Browse content similar to The Welcome Mat. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Your nurse is here. -Your wrist, please. | 0:00:02 | 0:00:04 | |
-Are you always so impertinent? -I'm simply doing my job. | 0:00:04 | 0:00:07 | |
I didn't catch your name. | 0:00:07 | 0:00:08 | |
Adams. | 0:00:08 | 0:00:10 | |
Sister Adams. | 0:00:10 | 0:00:12 | |
This isn't a situation I expected to find myself in. | 0:00:12 | 0:00:14 | |
He doesn't need it. | 0:00:15 | 0:00:17 | |
I'm not a bloody child. | 0:00:17 | 0:00:19 | |
James. | 0:00:23 | 0:00:25 | |
James! | 0:00:25 | 0:00:26 | |
Did you tell her why you did this? | 0:00:29 | 0:00:32 | |
No-one else is to know about this. No-one. | 0:00:32 | 0:00:35 | |
-On the boat... -Forget the boat. | 0:00:35 | 0:00:38 | |
I thought you wished you'd never married me. | 0:00:38 | 0:00:41 | |
I missed you. | 0:00:41 | 0:00:42 | |
I missed you, too. | 0:00:42 | 0:00:44 | |
I was glad to receive your letter. | 0:00:47 | 0:00:49 | |
The hospital will be lucky to have you. | 0:00:49 | 0:00:51 | |
If they want me, that is. | 0:00:51 | 0:00:52 | |
I don't want him employing the Adams woman. | 0:00:52 | 0:00:55 | |
She said she'd be discreet. | 0:00:55 | 0:00:57 | |
Well, she contacted George because she has no other options. | 0:00:57 | 0:01:00 | |
She will scuttle off as soon as possible, | 0:01:00 | 0:01:02 | |
and you'll just have to train someone all over again. | 0:01:02 | 0:01:05 | |
The job's yours if you want it. | 0:01:05 | 0:01:07 | |
I thought I made my wishes clear. | 0:01:07 | 0:01:10 | |
No, you misrepresented her. | 0:01:10 | 0:01:11 | |
The fact that I want it should suffice. | 0:01:11 | 0:01:15 | |
Not this time. | 0:01:15 | 0:01:16 | |
I would like to pay your return passage to England. | 0:01:16 | 0:01:20 | |
Did you speak to Dr Duncan? | 0:01:20 | 0:01:21 | |
Did you encourage him against me? | 0:01:21 | 0:01:23 | |
That is a very generous offer. | 0:01:23 | 0:01:24 | |
You would be a fool not to accept. | 0:01:24 | 0:01:26 | |
And you'd be a fool to think I would. | 0:01:26 | 0:01:27 | |
# How much is that doggy In the window? | 0:01:37 | 0:01:42 | |
# The one with the waggly tail | 0:01:42 | 0:01:47 | |
# How much is that doggy In the window? | 0:01:48 | 0:01:52 | |
# I do hope that doggy's For sale... # | 0:01:54 | 0:01:57 | |
The most popular song in the country. | 0:02:04 | 0:02:06 | |
You have to wonder. | 0:02:06 | 0:02:07 | |
I think HE likes it. | 0:02:07 | 0:02:09 | |
Now, Doris Collins is the closest thing Inverness has to a town crier. | 0:02:09 | 0:02:12 | |
Last try. If you stay in the cottage, you get to look after him. | 0:02:16 | 0:02:18 | |
He can look after himself. | 0:02:19 | 0:02:21 | |
-Can't you, boy? -Be a weight off my mind. | 0:02:21 | 0:02:23 | |
But not your mother's. | 0:02:23 | 0:02:24 | |
I stopped taking orders from my mother years ago. | 0:02:26 | 0:02:28 | |
Why exacerbate the problem, Mr Bligh? | 0:02:28 | 0:02:30 | |
I tried. Please. | 0:02:30 | 0:02:32 | |
One thing I do insist on, though. | 0:02:34 | 0:02:37 | |
Call me George. | 0:02:37 | 0:02:38 | |
Don't be a stranger. | 0:02:41 | 0:02:42 | |
-DOG WHINES -Bye, dog. | 0:02:44 | 0:02:46 | |
Thanks again... | 0:02:46 | 0:02:47 | |
..George. | 0:02:49 | 0:02:50 | |
It must be Miss Adams! | 0:02:52 | 0:02:55 | |
Of course, it is Sarah. | 0:02:55 | 0:02:57 | |
Dropped off by Mr Bligh himself. | 0:02:57 | 0:02:59 | |
Goodness me. I'm Doris Collins. | 0:02:59 | 0:03:02 | |
Call me Doris. I don't stand on ceremony with my young girls. | 0:03:02 | 0:03:05 | |
Come in. Welcome. Welcome. | 0:03:05 | 0:03:07 | |
-We met the Blighs in London, did we? -No. | 0:03:08 | 0:03:11 | |
On the ship home. | 0:03:12 | 0:03:14 | |
Oh, you don't say! | 0:03:14 | 0:03:15 | |
As you can see, simple but clean. | 0:03:15 | 0:03:17 | |
That's my motto. | 0:03:17 | 0:03:19 | |
They had cause for a nurse, did they? | 0:03:19 | 0:03:21 | |
-Sorry? -The Blighs on the boat. | 0:03:21 | 0:03:24 | |
Otherwise it seems a bit odd, doesn't it? | 0:03:24 | 0:03:26 | |
No offence, dear, but nurses don't travel top deck. | 0:03:26 | 0:03:29 | |
I worked my passage. | 0:03:29 | 0:03:31 | |
Is that the room? | 0:03:31 | 0:03:32 | |
You look like the sun up there. | 0:03:39 | 0:03:41 | |
Oh, that's corny! | 0:03:42 | 0:03:44 | |
My own sun. | 0:03:45 | 0:03:48 | |
Mi sole mio. | 0:03:48 | 0:03:50 | |
Get away! | 0:03:52 | 0:03:54 | |
-I missed you so much. -The hundredth time you've said. | 0:03:57 | 0:03:59 | |
The thousandth time I've thought it! | 0:03:59 | 0:04:01 | |
Well, go away more often. It makes you romantic. | 0:04:01 | 0:04:04 | |
But... | 0:04:04 | 0:04:06 | |
I don't deserve you. | 0:04:07 | 0:04:09 | |
Why? | 0:04:10 | 0:04:11 | |
I can't tell my family about you. | 0:04:11 | 0:04:13 | |
-I'm a coward. -Don't say that. | 0:04:13 | 0:04:16 | |
If Gran doesn't think Sarah fits in, what hope do we have? | 0:04:16 | 0:04:19 | |
You like this Sarah? | 0:04:21 | 0:04:22 | |
Very much. | 0:04:23 | 0:04:25 | |
She's... different from anyone I've ever met. | 0:04:25 | 0:04:28 | |
-She can stand up to Grandmother. -Some day I will, too. | 0:04:30 | 0:04:33 | |
