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James. | 0:00:02 | 0:00:04 | |
James! No. | 0:00:04 | 0:00:05 | |
No-one else is to know about this. | 0:00:05 | 0:00:07 | |
No-one. | 0:00:07 | 0:00:08 | |
I'd only share what I know for his wellbeing. | 0:00:08 | 0:00:10 | |
Good. Then there will be no need for you to break the confidence. | 0:00:10 | 0:00:13 | |
I know a disappointed man when I see one. | 0:00:13 | 0:00:16 | |
We're going to have a baby, James. | 0:00:17 | 0:00:19 | |
But this... | 0:00:19 | 0:00:20 | |
This will make a difference. | 0:00:20 | 0:00:23 | |
You seemed very taken with the singer yesterday. | 0:00:23 | 0:00:25 | |
To them, he's just a farmer...and I'd be just a fool. | 0:00:25 | 0:00:30 | |
Our rooms have locks - I want the key to mine. | 0:00:30 | 0:00:32 | |
In my experience, one doesn't guard a door | 0:00:32 | 0:00:35 | |
unless there's something in the room. | 0:00:35 | 0:00:37 | |
You checked the references of a woman called Sarah Adams. | 0:00:39 | 0:00:43 | |
That is not her real name. | 0:00:43 | 0:00:45 | |
I'll get to the bottom of it, Elizabeth. | 0:00:45 | 0:00:47 | |
Because it is high time we knew | 0:00:47 | 0:00:49 | |
exactly who Miss BRIDGET Adams really is. | 0:00:49 | 0:00:52 | |
Sister? | 0:01:05 | 0:01:07 | |
I don't want to hold you up, certainly not on your first day, | 0:01:07 | 0:01:09 | |
but about yesterday... | 0:01:09 | 0:01:11 | |
Yes. | 0:01:11 | 0:01:12 | |
None of my other young ladies have ever asked for a key before, | 0:01:12 | 0:01:15 | |
and certainly none of them have ever used that tone that you did... | 0:01:15 | 0:01:18 | |
You went through my things. | 0:01:18 | 0:01:20 | |
Someone did. Can't see Alma or Maude doing it. | 0:01:20 | 0:01:23 | |
Things seemed a little untidy. | 0:01:23 | 0:01:24 | |
I was simply trying to help put things in order. | 0:01:24 | 0:01:27 | |
All I'm saying is, I hope that we can put this behind us. | 0:01:27 | 0:01:31 | |
I'm sure we can. | 0:01:31 | 0:01:32 | |
Good. Good. Because there's absolutely no reason | 0:01:32 | 0:01:34 | |
why you and I should have a problem with each other, is there? | 0:01:34 | 0:01:37 | |
Is there? | 0:01:37 | 0:01:38 | |
Well, as I always say, | 0:01:41 | 0:01:43 | |
those with nothing to hide need no lock and key. | 0:01:43 | 0:01:46 | |
Great-Grandmamma - | 0:01:48 | 0:01:49 | |
it has quite a ring to it. | 0:01:49 | 0:01:52 | |
It does, doesn't it? | 0:01:52 | 0:01:54 | |
Certainly put you in a good mood. | 0:01:54 | 0:01:55 | |
Well, many things have. | 0:01:55 | 0:01:56 | |
We'll have to show the baby off to Libby's family, of course. | 0:01:56 | 0:01:59 | |
Not too soon, I hope. | 0:01:59 | 0:02:01 | |
I wouldn't advise travelling with a wee one. | 0:02:01 | 0:02:03 | |
I did it with your father - very trying. | 0:02:03 | 0:02:06 | |
Just a short trip. We might even fly. | 0:02:06 | 0:02:09 | |
We could all go! | 0:02:09 | 0:02:10 | |
60 hours in a tin can? I can think of nothing less tantalising. | 0:02:10 | 0:02:14 | |
It's the way of the future, Mother. | 0:02:14 | 0:02:16 | |
Yours, perhaps. | 0:02:16 | 0:02:18 | |
Better still, why don't we invite your parents here, Olivia? | 0:02:18 | 0:02:20 | |
They'll have to make the crossing some time. | 0:02:20 | 0:02:22 | |
That's a grand idea. | 0:02:22 | 0:02:24 | |
Don't you think, James? | 0:02:24 | 0:02:26 | |
William, too. He'd love to come. | 0:02:26 | 0:02:29 | |
Late next year. We'll make it a real bush Christmas, | 0:02:29 | 0:02:31 | |
and by then the baby will be old enough to be interesting. | 0:02:31 | 0:02:35 | |
Look at you, Grandad. You're beaming. | 0:02:35 | 0:02:38 | |
I am, aren't I? | 0:02:38 | 0:02:39 | |
Yes, well, guest lists are a little premature. | 0:02:39 | 0:02:43 | |
We'll see, closer to the time. | 0:02:43 | 0:02:45 | |
BICYCLE BELL CHIMES | 0:02:53 | 0:02:56 | |
KNOCK AT DOOR Yes? | 0:03:06 | 0:03:09 | |
Reporting for duty. | 0:03:10 | 0:03:12 | |
Sister. Ah. Right. Yeah. | 0:03:12 | 0:03:16 | |
Uh... Have a seat. | 0:03:16 | 0:03:18 | |
Yeah. Nice and early. | 0:03:20 | 0:03:22 | |
Can't wait to get started. | 0:03:22 | 0:03:24 | |
A few things to sort out, and you're away. | 0:03:24 | 0:03:26 | |
Uh, something's come up. | 0:03:27 | 0:03:29 | |
I doubt it's a problem. It just needs clarifying. | 0:03:29 | 0:03:31 | |
-Yes? -Your name. | 0:03:31 | 0:03:33 | |
It's Bridget Adams, yeah? | 0:03:33 | 0:03:35 | |
Not Sarah. | 0:03:35 | 0:03:37 | |
Any reason why you're not going under your proper name? | 0:03:37 | 0:03:41 | |
Simple question. | 0:03:41 | 0:03:44 | |
So is the answer. | 0:03:44 | 0:03:45 | |
Then let's have it. Get you to work. | 0:03:45 | 0:03:48 | |
