26 | |
but it was crazy. | 0:56:26 | 0:56:28 | |
We have had an incredible time in Mumbai. | 0:56:28 | 0:56:30 | |
Here are some of the highlights. | 0:56:30 | 0:56:31 | |
'Over the last four shows, we've been lucky enough to explore | 0:56:43 | 0:56:47 | |
'every inch of this astonishing railway.' | 0:56:47 | 0:56:49 | |
Whoa! | 0:56:49 | 0:56:50 | |
'We've pulled the levers, pushed the buttons...' | 0:56:51 | 0:56:55 | |
What you have done, Mr Robert, | 0:56:55 | 0:56:57 | |
-you have killed one cow. -Oh, no! | 0:56:57 | 0:57:00 | |
'..and really got our hands dirty.' | 0:57:00 | 0:57:02 | |
We've been told to go quicker. | 0:57:02 | 0:57:04 | |
We're on the move now. | 0:57:04 | 0:57:05 | |
We've seen what it takes to keep this place on track... | 0:57:05 | 0:57:08 | |
..and did our best to help. | 0:57:10 | 0:57:11 | |
Oh, I've gone off! | 0:57:11 | 0:57:13 | |
ROBERT CRIES | 0:57:13 | 0:57:14 | |
TRAIN HORN | 0:57:14 | 0:57:16 | |
We tackled the hardcore commute... | 0:57:17 | 0:57:20 | |
It's a fight! What is happening? | 0:57:20 | 0:57:22 | |
Experienced the super-dense commuter crush... | 0:57:22 | 0:57:25 | |
-Yes! -We're getting on, we're getting on. | 0:57:25 | 0:57:28 | |
I made the train! | 0:57:28 | 0:57:30 | |
That is quite unbelievable. | 0:57:30 | 0:57:32 | |
And ploughed through the city's crazy traffic. | 0:57:32 | 0:57:35 | |
-This is the worst new road ever! -This is one of the other ones. | 0:57:35 | 0:57:38 | |
-Sack the road builders. -Yes. | 0:57:38 | 0:57:41 | |
On the way, we've learned quite how much this place means | 0:57:41 | 0:57:44 | |
to the people of Mumbai. | 0:57:44 | 0:57:46 | |
It's a symbol for what's most important. | 0:57:56 | 0:57:57 | |
Railways are the most important thing, not just the country, | 0:57:57 | 0:58:00 | |
but even the city, and the functioning of the city. | 0:58:00 | 0:58:02 | |
ROAR OF TRAFFIC | 0:58:02 | 0:58:04 | |
Whoo! | 0:58:04 | 0:58:06 | |
It has been quite an experience. | 0:58:07 | 0:58:09 | |
It has been such a privilege, spending time here | 0:58:12 | 0:58:15 | |
and learning how that remarkable station works. | 0:58:15 | 0:58:18 | |
Yes, thank you to Central Railway, | 0:58:18 | 0:58:20 | |
our hosts here at the Chhatrapati Shivaji Terminus | 0:58:20 | 0:58:23 | |
and to all the station staff for sharing their knowledge with us. | 0:58:23 | 0:58:26 | |
And thank you for watching. | 0:58:26 | 0:58:27 | |
-Goodbye. -Goodbye. -Goodbye. | 0:58:27 | 0:58:30 |