I'll stand before your family and say how I feel about you. | 0:04:34 | 0:04:38 | |
How DO you feel about me? | 0:04:39 | 0:04:41 | |
-You know. -No, I don't! | 0:04:44 | 0:04:46 | |
Ah! Ow! | 0:04:46 | 0:04:48 | |
-KNOCK AT DOOR -Come in. | 0:05:09 | 0:05:11 | |
Grub's up. I thought we could go in together. | 0:05:12 | 0:05:14 | |
I'd like that. Thank you. | 0:05:14 | 0:05:16 | |
I'm Alma. | 0:05:16 | 0:05:18 | |
Don't let the grass grow under you, Sarah. | 0:05:18 | 0:05:21 | |
This is Maude. And Alma I see you've met. | 0:05:21 | 0:05:24 | |
-I'm the theatre nurse. -In charge of wards, me. | 0:05:24 | 0:05:26 | |
Dig in. Doris is a bottler in the kitchen. | 0:05:26 | 0:05:29 | |
And very nice of you to say so, Alma, dear. | 0:05:29 | 0:05:31 | |
If a little crudely. | 0:05:31 | 0:05:33 | |
-So you're the new community nurse? -Yes. | 0:05:33 | 0:05:35 | |
She's just arrived from London. | 0:05:35 | 0:05:37 | |
Good friend of Mr Bligh's. | 0:05:37 | 0:05:39 | |
-It was his idea to take the job, was it? -He mentioned it. | 0:05:39 | 0:05:41 | |
I thought as much. What a fine man. | 0:05:41 | 0:05:45 | |
Great catch for somebody. | 0:05:45 | 0:05:46 | |
Not that you're thinking that way, of course. | 0:05:46 | 0:05:48 | |
I hear you're joining us on stage. | 0:05:49 | 0:05:51 | |
I was going to let you settle before I mentioned it. | 0:05:51 | 0:05:54 | |
A charity matinee. | 0:05:54 | 0:05:56 | |
-I've already told the committee ladies you would. -Would what? | 0:05:56 | 0:05:59 | |
We're doing a number from The Mikado. | 0:05:59 | 0:06:02 | |
You sing? I'm sure you do. | 0:06:02 | 0:06:04 | |
You look as if you must. You'll pick it up. | 0:06:04 | 0:06:06 | |
Anyway, it's for the hospital fund, so I won't take no for an answer. | 0:06:06 | 0:06:09 | |
Well, if it's for a good cause. | 0:06:09 | 0:06:11 | |
As long as it's not on Sunday. My aunt is visiting. | 0:06:11 | 0:06:13 | |
Theatricals on the Lord's day is hardly seemly. | 0:06:13 | 0:06:16 | |
It's Saturday. | 0:06:16 | 0:06:17 | |
I'd love to meet your aunt. | 0:06:17 | 0:06:20 | |
She could dine with us. | 0:06:20 | 0:06:21 | |
Oh, that's kind but unnecessary. | 0:06:21 | 0:06:23 | |
No, it's no trouble. We're all one happy family here. | 0:06:23 | 0:06:26 | |
-We'd love to meet her. -No, I insist. -I insist. | 0:06:26 | 0:06:29 | |
We'll have tea out. | 0:06:29 | 0:06:31 | |
Mmm. Delicious. | 0:06:35 | 0:06:38 | |
So where did you end up taking Sarah? | 0:06:41 | 0:06:42 | |
Miss Adams wanted me to take her to Doris Collins' house today. | 0:06:42 | 0:06:46 | |
Doris Co... | 0:06:46 | 0:06:47 | |
Why anyone would choose to live with Doris Collins is beyond me. | 0:06:47 | 0:06:51 | |
It's her decision. She's a grown woman. | 0:06:51 | 0:06:53 | |
We should have her for dinner now and then. Give her some relief. | 0:06:53 | 0:06:56 | |
Wouldn't you agree, Father? | 0:06:56 | 0:06:59 | |
If she's doing her job properly, I doubt she'll have time. | 0:06:59 | 0:07:01 | |
Mother, she's a nurse, not the Prime Minister. | 0:07:01 | 0:07:03 | |
I don't understand your problem. | 0:07:03 | 0:07:05 | |
I simply don't share your compulsion to embrace her as a friend. | 0:07:05 | 0:07:08 | |
We barely know her. | 0:07:08 | 0:07:10 | |
And traditionally that's why you invite someone to dinner. | 0:07:10 | 0:07:12 | |
To get to know them. | 0:07:12 | 0:07:14 | |
We found her a job, a place to stay. I think that's enough. | 0:07:14 | 0:07:18 | |
She found herself the job and she's moved out. | 0:07:18 | 0:07:20 | |
Why do I get the feeling there's more to this? | 0:07:20 | 0:07:22 | |
I agree. Must be hard for her. You should have her up. | 0:07:22 | 0:07:27 | |
-You feeling better, Olivia? -A little, actually. Thank you. | 0:07:29 | 0:07:32 | |
Wonderful. Cards, I think. | 0:07:32 | 0:07:35 | |
Who's joining me? James? | 0:07:36 | 0:07:39 | |
I'm glad we sorted that out. | 0:07:47 | 0:07:48 | |
-About Sarah Adams... -Yes. | 0:07:56 | 0:07:58 | |
I do understand the situation. | 0:07:58 | 0:08:00 | |
-You don't want her raising suspicion. -Exactly. | 0:08:00 | 0:08:03 | |
The only person doing that right now is you. | 0:08:03 | 0:08:05 | |
It's your hostility that's causing comment. | 0:08:05 | 0:08:07 | |
Like it or not, she's here. We have to live with it. | 0:08:07 | 0:08:09 | |
By making her part of the furniture? | 0:08:09 | 0:08:11 | |
Not by acting like she's Frankenstein's monster. | 0:08:11 | 0:08:13 | |
All that does is encourages speculation you're so afraid of. | 0:08:13 | 0:08:16 | |
And denying people what they want hasn't really worked so far, has it? | 0:08:16 | 0:08:20 | |
-KNOCK AT DOOR -Hello, my darling. Come in. Canasta or bridge? | 0:08:21 | 0:08:25 | |
I'm not interrupting? | 0:08:25 | 0:08:26 | |
Oh, nothing of importance. James was just being a scold. | 0:08:26 | 0:08:30 | |
And here's our fourth. | 0:08:30 | 0:08:31 | |
Bridge, I think. | 0:08:31 | 0:08:33 | |
Perhaps you were right, Anna. | 0:08:33 | 0:08:35 | |
About? | 0:08:35 | 0:08:36 | |
Miss Adams probably would enjoy some company, | 0:08:37 | 0:08:40 | |
if she can find the time. | 0:08:40 | 0:08:42 | |
I've even thought of a nice way to welcome her to the town. | 0:08:42 | 0:08:45 | |
