The Welcome Mat A Place to Call Home


The Welcome Mat

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-Your nurse is here.

-Your wrist, please.

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-Are you always so impertinent?

-I'm simply doing my job.

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I didn't catch your name.

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Adams.

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Sister Adams.

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This isn't a situation I expected to find myself in.

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He doesn't need it.

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I'm not a bloody child.

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James.

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James!

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Did you tell her why you did this?

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No-one else is to know about this. No-one.

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-On the boat...

-Forget the boat.

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I thought you wished you'd never married me.

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I missed you.

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I missed you, too.

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I was glad to receive your letter.

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The hospital will be lucky to have you.

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If they want me, that is.

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I don't want him employing the Adams woman.

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She said she'd be discreet.

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Well, she contacted George because she has no other options.

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She will scuttle off as soon as possible,

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and you'll just have to train someone all over again.

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The job's yours if you want it.

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I thought I made my wishes clear.

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No, you misrepresented her.

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The fact that I want it should suffice.

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Not this time.

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I would like to pay your return passage to England.

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Did you speak to Dr Duncan?

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Did you encourage him against me?

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That is a very generous offer.

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You would be a fool not to accept.

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And you'd be a fool to think I would.

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# How much is that doggy In the window?

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# The one with the waggly tail

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# How much is that doggy In the window?

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# I do hope that doggy's For sale... #

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The most popular song in the country.

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You have to wonder.

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I think HE likes it.

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Now, Doris Collins is the closest thing Inverness has to a town crier.

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Last try. If you stay in the cottage, you get to look after him.

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He can look after himself.

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-Can't you, boy?

-Be a weight off my mind.

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But not your mother's.

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I stopped taking orders from my mother years ago.

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Why exacerbate the problem, Mr Bligh?

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I tried. Please.

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One thing I do insist on, though.

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Call me George.

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Don't be a stranger.

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-DOG WHINES

-Bye, dog.

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Thanks again...

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..George.

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It must be Miss Adams!

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Of course, it is Sarah.

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Dropped off by Mr Bligh himself.

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Goodness me. I'm Doris Collins.

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Call me Doris. I don't stand on ceremony with my young girls.

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Come in. Welcome. Welcome.

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-We met the Blighs in London, did we?

-No.

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On the ship home.

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Oh, you don't say!

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As you can see, simple but clean.

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That's my motto.

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They had cause for a nurse, did they?

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-Sorry?

-The Blighs on the boat.

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Otherwise it seems a bit odd, doesn't it?

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No offence, dear, but nurses don't travel top deck.

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I worked my passage.

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Is that the room?

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You look like the sun up there.

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Oh, that's corny!

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My own sun.

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Mi sole mio.

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Get away!

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-I missed you so much.

-The hundredth time you've said.

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The thousandth time I've thought it!

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Well, go away more often. It makes you romantic.

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But...

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I don't deserve you.

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Why?

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I can't tell my family about you.

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-I'm a coward.

-Don't say that.

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If Gran doesn't think Sarah fits in, what hope do we have?

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You like this Sarah?

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Very much.

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She's... different from anyone I've ever met.

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-She can stand up to Grandmother.

-Some day I will, too.

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I'll stand before your family and say how I feel about you.

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How DO you feel about me?

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-You know.

-No, I don't!

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Ah! Ow!

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-KNOCK AT DOOR

-Come in.

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Grub's up. I thought we could go in together.

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I'd like that. Thank you.

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I'm Alma.

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Don't let the grass grow under you, Sarah.

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This is Maude. And Alma I see you've met.

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-I'm the theatre nurse.

-In charge of wards, me.

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Dig in. Doris is a bottler in the kitchen.

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And very nice of you to say so, Alma, dear.

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If a little crudely.

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-So you're the new community nurse?

-Yes.

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She's just arrived from London.

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Good friend of Mr Bligh's.

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-It was his idea to take the job, was it?

-He mentioned it.

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I thought as much. What a fine man.

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Great catch for somebody.

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Not that you're thinking that way, of course.

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I hear you're joining us on stage.

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I was going to let you settle before I mentioned it.

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A charity matinee.

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-I've already told the committee ladies you would.

-Would what?

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We're doing a number from The Mikado.

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You sing? I'm sure you do.

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You look as if you must. You'll pick it up.

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Anyway, it's for the hospital fund, so I won't take no for an answer.

