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PIANO SCORE | 0:00:17 | 0:00:19 | |
SCORE SWELLS | 0:00:30 | 0:00:34 | |
Oh! Here's a sight for sore eyes. | 0:00:45 | 0:00:47 | |
Hello, Auntie Peg. | 0:00:47 | 0:00:49 | |
Hello, love. Oh, my darling. | 0:00:49 | 0:00:51 | |
I can't believe I'm actually here. | 0:00:51 | 0:00:54 | |
I could pinch you if you like! | 0:00:54 | 0:00:57 | |
Come in. Come in. | 0:00:57 | 0:00:59 | |
Come on. | 0:01:02 | 0:01:03 | |
You've come halfway round the world. | 0:01:03 | 0:01:05 | |
One more step won't hurt. | 0:01:06 | 0:01:08 | |
She's expecting me? | 0:01:11 | 0:01:13 | |
Ah, she says she doesn't want to see you, | 0:01:13 | 0:01:15 | |
but not a day's gone by since she wrote back | 0:01:15 | 0:01:18 | |
that she hasn't mentioned you. | 0:01:18 | 0:01:20 | |
She's, um...pretty much stayed up there since it happened. | 0:01:20 | 0:01:26 | |
Except for going to mass. | 0:01:26 | 0:01:28 | |
Good luck, love. | 0:01:31 | 0:01:32 | |
OK. | 0:01:36 | 0:01:37 | |
Hello, Mother. | 0:01:48 | 0:01:49 | |
She'll be different when she comes out of the grief. | 0:01:58 | 0:02:01 | |
No, she won't. | 0:02:01 | 0:02:04 | |
You're the last of her babies, love. | 0:02:04 | 0:02:06 | |
Now she wants me dead too. | 0:02:06 | 0:02:07 | |
I should never have called you back. | 0:02:10 | 0:02:12 | |
You had to. And I had to come. | 0:02:13 | 0:02:16 | |
You've never done wrong by me, Peg. | 0:02:18 | 0:02:20 | |
Tell me I'm not going to lose you again. | 0:02:21 | 0:02:24 | |
There's nothing for me in Europe. | 0:02:26 | 0:02:28 | |
There must be something. Not anymore. | 0:02:28 | 0:02:30 | |
I hope you'll tell me about it one day. | 0:02:34 | 0:02:36 | |
I'll always let you know where I am. | 0:02:38 | 0:02:40 | |
-If Mum asks. -Of course. | 0:02:40 | 0:02:42 | |
Bridget...! | 0:02:42 | 0:02:43 | |
Sarah. | 0:02:45 | 0:02:46 | |
It's been 20 years, love. | 0:02:49 | 0:02:50 | |
Where are you going to go? | 0:02:50 | 0:02:52 | |
Mrs Bligh? | 0:03:55 | 0:03:56 | |
Mrs Bligh. It's the nurse. | 0:04:00 | 0:04:03 | |
Uh, Mrs Bligh? | 0:04:09 | 0:04:11 | |
-Can I help you? -Oh! | 0:04:17 | 0:04:18 | |
-I'm here for Mrs Bligh. -The doctor sent me. | 0:04:18 | 0:04:22 | |
I'm her son. | 0:04:22 | 0:04:24 | |
-She's not in her bed? -No. | 0:04:24 | 0:04:26 | |
FOGHORN BLARES | 0:04:28 | 0:04:30 | |
Don't give me that look, George. The air's doing me good. | 0:04:34 | 0:04:37 | |
You agreed to bed rest. | 0:04:37 | 0:04:38 | |
Your nurse is here. | 0:04:40 | 0:04:42 | |
Well, she can come back later. Thank you, nurse. | 0:04:42 | 0:04:45 | |
You're quite welcome, but it must be now. | 0:04:45 | 0:04:48 | |
I have other patients. | 0:04:48 | 0:04:50 | |
-Your wrist, please. -What on earth are you doing? | 0:04:50 | 0:04:52 | |
Taking your pulse and then I'll loosen your blouse and listen to your heart. | 0:04:52 | 0:04:55 | |
I have no intention of exposing my chest in public. | 0:04:55 | 0:04:58 | |
You insist on being here. | 0:04:58 | 0:05:00 | |
Are you always so impertinent? | 0:05:00 | 0:05:02 | |
I'm simply doing my job. | 0:05:02 | 0:05:03 | |
So... | 0:05:03 | 0:05:04 | |
Here or in private? | 0:05:05 | 0:05:08 | |
There's a definite arrhythmia. | 0:05:10 | 0:05:12 | |
Absolute rest in your suite for at least a week. | 0:05:12 | 0:05:15 | |
I'll visit twice a day, and I'll be back at...four. | 0:05:15 | 0:05:20 | |
I'm aglow with anticipation. | 0:05:20 | 0:05:22 | |
Try to get her to understand how potentially serious this is. | 0:05:29 | 0:05:32 | |
Obedience has never been Mother's forte. | 0:05:32 | 0:05:34 | |
I've known generals to buckle under her glare. | 0:05:34 | 0:05:36 | |
They should have used her in the war. | 0:05:36 | 0:05:38 | |
Well, you know where I am if you need anything. | 0:05:38 | 0:05:40 | |
-I'm sure I'll manage. -I have a feeling you will. | 0:05:40 | 0:05:42 | |
I didn't catch your name. | 0:05:42 | 0:05:43 | |
Adams. | 0:05:43 | 0:05:44 | |
Sister Adams. | 0:05:44 | 0:05:46 | |
Poor Father. | 0:05:49 | 0:05:51 | |
Having to take dinner with Gran every night. | 0:05:51 | 0:05:53 | |
Is he so worried about her? | 0:05:53 | 0:05:55 | |
Worried she'll get up to dance, more like. | 0:05:55 | 0:05:57 | |
Frankly I think he's just glad to get out of the firing line. | 0:05:57 | 0:06:00 | |
George Bligh on board with nowhere to run? | 0:06:01 | 0:06:04 | |