In my shoes, you'd be asking too. | 0:03:50 | 0:03:52 | |
No, I'd be apologising that your privacy had been invaded. | 0:03:52 | 0:03:55 | |
I can imagine how you got this information. | 0:03:55 | 0:03:57 | |
-Let's just get it sorted. -How did you find out, Doctor? | 0:03:57 | 0:04:00 | |
-Why are you being so defensive? -If I have nothing to hide? -Yeah. | 0:04:00 | 0:04:03 | |
Possibly it has something to do with someone going into my room | 0:04:03 | 0:04:06 | |
and going through my personal effects and rushing off to spread mischief, | 0:04:06 | 0:04:09 | |
and my employer somehow seeing me as the villain of the piece. | 0:04:09 | 0:04:12 | |
-I don't condone... -I simply value my privacy. | 0:04:12 | 0:04:15 | |
You have to give me more than that. | 0:04:16 | 0:04:18 | |
Sarah is the name I have lived and worked under for years. | 0:04:22 | 0:04:26 | |
And further than that, I'm asking for your trust... | 0:04:26 | 0:04:29 | |
if not your support. | 0:04:29 | 0:04:32 | |
You're using a name other than the one on your passport. | 0:04:35 | 0:04:38 | |
For goodness' sake, woman, just tell me why! | 0:04:41 | 0:04:43 | |
-No. -Come on. Sit down. | 0:04:45 | 0:04:46 | |
You chose the wrong woman to interrogate, Doctor. | 0:04:46 | 0:04:49 | |
Stop being so bloody dramatic! | 0:04:49 | 0:04:51 | |
Back so early? Did you forget something? | 0:04:55 | 0:04:58 | |
If you'll just let me explain, Miss Adams. | 0:05:00 | 0:05:03 | |
God as my witness, I never meant you any harm! | 0:05:03 | 0:05:06 | |
But you did me harm. | 0:05:06 | 0:05:08 | |
I shouldn't have looked, I know, | 0:05:10 | 0:05:12 | |
but you have so many secrets and you were under my roof. | 0:05:12 | 0:05:15 | |
Curiosity I forgive, | 0:05:15 | 0:05:17 | |
but telling Jack Duncan what you found was spiteful. | 0:05:17 | 0:05:19 | |
Dr Duncan? I'd never do that. | 0:05:19 | 0:05:21 | |
So it was a coincidence he found out? | 0:05:21 | 0:05:24 | |
Well, no, but... It... | 0:05:24 | 0:05:26 | |
Sarah. | 0:05:26 | 0:05:28 | |
Bridget! | 0:05:28 | 0:05:29 | |
I would never cost you your job. | 0:05:30 | 0:05:33 | |
I know what it is to need a living, | 0:05:33 | 0:05:36 | |
but I didn't tell Dr Duncan. | 0:05:36 | 0:05:38 | |
Don't make me say who. | 0:05:39 | 0:05:42 | |
I see. | 0:05:44 | 0:05:46 | |
Won't you come back inside? | 0:05:46 | 0:05:49 | |
You ask a perfectly reasonable question of the woman | 0:06:10 | 0:06:13 | |
and she runs from it. | 0:06:13 | 0:06:15 | |
-Something of a validation, wouldn't you say? -No. | 0:06:15 | 0:06:19 | |
In fact, I think she made a fair point. | 0:06:19 | 0:06:21 | |
As she fled the room. | 0:06:21 | 0:06:23 | |
I think she's standing on a matter of principle, not hiding any guilt. | 0:06:23 | 0:06:28 | |
Either way, Jack, she's unsuitable. | 0:06:28 | 0:06:31 | |
If she is prepared to flounce off in high dudgeon on principle, | 0:06:31 | 0:06:35 | |
she clearly doesn't want the job. | 0:06:35 | 0:06:38 | |
We're well rid of her. | 0:06:38 | 0:06:39 | |
How did you find out her real name? | 0:06:39 | 0:06:42 | |
That's irrelevant. | 0:06:42 | 0:06:44 | |
I'm asking if you went through her things. | 0:06:44 | 0:06:47 | |
-Don't be ridiculous. -I'm assuming Doris did it for you. | 0:06:47 | 0:06:49 | |
She seems to have given up the post. | 0:06:49 | 0:06:52 | |
Accept her decision. | 0:06:52 | 0:06:54 | |
I plan to apologise, | 0:06:54 | 0:06:57 | |
convince her to stay...if I can. | 0:06:57 | 0:07:00 | |
That would be a mistake. | 0:07:00 | 0:07:01 | |
-Well, I'm willing to take a risk on it. -I'm not. | 0:07:01 | 0:07:05 | |
I don't accept your "on principle" theory. | 0:07:05 | 0:07:07 | |
Hers are the actions of someone with something significant to hide. | 0:07:07 | 0:07:10 | |
A desire for privacy isn't a crime. | 0:07:10 | 0:07:12 | |
No, but it possibly hides one. | 0:07:12 | 0:07:15 | |
Who knows? | 0:07:15 | 0:07:17 | |
I'm sorry. I didn't mean to eavesdrop. I just wanted to | 0:07:22 | 0:07:24 | |
let you know that I'm taking Olivia | 0:07:24 | 0:07:26 | |
-on a tour of the property, Grandmother. -Very good. | 0:07:26 | 0:07:29 | |
Jack, be sensible. | 0:07:29 | 0:07:32 | |
That's just what I intend to be. | 0:07:32 | 0:07:35 | |
Oh! | 0:07:36 | 0:07:38 | |
SHE WHIMPERS | 0:07:38 | 0:07:40 | |
It's so lovely. I wish you'd brought me earlier. | 0:07:46 | 0:07:50 | |
How? | 0:07:50 | 0:07:51 | |
You wouldn't leave the house. | 0:07:51 | 0:07:54 | |
I suppose I was rather in the doldrums, wasn't I? | 0:07:54 | 0:07:57 | |
It's odd. | 0:07:58 | 0:07:59 | |
Ever since the baby, I feel so different. | 0:07:59 | 0:08:03 | |
Like I went to bed that girl, and woke up... | 0:08:03 | 0:08:06 | |