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Well, if it's for a good cause.

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As long as it's not on Sunday. My aunt is visiting.

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Theatricals on the Lord's day is hardly seemly.

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It's Saturday.

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I'd love to meet your aunt.

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She could dine with us.

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Oh, that's kind but unnecessary.

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No, it's no trouble. We're all one happy family here.

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-We'd love to meet her.

-No, I insist.

-I insist.

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We'll have tea out.

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Mmm. Delicious.

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So where did you end up taking Sarah?

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Miss Adams wanted me to take her to Doris Collins' house today.

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Doris Co...

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Why anyone would choose to live with Doris Collins is beyond me.

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It's her decision. She's a grown woman.

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We should have her for dinner now and then. Give her some relief.

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Wouldn't you agree, Father?

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If she's doing her job properly, I doubt she'll have time.

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Mother, she's a nurse, not the Prime Minister.

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I don't understand your problem.

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I simply don't share your compulsion to embrace her as a friend.

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We barely know her.

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And traditionally that's why you invite someone to dinner.

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To get to know them.

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We found her a job, a place to stay. I think that's enough.

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She found herself the job and she's moved out.

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Why do I get the feeling there's more to this?

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I agree. Must be hard for her. You should have her up.

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-You feeling better, Olivia?

-A little, actually. Thank you.

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Wonderful. Cards, I think.

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Who's joining me? James?

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I'm glad we sorted that out.

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-About Sarah Adams...

-Yes.

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I do understand the situation.

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-You don't want her raising suspicion.

-Exactly.

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The only person doing that right now is you.

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It's your hostility that's causing comment.

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Like it or not, she's here. We have to live with it.

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By making her part of the furniture?

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Not by acting like she's Frankenstein's monster.

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All that does is encourages speculation you're so afraid of.

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And denying people what they want hasn't really worked so far, has it?

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-KNOCK AT DOOR

-Hello, my darling. Come in. Canasta or bridge?

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I'm not interrupting?

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Oh, nothing of importance. James was just being a scold.

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And here's our fourth.

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Bridge, I think.

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Perhaps you were right, Anna.

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About?

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Miss Adams probably would enjoy some company,

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if she can find the time.

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I've even thought of a nice way to welcome her to the town.

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James?

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Hmm?

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Does it seems odd, your grandmother's attitude tonight about Sarah Adams?

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Nah. She's never short of opinions.

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It was more her about-face.

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Do you know anything about it? Her reasons, I mean.

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-Why would I?

-I just...

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..wondered.

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It's none of my business. Obviously Father and Anna made their case.

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She's not unreasonable.

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I thought you looked lovely tonight, by the way.

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I did?

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Really beautiful.

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Can I help you, Mrs Collins?

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Oh, there you are!

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I knocked first. This just came for you.

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-I thought I'd leave it on the bed for privacy.

-Thank you.

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It was hand-delivered by Norman, the Blighs' man.

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I'm afraid I won't be able to join you for the song after all.

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I've been invited to the concert as their guest.

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What? An afternoon with Mr Bligh?

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-Aren't you the lucky one?

-Not quite.

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Mrs Bligh.

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Well...

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That is an honour.

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PIANO PLAYS JAUNTY TUNE

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APPLAUSE

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Thanks to the Evelyn Hutchins Dance Academy!

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Could be a special on sprained ankles after that, girls.

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LAUGHTER And now a recitation.

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Let's hear it for Roy Briggs, our master of the bush ballad.

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APPLAUSE

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How We Beat the Favourite, in 25 verses.

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Verse one.

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WHISTLE

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HE SCREECHES LOUDLY

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And that's a sulphur-crested cockatoo.

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LAUGHTER AND APPLAUSE

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# Three little maids from school

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# Three little maids who, all unwary Come from a ladies' seminary

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# Freed from its genius tutelary

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-# Three little maids from school...

-#

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-So glad you could come.

-Me too. It's great to see you again.

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I meant to come up to the cottage before you left.

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Would you like to go riding some time?

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I could teach you. We've got lots of quiet horses!

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-That's OK. I can ride.

-Really?

-Yeah.

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Come up tomorrow, then.

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I can lend you any gear you might need.

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It'll be just like the night on the ship, only... jodhpurs.

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I would love that.

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Who said we left the arts behind in Europe?

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It was charming.