Those widows and spinsters hunt him like game. | 0:06:04 | 0:06:06 | |
Father's a handsome man. Why shouldn't they? | 0:06:06 | 0:06:08 | |
I doubt it's his looks they're after. | 0:06:08 | 0:06:11 | |
Leave that. | 0:06:11 | 0:06:12 | |
APPLAUSE | 0:06:14 | 0:06:15 | |
I love this. | 0:06:25 | 0:06:27 | |
Do you think we might dance? | 0:06:29 | 0:06:31 | |
Shuffling around is so maudlin. No. | 0:06:31 | 0:06:33 | |
Dance with your bride, you old grump. | 0:06:33 | 0:06:35 | |
I DON'T feel like it. | 0:06:35 | 0:06:37 | |
Sorry...darling. | 0:06:40 | 0:06:42 | |
I just don't. | 0:06:42 | 0:06:44 | |
If he won't, Livvy, may I? | 0:06:47 | 0:06:50 | |
THEY CHUCKLE | 0:06:59 | 0:07:00 | |
# Whenever we kiss | 0:07:00 | 0:07:03 | |
# I worry and wonder | 0:07:03 | 0:07:06 | |
# Your lips may be near | 0:07:07 | 0:07:10 | |
# But where is your heart? | 0:07:11 | 0:07:15 | |
# It's always like this | 0:07:16 | 0:07:19 | |
# I worry and wonder | 0:07:20 | 0:07:23 | |
# You're close to me here | 0:07:25 | 0:07:27 | |
# But where is your heart? | 0:07:29 | 0:07:32 | |
# It's a sad thing to realise | 0:07:33 | 0:07:37 | |
# But you've a heart that never melts | 0:07:37 | 0:07:41 | |
# When we kiss do you close your eyes? | 0:07:41 | 0:07:46 | |
# Pretending that I'm someone else | 0:07:46 | 0:07:50 | |
# You must break the spell | 0:07:51 | 0:07:54 | |
# But please won't you tell? | 0:07:54 | 0:07:59 | |
# Darling, where is your heart? # | 0:07:59 | 0:08:03 | |
FOGHORN | 0:08:03 | 0:08:05 | |
Yes. | 0:08:07 | 0:08:08 | |
Sister Adams. | 0:08:11 | 0:08:12 | |
-Oh, Mr Bligh. -We dock in Sydney tomorrow. | 0:08:12 | 0:08:15 | |
I just wanted to thank you for all you've done. | 0:08:15 | 0:08:18 | |
It's my job. | 0:08:20 | 0:08:22 | |
Three weeks tending to my mother? | 0:08:22 | 0:08:24 | |
I call that duty above and beyond. | 0:08:24 | 0:08:26 | |
I've had more difficult patients. | 0:08:26 | 0:08:28 | |
Not many. | 0:08:29 | 0:08:30 | |
BOTH CHUCKLE | 0:08:30 | 0:08:32 | |
We would like to show you our gratitude. | 0:08:32 | 0:08:34 | |
Would you care to join us for the last-night dinner dance? | 0:08:34 | 0:08:38 | |
-Oh, I, um... -Please. | 0:08:39 | 0:08:40 | |
-Your mother... -I'm asking. | 0:08:40 | 0:08:42 | |
-I mean, I'd love to, but... -I've cleared it with Captain. | 0:08:42 | 0:08:44 | |
I don't have anything suitable to wear. | 0:08:44 | 0:08:46 | |
I'm sure between Anne or Olivia there's a gown you can borrow. | 0:08:46 | 0:08:49 | |
So, we'll see you this evening...? | 0:08:52 | 0:08:54 | |
Yes. | 0:08:56 | 0:08:57 | |
Good. | 0:08:57 | 0:08:59 | |
DOOR CLOSES | 0:09:02 | 0:09:04 | |
PIANO PLAYS | 0:09:04 | 0:09:06 | |
Is it too much to expect your guest of honour to be punctual? | 0:09:09 | 0:09:12 | |
I'm sure there's a good reason. | 0:09:12 | 0:09:14 | |
There's never a good reason for bad manners. | 0:09:14 | 0:09:17 | |
Ah. | 0:09:17 | 0:09:18 | |
Is that one of your gowns? | 0:09:23 | 0:09:25 | |
She didn't have anything appropriate. | 0:09:25 | 0:09:26 | |
And you found this out...? | 0:09:26 | 0:09:28 | |
By actually talking to her. | 0:09:28 | 0:09:30 | |
Sorry I'm late. | 0:09:30 | 0:09:31 | |
Emergency sprained ankle. | 0:09:31 | 0:09:33 | |
I told you that was the right choice. | 0:09:35 | 0:09:36 | |
You sure it's not too young for me? | 0:09:36 | 0:09:38 | |
-You look lovely. -Thank you. | 0:09:38 | 0:09:39 | |
No, thank you. | 0:09:39 | 0:09:41 | |
For everything. | 0:09:41 | 0:09:43 | |
I'm sure I speak for all of us. | 0:09:43 | 0:09:46 | |
A toast... | 0:09:46 | 0:09:48 | |
..to Sister Adams. | 0:09:49 | 0:09:51 | |
Mother? | 0:09:53 | 0:09:54 | |
Indeed. | 0:09:54 | 0:09:55 | |
And to tomorrow - to our homecoming. | 0:09:55 | 0:09:57 | |
ALL: To Sister Adams and our homecoming. | 0:09:59 | 0:10:03 | |
BAND PLAYS UPBEAT MUSIC | 0:10:07 | 0:10:08 | |
# That little baby girl she's sweet... | 0:10:10 | 0:10:12 | |
# From her big brown eyes | 0:10:15 | 0:10:18 | |
# Down to her little boots | 0:10:18 | 0:10:19 | |
# She's not quite one but she's ruling the roost... # | 0:10:19 | 0:10:24 | |
Well, I'd best retire | 0:10:24 | 0:10:26 | |
before Miss Adams feels compelled to bark any final reproof. | 0:10:26 | 0:10:30 | |
I wouldn't be so impertinent. | 0:10:30 | 0:10:32 | |
I trust Australia is everything you hope it will be. | 0:10:34 | 0:10:37 | |