me, I suppose. | 0:08:06 | 0:08:09 | |
Do I sound like a mad person? | 0:08:09 | 0:08:11 | |
No. | 0:08:11 | 0:08:12 | |
You sound happy. | 0:08:12 | 0:08:14 | |
Come on. | 0:08:17 | 0:08:18 | |
In winter? | 0:08:22 | 0:08:23 | |
The sun's shining, isn't it? | 0:08:23 | 0:08:25 | |
But I didn't bring my costume. | 0:08:25 | 0:08:28 | |
Neither did I. | 0:08:28 | 0:08:30 | |
Anna, we can't just run around naked. | 0:08:31 | 0:08:33 | |
What if someone comes? | 0:08:33 | 0:08:34 | |
Well, then, we'd better hope they've got bad eyes. | 0:08:34 | 0:08:37 | |
Come on! | 0:08:37 | 0:08:38 | |
Where's that new girl you talked about? | 0:08:38 | 0:08:40 | |
No-one's here. | 0:08:40 | 0:08:42 | |
-You're fine. -I'm also British. | 0:08:42 | 0:08:45 | |
Turn around. | 0:08:47 | 0:08:49 | |
I can't believe I'm doing this. | 0:08:56 | 0:08:57 | |
Hurry up! | 0:08:57 | 0:08:59 | |
All right. | 0:09:02 | 0:09:04 | |
Come on, Livy. | 0:09:04 | 0:09:05 | |
Ready? | 0:09:08 | 0:09:10 | |
SHE SQUEALS | 0:09:12 | 0:09:13 | |
It is freezing in there! | 0:09:13 | 0:09:15 | |
There she is! | 0:09:15 | 0:09:18 | |
BOTH SCREAM | 0:09:18 | 0:09:20 | |
I'll need to leave my luggage here. | 0:09:29 | 0:09:30 | |
How long until the Sydney train? | 0:09:30 | 0:09:32 | |
Three o'clock. | 0:09:32 | 0:09:34 | |
Fine. And I'll need to borrow a bicycle. | 0:09:34 | 0:09:36 | |
Bike? Couldn't say where you'd find one around here. | 0:09:36 | 0:09:40 | |
I saw one out the front. | 0:09:40 | 0:09:41 | |
Yeah. That's mine. | 0:09:41 | 0:09:43 | |
If you're looking for that woman, you're too late - she's gone. | 0:09:55 | 0:09:58 | |
-Gone where? -I wouldn't know. | 0:09:58 | 0:10:01 | |
Good riddance to bad news, if you ask me. | 0:10:01 | 0:10:02 | |
Now, if you'll excuse me, | 0:10:02 | 0:10:03 | |
I'd rather not discuss this in front of prying eyes. | 0:10:03 | 0:10:06 | |
-Livy, can I ask you something? -Mmm? | 0:10:15 | 0:10:18 | |
-Did you always want babies? -Of course. | 0:10:18 | 0:10:21 | |
I just worried no-one would want to have them with me. | 0:10:21 | 0:10:25 | |
James was the first boy I ever kissed, you know, | 0:10:27 | 0:10:30 | |
though I did like Kenneth McKinnon for a while. | 0:10:30 | 0:10:33 | |
Nothing could have happened, of course. | 0:10:33 | 0:10:36 | |
-Why? Was he with someone? -No. | 0:10:36 | 0:10:39 | |
(He was the gardener.) | 0:10:39 | 0:10:41 | |
That, and he wouldn't have looked twice at me even if I was a shrub. | 0:10:45 | 0:10:48 | |
What do you think would have happened if... | 0:10:49 | 0:10:52 | |
you'd shown interest in him? | 0:10:52 | 0:10:53 | |
Heaven knows, | 0:10:53 | 0:10:55 | |
but it wouldn't have been good. | 0:10:55 | 0:10:58 | |
My cousin married beneath her. | 0:10:58 | 0:11:00 | |
They stopped talking to her altogether. | 0:11:00 | 0:11:03 | |
Mmm. Our black sheep's Aunt Caroline. | 0:11:03 | 0:11:06 | |
I've never been told her sin. | 0:11:06 | 0:11:08 | |
I think it's changing, though, all of that. | 0:11:08 | 0:11:12 | |
I hope so. | 0:11:12 | 0:11:14 | |
There. Anne of Green Gables would be jealous. | 0:11:15 | 0:11:19 | |
Mummy would be horrified! | 0:11:20 | 0:11:22 | |
Livy... | 0:11:22 | 0:11:24 | |
..are we friends now? | 0:11:26 | 0:11:27 | |
Even better. | 0:11:27 | 0:11:30 | |
We're sisters. | 0:11:30 | 0:11:33 | |
Good. There's somewhere else I want to take you. | 0:11:33 | 0:11:36 | |
Come on! | 0:11:36 | 0:11:37 | |
-Here we are. -How the other half live. | 0:11:41 | 0:11:43 | |
Don't be a snob. The Polettis are family friends. | 0:11:43 | 0:11:46 | |
-I'm sorry. -I'm teasing. | 0:11:46 | 0:11:49 | |
You've met him already. | 0:11:51 | 0:11:53 | |
Gino and his father performed at the concert. | 0:11:53 | 0:11:56 | |
Oh, the dreamy Italian. Of course I remember. | 0:11:56 | 0:11:59 | |
Don't give me that look. | 0:11:59 | 0:12:01 | |
It's just...more fun than sandwiches with Gran. | 0:12:01 | 0:12:06 | |
Mm-hm. | 0:12:06 | 0:12:07 | |
Besides, it's time you made some more friends here. | 0:12:07 | 0:12:11 | |
The whole family is lovely. | 0:12:11 | 0:12:13 | |
They went through hell during the war. | 0:12:13 | 0:12:16 | |
Mr Poletti was interned as an enemy alien. | 0:12:16 | 0:12:20 | |
Did they do that here? | 0:12:20 | 0:12:23 | |
Their eldest son went back to fight for Mussolini - | 0:12:23 | 0:12:26 | |
broke their hearts - don't talk about it. | 0:12:26 | 0:12:29 | |
Anna! | 0:12:29 | 0:12:32 | |
Ciao, Anna! | 0:12:32 | 0:12:34 | |
-Girls, come! -Anna! | 0:12:34 | 0:12:36 | |
BRAKES SQUEAK | 0:12:44 | 0:12:46 | |
Sarah. What a nice surprise. | 0:12:57 | 0:13:00 | |
I'm afraid this isn't a social visit. | 0:13:01 | 0:13:04 | |
