Browse content similar to Murdered for Being Different. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes. | 0:00:14 | 0:00:20 | |
This programme contains strong language. | 0:00:20 | 0:00:25 | |
This programme contains scenes which some viewers may find upsetting. | 0:00:25 | 0:00:30 | |
That one? Yeah. | 0:00:30 | 0:00:32 | |
MUSIC OVERLAYS SPEECH | 0:00:34 | 0:00:38 | |
Yeah, ya cheeky get! I wash it all the time! | 0:00:47 | 0:00:50 | |
I'm sorry. Can I talk to you? Yeah, go on. Why would anyone do that? | 0:00:50 | 0:00:55 | |
It feels like rope. Yeah, it is. | 0:00:55 | 0:00:57 | |
Touch it again, I'll have to charge you. | 0:00:57 | 0:01:00 | |
Oh, wait, where are you off? Home. Oh. Come down to the park. | 0:01:02 | 0:01:07 | |
INDISTINCT CHATTING | 0:01:14 | 0:01:17 | |
It's pretty cool. | 0:01:17 | 0:01:18 | |
Hey! You rubbing salt in? | 0:01:21 | 0:01:24 | |
All right? | 0:01:24 | 0:01:25 | |
Always wanted one but my mum wouldn't let us. | 0:01:30 | 0:01:35 | |
OK? | 0:01:35 | 0:01:36 | |
You guys can come here more often. | 0:01:39 | 0:01:41 | |
Can I have a picture with ya? Of course. | 0:01:44 | 0:01:48 | |
No-one's ever asked for my picture before. Can you all get in? | 0:01:48 | 0:01:50 | |
LAUGHTER | 0:01:50 | 0:01:53 | |
Come on. Come on, smile! | 0:01:56 | 0:01:58 | |
RUNNING FOOTSTEPS | 0:02:05 | 0:02:06 | |
Go, come on! Keep going. | 0:02:06 | 0:02:09 | |
SHOUTING | 0:02:09 | 0:02:12 | |
RUNNING FOOTSTEPS | 0:02:12 | 0:02:14 | |
MALE SHOUTING | 0:02:14 | 0:02:16 | |
Ambulance, please. They're fucking dying, man! | 0:02:21 | 0:02:23 | |
Quick! They're fucking dying. Where are you? | 0:02:23 | 0:02:26 | |
SHOUTED VOICES ECHO | 0:02:26 | 0:02:31 | |
Where the fuck's the ambulance?! | 0:02:38 | 0:02:41 | |
She's not breathing. | 0:02:44 | 0:02:46 | |
SHOUTING CONTINUES | 0:02:46 | 0:02:50 | |
Stay where you are. I'm going to help you. | 0:02:52 | 0:02:54 | |
I'm going to help. | 0:02:54 | 0:02:56 | |
SIREN WAILING | 0:02:56 | 0:02:58 | |
It's coming. | 0:02:58 | 0:03:00 | |
SIREN WAILING | 0:03:03 | 0:03:04 | |
VEHICLE STOPPING | 0:03:04 | 0:03:05 | |
Wait there, the police are on their way! | 0:03:05 | 0:03:07 | |
Can you hear me? Hello? | 0:03:09 | 0:03:10 | |
Can you hear me? | 0:03:10 | 0:03:11 | |
Can you hear me? | 0:03:11 | 0:03:13 | |
# Be my little rock and roll queen | 0:03:48 | 0:03:51 | |
# Be my, be my | 0:03:51 | 0:03:54 | |
# Be my little rock and roll queen | 0:03:54 | 0:03:57 | |
# Be my, be my | 0:03:57 | 0:04:01 | |
# Be my little rock and roll queen | 0:04:01 | 0:04:04 | |
# You are | 0:04:08 | 0:04:10 | |
# The sun | 0:04:12 | 0:04:14 | |
# You are the only one | 0:04:16 | 0:04:22 | |
# You are | 0:04:23 | 0:04:25 | |
# So cool | 0:04:27 | 0:04:29 | |
# You are so rock and roll! | 0:04:30 | 0:04:37 | |
# Be my, be my | 0:04:49 | 0:04:53 | |
# Be my little rock and roll queen | 0:04:53 | 0:04:56 | |
# Be my, be my | 0:04:56 | 0:04:59 | |
# Be my little rock and roll queen | 0:04:59 | 0:05:03 | |
# Be my, be my | 0:05:03 | 0:05:06 | |
# Be my little rock and roll queen | 0:05:06 | 0:05:10 | |
# Be my, be my | 0:05:10 | 0:05:13 | |
# Be my little rock and roll queen | 0:05:13 | 0:05:16 | |
# Yeah, be my, be my | 0:05:16 | 0:05:20 | |
# Be my little rock and roll queen! # | 0:05:20 | 0:05:24 | |
Do you want to go somewhere quieter? | 0:05:24 | 0:05:26 | |
This place is amazing. | 0:05:29 | 0:05:31 | |
Just imagine it in its prime, full of people, machines, noise. | 0:05:34 | 0:05:39 | |
Noise so loud, everyone having to work in their own world. | 0:05:41 | 0:05:44 | |
A world of one. | 0:05:46 | 0:05:47 | |
And you look at it and wonder, don't you? | 0:05:49 | 0:05:52 | |
Why are we still here? | 0:05:52 | 0:05:53 | |
Christ...it's not like we found our new thing, is it? | 0:05:53 | 0:05:59 | |
Our new meaning. | 0:06:01 | 0:06:02 | |
We are all here. | 0:06:03 | 0:06:04 | |
We're here and... | 0:06:07 | 0:06:08 | |
..we don't have a clue why. | 0:06:09 | 0:06:12 | |
Just... | 0:06:12 | 0:06:13 | |
Sorry. I'm trying to... Am I boring you? | 0:06:14 | 0:06:16 | |
I tend to go on one myself. | 0:06:18 | 0:06:19 | |
You fuckers know about this! | 0:06:51 | 0:06:53 | |
You're all right. You're all right. | 0:06:55 | 0:06:57 | |
Do something! | 0:06:57 | 0:06:59 | |
Don't just stand there! | 0:06:59 | 0:07:00 | |
Please. | 0:07:02 | 0:07:02 | |
SIREN WAILING | 0:07:11 | 0:07:15 | |
Don't forget to phone ahead, so they'll be waiting for them. | 0:07:15 | 0:07:18 | |
SIREN WAILING | 0:07:18 | 0:07:23 | |
I think I might finally have the nose. The nose? | 0:07:25 | 0:07:28 | |
Yeah. | 0:07:28 | 0:07:29 | |
The Mona Lisa to my Da Vinci. | 0:07:32 | 0:07:35 | |
Shut up! | 0:07:35 | 0:07:36 | |
BOTH GIGGLE | 0:07:39 | 0:07:42 | |
When you said you wanted to paint me, | 0:07:45 | 0:07:47 | |
I didn't know you meant... paint me. Yeah. | 0:07:47 | 0:07:50 | |
But you're an angel. You need wings. | 0:07:50 | 0:07:52 | |
BOTH LAUGH | 0:07:52 | 0:07:54 | |
Go on. I'm having a rest. You can have a look. | 0:07:55 | 0:07:58 | |
OK, nice and easy. | 0:07:59 | 0:08:00 | |
Steady. | 0:08:00 | 0:08:01 | |
RINGING | 0:08:15 | 0:08:16 | |
Mr Maltby? Yeah. | 0:08:22 | 0:08:24 | |
There's been an incident with your son, Robert. | 0:08:24 | 0:08:28 | |
What's happened? Is he all right? | 0:08:28 | 0:08:30 | |
Excuse me, our lad's in here - Robert Maltby. | 0:08:39 | 0:08:43 | |
He's with his girlfriend, we think. | 0:08:43 | 0:08:45 | |
They've been in some sort of fight or... | 0:08:45 | 0:08:47 | |
Could you hold on a moment, please? | 0:08:47 | 0:08:49 | |
SOBBING | 0:08:57 | 0:09:00 | |
Can I touch him? | 0:09:10 | 0:09:11 | |
Of course. | 0:09:13 | 0:09:14 | |
Is that a footprint?! | 0:09:24 | 0:09:25 | |
Oh, God! | 0:09:26 | 0:09:29 | |
SHE WAILS | 0:09:29 | 0:09:33 | |
Where the fuck's the ambulance?! Where is it?! | 0:09:38 | 0:09:40 | |
SIREN WAILING | 0:09:40 | 0:09:43 | |
The ambulance. | 0:09:43 | 0:09:43 | |