Thank you, Mrs Bligh. | 0:10:37 | 0:10:39 | |
Good night, darling. | 0:10:39 | 0:10:40 | |
Good night, Grandma. | 0:10:40 | 0:10:41 | |
-Darling? -What? | 0:10:49 | 0:10:51 | |
Nothing. | 0:10:51 | 0:10:53 | |
You're being a bore. | 0:10:53 | 0:10:55 | |
Miss Adams. | 0:10:58 | 0:10:59 | |
How long since you were last in Australia? | 0:10:59 | 0:11:02 | |
A long time. | 0:11:02 | 0:11:04 | |
Were you nursing in the war? | 0:11:04 | 0:11:06 | |
-No. -Why not? | 0:11:06 | 0:11:08 | |
What are you, the Inquisition? | 0:11:08 | 0:11:09 | |
She's just making conversation. | 0:11:09 | 0:11:11 | |
It's none of our business. | 0:11:11 | 0:11:13 | |
Sorry. | 0:11:15 | 0:11:17 | |
(No more for you.) | 0:11:19 | 0:11:21 | |
Sister Adams. | 0:11:26 | 0:11:28 | |
Would you care to dance? | 0:11:28 | 0:11:30 | |
Why, thank you. | 0:11:32 | 0:11:33 | |
I should warn you, it's been a long time between dances. | 0:11:37 | 0:11:41 | |
Sir? | 0:11:42 | 0:11:44 | |
He doesn't need it. | 0:11:44 | 0:11:46 | |
I'm not a bloody child. | 0:11:46 | 0:11:48 | |
APPLAUSE | 0:11:51 | 0:11:53 | |
Livvy. | 0:11:56 | 0:11:57 | |
You're not rusty. | 0:12:10 | 0:12:12 | |
What? | 0:12:14 | 0:12:16 | |
This isn't a situation I expected to find myself in. | 0:12:16 | 0:12:20 | |
I hope that's a good thing. | 0:12:21 | 0:12:22 | |
Can I ask what brings you home to Australia? | 0:12:35 | 0:12:38 | |
Back to Australia. | 0:12:38 | 0:12:40 | |
Is there a reason? | 0:12:41 | 0:12:42 | |
My half-brother died fighting in Korea. | 0:12:44 | 0:12:47 | |
I'm my mother's only surviving child. | 0:12:47 | 0:12:50 | |
I'm sorry to hear that. | 0:12:50 | 0:12:51 | |
The role of a dutiful child is a hard one. | 0:12:52 | 0:12:55 | |
I lost that title a long time ago. | 0:12:55 | 0:12:57 | |
We haven't spoken for 20 years. | 0:13:00 | 0:13:03 | |
I'm not even sure she'll see me. | 0:13:03 | 0:13:04 | |
Why did you fall out? | 0:13:06 | 0:13:08 | |
You don't have to answer that. | 0:13:13 | 0:13:15 | |
SONG ENDS | 0:13:30 | 0:13:31 | |
APPLAUSE | 0:13:31 | 0:13:32 | |
This is me. | 0:13:50 | 0:13:52 | |
Thank you. | 0:13:54 | 0:13:55 | |
For everything. | 0:13:58 | 0:14:00 | |
If, for any reason, it doesn't work out in Sydney, | 0:14:01 | 0:14:04 | |
we have a hospital in Inverness. | 0:14:04 | 0:14:05 | |
I know there's a position they're trying to fill. | 0:14:06 | 0:14:09 | |
That's very kind, but some obligations can't be passed on. | 0:14:09 | 0:14:12 | |
I wish I hadn't left our talk to the last night. | 0:14:23 | 0:14:26 | |
James, come away from there. | 0:15:00 | 0:15:02 | |
It's slippery. Come on. | 0:15:03 | 0:15:05 | |
-Wasn't doing anything. -Then come back. | 0:15:06 | 0:15:08 | |
No-one needs to know. | 0:15:10 | 0:15:11 | |
Tell them I'm sorry. | 0:15:12 | 0:15:14 | |
James, no... | 0:15:15 | 0:15:17 | |
HE WHIMPERS | 0:15:23 | 0:15:24 | |
I just can't do it. | 0:15:26 | 0:15:28 | |
Hold that around you. | 0:15:36 | 0:15:39 | |
I'll get the doctor. | 0:15:39 | 0:15:40 | |
No. | 0:15:40 | 0:15:41 | |
It's my job. I have to. | 0:15:41 | 0:15:43 | |
No... Um... | 0:15:43 | 0:15:44 | |
No-one can know. I'll be fine. I'll stay with you. | 0:15:44 | 0:15:46 | |
At the very least, your father must know. | 0:15:46 | 0:15:48 | |
-No. -You just tried to kill yourself. | 0:15:48 | 0:15:51 | |
I didn't... | 0:15:51 | 0:15:52 | |
I didn't mean it. | 0:15:52 | 0:15:53 | |
All right. Just... | 0:15:59 | 0:16:01 | |
Not him. | 0:16:01 | 0:16:02 | |
-Thank you. -Ma'am. -What on earth is going on? | 0:16:05 | 0:16:07 | |
I didn't want to bring you into this, Mrs Bligh, but I have to tell someone. | 0:16:07 | 0:16:11 | |
-My heart is fine. -And James insisted it be you. | 0:16:11 | 0:16:13 | |
-What's he done? -He tried to jump overboard. | 0:16:14 | 0:16:17 | |
That's ridiculous. | 0:16:17 | 0:16:19 | |
He tried to kill himself. I was there. | 0:16:19 | 0:16:22 | |
-Who knows? -No-one. | 0:16:22 | 0:16:24 | |
Only me. | 0:16:24 | 0:16:25 | |
I've given him something to settle him, | 0:16:25 | 0:16:27 | |
but he needs to be watched carefully for quite some time. | 0:16:27 | 0:16:32 | |
DOOR OPENS | 0:16:32 | 0:16:34 | |
DOOR CLOSES | 0:16:34 | 0:16:35 | |
I'm sorry. | 0:16:42 | 0:16:44 | |
HE SOBS | 0:16:52 | 0:16:53 | |
Did you tell her? | 0:16:58 | 0:17:00 | |
-She saw. -No... | 0:17:00 | 0:17:02 | |