There are things you need to know. | 0:13:05 | 0:13:07 | |
-We'll be private in here. -Thank you. | 0:13:13 | 0:13:16 | |
There's no easy way to say this. | 0:13:16 | 0:13:18 | |
James attempted suicide on the ship the night before we docked. | 0:13:21 | 0:13:24 | |
-No. -Yes. | 0:13:26 | 0:13:27 | |
-Why? -I have no idea. | 0:13:32 | 0:13:35 | |
-It was me who stopped him. -And you only tell me now? | 0:13:35 | 0:13:37 | |
James swore me to silence. | 0:13:37 | 0:13:39 | |
-He preferred your mother handled the situ... -My mother knows? | 0:13:39 | 0:13:41 | |
Just her and I, which, I believe, | 0:13:41 | 0:13:44 | |
is why she's made such a point of keeping me out of your lives, | 0:13:44 | 0:13:47 | |
something she's finally succeeded in doing. I'm leaving. | 0:13:47 | 0:13:51 | |
-Leave? Why? -Ask your mother. That's not why I'm here. | 0:13:51 | 0:13:55 | |
I'm here for James. | 0:13:55 | 0:13:57 | |
I kept silent because she said she had his best interest at heart. | 0:13:57 | 0:14:00 | |
I no longer believe that. | 0:14:00 | 0:14:02 | |
He says he's fine, | 0:14:02 | 0:14:05 | |
but watch him. | 0:14:05 | 0:14:07 | |
I'm not convinced. | 0:14:07 | 0:14:08 | |
You have no idea why he did it? | 0:14:14 | 0:14:16 | |
If I knew, I would tell you. | 0:14:16 | 0:14:18 | |
I won't forget your kindness, George. | 0:14:23 | 0:14:26 | |
-Can't I...? -I need a place to rest, | 0:14:26 | 0:14:30 | |
not more battles. | 0:14:30 | 0:14:31 | |
DOOR OPENS AND CLOSES | 0:14:36 | 0:14:37 | |
What comes next you brought on yourself. | 0:14:42 | 0:14:45 | |
Mother? | 0:14:47 | 0:14:48 | |
LAUGHTER AND CHATTER | 0:14:52 | 0:14:55 | |
-All over! -Gino! | 0:14:55 | 0:14:57 | |
-Today? -Si. | 0:14:57 | 0:15:00 | |
Smells wonderful. May I ask what it is? | 0:15:00 | 0:15:02 | |
Ribollita. It's from Tuscany. It's very popular. | 0:15:02 | 0:15:05 | |
-What do you put in it? -Oh! Everything. | 0:15:05 | 0:15:07 | |
What she find in the kitchen she put. | 0:15:07 | 0:15:10 | |
THEY LAUGH | 0:15:10 | 0:15:11 | |
Almost. | 0:15:11 | 0:15:13 | |
I haven't been to the north of Italy, only Napoli and Roma. | 0:15:13 | 0:15:17 | |
SHE SPEAKS ITALIAN | 0:15:17 | 0:15:19 | |
Hey. | 0:15:19 | 0:15:20 | |
-Oh, aren't you full of surprises? -I think the wine's gone to my head. | 0:15:20 | 0:15:24 | |
You just can't find table wine here. Why is that? | 0:15:24 | 0:15:28 | |
Every meal back home we had wine, | 0:15:28 | 0:15:30 | |
even for breakfast at Christmas. | 0:15:30 | 0:15:33 | |
Australians no like. | 0:15:33 | 0:15:34 | |
No, they like the port, sherry, birra, uffa! | 0:15:34 | 0:15:39 | |
So, we make port, we make sherry, | 0:15:39 | 0:15:42 | |
we make money from them. The wine we make for us. | 0:15:42 | 0:15:45 | |
You take a bottle. | 0:15:45 | 0:15:47 | |
Oh, I'd love that. Thank you. | 0:15:47 | 0:15:50 | |
-How do you like it here? -Everyone's been friendly. | 0:15:50 | 0:15:53 | |
I suppose it's normal to miss home, though, isn't it? | 0:15:54 | 0:15:57 | |
Hmm, no. | 0:15:57 | 0:15:59 | |
For you, maybe. | 0:15:59 | 0:16:00 | |
Now, we've been here over 20 years. | 0:16:00 | 0:16:03 | |
-Si. -Must have been hard, with the war and everything. | 0:16:03 | 0:16:06 | |
-Gilda, play a song? -Gino's favourite? -Hey! | 0:16:10 | 0:16:13 | |
-Hey, Gino, it's just music. We need music. -Si. | 0:16:13 | 0:16:17 | |
He sings it all day - in the vines, in bed - always singing. | 0:16:18 | 0:16:22 | |
MUSIC: "Bayon de Anna" by Silvana Mangano | 0:16:22 | 0:16:25 | |
Oh, I know this. It's from that film. What's it called? | 0:16:25 | 0:16:28 | |
-What have I said? -Anna. It's called Anna. | 0:16:28 | 0:16:32 | |
Oh, stop being silly! | 0:16:32 | 0:16:34 | |
Come on! | 0:16:36 | 0:16:37 | |
Whoo-hoo! | 0:16:38 | 0:16:40 | |
Come on, Gino! | 0:16:40 | 0:16:42 | |
Gino's lovely. | 0:16:49 | 0:16:51 | |
I suppose so. | 0:16:53 | 0:16:55 | |
Oh, we've been friends for years. | 0:16:55 | 0:16:58 | |
He's... He's more like a brother. | 0:16:58 | 0:17:00 | |
MUSIC CONTINUES | 0:17:00 | 0:17:03 | |
This is so lovely. | 0:17:09 | 0:17:11 | |
Mother? | 0:17:28 | 0:17:30 | |
I've been calling. You didn't answer. | 0:17:30 | 0:17:32 | |
Because I don't appreciate being bellowed at. | 0:17:33 | 0:17:37 | |
Is what Sarah Adams said true? | 0:17:37 | 0:17:39 | |
-I don't know if anything she says is true. -Did... | 0:17:39 | 0:17:42 | |
..James try to kill himself? | 0:17:44 | 0:17:45 | |
Why? | 0:17:50 | 0:17:52 | |
That's something you'll need to ask him. | 0:17:52 | 0:17:55 | |
But before you pillory me, | 0:17:55 | 0:17:56 | |
I kept his secret for the family, | 0:17:56 | 0:17:59 | |
for you, most of all. | 0:17:59 | 0:18:01 | |