Hurry up! They're dying over here! Hurry up, please! Hurry up! | 0:09:47 | 0:09:51 | |
OK, what exactly's happened? I don't know. I was just walking through. | 0:09:51 | 0:09:54 | |
Just wait there. The police are on their way. | 0:09:54 | 0:09:55 | |
Can you hear me? Can you hear me? | 0:09:57 | 0:09:59 | |
Do you know what's happened? Hello! Can you hear me? | 0:10:00 | 0:10:04 | |
Can you hear me? | 0:10:04 | 0:10:06 | |
Do you know their names? What... | 0:10:06 | 0:10:08 | |
SIREN WAILING | 0:10:08 | 0:10:10 | |
Get rid of that. Sell it to someone. Yeah, yeah. | 0:10:17 | 0:10:20 | |
Anyone want this? This shit. Oh, is it one of theirs? | 0:10:20 | 0:10:22 | |
SIREN WAILING | 0:10:31 | 0:10:36 | |
Come on. | 0:10:36 | 0:10:37 | |
TV SOUND | 0:10:40 | 0:10:44 | |
Son, is that you? | 0:10:49 | 0:10:52 | |
Yeah. What time is it? | 0:10:52 | 0:10:54 | |
Dunno. | 0:10:54 | 0:10:55 | |
DOOR OPENING | 0:11:36 | 0:11:38 | |
We're going to run some tests, to help us make a clearer | 0:11:40 | 0:11:43 | |
assessment of the damage. It will give us a better indication | 0:11:43 | 0:11:46 | |
of what we can expect over the next few days. | 0:11:46 | 0:11:50 | |
INAUDIBLE CHATTER | 0:12:34 | 0:12:36 | |
How many different bottles? | 0:12:36 | 0:12:38 | |
We'll be doing some interviews after this. | 0:12:40 | 0:12:42 | |
Check every CCTV in the area. | 0:12:42 | 0:12:43 | |
Yeah, it's probably the worst I've ever seen. It's vile. | 0:12:55 | 0:12:59 | |
It's a dreadlock from the young girl. | 0:13:00 | 0:13:02 | |
DC Farley, isn't it? Hi, yeah. | 0:13:04 | 0:13:06 | |
Come and meet everyone. Going to need you to speak to | 0:13:06 | 0:13:09 | |
the kid that called the ambulance. Michael Gorman, his name is. | 0:13:09 | 0:13:12 | |
Mrs Gorman? I'm DC Farley. It's about your son. I'll catch you up. | 0:13:15 | 0:13:18 | |
Has something happened? | 0:13:21 | 0:13:23 | |
Is it still alive on the hook? You just want to nick it right. | 0:13:29 | 0:13:33 | |
If you nick it like that, the fish will see it and be like... | 0:13:33 | 0:13:36 | |
"Takeaway's here." | 0:13:36 | 0:13:37 | |
Horrible, aren't they? | 0:13:39 | 0:13:40 | |
Want to touch it? Michael?! | 0:13:42 | 0:13:44 | |
Go and play with the stones there a minute. Hi, Mum! | 0:13:48 | 0:13:51 | |
I've been trying to call you! | 0:13:51 | 0:13:53 | |
Hi, I'm Stephanie. I work for the Lancashire Police. | 0:13:55 | 0:13:57 | |
Stand up. | 0:14:00 | 0:14:01 | |
It was you that called the ambulance, wasn't it? | 0:14:04 | 0:14:08 | |
I just wanted to ask a few questions about last night. | 0:14:08 | 0:14:10 | |
You should have told me. Nowt to tell. | 0:14:10 | 0:14:14 | |
Was there anyone else on the park? | 0:14:14 | 0:14:16 | |
No. | 0:14:18 | 0:14:19 | |
So, there was nobody walking through or..? No-one. | 0:14:20 | 0:14:23 | |
I was on my way home, just cutting through the skate park bit. | 0:14:23 | 0:14:27 | |
Where had you been? | 0:14:27 | 0:14:28 | |
Just about, with my mates. | 0:14:30 | 0:14:32 | |
Can I have their names? | 0:14:34 | 0:14:36 | |
Cos one of them might have seen something or...? | 0:14:38 | 0:14:40 | |
He went off with Sean and Natalie, didn't you? | 0:14:40 | 0:14:42 | |
Yeah, I did, but I left them on the road. | 0:14:45 | 0:14:47 | |
I went through the skate park bit on my own. | 0:14:47 | 0:14:49 | |
Can I have their names, please, Michael? Sean and Nat. That was it. | 0:14:51 | 0:14:54 | |
Their full names. | 0:14:54 | 0:14:56 | |
Sean McDonagh? | 0:15:06 | 0:15:07 | |
Detective Constable Farley. | 0:15:09 | 0:15:11 | |
I can't help you. | 0:15:11 | 0:15:12 | |
I never even set foot in the park. I left Gorman at the gates. | 0:15:12 | 0:15:16 | |
So, he told you what happened, then? | 0:15:17 | 0:15:20 | |
Because that's word for word what he said. | 0:15:20 | 0:15:23 | |
Did you see anybody down on the road? | 0:15:23 | 0:15:25 | |
It was a Friday night. There must have been lots of people about. | 0:15:27 | 0:15:30 | |
So, you saw nobody, at all? | 0:15:32 | 0:15:33 | |
No-one? | 0:15:33 | 0:15:35 | |
Do something! Don't just... | 0:15:35 | 0:15:38 | |
It was late, weren't it? | 0:15:39 | 0:15:41 | |
Is that it? | 0:15:41 | 0:15:42 | |
TRAFFIC NOISE OVERLAYS SPEECH | 0:15:49 | 0:15:51 | |
There is nothing to worry about. I just need to know what happened | 0:15:51 | 0:15:54 | |
last night, OK? | 0:15:54 | 0:15:56 | |
Last night? | 0:15:56 | 0:15:57 | |
The attack on the park. | 0:15:59 | 0:16:00 | |
Weren't no attack whilst I was there. | 0:16:00 | 0:16:03 | |
THUDDING / SHOUTING | 0:16:03 | 0:16:05 | |
Whilst you was where? | 0:16:06 | 0:16:08 | |
The park. Casey WAS in the park last night, | 0:16:08 | 0:16:12 | |
with Michael and your friends. Yeah, but, I had to leave, though, | 0:16:12 | 0:16:15 | |
cos I had to be here first thing. | 0:16:15 | 0:16:17 | |
OK, can you give me the names of who else was there? | 0:16:22 | 0:16:24 | |
Yeah? | 0:16:24 | 0:16:25 | |
Hey! Shoes. | 0:16:40 | 0:16:42 | |
What? | 0:16:46 | 0:16:47 | |
You were on the park before the attack, as well? | 0:16:47 | 0:16:49 | |
I was before. | 0:16:49 | 0:16:51 | |
I'll be back by three. Make sure you're in. | 0:16:52 | 0:16:54 | |
DOOR SLAMMING | 0:16:54 | 0:16:55 | |
I've spend most of my morning driving round, | 0:17:00 | 0:17:02 | |
finding out stuff that YOU could have told me first thing. | 0:17:02 | 0:17:05 | |
But you saw people. People that you knew, and you spoke to them. | 0:17:06 | 0:17:10 | |
Doesn't mean I had anything to do with it. | 0:17:10 | 0:17:12 | |
Write their names down. Everyone, this time. | 0:17:15 | 0:17:18 | |
You're lucky I'm not taking you down the station. | 0:17:19 | 0:17:21 | |
Are you going to stand there the whole time? | 0:17:27 | 0:17:29 | |
I've been into the most obvious off-licence, sir - | 0:17:37 | 0:17:39 | |
the petrol station on the main road. | 0:17:39 | 0:17:41 | |
They do have CCTV, but they had a problem | 0:17:41 | 0:17:43 | |
with the tape from last night. We've got nothing. | 0:17:43 | 0:17:46 | |