Did you tell her why you did this? | 0:17:02 | 0:17:05 | |
I want you to listen to me. | 0:17:11 | 0:17:13 | |
LISTEN to me. | 0:17:13 | 0:17:15 | |
I know that right now you feel you'll never be happy again. | 0:17:17 | 0:17:23 | |
I know you're hurt. | 0:17:25 | 0:17:26 | |
But no-one escapes suffering, James. | 0:17:28 | 0:17:31 | |
You're behaving as if you're the only who's ever experienced it. | 0:17:31 | 0:17:34 | |
That's not fair. It's not bloody fair! | 0:17:34 | 0:17:38 | |
That's enough. | 0:17:38 | 0:17:40 | |
You have a privileged life. | 0:17:40 | 0:17:43 | |
The price it demands is respect for it. | 0:17:43 | 0:17:46 | |
Your pain is real, but so is your duty | 0:17:48 | 0:17:52 | |
to your family and to yourself. | 0:17:52 | 0:17:54 | |
Do you understand? | 0:17:54 | 0:17:55 | |
I love you more than you know. | 0:18:00 | 0:18:02 | |
But it is time you learned life is unforgiving. | 0:18:04 | 0:18:07 | |
It doesn't often give a second chance. | 0:18:09 | 0:18:12 | |
You found yourself with one. | 0:18:12 | 0:18:13 | |
I hope to God you use it well. | 0:18:14 | 0:18:16 | |
Thank you for your help. | 0:18:27 | 0:18:29 | |
And for your discretion. | 0:18:30 | 0:18:32 | |
I have it in hand. | 0:18:33 | 0:18:35 | |
It's not my business why he did this. | 0:18:35 | 0:18:38 | |
But it is my business to know he'll receive care. | 0:18:38 | 0:18:41 | |
Do you imagine I won't care for him? | 0:18:41 | 0:18:43 | |
No. | 0:18:43 | 0:18:45 | |
Then there's no reason for you to stay. | 0:18:45 | 0:18:47 | |
No-one else is to know about this. | 0:18:47 | 0:18:50 | |
No-one. | 0:18:50 | 0:18:51 | |
I wish you all the best for your future, | 0:18:53 | 0:18:56 | |
wherever that may be. | 0:18:56 | 0:18:58 | |
Hello, Mother. | 0:19:38 | 0:19:40 | |
I don't know why you came. You weren't asked to. | 0:19:44 | 0:19:47 | |
I came because I'm your daughter. | 0:19:47 | 0:19:49 | |
I know what it's like to be alone, and I don't want that for you. | 0:19:52 | 0:19:55 | |
And because I'm sorry. | 0:19:56 | 0:19:58 | |
For what? | 0:20:00 | 0:20:02 | |
Your loss. | 0:20:02 | 0:20:03 | |
But not for abandoning your family or your church? | 0:20:04 | 0:20:07 | |
Your God? | 0:20:07 | 0:20:09 | |
I didn't come to air old grievances. | 0:20:09 | 0:20:11 | |
Then you'll come back? | 0:20:11 | 0:20:13 | |
Everything I own is in two bags downstairs. | 0:20:14 | 0:20:17 | |
Not just to me. | 0:20:19 | 0:20:21 | |
My child is God's child. | 0:20:21 | 0:20:22 | |
Are you going to be my daughter again? | 0:20:22 | 0:20:25 | |
Please don't ask me that. | 0:20:25 | 0:20:27 | |
I suppose you want me to call you Sarah? | 0:20:27 | 0:20:29 | |
That's my name now. | 0:20:29 | 0:20:31 | |
Why don't you just leave? | 0:20:31 | 0:20:33 | |
I have come halfway around the world for you. I'm not giving up that easily. | 0:20:34 | 0:20:38 | |
Then we'll go to the church, and you'll go on your knees | 0:20:38 | 0:20:41 | |
and ask Him for forgiveness for what you've done. | 0:20:41 | 0:20:43 | |
You'll repent, and I'll forgive you everything. | 0:20:43 | 0:20:45 | |
-Every wrong. -You can do that now. | 0:20:45 | 0:20:47 | |
Let Him into your heart again. Then I can love you. | 0:20:48 | 0:20:52 | |
This isn't about the church. | 0:20:54 | 0:20:55 | |
I'm your child. | 0:20:55 | 0:20:57 | |
You come here in my mourning to make me weak. | 0:20:57 | 0:21:00 | |
Well, I'm not. | 0:21:00 | 0:21:01 | |
-I won't let you put my heart underfoot again. Do you hear me? -Mum. | 0:21:01 | 0:21:04 | |
-I didn't ask you to come. -Please. | 0:21:04 | 0:21:05 | |
Your auntie should never have written. | 0:21:05 | 0:21:07 | |
Come with me now. | 0:21:07 | 0:21:09 | |
-I can't. -Then go. | 0:21:09 | 0:21:11 | |
No. | 0:21:11 | 0:21:12 | |
Take your Jew name and go. | 0:21:12 | 0:21:14 | |
I have no daughter. | 0:21:14 | 0:21:15 | |
Go! | 0:21:17 | 0:21:18 | |
It's been 20 years, love. Where are you going to go? | 0:21:26 | 0:21:29 | |
That church is an ice box. | 0:22:24 | 0:22:26 | |
Good sermon. | 0:22:26 | 0:22:27 | |
-You slept through it. -Precisely. | 0:22:27 | 0:22:28 | |
What time do you want me at the station, sir? | 0:22:28 | 0:22:30 | |
Just leave the car out, Norman. I'll collect Miss Adams. | 0:22:30 | 0:22:33 | |
-Is that necessary? -She'll be glad to see a friendly face. | 0:22:33 | 0:22:36 | |