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Now say it as if you mean it.

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-I should introduce you around. Are you up to it?

-Of course.

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-Shall I get us drinks?

-Thank you.

-Yes.

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-I appreciate the invitation.

-Oh, you're most welcome.

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-Can I be direct?

-When have you been otherwise?

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I didn't stay to spite you.

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I'd like us to start again.

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Lovely to meet you too.

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You're threatened by what I know about James.

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James is doing perfectly well.

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I don't know that a suicidal tendency is so easily fixed.

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In this case it is.

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And if I should happen to be wrong, my eye is on him always.

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Well, then you have nothing to fear.

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I'd only share what I know for his wellbeing.

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Good. Then there will be no need for you to break the confidence.

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Whose idea was this invitation?

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Mine.

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As you say, a new beginning.

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If you'll excuse me.

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Thank you.

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Doris said it was nearly four little maids from school.

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Yes, with my voice, the audience are lucky it stayed at three.

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The Blighs are looking after you, I see.

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I thought I showed you I don't need looking after.

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-Excuse me.

-Sister...

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Country town has its class structures

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just as much as where you've come from.

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The Blighs are the closest thing we have to royalty.

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First impressions count.

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You'll have your work cut out for you

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if people think you're above them.

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I see.

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And you look very nice, by the way.

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Pardon?

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As it sounds.

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Everything all right?

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He's a particular kind of man, isn't he?

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-He's a fine doctor, though.

-I don't doubt it.

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I'll be back in a moment.

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I might have a small favour to ask.

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I liked your poem, Roy.

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It's not called a poem, see.

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It's a bush ballad.

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Sorry.

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I was wondering...

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-Just up here.

-Well, I do owe you one.

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-Uh, do you mind, miss?

-Oh! Course not.

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Thank you.

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What about the old girl?

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After your bush ballad, Roy, I'm sure she'll be honoured.

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HE SCOFFS

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I'll explain.

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That's not going to help her cause with Grandmother.

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-Are you all right?

-Just a little warm.

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APPLAUSE

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ACCORDIAN PLAYS

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# Che bella cosa E 'na jurnata al sole

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# N'aria serena Doppo 'na tempesta... #

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I'm sorry!

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# Ma natu sole

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# Chiu bello, oi ne

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# O, sole mio

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# Sta nfronte a te!

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# O, sole

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# O, sole mio

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# Sta nfronte a te

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# Sta nfronte a te! #

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APPLAUSE

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I'm so sorry. I shouldn't have come.

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I just...

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I thought I was over all of this.

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Your results are in.

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Didn't open.

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-I'm sure they'll tell the tale.

-Do you really think so?

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Here you go.

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What have you eaten today?

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I can't keep anything down, really.

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Here we are.

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Now drink this.

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The sugar will help until you can eat.

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-You'll see to that?

-Yes.

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-It's time for your speech.

-It can wait.

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Don't stay on my behalf, honestly.

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-I'm feeling much better.

-You're sure?

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Come and see me tomorrow.

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I'll be in my office all afternoon.

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Any time.

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I'm starting to feel quite silly.

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Gino Poletti with Armo on the squeezebox.

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APPLAUSE

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You know what they say about those Italians. They've got a way with a song.

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Just wish we knew what they were singing about.

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LAUGHTER

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Right, well, I'll keep it short.

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Thank you for coming.

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LAUGHTER

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Uh, we've raised a fair whack for the hospital, so thank you.

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Or for another night on the town for you, eh, Jack?

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LAUGHTER If there's any left over, Roy.

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While I'm here,

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I might as well introduce our newest member of staff.

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Stand up, Sarah.

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Come on. Don't be shy.

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She's the one who fixed my leg up.

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Sister Adams will be starting soon as our new community nurse.

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So I hope you all make her feel right at home. Hmm?

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APPLAUSE

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Oh!

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That's our cultural duty done for a while.

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-Using the term very loosely.

-Duty?

-Culture.

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-We'll take dinner in our room if you don't mind.

-Oh, not at all.

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-Are you sure you're feeling all right?

-I'm fine. Thank you.

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You rest. If there's anything you need...

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Have I got time for a bath before dinner?

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I am happy to delay dinner if you are, George?

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After being force-fed by the CWA. I'll let Cook know.

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Goody! Time for a long soak.

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You're rather cheerful for someone

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drawn into Miss Adams' game of musical chairs.