Tell me, please, how this helps me. | 0:18:01 | 0:18:04 | |
He's my son. | 0:18:04 | 0:18:05 | |
And your son made a mistake - | 0:18:05 | 0:18:08 | |
one he didn't want to inflict on you. | 0:18:08 | 0:18:11 | |
That woman made a promise to James and to me - | 0:18:11 | 0:18:14 | |
-she should not have broken it. -She saved his life. | 0:18:14 | 0:18:17 | |
And now she threatens to ruin it. | 0:18:17 | 0:18:19 | |
She saved his life and you repay her by running her out of town! | 0:18:19 | 0:18:22 | |
You should be ashamed of yourself. | 0:18:24 | 0:18:26 | |
James has rallied. | 0:18:29 | 0:18:30 | |
If you bring it up with him, you be very careful. | 0:18:32 | 0:18:35 | |
I will do what I think is right, both with James and with Sarah Adams. | 0:18:35 | 0:18:39 | |
DOG BARKS | 0:18:53 | 0:18:55 | |
Shoo! You can't come. | 0:19:01 | 0:19:04 | |
Shoo! | 0:19:04 | 0:19:06 | |
I said shoo! | 0:19:10 | 0:19:12 | |
Go back to the house! | 0:19:13 | 0:19:15 | |
Go! Go! | 0:19:16 | 0:19:19 | |
DOG WHINES | 0:19:19 | 0:19:21 | |
I can chuck a u-ey and give you a lift back to town if you'd like. | 0:19:35 | 0:19:38 | |
No, thanks, Roy. Look after that leg. | 0:19:38 | 0:19:41 | |
I thought that was your job now. | 0:19:41 | 0:19:43 | |
THUMP! | 0:19:51 | 0:19:53 | |
DOG WHIMPERS | 0:19:53 | 0:19:55 | |
Come on, boy. | 0:20:02 | 0:20:03 | |
DOG WHIMPERS | 0:20:03 | 0:20:06 | |
-You settle him down. I'll get the vet. -Really? | 0:20:09 | 0:20:11 | |
We should come with you. | 0:20:11 | 0:20:12 | |
No. The last thing he needs is to be bouncing around on this rattle trap. | 0:20:12 | 0:20:15 | |
I'll be back in two shakes of a lamb's tail. | 0:20:15 | 0:20:18 | |
DOG WHIMPERS | 0:20:20 | 0:20:23 | |
You're all right. | 0:20:23 | 0:20:24 | |
You're all right. | 0:20:28 | 0:20:29 | |
Sh, sh. | 0:20:29 | 0:20:32 | |
DOG WHIMPERS | 0:20:32 | 0:20:34 | |
You're all right. | 0:20:40 | 0:20:42 | |
JAUNTY MUSIC ON RADIO | 0:20:44 | 0:20:47 | |
# When a-you kiss me | 0:20:49 | 0:20:51 | |
# And I'm-a kiss you... # | 0:20:51 | 0:20:53 | |
This is a nice surprise. | 0:21:00 | 0:21:01 | |
Good to see you can still hold an axe, not just a croquet mallet. | 0:21:01 | 0:21:05 | |
-You smell of wine. What have you been up to? -I took her to the Polettis. | 0:21:07 | 0:21:10 | |
-They were having lunch, so we joined in. -It was wonderful. | 0:21:10 | 0:21:14 | |
And we went to the water hole, too. It's beautiful there. | 0:21:14 | 0:21:17 | |
-Would you mind if I kept you company? -Not at all. | 0:21:17 | 0:21:21 | |
I'll see you at home, then. | 0:21:21 | 0:21:22 | |
-What are you doing? -I'm helping. -Is that wise in your condition? | 0:21:28 | 0:21:31 | |
I'm expecting, not infirm. | 0:21:31 | 0:21:34 | |
Besides, I'm a landowner's wife now. | 0:21:34 | 0:21:39 | |
Time to get used to it. | 0:21:39 | 0:21:41 | |
-Have you seen your brother? -He's mending the fence near the west dam. | 0:21:44 | 0:21:47 | |
-Did he say how long he'll be? -No. What's happened? | 0:21:47 | 0:21:51 | |
-Just something I need to discuss with him. -Well, I can get him. | 0:21:51 | 0:21:53 | |
No, no. It's all right. But there is something you can do for me. | 0:21:53 | 0:21:57 | |
-You and Sarah have become close. -Yes. -Then go to the train station. | 0:21:57 | 0:22:01 | |
She's planning to leave and perhaps you can do something I couldn't - | 0:22:01 | 0:22:04 | |
-convince her to stay. -Why would she leave? -I'll explain later. Just go. | 0:22:04 | 0:22:08 | |
If she gets on that train, I can't see her coming back. | 0:22:08 | 0:22:10 | |
-I'll bring her here? -No, no, no. Put her up at the hotel for now | 0:22:10 | 0:22:13 | |
and tell her that... | 0:22:13 | 0:22:14 | |
Just hurry. | 0:22:16 | 0:22:18 | |
She left her stuff and dashed off, that's all I can tell you. | 0:22:24 | 0:22:26 | |
-How long until the train? -20 minutes. | 0:22:26 | 0:22:28 | |
I'll sit with the bags, then. | 0:22:28 | 0:22:30 | |
You've got company. | 0:22:30 | 0:22:32 | |
She'd better bring my bike back. | 0:22:33 | 0:22:35 | |
Just me. | 0:22:40 | 0:22:42 | |
-Any idea where she is? -I don't even know why she's leaving - | 0:22:42 | 0:22:45 | |
father wouldn't say. Do you? | 0:22:45 | 0:22:47 | |
-If he didn't, I probably shouldn't. -Oh. | 0:22:47 | 0:22:50 | |
Old enough to do everyone's bidding, but not to know why. | 0:22:50 | 0:22:54 | |
You sound like you're reading too much Bronte. | 0:22:54 | 0:22:56 | |
Well, the whole thing is just so Jane Eyre. | 0:22:56 | 0:22:57 | |
The distraught damsel rushing off without warning. | 0:22:57 | 0:23:00 | |
Who's Rochester? You or father? | 0:23:00 | 0:23:03 | |
This is melodramatic enough without you adding to it. | 0:23:03 | 0:23:05 | |