Are we talking about Sarah? | 0:22:36 | 0:22:38 | |
Sister Adams, yes. | 0:22:38 | 0:22:40 | |
-I'll take that, ma'am. -Oh. Thank you, Amy. | 0:22:40 | 0:22:41 | |
You should bring Sarah back for lunch. | 0:22:41 | 0:22:44 | |
I'll see how she's feeling. | 0:22:44 | 0:22:45 | |
I'm sure she'll be far too tired for that. | 0:22:45 | 0:22:48 | |
Another time. Perhaps. | 0:22:48 | 0:22:50 | |
Anyone would think you didn't want her here. | 0:22:50 | 0:22:52 | |
How's Miss Olivia? | 0:22:52 | 0:22:53 | |
-She barely touched her breakfast. -Oh, James. | 0:22:53 | 0:22:56 | |
-That girl will fade away. -I'll check on her. | 0:22:56 | 0:22:58 | |
Yeah, please. And get her to eat. | 0:22:58 | 0:23:00 | |
Mmm. Listless. Nausea. | 0:23:00 | 0:23:02 | |
Lack of appetite. | 0:23:02 | 0:23:04 | |
Perhaps James has done his family duty? | 0:23:04 | 0:23:07 | |
How was the sermon? | 0:23:21 | 0:23:23 | |
Terminal. | 0:23:23 | 0:23:24 | |
How are you? | 0:23:27 | 0:23:29 | |
All aches and pains. | 0:23:29 | 0:23:31 | |
You're hot. | 0:23:33 | 0:23:35 | |
Think I will call the doctor. | 0:23:37 | 0:23:39 | |
I'll be fine. | 0:23:39 | 0:23:41 | |
Thank you. | 0:23:43 | 0:23:45 | |
For what? | 0:23:45 | 0:23:46 | |
You've been so wonderful since we docked. | 0:23:46 | 0:23:49 | |
-On the boat... -Forget the boat. | 0:23:50 | 0:23:52 | |
..I thought you wished you'd never married me. | 0:23:53 | 0:23:56 | |
Don't be silly. | 0:23:56 | 0:23:57 | |
I will call Jack Duncan. | 0:24:04 | 0:24:06 | |
Just to be sure. | 0:24:07 | 0:24:09 | |
You need to rest. | 0:24:28 | 0:24:29 | |
I love you, James. | 0:24:34 | 0:24:36 | |
I know you do. | 0:24:38 | 0:24:39 | |
SWING MUSIC ON RADIO | 0:24:44 | 0:24:45 | |
I can't thank you enough for this. | 0:24:57 | 0:24:59 | |
I was glad to receive your letter. | 0:24:59 | 0:25:01 | |
The hospital will be lucky to have you. | 0:25:02 | 0:25:04 | |
-Oh, if they want me, that is. -Jack is a good doctor. | 0:25:04 | 0:25:07 | |
And a good man. | 0:25:07 | 0:25:08 | |
I'm sure you'll impress him as much as you did us. | 0:25:08 | 0:25:11 | |
How's your mother's health? | 0:25:14 | 0:25:17 | |
The specialist ordered more rest... | 0:25:17 | 0:25:19 | |
and some changes to diet. | 0:25:19 | 0:25:21 | |
And your mother...? | 0:25:25 | 0:25:27 | |
The guest cottage. | 0:25:44 | 0:25:46 | |
Small but comfortable. | 0:25:46 | 0:25:48 | |
It's wonderful. | 0:25:48 | 0:25:49 | |
Get down, boy. Shoo! | 0:25:51 | 0:25:54 | |
He latched onto one of our visitors. Now we can't get rid of him. | 0:25:55 | 0:25:59 | |
It's all right. He IS harmless. | 0:26:00 | 0:26:02 | |
-It's fine. -Are you frightened of dogs? | 0:26:02 | 0:26:05 | |
-I'll have him removed. -No, please. | 0:26:05 | 0:26:07 | |
He was here first. He was just protecting what he thinks is his. | 0:26:07 | 0:26:10 | |
Well, he'd better get used to it being yours. | 0:26:10 | 0:26:13 | |
It is for as long as you'd like it. | 0:26:13 | 0:26:15 | |
Thank you. This is all so generous. | 0:26:15 | 0:26:17 | |
Oh, it's my pleasure. Now for the tour. | 0:26:17 | 0:26:20 | |
I owe you more than evasions. | 0:26:21 | 0:26:23 | |
It didn't go at all well in Sydney with my mother. | 0:26:25 | 0:26:28 | |
And, yes, I've had bad experiences with dogs. | 0:26:29 | 0:26:32 | |
Does it have a name? | 0:26:32 | 0:26:34 | |
All he gets from us is Boy. | 0:26:34 | 0:26:36 | |
After you. | 0:26:38 | 0:26:40 | |
-Olivia won't be coming down. -Oh. And Anna? | 0:26:48 | 0:26:51 | |
Taken a turn, I think. | 0:26:51 | 0:26:53 | |
Close the doors, will you? | 0:26:53 | 0:26:54 | |
After Jack's done with Olivia tonight, I wish to see him. | 0:27:02 | 0:27:06 | |
Why? | 0:27:06 | 0:27:07 | |
I don't want him employing the Adams woman. | 0:27:09 | 0:27:12 | |
She said she'd be discreet. | 0:27:12 | 0:27:14 | |
And you're happy to wager our future on that? | 0:27:14 | 0:27:17 | |
She's a woman of her word. | 0:27:17 | 0:27:19 | |
She's a good person. | 0:27:20 | 0:27:22 | |
And how long before this goodness you so admire | 0:27:22 | 0:27:25 | |
obligates her to tell your father what she knows? | 0:27:25 | 0:27:29 | |
Are you prepared to answer his inevitable questions... | 0:27:29 | 0:27:32 | |
about why you tried to kill yourself? | 0:27:32 | 0:27:35 | |
Because he will want to know. | 0:27:35 | 0:27:37 | |
It's not fair. | 0:27:40 | 0:27:42 | |