And even though there are lots of cameras around here, generally, | 0:17:46 | 0:17:50 | |
it seems like hardly any of them are actually functioning. | 0:17:50 | 0:17:52 | |
Mr Holden, this is a list of all those present, according to the lad, | 0:17:53 | 0:17:57 | |
Michael Gorman. | 0:17:57 | 0:17:58 | |
The ones that are underlined are confirmed. | 0:17:59 | 0:18:01 | |
This used to be your beat, didn't it, Greeny? | 0:18:01 | 0:18:04 | |
Any of them ring a bell? | 0:18:04 | 0:18:05 | |
Herbert. | 0:18:07 | 0:18:08 | |
And Harris. They've got previous. | 0:18:09 | 0:18:11 | |
I think so, yeah. You saw the attack? | 0:18:20 | 0:18:22 | |
From a distance. I seen something going on. Like, some sort of fight | 0:18:28 | 0:18:32 | |
or something. | 0:18:32 | 0:18:33 | |
Didn't see who was involved, though. How far away were you? | 0:18:35 | 0:18:38 | |
Miles away. | 0:18:40 | 0:18:41 | |
So, you're saying there is no way | 0:18:43 | 0:18:44 | |
we could find anything on your clothes linking you to the victims? | 0:18:44 | 0:18:47 | |
Any blood? | 0:18:48 | 0:18:49 | |
Sit up straight. Look them in the eye. | 0:18:51 | 0:18:53 | |
You've not done anything wrong, have you? | 0:18:53 | 0:18:56 | |
Has he? | 0:18:56 | 0:18:57 | |
Not unless blood can, like, jump 50 feet or something. | 0:18:59 | 0:19:02 | |
A lad shouted, "Somebody hit him!" | 0:19:07 | 0:19:09 | |
And as I was drunk and showing off, I did once. | 0:19:09 | 0:19:11 | |
But he did not fall... or even stagger. | 0:19:13 | 0:19:16 | |
He started to laugh. | 0:19:16 | 0:19:17 | |
Somebody shouted, "He's laughing!" | 0:19:20 | 0:19:23 | |
MUFFLED SPEECH | 0:19:23 | 0:19:24 | |
And a couple of lads - I don't know who - | 0:19:24 | 0:19:27 | |
surrounded the male. I'd like to say that I am very sorry | 0:19:27 | 0:19:30 | |
for the man that I assaulted... | 0:19:30 | 0:19:32 | |
..but as far as I can recall, | 0:19:33 | 0:19:35 | |
he did not sustain any injuries from my one punch. | 0:19:35 | 0:19:38 | |
And I never went nowhere near the girl. | 0:19:39 | 0:19:41 | |
So, when the kids wake up, they'll confirm that, will they? | 0:19:41 | 0:19:44 | |
I didn't want to worry you. I'm worrying now. | 0:19:53 | 0:19:55 | |
How many times have I told you not to hang around the park of a night? | 0:19:55 | 0:19:58 | |
I cut through it. I cut through it. That's all. Why didn't you ring me? | 0:19:58 | 0:20:01 | |
What? When? | 0:20:01 | 0:20:02 | |
When you found them. I rung the ambulance. | 0:20:02 | 0:20:05 | |
So why did you leave before the police arrived? | 0:20:05 | 0:20:08 | |
The paramedics were there. How could you just come in and go to bed, | 0:20:08 | 0:20:11 | |
without even saying anything? That's what I always do. | 0:20:11 | 0:20:13 | |
I'm going out. | 0:20:15 | 0:20:16 | |
Get off! If there is anything, any more to this, at all, | 0:20:17 | 0:20:21 | |
then you tell me. Tell me now, right?! | 0:20:21 | 0:20:25 | |
I'm giving you a chance, Michael. Tell me now. | 0:20:25 | 0:20:28 | |
You think I was part of it? | 0:20:29 | 0:20:31 | |
No. | 0:20:32 | 0:20:33 | |
You don't even know me, at all, do you? How is that even | 0:20:34 | 0:20:37 | |
fucking possible?! Do you swear on your life? What?! | 0:20:37 | 0:20:40 | |
That you don't know anything, any more than you're letting on? | 0:20:40 | 0:20:43 | |
No, swear on your sister's life. | 0:20:43 | 0:20:46 | |
No wonder he left. | 0:20:46 | 0:20:48 | |
Do you swear? Yes! | 0:20:48 | 0:20:49 | |
Pass it here, then. | 0:21:02 | 0:21:03 | |
We need to shut the fuck up. We never saw those moshies. | 0:21:14 | 0:21:16 | |
Don't call them that. | 0:21:16 | 0:21:18 | |
Eh? Don't! | 0:21:18 | 0:21:20 | |
You did. | 0:21:20 | 0:21:22 | |
That was then. Now is different. | 0:21:22 | 0:21:24 | |
It's not for us to say anything. | 0:21:28 | 0:21:30 | |
They'd kill us. | 0:21:31 | 0:21:33 | |
How can they? Bren and Peanuts are still inside. | 0:21:33 | 0:21:35 | |
Not them. The fucking foreigner and all the others. | 0:21:37 | 0:21:40 | |
It's your party now. | 0:21:43 | 0:21:44 | |
VENTILATOR HEAVING | 0:21:52 | 0:21:55 | |
'We've all got both light and darkness' | 0:22:00 | 0:22:03 | |
inside of us. | 0:22:03 | 0:22:05 | |
What matters is the part you choose to act on. | 0:22:05 | 0:22:08 | |
That's who we really are. Yes. | 0:22:09 | 0:22:12 | |
See? Mm-mm. | 0:22:12 | 0:22:14 | |
Nine. | 0:22:15 | 0:22:16 | |
A nine? Mm. | 0:22:16 | 0:22:18 | |
I thought it was a ten. It's like the definitive ten! Hm. | 0:22:18 | 0:22:21 | |
I'd still say nine. I've got to give myself somewhere to go. | 0:22:21 | 0:22:24 | |
I might give it a read later on. Eh, excuse me. You can start | 0:22:24 | 0:22:27 | |
at the beginning, like everyone else. | 0:22:27 | 0:22:29 | |
BOTH CHUCKLE | 0:22:29 | 0:22:31 | |
Are you going? You'll see. | 0:22:31 | 0:22:33 | |
Whoo-hoo-hoo! | 0:22:41 | 0:22:43 | |
Oh, God, it's freezing! It's so cold! Oh. | 0:22:43 | 0:22:47 | |
BOTH HOWL LIKE WOLVES | 0:22:47 | 0:22:50 | |
Wow, this feels good. | 0:22:53 | 0:22:55 | |
Does it? I don't... | 0:22:55 | 0:22:56 | |
Now, this...this is a ten. | 0:23:00 | 0:23:03 | |
Who says a freezing hilltop can't be romantic? | 0:23:04 | 0:23:06 | |
All right, Romeo, let's get the bus home. | 0:23:06 | 0:23:09 | |
Let's bash him! Smash his fucking head in! | 0:23:10 | 0:23:14 | |
Come here and I'll kick your fucking head in! | 0:23:14 | 0:23:16 | |
Smelly mosher prick! | 0:23:16 | 0:23:18 | |
Oi, get back here, you little prick! Shut the door, mate! | 0:23:19 | 0:23:23 | |
ABUSIVE SHOUTING | 0:23:23 | 0:23:27 | |
What is their point? | 0:23:29 | 0:23:30 | |
GOTH-ROCK MUSIC PLAYS | 0:23:33 | 0:23:36 | |
MUSIC OFF | 0:23:47 | 0:23:48 | |
Rob? What? You said. | 0:23:48 | 0:23:51 | |
I said when I've finished. I haven't finished. | 0:23:51 | 0:23:53 | |
You're never going to finish. | 0:23:53 | 0:23:54 | |
Risk we're never going to go out again, are we? They're idiots. | 0:23:54 | 0:23:58 | |