James? | 0:08:47 | 0:08:48 | |
Hmm? | 0:08:48 | 0:08:50 | |
Does it seems odd, your grandmother's attitude tonight about Sarah Adams? | 0:08:51 | 0:08:56 | |
Nah. She's never short of opinions. | 0:08:56 | 0:08:59 | |
It was more her about-face. | 0:09:00 | 0:09:02 | |
Do you know anything about it? Her reasons, I mean. | 0:09:04 | 0:09:07 | |
-Why would I? -I just... | 0:09:07 | 0:09:09 | |
..wondered. | 0:09:10 | 0:09:11 | |
It's none of my business. Obviously Father and Anna made their case. | 0:09:13 | 0:09:16 | |
She's not unreasonable. | 0:09:16 | 0:09:17 | |
I thought you looked lovely tonight, by the way. | 0:09:19 | 0:09:21 | |
I did? | 0:09:23 | 0:09:24 | |
Really beautiful. | 0:09:27 | 0:09:28 | |
Can I help you, Mrs Collins? | 0:10:06 | 0:10:07 | |
Oh, there you are! | 0:10:07 | 0:10:09 | |
I knocked first. This just came for you. | 0:10:09 | 0:10:12 | |
-I thought I'd leave it on the bed for privacy. -Thank you. | 0:10:12 | 0:10:16 | |
It was hand-delivered by Norman, the Blighs' man. | 0:10:17 | 0:10:22 | |
I'm afraid I won't be able to join you for the song after all. | 0:10:24 | 0:10:27 | |
I've been invited to the concert as their guest. | 0:10:27 | 0:10:29 | |
What? An afternoon with Mr Bligh? | 0:10:29 | 0:10:31 | |
-Aren't you the lucky one? -Not quite. | 0:10:32 | 0:10:35 | |
Mrs Bligh. | 0:10:36 | 0:10:38 | |
Well... | 0:10:39 | 0:10:42 | |
That is an honour. | 0:10:42 | 0:10:43 | |
PIANO PLAYS JAUNTY TUNE | 0:10:44 | 0:10:48 | |
APPLAUSE | 0:11:06 | 0:11:08 | |
Thanks to the Evelyn Hutchins Dance Academy! | 0:11:08 | 0:11:11 | |
Could be a special on sprained ankles after that, girls. | 0:11:12 | 0:11:15 | |
LAUGHTER And now a recitation. | 0:11:15 | 0:11:18 | |
Let's hear it for Roy Briggs, our master of the bush ballad. | 0:11:18 | 0:11:22 | |
APPLAUSE | 0:11:22 | 0:11:24 | |
How We Beat the Favourite, in 25 verses. | 0:11:28 | 0:11:31 | |
Verse one. | 0:11:31 | 0:11:33 | |
WHISTLE | 0:11:33 | 0:11:35 | |
HE SCREECHES LOUDLY | 0:11:36 | 0:11:39 | |
And that's a sulphur-crested cockatoo. | 0:11:39 | 0:11:43 | |
LAUGHTER AND APPLAUSE | 0:11:43 | 0:11:46 | |
# Three little maids from school | 0:11:49 | 0:11:52 | |
# Three little maids who, all unwary Come from a ladies' seminary | 0:11:54 | 0:11:58 | |
# Freed from its genius tutelary | 0:11:58 | 0:12:01 | |
-# Three little maids from school... -# | 0:12:01 | 0:12:05 | |
-So glad you could come. -Me too. It's great to see you again. | 0:12:19 | 0:12:22 | |
I meant to come up to the cottage before you left. | 0:12:22 | 0:12:25 | |
Would you like to go riding some time? | 0:12:25 | 0:12:27 | |
I could teach you. We've got lots of quiet horses! | 0:12:27 | 0:12:30 | |
-That's OK. I can ride. -Really? -Yeah. | 0:12:30 | 0:12:33 | |
Come up tomorrow, then. | 0:12:33 | 0:12:34 | |
I can lend you any gear you might need. | 0:12:34 | 0:12:36 | |
It'll be just like the night on the ship, only... jodhpurs. | 0:12:36 | 0:12:39 | |
I would love that. | 0:12:39 | 0:12:40 | |
Who said we left the arts behind in Europe? | 0:12:40 | 0:12:43 | |
It was charming. | 0:12:43 | 0:12:44 | |
Now say it as if you mean it. | 0:12:44 | 0:12:46 | |
-I should introduce you around. Are you up to it? -Of course. | 0:12:46 | 0:12:49 | |
-Shall I get us drinks? -Thank you. -Yes. | 0:12:49 | 0:12:51 | |
-I appreciate the invitation. -Oh, you're most welcome. | 0:12:53 | 0:12:57 | |
-Can I be direct? -When have you been otherwise? | 0:12:58 | 0:13:02 | |
I didn't stay to spite you. | 0:13:02 | 0:13:04 | |
I'd like us to start again. | 0:13:04 | 0:13:06 | |
Lovely to meet you too. | 0:13:06 | 0:13:07 | |
You're threatened by what I know about James. | 0:13:07 | 0:13:10 | |
James is doing perfectly well. | 0:13:10 | 0:13:13 | |
I don't know that a suicidal tendency is so easily fixed. | 0:13:13 | 0:13:17 | |
In this case it is. | 0:13:17 | 0:13:18 | |
And if I should happen to be wrong, my eye is on him always. | 0:13:18 | 0:13:21 | |
Well, then you have nothing to fear. | 0:13:21 | 0:13:23 | |
I'd only share what I know for his wellbeing. | 0:13:23 | 0:13:26 | |
Good. Then there will be no need for you to break the confidence. | 0:13:26 | 0:13:30 | |
Whose idea was this invitation? | 0:13:30 | 0:13:32 | |
Mine. | 0:13:33 | 0:13:35 | |
As you say, a new beginning. | 0:13:35 | 0:13:37 | |
If you'll excuse me. | 0:13:37 | 0:13:39 | |
Thank you. | 0:13:48 | 0:13:50 | |
Doris said it was nearly four little maids from school. | 0:13:53 | 0:13:56 | |
Yes, with my voice, the audience are lucky it stayed at three. | 0:13:56 | 0:14:00 | |
The Blighs are looking after you, I see. | 0:14:00 | 0:14:01 | |
I thought I showed you I don't need looking after. | 0:14:02 | 0:14:05 | |
-Excuse me. -Sister... | 0:14:05 | 0:14:06 | |
Country town has its class structures | 0:14:08 | 0:14:11 | |
just as much as where you've come from. | 0:14:11 | 0:14:12 | |
The Blighs are the closest thing we have to royalty. | 0:14:13 | 0:14:16 | |
First impressions count. | 0:14:16 | 0:14:18 | |
You'll have your work cut out for you | 0:14:18 | 0:14:20 | |
if people think you're above them. | 0:14:20 | 0:14:22 | |
I see. | 0:14:22 | 0:14:23 | |
And you look very nice, by the way. | 0:14:23 | 0:14:25 | |