No, it's not. | 0:27:42 | 0:27:43 | |
But you've given me no choice, have you? | 0:27:44 | 0:27:47 | |
DOG BARKS | 0:27:59 | 0:28:01 | |
If I'm slamming the door in someone's face, Elizabeth, | 0:28:30 | 0:28:33 | |
I'd sort of like to know why. | 0:28:33 | 0:28:35 | |
George talked her up. | 0:28:35 | 0:28:37 | |
Well, George is simply playing Good Samaritan | 0:28:37 | 0:28:39 | |
to a woman he hardly knows. | 0:28:39 | 0:28:41 | |
I saw a lot more of her than he did. | 0:28:41 | 0:28:43 | |
And...? | 0:28:43 | 0:28:44 | |
She has a sort of bland efficiency. | 0:28:44 | 0:28:47 | |
Regardless, she's returned to Australia | 0:28:48 | 0:28:50 | |
out of some familial obligation that's gone awry. | 0:28:50 | 0:28:53 | |
She simply wants to earn enough for her fare home. | 0:28:53 | 0:28:56 | |
You know that for sure? | 0:28:56 | 0:28:57 | |
Well, she contacted George because she has no other options | 0:28:57 | 0:29:00 | |
and no means. | 0:29:00 | 0:29:02 | |
She will scuttle off as soon as possible | 0:29:02 | 0:29:04 | |
and you will just have to train someone all over again. | 0:29:04 | 0:29:07 | |
Now... | 0:29:07 | 0:29:08 | |
Olivia. | 0:29:08 | 0:29:11 | |
There's nothing to worry about. | 0:29:11 | 0:29:12 | |
Is it possible the succession may be secure? | 0:29:12 | 0:29:15 | |
If she's pregnant... | 0:29:20 | 0:29:22 | |
you'll be the second to know. | 0:29:22 | 0:29:24 | |
From my mouth to their ears, and then to yours. | 0:29:24 | 0:29:27 | |
I've got to go. | 0:29:30 | 0:29:32 | |
One more thought, Jack. | 0:29:32 | 0:29:34 | |
The Adams woman was 20 years in Europe. | 0:29:34 | 0:29:37 | |
A town like Inverness is not going to satisfy her. | 0:29:37 | 0:29:40 | |
Employ someone who might conceivably settle. | 0:29:40 | 0:29:43 | |
Let's see how we go. | 0:29:45 | 0:29:47 | |
MUSIC: Crazy, Man, Crazy by Bill Haley And The Comets | 0:29:51 | 0:29:54 | |
# Crazy, man, crazy | 0:29:54 | 0:29:58 | |
# Crazy, man, crazy | 0:29:58 | 0:30:00 | |
# Crazy, man, crazy | 0:30:00 | 0:30:03 | |
# Oh, man that music's gone, gone | 0:30:03 | 0:30:06 | |
# I said, crazy, man, crazy | 0:30:06 | 0:30:08 | |
# Crazy, man, crazy... # | 0:30:08 | 0:30:11 | |
I was coming over to see you. | 0:30:13 | 0:30:14 | |
Here I am. | 0:30:17 | 0:30:19 | |
Here I am. | 0:30:19 | 0:30:21 | |
MUSIC STOPS | 0:30:21 | 0:30:22 | |
You docked a week ago. | 0:30:25 | 0:30:27 | |
We had to stay in the city for Grandmother to see a specialist. | 0:30:27 | 0:30:30 | |
At least I got to see Auntie Carolyn. | 0:30:30 | 0:30:32 | |
You'd rather see her than me? | 0:30:33 | 0:30:36 | |
Don't sulk! | 0:30:36 | 0:30:37 | |
Even if it does make you cute. | 0:30:38 | 0:30:41 | |
-Does it? -Very. | 0:30:41 | 0:30:43 | |
Then I'll sulk. | 0:30:45 | 0:30:46 | |
Papa saw you yesterday. | 0:30:49 | 0:30:51 | |
We got back Saturday night. | 0:30:51 | 0:30:53 | |
I was dragged to church and I couldn't get away all day. | 0:30:53 | 0:30:56 | |
This is the first chance, honestly. | 0:30:58 | 0:31:01 | |
You think it isn't? | 0:31:03 | 0:31:04 | |
I missed you. | 0:31:06 | 0:31:07 | |
I missed you too. | 0:31:08 | 0:31:10 | |
I worried. | 0:31:16 | 0:31:18 | |
Why? | 0:31:18 | 0:31:19 | |
There are many men in Europe. | 0:31:19 | 0:31:21 | |
And you're here. | 0:31:21 | 0:31:23 | |
Father had something come up. He asked me to drive you. | 0:31:47 | 0:31:49 | |
What a lovely surprise. | 0:31:49 | 0:31:51 | |
Chance to say thank you again. | 0:31:52 | 0:31:54 | |
No thanks are needed. | 0:31:54 | 0:31:55 | |
How have you been? | 0:31:57 | 0:31:58 | |
Well. Yourself? | 0:31:58 | 0:32:00 | |
Really...how are you? | 0:32:02 | 0:32:05 | |
Um, I'm doing better, I suppose. | 0:32:05 | 0:32:09 | |
Are you getting any professional help? | 0:32:09 | 0:32:11 | |
-I have Grandmother. -And she has a heart condition. | 0:32:11 | 0:32:13 | |
There are people trained to deal with... | 0:32:13 | 0:32:15 | |
I'm fine. | 0:32:15 | 0:32:16 | |
Shall we? | 0:32:16 | 0:32:18 | |
Call the house and Norman will collect you when you're done. | 0:32:33 | 0:32:36 | |
Oh, I don't want to be a bother. | 0:32:36 | 0:32:38 | |
It's his job. | 0:32:38 | 0:32:40 | |
-Good luck. -Thank you. | 0:32:40 | 0:32:42 | |
James, if...if you do need to talk, I'm here. | 0:32:43 | 0:32:46 | |
And hopefully will be for a long while. | 0:32:47 | 0:32:49 | |
Right. | 0:32:56 | 0:32:57 | |