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You do understand what she was doing?

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Yeah, your father explained.

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But it simply highlights exactly what I've been saying.

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Including her in our world is not doing her any favours.

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This is 1953, Grandmother.

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Some standards are timeless.

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I shudder to think of the long-term effects

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of unfettered social mobility.

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I don't see why that's funny.

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That's what makes it funny.

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You're becoming cheeky, madam.

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I know.

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What did you think of Gino Poletti's song?

0:20:010:20:04

Oh, well... Yeah, he has a lovely voice.

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Rather wasted on a simple farmer.

0:20:070:20:09

I'm worried about you.

0:20:280:20:29

I'm fine.

0:20:300:20:32

-Really.

-Are you happy?

0:20:320:20:34

Of course I am.

0:20:370:20:39

Because I want you to be.

0:20:390:20:40

I do. You know I love you.

0:20:400:20:43

Show me.

0:20:520:20:54

I want you.

0:20:580:20:59

I'm all right.

0:21:020:21:04

Please.

0:21:060:21:07

You ride really well for a nurse.

0:21:310:21:34

How are nurses meant to ride?

0:21:340:21:36

Where did you learn?

0:21:360:21:38

In Spain.

0:21:380:21:39

Race you to that tree.

0:21:390:21:40

It's wonderful here.

0:21:520:21:54

So you lived in Spain for a time?

0:21:560:21:58

I was a nurse during the Spanish civil war.

0:22:000:22:03

-Was that terrible?

-Yes.

0:22:030:22:06

It's where I met my husband, so it's not all bad memories.

0:22:080:22:11

He passed away.

0:22:140:22:16

"O, sole mio." Should I ask?

0:22:200:22:24

Sorry?

0:22:240:22:25

You seem very taken with the singer yesterday.

0:22:250:22:27

-Gino?

-Yes.

0:22:270:22:29

Do you understand Italian?

0:22:300:22:32

Tell me.

0:22:320:22:33

"O, sole. O, sole mio."

0:22:340:22:37

The sun. My own sun.

0:22:370:22:40

"Sta 'nfronte a te. Sta 'nfronte a te."

0:22:400:22:43

It's upon your face.

0:22:430:22:45

It's...

0:22:450:22:46

Anna.

0:22:470:22:49

I'm fine.

0:22:490:22:50

He's just a friend.

0:22:500:22:52

All right.

0:22:530:22:55

Is it that obvious?

0:22:570:22:58

For anyone who understood the words.

0:22:580:23:01

Oh, thank God none of them know Italian.

0:23:010:23:04

They'd stop it.

0:23:040:23:06

To them, he's just a farmer, and I'd be just a fool.

0:23:090:23:14

Your father might surprise you.

0:23:140:23:16

Gran wouldn't.

0:23:170:23:18

You did very well with Sarah Adams yesterday.

0:23:310:23:33

-I fulfilled my obligations.

-For now.

0:23:330:23:36

We should have her up for dinner once she's settled.

0:23:360:23:39

Jack Duncan made a good point about community acceptance.

0:23:390:23:41

All the more reason to entertain her privately.

0:23:410:23:43

Perhaps I'll ask Roy Briggs to join us.

0:23:450:23:47

Your sense of humour is rather perverse.

0:23:490:23:52

I would like to have her to dine.

0:23:520:23:53

I can keep a secret, you know.

0:23:590:24:01

I wish it didn't have to be one.

0:24:030:24:05

Gino promised he'd say how he felt about me in front of everyone,

0:24:060:24:10

and he did.

0:24:100:24:11

Even if he sang it and they didn't understand.

0:24:110:24:13

I'm going to end up like James.

0:24:150:24:17

He only married Olivia because he had to.

0:24:170:24:19

Because Grandmother made him.

0:24:190:24:21

You sure of that?

0:24:210:24:23

I have no proof,

0:24:230:24:24

but I think he had a girlfriend in England they didn't approve of.

0:24:240:24:27

Olivia was just his best friend's sister.

0:24:270:24:30

He never even mentioned her in four years,

0:24:300:24:33

and suddenly they're married.

0:24:330:24:35

He's miserable and we have an aristocrat in the family.

0:24:350:24:39

GUNSHOT

0:24:390:24:41

HORSE NEIGHS

0:24:410:24:43

-Mercury!

-Anna!