Just kids! What are you talking about? Chips. Kids. Being chased. | 0:23:58 | 0:24:01 | |
It's got nothing to do with that. Rob! What the fuck are you wearing? | 0:24:01 | 0:24:04 | |
I think you dropped a chip. Sophie, come on. Leave it. | 0:24:04 | 0:24:07 | |
Oh, no, you were throwing it. Excellent(!) Rob?! What? | 0:24:07 | 0:24:10 | |
Stop shouting me name. Do you think we did something wrong? No. | 0:24:10 | 0:24:13 | |
You fuckin' freak. What does it matter? Leave it, Soph. | 0:24:13 | 0:24:16 | |
But you think we are? No, obviously not. What are you hiding for? | 0:24:16 | 0:24:20 | |
I'm not hiding. Fucking mosher! | 0:24:20 | 0:24:23 | |
Prove it. | 0:24:23 | 0:24:25 | |
Hiding means the idiots win. | 0:24:28 | 0:24:29 | |
Come for a drink. Come on. | 0:24:31 | 0:24:34 | |
Fine. | 0:24:40 | 0:24:42 | |
If you want to hide away because of idiots like that, | 0:24:42 | 0:24:44 | |
you'll be hiding forever. | 0:24:44 | 0:24:46 | |
You know where I'll be. | 0:24:46 | 0:24:48 | |
DOOR CLOSING | 0:24:50 | 0:24:51 | |
The haematoma appears to be resolving. | 0:24:58 | 0:25:01 | |
I think we should start weaning him off the ventilator tomorrow. | 0:25:01 | 0:25:05 | |
I should warn you, we don't know how Robert's going to be | 0:25:05 | 0:25:08 | |
when he wakes up. If he's going to be the same Robert that you know, | 0:25:08 | 0:25:11 | |
whether or not he will be able to communicate in exactly the same way | 0:25:11 | 0:25:14 | |
that you remember or even know who you are. | 0:25:14 | 0:25:17 | |
Until he's fully off the sedation, it's impossible to ascertain how | 0:25:17 | 0:25:20 | |
things are going to be in the long term. | 0:25:20 | 0:25:23 | |
DOOR SPRUNG OPEN | 0:25:23 | 0:25:24 | |
Dave? | 0:25:24 | 0:25:25 | |
I'm sorry. | 0:25:29 | 0:25:31 | |
He's just a bit... It's OK. | 0:25:31 | 0:25:32 | |
Let me speak to him. | 0:25:34 | 0:25:35 | |
RECORDING: Emergency, which service do you require? | 0:26:03 | 0:26:05 | |
There's two moshers being battered in Bacup Park. | 0:26:05 | 0:26:07 | |
Which service do you require? They're fucking coming. | 0:26:07 | 0:26:10 | |
They'll see me on the phone. Hello? Hello, are you still there? | 0:26:10 | 0:26:14 | |
Hello? MALE SHOUTING | 0:26:14 | 0:26:16 | |
Are you still there? Yeah, yeah, I'm back. I'm sorry. | 0:26:16 | 0:26:19 | |
There's a lad and his girlfriend and they're both knocked out. | 0:26:19 | 0:26:23 | |
And they're making horrible noises. There's fucking blood everywhere! | 0:26:23 | 0:26:27 | |
No, no, no! I can't. No, no! I can't go near them! No! | 0:26:27 | 0:26:31 | |
I'm on Bacup Park! Are you stupid?! There's no cloth or towels! | 0:26:34 | 0:26:37 | |
I don't fucking know! | 0:26:37 | 0:26:39 | |
Wait, wait. I'll take my hoodie off. | 0:26:39 | 0:26:41 | |
I'll take my hoodie and my T-shirt off. Hold on. | 0:26:41 | 0:26:43 | |
Yeah, yeah. | 0:26:45 | 0:26:46 | |
I can't. It's all, like, fucking wounds. | 0:26:48 | 0:26:50 | |
I'm telling you, it's coming out of the right. I can't do it. No! | 0:26:50 | 0:26:54 | |
I can't do it! | 0:26:54 | 0:26:55 | |
Oh, fuck's sake. | 0:26:56 | 0:26:57 | |
Where the fuck's the ambulance?! Where is it?! | 0:26:57 | 0:27:00 | |
There's a girl. There's a girl. | 0:27:01 | 0:27:03 | |
She's not breathing. She's not breathing. Fuck. | 0:27:04 | 0:27:06 | |
Should I sit her up? No. | 0:27:06 | 0:27:08 | |
COUGHING | 0:27:08 | 0:27:10 | |
Stay where you are! Just calm down, just calm down. | 0:27:10 | 0:27:12 | |
Stay. Stay where you are. I'm going to help. | 0:27:12 | 0:27:15 | |
The ambulance is coming for you. He's going to help you. | 0:27:15 | 0:27:17 | |
I'm going to help you. SIREN WAILING | 0:27:17 | 0:27:21 | |
Hurry up! They are fucking dying! | 0:27:32 | 0:27:34 | |
DIAL TONES | 0:27:39 | 0:27:40 | |
RINGTONE | 0:27:41 | 0:27:43 | |
You like it here, then? | 0:27:58 | 0:27:59 | |
It's nice. | 0:28:00 | 0:28:02 | |
Peaceful. | 0:28:02 | 0:28:03 | |
I'm surprised you can catch anything in there. | 0:28:09 | 0:28:12 | |
What are you talking about? Are they just dead little? | 0:28:12 | 0:28:14 | |
Like you give a shit. | 0:28:17 | 0:28:18 | |
I know you were there. | 0:28:23 | 0:28:24 | |
I know. I said I was. No, during the attack. | 0:28:26 | 0:28:29 | |
You were there the whole time and you started saying that you wasn't, | 0:28:29 | 0:28:32 | |
saying that you didn't see anything. | 0:28:32 | 0:28:36 | |
They record the calls. | 0:28:36 | 0:28:37 | |
I need you to tell me what you saw, Michael. | 0:28:41 | 0:28:44 | |
They'll tell you. Who will? | 0:28:44 | 0:28:45 | |
The lad and his girlfriend, when they're better. | 0:28:45 | 0:28:47 | |
They're both in a coma. | 0:28:47 | 0:28:49 | |
They might never get better. Do you understand that? | 0:28:49 | 0:28:52 | |
We won't bring you into the station. | 0:28:56 | 0:28:58 | |
We've got somewhere more relaxed. | 0:28:58 | 0:29:01 | |
It's basically like a living room and we'll put you on tape | 0:29:01 | 0:29:04 | |
and it will help you in court. Are you fucking mad?! | 0:29:04 | 0:29:06 | |
There's nothing to worry about. I can't go to court. I'm not going. | 0:29:06 | 0:29:09 | |
Do you not understand that?! | 0:29:09 | 0:29:11 | |
Michael... | 0:29:13 | 0:29:14 | |
I never saw nothing. | 0:29:15 | 0:29:17 | |
I'm going to have to confiscate your phone. | 0:29:19 | 0:29:21 | |
You what? | 0:29:21 | 0:29:23 | |
Check your texts, see who you have been in contact with. | 0:29:23 | 0:29:26 | |
If you refuse to give it me, I'll have to take you in. | 0:29:27 | 0:29:30 | |
Fuck off. | 0:29:33 | 0:29:34 | |
Here. | 0:29:36 | 0:29:37 | |
Contact me. | 0:29:39 | 0:29:41 | |
If you want to talk to somebody or... | 0:29:42 | 0:29:44 | |
I haven't got a phone, have I? | 0:29:44 | 0:29:45 | |
Mr and Mrs Maltby. He's beginning to wake up. | 0:30:06 | 0:30:08 | |
Y... You're not coming? | 0:30:14 | 0:30:16 | |
I can't go in there. | 0:30:19 | 0:30:20 | |
Sorry. | 0:30:22 | 0:30:23 | |
Mum? | 0:30:50 | 0:30:51 | |
TEARFULLY: Hello, there, love. | 0:30:54 | 0:30:56 | |