You've had an interesting and impressive career. | 0:32:59 | 0:33:01 | |
You sound surprised. | 0:33:01 | 0:33:03 | |
1937, Spanish Civil War. | 0:33:03 | 0:33:06 | |
Must have been rough nursing. | 0:33:07 | 0:33:09 | |
Any warzone is. | 0:33:09 | 0:33:11 | |
'39 to '46, there's nothing. | 0:33:13 | 0:33:15 | |
-You didn't work during the big one? -I wasn't able to. | 0:33:16 | 0:33:19 | |
Why? | 0:33:19 | 0:33:20 | |
I'm sorry. I don't see the relevance. | 0:33:20 | 0:33:22 | |
Well, it's work history. | 0:33:22 | 0:33:24 | |
It's relevant. | 0:33:24 | 0:33:25 | |
But, as you pointed out, I wasn't working, | 0:33:25 | 0:33:27 | |
which makes it personal history. | 0:33:27 | 0:33:29 | |
I assumed I'd be hired for my skills, not my story. | 0:33:29 | 0:33:32 | |
Is that why you left out your religion? | 0:33:32 | 0:33:35 | |
Cos I have no issue with atheists, if that's the concern. | 0:33:36 | 0:33:39 | |
But prayers are said twice a day here. | 0:33:40 | 0:33:42 | |
Would that be a problem for you? | 0:33:42 | 0:33:43 | |
It hasn't been so far. | 0:33:43 | 0:33:45 | |
But I'm not an atheist. I'm Jewish. | 0:33:46 | 0:33:48 | |
By faith. | 0:33:48 | 0:33:49 | |
You converted? | 0:33:51 | 0:33:52 | |
Well. | 0:33:57 | 0:33:58 | |
I'll say my prayers while you say yours. | 0:33:58 | 0:34:01 | |
Would that be a problem for YOU, Dr Duncan? | 0:34:01 | 0:34:03 | |
Fair enough. | 0:34:07 | 0:34:09 | |
The position is for someone to nurse in the community, | 0:34:11 | 0:34:14 | |
so you'd spend most of your time making house calls. | 0:34:14 | 0:34:17 | |
If I'm going to see how you work, we should find you a patient. | 0:34:17 | 0:34:20 | |
Lead the way. | 0:34:23 | 0:34:24 | |
SHEEP BLEAT | 0:34:28 | 0:34:30 | |
Roy! You there? | 0:35:01 | 0:35:03 | |
Roy! | 0:35:08 | 0:35:09 | |
Turn around. Go on! | 0:35:12 | 0:35:14 | |
Don't be like that. | 0:35:14 | 0:35:16 | |
This is Miss Adams. | 0:35:17 | 0:35:19 | |
She's looking for work. | 0:35:19 | 0:35:20 | |
Thought we could say g'day. | 0:35:21 | 0:35:23 | |
No, you thought you'd come and poke around my ruddy leg again, | 0:35:23 | 0:35:25 | |
and I won't have it, so go on, git! | 0:35:25 | 0:35:27 | |
Roy had an accident. | 0:35:27 | 0:35:28 | |
He came in and we operated. | 0:35:28 | 0:35:30 | |
But now he won't let us keep the wound treated. | 0:35:30 | 0:35:33 | |
You done your job. You stitched me up. | 0:35:33 | 0:35:35 | |
Now bugger off. | 0:35:35 | 0:35:37 | |
The big risk is blood poisoning. Which can be lethal, Roy. | 0:35:37 | 0:35:40 | |
What do you think, Sister? | 0:35:43 | 0:35:44 | |
Where do you think you're goin'? | 0:35:50 | 0:35:51 | |
You have two choices. | 0:35:53 | 0:35:54 | |
Either you shoot me or you come inside and let me do what I must to keep you healthy. | 0:35:54 | 0:35:58 | |
I'd normally work unsupervised, yes? | 0:36:06 | 0:36:08 | |
How will I know if you've done a good job? | 0:36:08 | 0:36:10 | |
You won't hear a gunshot. | 0:36:11 | 0:36:13 | |
He'd have me at that bloody hospital every day. | 0:36:24 | 0:36:27 | |
I've got a farm to run. You can tell him that. | 0:36:27 | 0:36:29 | |
Well? | 0:36:31 | 0:36:32 | |
It does need treatment. | 0:36:32 | 0:36:34 | |
-Yeah, go on... -Hear me out! | 0:36:34 | 0:36:36 | |
It's clear you don't like the doctor | 0:36:36 | 0:36:38 | |
and it's just as clear he doesn't like me | 0:36:38 | 0:36:40 | |
or he wouldn't have brought me to be held at gunpoint | 0:36:40 | 0:36:42 | |
during a job interview. | 0:36:42 | 0:36:44 | |
So, do me a favour - let me dress the wound. | 0:36:44 | 0:36:47 | |
It'll save your leg and your farm with it. | 0:36:47 | 0:36:50 | |
It'll also give Dr Duncan a nice big serving of crow. | 0:36:51 | 0:36:54 | |
What do you say? | 0:36:57 | 0:36:59 | |
Struth, missy. | 0:37:03 | 0:37:05 | |
Yeah, righto. You do your worst. | 0:37:05 | 0:37:07 | |
Well? | 0:37:12 | 0:37:14 | |
Thanks for the gift, Roy. | 0:37:14 | 0:37:17 | |
I'll see you next week, then. | 0:37:17 | 0:37:18 | |
I imagine that's up to Dr Duncan. | 0:37:18 | 0:37:21 | |
Now, you'd be a fool to let that one go, | 0:37:24 | 0:37:27 | |
but I s'pose that means you probably will. | 0:37:27 | 0:37:29 | |
How did you manage that? | 0:37:40 | 0:37:42 | |
It was quite easy, really, once we learned we had shared opinions. | 0:37:42 | 0:37:46 | |