Pardon? | 0:14:26 | 0:14:27 | |
As it sounds. | 0:14:27 | 0:14:28 | |
Everything all right? | 0:14:33 | 0:14:35 | |
He's a particular kind of man, isn't he? | 0:14:35 | 0:14:37 | |
-He's a fine doctor, though. -I don't doubt it. | 0:14:37 | 0:14:40 | |
I'll be back in a moment. | 0:14:40 | 0:14:41 | |
I might have a small favour to ask. | 0:14:41 | 0:14:44 | |
I liked your poem, Roy. | 0:14:49 | 0:14:51 | |
It's not called a poem, see. | 0:14:51 | 0:14:52 | |
It's a bush ballad. | 0:14:52 | 0:14:54 | |
Sorry. | 0:14:54 | 0:14:55 | |
I was wondering... | 0:14:57 | 0:14:58 | |
-Just up here. -Well, I do owe you one. | 0:15:00 | 0:15:03 | |
-Uh, do you mind, miss? -Oh! Course not. | 0:15:03 | 0:15:05 | |
Thank you. | 0:15:05 | 0:15:07 | |
What about the old girl? | 0:15:10 | 0:15:12 | |
After your bush ballad, Roy, I'm sure she'll be honoured. | 0:15:12 | 0:15:15 | |
HE SCOFFS | 0:15:15 | 0:15:17 | |
I'll explain. | 0:15:23 | 0:15:24 | |
That's not going to help her cause with Grandmother. | 0:15:24 | 0:15:27 | |
-Are you all right? -Just a little warm. | 0:15:30 | 0:15:34 | |
APPLAUSE | 0:15:34 | 0:15:36 | |
ACCORDIAN PLAYS | 0:15:36 | 0:15:40 | |
# Che bella cosa E 'na jurnata al sole | 0:15:45 | 0:15:53 | |
# N'aria serena Doppo 'na tempesta... # | 0:15:53 | 0:15:59 | |
I'm sorry! | 0:15:59 | 0:16:00 | |
# Ma natu sole | 0:16:00 | 0:16:06 | |
# Chiu bello, oi ne | 0:16:06 | 0:16:10 | |
# O, sole mio | 0:16:10 | 0:16:14 | |
# Sta nfronte a te! | 0:16:14 | 0:16:18 | |
# O, sole | 0:16:19 | 0:16:23 | |
# O, sole mio | 0:16:23 | 0:16:28 | |
# Sta nfronte a te | 0:16:28 | 0:16:33 | |
# Sta nfronte a te! # | 0:16:36 | 0:16:43 | |
APPLAUSE | 0:16:46 | 0:16:49 | |
I'm so sorry. I shouldn't have come. | 0:16:53 | 0:16:55 | |
I just... | 0:16:55 | 0:16:57 | |
I thought I was over all of this. | 0:16:57 | 0:16:59 | |
Your results are in. | 0:16:59 | 0:17:01 | |
Didn't open. | 0:17:01 | 0:17:03 | |
-I'm sure they'll tell the tale. -Do you really think so? | 0:17:03 | 0:17:06 | |
Here you go. | 0:17:07 | 0:17:08 | |
What have you eaten today? | 0:17:10 | 0:17:12 | |
I can't keep anything down, really. | 0:17:12 | 0:17:14 | |
Here we are. | 0:17:14 | 0:17:16 | |
Now drink this. | 0:17:16 | 0:17:17 | |
The sugar will help until you can eat. | 0:17:17 | 0:17:19 | |
-You'll see to that? -Yes. | 0:17:19 | 0:17:20 | |
-It's time for your speech. -It can wait. | 0:17:21 | 0:17:24 | |
Don't stay on my behalf, honestly. | 0:17:24 | 0:17:26 | |
-I'm feeling much better. -You're sure? | 0:17:26 | 0:17:29 | |
Come and see me tomorrow. | 0:17:30 | 0:17:32 | |
I'll be in my office all afternoon. | 0:17:32 | 0:17:34 | |
Any time. | 0:17:34 | 0:17:35 | |
I'm starting to feel quite silly. | 0:17:41 | 0:17:43 | |
Gino Poletti with Armo on the squeezebox. | 0:17:46 | 0:17:49 | |
APPLAUSE | 0:17:49 | 0:17:50 | |
You know what they say about those Italians. They've got a way with a song. | 0:17:50 | 0:17:54 | |
Just wish we knew what they were singing about. | 0:17:54 | 0:17:56 | |
LAUGHTER | 0:17:56 | 0:17:58 | |
Right, well, I'll keep it short. | 0:17:58 | 0:18:01 | |
Thank you for coming. | 0:18:01 | 0:18:02 | |
LAUGHTER | 0:18:03 | 0:18:06 | |
Uh, we've raised a fair whack for the hospital, so thank you. | 0:18:06 | 0:18:09 | |
Or for another night on the town for you, eh, Jack? | 0:18:09 | 0:18:12 | |
LAUGHTER If there's any left over, Roy. | 0:18:12 | 0:18:15 | |
While I'm here, | 0:18:15 | 0:18:16 | |
I might as well introduce our newest member of staff. | 0:18:16 | 0:18:19 | |
Stand up, Sarah. | 0:18:19 | 0:18:21 | |
Come on. Don't be shy. | 0:18:21 | 0:18:23 | |
She's the one who fixed my leg up. | 0:18:23 | 0:18:25 | |
Sister Adams will be starting soon as our new community nurse. | 0:18:25 | 0:18:29 | |
So I hope you all make her feel right at home. Hmm? | 0:18:29 | 0:18:33 | |
APPLAUSE | 0:18:33 | 0:18:35 | |
Oh! | 0:18:53 | 0:18:54 | |
That's our cultural duty done for a while. | 0:18:54 | 0:18:56 | |
-Using the term very loosely. -Duty? -Culture. | 0:18:56 | 0:18:59 | |
-We'll take dinner in our room if you don't mind. -Oh, not at all. | 0:19:04 | 0:19:08 | |
-Are you sure you're feeling all right? -I'm fine. Thank you. | 0:19:08 | 0:19:10 | |
You rest. If there's anything you need... | 0:19:10 | 0:19:12 | |
Have I got time for a bath before dinner? | 0:19:12 | 0:19:15 | |
I am happy to delay dinner if you are, George? | 0:19:15 | 0:19:17 | |
After being force-fed by the CWA. I'll let Cook know. | 0:19:17 | 0:19:21 | |
Goody! Time for a long soak. | 0:19:21 | 0:19:23 | |
You're rather cheerful for someone | 0:19:24 | 0:19:25 | |
drawn into Miss Adams' game of musical chairs. | 0:19:25 | 0:19:28 | |
You do understand what she was doing? | 0:19:28 | 0:19:31 | |
Yeah, your father explained. | 0:19:31 | 0:19:33 | |
But it simply highlights exactly what I've been saying. | 0:19:33 | 0:19:35 | |
Including her in our world is not doing her any favours. | 0:19:35 | 0:19:38 | |
This is 1953, Grandmother. | 0:19:38 | 0:19:42 | |
Some standards are timeless. | 0:19:42 | 0:19:44 | |
I shudder to think of the long-term effects | 0:19:44 | 0:19:46 | |
of unfettered social mobility. | 0:19:46 | 0:19:48 | |