0:24:430:24:45

Whoa! Whoa!

0:24:460:24:48

SHE SCREAMS

0:24:520:24:54

HORSE SCREAMS

0:24:540:24:57

Mercury!

0:24:570:24:58

Are you all right?

0:24:580:24:59

Yes. Yes, I think so.

0:24:590:25:01

Oh!

0:25:030:25:05

No. No. No, don't be hurt!

0:25:050:25:07

Oh, we have to get him to a vet! HORSE WHINNIES

0:25:070:25:10

We have to get the truck and we have to move him!

0:25:110:25:13

The vet can fix him!

0:25:130:25:15

We can't do nothing!

0:25:180:25:20

HORSE SNORTS AND WHINNIES

0:25:200:25:22

Stay here.

0:25:220:25:24

It's OK.

0:25:250:25:27

No! What are you doing?

0:25:370:25:39

He's in agony.

0:25:390:25:40

-No.

-It's not fair to let him suffer. Walk away.

0:25:400:25:44

GUNSHOT

0:25:460:25:48

Oh, hello, Mildred.

0:25:490:25:51

Could you put me through to Doris Collins, please?

0:25:510:25:53

PHONE RINGS

0:25:530:25:55

Hello?

0:26:000:26:01

'Mrs Collins.'

0:26:010:26:02

Mrs Bligh?

0:26:040:26:05

I hope I haven't caught you at an awkward moment.

0:26:050:26:07

Oh, no. Goodness me, no.

0:26:070:26:08

Let me congratulate you on your yum-yum.

0:26:080:26:11

Oh, thank you!

0:26:110:26:13

Now, I was hoping perhaps I could come in

0:26:130:26:15

for a little chat this afternoon.

0:26:150:26:17

With me?

0:26:170:26:18

If it's not inconvenient.

0:26:180:26:20

Oh, dear.

0:26:200:26:21

I'm terribly... Look...

0:26:210:26:23

It's just that I promised the ladies I'd go back down to the hall

0:26:230:26:26

and help the clean-up.

0:26:260:26:27

Well, of course, I'd like to thank them, too.

0:26:270:26:30

Perhaps I could come to the hall?

0:26:300:26:32

If it's not inconvenient.

0:26:320:26:34

No. No, not at all. I'll let the ladies know.

0:26:340:26:37

Very good. As long as we can have our moment alone.

0:26:370:26:39

Absolutely. Goodbye for n... LINE GOES DEAD

0:26:390:26:43

Off to town?

0:26:430:26:44

Yes. Do you need anything?

0:26:440:26:45

Sir. There's been an accident.

0:26:460:26:48

What happened?

0:26:500:26:51

Her horse startled and ran through a fence.

0:26:510:26:53

Sarah had to put him down!

0:26:530:26:55

At whose suggestion?

0:26:550:26:57

It was the only thing to do.

0:26:570:26:58

I didn't realise you were also a veterinarian.

0:26:580:27:00

See to Anna, Mother. I'll be in.

0:27:000:27:02

The leg was broken through. I'll take you to him.

0:27:030:27:05

No, you don't need to see that again. Glen, will you stay with the horse and find James?

0:27:050:27:08

-You weren't hurt?

-Anna was thrown. She seems fine, but perhaps Dr Duncan should double-check.

0:27:080:27:12

-Won't you come inside?

-No, I'll get back.

-I'll get the car.

-I'd like the walk. Thank you, anyway.

0:27:120:27:17

She asked me to walk away, and so I did, and...

0:27:190:27:22

and then she shot him.

0:27:220:27:24

But I didn't see it and she didn't do anything wrong.

0:27:250:27:28

Whoa, whoa, whoa. You don't need to defend her.

0:27:280:27:31

Do you have any idea what Mercury was worth?

0:27:310:27:34

Nothing lame. Are you all right? Sarah said you were thrown.

0:27:340:27:36

No, I'm fine. It's just a shock.

0:27:360:27:39

I still think you should go and lie down.

0:27:390:27:41

I'll be up to check on you soon. Come on.

0:27:410:27:44

Calm as you like.

0:27:490:27:51

The woman fetches a gun, tells Anna to walk away and pulls the trigger.

0:27:530:27:56

Which is exactly what I would have done.

0:27:560:27:58

-You're a landowner, George.

-What's your point?