I just want to know the story. | 0:23:05 | 0:23:08 | |
Weren't you arguing about it with Gran this morning? | 0:23:08 | 0:23:12 | |
Look, I don't pretend to know the half of it. | 0:23:12 | 0:23:14 | |
Let's just change her mind. | 0:23:14 | 0:23:16 | |
Oh, and questions about her past? Not the way to do it. | 0:23:16 | 0:23:20 | |
-You know... -Anna. -Why is it Gran lets you get away with murder? | 0:23:22 | 0:23:25 | |
What do you mean? | 0:23:25 | 0:23:27 | |
If James or I or even father spoke to her like you do, | 0:23:27 | 0:23:30 | |
-we'd be out on our ear. -Ah. | 0:23:30 | 0:23:33 | |
That's the question. | 0:23:33 | 0:23:35 | |
Well, I'd like to know the answer as much as you. | 0:23:36 | 0:23:39 | |
Let me know if you ever find out. | 0:23:39 | 0:23:41 | |
If he makes the morning, he should pull through, | 0:23:50 | 0:23:52 | |
but if I were you, I'd think about putting him down. He's no pup. | 0:23:52 | 0:23:55 | |
I was thinking the same thing meself. | 0:23:55 | 0:23:57 | |
I gave up on one animal yesterday. I'm not giving up on this one. | 0:23:57 | 0:23:59 | |
-So he's yours? -Well, he's nobody's, | 0:23:59 | 0:24:03 | |
but we won't put him down. I'll pay for the care. | 0:24:03 | 0:24:05 | |
-Okey-doke. I'll send you the bill. You know where I am. -Thanks, Barry. | 0:24:05 | 0:24:10 | |
Looks like you got yourself a dog. | 0:24:10 | 0:24:12 | |
It was my fault. | 0:24:12 | 0:24:13 | |
I want to stay with him, | 0:24:15 | 0:24:17 | |
if that's OK by you? | 0:24:17 | 0:24:19 | |
You suit yourself, missy. | 0:24:21 | 0:24:22 | |
Look at you. Farmer's wife. | 0:24:27 | 0:24:30 | |
James, a word. | 0:24:32 | 0:24:35 | |
No need to wait, my dear. We'll be in. | 0:24:35 | 0:24:38 | |
Miss Adams was here. She's told your father everything. | 0:24:42 | 0:24:45 | |
-What do you mean everything? -Only what she knows. | 0:24:45 | 0:24:48 | |
He's looking for answers. You have to find a story he can believe, | 0:24:48 | 0:24:52 | |
stick to it, reassure him that you're all right. | 0:24:52 | 0:24:55 | |
-I am. -Good. What will you say? | 0:24:55 | 0:24:58 | |
The best lie is a version of the truth. | 0:25:01 | 0:25:03 | |
-Oh. -Is James with you? | 0:25:08 | 0:25:10 | |
There you are. Come to the sitting room. | 0:25:10 | 0:25:12 | |
-What's happening? -Nothing. | 0:25:12 | 0:25:14 | |
Just a business matter. | 0:25:17 | 0:25:19 | |
Sit. | 0:25:26 | 0:25:28 | |
So... | 0:25:41 | 0:25:43 | |
it is true? You tried to kill yourself? | 0:25:43 | 0:25:46 | |
Yes. | 0:25:48 | 0:25:49 | |
You said nothing. | 0:25:51 | 0:25:52 | |
I was ashamed. | 0:25:54 | 0:25:55 | |
To despair so deeply that... | 0:25:55 | 0:25:57 | |
You're my son. | 0:25:59 | 0:26:01 | |
And you're my father. | 0:26:02 | 0:26:03 | |
-You could have talked to me. -I felt I couldn't. | 0:26:03 | 0:26:06 | |
Why, James? | 0:26:12 | 0:26:14 | |
I was in love... | 0:26:19 | 0:26:22 | |
with...someone in London. | 0:26:22 | 0:26:25 | |
She came from nothing. | 0:26:26 | 0:26:28 | |
Leaving her... | 0:26:29 | 0:26:31 | |
broke my heart. | 0:26:31 | 0:26:33 | |
It...broke something in me. | 0:26:33 | 0:26:36 | |
If it was so serious... | 0:26:36 | 0:26:38 | |
why rush into marrying Olivia? | 0:26:38 | 0:26:40 | |
Grandmother found out, | 0:26:42 | 0:26:44 | |
made it very clear that I had to move on... | 0:26:44 | 0:26:46 | |
..so I did. | 0:26:48 | 0:26:50 | |
I knew Livy through her brother. | 0:26:50 | 0:26:52 | |
I knew marrying her would make everyone happy. | 0:26:53 | 0:26:56 | |
-The truth is, it did. -Except you. | 0:26:57 | 0:27:00 | |
Perhaps. | 0:27:03 | 0:27:05 | |
But like it or not, Gran was right. | 0:27:05 | 0:27:08 | |
I can't just marry anyone - | 0:27:09 | 0:27:12 | |
none of us can. | 0:27:12 | 0:27:13 | |
Promise me one thing. | 0:27:19 | 0:27:22 | |
-I won't feel like that again. -You can't promise me that, | 0:27:22 | 0:27:25 | |
but if you do... | 0:27:25 | 0:27:27 | |
..if you ever hurt that deeply, tell me. | 0:27:28 | 0:27:33 | |
Let me help. | 0:27:33 | 0:27:34 | |
I'm better now. | 0:27:42 | 0:27:44 | |
I'm happy. | 0:27:44 | 0:27:46 | |
I am. | 0:27:47 | 0:27:48 | |
-Maybe we should give it a while longer. -No, that was the last train | 0:27:57 | 0:28:00 | |
and if she's not back now, I'm guessing she doesn't mean to be. | 0:28:00 | 0:28:03 | |
Unless something bad's happened. | 0:28:03 | 0:28:05 | |
If she was that upset, do you think...? | 0:28:05 | 0:28:07 | |
-She's not the type to do anything rash. -Rash? | 0:28:07 | 0:28:10 | |
As in leave town and abandon all she owns at the station? | 0:28:10 | 0:28:14 | |
Do you need a lift home? | 0:28:17 | 0:28:18 | |