I don't see why that's funny. | 0:19:50 | 0:19:53 | |
That's what makes it funny. | 0:19:53 | 0:19:54 | |
You're becoming cheeky, madam. | 0:19:57 | 0:19:59 | |
I know. | 0:19:59 | 0:20:01 | |
What did you think of Gino Poletti's song? | 0:20:01 | 0:20:04 | |
Oh, well... Yeah, he has a lovely voice. | 0:20:04 | 0:20:07 | |
Rather wasted on a simple farmer. | 0:20:07 | 0:20:09 | |
I'm worried about you. | 0:20:28 | 0:20:29 | |
I'm fine. | 0:20:30 | 0:20:32 | |
-Really. -Are you happy? | 0:20:32 | 0:20:34 | |
Of course I am. | 0:20:37 | 0:20:39 | |
Because I want you to be. | 0:20:39 | 0:20:40 | |
I do. You know I love you. | 0:20:40 | 0:20:43 | |
Show me. | 0:20:52 | 0:20:54 | |
I want you. | 0:20:58 | 0:20:59 | |
I'm all right. | 0:21:02 | 0:21:04 | |
Please. | 0:21:06 | 0:21:07 | |
You ride really well for a nurse. | 0:21:31 | 0:21:34 | |
How are nurses meant to ride? | 0:21:34 | 0:21:36 | |
Where did you learn? | 0:21:36 | 0:21:38 | |
In Spain. | 0:21:38 | 0:21:39 | |
Race you to that tree. | 0:21:39 | 0:21:40 | |
It's wonderful here. | 0:21:52 | 0:21:54 | |
So you lived in Spain for a time? | 0:21:56 | 0:21:58 | |
I was a nurse during the Spanish civil war. | 0:22:00 | 0:22:03 | |
-Was that terrible? -Yes. | 0:22:03 | 0:22:06 | |
It's where I met my husband, so it's not all bad memories. | 0:22:08 | 0:22:11 | |
He passed away. | 0:22:14 | 0:22:16 | |
"O, sole mio." Should I ask? | 0:22:20 | 0:22:24 | |
Sorry? | 0:22:24 | 0:22:25 | |
You seem very taken with the singer yesterday. | 0:22:25 | 0:22:27 | |
-Gino? -Yes. | 0:22:27 | 0:22:29 | |
Do you understand Italian? | 0:22:30 | 0:22:32 | |
Tell me. | 0:22:32 | 0:22:33 | |
"O, sole. O, sole mio." | 0:22:34 | 0:22:37 | |
The sun. My own sun. | 0:22:37 | 0:22:40 | |
"Sta 'nfronte a te. Sta 'nfronte a te." | 0:22:40 | 0:22:43 | |
It's upon your face. | 0:22:43 | 0:22:45 | |
It's... | 0:22:45 | 0:22:46 | |
Anna. | 0:22:47 | 0:22:49 | |
I'm fine. | 0:22:49 | 0:22:50 | |
He's just a friend. | 0:22:50 | 0:22:52 | |
All right. | 0:22:53 | 0:22:55 | |
Is it that obvious? | 0:22:57 | 0:22:58 | |
For anyone who understood the words. | 0:22:58 | 0:23:01 | |
Oh, thank God none of them know Italian. | 0:23:01 | 0:23:04 | |
They'd stop it. | 0:23:04 | 0:23:06 | |
To them, he's just a farmer, and I'd be just a fool. | 0:23:09 | 0:23:14 | |
Your father might surprise you. | 0:23:14 | 0:23:16 | |
Gran wouldn't. | 0:23:17 | 0:23:18 | |
You did very well with Sarah Adams yesterday. | 0:23:31 | 0:23:33 | |
-I fulfilled my obligations. -For now. | 0:23:33 | 0:23:36 | |
We should have her up for dinner once she's settled. | 0:23:36 | 0:23:39 | |
Jack Duncan made a good point about community acceptance. | 0:23:39 | 0:23:41 | |
All the more reason to entertain her privately. | 0:23:41 | 0:23:43 | |
Perhaps I'll ask Roy Briggs to join us. | 0:23:45 | 0:23:47 | |
Your sense of humour is rather perverse. | 0:23:49 | 0:23:52 | |
I would like to have her to dine. | 0:23:52 | 0:23:53 | |
I can keep a secret, you know. | 0:23:59 | 0:24:01 | |
I wish it didn't have to be one. | 0:24:03 | 0:24:05 | |
Gino promised he'd say how he felt about me in front of everyone, | 0:24:06 | 0:24:10 | |
and he did. | 0:24:10 | 0:24:11 | |
Even if he sang it and they didn't understand. | 0:24:11 | 0:24:13 | |
I'm going to end up like James. | 0:24:15 | 0:24:17 | |
He only married Olivia because he had to. | 0:24:17 | 0:24:19 | |
Because Grandmother made him. | 0:24:19 | 0:24:21 | |
You sure of that? | 0:24:21 | 0:24:23 | |
I have no proof, | 0:24:23 | 0:24:24 | |
but I think he had a girlfriend in England they didn't approve of. | 0:24:24 | 0:24:27 | |
Olivia was just his best friend's sister. | 0:24:27 | 0:24:30 | |
He never even mentioned her in four years, | 0:24:30 | 0:24:33 | |
and suddenly they're married. | 0:24:33 | 0:24:35 | |
He's miserable and we have an aristocrat in the family. | 0:24:35 | 0:24:39 | |
GUNSHOT | 0:24:39 | 0:24:41 | |
HORSE NEIGHS | 0:24:41 | 0:24:43 | |
-Mercury! -Anna! | 0:24:43 | 0:24:45 | |
Whoa! Whoa! | 0:24:46 | 0:24:48 | |
SHE SCREAMS | 0:24:52 | 0:24:54 | |
HORSE SCREAMS | 0:24:54 | 0:24:57 | |
Mercury! | 0:24:57 | 0:24:58 | |
Are you all right? | 0:24:58 | 0:24:59 | |
Yes. Yes, I think so. | 0:24:59 | 0:25:01 | |
Oh! | 0:25:03 | 0:25:05 | |
No. No. No, don't be hurt! | 0:25:05 | 0:25:07 | |
Oh, we have to get him to a vet! HORSE WHINNIES | 0:25:07 | 0:25:10 | |
We have to get the truck and we have to move him! | 0:25:11 | 0:25:13 | |
The vet can fix him! | 0:25:13 | 0:25:15 | |
We can't do nothing! | 0:25:18 | 0:25:20 | |
HORSE SNORTS AND WHINNIES | 0:25:20 | 0:25:22 | |
Stay here. | 0:25:22 | 0:25:24 | |
It's OK. | 0:25:25 | 0:25:27 | |
No! What are you doing? | 0:25:37 | 0:25:39 | |
He's in agony. | 0:25:39 | 0:25:40 | |
-No. -It's not fair to let him suffer. Walk away. | 0:25:40 | 0:25:44 | |
GUNSHOT | 0:25:46 | 0:25:48 | |
Oh, hello, Mildred. | 0:25:49 | 0:25:51 | |
Could you put me through to Doris Collins, please? | 0:25:51 | 0:25:53 | |
PHONE RINGS | 0:25:53 | 0:25:55 | |
Hello? | 0:26:00 | 0:26:01 | |
'Mrs Collins.' | 0:26:01 | 0:26:02 | |
Mrs Bligh? | 0:26:04 | 0:26:05 | |
I hope I haven't caught you at an awkward moment. | 0:26:05 | 0:26:07 | |