0:27:580:28:00

She is a middle-aged nurse who's been living in London,

0:28:000:28:03

who somehow rides like a stockman

0:28:030:28:05

-and handles shotguns without a moment's hesitation.

-And so what?

0:28:050:28:09

-We don't know anything about her.

-We do.

0:28:090:28:13

We know that she just looked after Anna,

0:28:130:28:15

and all you can do is vilify her. She deserves better.

0:28:150:28:18

Who is she, George? How many times do I have to say it?

0:28:180:28:21

We have no idea who she is.

0:28:210:28:23

I'll look after the burial.

0:28:260:28:28

There you are!

0:28:360:28:37

What time does your aunt get in? Oh, my!

0:28:370:28:39

You look as though you've had a run through an abattoir.

0:28:390:28:41

I won't be needing afternoon tea. We discussed this.

0:28:410:28:44

Has there been an accident?

0:28:440:28:46

Don't tell me it happened on your ride with young Miss Bligh!

0:28:460:28:49

Mrs Collins! If I want to tell you more, I will.

0:28:490:28:52

Sorry.

0:28:540:28:55

That was uncalled for.

0:28:550:28:57

Oh, no. I have to run.

0:28:570:28:59

I've put myself at risk of being very late for an important rendezvous by doing this.

0:28:590:29:04

If you change your mind, it'll be there on the table,

0:29:040:29:06

set for just the two of you, of course.

0:29:060:29:08

Gino!

0:29:160:29:18

Where have you been?

0:29:180:29:19

It's Mercury. SHE SOBS

0:29:230:29:25

What's happened?

0:29:250:29:27

He broke a leg.

0:29:280:29:29

We had to put him down.

0:29:310:29:33

And I can't stop crying.

0:29:330:29:35

Sh. Hey, hey...

0:29:350:29:37

Mama says, "If you can't cry, you can't feel."

0:29:410:29:44

I...I...

0:29:460:29:48

-I love you so much.

-You don't have to say it.

0:29:520:29:54

No. No, I should have said it well before now.

0:29:540:29:57

You said it now.

0:29:570:29:59

I love you.

0:30:000:30:01

So much.

0:30:040:30:05

It really was a wonderful day.

0:30:180:30:22

You all put in so much hard work.

0:30:220:30:24

Well, very nice to be appreciated by someone.

0:30:240:30:28

I don't mean to pry, but is Anna all right?

0:30:280:30:32

Miss Adams mentioned something about an accident.

0:30:320:30:35

I assumed it must have happened after we spoke.

0:30:350:30:38

Well, thankfully no-one was hurt.

0:30:380:30:40

But the good sister did feel the need to shoot one of our horses.

0:30:400:30:45

-She never did.

-We know so little about the woman.

0:30:450:30:49

She does seem to... keep things to herself, doesn't she?

0:30:490:30:53

I have wondered about that.

0:30:530:30:55

Mmm.

0:30:550:30:57

Well, in my experience, one doesn't guard a door

0:30:570:31:00

unless there's something in the room.

0:31:000:31:02

You think she's hiding something?

0:31:030:31:05

One can't be too careful.

0:31:050:31:07

Well, I'll be sure to keep my eyes peeled, if it helps.

0:31:070:31:11

That is very kind.

0:31:110:31:12

I'm positive there's nothing to worry about.

0:31:140:31:16

Oh, no. Me too.

0:31:160:31:18

SCREAM ECHOES

0:31:320:31:35

GUNFIRE AND SHOUTING

0:31:350:31:38

WOMAN GASPS

0:31:400:31:43

GUNSHOT

0:31:460:31:47

SHE GASPS

0:31:470:31:49

It's pretty bold of you, just off the boat in a new country

0:31:590:32:01

and you slip away for a pregnancy test.

0:32:010:32:03

They were all so focused on Elizabeth seeing her specialist.

0:32:050:32:08

It was easy.

0:32:080:32:09

Hardly the actions of a wilting violet.

0:32:090:32:11

Is that how they've characterised me?

0:32:110:32:14

It's how Elizabeth seems to see you.

0:32:140:32:16

Perhaps I've earned the title.

0:32:180:32:20

It's not me. Not really.

0:32:200:32:22

Well?

0:32:280:32:29

I'm sure you're going to love being a mother.

0:32:300:32:33

Are they happy tears?

0:32:370:32:38

It's been so hard not to say something.