No, I've got the car and I promised Father I'd wait until I saw her. | 0:28:18 | 0:28:22 | |
You can't stay here all night. | 0:28:22 | 0:28:23 | |
I'll call when I find her. Yeah? | 0:28:23 | 0:28:25 | |
She's, um, lucky to have a boss who cares about her. | 0:28:27 | 0:28:31 | |
She's a good nurse. | 0:28:31 | 0:28:32 | |
SHE GASPS | 0:28:41 | 0:28:42 | |
I told him a tale, he accepted it, we're fine. | 0:28:47 | 0:28:49 | |
For now. | 0:28:53 | 0:28:54 | |
-Tea's in the red tin if you're looking. -I'm not making tea. | 0:29:15 | 0:29:18 | |
-Your dressing needs tending to. -It's fine. -It's filthy. | 0:29:18 | 0:29:21 | |
Did you at least sterilise those bandages? | 0:29:21 | 0:29:23 | |
-In the oven, like you told me. -Good. | 0:29:23 | 0:29:25 | |
Then sit down and roll your pants up. | 0:29:25 | 0:29:28 | |
So, where's it going to be, then? Sydney, I suppose? | 0:29:34 | 0:29:37 | |
I don't know what you're talking about. | 0:29:37 | 0:29:40 | |
I didn't take you as the type to cut and run. | 0:29:40 | 0:29:42 | |
-I don't see it as running. -Don't you? | 0:29:44 | 0:29:46 | |
No. I've been here a few days. There's nothing keeping me here. | 0:29:46 | 0:29:48 | |
If you believed that, you wouldn't be here right now. | 0:29:48 | 0:29:50 | |
Well, I couldn't just go and let the dog die. | 0:29:50 | 0:29:53 | |
You stayed because you cared. | 0:29:56 | 0:29:58 | |
Doesn't much matter about what. | 0:30:00 | 0:30:02 | |
That's all I'm saying. | 0:30:02 | 0:30:03 | |
But what would I know, eh? | 0:30:06 | 0:30:07 | |
The haricots beurre are lovely. | 0:30:33 | 0:30:35 | |
Has Jack called about Sarah? | 0:30:42 | 0:30:44 | |
-His name is Dr Duncan. -He doesn't mind. | 0:30:44 | 0:30:47 | |
Why? Has something happened to her? | 0:30:47 | 0:30:49 | |
-She's missing. -Has been all day. -Just because someone | 0:30:50 | 0:30:53 | |
absents themselves does not mean they're missing. | 0:30:53 | 0:30:55 | |
I'd call it missing. No-one's seen her since she left here. | 0:30:55 | 0:30:58 | |
The span of one afternoon doesn't exactly merit a manhunt. | 0:30:58 | 0:31:03 | |
Why are you being so callous? What did she ever do to you? | 0:31:03 | 0:31:06 | |
That's enough. | 0:31:06 | 0:31:08 | |
Can we at least eat dinner in peace? | 0:31:08 | 0:31:09 | |
-No, I don't... -Enough, Anna! | 0:31:09 | 0:31:12 | |
What a difference a day makes. | 0:31:23 | 0:31:25 | |
You're not helping. | 0:31:25 | 0:31:26 | |
You're a hard woman to find. | 0:32:04 | 0:32:06 | |
Sorry to have put you out. | 0:32:06 | 0:32:08 | |
You said to take you at your word. | 0:32:09 | 0:32:12 | |
I'm here to say I will. | 0:32:12 | 0:32:13 | |
-Change your mind? -It's not that. | 0:32:15 | 0:32:17 | |
I might have made staying impossible. | 0:32:20 | 0:32:23 | |
I had some final dealings with Elizabeth Bligh. | 0:32:23 | 0:32:26 | |
Suffice to say, if she wasn't an enemy before, she is now. | 0:32:28 | 0:32:31 | |
She was before. | 0:32:31 | 0:32:32 | |
But I want you at the hospital and I'll fight to keep you there. | 0:32:33 | 0:32:36 | |
Enough to make her your enemy, too? | 0:32:36 | 0:32:38 | |
If that's the cost of doing the right thing. | 0:32:38 | 0:32:41 | |
I didn't stand up for you earlier. | 0:32:41 | 0:32:44 | |
I will now. | 0:32:44 | 0:32:45 | |
What changed your mind? | 0:32:49 | 0:32:51 | |
Something in the way you said the word "interrogate". | 0:32:51 | 0:32:54 | |
-I saw myself through your eyes. -Very dirty word to me. | 0:32:54 | 0:32:57 | |
Think about it. | 0:33:01 | 0:33:03 | |
No conditions. | 0:33:04 | 0:33:06 | |
No questions. | 0:33:06 | 0:33:08 | |
KNOCK ON DOOR | 0:33:14 | 0:33:15 | |
Coming to bed? | 0:33:19 | 0:33:21 | |
In a minute. | 0:33:23 | 0:33:24 | |
You can talk to me, you know. | 0:33:27 | 0:33:30 | |
What do you mean? | 0:33:31 | 0:33:32 | |
About whatever happened between you and your father. | 0:33:32 | 0:33:36 | |
I'm guessing it had something to do with Sarah Adams. | 0:33:36 | 0:33:40 | |
I'm not blind. | 0:33:40 | 0:33:42 | |
I do see when you're upset... | 0:33:43 | 0:33:45 | |
..I always have, | 0:33:47 | 0:33:49 | |
especially on the ship. | 0:33:49 | 0:33:51 | |
Perhaps one day, you'll learn to talk to me. I'll see you upstairs. | 0:33:53 | 0:33:57 | |
Sit with me? | 0:33:58 | 0:34:00 | |
Before we got married... | 0:34:16 | 0:34:18 | |
..I was in love with someone... | 0:34:20 | 0:34:22 | |
..someone totally wrong. | 0:34:23 | 0:34:25 | |
It was over by the time we got together. | 0:34:27 | 0:34:29 | |
I didn't want it to be. | 0:34:32 | 0:34:34 | |
-Do you still love her? -No. | 0:34:37 | 0:34:41 | |
-Do you? -No. | 0:34:41 | 0:34:43 | |
Then why didn't you tell me? | 0:34:43 | 0:34:45 | |