We're just worried sick. | 0:31:04 | 0:31:06 | |
All right? I've got something. | 0:31:16 | 0:31:18 | |
There you go. | 0:31:18 | 0:31:19 | |
Been ringing you. | 0:31:22 | 0:31:23 | |
Cops took my phone. She shouldn't be having them. | 0:31:23 | 0:31:25 | |
She'll be all right. Coming to the park? | 0:31:25 | 0:31:28 | |
Nah. Why not? | 0:31:28 | 0:31:30 | |
Give us a sweet. No, Sam, you're not having no sweets. Go inside. | 0:31:31 | 0:31:34 | |
Mate, if you don't come, it will look like you've... What? | 0:31:35 | 0:31:39 | |
Like you've done something wrong or you're going to. | 0:31:39 | 0:31:42 | |
Inside! | 0:31:44 | 0:31:46 | |
Hi, Mrs Gorman. Sean. Wait there a sec, yeah? | 0:31:46 | 0:31:49 | |
They've taken more of your mates in today. | 0:31:55 | 0:31:57 | |
Do you know? | 0:31:59 | 0:32:00 | |
Do you actually know, like, how it happened and who did what? | 0:32:00 | 0:32:03 | |
You have to call that policewoman. You have to call her...now! | 0:32:06 | 0:32:09 | |
No. You what? Are you serious? | 0:32:12 | 0:32:13 | |
I need to think. I can't think! Everyone is going on at me! | 0:32:13 | 0:32:16 | |
What is there to think about?! You don't get it, do you? | 0:32:16 | 0:32:19 | |
You don't get what they'll do to me if I talk to the police. | 0:32:19 | 0:32:21 | |
There are two kids in hospital, I get that. | 0:32:21 | 0:32:24 | |
Does that not mean anything to you? | 0:32:24 | 0:32:26 | |
Michael... | 0:32:26 | 0:32:27 | |
Michael. What?! | 0:32:29 | 0:32:30 | |
You have to tell the truth. | 0:32:33 | 0:32:34 | |
Michael. | 0:32:41 | 0:32:42 | |
Going to the park or what? | 0:32:50 | 0:32:51 | |
Where's Sophie? | 0:32:57 | 0:32:58 | |
She was hurt, as well. | 0:33:00 | 0:33:02 | |
But she's in a different hospital, | 0:33:02 | 0:33:04 | |
but we think she's going to be OK, too. | 0:33:04 | 0:33:06 | |
Look, it's your dad. | 0:33:10 | 0:33:12 | |
Where's Sophie? | 0:33:16 | 0:33:17 | |
She's... She's in a different hospital, love. | 0:33:18 | 0:33:21 | |
Why? | 0:33:24 | 0:33:25 | |
Erm...well, she was hurt, as well, | 0:33:28 | 0:33:32 | |
but we think she's going to be OK. | 0:33:32 | 0:33:34 | |
Can I have some water? | 0:33:37 | 0:33:39 | |
Of course you can, love. | 0:33:40 | 0:33:42 | |
Can he have some water? | 0:33:48 | 0:33:50 | |
GIRLISH LAUGHTER | 0:33:50 | 0:33:53 | |
Fuck, Thorner's here. | 0:33:53 | 0:33:55 | |
All right, Thorner? | 0:34:01 | 0:34:02 | |
All right, Sean? Girls, give us a minute. | 0:34:04 | 0:34:06 | |
Come here, mate. | 0:34:09 | 0:34:11 | |
Haven't seen you in ages. | 0:34:11 | 0:34:12 | |
Nah. Go on, lad. I'm worried about ya. | 0:34:20 | 0:34:22 | |
Don't need to be. | 0:34:22 | 0:34:24 | |
They say you called the cops. No. No, I never. | 0:34:27 | 0:34:30 | |
I rung the ambulance, that's all. | 0:34:30 | 0:34:33 | |
Well, maybe they're lying, then. | 0:34:33 | 0:34:35 | |
Cops been on your back since, though. Not said nothing. | 0:34:38 | 0:34:42 | |
Not a word. | 0:34:42 | 0:34:43 | |
Got your phone. | 0:34:46 | 0:34:48 | |
Nowt on it. I mean, I rung Sean the next morning, | 0:34:48 | 0:34:50 | |
but that doesn't mean nothing. And that, he didn't even answer. | 0:34:50 | 0:34:54 | |
That's good, that, mate. Sound. | 0:34:55 | 0:34:57 | |
Look, what happened, yeah, shouldn't have happened. | 0:34:58 | 0:35:00 | |
Probably wouldn't have happened if I was there, but... | 0:35:00 | 0:35:03 | |
Definitely wouldn't have happened | 0:35:03 | 0:35:05 | |
if you hadn't brought them to the park. | 0:35:05 | 0:35:07 | |
But that's no reason for you to make everything bad for you now, is it? | 0:35:07 | 0:35:11 | |
No. We're your mates, in't we, Gorman? | 0:35:11 | 0:35:15 | |
Me, Peanut, Bren. We're your boys, innit? | 0:35:15 | 0:35:19 | |
Yeah. | 0:35:19 | 0:35:20 | |
When your dad went, who was there? | 0:35:20 | 0:35:23 | |
You. Yeah. | 0:35:23 | 0:35:26 | |
Look, if you say a word... | 0:35:26 | 0:35:27 | |
Yeah? We will fucking batter ya. | 0:35:28 | 0:35:31 | |
Rob? | 0:35:55 | 0:35:57 | |
Are you listening? | 0:35:57 | 0:35:58 | |
Rob? | 0:36:01 | 0:36:02 | |
She's asking you what you remember | 0:36:03 | 0:36:05 | |
about the other night. | 0:36:05 | 0:36:06 | |
I don't know. It's all... It's all a bit... | 0:36:09 | 0:36:12 | |
We know that you were at your friend's, but we're not really clear | 0:36:12 | 0:36:15 | |
what happened after that. | 0:36:15 | 0:36:17 | |
Can you tell me why you didn't just go home? | 0:36:22 | 0:36:25 | |
Or why you ended up where you did? | 0:36:25 | 0:36:28 | |
Why did you end up at the park? | 0:36:37 | 0:36:39 | |
The park? | 0:36:44 | 0:36:45 | |
Yes. | 0:36:46 | 0:36:47 | |
What park? | 0:36:50 | 0:36:52 | |
Mum. Mum, what's she talking about? | 0:36:54 | 0:36:56 | |
PHONE RINGING | 0:36:59 | 0:37:03 | |
Hello? | 0:37:03 | 0:37:05 | |
Yeah, one sec. Michael, it's your mate Thorner on the phone! | 0:37:05 | 0:37:09 | |
DANCE MUSIC PLAYS | 0:37:09 | 0:37:11 | |
Michael! | 0:37:11 | 0:37:12 | |
What shall I do? What do you want me to say to him? | 0:37:14 | 0:37:16 | |
He's been dyeing it for years. | 0:37:19 | 0:37:22 | |
When he was a little baby, he was white blond! | 0:37:22 | 0:37:24 | |
KNOCKING | 0:37:24 | 0:37:26 | |
Oh, sorry, I won't be a second. | 0:37:26 | 0:37:29 | |
SHE CLEARS HER THROAT | 0:37:29 | 0:37:31 | |
THEY SPEAK IN WHISPERS | 0:37:37 | 0:37:39 | |
Where have you been? | 0:38:09 | 0:38:10 | |
Do you know what time it is? | 0:38:13 | 0:38:15 | |
What's that? | 0:38:21 | 0:38:22 | |
Here. | 0:38:27 | 0:38:28 | |
How did you...? | 0:38:37 | 0:38:39 | |
I waited till midnight, when it went on sale. | 0:38:39 | 0:38:42 | |
I didn't have any money for the bus home, so... You walked it? | 0:38:42 | 0:38:46 | |
Aye. There and back? Mm. | 0:38:46 | 0:38:50 | |
It's miles! | 0:38:50 | 0:38:51 | |
It's raining. So? | 0:38:53 | 0:38:55 | |
Why would you do that? | 0:38:57 | 0:38:59 | |
Don't you know? | 0:39:02 | 0:39:04 | |
I'm scared. | 0:39:06 | 0:39:08 | |