0:32:400:32:44

I didn't want to get their hopes up.

0:32:440:32:46

I didn't want to get mine up.

0:32:470:32:49

Everything's going to be fine now.

0:32:570:33:00

Wasn't it?

0:33:000:33:01

I'm trying to be a good wife, but...

0:33:040:33:07

..I'm just failing everything.

0:33:090:33:12

Where'd you get that idea?

0:33:120:33:13

I know a disappointed man when I see one.

0:33:150:33:17

I wasn't exactly anyone's first choice back home.

0:33:200:33:24

Then... James...

0:33:270:33:29

..suddenly seemed to see me in a different light.

0:33:300:33:34

After years of never noticing me.

0:33:340:33:36

I was so happy.

0:33:370:33:38

And he's been so sad.

0:33:440:33:46

But this.

0:33:480:33:49

This will make a difference.

0:33:490:33:51

Auntie Peg.

0:34:080:34:09

Hello, love.

0:34:110:34:13

I knew you'd find your feet. SHE CHUCKLES

0:34:150:34:18

And they're treating you well enough?

0:34:190:34:21

Has Mother asked after me?

0:34:250:34:26

No, but now that you're here, we've got time to mend bridges.

0:34:280:34:34

-She'll come round.

-I wish I shared your confidence.

0:34:360:34:39

Don't be like that.

0:34:390:34:40

Because time...

0:34:400:34:41

..time heals every wound.

0:34:430:34:46

Look, I've brought you something.

0:34:470:34:49

Oh.

0:34:490:34:51

Every home needs one.

0:34:510:34:53

Thank you.

0:34:530:34:55

-SHE LAUGHS

-Thank you!

0:35:000:35:02

I'll be sure to put it out when I find one.

0:35:020:35:05

You don't think that could be here in Inverness?

0:35:050:35:07

No, I'm still not sure.

0:35:070:35:09

The last time I had what I call a home

0:35:100:35:12

was over ten years ago in Paris.

0:35:120:35:15

You were happy there.

0:35:150:35:16

Oh, yes.

0:35:180:35:19

We were in love.

0:35:210:35:23

And then the Germans came.

0:35:280:35:30

Well...

0:35:320:35:33

I'm sure you'll find a spot for that mat.

0:35:350:35:37

One day.

0:35:370:35:39

You mark my words.

0:35:390:35:40

SHE PLAYS 'CLAIR DE LUNE' BY DEBUSSY

0:35:460:35:51

Have you seen James?

0:36:120:36:15

-Oh, what did Jack say?

-It's nothing to worry about.

0:36:150:36:18

I can't find him anywhere.

0:36:180:36:20

-I believe he's at the sheds.

-He's not.

0:36:200:36:23

Well, I'm sure that's where he said he'd be.

0:36:230:36:25

He did, but they haven't seen him all morning.

0:36:250:36:27

Sorry to interrupt. I'll keep looking.

0:36:270:36:29

No, no, no. You should be resting. Come on. Sit.

0:36:290:36:32

There's fresh tea. I'll bring him to you.

0:36:320:36:35

James!

0:36:410:36:42

James!

0:36:430:36:45

Oh, James.

0:36:490:36:51

James!

0:36:590:37:00

-James. Oh, God.

-Something wrong?

0:37:010:37:04

Didn't you hear me? I've been calling.

0:37:040:37:07

-You shouldn't be exerting yourself.

-I'm not an invalid.

0:37:070:37:09

You said you'd be at the sheds. I couldn't find you.

0:37:110:37:13

You didn't think...?

0:37:140:37:16

I'm fine.

0:37:180:37:20

I'm beyond doing anything foolish. I promise.

0:37:210:37:24

-We just finished burying Mercury.

-Why didn't you answer when I called?

0:37:340:37:37

I didn't hear you.

0:37:370:37:39

Don't.

0:37:390:37:41

Please.

0:37:410:37:42

Your wife is back from the hospital looking for you.

0:37:430:37:47

Get dressed.

0:37:470:37:49

I wish you could stay longer.

0:37:540:37:56

Next time.

0:37:560:37:58

This is a lovely little town.

0:37:580:38:00

Give it a go.

0:38:020:38:03

We'll see.

0:38:040:38:05

What did happen?

0:38:080:38:10

During the war?

0:38:100:38:11

Not a word for five years.