Oh, no. Goodness me, no. | 0:26:07 | 0:26:08 | |
Let me congratulate you on your yum-yum. | 0:26:08 | 0:26:11 | |
Oh, thank you! | 0:26:11 | 0:26:13 | |
Now, I was hoping perhaps I could come in | 0:26:13 | 0:26:15 | |
for a little chat this afternoon. | 0:26:15 | 0:26:17 | |
With me? | 0:26:17 | 0:26:18 | |
If it's not inconvenient. | 0:26:18 | 0:26:20 | |
Oh, dear. | 0:26:20 | 0:26:21 | |
I'm terribly... Look... | 0:26:21 | 0:26:23 | |
It's just that I promised the ladies I'd go back down to the hall | 0:26:23 | 0:26:26 | |
and help the clean-up. | 0:26:26 | 0:26:27 | |
Well, of course, I'd like to thank them, too. | 0:26:27 | 0:26:30 | |
Perhaps I could come to the hall? | 0:26:30 | 0:26:32 | |
If it's not inconvenient. | 0:26:32 | 0:26:34 | |
No. No, not at all. I'll let the ladies know. | 0:26:34 | 0:26:37 | |
Very good. As long as we can have our moment alone. | 0:26:37 | 0:26:39 | |
Absolutely. Goodbye for n... LINE GOES DEAD | 0:26:39 | 0:26:43 | |
Off to town? | 0:26:43 | 0:26:44 | |
Yes. Do you need anything? | 0:26:44 | 0:26:45 | |
Sir. There's been an accident. | 0:26:46 | 0:26:48 | |
What happened? | 0:26:50 | 0:26:51 | |
Her horse startled and ran through a fence. | 0:26:51 | 0:26:53 | |
Sarah had to put him down! | 0:26:53 | 0:26:55 | |
At whose suggestion? | 0:26:55 | 0:26:57 | |
It was the only thing to do. | 0:26:57 | 0:26:58 | |
I didn't realise you were also a veterinarian. | 0:26:58 | 0:27:00 | |
See to Anna, Mother. I'll be in. | 0:27:00 | 0:27:02 | |
The leg was broken through. I'll take you to him. | 0:27:03 | 0:27:05 | |
No, you don't need to see that again. Glen, will you stay with the horse and find James? | 0:27:05 | 0:27:08 | |
-You weren't hurt? -Anna was thrown. She seems fine, but perhaps Dr Duncan should double-check. | 0:27:08 | 0:27:12 | |
-Won't you come inside? -No, I'll get back. -I'll get the car. -I'd like the walk. Thank you, anyway. | 0:27:12 | 0:27:17 | |
She asked me to walk away, and so I did, and... | 0:27:19 | 0:27:22 | |
and then she shot him. | 0:27:22 | 0:27:24 | |
But I didn't see it and she didn't do anything wrong. | 0:27:25 | 0:27:28 | |
Whoa, whoa, whoa. You don't need to defend her. | 0:27:28 | 0:27:31 | |
Do you have any idea what Mercury was worth? | 0:27:31 | 0:27:34 | |
Nothing lame. Are you all right? Sarah said you were thrown. | 0:27:34 | 0:27:36 | |
No, I'm fine. It's just a shock. | 0:27:36 | 0:27:39 | |
I still think you should go and lie down. | 0:27:39 | 0:27:41 | |
I'll be up to check on you soon. Come on. | 0:27:41 | 0:27:44 | |
Calm as you like. | 0:27:49 | 0:27:51 | |
The woman fetches a gun, tells Anna to walk away and pulls the trigger. | 0:27:53 | 0:27:56 | |
Which is exactly what I would have done. | 0:27:56 | 0:27:58 | |
-You're a landowner, George. -What's your point? | 0:27:58 | 0:28:00 | |
She is a middle-aged nurse who's been living in London, | 0:28:00 | 0:28:03 | |
who somehow rides like a stockman | 0:28:03 | 0:28:05 | |
-and handles shotguns without a moment's hesitation. -And so what? | 0:28:05 | 0:28:09 | |
-We don't know anything about her. -We do. | 0:28:09 | 0:28:13 | |
We know that she just looked after Anna, | 0:28:13 | 0:28:15 | |
and all you can do is vilify her. She deserves better. | 0:28:15 | 0:28:18 | |
Who is she, George? How many times do I have to say it? | 0:28:18 | 0:28:21 | |
We have no idea who she is. | 0:28:21 | 0:28:23 | |
I'll look after the burial. | 0:28:26 | 0:28:28 | |
There you are! | 0:28:36 | 0:28:37 | |
What time does your aunt get in? Oh, my! | 0:28:37 | 0:28:39 | |
You look as though you've had a run through an abattoir. | 0:28:39 | 0:28:41 | |
I won't be needing afternoon tea. We discussed this. | 0:28:41 | 0:28:44 | |
Has there been an accident? | 0:28:44 | 0:28:46 | |
Don't tell me it happened on your ride with young Miss Bligh! | 0:28:46 | 0:28:49 | |
Mrs Collins! If I want to tell you more, I will. | 0:28:49 | 0:28:52 | |
Sorry. | 0:28:54 | 0:28:55 | |
That was uncalled for. | 0:28:55 | 0:28:57 | |
Oh, no. I have to run. | 0:28:57 | 0:28:59 | |
I've put myself at risk of being very late for an important rendezvous by doing this. | 0:28:59 | 0:29:04 | |
If you change your mind, it'll be there on the table, | 0:29:04 | 0:29:06 | |
set for just the two of you, of course. | 0:29:06 | 0:29:08 | |
Gino! | 0:29:16 | 0:29:18 | |
Where have you been? | 0:29:18 | 0:29:19 | |
It's Mercury. SHE SOBS | 0:29:23 | 0:29:25 | |
What's happened? | 0:29:25 | 0:29:27 | |
He broke a leg. | 0:29:28 | 0:29:29 | |
We had to put him down. | 0:29:31 | 0:29:33 | |
And I can't stop crying. | 0:29:33 | 0:29:35 | |
Sh. Hey, hey... | 0:29:35 | 0:29:37 | |
Mama says, "If you can't cry, you can't feel." | 0:29:41 | 0:29:44 | |
I...I... | 0:29:46 | 0:29:48 | |
-I love you so much. -You don't have to say it. | 0:29:52 | 0:29:54 | |
No. No, I should have said it well before now. | 0:29:54 | 0:29:57 | |
You said it now. | 0:29:57 | 0:29:59 | |
I love you. | 0:30:00 | 0:30:01 | |
So much. | 0:30:04 | 0:30:05 | |
It really was a wonderful day. | 0:30:18 | 0:30:22 | |
You all put in so much hard work. | 0:30:22 | 0:30:24 | |
Well, very nice to be appreciated by someone. | 0:30:24 | 0:30:28 | |