What? | 0:39:08 | 0:39:09 | |
I don't want it to end. | 0:39:09 | 0:39:10 | |
I was a kid, wasn't I, when I started it? I was just... | 0:39:11 | 0:39:15 | |
..just a little kid and I think I still am. | 0:39:15 | 0:39:18 | |
But only till the last page. | 0:39:19 | 0:39:21 | |
That will be it, then, won't it? | 0:39:22 | 0:39:24 | |
Hmm! So? | 0:39:24 | 0:39:26 | |
Sometimes, even just the memory | 0:39:29 | 0:39:33 | |
of happiness is enough to make you happy. | 0:39:33 | 0:39:35 | |
CHUCKLING | 0:39:37 | 0:39:38 | |
Right, let's have a look. | 0:39:39 | 0:39:41 | |
Eh... "We are all human, aren't we? And every human life | 0:39:48 | 0:39:51 | |
"is worth the same and worth saving." | 0:39:51 | 0:39:55 | |
Ten, yeah. | 0:39:57 | 0:39:58 | |
Yeah. Definitely ten. | 0:40:00 | 0:40:02 | |
Rob. | 0:40:22 | 0:40:23 | |
Rob. | 0:40:26 | 0:40:27 | |
Rob, erm... | 0:40:31 | 0:40:32 | |
I need to talk to you, love. | 0:40:32 | 0:40:34 | |
Sophie is actually a lot poorlier than we thought. | 0:40:37 | 0:40:41 | |
Than anyone thought. | 0:40:41 | 0:40:42 | |
Rob? | 0:40:43 | 0:40:44 | |
What I'm saying is... | 0:40:50 | 0:40:51 | |
..she's poorlier than you now. | 0:40:52 | 0:40:54 | |
A lot poorlier. | 0:40:54 | 0:40:55 | |
She's still on a machine. | 0:40:56 | 0:40:58 | |
Mmm. | 0:40:58 | 0:40:59 | |
Why's she... | 0:40:59 | 0:41:02 | |
Why's she on that? | 0:41:02 | 0:41:04 | |
Because they've not been able to wake her up. | 0:41:04 | 0:41:07 | |
And erm... | 0:41:07 | 0:41:08 | |
they're never going to be able to. | 0:41:08 | 0:41:11 | |
That's what they've realised. | 0:41:11 | 0:41:12 | |
She... She isn't going to get any better. | 0:41:16 | 0:41:18 | |
And, erm, they're going to turn her machine off. | 0:41:20 | 0:41:22 | |
OK... | 0:41:27 | 0:41:28 | |
Rob? Mm? | 0:41:30 | 0:41:31 | |
Do you understand what I'm saying? Mm. | 0:41:33 | 0:41:35 | |
You're going to get better, love. | 0:41:37 | 0:41:38 | |
Mmm. | 0:41:38 | 0:41:40 | |
But Sophie isn't. | 0:41:40 | 0:41:41 | |
Ever. | 0:41:43 | 0:41:44 | |
You should go and see her. | 0:41:46 | 0:41:48 | |
Can I... Can I get out? | 0:42:04 | 0:42:05 | |
You're all right, love. | 0:42:05 | 0:42:07 | |
No, I don't want her to see me like this. | 0:42:07 | 0:42:09 | |
It's not going to matter what you look like, love. No. No, Mum. | 0:42:09 | 0:42:12 | |
All right. Hang on. | 0:42:12 | 0:42:13 | |
HE WHIMPERS | 0:42:14 | 0:42:16 | |
Hang on. No, I'm all right, I'm all right. All right, just be careful. | 0:42:16 | 0:42:20 | |
"As Harry looked at her, he lowered his hand absentmindedly | 0:42:20 | 0:42:23 | |
"and touched the lightning scar on his forehead. | 0:42:23 | 0:42:25 | |
"'I know he will.' | 0:42:26 | 0:42:28 | |
"The scar had not pained Harry for 19 years. | 0:42:28 | 0:42:31 | |
"All was well. | 0:42:32 | 0:42:33 | |
"The end." | 0:42:34 | 0:42:35 | |
(My God!) | 0:42:40 | 0:42:42 | |
I'm crying. Are you? Yeah. | 0:42:42 | 0:42:44 | |
Shut up! Aw, that's so sad. | 0:42:44 | 0:42:47 | |
Aw. I want to read it again. | 0:42:47 | 0:42:48 | |
You're so sad! | 0:42:48 | 0:42:50 | |
I don't know what I'm going to do. | 0:42:50 | 0:42:51 | |
You'll be all right. | 0:42:51 | 0:42:53 | |
Mmm, I don't know. | 0:42:53 | 0:42:55 | |
Sophie. | 0:43:14 | 0:43:15 | |
Sophie. | 0:43:21 | 0:43:22 | |
Hey, Soph. | 0:43:26 | 0:43:27 | |
You can wake up now. | 0:43:27 | 0:43:29 | |
I'm here. | 0:43:29 | 0:43:30 | |
Is she all right, Mum? | 0:43:38 | 0:43:39 | |
No. No, love, she's very, very, very poorly. | 0:43:40 | 0:43:44 | |
It's time to say goodbye to her, love. | 0:43:48 | 0:43:51 | |
Oh. | 0:43:56 | 0:43:58 | |
I'm sorry, darling. | 0:43:58 | 0:43:59 | |
I don't want to say goodbye. | 0:44:01 | 0:44:03 | |
I know you don't. | 0:44:03 | 0:44:04 | |
I don't want you to go. | 0:44:10 | 0:44:11 | |
Sophie... | 0:44:14 | 0:44:15 | |
HE SOBS | 0:44:53 | 0:44:55 | |
KNOCK AT DOOR | 0:46:02 | 0:46:04 | |
Can you not just leave me alone? | 0:46:10 | 0:46:11 | |
Sophie Lancaster died this morning. | 0:46:13 | 0:46:15 | |
This is now a murder enquiry. | 0:46:19 | 0:46:21 | |
The pathologist said that more than one person had kicked her. | 0:46:24 | 0:46:28 | |
Well, stamped on her. | 0:46:28 | 0:46:29 | |
And because she got kicked from both sides at the same time, | 0:46:31 | 0:46:33 | |
the impact was multiplied. | 0:46:33 | 0:46:35 | |
I tried to save them. | 0:46:38 | 0:46:39 | |
I know. | 0:46:39 | 0:46:41 | |
And you can hear that. | 0:46:42 | 0:46:43 | |
It's there on the tape. | 0:46:43 | 0:46:44 | |
You did save Robert. You did. | 0:46:48 | 0:46:50 | |
You have to tell me what went on. | 0:46:53 | 0:46:55 | |
Rob can't remember the attack. | 0:46:58 | 0:47:00 | |
Or the attackers. | 0:47:00 | 0:47:01 | |
We've got forensics, | 0:47:02 | 0:47:04 | |
phone calls that can put certain people to the scene, but that's it. | 0:47:04 | 0:47:08 | |
It's not enough. | 0:47:08 | 0:47:09 | |
Not one person is admitting to going near Sophie. | 0:47:11 | 0:47:14 | |
Not one. | 0:47:14 | 0:47:15 | |
It's down to you, Michael. | 0:47:18 | 0:47:20 | |
Do something! | 0:47:26 | 0:47:28 | |
Don't just stand there! | 0:47:28 | 0:47:30 | |
Move! Please! Move! | 0:47:30 | 0:47:32 | |
Move! I'm telling you, move, now! | 0:47:32 | 0:47:34 | |
Michael! | 0:47:37 | 0:47:38 | |
Michael! | 0:47:45 | 0:47:46 | |
FOOTSTEPS APPROACH | 0:48:35 | 0:48:38 | |
If I'd just, like, got... | 0:48:43 | 0:48:45 | |
If I just, like, got to the garage like a minute later... | 0:48:45 | 0:48:48 | |
not said owt... | 0:48:48 | 0:48:50 | |
just let them go home... | 0:48:50 | 0:48:52 | |
none of this would've fucking happened. | 0:48:52 | 0:48:55 | |
I know that you're scared. | 0:48:55 | 0:48:56 | |
I can't put my name to nothing, I can't make no fucking video! | 0:48:56 | 0:48:59 | |
If you do this for her... | 0:48:59 | 0:49:00 | |
If you do this for Robert, for her family... | 0:49:02 | 0:49:04 | |
You're asking me to take the side of two people I didn't even know | 0:49:04 | 0:49:07 | |