0:38:110:38:13

I lost everything.

0:38:210:38:22

They nearly killed me.

0:38:240:38:26

It's hard enough to go there in my mind,

0:38:280:38:30

let alone in the telling.

0:38:300:38:32

When you can, sweetheart.

0:38:360:38:38

There you are!

0:38:420:38:44

I was busy with something. What's happened?

0:38:440:38:46

I wanted to tell you alone but everyone simply arrived.

0:38:460:38:50

We're going to have a baby, James.

0:38:510:38:53

Oh!

0:38:530:38:54

That is wonderful news!

0:38:540:38:56

I'm going to be Aunt Anna!

0:38:560:38:58

Congratulations.

0:38:580:38:59

I'm... going to be a father?

0:38:590:39:02

- Champagne with dinner, I think. - Oh, a baby!

0:39:020:39:05

Aren't you happy?

0:39:050:39:06

James.

0:39:080:39:09

Yes.

0:39:100:39:12

100 times, yes.

0:39:120:39:14

Oh, good afternoon, sister.

0:39:260:39:28

I trust the visit with your aunt went well.

0:39:280:39:30

Thank you.

0:39:300:39:32

My aunt very much appreciated your effort.

0:39:340:39:36

I'm glad.

0:39:360:39:37

I'm sure a long, hot soak is very much in order

0:39:370:39:40

-after such an eventful day.

-It is.

0:39:400:39:42

Thought you might feel like some tea.

0:40:450:40:47

Aren't you lovely?

0:40:470:40:49

We're going to have a baby, Livvy.

0:40:550:40:57

-What do you think it is?

-A boy. I'm sure of it.

0:40:580:41:02

I've even started picking names. Is that silly?

0:41:020:41:05

-Not at all.

-I like William.

0:41:050:41:07

I...I think that's perfect.

0:41:080:41:11

Your brother will be chuffed.

0:41:110:41:12

It's also my father's name, of course.

0:41:120:41:14

I was thinking more of him.

0:41:140:41:15

Of course. How silly of me.

0:41:150:41:18

But you're right.

0:41:180:41:20

William is your dearest friend.

0:41:200:41:22

You must miss him as much as I do.

0:41:220:41:24

Sometimes.

0:41:240:41:25

William it is.

0:41:270:41:29

Can we talk?

0:41:380:41:40

The suspicion you had earlier...

0:41:470:41:51

I...

0:41:510:41:53

I accept that you're past harming yourself.

0:41:530:41:55

I meant the other one.

0:41:560:42:00

I want you to know that I'm going to be a good father

0:42:000:42:04

and a good husband.

0:42:040:42:06

I know I've disappointed you and I'll make up for it.

0:42:060:42:08

I promise.

0:42:080:42:10

I hope so.

0:42:110:42:13

PHONE RINGS

0:42:130:42:15

Yes. Of course. She's right here.

0:42:200:42:23

Doris Collins for you.

0:42:230:42:25

Thank you, James.

0:42:250:42:27

I'll take this in private.

0:42:270:42:29

-'Mrs Collins.'

-I'm sorry to disturb you.

0:42:330:42:36

I know you're frightfully busy,

0:42:360:42:38

but I've just discovered something very disturbing about Miss Adams.

0:42:380:42:44

Or whoever she is.

0:42:450:42:46

UPBEAT MUSIC PLAYS

0:43:070:43:10

MUSIC STOPS Oh!

0:43:120:43:14

Our rooms have locks.

0:43:160:43:17

I want the key to mine.

0:43:170:43:19

I...I can't do that. It's a house rule.

0:43:190:43:22

It may be your house but it's my room.

0:43:220:43:24

I want that key or I leave.

0:43:240:43:25

Stay out of my belongings.

0:43:400:43:42

MUSIC STARTS AGAIN

0:43:450:43:48

Did you do a background check on her?

0:43:520:43:54

Of course. Her references were in order. What's the point of this?

0:43:540:43:57

The point is,

0:43:570:43:59

you checked the references of a woman called Sarah Adams.

0:43:590:44:03

That is not her real name.

0:44:030:44:05

So who did we employ, Doctor?

0:44:050:44:07

-I'll get to the bottom of it, Elizabeth.

-I certainly hope so.

0:44:070:44:10

Because it is high time we knew exactly who Miss BRIDGET Adams really is.

0:44:100:44:16

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