-On...? -You. | 0:37:46 | 0:37:48 | |
You think I'm being unfair. | 0:37:48 | 0:37:50 | |
Devoid of humour or charm perhaps, | 0:37:50 | 0:37:53 | |
but unfair implies you had an agenda | 0:37:53 | 0:37:55 | |
and I can't imagine a reason you would. | 0:37:55 | 0:37:57 | |
If I was harder than I needed to be, I'm sorry. | 0:38:05 | 0:38:09 | |
It wasn't personal. | 0:38:09 | 0:38:11 | |
-Apology accepted. -Good. | 0:38:11 | 0:38:13 | |
The job is yours, if you want it. | 0:38:13 | 0:38:15 | |
Are you offering because George Bligh insisted you do? | 0:38:17 | 0:38:19 | |
No. | 0:38:19 | 0:38:21 | |
I'm offering because we'd be lucky to have you. | 0:38:21 | 0:38:23 | |
You're more than qualified. | 0:38:25 | 0:38:27 | |
You obviously know how to deal with people, even the charmless ones. | 0:38:27 | 0:38:31 | |
Well, I won't rush you for a decision, but... | 0:38:37 | 0:38:40 | |
..the job is yours if you want it. | 0:38:41 | 0:38:44 | |
I thought you might need supplies. Let me know if you run out. | 0:39:06 | 0:39:10 | |
Thank you, Mr Bligh, but I'm not sure I'll be staying. | 0:39:10 | 0:39:13 | |
The interview didn't go well? | 0:39:14 | 0:39:16 | |
The job was offered. | 0:39:16 | 0:39:18 | |
Then what? | 0:39:18 | 0:39:20 | |
Dr Duncan started with a definite bias against me. | 0:39:21 | 0:39:25 | |
That IS surprising. | 0:39:27 | 0:39:29 | |
Jack's a fair man. | 0:39:29 | 0:39:30 | |
But it was there... | 0:39:30 | 0:39:32 | |
and I'd rather not work where I'm not wanted. | 0:39:32 | 0:39:35 | |
Well, I do hope you consider the offer... | 0:39:39 | 0:39:42 | |
despite your misgivings. | 0:39:42 | 0:39:44 | |
Good night. | 0:39:48 | 0:39:49 | |
Good night. | 0:39:49 | 0:39:51 | |
DOG GROWLS | 0:39:51 | 0:39:53 | |
You see, you'd have at least one supporter. | 0:39:55 | 0:39:58 | |
DOG BARKS | 0:39:58 | 0:40:00 | |
Make that two. | 0:40:00 | 0:40:02 | |
I thought I made my wishes clear. | 0:40:43 | 0:40:45 | |
No, you misrepresented her. | 0:40:45 | 0:40:48 | |
She's a lot more than blandly efficient. | 0:40:49 | 0:40:52 | |
I don't understand your problem with her. | 0:40:53 | 0:40:55 | |
Well, it should be enough that I have one. | 0:40:55 | 0:40:58 | |
Come on, you give me one good reason and I'll retract the offer. | 0:40:58 | 0:41:01 | |
The fact that I want it should suffice. | 0:41:01 | 0:41:04 | |
Not this time. | 0:41:04 | 0:41:07 | |
The guest cottage, please, Norman. | 0:41:15 | 0:41:17 | |
Nurse Adams. | 0:41:52 | 0:41:54 | |
So, you're comfortable. Well-supplied, I see. | 0:41:58 | 0:42:01 | |
Thanks to Mr Bligh. | 0:42:01 | 0:42:04 | |
With milk, thank you. | 0:42:04 | 0:42:05 | |
No sugar - a dictate of my specialist. | 0:42:05 | 0:42:09 | |
Yes, George is very generous. | 0:42:11 | 0:42:13 | |
It's a generosity - thank you - I'd also like to extend. | 0:42:15 | 0:42:18 | |
You helped my grandson. | 0:42:20 | 0:42:23 | |
For that I'm in your debt. | 0:42:23 | 0:42:25 | |
So, as a sign of my gratitude, | 0:42:26 | 0:42:28 | |
I would like to pay your return passage to England. | 0:42:28 | 0:42:32 | |
That's incredibly kind. | 0:42:35 | 0:42:37 | |
I understand the importance of home. | 0:42:38 | 0:42:41 | |
Clearly your family matters did not go well. | 0:42:41 | 0:42:44 | |
Being here with no-one must be difficult. | 0:42:48 | 0:42:51 | |
-In England... -Did you speak to Dr Duncan? | 0:42:51 | 0:42:53 | |
Did you encourage him against me? | 0:42:55 | 0:42:57 | |
Yes. | 0:42:57 | 0:42:58 | |
I'm sure you're a good person. | 0:42:59 | 0:43:01 | |
You say you can keep your word... | 0:43:01 | 0:43:03 | |
Then that's all this is - your fear I'll talk about James. | 0:43:03 | 0:43:06 | |
Frankly, yes. | 0:43:06 | 0:43:08 | |
That is a very generous offer. You would be a fool not to accept. | 0:43:08 | 0:43:11 | |
And you'd be a fool to think I would. | 0:43:11 | 0:43:13 | |
Perhaps a larger sum...? | 0:43:19 | 0:43:21 | |
I won't be bought, Mrs Bligh. | 0:43:21 | 0:43:24 | |
I've been told what to do before. I've been forced. | 0:43:25 | 0:43:28 | |
And I promised myself never again. | 0:43:29 | 0:43:32 | |
Thank you for helping me make up my mind. | 0:43:33 | 0:43:35 | |
You'd stay just to spite me? | 0:43:37 | 0:43:39 | |
I'll stay because my choices are mine, not yours. | 0:43:39 | 0:43:41 | |
Then we shall see. | 0:43:50 | 0:43:52 | |
We shall. | 0:43:52 | 0:43:53 |