over my mates. Over my mates. | 0:49:07 | 0:49:08 | |
I'm asking you to take the side of the victim over her killers. | 0:49:08 | 0:49:12 | |
Those mates of yours kicked Sophie Lancaster to death. | 0:49:12 | 0:49:15 | |
I can just walk away now. | 0:49:16 | 0:49:18 | |
I can just go. | 0:49:19 | 0:49:22 | |
But the feeling that you've got right now won't. | 0:49:22 | 0:49:25 | |
Don't spend the rest of your life not being able to look anyone | 0:49:25 | 0:49:28 | |
in the eye because you're too ashamed. | 0:49:28 | 0:49:30 | |
You leave that to the others. | 0:49:31 | 0:49:32 | |
Leave that to them. | 0:49:34 | 0:49:35 | |
HE SIGHS I liked them. | 0:49:42 | 0:49:44 | |
This one was the worst. | 0:49:47 | 0:49:49 | |
Ooh, yeah. | 0:49:49 | 0:49:50 | |
I just thought we'd have a nice night. | 0:49:57 | 0:49:59 | |
Tell me what happened, Michael. | 0:50:00 | 0:50:02 | |
MUFFLED VOICES | 0:50:03 | 0:50:05 | |
Anyway, he's got a shit personality. Yeah, but he's fit. | 0:50:07 | 0:50:09 | |
Hey. This is Rob and Sophie. | 0:50:09 | 0:50:11 | |
All right. You all right? Who's got some wine? | 0:50:11 | 0:50:13 | |
Oh, I always wanted one of them. | 0:50:13 | 0:50:15 | |
Always wanted one but my mum wouldn't let us. | 0:50:15 | 0:50:18 | |
Yeah. I'd like to. | 0:50:18 | 0:50:19 | |
You OK? | 0:50:20 | 0:50:23 | |
Oi, Brendan, he's talking to you. | 0:50:23 | 0:50:25 | |
Don't worry about him, he's being a moody bastard. | 0:50:25 | 0:50:27 | |
Give us a puff, Brendan. Shut up, you muppet. | 0:50:27 | 0:50:29 | |
Standing about with weirdos like that. Yep. | 0:50:29 | 0:50:31 | |
Yep. Go on, then. | 0:50:31 | 0:50:32 | |
Oh-h. | 0:50:32 | 0:50:33 | |
You guys can come here more often. | 0:50:35 | 0:50:36 | |
Thanks. | 0:50:36 | 0:50:38 | |
Hey, Danny, man. Danny, man. | 0:50:38 | 0:50:40 | |
One sec, one sec. Nice one. | 0:50:41 | 0:50:43 | |
Take your eyes off that! | 0:50:43 | 0:50:45 | |
It's mine, that. Oh, yeah. Only joking. | 0:50:45 | 0:50:47 | |
Here, Michelle. Free cigs? | 0:50:47 | 0:50:49 | |
Oh! | 0:50:51 | 0:50:52 | |
Fuck you hanging round with them moshers for? | 0:50:58 | 0:51:00 | |
Ah, it's all right, they're sound. | 0:51:00 | 0:51:01 | |
Yeah, whatever. | 0:51:01 | 0:51:03 | |
All right? What he's doing here? This is Jo, Danny's bro. | 0:51:11 | 0:51:13 | |
He's fucking madder than you, I'm telling you. | 0:51:13 | 0:51:15 | |
LAUGHTER | 0:51:15 | 0:51:16 | |
Want some of that? No, I'm all right. | 0:51:16 | 0:51:18 | |
I'm high enough. On what? | 0:51:18 | 0:51:20 | |
Life, dear boy, life. | 0:51:20 | 0:51:22 | |
Fuck are you doing? Don't be tight! You can shut the fuck up, as well! | 0:51:24 | 0:51:27 | |
THEY LAUGH | 0:51:27 | 0:51:30 | |
Yeah, why don't you go over there with them, then? | 0:51:30 | 0:51:32 | |
Fuck going over there, man. It's not as if he's going to roll one, innit? | 0:51:32 | 0:51:35 | |
They've been there for about two years, you don't want to... | 0:51:35 | 0:51:37 | |
I've got some cigs and that over there, though. | 0:51:37 | 0:51:39 | |
I'll go and grab a cig. Yeah, why don't you go over there, mate? | 0:51:39 | 0:51:42 | |
Mix in with them, mix in with them. Fuck that. | 0:51:42 | 0:51:44 | |
Weirdos, man. | 0:51:44 | 0:51:45 | |
I'd never have the bottle. | 0:51:45 | 0:51:46 | |
What? Dress like that. | 0:51:48 | 0:51:49 | |
Did you never have that thing at school where you were, like, | 0:51:49 | 0:51:51 | |
desperate for the bell to go so you could take off your tie, | 0:51:51 | 0:51:54 | |
undo your shirt and stop looking like everyone else? | 0:51:54 | 0:51:56 | |
Every fucking day. | 0:51:56 | 0:51:57 | |
Why would you dress exactly the same as them when you got home, then? | 0:51:57 | 0:52:00 | |
You'd suit them boots, you. Your mam got a pair of them boots. | 0:52:00 | 0:52:03 | |
Don't be silly! | 0:52:03 | 0:52:04 | |
You'd suit them, though. No, I wouldn't, mate. | 0:52:04 | 0:52:06 | |
You definitely would. Why you all teaming up on me and that? | 0:52:06 | 0:52:08 | |
Don't like uniforms. | 0:52:08 | 0:52:09 | |
Can I have a picture with you? | 0:52:11 | 0:52:13 | |
Course. | 0:52:13 | 0:52:14 | |
Mmm, no-one's ever asked for my picture before! | 0:52:14 | 0:52:17 | |
Listen, you know I'll clean them off the park. | 0:52:20 | 0:52:23 | |
Right, so you're all teaming up on me now? Yeah, yeah. | 0:52:23 | 0:52:26 | |
Yeah, fuck off, mate. | 0:52:26 | 0:52:27 | |
Oi, Gorman. | 0:52:27 | 0:52:29 | |
Get over here. | 0:52:29 | 0:52:30 | |
Oh, God, put the flash on. Put the flash on. | 0:52:30 | 0:52:33 | |
Why the fuck did you bring them here? | 0:52:36 | 0:52:37 | |
It's all right, man, they're sound. He needs proper banging, him. | 0:52:37 | 0:52:40 | |
They're not doing anything. Do you know what? I'll do it. | 0:52:40 | 0:52:42 | |
There's no need. They're sound. | 0:52:42 | 0:52:44 | |
Get in, then. | 0:52:45 | 0:52:47 | |
You know what? I'll do it. Just leave it, all right? | 0:52:47 | 0:52:50 | |
Well, go on, then, smile. You ready? Are you in? | 0:52:50 | 0:52:52 | |
It's all right, man, they're sound. | 0:52:52 | 0:52:54 | |
Look at the state of them, though. You'll do nothing, you shithouse. | 0:52:54 | 0:52:57 | |
Leave it. Shut up, you know I will. Shithouse, you won't do nothing. | 0:52:57 | 0:53:00 | |
Leave it, come on. | 0:53:00 | 0:53:01 | |
Looking like that. | 0:53:01 | 0:53:03 | |
Do something, then. Sake. Weirdos. | 0:53:03 | 0:53:05 | |
Stop winding him up. You know he's going to do something. | 0:53:05 | 0:53:08 | |
Fucking mosher, what you doing? | 0:53:08 | 0:53:10 | |
Weirdos, man, weirdos. | 0:53:10 | 0:53:12 | |
Weirdos. | 0:53:12 | 0:53:13 | |
Brendan, what you doing? What you doing? Fuck off! Rob, you all right? | 0:53:14 | 0:53:18 | |
Hit him. Hit him. Go on. | 0:53:18 | 0:53:20 | |
Bang him. Bang him. Bang him. Come on. | 0:53:20 | 0:53:24 | |
THEY SHOUT | 0:53:24 | 0:53:25 | |
Leave the wine. Leave it. | 0:53:25 | 0:53:28 | |
Get off him! | 0:53:29 | 0:53:31 | |
Go on, son. | 0:53:31 | 0:53:32 | |