I don't mean to pry, but is Anna all right? | 0:30:28 | 0:30:32 | |
Miss Adams mentioned something about an accident. | 0:30:32 | 0:30:35 | |
I assumed it must have happened after we spoke. | 0:30:35 | 0:30:38 | |
Well, thankfully no-one was hurt. | 0:30:38 | 0:30:40 | |
But the good sister did feel the need to shoot one of our horses. | 0:30:40 | 0:30:45 | |
-She never did. -We know so little about the woman. | 0:30:45 | 0:30:49 | |
She does seem to... keep things to herself, doesn't she? | 0:30:49 | 0:30:53 | |
I have wondered about that. | 0:30:53 | 0:30:55 | |
Mmm. | 0:30:55 | 0:30:57 | |
Well, in my experience, one doesn't guard a door | 0:30:57 | 0:31:00 | |
unless there's something in the room. | 0:31:00 | 0:31:02 | |
You think she's hiding something? | 0:31:03 | 0:31:05 | |
One can't be too careful. | 0:31:05 | 0:31:07 | |
Well, I'll be sure to keep my eyes peeled, if it helps. | 0:31:07 | 0:31:11 | |
That is very kind. | 0:31:11 | 0:31:12 | |
I'm positive there's nothing to worry about. | 0:31:14 | 0:31:16 | |
Oh, no. Me too. | 0:31:16 | 0:31:18 | |
SCREAM ECHOES | 0:31:32 | 0:31:35 | |
GUNFIRE AND SHOUTING | 0:31:35 | 0:31:38 | |
WOMAN GASPS | 0:31:40 | 0:31:43 | |
GUNSHOT | 0:31:46 | 0:31:47 | |
SHE GASPS | 0:31:47 | 0:31:49 | |
It's pretty bold of you, just off the boat in a new country | 0:31:59 | 0:32:01 | |
and you slip away for a pregnancy test. | 0:32:01 | 0:32:03 | |
They were all so focused on Elizabeth seeing her specialist. | 0:32:05 | 0:32:08 | |
It was easy. | 0:32:08 | 0:32:09 | |
Hardly the actions of a wilting violet. | 0:32:09 | 0:32:11 | |
Is that how they've characterised me? | 0:32:11 | 0:32:14 | |
It's how Elizabeth seems to see you. | 0:32:14 | 0:32:16 | |
Perhaps I've earned the title. | 0:32:18 | 0:32:20 | |
It's not me. Not really. | 0:32:20 | 0:32:22 | |
Well? | 0:32:28 | 0:32:29 | |
I'm sure you're going to love being a mother. | 0:32:30 | 0:32:33 | |
Are they happy tears? | 0:32:37 | 0:32:38 | |
It's been so hard not to say something. | 0:32:40 | 0:32:44 | |
I didn't want to get their hopes up. | 0:32:44 | 0:32:46 | |
I didn't want to get mine up. | 0:32:47 | 0:32:49 | |
Everything's going to be fine now. | 0:32:57 | 0:33:00 | |
Wasn't it? | 0:33:00 | 0:33:01 | |
I'm trying to be a good wife, but... | 0:33:04 | 0:33:07 | |
..I'm just failing everything. | 0:33:09 | 0:33:12 | |
Where'd you get that idea? | 0:33:12 | 0:33:13 | |
I know a disappointed man when I see one. | 0:33:15 | 0:33:17 | |
I wasn't exactly anyone's first choice back home. | 0:33:20 | 0:33:24 | |
Then... James... | 0:33:27 | 0:33:29 | |
..suddenly seemed to see me in a different light. | 0:33:30 | 0:33:34 | |
After years of never noticing me. | 0:33:34 | 0:33:36 | |
I was so happy. | 0:33:37 | 0:33:38 | |
And he's been so sad. | 0:33:44 | 0:33:46 | |
But this. | 0:33:48 | 0:33:49 | |
This will make a difference. | 0:33:49 | 0:33:51 | |
Auntie Peg. | 0:34:08 | 0:34:09 | |
Hello, love. | 0:34:11 | 0:34:13 | |
I knew you'd find your feet. SHE CHUCKLES | 0:34:15 | 0:34:18 | |
And they're treating you well enough? | 0:34:19 | 0:34:21 | |
Has Mother asked after me? | 0:34:25 | 0:34:26 | |
No, but now that you're here, we've got time to mend bridges. | 0:34:28 | 0:34:34 | |
-She'll come round. -I wish I shared your confidence. | 0:34:36 | 0:34:39 | |
Don't be like that. | 0:34:39 | 0:34:40 | |
Because time... | 0:34:40 | 0:34:41 | |
..time heals every wound. | 0:34:43 | 0:34:46 | |
Look, I've brought you something. | 0:34:47 | 0:34:49 | |
Oh. | 0:34:49 | 0:34:51 | |
Every home needs one. | 0:34:51 | 0:34:53 | |
Thank you. | 0:34:53 | 0:34:55 | |
-SHE LAUGHS -Thank you! | 0:35:00 | 0:35:02 | |
I'll be sure to put it out when I find one. | 0:35:02 | 0:35:05 | |
You don't think that could be here in Inverness? | 0:35:05 | 0:35:07 | |
No, I'm still not sure. | 0:35:07 | 0:35:09 | |
The last time I had what I call a home | 0:35:10 | 0:35:12 | |
was over ten years ago in Paris. | 0:35:12 | 0:35:15 | |
You were happy there. | 0:35:15 | 0:35:16 | |
Oh, yes. | 0:35:18 | 0:35:19 | |
We were in love. | 0:35:21 | 0:35:23 | |
And then the Germans came. | 0:35:28 | 0:35:30 | |
Well... | 0:35:32 | 0:35:33 | |
I'm sure you'll find a spot for that mat. | 0:35:35 | 0:35:37 | |
One day. | 0:35:37 | 0:35:39 | |
You mark my words. | 0:35:39 | 0:35:40 | |
SHE PLAYS 'CLAIR DE LUNE' BY DEBUSSY | 0:35:46 | 0:35:51 | |
Have you seen James? | 0:36:12 | 0:36:15 | |
-Oh, what did Jack say? -It's nothing to worry about. | 0:36:15 | 0:36:18 | |
I can't find him anywhere. | 0:36:18 | 0:36:20 | |
-I believe he's at the sheds. -He's not. | 0:36:20 | 0:36:23 | |
Well, I'm sure that's where he said he'd be. | 0:36:23 | 0:36:25 | |
He did, but they haven't seen him all morning. | 0:36:25 | 0:36:27 | |
Sorry to interrupt. I'll keep looking. | 0:36:27 | 0:36:29 | |
No, no, no. You should be resting. Come on. Sit. | 0:36:29 | 0:36:32 | |
There's fresh tea. I'll bring him to you. | 0:36:32 | 0:36:35 | |
James! | 0:36:41 | 0:36:42 | |
James! | 0:36:43 | 0:36:45 | |
Oh, James. | 0:36:49 | 0:36:51 | |
James! | 0:36:59 | 0:37:00 | |
-James. Oh, God. -Something wrong? | 0:37:01 | 0:37:04 | |
Didn't you hear me? I've been calling. | 0:37:04 | 0:37:07 | |