It was my pain. | 0:34:45 | 0:34:47 | |
I didn't want it to be yours. | 0:34:47 | 0:34:49 | |
But it was. | 0:34:49 | 0:34:51 | |
I saw you suffer and... | 0:34:52 | 0:34:55 | |
-I thought it was me. -No. | 0:34:55 | 0:34:58 | |
All this time, I... | 0:34:58 | 0:35:00 | |
-I thought it was me. -No, Livy. No. | 0:35:00 | 0:35:04 | |
I was so happy today. | 0:35:04 | 0:35:06 | |
You're everything to me. | 0:35:06 | 0:35:09 | |
You...and the baby. | 0:35:11 | 0:35:14 | |
I won't shut you out again... | 0:35:16 | 0:35:18 | |
..I promise. | 0:35:20 | 0:35:21 | |
SHE SOBS | 0:35:25 | 0:35:27 | |
He's going to make it through. | 0:35:38 | 0:35:40 | |
You know how I know? | 0:35:40 | 0:35:42 | |
I told him you'd leave if he kicked the bucket. | 0:35:42 | 0:35:45 | |
-Ought to have a name, but. -He's Boy. | 0:35:45 | 0:35:48 | |
I reckon he's lucky. | 0:35:48 | 0:35:50 | |
Lucky. | 0:35:50 | 0:35:52 | |
I like it. | 0:35:52 | 0:35:54 | |
Oh, no. I meant that he... | 0:35:54 | 0:35:56 | |
Hmm. | 0:35:56 | 0:35:58 | |
Looks like you've got yourself a new moniker, mate. | 0:35:58 | 0:36:00 | |
I'll take mine outside. | 0:36:09 | 0:36:11 | |
Bit of a chaser. | 0:36:38 | 0:36:39 | |
You know, you're dead out in the city. | 0:36:52 | 0:36:54 | |
Albert got himself shot down over France. | 0:37:07 | 0:37:10 | |
Daniel never made it back off Kokoda. | 0:37:13 | 0:37:15 | |
Never got so much as a button off their coats. | 0:37:16 | 0:37:19 | |
Well... | 0:37:24 | 0:37:26 | |
plenty suffered worse, I suppose. | 0:37:26 | 0:37:28 | |
There's a room for you here, Miss Adams, | 0:37:30 | 0:37:33 | |
till you get yourself settled again. | 0:37:33 | 0:37:35 | |
Call me Sarah, Roy. | 0:37:38 | 0:37:39 | |
Righto, Sarah. | 0:37:42 | 0:37:44 | |
Well, it's here if you want it. | 0:37:46 | 0:37:47 | |
The name on my passport is Bridget - | 0:37:57 | 0:38:00 | |
that's my birth name. | 0:38:00 | 0:38:02 | |
That's what caused all the trouble today, | 0:38:03 | 0:38:06 | |
people wanting the truth behind it. | 0:38:06 | 0:38:07 | |
Well, it's a nice name, that. | 0:38:09 | 0:38:12 | |
Yeah, I changed it when I married. | 0:38:12 | 0:38:14 | |
My husband was Jewish. | 0:38:16 | 0:38:18 | |
When you convert, you're given a Jewish name... | 0:38:18 | 0:38:20 | |
..but I lost all proof of that identity during the war. | 0:38:23 | 0:38:27 | |
Rene died... | 0:38:31 | 0:38:33 | |
..in Dachau. | 0:38:35 | 0:38:36 | |
I... | 0:38:39 | 0:38:41 | |
..lived. | 0:38:43 | 0:38:45 | |
It goes no further. | 0:38:53 | 0:38:55 | |
Albert always loved this room. Gets the first sun, you know. | 0:39:06 | 0:39:09 | |
You'd have liked my Albert. | 0:39:13 | 0:39:14 | |
KNOCK ON DOOR | 0:39:21 | 0:39:23 | |
Come in. | 0:39:23 | 0:39:24 | |
All right. | 0:39:30 | 0:39:32 | |
If you're game, so am I. | 0:39:32 | 0:39:34 | |
Then I'll see you first thing tomorrow. | 0:39:34 | 0:39:36 | |
So, uh, what changed your mind? | 0:39:40 | 0:39:42 | |
Didn't think I was that persuasive. | 0:39:42 | 0:39:45 | |
You aren't. | 0:39:45 | 0:39:46 | |
So she explained herself? | 0:39:50 | 0:39:53 | |
Hm. I didn't think so. | 0:39:53 | 0:39:55 | |
I'm prepared to take her on trust. | 0:39:55 | 0:39:57 | |
You will live with the consequences. | 0:39:57 | 0:40:00 | |
That's it? | 0:40:00 | 0:40:01 | |
I don't think this is funny. | 0:40:03 | 0:40:05 | |
I'm just thinking of a question Anna asked me yesterday. | 0:40:05 | 0:40:08 | |
Well, when you've finished amusing yourself, you can leave. | 0:40:08 | 0:40:11 | |
-Elizabeth... -Go! | 0:40:11 | 0:40:14 | |
This is not ingratitude and I don't want it come between us. | 0:40:14 | 0:40:17 | |
But it's a risk you're clearly prepared to take. Go on, get out! | 0:40:17 | 0:40:22 | |
Now, whatever your problem with her, she's a good woman. | 0:40:27 | 0:40:30 | |
A good nurse. | 0:40:30 | 0:40:31 | |
RADIO PLAYS INDISTINCTLY | 0:40:46 | 0:40:49 | |
RADIO PLAYS INDISTINCTLY | 0:41:09 | 0:41:11 | |
-Mind company? -Oh, sorry. I didn't mean to wake ya. | 0:41:11 | 0:41:14 | |
It's the Ashes. | 0:41:16 | 0:41:18 | |
The first time in 19 years if the Poms take it. | 0:41:18 | 0:41:21 | |
How are we doing? | 0:41:21 | 0:41:23 | |
Depends whose side you're on. You sound like a bit of a Pommy to me. | 0:41:23 | 0:41:26 | |
Don't be daft. | 0:41:26 | 0:41:27 | |
DOG WHIMPERS | 0:41:27 | 0:41:29 | |
Lucky, eh? | 0:41:38 | 0:41:40 | |
Lucky. | 0:41:40 | 0:41:42 | |
-RADIO: -'Morris with his face wreathed in smiles now, | 0:41:48 | 0:41:52 | |
'sends up one to Compton, short. Outside the leg stump. | 0:41:52 | 0:41:56 | |
'Compton hooks it! | 0:41:56 | 0:41:58 | |
'And there's the Ashes. England has won, as the ball...' | 0:41:58 | 0:42:02 |