Get off him! Get off. Get off him! | 0:53:32 | 0:53:36 | |
Get off him! Piss off! Get in there, boy! | 0:53:36 | 0:53:38 | |
Get the fuck off me. Hey, what the...! What the fuck are you doing? | 0:53:38 | 0:53:42 | |
Stop, please, get off him! Leave him alone. Get off him! | 0:53:42 | 0:53:45 | |
Get off him! | 0:53:45 | 0:53:47 | |
Get...! | 0:53:47 | 0:53:50 | |
Get off him! | 0:53:50 | 0:53:51 | |
Get off! | 0:53:51 | 0:53:53 | |
Get off! Get off him! | 0:53:53 | 0:53:54 | |
Move! Move! Get off him! Get off him! Get off him! | 0:53:54 | 0:53:58 | |
Stop! | 0:53:58 | 0:53:59 | |
You all right? | 0:54:00 | 0:54:02 | |
Rob, look at me. Open your eyes. | 0:54:02 | 0:54:05 | |
Oh, my God, there's so much blood. | 0:54:05 | 0:54:07 | |
You're all right. You're all right. | 0:54:10 | 0:54:12 | |
Fuck is wrong with yous?! | 0:54:13 | 0:54:14 | |
Do something! | 0:54:15 | 0:54:18 | |
Somebody... | 0:54:18 | 0:54:20 | |
Please? | 0:54:20 | 0:54:21 | |
Move. Fucking move! | 0:54:21 | 0:54:23 | |
Move! Move! You're all right, you're all right. | 0:54:23 | 0:54:25 | |
Do something! | 0:54:25 | 0:54:27 | |
Don't just stand there! | 0:54:27 | 0:54:29 | |
Move! Please! Get the fuck off him! | 0:54:29 | 0:54:32 | |
Move! I'm telling you, move, now! | 0:54:32 | 0:54:34 | |
Move! You better move now. | 0:54:34 | 0:54:36 | |
Get off! I'm telling you, move, now! Move! Move! Fucking move! Move now! | 0:54:36 | 0:54:40 | |
Fucking move! Move! | 0:54:40 | 0:54:42 | |
Oh! | 0:54:42 | 0:54:43 | |
SHE PANTS | 0:54:43 | 0:54:45 | |
Ah. | 0:54:47 | 0:54:48 | |
SHE GROANS | 0:54:48 | 0:54:50 | |
SHE COUGHS | 0:54:54 | 0:54:56 | |
Let's go. Let's go. Let's go. Run! | 0:55:03 | 0:55:05 | |
Run! | 0:55:07 | 0:55:08 | |
Come on! | 0:55:12 | 0:55:13 | |
Emergency, which service do you...? | 0:55:16 | 0:55:19 | |
Go on, then. Come on. HE SHOUTS | 0:55:22 | 0:55:25 | |
Hello? | 0:55:25 | 0:55:27 | |
Hello, are you still there? | 0:55:27 | 0:55:28 | |
I didn't do anything to stop it. | 0:55:39 | 0:55:40 | |
I was scared. | 0:55:42 | 0:55:43 | |
You said that I saved the lad. | 0:55:46 | 0:55:48 | |
I didn't. | 0:55:49 | 0:55:51 | |
She did. | 0:55:51 | 0:55:53 | |
Sophie. | 0:55:53 | 0:55:54 | |
OK, I'll do it. | 0:56:02 | 0:56:03 | |
I'll do it. | 0:56:05 | 0:56:06 | |
For the benefit of the tape, | 0:56:13 | 0:56:15 | |
this concludes our interview with Michael Gorman. | 0:56:15 | 0:56:17 | |
Well done, Michael. | 0:56:19 | 0:56:20 | |
Thank you, Michael. | 0:56:24 | 0:56:25 | |
All right. | 0:56:39 | 0:56:40 | |
Thank you for your time, Mandy. | 0:56:48 | 0:56:49 | |
Thank you. | 0:56:58 | 0:56:59 | |
Come on. | 0:57:05 | 0:57:07 | |
I'm proud of you. | 0:57:07 | 0:57:08 | |
MUSIC: Running Up That Hill by Placebo | 0:57:16 | 0:57:19 | |
# It doesn't hurt me | 0:57:36 | 0:57:38 | |
# Huh-huh-huh-oh | 0:57:38 | 0:57:40 | |
# You wanna feel how it feels | 0:57:40 | 0:57:43 | |
# Huh-huh-huh-oh | 0:57:43 | 0:57:45 | |
# You wanna know, know that it doesn't hurt me | 0:57:45 | 0:57:48 | |
# Huh-huh-huh-oh | 0:57:48 | 0:57:50 | |
# You wanna hear about the deal I'm making | 0:57:50 | 0:57:54 | |
# Huh-huh-huh-oh | 0:57:54 | 0:57:56 | |
# You | 0:57:56 | 0:57:58 | |
# You and me | 0:58:01 | 0:58:04 | |
# And if I only could | 0:58:06 | 0:58:08 | |
# Make a deal with God | 0:58:08 | 0:58:11 | |
# And get him to swap our places | 0:58:11 | 0:58:15 | |
# Be running up that road | 0:58:15 | 0:58:18 | |
# Be running up that hill | 0:58:18 | 0:58:20 | |
# Be running up that building... # | 0:58:20 | 0:58:22 | |
You won't be scared again. | 0:58:22 | 0:58:24 | |
# If I only could | 0:58:26 | 0:58:30 | |
# Ooh | 0:58:30 | 0:58:32 | |
# You don't wanna hurt me | 0:58:34 | 0:58:36 | |
# Huh-huh-huh-oh | 0:58:36 | 0:58:38 | |
# Let's see how deep the bullet lies | 0:58:38 | 0:58:42 | |
# Huh-huh-huh-oh | 0:58:42 | 0:58:44 | |
# Unaware that I'm tearing you asunder | 0:58:44 | 0:58:47 | |
# Huh-huh-huh-oh | 0:58:47 | 0:58:49 | |
# There's a thunder in our hearts... # | 0:58:49 | 0:58:53 | |
Excuse me, can you pull over here, please? | 0:58:53 | 0:58:56 | |
What? Why? | 0:58:56 | 0:58:58 | |
I want to get out and walk through town. Listen to some music. | 0:58:59 | 0:59:02 | |
But it's throwing it down, love. I know, it's fine. | 0:59:02 | 0:59:05 | |
Well... Mum, it's fine. | 0:59:05 | 0:59:08 | |
I can go. Are you sure? | 0:59:08 | 0:59:10 | |
Yeah. | 0:59:10 | 0:59:11 | |
Erm... | 0:59:11 | 0:59:12 | |
Sorry, my lad wants to get out here. | 0:59:12 | 0:59:14 | |
# You | 0:59:16 | 0:59:19 | |
# Be running up that hill | 0:59:19 | 0:59:21 | |
# You and me | 0:59:21 | 0:59:24 | |
# Be running up that hill | 0:59:24 | 0:59:27 | |
# You and me won't be unhappy | 0:59:27 | 0:59:31 | |
# If I only could make a deal with God | 0:59:31 | 0:59:36 | |
# And get him to swap our places | 0:59:36 | 0:59:40 | |
# Be running up that road | 0:59:40 | 0:59:43 | |
# Be running up that hill | 0:59:43 | 0:59:46 | |
# Be running up that building | 0:59:46 | 0:59:48 | |
# If I only could | 0:59:51 | 0:59:55 | |
# Ooh | 0:59:55 | 0:59:57 | |
# Ooh | 0:59:57 | 0:59:59 | |
# Come on, baby | 1:00:15 | 1:00:17 | |
# Come on, come on, darling | 1:00:17 | 1:00:20 | |
# Let me steal this moment from you now | 1:00:20 | 1:00:24 | |
# Come on, angel | 1:00:25 | 1:00:28 | |
# Come on, come on, darling | 1:00:28 | 1:00:31 | |
# Let's exchange the experience | 1:00:31 | 1:00:36 | |
# Ooh | 1:00:36 | 1:00:39 | |
# If I only could make a deal with God | 1:00:44 | 1:00:50 | |
# And get him to swap our places | 1:00:50 | 1:00:55 | |
# Be running up that road | 1:00:55 | 1:00:58 | |
# Be running up that hill | 1:00:58 | 1:01:00 | |
# No problem | 1:01:01 | 1:01:04 | |
# If I only could | 1:01:06 | 1:01:08 | |
# Be running up that hill | 1:01:08 | 1:01:11 | |
# If I only could | 1:01:14 | 1:01:16 | |
# Be running up that hill | 1:01:16 | 1:01:18 | |
# If I only could | 1:01:20 | 1:01:22 | |
# Be running up that hill. # | 1:01:22 | 1:01:24 |