-You shouldn't be exerting yourself. -I'm not an invalid. | 0:37:07 | 0:37:09 | |
You said you'd be at the sheds. I couldn't find you. | 0:37:11 | 0:37:13 | |
You didn't think...? | 0:37:14 | 0:37:16 | |
I'm fine. | 0:37:18 | 0:37:20 | |
I'm beyond doing anything foolish. I promise. | 0:37:21 | 0:37:24 | |
-We just finished burying Mercury. -Why didn't you answer when I called? | 0:37:34 | 0:37:37 | |
I didn't hear you. | 0:37:37 | 0:37:39 | |
Don't. | 0:37:39 | 0:37:41 | |
Please. | 0:37:41 | 0:37:42 | |
Your wife is back from the hospital looking for you. | 0:37:43 | 0:37:47 | |
Get dressed. | 0:37:47 | 0:37:49 | |
I wish you could stay longer. | 0:37:54 | 0:37:56 | |
Next time. | 0:37:56 | 0:37:58 | |
This is a lovely little town. | 0:37:58 | 0:38:00 | |
Give it a go. | 0:38:02 | 0:38:03 | |
We'll see. | 0:38:04 | 0:38:05 | |
What did happen? | 0:38:08 | 0:38:10 | |
During the war? | 0:38:10 | 0:38:11 | |
Not a word for five years. | 0:38:11 | 0:38:13 | |
I lost everything. | 0:38:21 | 0:38:22 | |
They nearly killed me. | 0:38:24 | 0:38:26 | |
It's hard enough to go there in my mind, | 0:38:28 | 0:38:30 | |
let alone in the telling. | 0:38:30 | 0:38:32 | |
When you can, sweetheart. | 0:38:36 | 0:38:38 | |
There you are! | 0:38:42 | 0:38:44 | |
I was busy with something. What's happened? | 0:38:44 | 0:38:46 | |
I wanted to tell you alone but everyone simply arrived. | 0:38:46 | 0:38:50 | |
We're going to have a baby, James. | 0:38:51 | 0:38:53 | |
Oh! | 0:38:53 | 0:38:54 | |
That is wonderful news! | 0:38:54 | 0:38:56 | |
I'm going to be Aunt Anna! | 0:38:56 | 0:38:58 | |
Congratulations. | 0:38:58 | 0:38:59 | |
I'm... going to be a father? | 0:38:59 | 0:39:02 | |
- Champagne with dinner, I think. - Oh, a baby! | 0:39:02 | 0:39:05 | |
Aren't you happy? | 0:39:05 | 0:39:06 | |
James. | 0:39:08 | 0:39:09 | |
Yes. | 0:39:10 | 0:39:12 | |
100 times, yes. | 0:39:12 | 0:39:14 | |
Oh, good afternoon, sister. | 0:39:26 | 0:39:28 | |
I trust the visit with your aunt went well. | 0:39:28 | 0:39:30 | |
Thank you. | 0:39:30 | 0:39:32 | |
My aunt very much appreciated your effort. | 0:39:34 | 0:39:36 | |
I'm glad. | 0:39:36 | 0:39:37 | |
I'm sure a long, hot soak is very much in order | 0:39:37 | 0:39:40 | |
-after such an eventful day. -It is. | 0:39:40 | 0:39:42 | |
Thought you might feel like some tea. | 0:40:45 | 0:40:47 | |
Aren't you lovely? | 0:40:47 | 0:40:49 | |
We're going to have a baby, Livvy. | 0:40:55 | 0:40:57 | |
-What do you think it is? -A boy. I'm sure of it. | 0:40:58 | 0:41:02 | |
I've even started picking names. Is that silly? | 0:41:02 | 0:41:05 | |
-Not at all. -I like William. | 0:41:05 | 0:41:07 | |
I...I think that's perfect. | 0:41:08 | 0:41:11 | |
Your brother will be chuffed. | 0:41:11 | 0:41:12 | |
It's also my father's name, of course. | 0:41:12 | 0:41:14 | |
I was thinking more of him. | 0:41:14 | 0:41:15 | |
Of course. How silly of me. | 0:41:15 | 0:41:18 | |
But you're right. | 0:41:18 | 0:41:20 | |
William is your dearest friend. | 0:41:20 | 0:41:22 | |
You must miss him as much as I do. | 0:41:22 | 0:41:24 | |
Sometimes. | 0:41:24 | 0:41:25 | |
William it is. | 0:41:27 | 0:41:29 | |
Can we talk? | 0:41:38 | 0:41:40 | |
The suspicion you had earlier... | 0:41:47 | 0:41:51 | |
I... | 0:41:51 | 0:41:53 | |
I accept that you're past harming yourself. | 0:41:53 | 0:41:55 | |
I meant the other one. | 0:41:56 | 0:42:00 | |
I want you to know that I'm going to be a good father | 0:42:00 | 0:42:04 | |
and a good husband. | 0:42:04 | 0:42:06 | |
I know I've disappointed you and I'll make up for it. | 0:42:06 | 0:42:08 | |
I promise. | 0:42:08 | 0:42:10 | |
I hope so. | 0:42:11 | 0:42:13 | |
PHONE RINGS | 0:42:13 | 0:42:15 | |
Yes. Of course. She's right here. | 0:42:20 | 0:42:23 | |
Doris Collins for you. | 0:42:23 | 0:42:25 | |
Thank you, James. | 0:42:25 | 0:42:27 | |
I'll take this in private. | 0:42:27 | 0:42:29 | |
-'Mrs Collins.' -I'm sorry to disturb you. | 0:42:33 | 0:42:36 | |
I know you're frightfully busy, | 0:42:36 | 0:42:38 | |
but I've just discovered something very disturbing about Miss Adams. | 0:42:38 | 0:42:44 | |
Or whoever she is. | 0:42:45 | 0:42:46 | |
UPBEAT MUSIC PLAYS | 0:43:07 | 0:43:10 | |
MUSIC STOPS Oh! | 0:43:12 | 0:43:14 | |
Our rooms have locks. | 0:43:16 | 0:43:17 | |
I want the key to mine. | 0:43:17 | 0:43:19 | |
I...I can't do that. It's a house rule. | 0:43:19 | 0:43:22 | |
It may be your house but it's my room. | 0:43:22 | 0:43:24 | |
I want that key or I leave. | 0:43:24 | 0:43:25 | |
Stay out of my belongings. | 0:43:40 | 0:43:42 | |
MUSIC STARTS AGAIN | 0:43:45 | 0:43:48 | |
Did you do a background check on her? | 0:43:52 | 0:43:54 | |
Of course. Her references were in order. What's the point of this? | 0:43:54 | 0:43:57 | |
The point is, | 0:43:57 | 0:43:59 | |
you checked the references of a woman called Sarah Adams. | 0:43:59 | 0:44:03 | |
That is not her real name. | 0:44:03 | 0:44:05 | |
So who did we employ, Doctor? | 0:44:05 | 0:44:07 | |
-I'll get to the bottom of it, Elizabeth. -I certainly hope so. | 0:44:07 | 0:44:10 | |
Because it is high time we knew exactly who Miss BRIDGET Adams really is. | 0:44:10 | 0:44:16 |